Transcript of Episode 55: Energy Directed Weapons: Who Turned Off the Lights?

With Guest Bruce Landay

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joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the basement studio. You’ve got me, Joe, here on this fine recording. night we have

Nick: You got Nick.

joe: We’ve got Nick here.

geo: In Georgia. Yeah,

joe: Georgia, and we have our newest co-host who will be joining us for

You got Mary here, she’s been

geo: she might sound familiar.

mary: Mm-hmm. That’s

joe: familiar. And we do have a guest joining us.

mary: Would

joe: you like to introduce yourself?

Bruce: Sure. I’m Bruce Landay I’m a former US Air Force officer, and I write near future military political techno thrillers. I’ve got a new book that out on April 7th, Electromagnetic Assault, and I also write a weekly substack column, future Trends in Science Fiction, where I look at emerging technology and how it was previously shown in science fiction books, movies, and tv.

mary: Yeah. [00:01:00] Wow.

joe: Yep. It’s a nice substack, I tell everyone. Go check it out. Give it a read.

geo: That’s awesome.

joe: today we’re gonna talk about directed energy weapons who turned off the lights?

I guess that’s a fun one. So yeah, as

Nick: So, do you have a list for us tonight, Joe?

geo: Or definitions.

joe: I have all of the above. I 

have lists, I have definitions, I’ve got all sorts of goodies here lined up for this exciting topic. But I do have my nice little opening monologue. ’cause 

geo: we can’t wait. I just love

joe: it.

Nick: can’t wait.

joe: All right, then I’ll get into it. Light is the fastest thing in the universe and for centuries in fiction and reality, we’ve been trying to turn that speed into a weapon because speed is power. A bullet works because it delivers kinetic energy to a target faster than a target can get out of the away.

But why light? Because like I said, nothing moves faster. [00:02:00] Point, click, hit, no muzzle flash, no noise, no projectile arching through the air, giving away your position. Just an effective way to transfer energy from one place to another. The perfect weapon, perfect except for physics. Light might be fast, but it’s also weak.

Photons and other accelerated particles have little mass and can be reflected, scattered, absorbed. They spread out over distance and they require enormous amounts of energy to do what a chunk of lead can do for pennies. But it’s not all Handwavium dreams. There are real weapons that use lasers to shoot drones out the sky microwave systems that make your skin feel like it’s on fire without leaving a mark.

And I imagine there is ongoing research to weaponize every part of the electromagnetic spectrum in pursuit of that perfect weapon. But just because something is possible doesn’t mean it’s practical. And with a little bit of handwavium, you can put your phasers [00:03:00] on stun

Nick: Oh, phases on Stunned.

joe: little. a MF Doom there. So,

Nick: Hell yeah.

geo: yeah.

joe: So

geo: I

mary: have to say thank you, Bruce for being here today too, and Well, thank you for having me here. I I have to say though, I was talking about EMP and the pulses, and I thought, maybe this is just what we need, just wipe it out.

Start over. I’m like, okay. So Bruce, please tell me why that’s a bad idea.

Bruce: I’ll have, there’s another author that actually did it in a trilogy. His name is William Fortune. And he wrote three books. One was called one, the first was One Second After the second, One Year After, and the third was the Final Day. And it’s all about an electromagnetic pulse erupting over the us.

And basically that happens when you do an airburst of an atomic bomb, where you don’t have a bomb blast per se, that destroys things. But the electromagnetic pulse will destroy [00:04:00] anything with a microchip. So all the things in our modern society aiming with a computer chip, most of our cars our electrical systems, everything just grinds to halt.

And when all that happens, society breaks down very quickly. It’s a really bad

geo: Mm-hmm. 

Nick: could totally see that happening. Yeah.

geo: Well,

mary: be a real shame if society broke down.

joe: Yeah. So it bad things usually happen. Yeah.

mary: Yeah. Okay. All

joe: Yeah. You’re

Dark,

mary: alright. Anyway,

joe: this trial’s over. Bye.

geo: But

Bruce: especially

if you live in, if you live in I’m out of here.

geo: But as far as talking about reality, this is what recently happened in Venezuela. Right? 

mary: I was gonna ask about

geo: I think we used the EMP to remove the leader there, which

mary: Maduro?

Yes. Thank you. Okay. Do you,

geo: And I believe that’s what we used.

mary: Did

joe: don’t that don’t know.

mary: know.

geo: I could be wrong.

Bruce: I don’t think so. There may be in a very, they may have used like a point weapon because usually what [00:05:00] we worry about and what’s been written about considerably is these large EMP bursts and those are very difficult to control. And, for example, if you drop a 1.4 megaton bomb, 250 miles in the sky over Kansas, that would take care of the whole us, which is really scary.

They do have things that are called ebos that are non atomic ways of creating this electromagnetic pulse. And so, I didn’t read anything on it, but they may have used something like that for a much, much narrower application. I mean, we didn’t drop it. We didn’t do an airbus of atomic bomb Venezuela.

joe: I mean, there are other disruptive kind of weapons that we had like, 

Nick: Not all of them have to be some

major 

geo: I,

joe: EMP. Right. 

geo: That is something to do some research on, because someone had mentioned that.

joe: right? You have like things like the active denial system. Which is used in crowds almost like a heat ray. And that is something that’s actively used. And it works [00:06:00] by heating the surface of the target.

So you feel kind of pain. And it’s used for crowd control or perimeter security where you can have this weapon. And it was deployed in Afghanistan, but I don’t think it was used. So it didn’t actually.

geo: What do you mean?

Nick: It was sent there.

joe: sent there, right, right.

Okay. But it wasn’t actually, it was kind of,

geo: it was kind of, it was like

joe: withdrawn back. Yeah.

geo: Was it used as a threat of using it?

joe: I don’t know. They don’t, I’m not in those meetings, so 

it’s 

Nick: Joe, you didn’t get those emails?

joe: if I am, I probably can’t say that over in the podcast, so

mary: but 

Bruce: it’s 

it’s. 

joe: this technology, I mean, it’s this kind of and I mentioned phaser.

That’s probably as close you get to a stun setting on a phaser, because that’s one of the very implausible. Things in the Star Trek world the stun of a phaser, like, how would you modulate that to actually stun people? And so this kind of technology here, would could actually work, 

geo: the plausibility is pretty high

joe: for this. The phaser

geo: well in, in [00:07:00] general, like everything we’re talking about is pretty much something that can be used, right?

Bruce: It is because I mean, there are, we do have actual weapons that exist. As do other countries. I work with several military advisors and one of them said, oh, Bruce he had directed energy weapons is very hot right now. But he said that virtual well classified, he couldn’t talk about it.

But if you, but just even looking on the internet there’s a this is one of columns I wrote in Substack was on directed energy weapons. And the Navy has what’s called a Helio shipboard laser weapon. And it’s a lot like a Starship Phaser, phaser Bank. And the one thing about it is that it’s got they need this massive electric generator to power this thing.

That’s one of the biggest problems with the weapon.

But it can, take out real ships, real missiles do a lot of damage and we’re not the only country that’s been developing these. The us, China, Russia and Israel are kind of the biggies, but there’s other countries as well that there are real [00:08:00] weapons that exist today

joe: Yeah. And so they kind of use energy. So like the Israel’s iron part of their Iron Shield or Iron Dome uses

Bruce: I think Iron

Dome. right. Yeah. So they, the shoot down missiles, ’cause it’s, it is cheaper than using another missile to intercept.

joe: And so a lot of countries will try to overwhelm your missile defense systems by sending dummy weapons. Like, so if you send, this, a fake number, 10 missiles in, you, five of them are fake, then which ones do you shoot down with your very expensive other missile to intercept it?

So, and if you mess up and you don’t hit

geo: so this basically stops all of them.

joe: This helps, this is another aid in that, that, that type of platform.

geo: So I have a

Nick: Without sending something out,

right? Like 

joe: something Right. Or Right. This kind of

Nick: something that is physical out into it. Yeah. 

Bruce: It’s also from a cost standpoint. These missile intercept systems, they’re a million bucks. They’re a million bucks a throw every time you punch the button. If they work [00:09:00] and if as you said, Joe, if you’ve got another country that is, throwing 10, 20, 30 of these at you you go broke in a hurry because you just, you don’t have ’em.

Where if you’ve got something that just recharges and you just need a, this humongous generator and then you can blast out as many in the sky as has come at you, it’s a much more effective, much more cost effective weapon too.

joe: And that was the big con in the Star Wars program in the eighties. In the Reagan administration.

mary: real

geo: Star Wars.

joe: Yeah, the real Star Wars. Was this kind of the

geo: movies

joe: space? Platform

Nick: was real,

joe: Movie was, yes.

mary: Oh, Nick,

geo: We have 

Nick: happened a long time ago. In a galaxy far, 

far away. 

joe: need the chat. Yes, need to have the talk. But yeah, that was the idea that we were gonna build this platform, this space platform that would be able to shoot down, incoming nuclear warheads into the United States.

And so if you’re escalating. And you’re have an arms race where you’re building weapons and then you tell, your [00:10:00] adversary that now we can shoot down 50% of your weapons. They now need to make double to make sure that they get enough and they can deliver payloads.

It was a great strategic con that we were and maybe it was a con, I don’t know. We could have a roving platform. I think that was the basis of one of the movies. Was it Space Cowboys where the,

geo: not Star Wars?

joe: No. It was where like a old Russian intercept, nuclear, missile bank went defunct and it was gonna release like its payload over United States or something. And they sent like a

geo: oh, that was the story in Space Cowboy. I didn’t remember.

joe: Was that Clin Eastwood, he

geo: No.

Yeah, it’s like all the older guys going

joe: were the only people that knew how to code and Fortran or whatever it was coded in, or some Oh,

mary: Oh, so they knew like the legacy systems. That’s right. Oh, okay.

joe: So it was a, oh, okay. Sorry. We’re getting,

geo: So I wanted to

mary: I, we went 

down a 

hole. I 

Bruce: the other

geo: Yeah,

joe: ahead Bruce.

Bruce: gonna say, the other scary thing is, now they’re developed, countries are developing and Russia has ’em today are the hypersonic missiles, they go a lot [00:11:00] faster. And so again, trying to intercept into those down is even harder, with a traditional

joe: Weapon. Exactly.

mary: If you don’t mind me asking what I don’t know what a hypersonic weapon is.

Bruce: My limited knowledge is all is just it’s just fast. It travels at far faster speeds than anything today. Like, I think, two or three times the speed of sound. But I’m not, I just know that they’re super fast. But that’s about all I know about. But

geo: I would, and

joe: That’s my understanding also that it’s, it is a very fast at least Mach 5, and it’s a small target. So you combine something that’s really fast mm-hmm. With something that’s small. So it’s like hitting a fast pitch baseball With a baseball.

So if you’re

geo: accuracy is pretty Bruce

joe: a basketball, which is big, you can knock, as Bruce was saying, you can knock that down with conventional weapons. But if you have something out that can move much faster, like a

geo: baseball and a smaller

joe: it’s smaller, it becomes a harder target to hit. And if you throw a bunch of

Nick: changing directions, right? It’s not like

it’s like 

joe: no, I think it’s 

Nick: right [00:12:00] mid 

air. 

joe: when they go, they usually pick a direction and go 

Nick: Yeah. So then it’s just picking the trajectory that it’s flying in and then trying to time it out to where your

joe: well, you also have to have, you have to have knowledge of when the weapon was launched, right? So you won’t know that until you, you pick it up on something.

And even these weapons can evade, I believe they can evade like our detection. So that’s, they’re moving so fast that they evade detection. So by the time you realize that this thing is coming, it’s already too late.

Bruce: well, yeah. The other thing is a lot of ’em they’ll come in from orbit, they’ll shoot out, very high, they’ll come back down. And then they had the old, I think they were called Merv basically multiple reentry. They break up because the one missile and then 10 things would shoot out of them.

Oh, damn. And then would target individually.

mary: Can I

geo: ask a question?

joe: Yeah,

geo: I kind of, this is kind of like going back, but real basic because I’m trying to, [00:13:00] so this is using electricity,

joe: It’s

geo: like, like similar to what you use in a microwave

joe: A microwave. So we’re talking about weapons or I Bruce, you can add on. But weapons that are along the electromagnetic spectrum, and you’re absolutely right.

Microwaves would be on that spectrum. You also have radio waves or electromagnetic wave source. You have x-rays, visible light, UV light, infrared, gamma. And they’re separated by their wavelength. And so the wavelength is the, is the physical distance between the wave peaks.

Think of a, an ocean wave, like it has some periodicity where you kind of. Fluctuates up and down. And so the distance between those peaks is called the wavelength. So like a radio wave has really big waves and they can travel really far. They can travel through distance.

That’s why like your radio, you can be driving many miles away and still get signal from the radio wave [00:14:00] microwaves, so I think, radio waves are like house size. If we’re thinking of the wave that’s penetrating microwaves I think are like a foot or so, so they’re modulation.

And then you start getting down to very tiny waves and the smaller wave the more energy that the wave will have in it. And if you think about it, that, that makes sense. And so that’s kind of the idea. So these are photons. We always think of photons and light, but all these in electromatic spectrum, so that means they’re affected by electricals and also magnetic flux.

Does that help? 

geo: Yeah. Yeah. 

joe: So you can think of weapons. You can have sonic weapons. So we talked about, so you can have weapons, which 

geo: know is Sonic Boom

joe: And a sonic. Yeah. Sonic.

geo: or

mary: Sonic.

Nick: the

Hedgehog,

right? 

geo: or Sonic the Hedgehog. That’s pretty much all I,

joe: boom is the noise, when something breaks the sound barrier.

So when something moves faster than the speed of sound about 750 mph or Mach 1 , then you get that audible noise that you hear. And Mach one is the speed [00:15:00] of sound. Mach two, Mach three,

geo: 1 4 would be, so would you say that, so this is really the future of

mary: warfare.

joe: Yeah.

mary: And if I get this right then these these weapons disrupt the wavelength.

Is that what they do? Well,

joe: interact in, so they’re delivering energy. Okay. So the idea is that you would send this as a packet, let’s imagine a packet of energy. Mm-hmm. So, one photon of light is nothing, but when you turn on the flashlight, that’s, billions of photons that you’re optically seeing

mary: like light particles or something, or, yeah.

