Episode 47 Transcript: Who Goes There?: The Thing and The Shape of Paranoia

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Joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the Basement Studio for another fun episode, part of our October, month of horror. So

Bill_H: yes, I finally

Nick: I mean,

Joe: tasty episodes for you. So this one

Nick: here we are known for our horror. 

Joe: we

are, . And the Breaking News.

Nick: Breaking news. 

Joe: news. Maybe we’ll get another Breaking News this year. I don’t know

Nick: if something big happens. We’ll find out here first.

Joe: This episode has been a long time in the making, probably for me, since 1982. And we’re gonna be, you know, Who Goes There, The Thing and the shape of paranoia.

So all things creature related there. So we should have some fun. We have actually, not only the full crew, we have a full house, every mic in the studio,

Nick: is hot

Joe: plus zoom. So we have five folks. 

Nick: I’m sorry, who are you?

Bill_H: And how many of you are actually human? That’s

Nick: right. Am I sure you are who I think you are. Maybe none of us are who we are,

Joe: we [00:01:00] are, but I am Joe

Nick: You got Nick. 

Joe: got Nick. we’ve got Georgia and guest number one.

Bill_H: Hi, I am Bill Haller. I’m a artist and designer, work in television and film and comic books.

And I’m here for the horror 

Joe: here for the horror.

Here

Bill_H: here for the, I’m here for the horror. Yeah.

Nick: Oh

Joe: Yep. Here for the horror and our other guests.

Todd_T: Hi, 

I am Todd Thyer, and I’m a designer artist letterpress printer.

And I make books with my letter presses, I work in fiction predominantly,

but then I also do a lot of social justice, work as well. But who goes there?

and The Thing are like my favorite story. And they’re a big part of Who I am today.

Joe: awesome. Yes,

Bill_H: Yeah. You know what I’d like to say? Just at the top here. Thank you for giving me any excuse to rewatch The Thing. Reread Who Goes There. Go through my comic bin thinking, I know, I read a comic about this. I don’t care if [00:02:00] the internet says it doesn’t exist. Yeah. And I found it.

Yeah.

Nick: damn. 

Joe: There’s a few,

Bill_H: Yeah.

Joe: Horse? Dark Horse Did

Bill_H: I found a straight up adaptation that I read. When I was a kid, I’m pretty sure it’s the first time I came across any of this material was a 17 page adaptation that was published in like 73 or 74. Okay. Company called Whitman Comics. They had a magazine 

Todd_T: think I have 

Bill_H: yeah.

Georgia: All right. That’s awesome. I was gonna say edit, bring it for show and tell

Bill_H: own it. I couldn’t find it. I tracked it down on the

Georgia: Oh, I gotcha. You verified.

Bill_H: I do have CBRI can send you guys if you guys read Digital Comics, but I went through that because there’s a piece in there that I always remember when I read the books or watch the movies that.

Aren’t, it’s not anywhere else. And it’s like, where am I getting 

Joe: that 

Bill_H: from? And it’s from this comic. Yeah. Yeah.

Georgia: And I wanna mention too, that this is a second episode for you, Bill. Yeah.

Joe: it says [00:03:00] Yes,

Bill_H: Coming

Georgia: You’re only the second person to come for a second time, really. So it’s pretty, that’s pretty big. That

Bill_H: is, I feel.

Thanks

Joe: But

all

it all depends on the order of these episode releases in

Georgia: that’s true.

Bill_H: I guess I didn’t do so badly last time.

Joe: No, yeah, that’s right. So

Nick: were you able to find it? 

Joe: Oh,

Todd_T: So I’ve, I picked this up at a

comic show recently? It’s Quest Star?

Bill_H: yeah. That collects all those, yes. Yeah,

Todd_T: It’s like by Golden Press, but it’s got Who Goes There in it.

Bill_H: that’s the one.

Todd_T: this is the One. You read as a 

Bill_H: the, that’s a collection of the ones that I read as a 

Todd_T: oh, gotcha. Gotcha.

Bill_H: the one from the, apparently the magazine at the time was called Star Stream or Slipstream, I believe, and they only did three issues and then they co, somebody other company years later bought those issues and collected it into that graphic novel there.

So that has. That

Nick: oh damn

Georgia: ah, that’s so cool.

Joe: we’ll put that in the show 

Bill_H: But yeah, that one really, you know, I stumbled across it at a [00:04:00] Goodwill when I was probably 11, you know, and it was

cost me costing me a quarter or 

Todd_T: here’s the title. 

Bill_H: Yeah.

Nick: Oh damn.

Bill_H: And

Joe: nice

Bill_H: that

one Blair falls asleep on the block of ice that they just cut out and they’re transporting back to their base and he’s so tired that he falls asleep on the block of ice and has nightmares maybe psychically transmitted by the alien within.

And I always think of that and it never comes up again in the movies, and it’s not in the book. They just made that up from, you know, inferences and stuff in the story, but. My mind is wait, where is that

Georgia: You’re like, I know.

Bill_H: fall asleep on that thing?

Joe: Yeah,

Nick: Yeah. Hasn’t anyone taken a nap yet? Yeah.

Bill_H: Not enough naps in John Carpenter’s movie.

That’s where it falls down for

Joe: You need naps.

Bill_H: I’m gonna,

Joe: I’m gonna take a step back because

Georgia: because we probably need a list or some sort of you know, very. We’re just,

Joe: I wanna give my definition

Or my grounding and I have a list.[00:05:00] 

Georgia: We’re just really excited to talk about this. If you

Bill_H: so exciting.

Joe: Humor me a little bit, and then I do have a list and we can add and argue, but actually this has been a while since I’ve given a list right off the top.

But I’m gonna do this thing here, because 

Nick: I

Joe: I wrote something special because The Thing is special to me. I think as Todd said. I saw in 82, I was like seven. My dad took me to see it. Probably not advised to take your 7-year-old to see The Thing, but it did. It truly did.

Nick: But a 4-year-old is cool for this right

Bill_H: I can imagine.

Joe: Take a 4-year-old. So I have, The Thing is a self replicating polymorphic organism composed of functionally autonomous units capable of simulating and replicate, replicating the form and behavior of other organisms at a molecular and cognitive level. The Thing is, a horror made flesh, an unknowable, uncontainable intruder that weaponizes biology and identity by undermining the metaphysical distinction between self and other, revealing the fragility of human [00:06:00] perception, trust and cohesion who goes there.

And on this episode, we’re gonna find out who’s who.

Georgia: Ooh, Ooh.

Joe: And then, you know, just to ground everything I

Nick: there’s grounding in this

Joe: all, there’s gr, there’s grounding in the handwavium soup. We will, we’ll try to ground it and get someplace safe. I as rules and assumptions, watching the movies, the stories you know, the Carpenter Watts just going Campbell.

And so I have these kind of eight, I only had seven and I ran a list, actually passed my youngest son

and he added the

eighth Nice.

So I’m gonna give, I’m gonna give him credit for the eighth one because I was like, oh, what do you think it is? And didn.

Georgia: He loved the movie. He did love movie. We went What? What anniversary? It’s

Joe: The 40th

Georgia: Was it the 40th? I think like we recently went to the movie theater, you know, whenever it was re released. And we took Xavier and he’s oh yeah, I think we need to watch that again.

Like the next day. Yeah.

Bill_H: is

Joe: [00:07:00] he is like

Bill_H: a dream come true. That’s so cool.

Joe: I’m gonna figure out who’s who. He was like, really? He is I, you know, he’s mapping it.

Bill_H: I’m like,

Joe: wow, you should focus on your schoolwork like this man you know. 

Todd_T: How young did you expose

him to it?

show him at seven as 

well? 

Joe: was not seven. No, he was, it

Georgia: he was,

Joe: it was a few years. Either it was 12 or 13. Something in that 

Bill_H: ballpark. Well, Perfect. Is 

Joe: that right? Yeah.

Georgia: Yeah. If it’s even been that long, but like

Yeah. No,

in the last couple of years it hasn’t even been that long, has it? Yeah. So he’s 15 right now,

Joe: right now. Yeah. So we can do the math

Nick: later. 12 or 13 sounds

Joe: yeah.

Georgia: yeah.

Joe: I

Bill_H: that’s the kind of stuff that’ll stick with you.

Joe: right after, it was like right after the pandemic. It was a good time to go see The Thing. 

Bill_H: Oh man.

Joe: it of we can go to a movie theater with a mask on. So I have these eight kind of rules and assumptions that I, and we can add to ’em or you can, you guys can scratch some of ’em if you like.

One, I have any biomass can be assimilated, not just humans. Two. Each assimilated host becomes an independent replicator. [00:08:00] Three replication is cellular. No need for the full organism to act. So it’s, it really happens at the cellular level. It can spread via blood aerosol or tissue. Contact detection is difficult, especially early on and.

Assimilation time ranges from 10 minutes to a few hours. Depending on proximity and complexity. One fragment can start over like a viral pandemic with perfect self replication and the one that Xavier added, it can survive extreme cold temperatures for extended periods of time and heat fire.

Those 

Georgia: an extremophiles.

Nick: extreme. Oh, you’re bringing this one back,

Joe: we’re ringing it back from the Fantastic Four series, if you haven’t checked that out though. But yeah,

Nick: months ago, Georgia, months ago, as

Georgia: As many times as I could say that

Joe: did.

Nick: Yes.

Georgia: I like to say it. Thing

Joe: foul. Yes.

Bill_H: Now I have this unholy union of The Thing and a water bear like in my head right now.[00:09:00] 

Joe: Yes. That, so we The tardigrade We were like, oh, it doesn’t come up that often. And now 

Bill_H: no, it’s everywhere.

Joe: everywhere you go, the tardigrade. Yeah. So that’s what I had for the assumption, the assumptions of the thing and maybe rules. I don’t know. So I don’t know if I missed something or you guys, the one I held on after I read it was the actually, I don’t know now.

Nevermind. Detection is difficult. Especially early. I think at

Georgia: think detection is difficult, even not early on.

Wasn’t that the whole point 

Joe: Right. Yeah. Well, I 

Nick: I mean, there are certain ways, it’s just depending on what scientist is figuring it out. Yeah. Because what, in the prequel, the 2011, The Thing they were looking in everyone’s mouth. Let me see your fillers.

Joe: For the

Bill_H: that’s right. Yeah. For the fillers,

the fillings, right? Yeah, that’s

Joe: Or you have the clothes rip open, like that was the theory that you shred your clothes, like you lose ’em. But no one’s running around naked.

So I don’t know if 

Bill_H: a lot of that.

Nick: that was,

Joe: that’s not it. They got 

Todd_T: [00:10:00] Despite, Yeah,

despite the different deaths, like

everybody always seemed to, their shirts 

Joe: That’s right. They had pants on you know.

Bill_H: That 

Todd_T: They were no longer bloodied 

Bill_H: In Watt’s story. That he addressed a little bit that I thought was very interesting. His take on that the longer that it’s been in you and how much of it you’ve been exposed to. It may just be in there hanging out, learning things, you know, and not really affecting anything else. Yeah. Until maybe it’s all you and then,

Georgia: so it’s almost like it’s dormant a little bit, or not dormant, but

Bill_H: It was sneaky in his

Joe: Or which percentage.

Because I think the one thing that no one talks about is that not only is The Thing mimicking human cells

And function, but also we have a lot of other organisms that live in US, bacteria, fungal, and on us. So there, there are these other species. That’s why that any almost biomass can be converted then technically, because if your gut is still filled with [00:11:00] bacteria that, you might just have a lot of intestinal kind of 

Bill_H: mm-hmm. down 

Joe: as the thing comes in. So it is it’s fascinating. 

Bill_H: some, you,

Todd_T: yeah. If you can

subsume any sort of creature that you on the planets you land on, like you can

certainly do their microbes as well. 

Bill_H: That’s

Joe: Yeah. 

Yeah.

Bill_H: I basically watch The Thing once a year at least it is a part of my DNA. 

Joe: trying

to find a 

Nick: h Oh, wait, all the way down to your DNA?

Bill_H: Yes. All the way down.

Nick: man.

I gotta in you

Georgia: yeah. Is there a certain time of year you find yourself going over more in the winter times, you know, or maybe winter, like it’s really cold yeah,

Bill_H: I usually get a call to watch all like his unofficial apocalypse trilogy Carpenter’s Apocalypse, Trilogy with the the thing. And then what’s it? 

Todd_T: From New York.

Bill_H: no 

Todd_T: Oh. 

Bill_H: the lemme say I wrote this down

Nick: because

Bill_H: knew what would go outta my head the second I needed to remember

darkness. the one in the middle is

Joe: yeah, I’m trying to,

Bill_H: the one I always

Joe: you said darkness, and now I’m [00:12:00] like,

Bill_H: yeah. Now 

Georgia: now you’re stumping us. So it’s

Bill_H: The Thing, and it’s Prince of darkness. Prince of, and it’s

Georgia: it’s

Bill_H: of madness. Okay. And if you extend a little bit, there’s Cigarette Burns years later that like sh short film he did.

Georgia: So do you watch ’em like boom,

Bill_H: Yeah. Like one sort of initiates the other in my memory and I’m like I

Nick: gotta watch

Bill_H: other one. And they all have, they all harken up to the, end of the world in some way in different ways, but Right. They’re really interesting together, which I like sort of the ideas that they bring up and then play off of each other.

But so I’ve, I watch The Thing all the time, but I haven’t read the original story. Who goes there in ages? I’d forgotten quite a bit of

Georgia: there, there’s a really nice letter press copy that you could, it’s beautiful.

Joe: Yeah,

Bill_H: I will be getting one.

That’s what this is all about. It’s selling you a bunch of these books, isn’t it?

It worked damnit

Joe: That’s why we have people [00:13:00] on the podcast. So that’s

Bill_H: so there was quite a few things I forgot about the story. I was pleasantly surprised how much of even dialogue I recognized, you know, that Carpenter used in the film. But there was a bit in there where they’re talking about the cows that they have

and they go to check on the cows and then they’d come back and say, the cows are all dead. We killed them. They were all. Things. And one of the guys sitting there freaks out and rushes out into the Antarctic, apparently, to die. ’cause he just drank a bunch of the cow’s milk. Cow. That wasn’t a cow.

Nick: Oh, 

Bill_H: and then they test the milk and they say, it is. It is. As cow’s milk.

As cow’s milk is cow’s milk. And I thought that was a really interesting thing that the cow wasn’t a cow anymore, but it was such a perfect. Adaptation, you know,

Joe: and it made milk

Bill_H: that it made milk and the milk was okay. 

Nick: So that guy pretty much doomed the world though.

Joe: But I don’t

I don’t understand [00:14:00] why in that scenario that the milk wouldn’t have Thing

Bill_H: Things in it.

Georgia: That you could de

Joe: like it’s a convenient

Georgia: about detection. You should be able to detect something. This was

Bill_H: the fifties. They didn’t have, you know, quite as high levels Exactly.

Georgia: analysis of their milk and 

Joe: who’s you know, who’s

Georgia: and then at what point does the cow stop being the cow and become The Thing?

Joe: Yeah. And I was gonna ask,

Georgia: and I think that’s like your point, like at what point, do you know what I mean? Is the host.

Todd_T: I’ve always thought it’s more, almost like viral or it needs to reach a tipping

point before you’re like, especially in the original story of Who Goes There, he talks

Or no, I guess.

it’s more in the things because

You’re hearing through Peter Watts. you’re hearing the viewpoint of the alien,

but he’s trying to you know,

gain control. and how sometimes he’s just I just feel like I’m

wearing this

skin.

And then, you know, so it’s, so maybe it is that up

until a certain point.

like so many [00:15:00] hours or

whatever where it can multiply and Take over

The cells,

but yeah. You think the milk would go bad?

Bill_H: I 

Joe: wonder

Georgia: Or it tastes funny.

Joe: that kind of to play on that idea a little bit. If, does it matter how The Thing gains entry? So if it actually takes over the brain cells 

Bill_H: first. mm-hmm. 

Joe: Does it have now cognitive control versus if you you know, get a cut on your foot or something like that?

And it takes some time for it because it has now to assimilate all the foot cells, come up to leg cells, you know, you have this whole process. I mean, once it gets to the bloodstream, potentially, then you would have this kind of movement. But it, it’s then would you be as a human cognizant of it?

Oh, something’s wrong with me. You know, 

Georgia: I can feel it coming. 

Todd_T: It burns. 

Joe: is being disconnected from my body. All the neurons and everything aren’t firing correctly. I got a dead leg now. Why you gotta limp there all of a sudden?

Georgia: I’m trying to remember, I’m trying to, is there a clear way that The Thing [00:16:00] infects someone that’s not really, that’s not really,

Joe: it’s fast and loose. It’s it’s kinda like zombie biology you know, it’s like sometimes one little particle can do it. Sometimes you got your hands, you know, arm deep into a carcass and like pulling out organs and everyone’s watching.

It’s like everyone, there’s infected now. Just, I just wanna say the scientists there, they have no they’re,

Bill_H: every time it’s

Joe: and fast with you know, 

Georgia: not a, Not a good representation of the scientist.

It’s like a 

Joe: videos every year for training about biosafety, like what to do with needles and how to do this and how to take gloves off.

Nick: Is it bad that caught my attention too. I was like, this is definitely gonna be a Joe thing, where he’s they shouldn’t do that. Like they should be wearing some kind of sleeves going in and

Georgia: protective, yeah. You’ve got

Bill_H: Wilford Brimley, Blair walking around pointing out this still steaming carcass on the table. It looks hot and I know people say if you look really closely, his pencil doesn’t touch it, but he like [00:17:00] taps at it. He points at it and then almost immediately puts the pencil against his mouth and I’m screaming inside the whole time, oh my God,

Joe: Do not do that.

Bill_H: stop that. It

Joe: Hmm. It

tastes like raspberry.

Bill_H: I’d

Nick: would rather him just start licking at, I love just being like let’s see what this tastes like.

Joe: The one with the dogs, they go, they burn the dogs all up, but then they go in and he’s just cracking stuff. Look at this. There’s a, I mean, there’s particles

Bill_H: nitrile gloves.

Joe: It’s yeah. And he’s little, the thinnest gloves. One could get.

It’s for your pleasure. It was like, God

Nick: I’m not

Joe: there. Know. It’s like just,

Nick: they might as well just

Joe: yeah. It was like

Bill_H: Brimley 

Todd_T: don’t have to guess. When they lock him up, you’re like, oh

yeah, right. Yeah. 

the 

Joe: he was done. Really, I’m looking at everyone that’s around who gets close oh, let me see that second intestine that you pulled out there.

You know, it’s as he is going through the whole, you know, just really digging in there.

Bill_H: He’s really getting his hands

Joe: was just like 

Bill_H: I read that, I think that might have been something to do with the effects guy Rob Botin, who was like, originally they had this gonna be this creature.

We, we don’t know what it is yet. [00:18:00] We haven’t made it yet, but there’ll be this creature stalking around and he being like young and crazy was like. How about it’s like different every time we see it to partially in between changes and this and that and so it’s never the same creature. It’s always a different one.

And I can make, I can drive myself to the point of exhaustion making, you know, multiple different versions of these things every time it’s a new horror, you know? And that might’ve been where that sort of came from. And that does, it is nice, it does leave open

Georgia: think that

Bill_H: I don’t

Georgia: works perfectly with the story.

Yeah. The fact that it, that. It does shape shift and goes to all these things so it makes sense that the creature itself would be do you know what I mean?

Joe: but it was also that thing. If Blair, let’s say Blair got

Nick: that thing pretty

Joe: on

Bill_H: Kind of Thing.

Joe: and then he goes, lock this, lock the body up in a little coat closet with, you know, then you have the next couple people in there with it.[00:19:00] 

I mean, is it now, you know, like really thinking and strategizing, how do I spread myself to others? Because it, yeah, because The Thing does a great job at hiding itself, and it does a really poor job at hiding itself. And it usually breaks out at the most inopportune time. It’s you should really just stay quiet.

This is the time you stay

Nick: quiet. How are you making it through the galaxy like this, like you are going gungho. It’s just what? Why

Joe: Here I am now. Like when he went in the dog kennel, he could just chilled out. Yeah. But then it was like, oh, there’s four other dogs in there.

I’m gonna get ’em. This is my time. Like there you go now. And it’s and he obviously, or I’m saying he, it obviously had dealt with dogs before and understand that once you rope the dog with your coily, stringy stuff and juices, that they’re gonna freak out and then humans will come. And it, is that a strategy, I mean, is that the strategy? Once the humans come, then I can spray them and it was an interesting thing. Like what [00:20:00] was the strategy with the dog kennel? ’cause he could have just laid back and then went and bit people and licked them and really just, it could have, I keep saying he, I don’t know. 

Todd_T: I think it’s I think that the theme is

like universal bad decisions. Like just

later when you see like people going out into the dark by

themselves or you know, don’t go up

there, there’s a killer in the basement or whatever.

It’s yep. Even brilliant space creatures are like

Joe: Yeah.

Georgia: right,

Nick: That makes me feel good about the

Georgia: That’s right. We all have

Nick: can just do it. 

Todd_T: you’ve got a chance. Yeah.

Bill_H: I don’t know, for the listener, we are drawing from three, like major texts here, right? Yeah. Like you got the, who goes there

so 

Joe: I can, who goes there by John W.

Campbell, 1938, right? We have The Thing From Another World, 1951. That was the

Georgia: Okay. And that was the movie. Yeah.

Joe: we 

Todd_T: the Howard 

Joe: Howard

Hawkes. We have The Thing 1982 by John Carpenter. And then we have The Thing, the prequel 2011 there,

Nick: but it’s also just called The Thing,

Joe: called The [00:21:00] 

Nick: It’s 

Bill_H: A Little Confusing

Joe: the Things by Peter Watts in 2010.

That was a short short fiction.

Bill_H: which

was fantastic

Joe: from the perspective of The Thing. I

did 

Bill_H: not read

that one and it knocked my socks off. I seriously, the last sentence knocked some wind out of me. I ver I was like, oof. When I read the final sentence of that story, 

Todd_T: it hits like a punch. 

Bill_H: it was a physical punch into my guts.

But there he deals with a lot of some of these ideas in a very interesting way. And the original story does too, that you can’t quite get across in, you know, action horror film. But there are some interesting things in there about in Watt’s specifically that the things he the creature is letting those things happen as, you know, sometimes as distractions, right?

So that, you know, it can continue to do other things while everyone is rushing around trying to track down a monster. It’s still a dog somewhere or one [00:22:00] of these other guys, and it’s doing things, you know, many Blair in the movie is in that hut for days building a spaceship.

Joe: so

Bill_H: you know,

Joe: I mean, at the dog scene, and I’m gonna go back

Georgia: dog scene in

Joe: thing 82 Carpenter, the dog actually splits off

Bill_H: So

Joe: then goes out somewhere to either assimilate into another dog.

Or do something out in the wild. And so you had that scene. So not only was Blair out there, but there was another fully formed thing that was out there running around and running off somewhere. You’re right. It was one of these things where it actually, it never really, no one ever said, where’d that thing go?

Like it was just gone. Like they flame thrower. Childs came up with the flame thrower. They flame

Georgia: That’s probably a good thing to ask. No one

Joe: let’s go out and find it.

Georgia: Either that or just let’s not worry about that. Let’s pretend that didn’t happen.

Joe: But this gets to, to a point that it’s [00:23:00] not just assimilation either because that dog it developed a lot of biomass that it just is.

So there’s some, you know, rapid growth factors that’s happening. I mean, it was, it had arms. I mean, it really reached 10, 12 feet. I don’t know how tall it was, but it reached up with strength pulled itself out. So you had all these scenes where it wasn’t just, I’m making another Bill. It’s like I can actually do other stuff on the fly.

And is that’s probably pulling from some historical DNA, is it, does it have like many copies of species DNA that it can pull from in some conscious. Way. I mean, it really I started thinking about that as a, as an organism.

Bill_H: that’s always what I imagined like the things we were seeing, especially in that scene. Yeah. Where we get that at the end we get that like flesh flower that blooms that’s right from the head of the

Joe: that. Yep. Yeah. 

Bill_H: Oh my, this is some sort of alien creature that it is assimilated eons ago and is just referencing from, its [00:24:00] like memory banks of anything it’s ever been and if it’s got enough.

Biomass, it can just recreate whatever that is. 

Joe: I mean that dog wasn’t, didn’t have a lot of biomass. No. I mean, it, I think if we did

Bill_H: technically he was also attached by its tendrils and

Joe: stuff. Yeah. But he wasn’t, I mean,

Bill_H: and could have been drawing in.

Joe: That was a lot. I mean

Bill_H: a lot. It was

Joe: that was

like 10 dogs worth

Todd_T: But that’s where in The Things like, so when I talked to Peter Watts about this, he was just like, that was one of the things that he was, try he tries to,

fix some 

of those little errors. 

Like he was in, in,

the Things he refers to it, like eating all their food

In the background.

and then not knowing it.

But yeah, it does certainly grow

exponentially.

Joe: Because you not only have the biomass, but you also need the energy to calories. So even though you’re eating all the food, and we can,

Nick: how many calories does a human have, Joe?

Joe: how many calories does a human have? Yeah.

Nick: If you were to eat a human body.

Georgia: we’ve talked about this I feel like we have, but I don’t remember.

Joe: think it was like, was it like a hundred thousand?

I mean, it was

Georgia: it was a lot.

Joe: Yeah. It was enough [00:25:00] for someone to turn into a werewolf.

Nick: Oh, that was last Halloween episode. Episode last h geez.

Joe: That’s right. 

Georgia: I’m just thinking about in nature. Like creatures that are para parasites. And that can and then also there’s creatures that can change.

Like I, I don’t know. I’m not, I don’t have anything specific, but it just seems like something in nature is similar to that.

Bill_H: Yeah. Like a butterfly over its lifespan does completely physically transform at some point. 

Joe: And actually will it juices itself down and then it reforms out of that, , so it uses that biomass, it converts it down to basic, like a soup and then

Bill_H: which is amazing forms

Joe: out of it. Yeah. So that was something there, but yeah, there’s no real,

there’s nothing

on earth that we can directly compare to the thing.

Georgia: that we know of.

Joe: unless we are right. No, we’re there. But there are, there were a lot of things, and I I mean, just thinking about it , we’ve formed , relationships or with things over [00:26:00] time at the cellular level . So mitochondria and chloroplast, those are organelles.

And you carry our cells. So our cells have mitochondria, plants have chloroplast or those photosynthesis, but those organelles used to be free living organisms that were eating, eaten by something else and then incorporated to do work for the cells. And then they became larger, more multi complex organisms.

You know, that type of thing happens in nature. We have mind controlling organisms.

So we have, you know, corti opus is all of age right now you know, the parasitic fungus, you know, you know, the wasp, 

Bill_H: that can,

Joe: as they get infected, they do things. Toxoplasma Gondii.

That one’s really cool that can actually infect mammal brains.

It’s

Georgia: It’s cool unless it happens to you

Joe: particular, it, if people don’t know it, infects rod. So lifecycle is multi organism, so it infects rodents and then the rodents can become infected and then they become attracted to cats, which will kill the, and eat

Nick: what kind of attracted to cats? What 

Joe: [00:27:00] it aggressively goes after the cat.

Bill_H: Not sensually.

Nick: Oh, okay. It’s not,

Joe: I mean, 

Nick: I was like, is it like, Hey cat?

Todd_T: seen that? You 

don’t 

Nick: that’s right. The rat 

Joe: doesn’t live long enough to really get his

Bill_H: I’m not a scientist. I’m not a sexy scientist. I shouldn’t have, I’ve, I’m

Nick: Hey kitty cat whatcha you up to

Joe: Toxoplasma will, it actually can infect human brains. It actually will.

So if you have a cat on, like an indoor outdoor cat and you change litter, you probably are infected with Toxoplasma

Nick: Oh, Joe, you didn’t tell me

Georgia: they weren’t, they warn a lot about Yeah, if you’re pregnant, you really are not supposed to change

Joe: and that’s why yeah, if it’s an indoor cat, you probably don’t have a lot to, you probably don’t have to worry unless you got a, you know, a rodent problem, then you probably do.

Especially if they’re playing with the cat. I think like in Tom and Jerry, I think Jerry was infected with Toxoplasma.

Bill_H: Definitely. That makes really

Joe: challenged Tom a lot. I mean, he was in his face

Bill_H: just left him alone. It

Joe: right. It wasn’t, it was like The Thing, it was like, what are you doing there, guy?

Come on let’s back off of him. Yeah. So Toxoplasma is [00:28:00] one there we have organisms that do gene transfer, horizontal gene transfer, so different species, so agrobacterium. So Agrobacterium is really well known in the molecular genetics community, especially with plants. It’s a bacterium that can transfer.

DNA from itself to a plant. So it’s used for a lot of modifications. So gene modification of plants, GMOs. That was the kind of breakthrough technology understanding and hijacking that for our purposes. But in the wild, it does it all the time. So it will have these kind of transfers like that. So we have things like that where you can move DNA

Bill_H: Between

Joe: different species.

You know, we have cell mimics, so there’s things that will digest other organisms and use their bits. So there’s , the sea slugs that will eat algae and then use the chloroplast to do photosynthesis in itself. And so we you know, so we have all these things. We have bits, we have all the makings of it, so we just get some funding, get in the lab, and we can do

Bill_H: it, stick ’em

Joe: you [00:29:00] know,

Nick: in the 51 film. They said something about the material of it being plant-like.

Bill_H: Yeah.

Joe: Yeah.

Nick: so they said that it could pretty much be a intelligent carrot.

you go. So is the thing a carrot?

It’s it’s a carrot.

Joe: That’s what they had. It’s eight feet tall. It had arms and legs.

Nick: I just wanted to be 

Joe: It came out. It was like, I am Groot. It’s it.

Nick: Oh,

man. Gro has a lot of, that’s

Joe: Gr fruit is a thing.

Bill_H: That was an interesting take. It was an interesting take. They really did make, they changed a lot of the story.

Nick: It was just like, why, what?

It’s coming.

Bill_H: which is funny because really I, for me, I lo I love the special effects and the thing visual guy, I draw that kind of thing all the time. Tentacles, , twisting veins and things like that. But the real scare of the story for me is the like. You know, that whole who you can’t trust anybody

Joe: Yeah. That

Georgia: It definitely

Bill_H: who is who, and that story [00:30:00] doesn’t need any special

Georgia: effects. None to be told.

Exactly. In the fifties, That’s they still could have made a very convincing version of that story without, with very few special effects. You know, they didn’t need a big monster rampaging through the hallways. They could have just, you know, hinted at a couple of things here and there, and then let your imagination go with, now who

Joe: was gonna say that in, I’m, I’ll have to look it up and put it in show notes, but Invasion of body 

Bill_H: Mm-hmm. 

Joe: That was the fifties, right? That was all in that time. Paranoia. It wasn’t the fifties. It was in the sixties, but yeah, you had that, , if it quacks like a duck, it looks like a duck, then it’s a duck. You know, you had that same idea. That’s, and then they remade it in the seventies, the Donald Sutherland movie where it had, you know, but the special effects wasn’t I think in that one, the Donald Sutherland Spock and Jeff Goldblum, they were all young.

A very young Jeff Goldblum, I believe. I don’t know if he was young. I don’t know

Georgia: They all were

Nick: than you.

Georgia: They all were pretty young. Yeah.

Joe: was the idea, the paranoia, because you work your way through that movie, who to trust, who [00:31:00] can’t you trust? And the special effects wasn’t besides the big green pods with some, you know, vines hanging off of ’em.

It wasn’t, and no big monsters 

Georgia: really. 

Joe: at the end when he opened his,

That, like you said, that gut punch of an ending that was yes. Yeah. But

Todd_T: In, in doing all the

research for these books and just knowing what was.

what had come before and not wanting to do the same.

Like I just learned a lot about him and that apparently it’s

really supposed to be about

communism. Like they’re, you know, 

Joe: Yeah. The book one, that’s right.

Todd_T: and 

Georgia: right.

Todd_T: Make it an alien 

Bill_H: Yeah. That makes 

Georgia: It was really like that post World War II kind of, and this whole idea about the Atomic Age and not understanding, the atomic bomb and all the, I think that had a big influence on that.

That’s But

Joe: it was the 51 movie was set in Alaska.

To

go with that same, that paranoia from world the post-war kind of paranoia and communism that was very different than the other ones were set in

Georgia: And [00:32:00] I love that. John Carpenter was a young boy and watched Yeah. That watched the 1951 movie, and that had such an effect on him.

He loved it. Yeah. Yeah. 

Bill_H: Yeah. Not

so much the monster, but 

Georgia: And then when he did his movie, we had Reagan. And we had the kind of, you know, and also the Cold War kind of thing. So in some ways, those. Those themes were repeated, you know? Yeah. I wanna

Bill_H: muddy the waters with one more extra story.

Georgia: Oh, please.

Bill_H: in looking back into this stuff, digging through it, right? I started checking out was it Campbell? My, my brain is shot. Yeah. 

Joe: Campbell wrote the story. 

Bill_H: He wrote a story a couple years before who goes there. He wrote a whole bunch of stories.

He’s a very prolific author before he became an editor. And there was apparently a very famous author who he either died or he quit, and the magazines asked Campbell to fill the hole by writing a similar kind of story, sort of like upbeat, humorous [00:33:00] stories about a couple of like scientists who like, you know, go out doing things.

And so he came up with these guys named Preston and Penton and Blake, and he wrote a couple of Penton and Blake Adventures, and one of them was called Brain Steelers of Mars.

and in that one it’s it is a great read. It’s pretty

Georgia: that one needs to be made into, it’s very,

Bill_H: It’s pen. Penton and Blake are these like, seriously two fisted atomic scientists who are, they’re on the run from earth.

Because it’s illegal to do atomic experiments on Earth. And they did it anyway man, because they know what they’re doing.

and they,

not only did they do it at the beginning of the store, they’ve done it, they’ve cracked it and they’ve used it to power their spaceship. So now they can get to planets that no one have been able, hadn’t been able to get to.

And they, which is good ’cause they have to get away from Earth. ’cause they’re 

on the lamb, and they land on Mars and they start seeing trees that look like trees from [00:34:00] Earth. And it’s weird. Until they go look at the trees and then the trees are different than they were when they saw them at first.

And then they run into centar. The, these are the creatures that live on Mars, these centaurs. And it turns out that those trees are another creature that lives on the planet. A shape shifting creature that, eats their children and takes their pl the place of their children. And

Joe: Wow.

Bill_H: they used to have a problem with it, obviously, but since they can’t tell the difference between the children that were real and the children that are the reproductions, they’ve stopped worrying about it.

And for generations have just lived alongside these other creatures, these mimics. And they’re just like,

Georgia: do?

Bill_H: Alright. And, but our American boys, that’s where the

Georgia: how I stopped worrying it. They’re

No,

Bill_H: we are leaving now. And it [00:35:00] becomes this huge deal where suddenly copies of Penton and Blake start showing up and they’ve gotta get away from the planet and get back to earth without these mimics coming back to earth.

And there are sections in that story. I don’t think they make it into the published version of who goes there, but there’s that, Frozen 

Todd_T: Frozen hail. 

Bill_H: There are passages in there that are almost word for word where they’re like if a thing got stranded in the desert, it could just make itself a cactus and get along just fine.

If a snake tried to bite it, it could turn itself into something that couldn’t be bitten by a snake. And, you know, he rattles off these great things that this creature could do to avoid, you know, dying and live basically anywhere. And I was like, I recognize that. I just read that.

Georgia: Oh my gosh.

Bill_H: But that was definitely where that like where he

first had that idea and was playing with it in a much more comical, but still really right, freaky way.

And then a couple years later, he dusted that off and went at it [00:36:00] from a different angle for who goes there. But I’m interested in what you think about this idea that like, all right, the things here, some of us are things. 

Georgia: Let’s just deal with it. I can’t prove you’re not, you’re

Bill_H: the thing. And if even if you are you’re just as good a Georgia as you were before,

Georgia: maybe better.

Bill_H: you know? In the Watts story, it’s that the creature is going for advancing species. It’s like taking things over and bringing in its mind, bringing the worlds together and bringing them to a higher, you know, more perfect organism. And in this story, it’s it’s perfect Camouflage in, in a, like a really disturbing way to me that I, coming to terms with that was super

Georgia: That’s the feeling you got at the end of body snatchers. You know what I mean? I don’t know,

Joe: almost, you start talking like a Ship, of Theseus kind of thing where you’re going like after some point almost doesn’t matter.

Bill_H: right?

Joe: It’s, are you still the same or have [00:37:00] you changed enough to be something different? Are you really a different Joe

Georgia: And I think 

Joe: or Bill,

Georgia: idea that we’re losing our humanity and we, you know what I mean? We don’t wanna lose our humanity,

Joe: Yeah. And you have that. I mean, that was the anime Parasite

that you had that, so that was the same thing.

Alien species comes and it infects people. If it goes through like the nose, mouth, ear, it gets to the brain and then they become. A parasite, whatever the, this alien creature, but the protagonist of the story, the alien goes into the arm ’cause it was like dying or sick, I can’t remember that. But it went into the arm and then just the arm was the alien, but the rest of the body and the brain was human.

You, you get some mixing and stuff and the episodes go through and that, that’s really it. What is humanity? What are you struggling for? And that’s that same kind of idea looking at where does, where do you draw the line between humanity and other, you know, the thing like, you know, so at some level, [00:38:00] but if you are cognitively making copies and assimilating, are you assimilating?

And then using that and maintaining that level of humanity in, in yourself Or are you know, bringing other things to the table that you have.

Todd_T: Just the themes of that

Just

were

so

reminiscent of,

colonialism, of just Oh you’re an uneducated,

heathen, 

let me introduce you to the ways of the universe.

Bill_H: Yeah. Wa that story, man, that final line in Watt’s story just blew me away. And I, he did a beautiful thing there. And that, the paragraph leading up to that, the creature is musing and sort of like contemplative and things sort of ease off and chill out a little bit. Oh, okay, this creature’s okay it’s I see.

And then bam, it’s all,

Georgia: can you see that story being adapted to a film or something visual?

Like

Bill_H: It’s all internal. And I don’t know how you would [00:39:00] do 

Georgia: so

Bill_H: Somebody could do it. Maybe somebody great or

Georgia: something. It’d have

You know? 

Bill_H: But it would be really hard to do, I feel visually, I don’t know.

What do you think?

Joe: yeah.

Todd_T: I haven’t

thought about that, but now that, yeah.

It’s it’s all it is. I mean, that’s what the, that’s

what my Illustration. challenge was with my 

additions. How, you know, it’s the alien talking and thinking and trying to understand why these people are so bad to you know,

you Woke me up.

and now you want to kill me.

What? I just wanna sh I just wanna show you what I know. Don’t know. 

I’d love to see it in a film.

Bill_H: Yeah.

one 

Joe: one of the interesting things is after The Thing assimilated somebody, let’s say Blair, ’cause he probably was the fir or to, I think Blair probably was the first fully assim assimilated. If, let’s go with that. Let’s say one of them. But why the thing. Could have spoke through Blair and communicated with the humans in some way because you would have

Nick: but humans are brash and they’ll

Joe: But [00:40:00] you could have pulled I think you, it probably could have chatted with somebody and be like, Hey, guess what? Or given, be

Bill_H: aside,

Joe: tipped off with the

Georgia: what? Instead of going crazy. Because

Joe: that’s, that was the thing about Blair and I pick on Blair because I think he was digging in and he should have been assimilated if he wasn’t.

So when he destroyed the 

Bill_H: mm-hmm. 

Joe: and went crazy and they locked him in the shed, I guess the assumption was he had not fully assimilated maybe. So he might’ve been struggling. His humanity versus a Thing in his mind, maybe he was this, his intelligence, he could actually parse that, was thinking about it and knew, oh crap, I’m infected, I’m going down.

And then when he got to the shack and was like, Hey, I’m okay, you can let me back in. Was that now the thing like, Hey, you can really trust me again. 

Bill_H: I love that

Joe: I was just

Bill_H: that part

Joe: really one of those things. It was like, Hey I hear noises and

Bill_H: I’m really much better

Joe: right. Yeah. I’m really,

Nick: oh,

Bill_H: I’m

Georgia: ao

Joe: a okay

Georgia: now buddy. 

Joe: You know. Yeah, you’re a hundred percent thing. Now. Maybe back then you were 50 50 and you were really [00:41:00] struggling against you know, this entity in you and couldn’t communicate that you just raged up because you were with the lizard brain. Might have been all that was left of the human the humanity was reduced to the lizard brain, and that was, let me protect, you know, he had all those numbers in his head, which

Bill_H: I always thought that was inter, that was possible. I don’t know. Oops. I always thought it was possible. They, because in the book they make a, they kinda make a big point about not destroying.

The radio equipment and even go so far as to talk about creating fake broadcasts back so that everyone thinks that they’re okay and nobody sends out a search party because a search party, until they deal with it one way or another, even if that means death until they deal with it,

A

search party would mean infection for the world.

So they were, there was a bunch of stuff

Georgia: So like the reporter was wanting to get out there, the

Joe: the word out.

But you, but you also had, which was really clever in a narrative device [00:42:00] in that story, was that you had the paranoia still of the Cold War and keeping secrets. So really it was like,

Georgia: you

mean of the

Joe: Yeah. In there. And so

Georgia: of the,

Joe: were they thinking of this as a weapon? Can we weaponize this?

Because you always you know, like the alien, we need to weaponize it, right? Let’s you know 

Todd_T: Go.

Bill_H: You know, we,

Joe: you know, t rexes weaponize it. You know, that’s

Nick: can I put a machine gun on it?

Write the

Joe: weapons. Can we make a weapon out of this thing? Then let’s go your green light.

Nick: Can we put a laser on a head and have it attack

Bill_H: Like 

Joe: anything. It’s man, this thing’s gonna eat everybody in the world. How can we turn into a weapon?

Bill_H: It already is like, It just, we need

Georgia: That sounds like a good weapon.

Joe: I think we can control this uncontrollable weapon. Okay. Eh, yeah. Let’s do it.

Okay. Yeah. No I wonder if that was part of that and a really nice narrative kind of setup that you had, whereas you’re in Antarctic, you know, Antarctica.

You know, you, you have people coming in probably to check on your supply drops and things like that. I had friends when I was in grad school that would go down and [00:43:00] stay at the science center there studying an Antarctica plant life.