Okay.

joe: And you’re right yeah. That gets into photons can both be a wave and a particle. Mm-hmm. So the idea here is that you have a weapon, as Bruce alluded to, you have to generate a lot of energy

actually

create a lot of the, electromagnetic energy that you wanna deliver. You have to focus that energy. So you have to have coherence. So they gotta be focused. They all gotta leave the point source at the same time, the same wavelength. And then they have to travel [00:16:00] some distance without interference. And you have to overcome all these kind of variables to actually have an effective weapon.

So as Bruce said, the weapons that we have now that can deliver such a powerful strike, they’re usually on ships or they’re mobile units or ground structures that can generate a lot of power. So in fiction when people have a handgun that, or a laser ray, a ray gun that generates

geo: Or like a particle what do they call the particle accelerator?

joe: So like a ghostbuster proton

geo: Yes, exactly.

joe: That would

mary: be

joe: a backpack particle accelerator.

geo: So that’s 

Nick: So we’re gonna start using those to

joe: we’re gonna start 

geo: and those basically work kind of like a lasso,

joe: I don’t know what the science of why

geo: these, I think they catch it

joe: particles caught

mary: went to Wet Wonder Woman. Ghost. 

joe: I don’t understand.

Yeah. But if we think about particle accelerators, so Argon National lapse here near Chicago the synchrotron that to accelerate particles, that’s a big mile, few [00:17:00] mile diameter kind of structure. That the cer in Europe. I think that’s, seventeen miles . Do you know Bruce, how big the particle 

Bruce: Um, no, no, no. I know they’re

big. 

joe: not fitting it in the backpack. Even linear accelerators are room size. So

geo: were way ahead.

joe: The Ghostbusters were way ahead with their Handwavium them. Yes. Or

mary: Or maybe it was, maybe like their mom and dad, like, they really wanted to have like a, well here you go dear.

Here’s your own little special pack just for you. Doesn’t really do anything.

joe: do anything. Yeah.

geo: oh, you meaning like a fake jet pack.

mary: It’s kind of like the time that I saw like a dad, like the a dad is mowing the lawn and his little boy behind him was with a little plastic mower. Maybe the Ghostbusters thing worked on the same principle.

joe: Alright, let’s, well,

mary: Okay. Now, all right, now I’m definitely getting fired for sure. Now,

joe: a favorite, do you have a favorite directed energy weapon that you want to kind of, 

mary: promote? No. Okay.

joe: Right.

mary: So,

joe: Microwave, [00:18:00] some of those are really cool. The 

Bruce: me I’m, I my personal favorite at least the half real half fictional would be the electromagnetic pulse because it just fries anything with a computer chip.

geo: Mm-hmm.

Bruce: It will disab, it will disable vehicles. And so that’s something I’m writing a book now, a different, very different world than the, than Electromagnetic Assault.

But they also, electromagnetic pulse weapons play a big part there. But even Handwaving aside just in , in industrial plants for years they’ve had laser

cutters.

geo: Yeah. 

Bruce: I mean, you think back to the old Bond movies where, you tie the, James Bond is tied down and, they’re about to slice a giant piece of steel in half with him bolted to it.

But I mean, those things are real and we use ’em in factories all the time. And so there are, real weapons and again I think you hit it well, Joe, when you talked about just the size, just because whether you need I’m not exactly sure how lasers are created. I know it’s, it’s essentially light waves, super amplified.

But you need obviously electricity or some [00:19:00] other, way of generat generating this if it’s an electromagnetic pulse. It’s either an atomic blast or there are some other methods for generating this. These types of pulses. And so it’s a matter of getting the weapon sized and then getting it targeted and getting that targeted delivery. 

Nick: So do EPMs have effect on the human body or is it just electronics? Like in general?

Bruce: I don’t know. I can’t imagine that, that they could be possibly be good for people. 

Nick: Like, I, I can’t, yeah.

joe: the source. Right. And a couple things too. I know Bruce mentioned about cars, but I heard there is a little bit of controversy that does it actually affect cars, like the, a distance, , they’re shielding on things, so a lot of like airplanes and stuff.

So I think there was one, I can’t think of the show where some sort of EMP hit and then planes were falling, but a lot of those are shielded against kind of EMP, 

mary: oh, planes are now the, these days they’re shielded against E mps.

joe: I mean, I don’t know when it started, but Yeah. But

mary: really, no. Okay.[00:20:00] 

joe: you have, like I said 

Nick: don’t go on a

plane. You know you’ll be, safe. 

joe: so some of the protective things are using absorptive materials that can absorb kind of the energy like a Faraday cage .

So, or you have layers that would be ablated off and then preserved. So if you have a missile and someone has a directed, deterrent for your missile, you would then go ahead, add shielding on that so that when it hits it, the shielding kind of ablates off. But then the missile keeps its current trajectory.

So you, these weapons do have limitations. If it’s rainy,

it’s a laser, that will deflect it. So you have to then consider that the weapons effectiveness could be diminished in the time of need.

geo: But getting back to Nick’s point, the physical body, the human body, like what is the effect of that?

Right? Because think about x-rays and when you get an x-ray, those people are, those people that give you x-rays are terrifying. They have to go and run over and get behind something [00:21:00] 

and then give you the, so, so, maybe that it’s like radiation.

mary: if

joe: get hit with, I mean, if you get hit with a directed electromagnetic weapon, there could be effects, right? So if it’s a microwave generated, that’s just like a microwave, so all

geo: you would not want a

joe: your water molecules will begin to vibrate and

mary: boy. Yeah. 

joe: And that’s how the that’s how the deterrent works to the heat rate kind of deterrent I was talking about earlier that’s that same or Havana syndrome that people get that they thought, they think that’s a microwave

Nick: I thought that was an I thought that was a sound-based weapon.

joe: I think they’re thinking microwave.

Nick: Are they saying microwave now? I thought, I always thought it was sound because of

joe: that,

Nick: yeah, 

Bruce: but even things like, like a radar dish is is very bad for the human body. When I was a Air Force officers, a communications officer was out the radar site and at one point I started walking.

I was about to walk in front of one of the radar dishes and one of the sergeants grabbed me and said, you don’t wanna do that, lieutenant.

geo: mm-hmm. Yeah.

mary: What, what would happen to what? I mean what did he just said [00:22:00] don’t get any near, I mean, did he go, did he say, what would happen to you if you did that?

Bruce: If I wanted to be a father, I would probably have a difficult time being a father. Too much exposure.

joe: Oh, okay.

mary: okay. So if people, that shouldn’t be fathers, we should just like, take ’em on a little trip to the, okay. All right.

joe: ’cause radar,

mary: nice walk in the woods, sorry. Walking. Okay. Yeah,

joe: it’s using radio frequencies. High powered radio. So we talked about anything electromagnetic

geo: Mary’s getting some ideas

joe: can be used as a weapon. So radar, you’re sending out signal and then you’re, that’s deflecting back to let you know something’s coming.

So it’s gotta be pretty powerful to go out. So if you get in the way of that, then yeah, you’re gonna take a high dose of this, which will probably heat you up. Like, ’cause it’s going to deliver energy. The

mary: energy, those energy is hitting your body, right? It’s gotta go somewhere, right? Yeah. So 

joe: I think that would burns eye damage, all sorts of weird things probably I imagine would begin to happen if you got hit by full bore of a radar signal there.

So, [00:23:00] but yeah,

mary: I’ll 

try to, 

I try to avoid those. 

joe: What was

Bruce: anything that’s a microwave. I mean, think of what microwave, does, we cook with it, it would cook us too.

joe: Yep. Yep. Yeah.

geo: Yeah. I wouldn’t wanna be, I wouldn’t 

Nick: You’re gonna become the human sized hot pocket

mary: Oh, no. Yeah. On

Bruce: thank you. 

joe: out. Inside out, yeah. Oh, that sounds,

mary: Oh, that sounds dreadful.

joe: saying, I was kind of being funny, but like the phaser, if you think of stun, because it had different modes and I like stun and it killed and had disintegrate.

And so if you think about how you would actually put together a phaser, because the way they described it, I forget the nat on particle, I forget what kind of particles. It was all Handwavium on top of Handwavium.

But if you try to make it real and you go, well, microwave could be it like, right? So you can modulate the signal and energy source, and so you can have a stun where you just kind of hit people and they get a little sensation.

Their nerve endings kind of tingle. They seize up and they fall over. You could have kill, you could ratchet that up and just melt them from the inside. Okay.

geo: Okay. All disintegrate. The

joe: one that’s hard, right? Because when they disintegrate on the show. They just [00:24:00] disappear. But there’s mass involved, like where does all your blood, your organs, your guts, your bone matter?

I feel like that’s, 

geo: like putting a grape 

Nick: what’s the difference 

geo: in the microwave. 

Nick: and disintegrating?

Like 

geo: Have you ever put a grape 

Nick: wanting

to deal with the body afterwards? 

joe: Disintegrate is like, 

Nick: don’t need that

around. 

joe: don’t want any evidence. Yeah. I want no evidence and hand. And so, yeah. So really the phaser in, in Star Trek was just this kind of all purpose handwaving, and it was like, well, we don’t wanna deal with the consequences of killing whoever.

Let’s disintegrate ’em. We need to take ’em back for questioning. Stun ’em, like, we just, we’re in the struggle for life and death. Right. Kill. Right. So, I mean,

geo: that could have actually been like, you are be like beaming someone up. Maybe you were beaming them away, far away and you just didn’t have to deal with them

joe: You could, you’re right. You could beam someone to the vacuum of space. Like, I don’t, I’m unsure why they just sit and do that. Like, hey, that, what are we

Nick: if it is going with the beaming direction, don’t they have that in-between space? Does it just [00:25:00] send you there where you’re just never ending in that loop?

joe: I dunno.

geo: That would be torture. Yeah.

joe: episode.

Nick: it is. You get into like 

Bruce: this well, they had an episode where Scotty did that. He got, 

Nick: yeah. 

Bruce: Yes. And he just recycled himself for, I don’t know, 70 years or something, until someone else found him. And.

mary: Yeah.

Bruce: Brought him

mary: Oh, was that one when he was the guest star on, on Next Generation? Is that how that happened? I can’t remember.

joe: Was that the loop? Yeah.

Bruce: yeah. I think, yeah. Yeah. They found, yeah, they found him out there.

mary: God love him.

joe: I was gonna, I was gonna bring up something and I think it got mentioned, I’m not sure Mary or Georgia, you guys talked about war and changing landscape of warfare.

And I think there is this kind of the clean war fallacy where people think if you use these, energy directed weapons, then war would be targeted, it would be very surgical. You would just hit certain targets and leave everything else alone. But, I think, everything escalates, right?

Bruce: War. War is messy, nasty business. [00:26:00] And if you think back to the eighties, they had I’m drawing a blank on the name of it, but they had a special type of atomic weapon that basically would leave the infrastructure standing, but would kill

people. And I forget there was a special name for it.

And I think it,

joe: that the neutron bomb

Bruce: yeah, maybe it was a neutron bomb. But still, I mean, war is na is very nasty business. And this whole idea that, oh, we’ll just be very pinpoint, but society breaks down and that, and that’s what’s so scary about something like, like an EMP burst, because you could not destroy, if we did this to other, an enemy did to this country, or we did it to another country if all of a sudden there’s no food, no computers no,

mary: No social media,

Bruce: Yeah, nothing. Nothing works. None of those things work anymore.

mary: Okay. All,

geo: Right.

Bruce: breaks down and there is a, there was a show years ago I used to always refer to it as the electricity show, but basically the US was brought back to basically 18 hundreds technology. All of [00:27:00] a sudden, electricity just stopped working.

joe: Is that Revolution? What was the name of 

Bruce: Revolution. Yeah. that? Was the name of it? 

joe: it. I think we started watching that Georgia, remember

geo: We

joe: Where they didn’t have any power, something. It didn’t, I didn’t, I don’t think we stayed with it, but they never explained what the loss of power was due to.

And it, they kinda went, and

geo: we also watched 

Bruce: And Wiv. 

geo: with the snow. The snow. And it was in the middle of the summertime and

joe: Oh, was that,

geo: and then everything stopped. Everything stopped working

joe: that the nus

geo: as far as like communication and stuff? Yeah. With the, yeah.

joe: Argentinian graphic novel that they made into a Netflix TV show

geo: It was good.

joe: Was good. But it was good. But I think that was aliens.

geo: I think you make a great point though, that would just cripple, I mean, have you been like at the library?

Yes. When all of a sudden the computers go down.

mary: Yes. We’re very

geo: Oh my gosh. It’s like,

mary: now, yeah, that’s true.

geo: we, what can we do?

joe: out. Where’s the card catalog?

geo: How do we, 

Bruce: but think about it. I mean, a phone call, GPS anything with [00:28:00] the internet.

mary: Yeah. 

Bruce: everything. Yeah. We rely on it So much food. Yeah. Think of our food.

mary: And seasonally,

joe: if it’s winner and we

geo: was

joe: what it was minus 20 out, if now you, destroy, I mean, that’s what the, kind ofs happening in Ukraine and Russia war.

Right. So Russia’s hitting their energy infrastructure. Yes. The sad thing

geo: about, and the food supply

joe: supply in, in Americas, that our electrical grid is pretty poor and so very susceptible to, even if it’s not. Countrywide our power grids are susceptible to these kind of things. These, it’s, and it’s fragile.

It’s not some robust system that we’ve invested over the years in maintaining

geo: we rely so much.

joe: Right. We do. We, I don’t think people realize that we,

Nick: Well, and the amount of people that use it to actually keep on living. There’s medical

things in people like a pacemaker. All this stuff going down. You’re killing so many.

geo: Right. Well that was that other show.

joe: I

mary: mean to

geo: stop 

Nick: This is on you, Mary. [00:29:00] Great job.

geo: No. 

What was 

Bruce: and. 

geo: What was that? other show we watched recently where everything stopped working and then, oh,

mary: that’s like Thursday for me. I don’t know.

joe: a lot of shows.

mary: No,

geo: it was just like, like when it happened, all these people died because the trains like ran into cars and,

mary: Oh, that was

joe: that was the one

geo: it was I wanna say Al Pacino, but I don’t think it’s Al Pacino.

It was, oh, Robert De Niro. I think it was Robert De Niro was in it on Netflix? It

joe: It was on Netflix. It was like it was the one with the ship in a go.

Like, it’ll probably come to me in a second or

Bruce: Was TV show? 

joe: it was, no, it was a movie. It was I

geo: no, It 

was a TV 

Bruce: something? 

geo: It was a series and we watched the whole series.

It was like a political,

joe: That was a tv. That was a movie.

geo: No, it was a series. The one I’m thinking of is a series. The

joe: that was the exec executive producers were Obama’s

geo: Oh no that’s the one where the ship was coming in. No,

mary: Power

joe: and

geo: that was a movie.

mary: Right.

joe: [00:30:00] Okay.

geo: That was not what I was

joe: remember what that was called.

geo: Yeah. Last 

joe: okay, well, we’ll put that in. Show notes. We’ll, 

it’ll come to us here. That’s

geo: I have to think of it

joe: probably didn’t I, because in that one they, I think they did use

geo: that one was really good.

joe: Yeah. So like the EMP burst they had, I remember that was in the matrix, was that the third one. And when they’re down and,

mary: oh boy,

joe: they’re down and they’re celebrating and then the root machines are boring a hole into the last human stronghold. And they hit the EMP and they all fall and clatter.

And then a lot of the machines went outta range and then they came back on the attack and, but then they were crippled. As Bruce was saying, if you use one of these weapons, you not only can cripple the enemy, but you can cripple yourself in everything that’s around the burst.

So if you have, assets in the field. There, that, that are, and you actually use a weapon like that. You then disable your own troops. And if they’re communicating and things like that, they become just as disoriented as the

mary: well, oh, [00:31:00] Georgia found it.

geo: I found the movie.

mary: me.

geo: let me just throw it in there really quick. Leave the World Behind.

joe: the movie.

geo: Yeah, that’s the movie produced by the Obama’s.

joe: TV show?

geo: I haven’t found that yet.

joe: Bruce, you were saying, so this was about 

assets on the 

Bruce: Yeah. Oh Yeah. Yeah. I mean, when you’re talking about your troops being disabled that’s a huge problem with all of the sort of automated weapons now and the AI weapons and things like that where there’s so much noise. Think of like drone warfare. There is so much noise in the electromagnetic spectrum right now that there’s a huge effort to just either, you jam it with all kinds of junk signals or you basically take away the other, the enemy signals,

joe: Yep. 

Bruce: you know, so that that’s a real problem.

joe: I don’t think this is a spoiler for your novel, but you’ve integrated a lot of wetware technology. So Wetware is where you have computers interfacing directly with [00:32:00] biology, so it’s called wetware. 

mary: Like past smoke,

joe: in like the pace neural mesh.

Yeah. A pacemaker would you? But this is be more computer interface. So now you start having this, so like the neural, neural mesh, things like that, that would interact directly with your brain, send images. You could read the internet with your mind. And so you can enter,

mary: attempting as that may be,

joe: But in, in the novel you’ve integrated the 

military has this, right, this technology, and it’s

Bruce: As, yeah.

joe: It’s not, so probably nothing we can do that I know of right now, but yeah. 

Bruce: It’s funny that you mentioned the thing that, that I think Elon Musk, because that was one of the impetus for me to even write this story is I started reading about what we were doing with Neurotech, in terms of these brain implants. And I do it’s not much of a spoiler ’cause man I mentioned that pretty much on page one, right?

In the right in the

joe: when, 

here, they gimme a hard time for spoiling stuff, so I just, I’m a little sensitive. Bruce, you gotta excuse me.

Bruce: No. I’m not, [00:33:00] no. What I’m doing is I’m giving you permission. It’s fine to discuss it. This is what I’m saying

mary: yeah.

joe: Yeah.

Bruce: is this, is that.

mary: Oh yeah. Well, I was gonna, I was gonna give away the last chapter, but I think No, Georgia has some something that yeah. There was another thing. Okay.

geo: I’m sorry. Just to throw it in really quick, the Netflix miniseries was called Zero Day, and that starred Robert De Niro, and it was where they were a cyber attack that crippled the US and killed thousands.

joe: Oh, right. Yes. It was like a political thriller, something

geo: similar where you’re hitting the cyber, a cyber

joe: Right. And a lot of those are,

We were talking about this neuro tech. So people start to integrate computers more into themselves.

mary: and

joe: could be, control of pacemakers or other bi I mean, things we, not even military applications, but civilian applications for

geo: health. Mm-hmm. Right.

joe: Right. You become much more vulnerable to these attacks. You’re not gonna be EMP, you’re not gonna be shielded. So maybe larger assets are shielded. [00:34:00] Maybe we will shield our, electrical grid. But if you hit a pulse like that, like Nick was bringing up, you could cripple hospitals now you could cripple people personal kind of interactions with their world.

Right. And

Bruce: And for me that is very personal because I do have a

joe: yeah.

geo: Oh, wow.

mary: Yeah.

joe: right, right.

mary: Right. Yep.

Bruce: Yeah. So that, yeah, I’ve got a, I’ve got a phone app in my pocket that, it’s like, do not turn me off, is what it is. What It says

joe: yeah. Yeah. Yeah.

geo: ’cause you, 

think of this, I’m thinking of another show and actually it was a Black Mirror episode, and it was where it was almost like more or less paying to have like this service so that woman she, it was like a subscription and then you kept having to upgrade or you weren’t gonna get, or Yeah.

Or you and I think of that as this technology. And just would be like, oops, you didn’t pay, you didn’t up your subscription. Whoop, 

joe: We can turn it off. You can’t run or hide. 

mary: Oh boy.

Bruce: We have that [00:35:00] today on Tesla cars. I mean, think of battery power and battery distance. Oh, well, if you pay extra money, you’ll get more battery you’ll get more distance from your batteries. We’ll release that in the software. So that’s not, these Black Mirror episodes are not as farfetched as they sound.

joe: yeah, exactly.

geo: Wow.

joe: Yep. Well,

mary: Bruce, I wanted to ask you too about, about fiction writing. Georgia and I are librarians, and so I, I’m interested in, and I mean, because you could have written. Maybe a nonfiction book or almost like, like a history of EMPs but instead you wanted to explore this topic through fiction, and I wanted to, just ask you about that and, your writing process, or you talked about, Elon Musk being

an impetus for the most recent book, Electromagnetic Assault,

Bruce: Yeah. Yeah, and answer your question. Yeah. Nonfiction for me is, doesn’t have a lot of interest. And it starts with, I don’t have that level of expertise. I mean, I’m interested [00:36:00] in this stuff. But but I don’t have anywhere near the. The technical skills or the knowledge to write anything credible, nonfiction, on, on these topics.

I’ve just always had a wild imagination and love stories and been a lifelong science fiction fan. And when I was in college, I took a class and really liked it and thought, well, I’d like to, I like Baal write novels one day. And it wasn’t until I got my forties when I finally did something about it.

And I spent three years and read a ton of books and I got about a third of a novel written I’ve got in the wafer in the next 10 years. And then I started writing seriously in 2015.

And, People, if you ask me, how long did it take to write this book? Well, in some ways it took me 11 years.

Now in the process I wrote two other, two other novels that actually finished and started a couple of other ones. Because it is a long learning process, but it’s like I write a weekly column in Substack and a lot of times I just I read the news every day and it’s amazing. The sorts [00:37:00] of things that used to be science fiction are becoming more and more science fact.

And so I look at things where I

that today is much more science fact than it were when we were kids. And I look at a wide variety of things. It can be weapons, it can be drones it can be flying cars, perennial favorite. And then think of like the science fiction, like from the fifties or sixties versus today and even what’s possible today.

joe: Right. Yeah.

Bruce: To answer your question or

mary: yeah, no I was just I think that No, thank you for that. But I, and I think that writing things through fiction for it, it’s more about, it’s not like what it is, but like how it would feel like, to

geo: really 

engages people into thinking

mary: Yeah.

Thinking about what it would be like to be in that situation.

joe: The question is, , on that same line, because we’ve talked a lot about the science and we poke fun at some of the IPs that we won’t mention them again.

But, how do you balance that science [00:38:00] fact versus the Handwavium? Like where do you draw a line? Do you, or do you have a line? Do you just fill in when you need to? Kinda like the phase there that we’ve poked holes in 

Bruce: it depends. I mean, some of it I write what are called technical thrillers. And so people will say, well, did you write science fiction? Well, it’s not exactly science fiction because it’s not it’s not aliens and spaceships and other planets and other cultures. And so I tend to, the period of time period, I write the second half of the.

joe: of

Bruce: the 21st century. And so I have a lot of a lot of leeway there. The book I’m writing now is has time travel, so obviously lots of handwaving with time travel and with technology. To me, I think more, I’ve always been a hard science fiction fan, so I’m not quite as hardcore or as pure as like a Daniels Suarez who I think is fabulous.

But I like to at least create things that are reasonably plausible based on either technology that we have today or technology that we would expect in a reasonable amount of time.

geo: [00:39:00] Mm-hmm.

Bruce: And again, the reason books work is the whole emotional level of things. And that and that’s really what makes stories work is what’s the impact on your hero or the impact on your characters. And what I try to do is write things that. Take a look at that mix of technology, military power, political power and then the impacts on real people. Think of, we’re going through a very interesting time right now in this country. It’s been very, divisive in many ways, a lot technology changes, a lot of changes in the world.

And so I like to write stories that, that, kind of take a look at that and see how different people react, react impacts on them.

joe: Yeah, and I mean, I 

geo: and the idea of how pervasive it is. 

I mean, if we talk about like surveillance, I mean, it’s just like how pervasive it is and how much data they’re getting every single day based on your smartphone, or, oh, we got a great deal on that [00:40:00] smart giant tv, but look at all the data it gets. Or now

Nick: I mean, this isn’t even science fiction,

geo: no, 

and now 

Nick: Ring cameras

geo: was 

gonna say 

Nick: Bowl, they had that ad, which they were like, oh yeah, we’re gonna start using your device to locate lost

dogs. And it’s like, you’re not doing that.

You have a very poor rate with that if that’s your number.

mary: Right. And 

geo: that is just a guise for surveillance. Yeah.

Nick: it’s putting us in that surveillance state now, except it’s now corporatized and it’s.

joe: a future.

Bruce: it is exactly corporatized. And we have, I 

Nick: don’t know if that’s a word either. I’m so sorry. 

Bruce: Yeah. No 

joe: Hand 

geo: I like it 

Bruce: But we have, hopefully we’ve done it to ourselves. I mean, think, with ease, think of things like you can do a fingerprint scan on your phone. You can do face, face facial recognition.

I won’t do either one of those things.

mary: Right, 

Bruce: Heck, I, I write stories about how that’s abused. When I go to the airport, if it’s a hey, I want to take your [00:41:00] picture, with the TSA, I don’t do that either. Because there is so much surveillance right now. And actually one of my columns, I did write about it, and it is, it’s scary.

It really is.

geo: Yeah.

joe: I was gonna bring us back a little bit.

mary: Okay. Yep.

joe: So, yeah, so I, speaking of fiction, because I think one of the things that happens in fiction is that you start to think forward, especially sci-fi and these ideas and what can be, so I went and thought about. Early examples, when in literature did we see? ’cause you would

mary: think,

joe: was it, the laser was invented in 1960 ish, so did we start seeing energy directed weapons post that or pre like, what was that history?

And so going back you start seeing things in the 18 hundreds, electrical guns, galvanized weapons , 1871, Edward Litton, The Coming Race, we had rural energy staff is what [00:42:00] he the, what it was called can destroy, heal, or animate matter. So more mystical than technology. And in 1898.

a book is written called The War of the Worlds by HG Wells, and then that is the heat ray. And that would be the first true directed energy weapon as described in the story. And it’s a martian weapon, so it’s not even an earth bound a terrestrial weapon. It was an extraterrestrial weapon that focused heat beams with a parabolic mirror.

And if you go into text, it’s describes this, that there, some way to generate an intense heat in a chamber of practically. Absolute non conductivity. The intense heat they project in a parallel beam against any object they choose by means of a polished parabolic mirror of unknown composition.

And that was written 60 years before or about the invention of the laser.

mary: I wanna do a whole episode on War of the World’s.

joe: That would be fun [00:43:00] And

mary: the whole one ton.

Yeah. Yeah.

joe: weren’t really understood at this time, and so mm-hmm. This kind of idea of using an energy directed weapon was there. And then we get into 1920s, the pulp era, we get the first Ray-Guns start to come out.

Buck Rogers, flash Gordon. That’s right. So these, kind of these terms. And so you start getting the ray gun and, kind of the handheld portable so from, HD Wells, it was still ship based, so they still had this idea there and you kind of go through and then I always say, what’s the oldest source of energy directed weapons?

And that would be, in mythology and religion, Zeus.

mary: Oh, that’s right.

Throwing

joe: lightning bolts. 

Right. So that would be also using electromagnetic energy and directed weapons so you can smite people with, 

mary: There’s a lot of siding.

Nick: It’s my

joe: you can extract your vintage using beams of accelerated light from the the clouds.

That’s yeah, that would be a, an energy directed weapon. So yeah, it was really [00:44:00] interesting looking at up and kind of the history of, kind of how, and then how we use science and how we can think about it and kind of move forward and kind of understand, even project these things out. 

mary: Well, there was an an epi, well, in another example in popular culture as you were talking about that made me think of Watchman.

Mm-hmm. The graphic novel, because when I read it in like the destruction, I thought for whatever reason, like the first time I read it, I assumed it was a nuclear explosion. Mm-hmm. Mm-hmm. But then when I reread it, I’m like, oh. It was like the same level of devastation, but it wasn’t actually a nuclear bomb. So it was almost like a, like, like a disruptive,

joe: Yeah.

mary: but I also wanted to ask you Bruce too, you, you mentioned you were a hard sci-fi fan

Bruce: Yes.

mary: and well now I wanted to talk about like some of your sci-fi influences in your life or other sci or other authors that you are excited by right now or that you’re interested in.

Bruce: I write [00:45:00] technical thrillers, which are kind of on the edge of, on the edge of sci-fi, so on the technical thriller and then military stuff. So for. Technical thrillers. Daniel Suarez is ab absolutely a favorite, and he’s very hard, hard science and his stuff is leans more in the science fiction.

There’s Matthew Mather who sadly passed away several years ago. He died in a car accident. He’s written a lot of great stuff. Those are two Douglas Richards, Douglas E. Richards write writes, write some stuff. Growing up it was the classics Heinlein Asimov, those sorts of authors for military, obviously, the Tom Clancy books.