And so they would go and stay down there for months at a time and then come back and they would talk about the supply drops and things like that. Did

Georgia: Did they ever watch The Thing while they were there?

Joe: I don’t, I didn’t

Georgia: ask

Joe: but the other thing is that alcohol was banned. So you, you weren’t allowed, I mean, people smuggled it in, I mean, like anything.

But you weren’t supposed to, it wasn’t actively encouraged. So I always think when I watch The Thing and he’s got his JB and he’s just I’m gonna go to my shack and get drunk. It’s just with his sombrero you know, it’s this kind of,

Nick: I actually do have a problem with one of the first scenes in the thing, the John Carpenter one chess, no. So when they were doing the that was funny too.

But when the Norwegian guy came in, the guy inside busted open the window to shoot him,

Joe: Oh, yeah.

Nick: Windows aren’t easy to come by out there, right? 

Joe: Yes. Yeah they

Nick: I’m assuming they would be thicker than that. You

Joe: mean they’re Swedish?

Nick: I thought it was Norwegian.

you. I was like, wait.

Joe: [00:44:00] that’s what

Nick: I was like, I watched the movie.

I know the film.

Joe: I was hoping I got the do that. But yeah. So thank you. Thank you very much.

Nick: But yeah, I’m assuming

Georgia: been that easy to

Nick: He just busts it over him with his hand and it’s 

Joe: and quick shot too. Yeah. I mean that was,

Nick: very little aiming.

Joe: Oh, aim. I mean, you know, he didn’t even do

Bill_H: you

Joe: twist, neck twist and side it up. It was just go for it. Yeah.

Bill_H: I don’t know. I would imagine they would have thicker

Joe: glass. Yes.

Georgia: Yeah. But,

also 

Nick: frowned upon to just break open a window

Joe: not open it and go out and this Yeah. I don’t 

Nick: he walks out the door, the very next scene like. Seconds later, he’s out the door.

He’s

Bill_H: He’s gotta, he’s gotta protect his men, you 

Todd_T: But there was an active shooter

situation. You don’t know what you 

Bill_H: already shot in the

Georgia: lake. Shot in the lake. The dog’s

Joe: A dog’s licking him. 

Todd_T: Yeah. 

Joe: It’s right there. You can, you get student, the count right there, like pop, all these folks are infected, but then they’re really not, like when they did the [00:45:00] blood test, which once again, can a thing, if it’s a conscious organism, can it choose to display pain or not?

Like you were saying, and you know, Watts version that it was doing these things to be a distraction. Was it really reacting to the fire or was it just putting on a display? Because now it set people up, they’re all tied to a couch and things like that. They got ’em lined up in a row and this is it, you know, distract here.

Palmer can split his head open and juice blood flies all over an aerosol. But, you know, the 

Bill_H: original story, they talk about the possibility of it leaving them sort of. As food for later, like having taken over a couple guys, it knew that they’re in the middle of nowhere and it knew that it might not see any more people for a little while.

So it could just not, it didn’t have to take over everybody. It would just take over people when it needed to eat or when it needed to do something.

Joe: eating?

It wasn’t eating, it [00:46:00] wasn’t feeding off people.

Bill_H: It’s that was their conjecture. They were still talking about it at the

Joe: Oh, I see.

Okay. How it worked.

Bill_H: yeah.

Joe: yeah. So I was like, that’s not it. It would just eat regular food. I would imagine like a can of beans, like whatever they had in the pantry,

Bill_H: or It could, we could, I mean, as you know, we use our stores of fat. Maybe, you know, it could use our stores of fat as well to,

Joe: or did it use the store as a fat to assimilate?

Fat cells are human cells. So are they now? Thing. Sell and Thing. Fan. Yeah, the thing fan, it’s the new,

it’s the new weight loss plan.

Georgia: the whole idea about the com, this communist scare and who’s a communist and who’s not. And there’s those scenes, where there’s those posters about venereal disease and who could have it.

And they’re official, like from the government do you know you know, so it like completely feeds on that home, like paranoia and that.

Joe: I love it too, that they have those [00:47:00] signs up in the base where it’s all men.

What does that say?

I mean, so little progressive there. It’s like 

I was 

gonna, I was gonna add something because we had the, the Campbell story, I was 38 in, in there. But DNA as a hereditary agent wasn’t really known until 44. So when that story was written, it still wasn’t quite, how does DNA,

How does that, how’s that functioning?

How does it act? I think people had idea, but the actual DNA molecule, and that’s a thing in the cell that’s doing the job. That was round then and I’ll put that in the show notes that date and make sure that’s right. And another movie from the nineties and The Stuff

The stuff a little bee a bee movie. And it was these guys are out mining and then they discover something’s bubbling and then they eat it for whatever reason.

Bill_H: I remember. Really? I remember very

Joe: ice cream. Yeah. It’s 

Bill_H: a homeless

Joe: no, that’s

Bill_H: stumbling around and there’s just [00:48:00] white stuff bubbling up and you Yeah. He makes that sound like, eh,

Joe: Just

Bill_H: a bite, loves it.

Starts digging it out of the ground.

Joe: They go, yeah. It’s like the whole thing. They start mining it and it’s just this random stuff coming out the ground. And it’s similar. It takes over the, it’s a parasitic kind of organism that takes over and does that. So I, that came to mind as we were talking, that you have this and then who’s who who’s infected with the stuff and who’s not.

And then it’s just out in the store. It’s like the grocery store. It’s gotta get The Stuff. There’s like a jingle in my head. I can almost hear it still if you haven’t seen The Stuff.

Georgia: It’s a cautionary tale.

Todd_T: I 

have not. 

Joe: fun watch. Like it’s just, if you’re gonna take over people, The Thing needs to do that.

Just getting ice cream, man. That’s you’re

Bill_H: and you’re in

Joe: milk, the cow’s milk. It added

Bill_H: Just

a little sugar, a little vanilla. That’s

Joe: right.

You’ve got it. You’ve got it there. 

Georgia: This

totally doesn’t have to do with The Thing, like the science of the thing or anything, but I didn’t even realize it was Howard Hawks that made

Bill_H: [00:49:00] Oh, yeah.

Georgia: And the 1951 version. And when I read that, he’s one of my favorite, I mean, he made so many movies, but Bringing Up Baby is like all time favorites. And I think to myself, how did that same person make bringing a baby? And, 

Bill_H: he was like the producer of it, but there’s a lot of talk about, he did a lot of, A lot of directing of the film. He was on set and making decisions and

Georgia: And The Big Sleep,

Bill_H: it feels like a lot, all that, like people talking over each other, you know, moving around as they talk and, you know, the even a little bit of sexual tension between the secretary and

Was the captain, you know, like that’s all very hawk and,

Georgia: Yeah. It totally, once I like it came to me, I was like, oh my gosh. And I didn’t know, but Howard Hawks was born in Goshen, Indiana. go.

I didn’t know that. So anyway, I just thought I’d throw that off. You should

Bill_H: have known it. Yeah. Hoosier you all along.

Joe: out. I mean, I really, I enjoyed a movie 51 because there’s just like [00:50:00] two botanists in there on the team.

I mean, botanists were very revered scientists back in the day. And if people don’t know, I, my PhD in botany. So that’s we’re that’s it. So

Bill_H: they’re the real smarties

Joe: when it’s there. You know,

Bill_H: I had a real question for you. The head scientist sort of makes a turn, like in the story the 

Joe: or Who Goes which story?

Bill_H: in Hawks’,

Joe: Okay. Yeah. Okay.

Bill_H: The thing with

Nick: The guy with the turtleneck, right?

Georgia: the

Bill_H: with the turtleneck, he starts off okay, he’s a scientist. You know, and the government rushes in and just starts taking over. And so you’re a little bit on his side, you know, Hey, he’s out here doing his job, trying to figure things out.

These guys come and just start telling him what to do. But then he slowly, he’s his he’s the quintessential sort of crazed scientist where like the science gets in the way of everything else till at the end he’s like telling everyone that they should all, we should all die. It’s more important for this thing to continue living so that it can be studied.

By, but my, [00:51:00] I, there was a real disconnect for me. Eh,

Joe: If

Bill_H: if you are all dead.

Nothing’s going to stop the next group of people from also being dead. Somebody’s gotta survive so the information can serve. The science is great. I love it, you know, but if you don’t have someone to pass that science on, this thing’s just gonna kill everybody, you know?

Joe: I think also in that generation of movies, the scientists, A, they knew a whole lot about the alien

With very little information. And B, they always wanted to communicate, be friendly, you know, the idea that if you travel, light years, you have the technology to travel light years away, arrive on earth, that you’ll have transcended the follies of mankind.

You must

Bill_H: be an advanced species of some kind, except, 

Joe: you know, if we humanize them then and we go, they’re gonna act just like any other advanced species. When they go somewhere new, they [00:52:00] usually go with guns a blazing. Like they don’t show up like, you know, peaceful usually. I mean, we haven’t, so I don’t know why we would expect, like what is this expectation now?

Oh, they’re gonna be so much more different out there, have seen so much more and traveled. Why are they traveling all this way to get here? You know? I mean some, there’s this exploration, so you have this thing where, and I think a lot of the scientists were like that in those movies where they were like, Hey, let’s give ’em the benefit of the doubt.

Maybe they have something they can teach us and you know, yeah, they can teach the takeover. You know, it’s I dunno if that’s like it. So I do think it’s funny that’s. You still see it and I think Mars attacks poked fun of that. Yeah, that was a very

Fun, because that was like that whole hum homage to that genre of sci-fi movies and stories that the scientists were always Hey, let’s let’s be friends.

You know, they can teach us something about something that we don’t know, but I know everything about their anatomy. Got it.

but Yeah.

Todd_T: Is an interesting Contrast

between the two, the Hawks version and the

[00:53:00] Carpenter version.

I mean, not like the original had so Many people.

I mean, it was just like this big

military base versus what, like 12 or 

Bill_H: mm-hmm. That’s

Joe: right. 

Todd_T: Carpenter’s, which just

makes it feel So much tighter,

and more

paranoid ridden.

Bill_H: Yeah. Isolated claustrophobia really 

Todd_T: Yep. 

Georgia: and also all men.

Joe: All men. Yeah. Yeah. The original the 51 movie had at least one

Bill_H: I think there

Nick: were two, and the prequel had, yeah. Two. 

Bill_H: The

pre

Joe: had the couple. Yeah. So yeah, I think they could have used a couple women there that probably would’ve, Hey, you knew you should wear different gloves, bud.

You know, 

Nick: Are you sure you wanna be looking that? What are you doing? That’s right.

Bill_H: It’s fine. It’s imitation.

Todd_T: The eraser, Ugh.

Bill_H: Yeah.

Nick: You just lick your eraser 

Todd_T: no. I was just like

making the motion

Nick: Oh, I thought you went ahead and did it anyways. I was like, you shouldn’t do that. Yeah.

Joe: Todd, we need some blood for the Petri dish test. Come on, flame. Throw it up. That’s an official test we do at the lab. That was in the videos [00:54:00] I watch. It’s if you got questions, just do the Petri dish test.

Go ahead. And so Todd as a question, as you went through and you put together these stories, I mean, did you find, what was the connection or threads and things like that? Bet you know, between the thing as a creature because they, it’s presented different in so many stories. I mean, were there threads?

, I gave my list of what it can do, maybe from a cell point of view, but from a, narrative point of view. I think that’s

Todd_T: of, was a pretty comprehensive list. Like for in doing The Things I wanted to,

I spent some time

In a phone call.

or

I asked Peter Watts a bunch of

questions and,

I. To hear a zu I think he’s a zuo biologist.

Like I, I love the the amount of science that he’s bringing to

his science fiction, like Adrian

Tchaikovsky, you know, like his living creatures just feel so

realistic. You know, it’s like my take from the stories is just like this Thing

Seems it’s like the pinnacle

of evolution even though it’s not [00:55:00] evolution. It’s you know, something different. But

you know, talking about the the distributed 

intelligence and

how would that work?

If the beast gets too big now, you’ve

got latency issues with communicating and just,

I don’t know, as an artist

like hearing, like just

learning so much about this about biology was just, I don’t know.

I found like pretty amazing. 

Joe: Yeah, no I think, I always think of fungal slime molds. 

Bill_H: I was thinking a lot about fungus this time ever. I didn’t know about it much as a kid, but since then I’ve learned a lot more and it is very fascinating and. Yeah. The,

Joe: Except from your beer drinking

Bill_H: Thing?

Joe: a lot

Bill_H: No, it’s just, it’s growing in the corner of my

Georgia: studio.

Bill_H: and don’t look at it and no one will worry.

Joe: Yeast is a a fungus for people out there in the world 

Bill_H: But I thought Watts really brought some really cool things to the table. Yeah, definitely to think about. And talking about,

The way he embodied this intelligence it seemed to have come across [00:56:00] obviously vast distances. It’s come across who knows how many planets and assimilated them or gone through them in some way.

And a big surprise for it was how different this planet was and the creatures on it. And it seems like hundreds of planets that it’s been on. It hasn’t come across that. And I was trying to wrap my head around what that other Thing was. Obviously, you know, it’s marveling at the idea of a brain, a centralized brain kept up in a inside of a skull and like being protected.

And it’s that is a weak failure point. That’s, anything’s gotta just attack that head and the whole rest of that body is done What terrible design, you know? So what’s, what is the opposite of that? What has it come across? I mean, it obviously has some way to think in every cell right? In some way.

So each cell is its own thing. Each cell has its own brain of some [00:57:00] kind. And then when they link up, they commune and share what they’ve learned when they were apart and they grow and you know, their knowledge grows that way. What does a planet of creatures. That look like. You know, what does a planet of creatures look like where there aren’t things with heads or brains where things change shape as needed for?

Joe: and do you have to be? Do you have to be multicellular? Like you could just

Bill_H: just be one big cell,

Joe: a biomass, right?

We think about bacterial mats

Interactions. There’s cheats in there. There are suppliers, they have communities, there are,

Nick: or are they just nomads?

Joe: right? And they just go around. So maybe on their planet they could be the microbes and the high, you know, the hu the quote unquote evolutionary higher organisms.

You know,

the humans 

octopuses, whatever you want. They have evolved that they maybe are gut bacteria they just live in. And it’s so they’re a gut bacteria. So they went to some planet, someone pooped, and then now they’ve infected, and now [00:58:00] it’s oh, hey, we’re free.

We can do all this stuff. That’s, if humans go to other planets, exoplanets, and we do that we’re not careful with our waste, then we would release organisms that may become you know, symbiotic like chloroplast and mitochondria so they could then go in and now co-op cells and become part of the organism.

And do that. And so these Things had to come across other intelligent species that knew how to fly spaceships and travel across the galaxy.

Nick: Didn’t you have a theory about it being connected to a

Joe: Predator? Yeah. Yeah. I had the Predator. I think any of these creatures that come to Earth, they have, was this ship that crashed, could have been, you know, a Predator ship potentially.

So you have your predators going to all these planets hopping around. Would it not hop it, it went, found the Alien. Why couldn’t it hop to a planet that had been completely assimilated by The Thing in this way? And then it became itself. So we got back in a ship, it’s going to this next They go crazy like [00:59:00] in Antarctica. You know, now it’s 13 predators in a ship that’s you know, killing each other in a crash land. They’re eight feet tall, they’re ugly looking and

Bill_H: You know,

Joe: one of ’em thaws and there you go. You got it. You know, a hundred thousand years ago, they’re whatever that, that timestamp,

Bill_H: man, you gotta think that is a heck of a trophy for a Predator

Joe: That’s right.

Bill_H: Planet size, intelligence. You know,

something 

Georgia: yeah.

Joe: yeah. Didn’t, it didn’t work out so well. Probably it’s like they’re coming back. Hey, we got it. We did it. 

Todd_T: So you’re saying there’s essentially one portal to Earth and like all these aliens, like ET went through

it 

Nick: right.

Georgia: Yeah.

Todd_T: of 

Joe: right. 

Todd_T: So they’re all, you know, they might run into each other. We could. have 

Predator against ET and that’s just gonna be 

Joe: You know, planet a

Nick: ET is gonna destroy predator. That thing is a predator in of

Joe: What’s the mini chlorine of The Thing, I mean, I mean,

Nick: Is

Joe: is there a Thing Jedi you know, out there it’s are you, I dunno, are you the are you master Jedi?

Or, you know? Yeah, no, you have that no, I think you could see the thing. I mean, if it’s out there, if [01:00:00] doesn’t take a lot, so that means if, you know, if the, let’s say The Thing ship luckily crashed into the Antarctica, but if it crashed into, 

Nick: Nebraska 

Joe: else, right? Yeah. I’m trying to think a hundred thousand years ago.

Yeah. Nebraska or some

Bill_H: would be dug up

Joe: America, or near the equator where it wasn’t frozen. It might not have died. I mean, you then you have all the biomass. So every plant, all this biomass would convert. So that means anything that came across as biomass would all of a sudden be infected. Yeah. So I mean that’s, you know, so if it just landed in an isolated jungle, all that biomass is converted.

So when you go through exploring, so all these explorers that went out looking for gold or whatever, and they didn’t come back

Bill_H: disappear

Joe: Maybe they became The Thing, they just slaughtered each

Nick: So

Joe: So you can start really spinning that off,

Bill_H: But yeah,

Joe: it crashed, landed in Antarctica, which was smart because then it froze and, you know, was resilient enough to actually be thought and then come back.

And speaking of that, I [01:01:00] had thought about some numbers.

Bill_H: of

Joe: I like thinking the

Nick: He just likes numbers.

Joe: Blair had 27,000 hours. I dunno why he doesn’t say approximately three years, but that’s about three years to infect all life. On, on Earth. And so that, you know, sounds like a lot of time, but I think just looking at it, that started going through different scenarios, the pandemics we’ve lived through now, and ones that have happened in the past.

Kind of a few different models, maybe like the one in Antarctica, you would have this infection, probably containment would happen pretty quick. It would burn itself out kinda like the Ebola. So Ebola is one of these that viruses that you get, you bleed out, you see people bleeding out, and you go, whoa, let’s get, you know, contain.

And you can actually isolate it relatively quickly.

Bill_H: Keep your pencil away from him.

Joe: It unlike, you know, a very successful virus like HIV or , chicken pox, I mean, they hang out and you get shingles later in life. I mean, right? They’re very good [01:02:00] viruses.

Sexually transmitted viruses are extremely good in humans ’cause they just hang out and do their thing.

Nick: Wait. What? Good. Why do you think Good?

I’m

Joe: they’re good at what they do.

Bill_H: doing what they

Georgia: They’re good at being viruses.

Joe: at being viruses.

Nick: I was like, they’re good virus. You know, I enjoy having

Georgia: because if the

Joe: presents itself too fast and actually then, you know,

Georgia: kills everybody and then it can spread and

Joe: and within hours, you know, someone has it, then

Georgia: it can be

Joe: to isolate.

Georgia: isolate. So

if you have 

Joe: something like COVID where it COVID was perfect ’cause it was like, I don’t know if you’re sick or not. You might be a carrier, you might be infected it, you know, have this latency period where it was like you just could have it for, you know, a week and spreading around

Bill_H: moving all over the place, dropping it

Georgia: so

Bill_H: and there and

Georgia: good means it can stick around and spread perspective easily

Joe: the human’s

Georgia: Yeah.

Joe: not from the infected.

So I had 

Todd_T: And then you’ve got, oh, and then you’ve got half of the

Population.

who’s just [01:03:00] oh, I don’t,

Joe: That’s right. 

Todd_T: not worried about that. 

Joe: Yeah. I know they’re not,

Bill_H: let’s have a party.

Joe: so I, I had, you know, there that if the outbreak is misidentified as some sort of neurological viral in this, instead of being truly The Thing that’s assimilating you start doubling every 1224 hours based on some of those assumptions earlier.

Governments are slow to respond, which we’ve seen on an action. Due to human mimicry, right? We could have it to higher top so that The Thing might infiltrate way up. Po politicians. And next thing you know, we’ve got you probably

Nick: wait, they aren’t already.

Joe: there might be mad cow. That’s the mad cow’s conspiracy, right 

Todd_T: would think they’d be better than this.

Joe: Have 50% of Earth’s population, probably 50, 60 days. And in total global assimilation, maybe nine to a hundred to 20 days, you know, a few months, you know, six months.

Bill_H: that’s not a lot.

Joe: You know, and then you would, society would collapse, you know, people would be in bunkers you would start.

But yeah, once, if biomass can be converted, [01:04:00] then the minute you start, like everything then goes all the trees. Like you’re,

Once you do that,

Nick: but what about with those all the toilet paper, tape paper people are stocking up on? I mean,

Joe: I don’t know. I’ll still be there. I don’t, I think the things would eat and still poop.

I mean, I, if they assimilate completely, I think they would use our, if, are they using our biology or are they now? You know, like you said, it’s a, I feel like in a skin suit.

Bill_H: You know,

Joe: and so that’s it. So they have a different internal structure maybe, but I’m sure everything poops. There was a book about it and everything.

Yeah. Yeah. That’s a,

Georgia: I don’t know where this is going, but 

Bill_H: Yeah,

Todd_T: Quoted Everybody Poops.

Bill_H: I

Joe: to eat. That’s right.

Georgia: the

thing to Everybody Poops though and accelerated, you would, if you get to a major city. So you land Chicago, New York, LA, Tokyo, Shanghai, some huge city doubling every four, six hours and you’re really just spreading this around.

Joe: You know, probably a billion infected you, you start getting the numbers, you know, 15, 20 days maybe total assimilation, [01:05:00] maybe 45 days. And the total biosphere collapse. You know, so you would have just complete Thing. This would be a thing, planet, know, it’s a bug planet. It’s a dead planet.

Bill_H: Like that last scene in society where

Joe: That’s right. Yeah. 

Bill_H: Flesh. A waves of flesh.

Joe: it very similar to we, we had an episode, we the grey goo model

Of, of nanoparticle kind of assimilation where you would wash over you know, and just once you have self-replicating uncontrolled assimilation of some, , very small, microscopic particle it would just take over. You wouldn’t be

Georgia: Like you said, it’s a, it’s apocalyptic.

Bill_H: But

that is also

Georgia: a vision

Bill_H: it’s not intelligent. If it is, if it’s intelligent enough to stop and just Yeah.

Joe: I

Bill_H: then that can change Things

Joe: Two things. One could be your scenario that it’s intelligent and it doesn’t really want to be all.

But the other one is maybe it is intelligent and it does want to be all right. 

Bill_H: [01:06:00] Absolutely.

Joe: Or it could be just unintelligent and just mm-hmm. 

it, you know, the thing does what the thing do, I mean, it’s 

Bill_H: That’s

Joe: you probably have three. That’s right. And you

Nick: The Thing does what the thing do love that.

Todd_T: It is I know I should stop. Just like we know we

probably shouldn’t, 

drive so much, but we do. 

Bill_H: I shouldn’t have another cookie. But you know what,

Nick: It looks so damn tasty.

Joe: down this forest, but we need a few more cows. I mean, that’s a, so that’s a that’s you have that. So I think those are but would you be able to tell the difference if you’re.

If it’s happening, Bill, would you be able to go, I think the thing’s really, so you’ll be that scientist, like I think The Thing’s intelligent I can reason with it.

Bill_H: to it. I think it likes me. Hey

Joe: Hey buddy. Hey Joe. What’s going on down there? Hey Bill. I’m doing really fine now. Let me

Nick: Let me out buddy. I’m good

Joe: maybe it’s time for me.

Todd_T: all good.

Joe: Yeah,

no. Yeah, and we, we come to the end the how the horror episodes always go a little longer, so it’s all right.

Bill_H: There’s a lot to dig into.

Joe: I know I, you know, I have a question and maybe [01:07:00] Todd you might lead us off or maybe you’ll pass it. I don’t know. But I

Nick: I’ll

Joe: the 

Nick: No, I don’t wanna answer that.

I’m good. The

Joe: Carpenter Stro Cat, and I think that’s the last scene of the 82 movie.

We’ve got childs, we got MacReady ready there, we got Max sitting there. And, you know, it’s you know, why don’t we just wait here a while and see what happens. So we have the three maybe you can say four, but pretty much three. Everyone thinks Mac is human. Right? We can argue that maybe he’s not.

And I have, so three theories. One is, Childs is a thing and there’s different reasons, and I can mention some of those if you want. Both are human, they’re just there doing their thing, or they’re both The Thing. I think those are the three scenarios that I guess you could say Childs is human and Mac is the thing, but that never, no one ever says that.

I don’t know why, but we could throw four in there

Just for fun. And if there I’m missing one, just go and throw it in there. But yeah, I mean, [01:08:00] what do we think there? 

Todd_T: I’ve

always thought

that Childs was the

thing and that Mac wasn’t you know, just, he’s the protagonist He’s the man of bronze essentially but I

know, Yeah.

I know. There’s all sorts of. theories.

and 

Joe: Yep. Yeah. Bill, what do you got? You not thought you 

Bill_H: Over the years I’ve vacillated back and forth, , I’ve even thought about Mac being The Thing, ? Yeah. But I like the questions. I like the possibility, , the ambiguity is great for me. It’s taken me a while to come to that when I was a kid.

Ambiguity really got on my nerves, but as I got older I started to see how great. The ambiguity makes it stick.

Georgia: I think that’s the beauty of that ending. Yeah.

Bill_H: You keep questioning it. You can’t because it’s

Georgia: and everybody can have a different Yeah. You know what I mean? You could talk about it. It’s,

Bill_H: and you can trot out why you think McCready’s not the thing or why Childs is and you know, and Yeah, 

Georgia: And [01:09:00] I think you can, and you all, you all get the feeling no matter who you think The Thing is, we’re screwed.

Bill_H: I still, there

Joe: that, I just gave

Georgia: numbers there. 50 days, man.

Bill_H: Yeah.

Joe: Because, you know, some scientists are gonna bring it back you know, bring these people.

That’s, you know what, yeah. I think we can make a weapon. Georgia, do you have an opinion or are you’re

Georgia: No I really don’t know, but I actually agree. I like the fact that you don’t

Joe: you wanna keep it ambiguous, Nick, you got something, you

Nick: I think they both are.

both

I really do. But it’s like still dormant enough to where they’re fighting. But they’re like, oh,

Joe: the Blair? He the early Blair.

Nick: Early Blair right now

know exactly you know, where? it’s dormant, but yeah. It’s there. They’re gonna go and, know, we got 50 days, let’s figure out what we’re doing with that. Yeah.

Georgia: Get out that survival guide.

Bill_H: I read that there was a couple different endings filmed. Yeah. And that they tried them out [01:10:00] in a couple test audiences too. They filmed one where it jumps ahead and a plane shows up and McCready’s there, and it was like, thanks guys. I’m real hungry.

You know, let’s get outta here.

Joe: Need to eat

there it is. The response wasn’t enough to the good endings, the happy endings to like. Say, this is definitely the one we should go with. So they were like, let’s stick with the ambiguous one, because

Bill_H: A little more fun. People can mull over it, you But studios are not cool with things

Nick: like,

Joe: they 

Bill_H: not today.

Joe: No. You gotta,

Bill_H: When you spend,

Joe: want tighten it up, this

Bill_H: spend millions of dollars on it, you definitely have to, you know, stick it. And

Joe: unless you got part two coming 

Bill_H: yeah. Then 

Joe: Then you can do

Bill_H: you can do whatever you

Joe: It’s like, all right.

You know,

Georgia: what about you?

Joe: Yeah, so I’m almost think that they’re both human, 

Nick: really. 

Joe: come out and I set this up earlier, there’s a thing running around out there. I don’t think he killed it. I don’t, I think he killed the Big Blair thing.

But I think there [01:11:00] was still some other Thing out there.

So I, I do think there’s two humans and one Thing still out, out in the wild. And I think Mac. I think m knew, knows that. And he’s sitting there and I think Childs, also has his suspicions and they’re just gonna go and they know it’s the end. And those two protagonists, the heroes that was, you know, Todd mentioned that they’re there already.

You know, neither one wants to really go down,

Bill_H: They know

Joe: they’re going down. Yeah. And so it’s can they stay long enough to warn somebody? Can they stay long enough to go there’s something still out here and you should leave it alone.

Bill_H: That’s a good question. How do you do that? 

Joe: Yeah. You’ve 

Bill_H: You’ve got two men in this situation. Everything is destroyed.

Everything’s

Joe: gonna die. I mean, it’s

Georgia: and

Nick: what did you guys

Georgia: they’re in and

Bill_H: Anna at best, a couple of hours before they freeze to death. How do you warn the people that are coming

Joe: right. That’s right. That’s right.

Bill_H: to 

Todd_T: You pee your message in the 

snow. 

Joe: right.

Bill_H: That’s right.

Todd_T: Do not.[01:12:00] 

Joe: Yeah. That’s in English and in Swedish

Todd_T: Yes. 

Georgia: it was 

Bill_H: the thing.

Joe: in a region. 

Nick: Alright.

I do have one more thing before we wrap up.

Joe: You wanna how many Big Macs it takes? No,

Nick: Yeah 

Joe: I do, I did have that. But

Bill_H: Oh boy.

Nick: don’t. The dude who at the Norwegian base who slid his wrist and the blood froze. Is that possible for it to freeze going down like that?

Joe: Depending on how cold Yeah. No, you can, yeah. It will freeze. You can do it, but yeah. So

Bill_H: what I, okay. What I didn’t think is possible. His throat is 

Nick: cut.

Exactly.

Bill_H: That’s okay.

That’s 

Joe: Hey you potentially could cut your 

Nick: both wrist and

Joe: your throat. Yeah, I think you could.

Bill_H: That is dedication.

Joe: That is a lot of

Nick: it’s 

Joe: Yeah,

Nick: I wanna be dead. Yeah.

Joe: yeah.

Georgia: wanna make sure.

Todd_T: is, there’s no

hesitation marks

Nick: no, the problem 

Bill_H: is 

Joe: that they, the, [01:13:00] this Norwegian base, they didn’t get as far along in their science as Blair did

Bill_H: And was it? Yeah. That, that oh, every particle can do this because then you would know blood letting isn’t the way to

go, isn’t gonna help you.

Joe: That you don’t need, you know, you’re still gonna be there pretty much freeze the death. And, you know, that was interesting that they had it

Bill_H: I know we’re running along

Joe: Or I think the other thing, did he kill himself not to become the thing?

Bill_H: That makes

Joe: That was probably

Bill_H: I’ve seen what’s happening and I want to be out of

That’s something that the movie doesn’t really do a lot with, but I was really interesting in the book is this sort of how does the cells communicate so that it, if it’s gonna become McCready, it’s got to very quickly. Know what McCready knows to pass itself off, right? It’s not just a dog or a lion.

Someone’s gonna say something to it and it’s gotta answer back.

Joe: But I think that’s that whole thing about time that it needs to

Georgia: at what point? At what point it may. And is

Joe: the brain or is it just the body? Because if your body is just being converted and not your head, 

Bill_H: taking [01:14:00] over 

Joe: thinking you, and you can still answer questions about your life and everything.

But once The Thing takes over, you’re right. What amount of memories does it get? What command of memories does it have? Things like that. Which some, someone say it, it has

Bill_H: It’s got everything. 

Joe: Yep. Okay. You were saying what was your 

Bill_H: so in the book, there’s a lot of talk, there’s talks about nightmares, people before they’re infected,

Just being in proximity to it are having, starting to have nightmares and have weird feelings and images in their heads and stuff. There’s this. Possible psychic

Joe: Yeah, that’s right.

Bill_H: Yeah, that’s right. You know, that is a very interesting piece that is really hard to do in a film, , but does show up.

The idea is in that a Prince of Darkness Carpenter’s next apocalypse movie, you know, where they’re like getting the dreams from the future, this idea that it’s psychic and even when it’s frozen there, it’s still active mentally in some way. Even if it’s not doing it, it’s it could be [01:15:00] dreaming and we are receiving it’s alien dreams and just driving everybody a little crazy, you know?

Joe: Yeah. That some psychic kind of ability. Yeah. I also think at that time, like ESP was like huge. I mean, that was like, it was like, we’re gonna weaponize what’s

Todd_T: Oh, 

Bill_H: Gonna

Todd_T: yep. 

Joe: I think

That was the talk like that they’re gonna do LSD 

Todd_T: Randys. 

Joe: Yeah. LSD and you know, and ESP that, that was it. That was like the, that was the rage. We’re gonna develop all these new age weapons, but yeah, no, that’s yeah, but you’re right. The book and the 51 movie both had that kind of psychological telepathy. Yeah.

That you have this higher organism that can manipulate across mental distance and, you know, have this kind of control. But yeah.

Bill_H: it was great in this story how like this, all these guys, these scientists were just like. If it’s anything like the look in its face, it’s evil, then we must destroy it. Yes. Look at that face. It’s the face of pure Evil. they were so [01:16:00] quick to judge that thing. Look at those eyes.

The look in his eyes. If I’d known that was in those eyes, I would’ve just destroyed it.

Joe: Yeah.

we would’ve blew it up.

Bill_H: Wow. Okay guys. Yikes.

Joe: Yeah. I mean it is The Thing evil, right?

That’s it. Exactly.

Bill_H: all judgment.

Todd_T: You know,

Joe: Cool. Yeah, so probably wind down a little bit here. You guys wanna get anything cool coming out or anything? Folks, you know, they’re all hyper excited. 

Todd_T: I’m 

Georgia: Around 

Todd_T: yeah, so I just I just sailed to Antarctica in

February and so I’m working on some books from that. And

one of them is basically a, I have a goal to now that I’ve made an,

addition of Who Goes There and The Things I’m writing and gonna illustrate essentially like my own story

in that 

universe. 

And it’s going to take place in the early 19 hundreds. So it’s sailing ships

and people crashing on shore and stumbling into [01:17:00] things weird.

Georgia: Oh wow. 

That’s awesome. Yeah, you guys have to

Joe: out and your website is,

Todd_T: Angel bomb.com.

Joe: It is. So yeah, go check it out. Check out

Georgia: that’s amazing.

Joe: Really fabulous. Work the, you know, letter press work and things like that. You know.

Nick: Yeah. You absolutely have to check out these books.

They are, they’re phenomenal. So fricking cool.

Bill_H: There are pieces of art and awesome stories on your shelf.

Joe: Bill

when you got anything coming up

Bill_H: have anything particularly interesting going on. I’m sorry. Just your average, you know. No. We’ve got some talk about the new cryptic closet coming up, but that’s not for another, that’ll be out next October,

Joe: gotta have a, we gotta have a thing s story in there, right?

Bill_H: that would be great. You know, I missed my chance when we did the 3D story. In, in, in one of these books here, The Thing is revealed by some UV light, right? Yeah. Is it in the thing? 

Joe: yep. The Things, yep. 

Bill_H: It’s awesome.

It’s invisible to the naked eye. You black, [01:18:00] you put the UV light on it and you can see it.

Joe: Yeah.

Georgia: Yeah.

Bill_H: We did a 3D issue Yeah. That I wrote a story for, but I just didn’t have the time to work on, and me thinking was like, how can I do this differently than just.

And a 3D story I gotta always make it harder on myself for no particular

Joe: You gotta do

that. That’s what artist 

Bill_H: so I, I wrote a story ab about a interdimensional infection where a character becomes infected by something that he can’t perceive.

And the idea was 

Todd_T: Ooh. 

Bill_H: When you, the red and blue would be printed on the page, you know? Yeah. But you wouldn’t be able to like, suss out what was going on there with the naked eye. And when you put on the glasses, it would like, you know,

If you look through one lens, you could see things normally and through the other lens you could see that he’s actually covered in invisible interdimensional parasites.

Georgia: I love that.

Bill_H: And I’m working on

Georgia: put on the damn glasses. Yeah, another

Joe: Carpenter [01:19:00] favorite. They Live, yeah.

Georgia: Yeah, exactly.

Joe: Put on the

Bill_H: Fantastic.

Joe: You are gonna wear these glasses. Yeah. Cool.

Nick: Thank you again guys, for joining us.

Bill_H: Thanks so much for having me 

Todd_T: you. Thanks for having me. 

Joe: Yeah.

Bill_H: reason to rewatch these movies definitely. I mean, any final thoughts, Todd? Bill, as we come, we’re gonna wrap up on anything we missed or you wanted to really say about The Thing and The Thing universe.

I’m much better now. I’m fine. I can come back in.

Todd_T: Clark.

Clark. 

Bill_H: right. Yeah.

Georgia: It’s

Joe: Sweeds. Cool. You have, we have me, Joe, you got Nick.

We got Nick Georgia. We got Georgia, we got Bill, we got Todd and

Nick: we went down some hole. Are you sure we went the hole? Wait, I think we went the 

Georgia: hole. Which hole? Which hole?

Joe: Who? Who Goes There

Bill_H: Is that next week?

The witch [01:20:00] hole

Nick: That’s next year’s witch hole.

Bill_H: Oh, I want to be on that one. Yeah.

Joe: We love y’all. Stay safe, stay curious.

Nick: Bye-bye. Cheers.

Transcript for Rabbit Hole of Research Episode 46: Slashers

Recorded at Reed’s Local


Joe: [00:00:00] Hey. Welcome back to the Rabbit Hole of Research down here in the not so basement studio.

Nick: we’re away today.

Joe: above ground today

Geo: are we?

Joe: we’re here at Reed’s Local. If people remember last year during our month of horror, we were hosted here at the Reeds Local in Avondale, Chicago, Illinois to record our fabulous episode, and we are back today to talk about Slashers here.

We’re all crewed up. You got me, Joe,

Nick: you got Nick.

Joe: got Nick. From

Geo: Georgia,

Joe: and we have Georgia here. We have our 

Melissa: Melissa. Melissa, 

Joe: Melissa. Melissa’s here. Do you

Nick: you for having

us.

Melissa: course.

Nick: hey, we got some new people down at the end of the table.

Jesse/Alana: I am Jesse. 

And I’m Alana.

Joe: and Alana from

Jesse/Alana: oh yeah. We are the from slasher sauces, the hot boutique, Chicago [00:01:00] boutique hot sauce company,

Joe: Nice. There you go. All things slasher all the time here on this episode. So yeah. I

Nick: I don’t even have to bring up Robert the dah this episode. It’s great.

Joe: gosh.

Oh,

Jesse/Alana: Oh,

How

dare you.

Is it 

still recording? Did 

Geo: oh my

Joe: We’re still recording. A little flashback

Nick: It’s ’cause I don’t have

Geo: No. Yeah, thanks. Last

Joe: year’s horror

episode. it. I knew

We we mentioned that particular doll and then we had recording difficulties. Our recording cut. So if you remember, you go back, you can listen to you to five minutes that did get recorded and then.

The noise that happened. Yeah, it was a whole thing. So I say go back if you wanna get freaked out. yeah, today we’re here to talk about slashers. So I do have, I have my open and I have a list. I’m gonna do 

Nick: You have lists today, one. 

Joe: It’s it’s been a while since I’ve done both the open and the list, but

Oh boy. 

Geo: We’re in for a treat.

feel

Joe: I would like to give the list right up the top and then

Nick: I mean, list it up.

Joe: And

then we got a lot of people. So let me, lemme do my open about slasher. A slasher [00:02:00] film is a sub genre of horror centered on a relentless killer, usually human, sometimes superhuman or supernatural who stalks and murders a sequence of victims, often with a bladed weapon or other intimate means of killing.

Unlike supernatural horror, slashers thrive on physical pursuit, vulnerability, and the illusion of in inevitability, no matter how fast you run, the killer is just behind you. But it’s slasher isn’t just a horror film, it’s a ritual of fear. A mass predator, a string of victims, a final survivor death delivered up close, not by fate or monster, but by a human hand that refuses to stop.

That’s what makes Slashers different. They aren’t about what lurks in the shadows, but about what’s chasing us in the open. The slasher isn’t just a genre, it’s a mirror each, every decade we watch as it kills who we used to be and warns us about who we are becoming.

So that’s a

Jesse/Alana: spooky. Spooky.

Joe: Whoa.

get us [00:03:00] grounded a little bit further. I kind almost give the brief history of slashers, get that

Nick: have a history of slashers slasher,

Joe: a

Come on, Joe.

Nick: Oh, we aren’t gonna slash this.

Joe: I come, I’m slashing

we’re slashing this

of time. 

Jesse/Alana: I wanna know 

Joe: So I went back and I tried to find what’s the, like the oldest, you know, like I do here. And it is, it’s not the Giles or.

you know, 

Nick: I’m shocked. I thought you were gonna 

Joe: no, but the oldest proto slash year that iconic Could Source and Vine. 1846 Sweeney Todd. And these are novels here. We’re gonna start in novels before we get the film. The string of pearl novels series. They were the first kind of human serial killer archetype.

Then we had Dr. Jekyll and Mr. Hyde Robert Lewis Stevenson in 1886. Kind of a 

Nick: Wait, so 

Sweeney Todd was before Dr. Jekyll, Mr. Hyde.

Joe: It was by 40 years, according to my

Nick: Wow. I did not realize that.

Jesse/Alana: I didn’t know Johnny Depp was that

old. 

Nick: Yeah.

Joe: He

Nick: just like Nick 

Cage, he’s a

Joe: looked damn good for that age, you know.

You know? You live [00:04:00] forever.

No. Okay. And then we had the, No, you’re fine. Yeah. Yeah. And then we had the lodger Marie Ock Landis in 1913. And that was based on Jack de Rip. And it followed like a mysterious lodger suspected of murdering women in London. Those are the novels that probably set the kind of the proto slasher.

And then we go into film Proto Slashers,

and we start with the lodger, A story of London Fog, 1927

Nick: I love that drink. Yeah.

Joe: Now that’s often called the first slasher film prototype. And then we have M 1931 by Fritz

German, A masterpiece about a child murderer, hunted by police and criminals. Introduced a concept of a sym sympathetic killer in psychological realism.

And then kind of the oldest slasher movie. Georgia was quizzing me like yesterday about this, and I couldn’t think of it, but it’s Psycho in 1959. Once again, Albert Hitchcock. And it was adapted from a novel Robert Blanc Blanche 1959 novel. And it was [00:05:00] inspired by the real murderer of Ed Gein.

You got something.

Nick: I love that

Geo: that, I don’t know if that date’s right,

Joe: Not 1959.

Geo: I’m not sure.

Joe: I’m not sure. Okay. We’ll check. We’ll fact check here. 