And then more recently Steve Stephen k Coli David Bruns is real good on, on the military stuff. So a lot of different people have impacted me and I love movies too. Obviously I love Top Gun, which was just a lot of fun.

geo: Yeah.

mary: Fantastic. 

Oh, and I wanted to ask you too, I, when I was looking in the back of your book, you mentioned in your bio that you are a member of the [00:46:00] Experimental Aircraft Association.

Bruce: EE Oh, yeah. Yeah. I’m a total airplane nut. Yeah. EAA experimental Aircraft Association. They’ve been around 60 or 70 years now and every year in Oshkosh, every summer they have Air Venture, which is the biggest air show in the world. And for one week a year, this tiny little airport in Oshkosh, Wisconsin is the busiest airport in the world.

mary: Oh,

geo: That’s

Bruce: If you like airplanes and you can only go to one air show, that’s the show to go to.

geo: Nice.

joe: So

mary: experimental. So it’s.

geo: so,

mary: So could you de describe that a little bit? Is this like more like a, what’s they don’t call ’em UFOs anymore or but it’s more like people are coming up with their own kind of flying contraptions that they want to test out in Oshkosh.

Bruce: Yeah, originally would’ve started with our basically home builders. People that like to build their own airplanes. And so today there’s a lot of companies that will sell you kits and will sell you [00:47:00] plans depending upon what you wanna build. The show at Oshkosh, start off that way with just a bunch of guys that like to build airplanes and wanna get together for a small air show.

Over the years, it’s grown into this monstrous show where they have all of the builders. So if you want anything from like a small private plane, a private jet they have lots of military stuff there. They have an incredible amount of World War II stuff that’s in. Still in flying condition. So if you want see any kind of, air history and so it is just an incredible anything that flies they have it.

geo: That’s awesome.

mary: That is pretty cool. I what, if I get a kit from like an airplane kit? No, don’t ride in my, don’t ride in my plane. No don’t ride in my plane. No.

geo: not doing

joe: The Rabbit Hole of Research, don’t endorsed

mary: there. Yeah. I, we can’t, well, I mean, usually one, like I’m, when I’m making like something from like an IKEA kind of situation, there’s always like a few screws [00:48:00] left after, 

geo: your Alan King.

mary: Yeah. Exactly. But, I have a lot of trust and so.

joe: some,

Bruce: Well, well, we’ll some, somebody a fun I did last year there’s a company called Vilo Aerospace, and they make, think of a quad copter. They make a personal quad copter. The thing looks, it’s about size, like, like a snowmobile. You sit down in this chair and they, they don’t let you fly an actual one, but they let you allow you to fly one in vr and it’s, it was fun.

Easy to 

mary: sounds a blast.

Bruce: Um, And there’s even like, an air taxi service by Joby Aviation. It’s a tilt rotor, six six crop hexa copter that supposedly like, I think they’re supposed to have done it by the end of 2025 to make it as a basically a legal taxiway that this thing will fly.

You have a flying taxi

joe: there it is, flying cars. 

Bruce: Yeah, and it’s flown remotely. You get in and some other guy flies you around remotely. 

Nick: Oh, sweet. So I don’t have to talk to anyone.

joe: You just go, right. Yeah. There it 

Nick: I am all about that.

joe: We also have a little more fun with the, [00:49:00] these directed energy weapons and. Bruce, you

geo: have fun.

mary: We’re gonna have

joe: Robert Heinlein’s. Starship Troopers, which was

mary: Oh yes.

joe: political s military satire piece in 1959. But I, in there was no really energy directive weapons.

It was conventional. Once again, the laser hadn’t been developed yet, so it used the technology we had. But in the 1997 film,

mary: mm-hmm.

joe: The troops that went in, they still had conventional weapons, but the bugs actually used kind of plasma directed energy. 

If you remember when the ships went to attack the planet. The bugs would shoot out their butts. These kind of bright

mary: Oh, that’s right. Plasma

joe: kind of streams. And so it was , interesting. It was this technology kind of gap because the troops went in and they got like just, shotguns, against the bugs.

And the bugs are firing plasma, destroying their very expensive, large [00:50:00] starships that are cruising around. And that was interesting. You also had bugs that would spray out some sort of plasma juice that would disintegrate people. And so yeah, it was , it was interesting about the bugs and their technologies, bio-based energy directed weapons.

Unfortunately the plasma weapon probably wouldn’t work. There’s a few problems with that. So the plasma probably would dissipate, so generate this plasma’s kind of the fourth state of energy. So we have, people think of. Ice, you think of liquid, you think of gas.

mary: Okay.

joe: And then you have plasma, which is an ionized form of the material. So you kind of

geo: you call blood? I, we’ve talked about this

joe: very different. Two, the same

mary: word

joe: used in two different

geo: can’t we get another word? 

joe: You made the same argument last time. I remember. Yes. It would be nice, but no plasma. Yes. One one’s a high energy.

Kind of material and physics, and the other one is a biological based one. Yeah. So

geo: afford one more word.

joe: more word. Right. [00:51:00] So, but yeah, launching plasma into orbital altitudes is difficult. It would just, dissipate ir resistance. There’s all also sorts of problems

geo: Maybe on that planet it would work.

joe: this, the laws of physics are they’re universe wide, that doesn’t change.

So, yeah. So you would have these issues that the plasma system wouldn’t work, but it was a cool kind of thing and concept to see that as an energy directed weapon. And, I think, I’m not sure if Bruce mentioned, he talked about laser cutters, but plasma cutters. So we do have this technology, usually they have big power sources and, but people, use plasma torches and things like that.

So we do use and limit it. And this gets to distance, right? That, you need, if you want your directed weapon to travel further to deliver its payload. You actually have to give more energy upfront because it dissipates, the energy will dissipate over distance.

mary: Okay.

Nick: What are plasma cutters used for then?

joe: Oh, for cutting material metal.[00:52:00] 

Nick: Okay, so just like the

laser 

cutters, 

joe: Like a laser cutter. Yep. So they’re like industrial cutters, so mm-hmm.

Nick: Just stronger,

joe: Cuts

mary: through blood. Sure,

joe: yeah. Cuts through will cut through

mary: Okay. Yeah. Okay. All right. All right. Yeah. Okay. Yeah.

joe: yes. But yeah, so that’s kind of the way you have to think about it, that you have these kind of weapons and so you would have to have a lot of power to generate that

geo: But we’re too busy using all that energy and power to make our little videos and make ourselves look cute in our little gi, our little ai 

joe: I’m sure AI is hard at work when trying to solve some of these problems,

geo: I’m sure.

joe: Like how do you actually make a better weapon? Much more,

mary: Oh, I’m sure. Oh, well, I, 

Nick: or more deadly.

joe: I think better because some of the other problem I, Bruce alluded to the energy and we’ve been talking about the energy needed to power these weapons, but you know, the energy conversion isn’t a hundred percent.

mary: So,

joe: So, and when you’re not a hundred percent efficient energy [00:53:00] conversion energy has to convert to something that’s usually heat.

And so a lot of these systems need massive cooling. That’s why like, you just need the cooling systems and how do you do that? How do you prevent the heat buildup? That’s why they’re, a lot of ’em aren’t continuous their pulse so that they can have time to cool so that they can fire cool down and you then can manipulate it that way.

mary: Oh boy.

joe: Oh yeah. So, yeah. So

mary: that’s a cherry topic.

joe: So that’s why space, yeah, maybe. Yeah. Right. So space, weapons, space warfare.

mary: Mm-hmm.

joe: These weapons are much more effective. You have a vacuum, so

mary: I have a vacuum. It’s a Bissel.

joe: have a

geo: I have a vacuum.

mary: Okay. No.

joe: need a

geo: don’t think it,

mary: don’t think it’s

joe: you need a Dyson.

mary: activism.

joe: Your directed energy weapon won’t work unless it’s in a

mary: Oh, darn it. No, I Bruce, I wanted to ask you another question too.

And Georgia, you talked about this at the beginning and because I also thought the same thing, with when the US kidnapped Maduro and brought him to Brooklyn. I don’t know, maybe he’s like sipping latte somewhere. [00:54:00] Anyway but like Trump is describing this weapon, like, and it, he called it the, did you hear what he called it?

geo: I can’t,

mary: he called it the Discombobulator, and I’m wondering Bruce, do you have, like, do you have a like a theory or an a, a guess about what, such as a weapon could, would be like or maybe or Joe or, 

joe: I have plenty of guesses,

mary: plenty of guesses.

Yeah. Have plenty of guesses. Yeah. But Bruce yeah, sure. Bruce,

joe: if he wants to go, yeah. If there, if it was a weapon like that

Bruce: yeah. And when you say a discombobulator, I mean, what did it interrupt? Was it all the electricity or the communications or

mary: was the, way Trump described it it disrupted the people, I’m sure whatever he was describing was probably wildly classified. So like, everyone else is probably plotting around him, like as he is describing what’s happening to these.

But it was actually, it was just, it was affecting the people.

joe: Oh, 

Bruce: I, My guess would be some sort of, like a sonic weapon

mary: Okay.

joe: Yep.

Bruce: would be because they’ve already had those [00:55:00] attacks, I think in Cuba and China where it just, it’s, it uses a certain frequency of sound waves and it’s very uncomfortable and very disruptive and gives you a headache.

So if it was directed to people, that would be my guess. But I honestly don’t know.

joe: Yeah, I would go the same kind of the Okay. Sonic weapon, or it could be one of these microwave base,

That would cause people to feel pain in their nerve endings, things like that. So if you start feeling random pain headaches, disorient, that would probably disorient you, so For sure.

So have that go in is controllable. It’s you’re just affecting biological at that point in time. So it’s like standing in front of a radar.

mary: Mm-hmm.

Nick: Well, isn’t that also like what a flash bang is like? It both disrupts your eyes and your ears, right? 

Bruce: Well, I think flash bang is different. You’re correct on the eyes and the ears and basically it’s a, it’s super loud, it’s super loud very intense, and then the flat and the flash.

But I think you only disrupted [00:56:00] for, a couple of minutes, long enough for, 

Nick: oh, 

Bruce: 10 guys come, charging in, brandishing out automatic weapons and you realize that, oh boy, I’m in trouble now.

joe: Speaking of sound, the thing I’ve found during research is the Brown Note myth. Ooh.

geo: Ooh.

joe: And

Nick: It’s not a myth. It’s a, true 

joe: it’s not, 

mary: it’s not, 

I have 

never heard of this before. What is this? Can

geo: you say that again?

joe: Brown Note myths A frequency, a sound frequency that causes bowel. Instantaneous bowel movement.

And so that was 

geo: I 

Bruce: that sounds icky.

joe: yes.

geo: This is a great thing to end on.

joe: But there’s no evidence that this is true. And actually, I think on Myth Busters, they also. Tried to test us out,

geo: I don’t even wanna know what, how they tried to test it.

joe: We didn’t get to that point on Rabbit Hole of Research.

Maybe next, maybe on the

geo: no testing. The big brown

joe: Nick, you’re on cue.

Nick: All right, I’ll start making some notes for you guys.

mary: That really works really great for an audio podcast. But

geo: The [00:57:00] smell of vision. Yeah.

mary: Oh my

joe: that was that was interesting about sound and using that, using weapons like that to affect the bio biology of who we are. But yeah, so,

geo: Mm-hmm. Dumb sound

joe: would be the one. I think Bruce is probably, that’d be my guess. If they had a weapon like that, it would be sound base or microwave , maybe not kill, but would have that effect, that Havana effect.

Similar to that,

mary: I guess why, maybe that’s why like the impetus towards these kinds of weapons in the first place.

This idea that they’re destructive, but non-lethal,

joe: guess they’re non-destructive.

mary: Not well or, yeah. Non-destructive

joe: structures. Right. That was, right. That was kinda like

Nick: It is a crowd

dispersers, 

joe: Crowd that, 

mary: forgive me if I’m getting that wrong, but like this idea that instead of like leveling everything, you just, you take out the, I get the people, but leave everything else behind so that then you can come in and do your

joe: leave ’em easy without radio [00:58:00] activity.

Right. Because

geo: and then, and without their cell phone service.

Right?

mary: Yeah. The

joe: is, you disable it. Mm-hmm. But I was gonna say that brings up like the ethics of all this. Like where do you draw the line?

geo: of ethical

joe: because you have

mary: oh yeah.

joe: one place they did was for laser blindness.

And so that’s there’s conventions around using. Lasers to blind people in warfare. Oh. And so yeah there’s this, 

geo: is that similar to like when you have a little laser pointer and then people kinda don’t point that at anybody? Yes.

joe: not point laser there.

Usually the power is pretty weak, but Yeah. You don’t wanna stare at lasers, so

geo: or you wanna be careful, like with your cat, you don’t wanna like,

joe: please don’t. Yes. That’s

mary: they like

geo: to play with the light,

joe: but there was a pretty weak laser, so , you would have to lay it on. Like, I, I don’t, please, I don’t,

geo: no

mary: We are not at the Rabbit Hole of Research and condoning the, but that, but

joe: you would have to lay it on their eye or your eye. 

mary: Thing back in the I don’t know, se [00:59:00] many years ago that there was like incidents of people like using lasers just

geo: willy

mary: plane, on planes, right?

Yeah. On planes

joe: it, it was like kind of, it’s just like a.

I think there the power is like someone shining

mary: Mm-hmm.

joe: a, if people, a camera flash right and straight in your face like that kind of intensity where then you get the little,

mary: mm-hmm. Box screens

joe: in your eye kind of little dancing lights and things

mary: like that.

So, which is God, what a horrible thing to do. I mean, things are, especially,

joe: plane, you’re like, 

mary: yeah. They’re doing that to the pilot and like, they’re in charge of, hundreds of people and, but I, but it turns off that they can also find these people fairly quickly, which is interesting.

Or I mean,

joe: find them.