Nick: It’ll 

be in the footnotes. Don’t worry guys. 

Joe: show notes.

And then there’s some debate on what with the oldest modern slasher film be. And there were kind of two. One was black Christmas in 1974 Bob Clark with anonymous killer terrorizing women in sorority house.

And then you had the Texas Chainsaw Massacre in 74. Also Toby Hooper. And it replaces a suburban voyeurism with rural kind of brutality and murder. So kind of switching that flipped there switch there. And then we have in 78 probably the master, the standardized, the genre, and that’s Halloween by the Great John Carpenter.

Yeah, so that’s that, that’s my list there to

you know what, it was 

Geo: actually 1960. Oh,

Joe: it 1960? Not 1959.

Geo: Sorry that’s splitting hairs. I’m sorry, [00:06:00] but I knew for sure it came out in the decade of the sixties,

Joe: in the sixties. Oh boy. Did I get that? How did I get that

Geo: but 1960, you’re only a year

Joe: all my dates 

Geo: I’m sorry.

Melissa: And

Joe: know the theme while you’re fact checking I did do, like I do a hundred word movie review every month in the zine.

Melissa: And this month was Halloween.

Oh.

It is like a trite thing to review. However, I was like, I did it because we just got the Halloween pinball machine and I think we might be the only bar in the city with Halloween pinball right now. It’s from spooky pinball and it is so fun. I’m not doing this to advertise pinball, I’m doing this to advertise that after this, we’re all gonna have to play each

Geo: Oh I am totally down for that. Yes. Oh my gosh.

Joe: the novel was 1959, so I had my, sorry. That

Nick: I can’t believe you got this wrong,

Joe: out. I did, I got it.

Nick: Joe. I don’t know if I could trust your words anymore.

Joe: I gotta redo

Geo: in my head. I thought it was later in the sixties to be fair.

But

Nick: surprised you aren’t blaming Robert the doll right now.

Joe: Steve, [00:07:00] stop talking about Robert. Ow. This 

Melissa: is the

this is the contest to

Geo: Why are you gonna keep doing

Melissa: or librarians.

Nick: It’s like Beetlejuice. You have to keep bringing it

Geo: No. Stop it. Stop.

Joe: that. Yeah.

But

cool. Yeah, so that’s the list. Now I gotta, now I’m like, I gotta check my other dates now, but there’s a book and a movie and I had the 1959.

Okay. Nevermind.

Geo: I would say Halloween never gets old. The movie Halloween. Yeah. 

Melissa: No, But

so which is your favorite Halloween movie of the 19? No, there’s 13. There’s 13 of them I think.

Geo: Yeah, 

Jesse/Alana: there’s

so many, there’s so many different cats. Cats. You can go down to, God one’s amazing.

No, I’m just

kidding. I

hate the 

Melissa: unpopular opinion. Halloween three,

Geo: really? I

Jesse/Alana: I am, 

we are actually very big fans of Halloween three. We are working on a Halloween three hot sauce for sure.

Very nice. I to be the model with the pumpkin on

Melissa: Oh,

Wow.

Nick: You wanna go a little closer to the

Joe: Ain’t the mic?

Jesse/Alana: Oh, for the reference picture.

Joe: Yeah. 

Just,

Geo: You don’t really I’m

Jesse/Alana: learning microphones over here.

Joe: Yeah, you’re [00:08:00] fine.

Jesse/Alana: Yeah,

I get to be the Halloween head for the. Hot sauce Image,

Melissa: Ference. That’s Yeah. She smelled like a child, so it’s perfect.

Jesse/Alana: Put me in front of a TV and I’m good to go.

Nick: Hell yeah.

That you,

Geo: tell,

Melissa: Is it gonna be a pumpkin based one

Jesse/Alana: We haven’t decided the recipe yet.

Sure.

Joe: Pumpkin

Geo: Now it’s decided right now.

Jesse/Alana: I like that. That a really good idea. We’re just like, we’re tweaking some stuff, but Yeah.

Geo: so tell me more about slasher sauce and when did it start And

Jesse/Alana: so it started loosely back in 2015 in North Carolina, but then we picked it back up during the pandemic.

Al and I. It’s, we’re like a Chicago, like boutique horse, so like we company, so so we kinda make ’em like small batch and stuff, like from, you know, just a try and trend as, as small as we possibly can and just like we do markets and stuff like that. But it’s started out like small.

We just like finding it different recipes and like building stuff. Like we’re all new. I’m a terrible cook, Alana, we’re all terrible cooks in our family. 

I set off the [00:09:00] fire alarm when I make a grilled cheese. It’s awesome. 

Yeah so we, we just we’re like,

okay, why don’t we just make like sauce that is. That we can cover up our mistakes and our food, you know, kind of deal. So we started really like working on that and trying to come up with some stuff and like trying to like, challenge ourselves to get hot and hot. But we focus mostly on more flavor overheat kind of deal, you know?

So it’s like we’re not trying to like, murder you or anything, even though like our hottest sauce is classified as murder.

Um, Soon

it’s gonna be open casket or closed casket as our as our hottest sauce. Hottest. Hottest,

yeah. But they’re, yeah. 

Geo: you’re out front about it, you know? 

Jesse/Alana: Yeah, for sure.

Yeah, it’s mostly it’s mostly like medium based, so it’s good for grandma’s is good for anyone, but like the hot heads and stuff are gonna have trouble with kind of like dying for it, but like the flavor is absolutely where it is.

So 

yeah, more focused on flavor than heat. 

Yeah.

Joe: I think that’s good. No,

Jesse/Alana: No, and then 

Geo: every flavor is based on a slasher movie. Yeah. So 

Jesse/Alana: every bottle has its own little lore to it. So like we have, our first sauce we did is a called Green Inferno. It’s based on cannibal Holocaust, which are most mild hot [00:10:00] sauce, but we tried to make the most brutal possible, you know, so so we did that one.

We’ve got a Texas Chainsaw Massacre one. We’ve got the Shining it’s called like Overlook Orange Sawyer Family Brew for Texas Chainsaw Massacre the Forbidden that is our Candyman hot sauce. We’ve got FCIs Fire, which is our zombie hot sauce, zombie jerk sauce, and then fruit Cellar, which is our evil Dead.

Okay.

my personal favorite. 

Oh yeah. That’s fantastic.

Melissa: so good. I was, my two favorites are the fruit cellar because I love hot sauce, but I also wanted to have flavor and that was awesome. And then they told me a pro trick for the F juice fire one, which I couldn’t figure out what to put it on.

And then they said, Thanksgiving dinner. And I’m like, so anything that is could be Thanksgiving dinner. It’s amazing. On

Geo: Wow.

Jesse/Alana: oh, it’s so good. Yeah.

Joe: Is that just a, you think about Thanksgiving dinner and you put it on so you could be

Melissa: I mean, yeah,

Jesse/Alana: You envision

Thanksgiving and then you’ve got it. Yeah.

good.

Just drink some hot sauce and think about Turkey.

Yeah,

Nick: got it, of course there is the [00:11:00] Thanksgiving movie.

Jesse/Alana: Yeah,

That’s

right.

Geo: you go. So there

Jesse/Alana: then than killing. And then there’s, you know,

Joe: Yes. That’s

Jesse/Alana: poultry

Melissa: met them because of the hot sauces. ’cause some friends of mine, the friends you met at the last PO podcast, Steven from Killer Pinata, I saw that they had posted that they had gotten some of these hot sauces. I’m like, wait, there’s horror movie Hot Sauces in Chicago and

I don’t have them

yet in my collection.

So I put in an order and then Jesse and Alana were like, oh, we know Reed’s. And then we became 

Jesse/Alana: We literally

lived right around the corner at the time. So we’re like, we’ll walk by and bring you some hot

sauce. 

Joe: And I think you know, hot Sauce is interesting because like a good slasher movie when you try it, there is some anticipation mm-hmm. of the heat. And that fear and that moment before you 

Jesse/Alana: is great. 

Joe: you know, to try it. You do have

this, and 

Geo: then you have the chasing you afterwards, if we all know what you mean.

Joe: that’s not I talking 

Jesse/Alana: to the bathroom. Yeah. Got that little heat that sticks with you for a while. You keep looking at the

hot sauce is you 

Joe: [00:12:00] one drop or do I put like the whole bottle on? Like where do I need 

Jesse/Alana: It’s always lingering over your shoulder

Melissa: Wait until they come out with that neon green when they’re working 

Jesse/Alana: Oh yeah. Good point. Yeah. Mm-hmm.

Joe: I do think that’s a, go ahead. No, I was just saying that’s a, it’s a cool

a good tie in. Yeah. 

Jesse/Alana: it. 

Joe: Yeah.

where you’re going and

Geo: and I was gonna say, I we went down a rabbit hole, but but to answer your question, I think just the traditional Halloween one, I just, that’s mine.

Yeah. What about you?

Nick: Oh. 

You to come back to me ’cause I have to think about this still. It’s a hard Is it H2O and you just don’t wanna

Joe: I know. Yeah.

Melissa: Yes. 

Nick: It’s trying to justify it.

Jesse/Alana: Okay. Wait, I have to, yeah,

Joe: you’re good.

Good. There’s no 

Geo: judgment. No judgment. 

Nick: So what about you guys? What’s your go-to?

Jesse/Alana: I mean, I think one still for me, like it’s classic, you can’t beat it. What we do every year is a spooky, we, it’s every, you know, 31 movies and in Halloween to, to Halloween, but you can always repeat Halloween.

On Halloween. It’s it’s a super important film. Like it really broke the mold for [00:13:00] a ton of films after that. So you gotta pay Hom much to where you can, 

I’m still torn between one and three ’cause one is classic so good. And my first time seeing it was at the music box, so that’s hard to beat.

But then I love the season of the witch. It’s so good and it’s just different and I love it.

Joe: Yeah,

Jesse/Alana: That’s me.

Geo: You didn’t answer Joe.

Joe: Yeah I, once again probably the, and I would go with the classic probably more that I remember it. It is like in ingrained it was early on, you know, so I was probably a young, I’m not sure if I saw the thing or Halloween first, 

Jesse/Alana: Oh yeah 

Joe: I probably was in, in between those.

But yeah, no I saw it when I was young and so that’s just stuck with me and probably just carried on. And all the other ones were good. The first three I think were good, but I, my memories all come back to Halloween and that’s the one I probably have seen the most. So you always kind of gravitate to that.

And none of them, [00:14:00] I don’t think, in my mind, as in people on the podcast have heard us have this discussion. I don’t think any of the other ones were better than the first one as good maybe, but not better. So in that, I’ll go with the first. But

Jesse/Alana: I 

agree. 

Joe: Okay. that, 

Nick: pretty good. Like I’m looking through them and I’m like, I can’t say I don’t like any of them. Like they aren’t as good as some others, but yeah,

Joe: Yeah,

Nick: it’s they’re all watchable and I’m gonna enjoy the hell out of it.

’cause it’s

Jesse/Alana: The original’s hard to beat though.

I fell off when Rob Zombie made the second one. I was like, okay, I’m done. I think the white horse running through everything. This is far from Haddenfield.

Geo: I might have missed that. It must have met, I haven’t seen

Joe: the last 

Nick: Halloween. end. 

Joe: Halloween

Jesse/Alana: Don’t waste your time

Joe: okay. There

Jesse/Alana: personally.

Nick: it was just a, it was something

Jesse/Alana: The first in the series was great. Like Di Debbie Gordon Green’s fantastic. But yeah, it just, ah, it fell off hard. Yeah. So hard.

Joe: Yeah. I mean, and then this swing back a little bit, like [00:15:00] why we enjoy I figure everyone here enjoy is a good slasher. Movie. And so kind of that get to that core and what’s it actually doing for people when you watch it? And so there’s a lot of psychological cues that we get out of it.

We talked a little about anticipation. We talked a little bit about kind of suspense and going through it and somewhat as we go through and you think about our favorite movies and putting us that as you go through that really your brain is testing scenarios.

And

as you go through the best of the slasher movies, you have some testing of the scenarios as you go through until you get to the final, usually the final girl 

Geo: Wouldn’t you say that’s true of pretty much all horror movies? Or are you saying that there’s something specific about slasher horror movies? I 

Joe: think puts the spotlight on it more than maybe other horror movies. Because I mean, a slasher movie, ’cause it’s a, yeah, it’s a sub genre in a slasher movie.

Usually it’s more intimate in the [00:16:00] killing,

Nick: and it’s more of a humanoid

being coming after you. So it kind of grounds it a little bit closer to your own reality, 

Jesse/Alana: Closer to home. 

Nick: Yeah. Like the anxiety of that person walking a block behind you, but you can still see them staring at you, even when you turn the corner and they turn that same corner.

You’re like are they following me? Are they gonna kill me? But it’s that more human aspect that Slashers have,

Joe: yeah. 

Jesse/Alana: And I think the incapability just the kind of no matter how fast you go or loud, you yell at them or anything. They’re just going to keep coming. And you can’t reason with it. And it’s terrifying.

Joe: Yeah. And you have usually have a start where. Everyone’s unaware, right? So you go in, in a scenario and even your own self, you put yourself in that spot. The first maybe one or two people that get it get killed. They really had no plan. ’cause they weren’t planning it before anything like that.

So they went, I mean, there’s some slashers where they do something like, we’re gonna go to [00:17:00] this place that’s haunted, do a Ouija board in the haunted basement. And then you know, and then

so you know,

someone becomes they,

Nick: I don’t know why you guys have not let me,

Joe: because

gonna happen. We see that movie. But other than that, most time you go, you’re unaware, just doing your life or whatever, your event, and then the first couple people get killed, and then you have that next phase where , it’s a, the fight flight, 

so you have the unaware, the surprise, and then you have, are you going to run or you gonna fight, right? And you have that stage and it’s really clear.

I think 

Geo: The odds go up if you are a teenager having sex,

Joe: of getting Send, send Sin dies first.

Nick: oh yeah,

Joe: Yep. I

was gonna say somewhat, that’s that’s could be the decade, 

right? Because I think that’s 

got played upon more than other decades where we have it.

And now it’s just become a trope that we expect that, early on you gotta see some boobies and a blade and that’s it. That’s a yeah.

Jesse/Alana: Yeah. You gotta look what’s going on like in America during the time For sure. Like the moral police and stuff during you know, all that [00:18:00] stuff. Yeah.

Joe: So yeah.

But,

Nick: so I do have a thing where I believe that everyone knows the song. Every breath you take, like by

Jesse/Alana: Yeah. Yes.

Nick: It’s about a serial killer. 

Jesse/Alana: Yeah, yeah, for sure.

Nick: Okay. ’cause 

Jesse/Alana: stalking people.

Yeah, exactly.

Nick: like that song I think does wrap up the slasher genre. Like this being is watching you in every position, every time that you’re doing whatever.

It’s oh, cool. That’s the exact feeling that you get when you’re in a movie.

Jesse/Alana: I mean, he’s got a name like Sting. Yeah. So

Melissa: it’s a 

Jesse/Alana: he’s already made for it.

Joe: I mean, if we’re,

Nick: a good name for it. 

Joe: You’re talking about stalker songs, I think Lionel Richie 

Melissa: Hello,

Joe: you know, that’s he’s essentially, 

She’s blind and then she makes a model

talking about the, of you’re 

Geo: talking about the music video. So

Joe: model of his face and she’s blind.

So that means she’s not making it outta admiration. She’s this is my stalker. This is [00:19:00] like calling me up, breathing on the phone, like hanging up with me. It was like kind of a weird video. If you think about,

Nick: were the 

eighties, just the time for,

Joe: I

he was a serial killer and she was gonna be the next victim.

I think it was just lining up and she’s trying to warn people, like she’s the one making a model. She’s the final girl. This is it. 

Jesse/Alana: And this is who did it?

Yeah. 

Nick: believe you. We blind.

Joe: is a great love story. No, this is gonna end.

Jesse/Alana: police sketch. Yeah.

Joe: Yeah. 

Jesse/Alana: Have you seen this leprechaun?

Joe: no, it’s so yeah, that one there is low key kind of slash air.

Like he was, you know, he didn’t do, he didn’t do thriller, so he had to come up with his own kind of low key slash air video. Lionel Richie, I love Lionel Richie, so don’t take this. We’ll get him

Nick: get ’em on the show and have ’em,

Joe: You’re welcome to come on, defend that video. 

Melissa: I think to backtrack too, another reason why slasher films stand out in the horror genre, like you were saying. There’s so much to it. There’s so much more intimate and my favorite genre of horror movies is actually creature features. My second one is really [00:20:00] bad.

Oh, the Conjuring series. I love to hate watch it so much. Oh yeah. I love ultra serious bad ghost movies, but slasher

Nick: that super religious overhanging of

Melissa: they’re so bad. I love them.

Jesse/Alana: So

Melissa: Love watching that shit. But slasher films are the ones that like, they’re the only ones that actually terrify me because it’s like, you can reason with ghosts or get an exorcist, you know, creature features, I mean,

Joe: hold on. You can reason with the ghosts?

Melissa: Troll

two kills you.

Like you go to nil bog, you’re like, these things are kind of 

Jesse/Alana: Wouldn’t be the worst way to go

Melissa: a plant and eat you. But like slashers they’re terrifying because some of them can be so realistic. There is no compromising with the killer. They have one mission and that’s just stab stab.

And that’s,

Nick: See, but

The part that makes me laugh so much.

Jesse/Alana: step

Melissa: how it’s

Joe: And I think that’s what separates like the predator.

Yeah.

From Being

a slasher. Because he does com if you’re [00:21:00] pregnant or you don’t have a weapon or you’re not engaging in, he, there’s some moral

Geo: also he doesn’t use, he doesn’t use a knife.

Joe: he does. I mean, yeah, he does a lot of times. 

Geo: Okay. I was, I guess, I think I can picture everybody holding guns in that. I guess that’s where the people against the predator. Yeah.

Joe: I think there’s like some, from his point of view, there’s some honor in kind of the hand to hand going in, just killing, and he is stalking, he is almost unstoppable. And so that is fits almost.

But then you go, as Melissa was

Jesse/Alana: like a career. A career breaks it, you know, if you’re like a hunter or like a assassin, like that’s, those aren’t slashes, they’re still killing people. Like brutal ways.

Yeah, exactly. Yeah.

Joe: And intimate. Usually you’re very, you’ve been tracking, you’ve been following, you’ve been, you know, stalking in that way.

But the real horror is that you can’t reason. So you are being chased. You can’t reason, and you don’t really, at some point you don’t know why you’re being hunted. Like usually in all these other scenarios, you know why at some point you go, oh yeah, you know, I’m a mercenary. I see why someone’s coming after me, or I used to do this, I know why.

But [00:22:00] here you’re just kind of at the camp trying to get your freak on, and then you get a pitchfork through the chest, right? 

Jesse/Alana: There’s no reason, there’s no rhyme. It’s just random, but it’s you and you’re gonna die.

Joe: Yeah. 

Melissa: And I think also, it’s also probably, ’cause I’m reading it right now, finally after years, I picked up Helter skelter to 

Jesse/Alana: Oh wow. Yep. And

Melissa: and you know, I, oh it’s so good. I’ve listened to podcasts about the Manson murders and all this, but you know, like you were talking like about a moral code.

And I’m like, that’s why I think slasher films are so terrifying because it’s like they had no moral code. It was, you know, it’s disgusting. It’s horrifying. But I still do love slasher films even though they scare the shit outta me.

Disgusting.

and I do love reading about horrible things that happened out of like a anthropological perspective and historical perspective.

Geo: And I think body count, there’s usually a lot.

Yeah. A high body count.

Jesse/Alana: That’s a reason for

sure. Yeah, two Because like psycho, that’s why Psycho

Geo: is

more of a pre [00:23:00] slasher. ’cause 

Joe: they’re, I mean,

Nick: have sequels. I’m pretty sure he ups his body

Geo: I’m just considering the first psycho,

Joe: guess you don’t, I mean, do you need a high body count to be, I mean, if you kill four people

I think that’s a 

Geo: characteristic of slasher movies. Go is a higher body count.

Joe: yeah.

I think you need a higher body count to go through those phases. Kind of the unaware, the, flight and then the fight. And so I think you have that. And I think in psycho, I mean, I guess you did have the fight at the end. I don’t know if you went through all the stages, you only, you didn’t have enough characters to make your way through that psychological kind of climb.

So Yeah. So I agree. You need numbers, but 

Jesse/Alana: He did have a two body count, didn’t he? Did he kill his mom? I thought he killed his mom.

I think it’s just kind of open-ended and we’re not told. Yeah, but so it’s potential two body count two, which is better than one for a slasher, I guess

Joe: three.

Nick: See the having just one for a body count, that’s just you’re kind of a lazy slasher, you 

Melissa: That’s just a mistake.

Nick: It’s

Jesse/Alana: we’re gonna 

gate

Geo: You need to [00:24:00] get out more.

Jesse/Alana: that’s not enough to be a

Nick: those are rookie numbers. You

Jesse/Alana: Yeah. You gotta bump those numbers away. Way

up 

a candyman, I mean, it wasn’t particularly high body count in that movie. We just watched it. 

Nick: I assume that he has a higher body count that you don’t 

Jesse/Alana: From previous. 

Joe: I know,

maybe, But 

Nick: that’s not 

Joe: the murders they were talking about, they, it was very limited and it was, and there was some,

Nick: wait, what movie are we talking

Joe: Candyman.

Nick: Candyman. 

Jesse/Alana: Candyman.

Melissa: in front of a mirror

Jesse/Alana: Oh no.

Melissa: in

Joe: Ow. 

Nick: a mirror right there. I was hoping it would work.

Jesse/Alana: Stop it. Five.

times I still don’t do

it.

I don’t do

Melissa: Me neither. I don’t do that. I 

Jesse/Alana: I do 

Melissa: bloody Mary,

Jesse/Alana: Buddy Mary do that in

the Caprini Green, like target. Yeah, 

Melissa: oh, I’ll do Beetlejuice any day. That’s fun.

Jesse/Alana: I don’t

do Bloody

I don’t do that. chaotic gifts. I do all of it. I just, you know,

Geo: Do you do Helen something? 

Jesse/Alana: They never Do 

Geo: Helen? 

Jesse/Alana: do. something. Never.

Joe: I think the other thing with the slasher kind of the other unique thing is the point of view. ’cause [00:25:00] oftentimes you get both the point of view of the actual killer. And then you also get the point of view, which in movies usually don’t switch to the protagonist and antagonist.

Usually you follow one through. But in a lot of, in most slashers, you do get the other viewpoint of the person being slashed and doing the slashing or the actual hunt like your, the prey, 

Nick: so would sleepaway camp be considered a slasher then? Like sleepaway camp?

Joe: away 

camp?

Melissa: Yeah. 

Nick: Yeah.

Really 

Jesse/Alana: it would, yeah, she could, she got high body count, I’d say. So

Nick: like it. It does fill most of the, I didn’t see the sequels. I know there’s. 

Jesse/Alana: I didn’t know there was a sequel. Oh, there’s a 

Melissa: of ’em.

Nick: Yeah.

Joe: Sequels and slashers usually fall off like there’s a steep cliff. Like you have the first one you build

Nick: It really depends

Joe: You throw in everything

Nick: heard good.

I haven’t seen the second or third Terrifier, but I’ve heard great things.

Jesse/Alana: Mm. Yeah.

Melissa: Listen, you guys are dissing Scream for, and I’m not gonna stand for that.

Nick: I didn’t think anyone did Scream. We haven’t even

Melissa: broad.

Nick: Scream up. 

Melissa: Yeah.

Jesse/Alana: I know 

Nick: [00:26:00] does that one count? ’cause isn’t it a different killer?

Jesse/Alana: I think that

Joe: Well, you can be a different

Jesse/Alana: Oh, that’s 1000% clashes. 

Joe: Scream. Definitely. I didn’t see Scream four. I didn’t see

I didn’t see screen four. Like I said

Melissa: four is the bad one. I still have a soft spot for it.

Jesse/Alana: I was wondering, does It Follows count as a slasher or 

is that more supernatural? 

Yeah. Or is that more of a supernatural horror?

Nick: I’d consider that supernatural.

Jesse/Alana: Yeah, like a supernatural

slasher because you can’t stop it. It’s ans TD that

Geo: That’s that’s kind of like Freddie Kruger. Is he? Because

Jesse/Alana: he’s a dream.

Geo: he visits you in your dreams.

No, but the way he kill you. Yeah. I dunno if that would count. I mean,

Melissa: I 

Jesse/Alana: oh spoiler. Oops. Fred Cougar, die movies,

Nick: slash concert. Yeah. I 

Melissa: think they are supernatural horror. They’re more psychological

and they’re also better than the Friday, the 13th series.

Jesse/Alana: I do agree there. Yeah. Same. But going back to your like the perspective of the killer and stuff, I think it’s super important film. When I like opened my eyes a little bit was Behind the [00:27:00] Mask Rise of Leslie Vernon. Have you seen that one where it explains like you follow, it’s a kind of a mockumentary kinda thing where you follow the slasher and it talks about oh, this is what I gotta do.

Oh, I like, I have to cut the branch a little bit because I don’t wanna fall down. Like I don’t wanna break my leg and I gotta like still, I gotta get my pacing down. I have to run. Cardio is hard to make yourself look like while you’re walking, but you’re actually running kind of thing.

And that’s like a, you get the whole behind the scenes of why they do it and what makes the Final girl like I always thought it was a super important film with that. It’s really good deep look.

Joe: Yeah, we’ll put that in the show notes. I was gonna say too, that. I mean, thinking fast forward, I had this generational thing, I’d had some notes on that going through the decades and made mention.

But even as we come out, you’ve seen a lot of more movies now with the slasher, much more digitally based artificial intelligence, Megan, which I haven’t seen, but I know the premise of it. And so when you mentioned it follows, that was one also that came like in this other category of its, decade where you are looking at this kind of self as the monster and the likes and the social [00:28:00] aspect, but still fits our definition of slasher or have to modify a little bit.

And I mentioned Supernatural and Freddie Kruger was part of that because people usually throw that in as a slasher, 

Nick: do feel like a lot of the slashers do have a supernatural ability. 

Joe: Yes. I mean, the Candyman we was 

Nick: yes. Uh, they all have something that is like. Mike Myers should not be able to move as fast as he does, like he is, as you said, sprinting across these fields and just walking

Joe: teleportation.

Nick: like Exactly. He’s essentially teleporting. He’s got these supernatural abilities where he’s what died a few, handful

Joe: Also he must have healing fact, right?

I mean, so we start going through it because the 

Jesse/Alana: Yeah, he shot Yeah. stuff. Yeah. 

Joe: it. It is one of these levels where you go and you’re right, we have to keep it at human because then you start to, other things can, you know, I was thinking like The Crazies,

Jesse/Alana: Oh yeah. Yep.

Joe: it’s not necessarily [00:29:00] a singular person killing, but in some ways, especially the remake, it was much more you were following just a couple people killing and, but really the community was degrading there.

So you had That’s

Nick: the Strangers Too, not the number two, but TOO.

Joe: I didn’t

Nick: they, no, they go into a house, they kill people. It’s just it’s a repeat

Joe: Okay. I see. Yeah.

Nick: that one 

Jesse/Alana: Is that like funny games?

Joe: Yeah.

Melissa: Yeah.

Nick: Yeah.

Jesse/Alana: es 

Joe: Yeah.

Melissa: Yeah. Would that be a slasher though, because it’s all targeted at one location? They’re not.

Nick: they do move around.

Melissa: I mean, I haven’t seen that in a while and I didn’t like that, and I was like, I guess most of them are like stalking at a teenage house and stuff.

I just, maybe it’s because I don’t like The Strangers that I just blocked it outta my head as a slasher 

Jesse/Alana: yeah,

yeah.

Nick: Like it definitely has. I, from what I remember, it’s been five ever since I’ve seen it.

But they were going to different houses and doing this

Melissa: Oh, okay.

Jesse/Alana: oh, that’s [00:30:00] right. 

Joe: Okay.

Nick: Like I could be wrong. Someone can fact check me, but

Joe: we’re fact 

Jesse/Alana: it’s been a while.

Nick: is there what Yeah it’s one of those movies where it’s oh, I seen that. I know what the hell goes on, and

I don’t care to go back to

Jesse/Alana: it. Yeah.

Joe: Yeah. I

Jesse/Alana: I feel like the only one that doesn’t necessarily have some kind of supernatural ness to it is probably psycho.

’cause that’s just Ed Geen based, and that’s just almost even scarier that there’s not a supernatural aspect to, it’s like just human Texas

Oh yeah, that too.

Yep. So that’s a whole family. Yeah, you’re right. 

Melissa: Christmas, which I think is like one of the first slasher films. And I love all three versions of it. I think it was the latest one where there’s, it’s not really supernatural. They’re more just like in a cult. 

Joe: Black Christmas was the one where you really, you didn’t know the killer at all. I mean, it was still at when that ended, you didn’t know who, like usually there’s some resolution of that aha, that’s, this is the person that’s chasing.

But there was, it was very anonymous. [00:31:00] Had a, an idea, but it, you weren’t sure 

Melissa: and

Joe: I didn’t see any other one.

Melissa: The other great Christmas slashers. Oh God, why am I blanking on?

Jesse/Alana: Night.

Deadly night. Oh, my silent night. Deadly night.

Nick: The second one. Oh yeah. Oh, for sure. Yeah.

Jesse/Alana: Oh my God. That’s my favorite Christmas sweater. yeah, super garbage Day.

Yeah, we should do a Silent Night Hot sauce. That’d be fun. Oh yeah. 

It’ll just be called Punish.

Nick: punish. 

Melissa: Good 

Jesse/Alana: I think Lan 

Melissa: I mean, Lya, Quigley’s death. And then 

Jesse/Alana: oh 

oh. So good. I think 

wherever Lan Quigley lives is my wife equals a slasher film. He’s my wife. Yeah.

Joe: and I think the other thing in the slash movie I had in is the the, that predator prey kind of response. That you have. And we look at this real life, you know that predators usually are they’re camouflaged, they go slow, they hunt, they stalk.

Then you have the prey who you have. Once again, I keep going these stages because I think that sets, that helps that, that can help us distinguish between some of these horror [00:32:00] films that kind of are on the edge between the kind of sub genres and, you have the prey, you have the startled, freeze response.

Then you do have a run response, and then you do have at some level a fight response and you have this kind of situation that you go through in, in, in these kind of phases. So you can also start filtering and maybe through some evolutionary. I have a few other thoughts about evolution,

Nick: What’s the thing in the brain that makes people make terrible decisions during these things?

Jesse/Alana: stupidity.

Joe: no, 

Nick: I mean, most of the time they’re sober. Like in more recent ones they’re pretty sober. Yeah. They’re just, every character is just so 

Jesse/Alana: I mean, if they all listen to me, they survive the movies, but they don’t,

and that’s just rude. I

Joe: I think you gotta blame the writer the writing of convenience.

’cause even in Halloween if you just lock a door, right? I tell like the, my boys is lock the door because if you lock the door, you probably would stop most they would just move along. Or they break it down, you hear it, you get some [00:33:00] audio , cue that something’s happened at your, , your secure entry and maybe you should be on alert.

But usually the door’s just left open. It’s I’m just gonna walk in there and sneak in there, you know?

Jesse/Alana: Yeah. Michael’s got the mind of a child. You can just lock a door.

You’re fine. He doesn’t know how to use it. 

No open. No go

Joe: Yeah. They don’t have pick locking skills. That’s not it. You know, they’re not

Nick: stop it.

Joe: you know, picking a lock. But yeah, no, I think you’re right.

There’s some plot convenience that has to happen in a lot of these that people have to go into a particular room or a particular place. And it might not be logical, but that’s also, as viewers watching that, are we learning about these situations? Are we learning about 

Jesse/Alana: I was gonna say, like I, I look at slasher movies as like a learning experience. What would I do in this situa, not that, but like

Melissa: yeah, 

definitely don’t separate,

Jesse/Alana: never hide for the whole movie. Hide till they walk away. Then run the opposite direction.

Like 

Nick: you can see them, they can probably see you.

Jesse/Alana: That’s

Joe: right. 

Jesse/Alana: That’s usually the life. Yeah. Always run. Yeah, that’s 

the [00:34:00] thing. Never hide because they have all the time in the world you don’t 

And you don’t, yeah,

just run 

Joe: on you, you’re kind of locked. They’re gonna keep, you know, once they identify this group of people, then it feels like that’s 

Jesse/Alana: they’re locked in.

Joe: once again. That’s also written that way. Maybe in the real world they’ll see some other group and then wander off that way.

’cause is it just a killing? That’s the motivation, right? So we’d say they’re unmotivated, but maybe there is some motivation to the killing. And usually sometimes there is some moral thing. A parent was abusive or a mom didn’t love them or they didn’t get hugs or a girlfriend dumped ’em. And so you have this whole thing where there is some thing where they would specifically, they’re just hunting out women, let’s say or men for let’s say.

And then you have this thing, but you just got in way, you were just a casualty of kind of the hunt.

Jesse/Alana: I mean like In a Violent Nature, I think. Was that the movie?

I think it’s like the one that’s a POV behind the slasher. Where Oh, 

that’s one of my favorites. 

Yeah. That’s fun. And it’s

Where someone else would make a noise and get in the way and it’s okay, I’m going over here now. So like [00:35:00] it’s just on this full brutality force.

Yeah. No rhyme or reason. Yeah.

Joe: Yeah. Once you start, then are you just down

Jesse/Alana: Yeah. You cut my eye and now you dead. And then That’s it. until something else

Yeah, Oh, my March two awards, my ultimate goal, right? It’s you’re hiding in that. Oh, 

cool. Sounds good.

Joe: You’re done. So you have that.

So I,

Jesse/Alana: found you I have to say, Kevin Bacon was one of the first

Dreamboat

Geo: first people victim of a Yeah, he was, Yeah, that’s right. 

And anytime I can mention Kevin Bacon, I do. That

I know 

Joe: there

Jesse/Alana: that was my second Kevin Bacon movie ever. And it was

Joe: yeah.

Jesse/Alana: well worth it. I loved it.

Joe: Good old Kevin Bacon.

And Friday the 13th, if people are wondering. Yeah. Do you got the dates on that?

The

the 

Geo: first Friday the 13th,

Joe: anything which didn’t have a, Jason,

Jesse/Alana: Was that 19 80, 81

said 

Joe: something in there. Yeah, that sounds

Geo: I’d have to look. Yeah. I could look

Joe: my year? So I

Geo: I could look.

Jesse/Alana: shorts on. That’s all I know.

Nick: But [00:36:00] yeah I do feel like even in like horror video games, they have started to make it

harder for you to think rationally. Okay.

Love the what resident evil games. They’ve been doing some fantastic games where it’s like, what was seven was absolutely terrifying. And you’re stuck in this what swamp house?

Louisiana. Where you are trying to get outta this house and find Mia, which is his fiance

that was kidnapped and then, yeah. I don’t know. Story. It’s taking a minute to remember, but yeah it’s definitely giving you more of a, okay, you can’t just do exactly what you would in real life, so we’re gonna make sure that you have to do this puzzle to get through this door so you can get this

Jesse/Alana: Can’t progress the story. Yeah, for sure.

Joe: yeah.

Nick: you can’t just go that’s all terrible. I’m just gonna walk outside and leave.

Joe: I 

Jesse/Alana: scream the whole time 

Joe: door or whatever. Usually the movie will be over relatively quickly. If you could, if you sealed off these things, you would kind of end it. If the [00:37:00] campers listen about the haunted story and go, you know what, maybe we’ll go the other way to the other lake and 

Jesse/Alana: but then there’d be no movie.

Joe: you know? That’d be a very teenagers 

Geo: listening. I don’t know if that’d be 

Joe: it’d be a very different movie.

Jesse/Alana: Then also overkill.

Whenever you catch the slash air, they always just hit ’em once and run

like no. Like we’re always like, overkill. Overkill. You need to overkill.

Nick: Make sure they’re 

Jesse/Alana: Please. I’ll take the jail time. I’m doing overkill. 

Nick: I think you would avoid jail 

Jesse/Alana: it. 

Yeah.

it’s self defense. 

Nick: I’m

Jesse/Alana: I’m not playing with

that. dismembered 

Self-defense. 

Joe: have to you probably need to cut a hand off or ankle. I mean some feet, I mean something. I mean you really, you, but

Nick: burn the body,

Joe: then is 

Jesse/Alana: let the body stay in one piece

Joe: If you do that, what should be a, I don’t know if there’s a movie like this where you go and you actually have this real thought of dismembering the slasher and you become the next slasher.

Melissa: Yeah, so if they thought about it though and actually killed the killer at the end of the [00:38:00] movie, there wouldn’t be sequels. 

Joe: Wait,

what? The, so what The person who killed them

Melissa: Oh, they

Joe: become the new slasher.

They all, they’ll become psychologically. Now I need to write this. I’m just gonna go, you 

Melissa: You should write that. I

Nick: You should write that because this is gonna 

Jesse/Alana: they got the taste for blood now and it. 

Joe: yeah.

I wanna write this story. 

Melissa: I like that.

Jesse/Alana: Do it. I’d watch it. That’s a fun one. That sounds like fun.

Joe: Yeah. I don’t know any story where they do that, 

Jesse/Alana: I know there’s like bloodlines like there’s like bloodline ones are for sure ones where they continue, but not like where you kill it and you become

Joe: Because to ultimately kill the, hunter that the actual 

Nick: killing the hunter. You become the hunter, like

Joe: almost dismember.

You really have to go crazy. And you’re right, people usually stop short of that, and then they get up and the hunt keeps going on for the sequels. But if you actually go and you’re that psychotic then you become the slasher.

is that what happened in Grady Hendrix’s Final Girl?

Melissa: Oh yeah, that did happen.

Joe: It didn’t happen there.

Melissa: I love that

Joe: I love that book. Yeah, that was a good book. But I’m trying to think, is that the,

Yeah, God, 

Geo: I love [00:39:00] that too. But

Melissa: killer is, you give away the,

Joe: I no, I’m

Geo: not, I’m trying.

Joe: but I’m like,

Geo: Yeah, no spoilers.

Joe: okay. All right. But yeah, 

Jesse/Alana: then I feel like that killer would have to, You should 

Melissa: write it 

though.

You should write it.

Jesse/Alana: That killer. The killer Who killed the killer then.

Would already have to be psychologically like predisposed to pick

it up or unless that 

was, a 

Melissa: of us are going

Geo: I was gonna say the possibility of becoming a slasher at this point is really

Jesse/Alana: and closer every day. 

Geo: It really 

Jesse/Alana: I mean They

framed Sidney Prescott and and scream too of you’re the killer because you did that.

Yeah.

but it wasn’t true. thing to tip you over.

That

sound you become

were they already crazy or did that make them I How many times on this show have I said that if I had superpowers, I’d become a villain? It’s

Joe: most people would. I think you

Jesse/Alana: Yeah, you have to be. 

But growing up is learning that the villains weren’t necessarily wrong. Like Magneto.

Melissa: You a villain or are you

Nick: mentally

Geo: right. Mentally challenged. The people that people say are the, I’m

Nick: beat up this [00:40:00] poor person.

Geo: The people that they say are heroes are actually no villains.

Jesse/Alana: immediately. Thought of Batman. I’m like going around, beating

up

Ill and

Joe: but that’s the thing about the slasher is that there is no moral, you watch it, you, there’s no redeemable qualities generally. I’m trying to think, is there any, but no, I think usually you go, no, I know who’s good in this situation and who’s bad.

And even it could be marginal, right? Because the people that are being killed, you might not think they’re the most redeemable humans. But then you some of them are kinda dicks,

Nick: I mean, what about Dexter? Is he considered a slasher then? Like he’s constantly,

Joe: constantly,

Geo: a well, yeah. Yeah. But he, I think

He definitely,

Melissa: a moral

Nick: He

Geo: was gonna say he makes those decisions. 

Joe: And he cleans it up. I mean, he has a whole process like slashers. They don’t, they go in

Nick: I’m just gonna,

Joe: and there’s gonna leave the scene buddy and then walk off 

Jesse/Alana: there’s a clear divide between serial killers and slashers, it sounds yeah. Like it’s brains basically.

Geo: I don’t know. We’re splitting here into this

Joe: else.

I mean, that’s what I’ve been given some kind of thing. But the other [00:41:00] thing that was interesting and looked at the ecology of fear, and it’s this concept that, you know, based on this prey predator kind of thing, where the prey modified their behavior because a predator exists nearby. And so you have this whole kind of situation so that the setting, the campsite, the house, the high school, wherever you have this predator, and then that changes the whole dynamic.

It, it increases. Now the fear, some space that wasn’t necessarily you should be fearful of or have fear to be in now becomes this very heightened. And so the psychology of fear kind of cooks in. And so most all slasher movies have that. In there versus a serial killer movie.

Geo: I think a lot of times, I mean I guess if nobody knows there’s a serial killer, then they wouldn’t be.

But that goes back to, but for a lot of communities, if there is a serial killer that hasn’t been caught, that’s exactly what it’s like.

Joe: right. You get that kind of mode. 

Jesse/Alana: Yeah. Somewhere that should [00:42:00] be safe is not anymore. Yeah.

Nick: Now do you guys think technology will start to affect. You know, we the new serial killers,

Jesse/Alana: Oh, I,

Nick: everyone has a cell phone I have a fun fact on

on that. Oh, what you got?

Jesse/Alana: There’s actually more serial killers today. Then there were in like the sixties, seventies where we get all of our serial killers, like from 

Nick: it ’cause 

Jesse/Alana: the night stalker and everything, because

Nick: we’re able to know about it 

Jesse/Alana: Yeah. It’s kind of like they, we have the knowledge and the technology. Now. So there are actually way more serial killers in the United States now than there were like, where we get all the famous serial killers from. We just 

catch ’em faster. Is that it? 

No, they just don’t tell us. 

Oh my God.

One in Chicago right now, actually.

Nick: Are they just not were the old ones not known about

Jesse/Alana: I think so. Or it was like

known more ’cause it was a newer thing. Like I just keep going back to the night stalker and how he terrorized [00:43:00] LA and everything. And everybody knew that it was happening, but they didn’t know who it was.

But now I think it’s just more like on the down low and people can cover tracks easier. I don’t have all the science or the facts

behind it, but a, I mean, we live in a surveillance state

Yeah. You’d think it’d be harder,

but like there’s more right let us know. Let us

know how you’re doing it. 