I do they find them?

mary: Oh yeah.

joe: They’re probably laying in the bushes. ’cause you can’t, you gotta be close as we talked about. You can’t be terribly far away on some of these, especially laser-based weapons. 

mary: I love my laser base at home.

joe: there’s no color.

geo: I got my light

joe: not like, I mean like the [01:00:00] light beam you see in movies. Mm-hmm.

mary: Mm-hmm.

joe: Like the laser, like if you ever play with a laser

Nick: It’s not green.

joe: like, you don’t see, like, you see the dot on the ground, but you don’t see like the red line,

geo: not like a light saber. Right.

joe: Like not like a light saber.

mary: And Nick and I immediately went to the same place. We sort of see like the, the green phosphorus, like 

Nick: yeah, a hundred percent.

joe: you’re limbo around it. Like you’re weaving in. Yeah. Usually that’s that’s just movie effect. Yeah.

geo: Or laser tag.

joe: And that’s usually, or you have so the way you do is you have dust particles in the air, things like that, that will reflect the light a little bit so you can see it. That’s why in space, you definitely won’t see it. Space is a vacuum. There’d be no sound. There’d be no color of the laser.

It would just, it would make for a very uninteresting space battle. I say that,

mary: Yeah. Yeah.

joe: Okay. We’re getting close to the.

mary: close to

geo: the end.

mary: Bruce, is there anything that, that you wanted to add to that we haven’t asked you about yet?

Bruce: Not really. I mean, I just I just take notes of just the sort of other, like [01:01:00] science fiction type weapons, that were out there and I, we’d mentioned the whole, certainly in the whole Star Trek universe, there’s.

There’s the phaser banks, the photon torpedoes and all that.

If you’re Star Wars things like the Death Star, your late lightsabers, all those. So just how how common these weapons are, inhabit in science fiction for all these years. But for me it’s just what’s scary is just they’re becoming much more of the reality today.

geo: mm-hmm.

joe: Yeah.

Bruce: And that’s what’s, that to me is scary. And so, Joe, you alluded to, like the Star Wars weapon, of the Reagan years. But there will come a time when that will become much more a reality.

joe: Yeah. I think that’s all right. But yeah, it start, it was a death star. Oh man. Like, you know how much energy you would need that thing? It must just be energy. I mean, so you didn’t have to hit the vent port. I mean, that whole thing was just probably a big battery generating power to destroy a planet.

And it wouldn’t be seconds, it would [01:02:00] probably lay on that planet for, days to the, actually, okay, nevermind. 

geo: That’s another

mary: yeah. I know I wanna 

open up a whole other can of worms here, but No, it’s

joe: yeah. Bruce, look what you’ve done now. Now we gotta, it’s but yeah.

Bruce: yeah, but I mean even, but back to reality. Think of , like DARPA the, darpa, through the Department of Defense, I mean, they’re doing all the advanced research and you have to know that there’s a bunch of these on their list of projects.

geo: Wow.

joe: Yes. Okay. Cool. All right. Do you wanna, anything you wanna promote you? You have your book, you want to give a little talk about that? 

Bruce: Sure. Intellectual magnetic assault. I’ll give you the quick version. Navy pilot Jasmine Hassani was the sole survivor of a SEAL team rescue mission at a Chinese base. Her aircraft was shot down by a mystery energy weapon. And five years later Jasmine investigates an identical strike in the US and a powerful US Senator just immediately shuts down the investigation defying orders.

Jasmine partners with a rogue cyber command [01:03:00] operative to uncover the truth and get retribution for her fallen seal team members. So a lot of a lot of action, excitement, aircraft and that a lot of strong women characters. Now the protagonist is a woman and a lot of other very strong female characters.

So, 

joe: Yeah.

Bruce: The other thing I’ve got a website, bruce landy.com. I do write I do write a substack column, future Trends in Science Fiction. So you can check me out on Substack. And I’ll be at lake Flying Oshkosh

On May 1st and May 2nd.

So I’ll be out there. And then I plan to be at the Chicago Writers. Let’s just write conference just as an attendee at the end of June. 

joe: In June. Yep. Yep. Very good. Yeah, we’ll put all those links to your socials, your book link to buy a copy of the book on the show notes. So we’ll do that. But yeah, thanks for joining us and talking about directed energy, weapons and an assortment of other stuff.

Like we went down, I [01:04:00] think some serious Rabbit Holes.

mary: Yeah.

joe: Yeah. I don’t know. We got the surveillance. I don’t know. We were, yeah. Okay.

mary: you for following us through all of our many tangents. Yes.

joe: Cool. Well,

Bruce: this is great fun. I really enjoyed it. Thank you Thanks for 

being here.

mary: Yeah.

joe: you have me, Joe. 

Nick: You got Nick

joe: got Nick Georgia, we’ve got Georgia.

mary: and you got Mary. We’ve got

joe: got Mary, and.

Nick: and

geo: good.

Nick: we went down. Oh.

joe: We went down some energy directed holes.

Nick: Did I blow

that time, Joe?

mary: furious, 

joe: stay safe, and we 

Nick: Bye. 

joe: do love you. Bye. Cheers.

Transcript: EP 54: What’s Love Got to Do With It?

Guest Joe Compton

SubstackAppleSpotifyYouTubeAmazon


joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the basement studio, staying warm and cozy. You’ve got me, Joe. Yeah, I got Nick. We’ve got Nick 

Geo: Georgia, 

joe: we’ve got Georgia. And on this very lovely episode, we have a special guest here. You wanna introduce yourself to the fans.

Joe_C: Hi, I’m Joe Compton. I I’m an independent author, independent filmmaker, and I run a network called Go Indie Now, which is supports independent artists of all art forms by running seasonal, weekly, monthly, yearly shows.

joe: Yeah, 

Nick: very cool.

joe: That’s how Joe and I, we first met. had my first book come out, wait, WIll You Still Love Me If I Become Someone Else?. And through the publisher, connected with Joe and known him and we actually met in person last year at Dragoncon. And it was the first time [00:01:00] it was, yeah, we’re at the bar and I’m like, I think I know you. yeah. It was really fun. But

Nick: Hey Joe, I have a question for you.

Joe_C: Sure.

joe: What’s Joe, 

Nick: both of ’em. 

joe: love 

Nick: baby. Don’t hurt me. Don’t hurt me no more.

joe: Yeah, that’s what we’re here to talk 

Nick: about hurting me or about love. Oh,

joe: love. And maybe hurting you. Depends on what you

Yeah.

Joe_C: It goes around right.

joe: So have my little monologue. Open us up here. You know you guys, I know you love it.

Nick: Love, love the

joe: love it. You love the

Nick: Love the monologues.

joe: So love is chemistry. Hormones like dopamine, vasopressin, endorphins

causing neural circuits to fire and predictable patterns. Just chemistry influencing a biological system older than civilization.

And somehow knowing that makes it worse, because if love is just biology and chemistry, then why does it [00:02:00] feel transcendent? Why do we allow it to reorganize our priorities? Rewrite our memories and otherwise rational minds to abandon safety, logic, and self-interest. We call it romance destiny, soulmates, but strip away the poetry and love looks less like magic and more like a protocol and uncontrollable mechanism that can override our own individual wants for the needs of others. And here’s the kicker. Our brains don’t actually care if love. The biological response is mutual.

And at some level, our brains don’t care, even if it’s real. Is this why it scales so easily into fandoms and cults, scripted into rom-coms and myths if it’s just a perfect blend of hormones and culture? Then what’s love really got to do with it? Everything. Or is it just a secondhand emotion?

Nick: got to

do with it?

joe: A little Tina Turner there.

Geo: love 

Nick: it.

Love it.

joe: Yeah. The late great Tina Turner. So yeah, so we’re here if [00:03:00] you having guests to talk about

Nick: right in time for Valentine’s. 

joe: In time. That’s right. So yeah, idol worship, all that kind of stuff. We have award season’s gonna be coming up. 

Nick: So why is love such a big it, how did it become such a chemical reaction in the body to make it like, oh, it feels more than that?

joe: Yeah, so the biological roots like I said predate humans. Probably earliest evolutionary about 300 million years ago, you start seeing proto attachment behavior and birds like albatrosses, swans. So these animals can actually mate for life.

And so they have these attachments that happen and they go territory defense. So that’s part of this whole thing. Being the defensive and protecting what’s yours is part of that love that you’re gonna guard somebody else. You’re gonna guard just not territory, but the things in your territory

Geo: and those that are related to you and those ’cause you’re trying to [00:04:00] get your

Nick: offspring to continue on.

Your bloodline to live on.

Geo: Yes.

joe: And it’s interesting ’cause in that same vein you would imagine, an evolutionary strategy is to actually propagate wide and far. So instead of being monogamous, you would.

Be polygamous and go out and spread your DNA to whoever and whomever would be willing to accept your DNA,

Joe_C: Most animals are like that,

aren’t they? Most of them don’t, they don’t have an attachment. Like we’ve made an attachment

to, 

joe: That’s right. 

Joe_C: Monogamy at least.

joe: yep. Very few. You start thinking about, especially even in primates they, they will, there are species of primate that will our closest evolutionary kind of relatives that will do that. So that was that was probably, very human, but the hormones and things like that, that, correspond that chemistry, go 

Joe_C: gotta think about organisms too and have began, amoebas and they talk about finding little. Traces of organisms on Mars that keep [00:05:00] growing and growing every time they look because they re reproduce, they connect. And how do they connect? Love is obviously what we deem as a feeling or a thought, but it could also just be that cycle of reproduction that creates other life and continues that cycle forward.

joe: So I want to say I don’t think we found life on other planets, so there’s no, no evidence of life on Mars. So I’m gonna throw that in there. But just to make sure to folks listening don’t think we’re having some breakthrough science here.

figured that 

Nick: that out yet.

joe: We haven’t found life

Geo: I thought they found some

Joe_C: We’ve had traces though of things that might be

joe: They had, 

Geo: I thought there was organisms in some of the water on

joe: They haven’t found that. No, not yet. No. So we’re probing, but yeah, we found some of the amino acid or the precursors to what we define as life on Earth.

So those things have been found extraterrestrial. But [00:06:00] the actual, a life form, as we define life as self-replicating, self-contained organism has not been discovered. In they, they found worlds or planets, which may contain water, which we feel would be the easiest way to form life. But we 

Geo: done Okay, so no.

Joe_C: Also, planets that mimic our distance from the sun to their star that we would assume.

joe: Yeah. The goldilock zone. So you gotta be some perfect distance away from the sun. If you’re too close, you’re too hot to sustain life, and if you’re too far away, you’re too cold. So really, you called it the goldilock zone. So Earth

Geo: is it more or less looking for

Extreme

of,

joe: he could. 

Nick: All right. 

joe: go.

Nick: It’s a new season, Georgia, come on.

joe: I think you’re absolutely right. So extremo files would be what we potentially might find first. Like you could have things that live in extreme environmental conditions and we could see those and get those, but that means we have to go there.

[00:07:00] ’cause there probably would be microscopic and, or very simple life.

Not maybe complex. So it’s gonna be, it’s gonna be a balanced there, but that’s, 

Geo: I guess that’s, I was gonna say, that’s probably a different rabbit hole,

joe: I was gonna say like reproduction and love, I think I separate the two, right?

Because I think one is in our biology and you don’t necessarily need love to have replication,

So, 

Geo: also

joe: I don’t think you need the two. and also we aren’t necessarily, love is very broad and it’s not necessarily a romantic love.

Nick: There’s different types of love, Like you classifying them in the least scientific way possible. We have oh, I love this chicken sandwich, right? I’m not gonna do. Dirty

joe: I don’t know what you’re doing with your chicken sandwiches. That’s so different.

Nick: Listen, just gonna miss my mouth for a good chunk of it. But, gonna

Geo: So there’s love and then there’s like [00:08:00] admiring something, or what’s the other, like appreciating,

joe: I mean I was doing some research for this.

I realize in ancient Greece they had about six or so love categories. And they defined love, the eros, the phila. The sage, the aga Pragma, the Phil Wata. Phil Phila.

Nick: Actually these were all on my list too. But you want go ahead and 

joe: no,

Geo: Go for it. Go

Nick: and define these for everyone else.

joe: So you had like passionate, romantic, sexual desire, love, deep friendship, brotherly love, familiar affection, natural bond love, unconditional, selfless, divine love, longstanding practical love, and then self-love, were healthy versus narcissistic love in there.

Nick: That’s the one I go in the opposite direction. I go Self-hate.

joe: lead. Oh my gosh, that’s a different episode also.

Geo: gosh.

joe: but yeah, you had, so they did separate these different forms of love because I think they, they are important to separate because you [00:09:00] do love things differently. And then, we just have one word that groups it all together and, 

Joe_C: My curiosity about that is did they classify certain groups to have certain types of love?

Because a lot of that is class system that

had during that time period were upper class a little, have a different type of love versus the lower

joe: Yeah. Or were they allowed to love in multiple categories?

Joe_C: Or were they defined by their love as well?

Nick: So they pretty much had a subscription base for your love this month. Yeah.

joe: That’s where we’re here.

Joe_C: You’re a dirty dog, so we’re gonna put you right here in this category and you’re, this is your love. You are now this class.

joe: Yeah. Privilege there. And then it feels like we’re potentially swinging back that way with our good friend ai, and, and

Joe_C: The whole thing that made me think of this, the award season coming up it’s very much, there is certain classes of love that we all acknowledge as, narcissism [00:10:00] or, whatever you wanna call it, or however you view it. There’s people who watch these award shows just for the love of what they’re wearing, and things of that nature.

So the that in itself defines a class of people with a class of love. 

joe: Yeah. 

Joe_C: you 

joe: Yeah. The one way attachment kind of thing where you’re ’cause none of these people that you see, they don’t reciprocate that no matter which category of love you wanna throw ’em in, they’re

Joe_C: no idea. You even love

Geo: Kevin Bacon just won’t write back.

I’m so sorry.

joe: Yeah.

Nick: He won’t write back.

joe: Yeah, 

Geo: he

Nick: He didn’t put you on that list for a reason. Georgia.

Geo: he did appreciate the scrapbook I made him. Of all the footloose clippings I had

Nick: with you and him

in Yeah, 

joe: old school You cut the heads off and you’re like glued your head on

Geo: Cut and paste. 

joe: Yeah.

Nick: Georgia and Kevin forever

joe: For those out there, that’s what the scissor icon means. Cut in a little paste jar, you would have it there. Real icons I used to have up [00:11:00] there like the little floppy disk, like people oh’s. That little floppy disc mean that’s save and it’s right because it used to be,

Geo: be, but no one knows what A floppy disk.

joe: what

Joe_C: Georgia. Here you go. How old I am. I was actually my Space Prince with the Bacon Brothers because I enjoyed their music and his brother used to talk to me all the time on private chat

Geo: Very cool.