Use an email at Yeah.

Nick: rabbit hole of research.com.

Melissa: another like tangent or rabbit hole of that you can get down to is technology creating more serial killers or can it, and then also will that change. Slasher films like you had said, Megan, is it gonna be more technological based?

Is it gonna be like an AI 

Jesse/Alana: or like, like Scream and

stuff?

Yeah. Yeah. 

Melissa: yes. Are we gonna have an actual Terminator wasn’t a slasher though. 

Nick: A, he

Joe: He had one 

Jesse/Alana: he had a job. That’s the thing. He had a career and that was, yeah.

He’s a man. Yeah. 

Joe: with the house, like they have the AI house and they [00:44:00] kill the family. 

Melissa: Killed the

Jesse/Alana: Yeah. Yeah.

Nick: t2. I mean that

Joe: why it’s doing it.

It is 

Melissa: Chopping Mall was a good one.

Jesse/Alana: Yeah. That is that is actually one of our hot sauces, I forgot to mention, bought blood. It’s called Bot Blood. It’s Chopping Mall. That’s 

Melissa: slasher, but I mean maybe, I mean, it was, it had a single purpose and that was just to kill.

Joe: I wonder if you’ll have these crossovers where you have like now, like a bio horror will that come back and people out for vengeance or something’s been affected.

They now go through and kill targeted, applications. 

Jesse/Alana: You can say The invisible man. Remember that movie that was like 20 pre pandemic, was it? Or it was The one where he used like the skin suit

the yeah. Technology to go kill.

Yeah. 

Joe: Yep.

Which, that’s what you do if you’re invisible. 

Jesse/Alana: Heather doing it now. Yeah.

That’s it. So I think 

Joe: you would have

this. Didn’t Kevin 

Geo: Bacon play a role like that?

Joe: Kevin Bacon was in Hollow Man.

Geo: Hollow man. That was it. 

Jesse/Alana: Man.

Man. 

Joe: and yeah, 

Geo: Oh, and it was 1980,

Joe: Yeah.

Geo: Friday.

the 13th, 1980. I was like,

Joe: no, Hollow Man didn’t

Jesse/Alana: Nailed it. I was like Hollow man.

I saw that in

theaters. [00:45:00] Whoa. I’m not that old.

Joe: Yeah. But I mean, and so you, you have this and you know these kind of points where you go. Then I had the final girl when the really maybe think about that and why it is a final girl and had some kind of an evolutionary terms that you have this person that at the end of this journey have now shown resilience have shown sexual selection in terms of evolution, that you have this person now that there would be a good mate.

And so you have this kind of thing where especially for a woman to have survived this very traumatic thing and come out on top, they are now then even extra , they stand out in a community of women like, oh, this is a person we need to. Reproduce with and get some good genes resilient genes to pass on’

Jesse/Alana: There’s

so much growth with a final girl. Yeah. They’re normally super meek and then like they become That’s right. Yeah. A lot. By the 

end of

it, there’s no holds bar. 

Joe: about we, that’s [00:46:00] calling back to our very primal, 

Geo: and I know that you watch a movie, so you see the whole story, but in a way you gotta have a final girl. To tell the story. To tell, you know what I mean? 

Joe: Yeah.

You never have afin, I mean, there’s few movies with the final 

Jesse/Alana: Do. maybe.

it’s, I don’t

know 

Joe: because 

Jesse/Alana: Final I’m the final boy. The, 

Joe: gonna,

keep the, we got Girl and I’m gonna go with boy. Not,

I’m not gonna

Jesse/Alana: No, it’s an, it’s a yeah. You can’t just jump to Final Man.

That’s disrespectful. That’s 

just rude.

Joe: They’re the final man.

Jesse/Alana: Tell me, tell me what happened. I’m the final boy.

Melissa: What do we

Joe: that’s a different movie.

Melissa: makes the final girl? Like I, I always joke, I’m like, I’d like to think I have final girl energy because I’m not dumb enough to run up the stairs where there’s no exit. And you know, I’ve trained for marathons and stuff, but I’m like, I liked that the guy had final ground energy.

But I also know me and I know I’m crazy and I’d probably go try to be like, everyone get the hell outta here, I’ll fight him. And 

Jesse/Alana: I [00:47:00] feel like that 

Joe: on 

Melissa: end 

Jesse/Alana: Yeah.

Joe: it depends on I, I brought

Jesse/Alana: probably

not 

Joe: depends on where you’re at in the scenario, right?

Melissa: I mean, I’m also crazy enough, maybe I could be,

Joe: if you’re in the cooler looking for a beer, and then someone comes out the bushes, you’re the first of the first good

Jesse/Alana: Oh, good

point. 

Joe: you’re not, 

Jesse/Alana: the mercy 

Joe: this, you don’t have the opportunity to

There’s these phases of the slasher.

Nick: I’m pretty sure you’ve also been killed already, 

Melissa: yeah.

Jesse/Alana: yeah.

You’ve been killed in Kili pinata.

Melissa: Oh yes I have. And I did come 

Jesse/Alana: back,

That’s right. Yeah, that’s right. You did come back in too. And part of the chain gang, you and I are in the chain gang.

Yeah, really 

Joe: a slasher. You’re on the wrong side of the fence. You keep talking about how you’re the

Jesse/Alana: ooh,

Mel. 

Nick: the slasher? 

Joe: The

I, 

Jesse/Alana: Okay, so

Melissa died and then she came back in the second one. So maybe you are the final girl. No, we’re talking about how you’ve gotten the energy of talk to Steven. I had

Melissa: I had a different idea for the third movie for Killer Pinata that I told him about, but I’m like, I think we need to evolve it.

Geo: And the third

pinata. the third killer Pinata was supposed to feature our podcast. Yeah, [00:48:00] too. 

Joe: We’re gonna

have a chest busting scene with the

Melissa: And then

Joe: bursting

out during an interview about

Melissa: And then the pinata’s 

Jesse/Alana: amazing. Amazing, amazing.

Joe: gonna be, we’re gonna be talking about the Handwavium of the Killer Pinata and it’s gonna yeah.

We had we’re in it. We wrote ourselves into that. So we do that course. This whole

Melissa: this whole thing works and ties in because if the pinata is part of it and I am the slasher, like kind of the working with the pinatas

Jesse/Alana: the Wait, is the pinata a slasher real talk? Oh,

Nick: Oh,

Joe: yeah. I say so.

Interesting.

Yeah. 

Jesse/Alana: pinata. Can’t 

stop it. 

Angry. Angry Mule Productions Killer. Pinata Is the pinata. Slasher

Joe: all the elements there. I think that we’ve talked

Nick: can we get ’em on the phone?

Joe: Let’s call him 

Jesse/Alana: Let’s call. Yeah. It’s like 

Geo: wasn’t there 

Jesse/Alana: humanoid. 

Geo: I was gonna say there’s kind of super, I mean, we’ve determined that Supernatural gets into there 

Jesse/Alana: I do feel like Jason too. I mean Jason Boy in the lake.

Joe: Yeah. 

Yeah.

Jesse/Alana: I

do feel like for Final Girl, there has to be like some kind of. Like she, she [00:49:00] was meek and all this stuff, but she like kind of finds herself through the terror. That’s like what makes the final girl.

Joe: That’s why Melissa’s out already. She’s coming in too confident. 

Jesse/Alana: I don’t think you and I are the final girls. I think we’re, I think we’re the ones who died because we’re like, let’s get ’em like 

Joe: you’re in the middle, you’re in that fight phase or you’re gonna be caught off guard

Jesse/Alana: Don’t worry. It’s gonna I’ll be with you. We’ll fight ’em

off. yeah, fine. 

Melissa: little flight in me.

Joe: fi. We’ll find a final 

Jesse/Alana: Oh, I’m a big, I’m a 

big

throw what’s ever in my hand and I book it. That’s my 

Joe: We have the final girl and or final boy will reveal themselves when Melissa wants to go fight. And it’s say, you know what? Why don’t you go do that?

I’m gonna go 

Jesse/Alana: yeah. I 

think I’m gonna go call 9 1 1 really quick.

Joe: aren’t you supposed to be a man? No, I’m the final 

Jesse/Alana: Listen, I’m a boy. I’m just a boy.

So what a boy. Just a

final boy. 

Melissa: of this later.

Joe: later,

down.

Yeah, I’m done.

Yeah.

All 

Nick: right.

You guys have any plugs you wanna hit up? That was a weird way of putting that

Joe: say [00:50:00] final, like can you ask the question again?

Jesse/Alana: Like, my favorite Uh, well, yeah. He

comes on Saturdays. Mark

Nick: You got any plugs you want stab in?

Jesse/Alana: Yeah, we I think what we have, we mostly just kind of do markets now.

We’ve kind of died down a little bit. We used to have a web store for slasher sauces but DM us on Instagram and stuff. But the only thing we have, I think coming up is the Krampus market which is December 7th at old Irving Brewing Company. And I think we’ll be selling markets so you can test all the hot sauces.

Everything’s, all of our bottles are $8 regardless. We try and keep it low so 

you don’t have to choose between price and flavor. You can, and you can taste them all before you buy ’em. We provide the chips

Nick: and you’re not even murdering us with the price.

Jesse/Alana: No, not today. not today happening 

Geo: With the sauce. With

Melissa: isn’t it? If you buy all of them, you slash the 

Jesse/Alana: price. 

my

god. My god. You’re right. 

Yeah. If you buy a full run of all eight, seven, 

Six now I think, 

sorry, six of the hot sauces. Sure. Then you we cut you a deal. We’ll slash you a deal. [00:51:00] Yeah.

Joe: Lemme put all those links in the show notes and so

Jesse/Alana: Yeah. And we deliver to anywhere in a 6 0 6 area code for free, so 

If you’re Chicago land, we’ll drop it off at your doorstep.

Land Chicago area, not land. 6 0 6 only. We’ll drop it off at your doorstep.

Melissa: it is.

Geo: we’re out. We’re out.

Jesse/Alana: Work if you’re 

Melissa: in Burwin,

Jesse/Alana: we don’t drop to Berwyn anymore. 

No more Berwin.

Joe: No more. Cool.

Geo: How about Melissa? Melissa?

Melissa: We’ve got October is like our biggest month, so we’ve got a few things, but ones I would love to highlight some of the shows coming up. We have Black Mariah Theater and they are definitely like spooky awesome. And they’re playing here on October 23rd. They’re a touring band. We have Cartoon Graveyard with Chicken Happen and Homicidal October 17th.

And then we have some other fun stuff coming up. We have a cycling club the day before Halloween where we’re gonna ride out and look at all the haunted houses in Avondale. And that night there’s a show [00:52:00] where bands play other bands. So we have King Sands as the White Stripes, a band as the Hives, a band as Ween.

And then I’m doing a vinyl DJ night where I’m doing like spooky dance party in between the sets and afterwards. So that’s gonna be really fun. And then actual Halloween, we’re just doing karaoke. 

Jesse/Alana: I’ll see you on actual Halloween. We’ll be here.

Melissa: Heck yeah. 

Costume party with cash prize for best costumes.

Geo: Nice. 

Jesse/Alana: We’re We’re

going as a Peewee Herman Munster and 

Gorilla,

Melissa: I love 

Geo: that

because

Jesse/Alana: got a Gorilla costume from Spirit Halloween.

Joe: Very good.

so

yeah. So then we can go around, maybe get everyone’s, and the one thing I was gonna say is that the horror slasher genre, it had some, but has become an international kind of 

Jesse/Alana: Mm-hmm. 

Joe: And so you have slasher movies, this genre, you know, which probably started out mostly American and rooted in our.[00:53:00] 

Ultraviolent, culture has now spread out into others. Yeah. Really cool. 

Jesse/Alana: Infiltrated 

Joe: show notes, but yeah, if we have wanna go around favorite slasher movie or one you’ll recommend to the listeners out there, like what they should check out and we mention a lot, so we, if we repeat, that’s okay.

But yeah. Wanna start to kick us off, 

Jesse/Alana: Yeah.

I said it before. I really recommend Behind The Mask, The Rise Of Leslie Vernon. It’s everything that we were talking about, they discussed, they explain like what makes a final girl, how it works, all that stuff.

It’s kind of like a deep dive into the slasher genre. So I recommend that one. I like it a lot and I have the mask.

Joe: And you’ve got the mask.

Jesse/Alana: Ooh, I’m still torn. that. Yeah. I think I might have to go with Creep actually, ’cause I like how it’s, yeah. I feel like

that works. And it’s dulo. I gotta go with the Dubo bro. Dubo brothers, Dubo whatever. Mark 

Dubois 

Dub Dubo. That’s a good one. No, yeah. I like how it’s also kind of like behind the scenes you get to see into the [00:54:00] killer’s mind and see how it happens.

Also, it’s kind of just, it’s ridiculous and funny and stupid and I love it so much. So that’s probably one of my, one of my toughest Creep. Yeah.

Joe: Yeah. Yeah.

Melissa? 

Melissa: This is a tough one. It’s kind of, I do love Scream. So Scream will probably be my number one. 

Jesse/Alana: That’s what I was torn between. Yeah.

Melissa: scream is more of a parody. So if we’re going for like traditional, I would go with Black Christmas.

I

Joe: oh yeah.

Melissa: absolutely love that movie. It gets back to the basic slashing. And then also at the end of this, I forgot to plug the Midnight Movie Trivia. So I’ll send you the link for that

Joe: definitely. We’ll put it all in the show notes there. Have that for folks. Nick, you’ve been studying hards.

Jesse/Alana: Sorry, but you took my Creep and I’m thrown off,

so many movies out there

that’s I’m like, oh yeah, I want to say something else then.

Nick: Because you know, there are so many good horror films that are just I

Georgia

go ahead and I’m gonna go, I’m gonna go in a

Joe: You’ve been bouncing.

Oh,

Nick: I’ve been bouncing all 

Geo: Yeah.

[00:55:00] You know what, I was actually gonna say. Black Christmas.

Melissa: It’s a good one.

Geo: It’s really good.

Yeah, it’s,

Yeah. And of course Psycho. I mean Psycho. 

Joe: Yeah.

Go check it out. See what you think about that body

Geo: But I think it was so fascinating that you said Alfred Hitchcock made the first Yeah.

Proto

Joe: That’s

Geo: Slasher the Lodge, which I don’t think I’ve seen it, and I’m even know when

Joe: When I saw

Geo: I’m huge Alfred Hitchcock fan, so I’m gonna go watch that. 

Joe: Yeah.

Nick: Joe, what about you?

Joe: How’d it come to me? I’m like last, I’m no one.

Nick: Yeah, go for

Geo: it. You’re the final boy.

Joe: I’m the FI

Jesse/Alana: are you the final

boy? The final boy? 

Nick: the final boy 

Jesse/Alana: is the final boy right

here, 

Nick: the,

final boy. So

Joe: right. So there, it’s no surprise to listeners of this podcast that I’m a John Carpenter fan.

so Halloween,

of course, but I’m gonna throw one out The Fog

Jesse/Alana: Oh,

It

is, 

Joe: It is one of my, I think it’s just such a fun movie. And they did have, they were actually after something, but they, the way they just went through that town,

Jesse/Alana: it was slash

Joe: [00:56:00] it was very

Geo: I don’t know if that

Joe: It was, yeah. No, they came, they were the pirates, you know, it was, yeah.

They back. 

Jesse/Alana: I

could see it. I agree.

Joe: what I’m saying. And the

not the first 

Geo: movie that would come to my mind. Flash. I

Joe: Halloween already. John Carpenter, he has,

Geo: I’m just giving you a hard time.

The other one 

Joe: was Hellraiser. Oh yeah.

oh.

Jesse/Alana: Oh yeah.

Nick: oh, I

Joe: I think that was the other one I really love. Yeah, that’s right.

Clive 

Melissa: Barker. 

Joe: And yeah, I think you have that. And both of those, you watch Clive Barker movies or John Carpenter movies in their horror you’re gonna have a good time. They, they know how to make a good movie. So I,

Nick: I, I think I am gonna end with Sleepaway Camp though, so I know it’s a little bit of a problematic, like the, if you go through and watch it again right now, you’re like, ah, that ending yeah. But I hope they’re they’re remaking it right now and I hope that they tweak the ending a little bit.

Jesse/Alana: like it was maybe needed for the 

Nick: Yeah. 

Jesse/Alana: So it’d be like, Hey, there’s, everybody’s body’s different, you know, 

Nick: but I feel like it nowadays it

Jesse/Alana: maybe didn’t roll over [00:57:00] so well to

2025. 

Nick: why I’m like,

yeah,

Jesse/Alana: it did have some really good kills.

Nick: Like I, it was just a fun,

Jesse/Alana: that’s all that counts.

Nick: it was a fun 

Jesse/Alana: a Yeah.

Nick: it’s weird to say.

Yeah. 

Jesse/Alana: Yeah. So it came, it was funny.

Yeah, it was fun. 

I think all slasher movies are fun. I think that’s, we all agree on

that. Yeah. 

I’d say, I’d say they’re fun. 

Joe: Yeah.

I mean, I didn’t mention, but like someone watching that it’s almost like microdosing fear. 

Jesse/Alana: Yes. 

Joe: start watching it. Yeah. And you get kind of desensitized and you do have to amp it up.

And I mentioned this 

Jesse/Alana: No, I agree. 

Joe: watching like horror, The Thing when I was six, seven. And so like now for a horror movie to really do it, it not only has to have all the kills, but it also has to be written really well, filmed really well. It has to be a really good 

Jesse/Alana: I need a Hereditary to scare me now.

Like 

Joe: you

Geo: oh,

Jesse/Alana: Yeah. oh,

he got me.

Geo: I the ending. 

Joe: Yeah, 

Geo: know 

Jesse/Alana: ending.

didn’t get me, but The but the leading, but 

Geo: move. Oh yeah. [00:58:00] Oh my 

Jesse/Alana: didn’t,

realize my shoulders were up to my ears till the credits

rolled and I, was like, oh, relax.

Geo: I have to agree. Yeah. Yeah. And Tony Collette is,

Joe: I know you’re a huge Tony Colette. George

Melissa: I love her.

Joe: Tony Collette all the time yeah. So another fun month of horror. We have this episode here you’re listening to, and then after this we are gonna do the thing, John carpenter’s a thing.

We have Bill Haliar or Todd Berg going as guests with 

Nick: Hopefully we’ll get that Ouija board done.

Joe: We’re not doing Ouija board,

Jesse/Alana: I have one you can borrow.

Joe: so No, we’re done

Melissa: They’re looking for a spot to do it. And I said, absolutely 

freaking 

Jesse/Alana: go to the Labile Woods. You can

do it there. Before 

Joe: cut off though, in our last episode, we wanted to know you, you had mentioned, Melissa, that the ghost of Reed’s Local likes gin.

How did that come about?

Oh,

Melissa: okay. So we had some ghost hunters here and they this is part of the reason I refuse to do a Ouija board is every time I’ve gone ghost hunting, they’re always like, oh, it’s [00:59:00] you.

You’re the conduit. We never see as much activity as we do as when you’re here. I’ve had my hair pulled out of my head and like the radio frequency thing, it goes, I like her. And I’m like, I’m getting the fuck outta here. Absolutely

Jesse/Alana: like you. No

thank 

Melissa: I’ve heard like an Oculus box, one of those things where it like spits out words and like I was holding it.

There was no activity, so they turned everything off. This wasn’t here, this was at another location. They turned everything off and then, I said, okay, I guess there’s nothing happening. And it says, no wait. And then all the lights started to flicker in the room after they turned off 

Jesse/Alana: Oh, that’s cute. 

Melissa: And then I threw the Oculus and it said, sorry. And I’m like, are you kidding me? And they’re like, oh, that’s ’cause of you. So here at the bar, there was no activity. And I said, okay, there’s nothing happening, but you know, thanks Ghost for letting us like bother you. I’m gonna pour you some whiskey.

And the Oculus box said, no gin. And I said,

Jesse/Alana: oh geez.

Melissa: Okay. So this ghost is a 1920s ghost. Got it. Because I think I told you like this has been a [01:00:00] bar since the thirties, but it was a mortuary before that. And that’s something we found out a few years Right.

Nick: I just thought 

Jesse/Alana: at the height of gangster 

Nick: other are living here.

Thank you again, Melissa for 

Melissa: Thank you

Nick: hosting

us 

Jesse/Alana: and thank you for having

Joe: Yeah. I can’t wait. I can’t wait to try. 

Geo: I can’t.

Melissa: I have some here. You guys can sample

Joe: Oh, definitely. 

Jesse/Alana: Oh, no, they’re all getting bottles, so I brought some.

Yeah. 

Joe: Oh, thank you. Thank you. You got me 

Nick: you got Nick?

Joe: got Nick? We got Nick. 

Geo: Georgia. 

Joe: got Georgia.

Melissa: Oh, 

Jesse/Alana: Melissa,

Jesse and you got Alana.

Joe: got Al, and we got Alana.

Nick: And we cut down through some holes, down

and we slash some holes.

Joe: All right, y’all stay Curious.

Stay safe out there,

Nick: Goodbye.

Joe: and we love y’all.

Rabbit Hole of Research Episode 45: Ghosts and Graveyard

Month of Horror Ghostly Movie List from Episode 45.