Joe_C: stuff like that. So

joe: There

Nick: Nice,

Joe_C: I never got, I don’t think I ever actually talked to Kevin Bacon, but I always talked to his brother.

So

Geo: So you were really only one degree away. Wow.

joe: Here it is. Now you’re two degrees, like you’re,

Nick: Wow. Georgia. Maybe he will look at your scrapbook.

Geo: scrap maybe

joe: maybe that’s your subject line. Two degree friends. So then that, oh, this must be someone I know. You get it there. 

Geo: But 

joe: Yep. No, you get that. I mean it, and it taps into that whole reward, the hormones I had mentioned. You do get that kind of thing and the dopamine hit, that’s the first kind of reward.

Oxy. Oxy, oxytocin. I was wanna say Oxycontin, but [00:12:00] that’s something different.

Nick: That’s another thing you’ll help love. It’s

Geo: probably related though, right?

joe: They 

Joe_C: I don’t know if we’re going in order of how to define love too, but also the toward, toward the end of your life.

You get a dopamine hit of love. They say that a lot of people who’ve had like death experiences, and there’s a euphoria that happens at the end of your life where a light, comes in and you lose your consciousness in that, and that it’s in a loving state.

Usually they call it like a I forget the word, there’s an actual word for it, but there’s a euphoric state that you experience and they associate that with a sort of 

joe: Yeah.

I was gonna just to swing back. And

oxytocin and Oxycontin are different. Ones a hormone, oxytocin is a hormone, Oxycontin is a opioid.

Oxycodine, So what does Oxy mean?

Joe_C: Oxycontin’s thing that killed Rush Limbaugh.

joe: yeah. Oh my gosh. 

Geo: I’m just curious because they [00:13:00] have to be somewhat related in the, just by the word,

Nick: by the prefax.

Geo: Yeah.

Joe_C: Is it just because it has oxygen in it?

joe: Yeah, Oxy is oxygen . 

Geo: No. Back to if someone is feeling this feeling right before death, is that only, has that only been recorded obviously from people who almost died?

Joe_C: it’s mostly caregivers of people who like do hospice and stuff like that. They’ve recorded people like experiencing this euphoric state where they where they wake up in wherever the, like their body is like in stasis, right? They’re the, whatever they’re going through there.

They’re comatose in a lot of respects. Or they have a very depleting disease that they can’t move anything. And all of a sudden, the last few seconds they wake up like they’re, like, they’ve been jolted with electricity and look like their normal human beings for that few seconds.

And they have usually they recorded a lot of people with smiles on their faces and just talking gibberish or talking to somebody that’s not in the [00:14:00] room kind of idea. And that, and then they, most of the caregivers regard that as this perfect, as this one state. Again, I can’t think of the name of it, but they have a name for it.

And then they know that’s the moment they’re going to die.

Geo: Oh, that’s interesting.

Nick: So isn’t that also, I’m not. I am not saying that people should try it, but isn’t that the same?

Geo: Oh, like when people 

Joe_C: die. 

Nick: people with like the addiction to heroin and stuff, it’s that pop of

dopamine

that gets you, it’s that close to death that you can get, which some do go

Joe_C: Yeah, it might. It might be a

joe: serotonin. Yeah. You have that dopamine

Geo: Okay. Defense 

joe: kick

in. Yeah. If the pain relief, your natural pain relief system, I can imagine that when you’re close to.

Death or dying, you probably would have a burst of all sorts of hormones. Adrenaline would kick in. So you would have all this kind of experience where you would get that energetic state just because you’re, [00:15:00] your body probably trying to maintain life. And it’s let’s give it one last go and then that’s it, and you burn the system out, and that’s the end.

No, I could totally, and you’re right, people that have all sorts of feted, weird, suffocation, fetishes, things like that where they bring themselves for that release and, because then you know that we talked about the oxytocin, that kind of bonding trust kind of hormone. It’s released during certain natural times, like during childbirth.

You have a burst there. But the other one I believe is during after an orgasm, you have a boast to get these, that bonding and trust the strength in that with the partner you’re with. 

Joe_C: Especially the first 

joe: yeah 

Joe_C: the first time

you

It’s a different feeling than any other time.

joe: I think it’s somewhere the first 12 to 18 months that kind of infatuation love binding, it lasts there, and then you, if you make it past that, then you switch over to this kind of long-term love bonding relationship.

But yeah, that whole kind of very, [00:16:00] that people describe it, that early love or young, where you first meet somebody in a

Nick: the honeymoon phase.

joe: honeymoon phase. Yeah. So you have that period, that 12 to 18 month period where that lasts. And then, you’re these hits of hormones don’t have the same response, so now you gotta build a relationship on something else other than.

The excitement of being in that relationship.

Geo: you, would 

Joe_C: why I’m divorced.

joe: yeah.

Geo: But would you say these different types of love that you’re, that you feel And you said that there’s a similar hormone, there’s a similar chemical thing happening, depending you can, you know what I’m saying?

joe: Yeah. I think 

Geo: throughout these different types of love and different, you mean the,

joe: The, family love, spouse love, yeah. So yeah you’re probably, I think you, you probably have two ways. One is you’re gonna have the early hits of these hormones when you first experience [00:17:00] whatever. You go, I love this thing. You’re getting the dopamine, the reward response the ox the oxytocin. Bonding kind of response. Endorphins kind of pleasure, feel good kind of response.

And probably that’s gonna flood in and you’re really gonna feel super strong about it. And then you have that period where, let’s say you got a new puppy at the beginning, you’re probably gonna have all this super excited address. Everything’s gonna kick in, and you’re gonna love this little puppy. But as that puppy starts pooping and peeing over stuff, keeping you up at night, you might go, what am I doing?

I really don’t like this puppy. And you see a lot of people, they get puppies from shelters and stuff during holidays, get it, love it. And then a few months later, they take the puppy

Geo: back. That’s just life. That’s reality.

joe: and they don’t want, and it’s it’s because of this kind of this love. You slip out of it, you go, what am I thinking?

I can’t have a little puppy. This thing is driving me nuts and

Nick: I can’t take care of another living thing. I want to go out and drink.

joe: So you can almost put that into this kind of biological response, that early love. And then you go and then, oh, hold on. [00:18:00] What am I doing like this?

Because that’s all these kind of responses. Your body’s it’s not that great. It was, so really it’s just, it is, truly this kind of chemical, hit that, that you get. So

Nick: So going slightly sci-fi with this question.

joe: sci-fi,

Nick: Can, you can, not just you, but is it possible then to go ahead and bottle up what we know as love, sell it to you and be like, oh, you open this little jar and you’re gonna be like, oh, that’s some good loving.

Geo: I think that’s,

Joe_C: Armani been trying to do it for c.

joe: yeah. 

Geo: I think

joe: a love potion.

Geo: I think you were alluding to that when you were talking about people doing drugs. Yeah.

Nick: Like it, it’s, It’s as close as they’ve come to, but 

joe: think you, I think that’s why you start defining things like love.

In that aspect of someone who is addicted to drugs because you elicit the same response that you get, and that’s why you need to take more and more. ’cause you do get used

Geo: it. But there are also [00:19:00] mood altering Dr. Medicines, drugs, they’re drugs also. But to help the chemistry in your brain, so that’s similar. You know what I mean?

Joe_C: Not only that, but it also is a pain response too. So you’re calling the pain and the pain keeps coming back stronger. Stronger because the pain is biting it as much as you were. Numbing the pain. And so you’re always chasing it’s the definition of the drug is you’re always chasing the, that feeling of not feeling pain anymore.

And pain comes back stronger and stronger. ’cause that’s how pain works.

joe: Yep. And especially you start hitting that, that oxytocin, that bonding hormone. If you associate that it’s not even a choice, then you can bond to something that’s. Potentially really harmful or person or situation.

Nick: Yeah, it’s that feeling, right? You get into that bad relationship with it where that love ends up being dangerous.

joe: Yeah. So really the other question to me, is there some way, which I didn’t look as I thought about it but can what, how do you remove [00:20:00] that? That’s the, and so in sci-fi, that would be like the Eternal Sunshine of a Spotless Mind, where you go in and how do we remove this attachment to this person that you’ve,

Joe_C: But even in that movie, the great lesson about that movie is that you can’t you’re erasing a lot of things that, that, you don’t want to erase because it’s attached to that. And and then you lose part of yourself in that respect. And that’s

The great message, that movie.

joe: Yep. And the other thing was that you still. Then after you erase all the memory, you go through that procedure, then you see the person, you just then start over at the honeymoon phase again, and you get, and then you build.

That was the twist. That was interesting in a movie. ’cause they re you know yeah. Sorry. It’s older than 20 years or is it?

Geo: I dunno 

Nick: it is.

joe: Oof. That might

Geo: It’s close.

Joe_C: yeah. It

joe: is close. Is it? Yeah,

Geo: it’s close. But I think we saw that pre our oldest son.

joe: he just turned 21 or no, he was a, he was an 

Joe_C: I believe it’s 2004 the

joe: Yep. I think you’re right. He was an

Nick: infant. Just on the

joe: Yep. He was

Geo: yeah.

joe: we made it shoo, we, that’s our rule. We don’t spoil movies [00:21:00] and are that are less than 20 years old. So more and more movies are falling in

Nick: know. It’s wild.

Geo: saw that at the theater, right? No, I’m kidding

Joe_C: that’s a great example of deconstructing love too, right? It shows a lot of the how this connected to this, to that. And then as soon as he starts erasing it, how it disconnects and then how he has to reconnect it to get to this point. 

joe: Yeah.

Geo: I love this one line. And

Nick: you love it.

Geo: I love it. Yes. But I can’t now at this moment, I cannot remember what movie it’s from, but it was, it’s basically, it’s not you that I love. It’s the person that I become when I’m with you that I love. You know what I mean? It’s 

joe: no,

Nick: that in the show notes, what movie that’s from.

joe: yeah. Pin those show notes.

Joe_C: One, one of my, one of my favorite, one of my favorite lines about love is in the movie contact when she’s asking him to prove how he believes in God. And he says, [00:22:00] do you love your father? And she goes, yes. He goes, prove it.

That’s my favorite lines in that

Geo: Oh, yeah. 

joe: Yeah. No, and yeah, that gets into that whole. The meaning of love. And I mean it probably changes person to person and we apply some blanket term over it, but

Geo: Right. It’s like the Alaskans having all those words for different types of snow. We should have all different kinds of words for love.

joe: Yep. Yep. Your 1984 big brother, you only need one word for everything, how many ways do you need to find, shades of blue, just blue? 

Geo: I guess that’s 

Nick: honestly, so I was thinking about this one where I think the most grounded version of having that love that you know is bad for you is 500 Days A Summer where you hit that honeymoon phase and then you see it.

The movie itself changed the. Filter of

Geo: I’ve never seen that.

joe: I don’t think I’ve seen

Geo: I’ve never

Nick: Joseph Gordon Lovett and [00:23:00] Zoe Dechanel. 

Mm-hmm. What

Geo: year was that? 

Nick: That was

mid two thousands, right?

Joe_C: Yeah, probably 2008,

Nick: Yeah, somewhere.

It was an

Geo: It was. And what was the title again? 500 Days Of Summer. Okay. 

Joe_C: It’s basically him trying to disprove that he loves something, basically is what he’s 

joe: Interesting. 

Nick: And it was just a great story where it’s like didn’t the whole thing with rose colored glasses come from that every, the red flags don’t look red and rose colored glasses where you, during that time you don’t see all the imperfections and all the problems that you have with the other person because you’re in that certain timeframe.

joe: That’s

Geo: And that gets back to 

Nick: Exactly. 

joe: It’s Perspective. 

Geo: And 

What was the other P word?

Yeah, perception. That’s

joe: 2009? Okay. Yeah. 

Geo: Okay. Yep. I have to definitely check that.

joe: other, one of the opposite maybe is 50 first dates where, which you just 

Joe_C: Well, he has to keep [00:24:00] proving his

joe: exactly. You keep going in and this person doesn’t remember anything. It’s a weird, 

Nick: that one terrifies me too. Yeah. Like the idea of that one where the person you love loves you back, but then they constantly cannot remember

Geo: That gets into like debilitating, like Alzheimer’s and other dimensions. And 

joe: yeah.

Geo: yeah.

Nick: Like how are you able to prove that I still love you after being, forget not being able to remember the day before, yeah, you have all this video, but do I’m not the same person at that point. Yeah. that you’re just not the same person.

joe: Yeah.

Yeah.

Nick: Which it’s weird to think that it’s such a dark film.

it, digging in

joe: changes and it is it was I dunno, people have seen the Apple Plus Show Plubris and it’s just, it’s interesting in that,

Nick: wait, was I supposed to watch this

joe: No. 

Geo: You should [00:25:00] episode you should watch it because it’s really good. I like it. Yeah.

joe: Generally it is like a hive mind situation. And there’s some people who don’t join a hive mind. They’re incompatible for certain reasons, certain hand waving on reasons. But one interesting things there is that there’s love that happens. And I always think the how consensual is that love or the

Geo: yeah.

Like how much of it is returned? Nope.

joe: you’re making out 

Joe_C: give Vince Gillian a couple seasons. I’m sure he’ll define it for you.

Usually really good at that,

Geo: I know, and I hope he can do it faster than they’re saying know, right?

joe: Yeah. We, instead of two years or whatever it’s gonna take,

Geo: Come on. same 

joe: of idea, like you have people in a relationship that if they’re not aware of the relationship, then, and

Geo: and also then that

joe: it really consensual? Is it really and that’s in

fiction. 

Joe_C: Or is it part of the programming?

Geo: That gets back to AI and let’s say her or something. Obviously you can have these strong feelings and this love for [00:26:00] this. non-human object, and it’s not gonna, it’s not gonna feel the same way about you because it’s not even a human. But does that

Joe_C: that, sorry, go ahead.

Geo: No, I’m just like, does that make it any less, 

Joe_C: I’m thinking of the Matrix, right? And the idea that he just wanted a steak that’s he

joe: That’s right. Yeah.

Joe_C: a steak. And that, and it wasn’t real. He knew it wasn’t real, but he was like that dopamine that he got 

joe: Yeah. 

Joe_C: carving into that thing and eating it and that was all he wanted for turning his back on his whole group.

And basically killing them, trying to kill them with that, 

joe: yeah. I also want to forget, he didn’t wanna live that reality.

Joe_C: Yeah. After, after he ate the

joe: At the stake. He was enjoying his stake. And then it’s sell those guys out. And a lady in red maybe.

Joe_C: to be fair, it was also a bourbon or scotch you wanted and then, and a cigar. And a cigar. One more

joe: I’m 

Geo: sure the

joe: in red would’ve been also, that was the other but

Geo: That’s basically, ignorance is bliss, but the problem is usually then you find out, so you’re [00:27:00] not totally ignorant, but you still want the bliss, yeah,

Joe_C: That’s the whole point of Plubris isn’t it? Is it, the idea is like the bliss you want you’re chasing the bliss, but how good is the bliss

Geo: right, it’s hollow. Yeah. Yeah. And you were

joe: about

Joe_C: Maybe your, maybe you have the bliss, and I think that’s, the, thinking of what Vince Gilian, I’ve never seen the show. I don’t have Apple Plus, but I know Vince Gillian and the way he operates in terms of how he writes, and I think that’s what it’s always about the person chasing the status.

And then the status. Becomes the person and then they don’t, they either realize that they have the status and they’re better off for having it, or they think they’re better off for having it. Jason Point, Walter White

He, Heisenberg, right? He, you see the gradual shift in his demeanor and his personality, but he also, realizes, everybody around him is inferior to him because he’s [00:28:00] gotten to a different level,

right.

And so I’m curious if that’s where this show takes it. ’cause he does like to get dark, 

Nick: I could a hundred percent seen that happen. Yeah.

joe: I was going, I was gonna swing back to the AI because we, it was interesting ’cause you mentioned The Matrix and you, which AI that you, Her, but I was gonna Ex Machina ’cause that was one where the AI was programmed to, because AI is programmed to be very pleasing to its human counterparts.

And so XM and I spun out on its head where, as. She became aware, it became aware that

Geo: and don’t spoil it

joe: to their advantage and you had that switch there where it wasn’t then just to please it’s human, 

Going against its own programming in some way.

So I thought that was

neat Little

switch in there. So,

Joe_C: There’s also, There’s also the minority report that kind of uses AI in, in that respect as a prothetic aspect to it. And, and [00:29:00] how he fights, he fights his natural instincts as a police officer versus, depending on what the future is going to tell him.

joe: And I was gonna, another point with AI is that it kind of spins that evolution that was to go back to Joe’s point earlier with that separation of biological propagation and what are you laughing about?

Nick: In my head, I forgot our guest name was also Joe. So I was just like, oh, Joe’s just being like, back to Joe’s point. I’m like, why are you

Geo: speaking about himself in third person now.

Smart

Nick: things. Let’s go back to that.

Geo: Attention. 

joe: I almost forgot my point. Yeah, that, that whole

Joe_C: Is Joe experiencing that narcissistic love we were talking about

earlier, Yeah.

Geo: This is

Nick: does that constantly, this is self

joe: here, my self-love. 

Geo: So what are you saying

joe: that propagation and love are you, and I said you can separate those two.

And AI is that as you fall in love with the AI, you know that you can’t reproduce. So that’s [00:30:00] almost, that reproduction is separate from the feelings of love. These emotional attachments of love become dissociated from the actual evolutionary kind of drive that it probably started from the bonding was probably.

And evolutionary kind of way to not only procreate, but also protect and ensure that your progeny make it into the world, into the adulthood, into, sexual maturation.

Joe_C: It also removes the dopamine aspect of it too, right? Especially like a movie like Her really shows that, right? He has that

joe: That’s right.

Joe_C: but that thing can’t reciprocate it, right?

joe: Yeah. And that too. I think as

Geo: and I guess

it’s like back to perception and perspective, but it’s what your mind is doing. So does it matter

joe: right? Yeah.

Geo: if that’s in reality or not? Like basically the, it reminds me of like stress hormones and stuff.

I feel like our modern day, and I’m not sure if I’m gonna make this point [00:31:00] make sense, but like in our modern day, we get the same kind of like fight and flight over things that really aren’t that bad or dangerous, but we get those same hormones and that same stress level from those things. Do you know what I’m saying?

So it’s the same kind of thing with love, right?

joe: Yeah. I think you’re right that you can have that cycle and then like good capitalist, they’ll just sell you love, like you, your subscription to, love doctor runs out.

Then you’re, you gotta go to the dive bar and hook up with 

Joe_C: I have an interesting, I have an interesting observation on that point. I go to concerts. I do a lot of concert watching and I go to concerts that have multiple acts, usually at festivals and stuff like the music festivals and things of that nature to watch one act go. I love you guys.

Thank you so much for being there and being like, this struck me when I watched the cult perform, right? He has no idea [00:32:00] who. Anybody likes him or loves him, he just goes out there and paints by numbers. The instructions he gives on stage, but then you get like a smaller band out there who’s just trying to make it or maybe has a different perspective.

They attach themselves to the audience and they are, they’re much a part of being in the audience as they are on stage. And it’s just, it struck me as interesting that there’s that distinction. The bigger bands, the bands from like the eighties tend to disconnect have been taught to disconnect themselves from they, they learn how to engage the audience,

but doing it as an exercise and not as a truth to their, to the selves.

Nick: I could totally see

that. ’cause I, when you see live music live and stuff, feeling the difference between the way the professional, like major bands react to their audience versus the smaller shows where you’re like, oh, these [00:33:00] people are truly, these artists are truly happy.

Geo: Yeah. They’re accessible and they’re, they seem more human. Although, exactly as far as I know, all the members of.

Whatever. They’re human

Nick: but their appreciation for you

Geo: there. But I wonder if that’s because of social media and in the sense that I think now, and also be, and you would really be able to speak about this because the whole idea of indie, 

joe: Like

Geo: now people are realizing you don’t need to be this big mega star if you have some group of devoted fans, you know what I’m saying?

And so you really focus on that. Like you focus on that on your social media, interacting with fans and do you know what I’m saying? I think that’s just totally different model than we had before, before social media and before like

Joe_C: truth is about anything, even bands or artists who are connected to the machine, so to speak or higher, published by a Big [00:34:00] five firm or whatever you, however you define the difference between indie and not indie. The truth of the matter is that everybody has to connect with their audience.

Now, it’s part of what you were just saying, Georgia social media has become such a big part of the machine itself, that if you’re not connecting with your audience, they’re going to, they’re gonna leave you as soon as possible and go to the person that they are connecting to. And but the indies have honed that in because we are them.

We are the audience. We are the people we love. We wrote something because we loved what Ray Bradbury wrote, We, I made a film because I went and saw Raiders of the Lost Dark and saw what Steven Spielberg did. Those things are resonate with me, but that doesn’t necessarily mean that I’m connected to Steven Spielberg, right?

But I, but because I am that fan and I’m making

I wanna be with other people who are around me, who also had that love. And that’s where my independence helps me connect to the audience, because I am the audience.

joe: Yeah. And this makes [00:35:00] me a little as Dunbar’s number. It’s the idea that you can have up to, I think it’s like 150 stable relationships that you can be intimate with. And then after that it falls apart. And that’s this number. And so that connectivity that kind of getting in.

Person in person

meeting 

Joe_C: Cool. So I still have 147

to go. I’m good. Alright.

joe: But that it,

Geo: it goes

joe: against the Instagram follower numbers, right? Where you have thousands of followers and this is that big band kind of idea where they, their numbers are in the millions. And so really they disassociate from that. I wonder if they just see it even in live shows, they’re not really thinking about that.

Where you go to indie groups or authors, their numbers are smaller and a lot of those people that follow them, they know, they’ve met, they’ve had interaction

Geo: with. 

joe: Like we talked earlier, Joe and I, when we finally got to see each other in person. We’ve known each other for, some years now.

And then you see each other, oh, let’s get a beer, let’s have, and then you spend a couple days at the conference and we just, every day at the bar, we would have a conversation. And it was neat. It was that thing. ’cause we did have that connection and that [00:36:00] face there. So it is that

Joe_C: yeah. I, I. Yeah. There’s a band who strikes me with this is called they’re really popular right now. They’re called Turns Style. And what he’s been able to do is he’s been able to allow the audience to become part of his show. At the end of the show. They could jump on stage with him and dance with him the lead singer.

And doing that, he keeps engaged with his audience and keeps the, he keeps the distance, but he also has that dopamine it of being, feeling. And he makes them all feel, those people who jump on stage, I guarantee you, they feel like they’re part of the band. Like they have a connection to him.

Geo: That was like seeing Squirrel Nut Zippers.

joe: Yeah, that

Geo: they’re so good. And then they did, at the end of their show, they did like a New Orleans style like march out of the

joe: people.

Geo: and then pe everybody in the audience just got up and just joined in and then everybody in.

Yeah. It was like the best time was, it was so fun. The 

joe: who meet and interact with their fans. You’re right, that experience, it’s almost one [00:37:00] way, but I think both get something out of it. ’cause it is nice to have someone come up and say they appreciate your work and then you get to say, I appreciate you for supporting me and my thoughts.

Go to Dale Watson. We went to see him perform and he is a, what’s this category? Trucker?

Yeah. Blue

Bluegrass folk. And so we go and in Georgia, a huge fan and I 

Geo: I’d say country guy, like Crew Country. Gotta

know 

joe: Dale

Joe_C: Americana, maybe

Geo: Yeah. Like

joe: that genre. And so he , travels around the tour bus and he goes and, but then after the show he does a meet and greet.

And so we went up and had his album. He was gonna sign it and then we were gonna do a selfie. And I’m I, people don’t know I’m like six five till Watson isn’t that tall. And so usually I duck down, I get in a selfie and he looks at me and he is don’t you dare duck down. You stand tall and take the selfie.

You don’t have to duck, you don’t have to come down to me. Which is really like that. That’s really cool. ’cause someone that’s, dare perform, they like, yeah, come down and, let me, I don’t want to show. But yeah, it was really it was neat. It said something about him and how he treats his fans, [00:38:00] which I think that’s gets to this, that love of the craft, the love of performing and then meeting people and you never know who these people are.

You could form a lifelong friend out of this, this brief moment that could continue or it could turn into, some creepy stalker. So that is, that’s the side of putting yourself out

Joe_C: never know.

I,

Nick: which is also another form of love.

joe: is another

Joe_C: I I had one of, I had one of my best moments being doing this. Go into now. At Dragoncon, this just this past one and two, two moments, obviously meeting Joe and then,

Geo: Oh, I

Nick: I thought that was your best one.

Joe_C: But no, I had a gentleman, I was on a panel and this young man comes up to me and he goes, I just wanted to say thank you and meet you and give you this. And he handed me his debut novel, and he said, I want you to have this because I want you to know I’ve been listening to what you guys talk about on your show and what you do, [00:39:00] and it helped me create this.

And so I wanted you to have

joe: Wow. You wanna name drop your the person

Joe_C: yeah, his name is Roland. His last name is escaping me. I can go grab his book real

quick. 

joe: the Salvation Protocol. Yeah.

Geo: We had, we, we had on the

joe: Yeah 

Joe_C: oh, nice. Yeah. Yeah. He came up to me, he came up to me

And he’s like right after panel and he handed

joe: Yeah. Likewise.

Joe_C: Protocol. That’s awesome. 

joe: Is a real, he is. He is really awesome. He was a fun guest on there, and if you have a spot on your, one of your shows, you should grab him.

Joe_C: Yeah. Yeah. I

told 

Nick: was a good

joe: person. Yeah. Yep.

Joe_C: but then he put, right after that, he walked out and he did an Instagram and he posted on his Instagram how he met me and how excited he was to beat me and that I told him I would review, read his book and review

it. And he’s like, he told me that he would review. He said he was like super excited.

Geo: That is so awesome. is so cool, man. That is a moment that I’ll never forget

that’s great.

Nick: life. Honestly, it’s glad that you were in the right, it could have been completely different if you were like, oh, no, get outta here. [00:40:00] He would’ve been like, man, don’t meet your heroes. 

joe: Yeah. That’s,

Nick: man. He inspired me to write this book, and I’m gonna write another one to be like, Ooh.

joe: Know what? It’s fun.

Joe_C: I’ve fancy myself as fairly approachable,

Geo: yeah,

joe: Likewise. I, yeah. When people come up and they talk about stuff or ideas, 

Geo: and the fact that you’re putting this platform out there for indie writers indie filmmakers, that goes so far, 

Joe_C: yeah, you just don’t realize it too. I have had tunnel vision in that respect a little bit. I felt like the leader, I felt like the lead cigarette of the cult for a second, and realizing I didn’t have that con, that true connection, because there are a lot of people there’s a lot so the way I look at my numbers, right?

I don’t look at views or subscriptions. Those to me are arbitrary numbers that don’t matter what I look at. Is how long they’ve watched that video How much retention do I, to me retention is gold versus I would rather have 10 people who watch everything all the [00:41:00] way through that I do than have five, 500,000 views that watch one second of my video.

Me doing nothing. 

And so I, and I get people who come on the live feeds and interact with me, but there are several people who watch every show who are there all the time, who never say anything on the live feeds who I have no idea even

joe: yeah. 

Joe_C: But because they never have acknowledged or talked to me about that.

And so that is where I gained some tunnel vision. And Roland happened to be one of those people. So he really opened my eyes to that. And so I definitely try. Reach out. So he taught me just as much as I taught him in that one moment. Because I definitely try to now think about if I’m reaching out to somebody how, I would like to be told if I, talk to if I’m not the one interacting in the background.

Geo: Yeah. In case Kevin Bacon’s listening. No, I’m kidding. 

joe: Yeah.

He gets through down.

Geo: Yeah.

joe: It is funny when you have that, those moments when,

especially don’t like the [00:42:00] podcast, like when you’re writing and stuff, people, but the podcast, there are times where we do something or a vendor show and people come up and they’re like, oh, I’ve been listening.

And it’s 

Geo: oh, we love this podcast. I’m what

I’m like, what? You’ve heard of this?

joe: of this? And we have like fans like Alex who I’m gonna name Drop Alex. ’cause he comments on every

Geo: Every single one

listens. And so he is vocal about that. Like you said, there’s people who vocal and other people who aren’t.

joe: And then they’ll reach out maybe an email or something and ask a question. ’cause we do present, Handwavium on versus science facts. So people write in about things or Hey, you ever think about this? And it is neat when that happens and you don’t, but I want

Joe_C: my dopamine.

joe: I wanna get to the, Nick raised a horror thing and I do think horror is interesting and when you, especially in a mirror to, romance kind of fiction, I think horror, somewhat may get love a little more correct than, yeah.

Rom-coms a romance kind of stories and, and horror. It’s just love that, empathy, love, it just doesn’t end. [00:43:00] It’s one sided and it’s but you can almost slash your, as anything like that, you can funnel it through a love gone, wrong story. 

Nick: Yeah

Joe_C: We also love to criticize in those aspects too,

Nick: Oh, the Love to Hate

Joe_C: Yeah, those a tape, but just yell at, you wanna yell at the screen when that girl goes room. Or they open Or An Evil Dead. My favorite idea of this is when they open the spell book and they, and it says, literally, do not read this out loud.

And they read it out loud. Read. It’s

Hello, 

joe: I’m gonna read this

Joe_C: That’s that. And you just, and you look at the screen and you just wanna just put your hand right through the screen and go shake them and go, stop reading it out loud.

Nick: Wasn’t it in Cabin In The Woods where they were all in the cabin and what they were all about to start a certain, what is it? 

joe: Didn’t see that movie ritual

Nick: and there were just pheromones going around to make you go ahead and

Do something, and then one of them would eventually do it first, and it’s just oh, [00:44:00] that’s,

Geo: PHMO.

joe: oh, pherom. yeah 

Nick: they were releasing stuff into the 

Geo: That, that has a lot to do with love too. All like those unconscious things.

joe: and signals looks, And I would look it up and I think the pheromones in humans is still a little

I don’t know if that’s been, yeah, maybe it’s not been, maybe just more, more recent research I’m unfamiliar with, but I can take a look at that in the show notes.

But I was gonna say, one of my favorite body horror movies to Fly Jeff Goldblum,

Nick: If

joe: you’re listening, hit us up. But yeah, no, it’s got enough. That, that whole thing about I love you no matter who you become or what you become. And at some point in that movie, even it did become one sided. I can’t think of Gina Davis’ character’s name who went back.

She knew what he was becoming, but still because she had that love for him and that, and cared. She put herself in that harm’s way. She did that thing like you were just saying that. Why are you doing that? Why are you going there? Like you, this guy

Geo: I think doing I think, and I think you alluded to this too, like doing things that you, because in the name of love

joe: [00:45:00] right?

Geo: That you shouldn’t be doing, oh yeah. 

Joe_C: It’s all Tina Turner’s entire story, right? She kept going back I, and going back, even though he was the worst human being to her as possible. So

joe: yeah. But yeah, no, what’s Love got to do? It’s just a secondhand motion. But yeah, true. Love’s Kiss fantasy. What are we thinking out the hand waving him there. That’s your love potion. You were talking about Nick. He doesn’t wanna.

It’s sprayed out on 

Nick: Yeah, I, yeah, I’m gonna go ahead and just put a,

joe: be your

Geo: fan,

Nick: a unit tar on and Yeah. Start shooting people with arrows of pheromones.

joe: We see our subscriber numbers go 

Joe_C: Potion number nine, right?

joe: Oh, there it is. Yeah. Down on what, 34th and Vine? Is that it was that? Yeah, I think that was in Philly. That’s where that, I think that was set in Philadelphia, 34th and Vine.

But there might be a 34th and Vine in many cities, but

Nick: Just

Philly though. yeah,

just in Philly.

joe: But yeah. Love potion. That’s a talk abouts consent.

Nick: Yeah, like what, [00:46:00] we’ve seen that in so many different fiction,

Geo: right?

joe: Yeah. No, it’s a,

Geo: And 

Nick: It’s something that Oh yeah. Either you could whip it up yourself or go buy it or go to a witch and they’ll put a potion together and it’s 

joe: or fairy godmother, like in Shrek, and wasn’t that the love potion? Yeah.

Joe_C: When they invoke it on the young man and make him follow her around.

joe: Yeah. Yeah. Yeah. I know

Nick: Yeah, you, where would Cupid fall on this? 

joe: Waving him? 

Nick: No. A fat baby flying around with arrows.

joe: think he is a baby. I think he’s just a small man.

Nick: Why is he dressed like

Joe_C: Why is, yeah, I

Nick: What is going on?

Geo: a diaper, doesn’t he?

Nick: He’s 

joe: a lot of people, like in, it was like a modified Togo, right? He was like,

Nick: I’m pretty sure it was a diaper.

joe: It looked like a diaper, but it was a cloth wrappy. He didn’t, some pictures, he’s just, he’s naked. If you look at

Nick: paint, that makes it even worse. He

I

don’t want a big naked man flying around shooting.

joe: air row. Is there a horror movie called Cupid?

Nick: There should

joe: if there isn’t, we just need to get right in that. I just think we need to do anthology. That sounds like it.[00:47:00] 

Nick: frontal in it too. put 

joe: together.

So I don’t have enough stuff to do Cupid. Yeah, no, I think you’re right. Yeah. It’s, the arrows just full of hormones. Isolated hormones. Cupid’s really just a molecular biochemist. And he is just got, he’s just going around just shooting people with hitting them up,

Nick: trying to get the population to grow.

Joe_C: W he ox bottom. He, he is chemist by day and

cupid by night. 

joe: yeah, that’s

right.

No, yeah, that’s but yeah, no, love is complicated.

Nick: So since we’re close to the Valentine’s season, why is it that chocolate and flowers and stuff are always like the, oh, this is why we’re giving like 

joe: go ahead, Georgia.

Geo: Oh, I was gonna say, I could see chocolate because you do kind get a dopamine.

You

joe: do. Yeah. There was some, and

Geo: from the chocolate,

joe: think it always had an erotic connection. Chocolate, it’s difficult to [00:48:00] obtain. It was cost a lot. It was an expensive gift, I think for. and 

Geo: that’s a touchy su subject. Oh, flowers

joe: I got a whole as a botanist, really? Flowers are the sexual reproductive organs of the plant.

So that’s what you’re giving. You’re giving.

Nick: So one year I messed up and I gave, so when flowers that they were allergic to 

joe: that’s no good. 

Nick: Yeah. That was not a fun 

joe: anti cupid.

Geo: Yeah.

Nick: yeah. You’re telling me

joe: We’re gonna spend a nice evening in the 

Nick: it was just like, oh, there are hives everywhere.

joe: Yeah, I know.

Oh, 

Geo: Oh 

joe: yeah.

No, but flowers. Yeah. I don’t, I usually don’t give flowers. I, it’s been, but that’s the reason why,

Nick: no one gives you flowers, Joe. I

joe: don’t get flowers. I don’t get flowers out because they’re at the end the dying reproductive organs of another 

Geo: If you gave, have some, what if you gave preserves, you could give flowering plants.

joe: I give a flowering plant and a plant keeps living, makes new flowers. [00:49:00] Your relationship is long lasting. 

Joe_C: But that goes back to the puppy thing, right? People don’t take care of the flower.

Right? 

joe: yeah. That’s like any relationship. You gotta water it and tend to it.

Nick: I think we were having a conversation earlier how I can’t keep anything alive.

lucky that my child still lives, but that’s

joe: why I I just think about the, 

Joe_C: I think about the pretentious woman that give, or man that you give that to, you go, oh, dirt. Thanks. Here’s a little pot of dirt. We can plant seeds in it.

joe: But yeah, but I think that’s, and then it’s all, the good capitalist that we are, it’s become tethered to holidays and flower giving cards.

Nick: You gotta give her a ring.

joe: whole

Geo: I think it all goes back to that wanting to show your appreciation and your admiration.

joe: Yeah. No,

Nick: Now what if you planted something and then cut it to give to someone? Would that be a better Hey, I [00:50:00] did this for you instead of Yeah. Purposely harvesting.

joe: I know. Just give ’em the plant.

Nick: You want me to dig something out of the ground?

joe: No, you purposely put it in a pot. Sure.

Dig it up out the ground. I don’t know what you’re doing. What kind of plants you’re

Nick: steal the plant from someone

joe: Oh, now you’re stealing

Geo: You can get, starts off a plants and then they can 

joe: That’s right. 

Joe_C: As someone who cut down his own Christmas tree one year, don’t do it. It’s 

joe: All right, 

we’re getting close to the end. Any more thoughts you got there, Joe? Not me. Joe, the other Joe. Guess Joe.

Joe_C: I thought you were queuing yourself there for a second.

joe: of thoughts. Yeah, though, man. Joe,

Nick: what notes do we have, Joe? Joe

joe: season three is just me talking to myself in the corner.

Nick: The season he loses it.

Joe_C: I just yeah I think it’s interesting because, it’s a foundational thought process that we absorb love as part of our, not only of our subculture and our livelihood, but we associate [00:51:00] that with good goodness. And, there could be obsessive love, there can be love for things that aren’t great, there’s loves for villains, there’s loves for, things of that nature.

There’s love for Dom dominating the world. I’m sure that Donald Trump, somewhere inside of him has some kind of love going on,

Nick: I thought it’s just fueled 

Joe_C: love that we all wanna see. That’s very scary to a lot of us. But, and that’s the interesting thing, the word itself.

it

leads to many different ideas of what it is, but ultimately the feeling of it is interesting because that’s what we all aim for.

We all crave that in some way 

joe: Yeah. Nick Georgia

Nick: I normally end this with what’s your favorite? What, whatever

joe: Love movie?

Nick: Yeah. What would, what’s your favorite love story

Or a song or 

Geo: I don’t know. That’s tough to just come up with one like that.

Nick: mine I think I would have to say for me, it would [00:52:00] be the one that tears makes me cry every time is the first 15 minutes of Up.

Geo: Oh yeah.

joe: yeah. Time. That’s a good one. That

Geo: is.

Nick: matter where I am. I saw it in a dentist office once I started tearing up.

joe: Yeah. So is this what movie makes you cry?

Nick: No. 

Geo: Just what are you most

Joe_C: I have to say, I have to say my, one of my favorite, this says a lot about me, but two, my two favorite love stories in movies are Annie Hall in terms of Endearment. So yeah I’m the guy who tortures himself for love, but,

joe: Yeah.

Geo: Gosh, I don’t. I don’t know if I could come up with one, but one.

Nick: You got five 

Geo: Okay. Harold and Maude

joe: harold and Maude yeah. 

Nick: Why? Why? When I said he got five seconds, you were able to, he

joe: seconds. Oh, Harold and Maude

Geo: that’s just

Nick: even five seconds.

Geo: just like my favorite movie period. But it is a love story, so yeah.

Yeah.

Nick: Joe 

joe: yeah. A movie that I’ll go with the cry one. My Girl, [00:53:00] I don’t know why. That just always hits me, like when I could spoil it, but yeah, the ending

Nick: My Girl that was

Geo: it.

Nick: Who’s that with?

Joe_C: Kin and Anna

joe: Yeah,

Nick: Yeah, that’s what I thought, but I wasn’t a hundred

joe: no, that one. 

Joe_C: Plays the husband and then Lee,

joe: Didn’t occur at the funeral. They’re funeral home owners. Workers. She’s a, does the 

Geo: makeup. 

joe: Mortician. Mortician. Yeah. They’re mortician. Yep. No, I liked that one. That one really hit me and stayed with me. It’s been a little bit since I watch it, but every time it’s I go, I’m not gonna cry and but yeah, I usually tear up and watch it yeah.

Nick: And there were, just aside a added bonus, Gilmore Girls that had me crying multiple times throughout the whole

joe: it? That’s a great, that’s a good one. I’m gonna say The Thing. No, I’m 

Nick: Oh

yeah. I wouldn’t

joe: know

Nick: See,

Geo: that’s a love story.

Nick: relationship is a form of love. That’s 

Joe_C: and I that had the conversation about the date, that review, that Carpenter revealed what the thing really was. And we talked and I had some, I had a conversation at Dragon Con about,

joe: might have, I’ll talk anytime about The [00:54:00] Thing. Yeah. So we could have

Joe_C: But Carpenter actually in an interview revealed who it truly was The Thing, and I won’t spoil it forever.

But there’s a YouTube video where he talks about it and talks about how he views who the thing

joe: The Thing is interesting, I guess to that hive mind and we had a Thing episode but we didn’t talk about love in that context. But you do

Geo: Okay.

Nick: because it’s a love monster.

It wants you to continue on with part of itself in

joe: continue, right? Yeah. It becomes you.

So then love and consent. Okay. Yeah. We’ve, yeah.

Geo: We need conversation. We need it.

Joe_C: there.

Nick: Hey, Joe, do you have anything to plug?

oh,

not you, Joe Damnit. Joe.

Joe_C: Sure. If you’re not familiar with what I do and who I am like I said, I run a a network called Go Indy. Now you can go to youtube.com at Go Indy now. And check out our, what we do we program eight to 10 hours every week.

Geo: Wow,

That’s a lot.

Joe_C: every year. Yeah, [00:55:00] we going now and yeah we cover everything independent and that’s basically what I’m plugging now. I am going to start writing more stuff and having my own stuff out there to plug eventually.

So maybe by this episode I’ll have something out, but I don’t have anything out at the current

joe: Yeah, we get in the show notes in a mini after that, and I’ll be on your 21 grams.

Joe_C: Where we’ll talk about the opposite of love. So 

joe: There it is. 

Joe_C: this season is about darkness and

joe: yep, that’s

Nick: Ooh.

Geo: You gotta love that.

joe: do have to love it. And people, the one character in my novel, people, Marci people either love her or more people hate her. Yeah, there’s been reviews

Geo: to hate about 

joe: despise de fictional character that I wrote.

Yeah, no I, yeah, I do like a good villain. 

Nick: Hell yeah. 

joe: All right. I think that’s it, we can wrap up this love fest, so

Joe_C: I just gotta say, I love you all.

I love your show. 

Nick: greatly

appreciate you for being with us here today, Joe.

joe: For [00:56:00] 

Joe_C: for having 

joe: We’ll see when the dopamine runs out.

Nick: Yeah, I

Joe_C: Yeah. Yeah. In a year I’ll it’ll turn.

joe: Yeah.

Yeah. So that’s you got me Joe,

Nick: You got Nick.

joe: We got Nick Georgia, we got Georgia

Nick: and we went down some love holes.

joe: Stay curious, stay safe and we really do love 

Nick: Love you. Love you. Bye-Bye.

joe: Bye.