Or Listen where you find your other podcasts: AppleSpotifyYouTubeAmazon

  • Pet Sematary (Stephen King, 1983; film adaptations) – Burial ground horror.
  • Ghost (1990, Patrick Swayze) – Vinny’s favorite ghost movie, even though it doesn’t include a graveyard
  • Event Horizon (1997 film) – Sci-fi horror often framed as a “ghost story in space.”
  • Idle Hands (1999 film) – Horror-comedy featuring Seth Green.
  • Sinister (2012 Film) – Supernatural horror about a true-crime writer who discovers a box of cursed home movies, each tied to a family’s violent death and an ancient pagan entity.
  • Black Mirror (TV series) – Particularly episodes dealing with digital afterlives (e.g., San Junipero).
  • The Matrix (1999 film) – Referenced in connection with AI and simulation.
  • Ghostbusters (1984 film) – Mentioned as pop-culture ghost reference.
  • The Sixth Sense (1999 film) – Classic ghost thriller.
  • The Others (2001 film) – Gothic haunted house film.
  • Crimson Peak (2015 film) – Guillermo del Toro’s ghostly gothic.
  • Beetlejuice (1988 film) – Comic ghosts in bureaucratic afterlife.
  • The Ring (1998 / 2002) – Vengeful spirit transmitted by videotape.
  • A Ghost Story (2017 film) – Minimalist meditation on ghostly presence.
  • Casper the Friendly Ghost (Animated TV Series, 1945–1959) – Classic cartoons from Famous Studios that introduced Casper as the first “friendly” ghost in popular media.
  • Casper (1995 Film) – Live-action/CG film, giving Casper a backstory as a lonely boy who died young
  • The Devil’s Backbone (2001 Film) – Directed by Guillermo del Toro, a Spanish gothic ghost story set in an orphanage during the Spanish Civil War
  • Session 9 (2001 Film) – Psychological horror set in an abandoned asylum, where environmental dread and mental breakdowns blur the line between hauntings and madness.
  • Phantasm (1979 Film) – Classic surreal horror with graveyards and supernatural undertones

Transcript EP 45: Ghosts, Graveyards and Cats!

j: [00:00:00] Hey, welcome back to the rabbit hole of research. We’re down. No, we’re not

nick: are we? I don’t think we are. At the

j: We are not in the basement studio. This is the month of October, month of horror

geo: Like our first season

j: we took the show on the road and we are here being hosted by the Horror House.

nick: Hello all.

Moses: Hey, what’s up you guys? Thanks for coming.

Vinny: location, so we have a little more

j: bigger location.

geo: Yeah. It’s really stretch

nick: my legs out a little

j: bit. A lot has happened.

It is night.

nick: time

j: Yeah. Yeah. We were tucked in. It was cozy. It was a cozy, comfortable horror space. Yeah.

geo: Yeah. Nice. Where, what’s the address now?

Vinny: 28 42 North Milwaukee Avenue. So

nick: are the voices we’re hearing?

j: I know

Moses: Moses Gibson and my brother Vincenzo Malave,

Vinny: Vinny.

For people who don’t want to save Vincenzo.

j: Yeah. And you got me, Joe,

nick: You got Nick.

j: Nick. We’ve got Nick Georgia. We’ve got Georgia, and we’re here at the Horror [00:01:00] House, converting it to the basement studio once again.

geo: Recording. Live right now, but not live that you won’t get to sit here at

nick: No. They’re hearing this as we

Vinny: Yeah, so don’t try knocking on our door and expecting

geo: get

j: on

Vinny: here with the headphones on recording a podcast. ’cause sorry to break

j: the mic. Hey, is this podcast happening? The other day we’re gonna talk about graveyards, ghost and graveyards and the horror in involved in that. Which there’s a bit. So we’ll see where we get to. Like always I do have a opening, but if Vinny, Moses.

If you guys want to go and just introduce yourself, introduce the shop and then we’ll do some promos at the end for you guys.

geo: Absolutely.

Moses: Yeah. Thank you guys for coming first of all. This is the Horror House. So my brother said 28 42 North Milwaukee Avenue or right across the street from this awesome horror themed coffee shop called The Brood. So if you’re ever in the area in Chicago, you gotta come check us out.

We sell all manner of different horror merch and [00:02:00] memorabilia from apparel posters, figures, collectibles, art pieces, you name it. VIN

Vinny: as far as a little background mean, Moses started doing this back in like 2016 when we started a brand called the Cryptic Closet.

Fast forward six years and we’re opening up a horror shop where we carry the cryptic closet stuff and a bunch of our friends.

Yeah, it’s been cool. We’ve been a store firm for about three years and do a lot of special events and I don’t know, I think just try to keep ourselves very involved in the horror community in Chicago.

j: Yeah. Yeah. If you haven’t come and visited, you should make a trip to the Horror House and check everyone out. Moses Vinny, they’re super nice. They’re super chill dudes, so come on in. Even though tar themed, there’s probably something for everyone and a great coffee shop, you know, the brood we got some coffees there this morning.

So yeah, really

Vinny: There’s a guy who comes in every week who just comes in to walk over to the Mortal Kombat machine in play.

j: Oh, yeah. There you go.

Vinny: He’s been, he’s come for the [00:03:00] past, like almost year and yesterday when he came in, he played and then he walked out and he looked at me and he said, nice to meet you.

j: I

Vinny: met him like 20 times.

nick: You’re

Vinny: change my voice when I said it. But yeah, so come in. We’ll, literally, if you just wanna come and play Terminator or Mortal Kombat.

All is welcome.

j: There we go. Hell cool.

So yeah, so let’s jump into this. Let me

nick: a list for this, Joe?

j: I have a list at some point, but I’m gonna, I’m just gonna give a little let’s set the groundwork or what’s beneath the ground.

So I, I’ve got graveyards. Worms

nick: worms,

j: are human landscapes of memory and mortality. They are places where the living organized to dead shaping stone and soil into records of history. At their simplest graveyards are spaces of burial and ritual defined by rows of markers of habitats, and the quiet work of decomposition beneath the ground.

As Nick said, worms, they serve practical, cultural, and ecological functions from the management of remains to the preservation of collective memory, and even as accidental [00:04:00] sanctuaries for wildlife. Ghosts by contrast, are intangible presences, aberrations said, to persist beyond death. Wandering in place where memory, grief, and fear converge.

They appear in every culture and every era, sometimes as harbinger of danger, sometimes as ancestors, keeping watch sometimes as restless. Echoes of lives unfinished. it seems like a door

Vinny: cat.

j: Oh, okay. Yeah. I’m like, oh man, here we go.

Vinny: or a graveyard.

geo: You’re introducing the, our guest.

nick: I was like, I saw a door open.

geo: our ghost guest. Perfect

j: segue explanations,

Moses: goes like, oh, hell nah.

nick: like,

j: It’s done. We’re

nick: I was down for it. All right, we’re finished. I was like, let’s go get that. Ouija board boys.

j: Yeah. . great , segue here. Explanations range from neuroscience and physics to folklore and theology.

Yet the ghost endures as a cultural constant haunting of spaces where the living and dead overlap. And this episode , we’ll enter the graveyard gates [00:05:00] to explore the science and symbolism of ghosts. So

nick: just to start off, ghosts aren’t always in graveyards. Yes, they can

j: That’s true. Yes.

nick: In houses, in bars,Reed’s,local

Vinny: in,

Moses: reads. Yeah. I heard

j: Yes. There is a ghost

Moses: I heard that. I heard that. It’s

nick: She says, I still haven’t seen anything.

We had the EMF last

geo: And they haunted our podcast

j: if you listen last year

Moses: forgot about

nick: It wasn’t technical error. It was a ghost

j: It was the ghosts. That’s

Vinny: troll.

Moses: Ghost show. Straight unplugged. Just,

nick: Yeah. It was like, you know what,

j: I don’t we wanna hear this episode. We’re gonna cut it.

Vinny: Yeah. It’s like we’re a ghost, but we’re like a nerdy techo. So I’m gonna fuck up your entire podcast.

I’m not gonna boo you.

j: I think the that Melissa say the ghost preferred gin and we were drinking Molart. I know. There, there was probably some conflict of spirits.

That’s right. And it makes sense

And it

geo: makes sense because that spot used to be a mortuary.

j: Right. That’s right. Yep. Yep. And we’ll,

Vinny: my question is, how did she find out that the ghost likes gin?[00:06:00]

j: yeah, there

Vinny: like she probably left out a little shot glass and then like, cut the straw in

j: I think there was some mention that it ask in some way. I don’t know.

Let’s, she

Vinny: We’ll have to, we’ll have to revisit that.

j: again. Yeah.

Moses: No, I don’t like Jim.

I am Agin.

nick: and a gin.

Vinny: Style.

j: Yeah.

nick: Ooh. That makes it even worse.

j: but yeah, there’ve been tons of movies. Oh.

geo: Oh no, I was gonna say, I think that’s what Joe was saying, ghosts and graveyards. Like not necessarily only ghosts and graveyards. No

nick: I just had to make sure, you know,

j: and usually a lot of thinking

nick: that only if you’re in a graveyard, you’re

j: No.

Vinny: Listen, the movie Ghosts with Patrick Swayze,

nick: Swayze

Vinny: one of my favorite movies.

And then the not to, there was not even one graveyard

j: There was not a graveyard. And I was gonna say, most ghost movies or cultural references don’t necessarily happen in a graveyard. They usually happen in the house or there’s some,

nick: if there is, the graveyard has been paved over.

j: now.

geo: Exactly.

j: Poltergeist.

Poltergeist. Go

Poltergeist going [00:07:00] Poltergeist. There it is. Little

nick: ghost there.

Moses: Little disrespect to the,

j: Yeah.

nick: I mean it’s a typical story. Disrespect.

j: You gotta have respect there, ancient burial grounds and you go forward. Yeah. So

geo: all right guys.

Moses: what

j: else we

geo: Why are you looking at me?

Vinny: The new

j: I dunno. I was looking at everybody. I’m gonna go

nick: I thought Georgia had something to say

Moses: We already covered Ghost, the movie

j: We got movie

Vinny: Okay.

I was just gonna say, I was like, I can keep talking about ghosts.

Like I, I’ll put a penny on the door right now. I love that movie.

nick: Yeah.

j: It’s been a while since I’ve watched ghosts.

But it had all the elements there where the, you know, usually a lot of the ghost themes some of them, they come back because they were wronged and then they’re trying to correct that wrong. And so part of the movie is them figuring out they were ghosts and then trying to do something with their ghost hood.

It’s Ghost Hood and then Tale From

Moses: the hood.

j: That’s right. Tale. I don’t know what the ghost person. Yeah. Ghost hood. It’s like [00:08:00] adulthood. You know? Now

Vinny: Oh, I thought it was like a neighborhood of

Moses: hood.

j: That’s right.

nick: actually, there’s a ghost hood

j: Is there a movie called Ghost Hood? That’d be cool.

Moses: sounds like we need

j: make it happen.

Yeah, we should make it a ghost hood.

Moses: horror comedy. Let’s go.

j: why’s the rent so cheap here? This is the ghost hood.

nick: Oh, we,

Vinny: the landlord’s, like, I want to go pick up the rent, but my tenant ghosted me.

j: Yeah. We have so many one-liners like that. And then they come back and then and then you are going through their wrong. Then once they correct the wrong, then they are released from the physical plane.

nick: Or if they’re really angry.

j: Usually some, somebody wronged them, right? They usually gotta correct the wrong,

nick: don’t know. I feel like there’s still always just some angry ghosts that are just angry for no reason. That’s if

j: you need a part two.

Vinny: That

Moses: See, they’re haters. They’re in it for the love of the game.

j: That’s right. Yeah. No,

Vinny: Those are the ones, those are the ones that tend to stay on earth. And then like they never make it up to heaven. So they’re bitter or they’re just like stuck in

nick: I thought they’d just become politicians

Vinny: No, they’re waiting for somebody to to record a episode of a podcast with a Ouija board so they can get the

j: That’s [00:09:00] right. It ain’t come out.

nick: I am trying.

geo: unfortunately Nick did not get to do the  Ouija board yet.

j: we’re not doing a

nick: Why aren’t we doing the Ouija board?

j: I don’t know.

Vinny: Did you see Somebody made a Luigi board and it’s a  Ouija board.

It’s like Super Mario theme and it was pretty badass.

j: I think they have

geo: pretty fun.

Vinny: of that.

j: a OUI board for every, like, you know, it’s a Barbie Ouija board. There’s like every themed

Moses: they sell ’em at Toys are

j: board, right? Yeah.

Yeah.

Vinny: I bought a Stranger Things once and

j: Toys are Rus isn’t toys are ru close?

Moses: They reopened.

geo: Oh

j: they, okay.

Moses: yeah,

j: it

Vinny: It’s

he

the, it’s

geo: Did they just in way?

Vinny: yes.

geo: Just recently, right?

Moses: not

Vinny: yeah, it’s

j: okay. Yeah, basically

Vinny: they took over like an old KB toy spot in the mall, but there’s like no physical location.

I think the only place that I know that has like the old style like tile and all that is in Canada.

j: Okay. Yeah.

geo: Okay. Oh,

j: Yeah. It’s a ghost. Have

geo: the Ghost of Toys Us

Location.

Vinny: They’re supposed to bring back more, but I don’t know if like, I mean it would be really cool if they just targeted the old toys [00:10:00] Russes and just packed back up and opened in those spots.

Because like the places that took over those spots when I walk in, it just feels like toys are us when you first walk in. So I’m like that. That’s the experience for me when they said, oh yeah, toys Are us is open. I went to the mall and I walked into like a shitty little KB toys. I was like,

j: yeah, I felt

Vinny: like I

not the same.

Yeah.

Moses: Funko pops,

geo: But, and then the  Ouija boards are for ages eight and above, so

Vinny: I wanna see an 8-year-old. Just get cursed.

j: one of friends. There’s there doing  Ouija board stuff. I don’t it was a

geo: people are very much, have a really strong opinion about  Ouija boards.

I don’t

nick: understand

it. Like everyone is very much like, hell no. It’s like it’s a toy.

Vinny: I think also we’re in 2025, there’s so many messed up things happening that they’re like, no, I’m not taking another one.

nick: like,

geo: oh, remember like standing the broom up?

Vinny: Oh yeah.

j: Yes. Making

geo: the broom stand.

j: I think you, I think with the Ouija board and a [00:11:00] lot of this stuff, I think people are truly have some respect and fear of supernatural things.

If even if you don’t fully

nick: no respect or fear of

j: that’s why you’re, that’s why you’re gonna be haunted. And I don’t want no parts of it. So that’s

nick: Joe, as a scientist, do you actually believe this?

j: I should poll everyone. You do you believe ghosts

nick: No.

j: You’re, no. Okay. Moses, what do

Moses: Ghosts? I believe in a spiritual realm.

j: Okay. So you believe in ghosts? I don’t know.

Moses: I don’t know if ghost is the

nick: what would you call them?

Moses: Interdimensional entities.

Vinny: That’s too many.

That’s, I’d rather just

j: Aliens, yeah,

Moses: Aliens, ghosts, demons

j: you’re, it sounds like you’re splitting hairs a little bit.

Moses: We’ll just say, we’ll say the demons.

j: if you have like the spirit world, so if one of the spirits come back to the physical world, they would be a ghost.

So you believe there is some congregation of,

geo: there some connection between the spirit world and the

Moses: in the physical plane?

Yeah. Yeah.

geo: I think your answer is yes.

Moses: Yeah,

j: Yeah. Yeah. [00:12:00] I’m gonna go with Yes. He did a bunch of hand waving on there, but

Vinny: I have asthma. I just gotta say ghosts. I can’t say I gotta save my breath. I do believe in ghosts. Don’t, I can’t say how or how it’s, how it works, but there’s been enough between the stories that I’ve heard and stories from my family, from like the old home that my grandparents used to live at. I definitely there’s ghoster just like, there’s some kind of afterlife, you know?

j: Because I’ve

Vinny: seen enough weird shit. And I think all of us, especially with the internet, you know, we’ve seen enough videos that are unexplainable, you know, so I don’t exactly know how or like how to explain it, but I’m one of those people that probably wouldn’t mess with the Ouija board only ’cause I’ve heard stories

From friends or like, you know, when I was younger, me and my cousins played with the Ouija board.

They never seem to end too well. So I’m just like, with my luck it’ll really work really well. So I’m just like,

j: yeah, you

Vinny: I’ll just watch. Yeah.

j: Yeah. Georgia.

geo: Yeah. I think I’m gonna give a wishy-washy [00:13:00] answer. No,

nick: cannot give a wishy-washy answer. You attacked MO

j: I know, right? It was like,

geo: I think there something to that, but I don’t know. I guess can I could still be undecided? No. Alright,

j: right, you can on the side. We’ll revisit at the end there.

Vinny: Ghosted that answer.

j: Yeah. That’s, there

nick: that’s the kind of ghost I believe in ghosting.

geo: I think that definitely is some other presence and like things that are unexplainable.

And I think people have like energies that probably live on after

Vinny: They’re

geo: they are no longer alive. So I guess that could be a go, that could be set that could be ghosts.

j: right? Yeah. I’m not a big believer in the ghosts.

geo: How is that not a big surprise for me?

j: I think our, you know, just a.

Moses: to

j: loop

back maybe a little, but our brains are really good at trying to make patterns out of things that don’t necessarily have a pattern or isn’t real. And so we [00:14:00] try to explain our world and what we perceive through that.

And so I think if something happens, or a noise, like we had just earlier, we were laughing about it while I was opening the show. There was a door creaking open and we were all primed to think about ghosts. And our heads probably all of us, if you’d asked me if I believe in ghosts at that moment, I’d like, yeah, it’s coming.

It’s gonna come through that door right now. And then Vinny goes, no, is this my cat? I’m messing with the door, messing with this. And so I think that’s some of this here and there are a lot of physiological cues that we get from our world that we aren’t maybe necessarily can interpret.

And then we have to funnel that through our cultural experiences and. I think death in, in the afterlife is a big part of that. And so that’s where I stand on

So do you

geo: think that we want to believe in ghosts because we wanna stay connected to those that have died? So it’s interesting ’cause we talk about [00:15:00] fear and ghost and horror obviously, but also it can be of

nick: we’re more prone to be fearful of the ghosts, where in like Asian countries, they’re more open to being Yes.

They’re more friendly.

geo: Right. And I think if anything it gives a comfort, not just a fear, you know, there’s a comfort that

j: I think we’re always looking for that, but then you have, ’cause you don’t necessarily have to see a physical manifestation. To feel though, like I, I think that was Moses. You know, that split in the hairs is like, you, you believe that there is some spirituality or some place afterwards that, spirits go, but not necessarily physically manifesting and moving stuff on your shelf and messing with you.

In some way. Be it fun. I heard Casper

Vinny: I will say I, I’m, you’re saying all this, and in my head I’m like I should have just not told him I had a cat.

j: That’s right. You

Vinny: then you would’ve been even more freaked out. You’ve been like, wait, there you guys, you heard the creek and then a black cat came out, a random black cat.

Like, I [00:16:00] don’t know, dude.

nick: I don’t see a cat just

Moses: I’ve never seen this in my

j: Yeah. You just go What cat? Whatcha talking about

nick: cat are you

Vinny: I have a whole bunch of cat food back there, but it’s purely a coincidence.

nick: It’s a ghost cat

j: cats and ghosts. That’s really interesting is they have gone together historically in there way back to like, the Egyptians believed that cats could see into the afterlife and could ward off evil spirits.

So you have this kind of relationship and then cats through history and across culture, you know, Japanese folklore, they were shape shifting kind of cats tied to death. Medieval Europe, you know, linked with cats, witches and hauntings, which the witches and cats

Moses: the witches.

j: that was

nick: not the witches,

j: the black plague.

There was women who had cats and they didn’t get the plague because the plague was transmitted through fleas on rats. And so if you had cats the rats with the fleas didn’t come into your home and you were less likely to contract the plague. And but they saw these women with the [00:17:00] cats , who were, you know, not.

And so society’s eye, , a proper. lady.

And then they were vilified and deified as witches

Moses: They’re

j: of that. So they were haters, but

nick: Why are you still alive? And I’m dying.

j: It was like, how come these women, with all these cats and then cats have this kind of historical kind of connection to, spirituality and quote unquote power.

And then you see that and you just assign it. Once again, humans, oh, they must be using cats to do something weird and we don’t like ’em because they’re not dying. Let’s go get ’em. So it’s a, it know let history cats, and magic spirituality have really intertwined through history in interesting ways.

So

Vinny: yeah.

Moses: Cultism and all that.

j: And I was gonna say, one interesting things I had saw was that there are frequencies. I’m trying to notice infrasound at sub 20 Hertz vibrations and they can trigger anxiety, nauseous, and even aberrations in the

nick: oh, I’ve [00:18:00] actually heard about this.

’cause wasn’t there a government testing a weapon within the past decade that was supposed

j: testing weapons somewhere.

Moses: Yeah. On giant crowds of people too. It’s not just like one person. They’re like, yeah, you see those, like 50 people over

j: Yeah.

Moses: Take this and just shoot it in the general area over there and

nick: It’s supposed to be like one of those that just messes with your head

j: it does. Yeah. Sound. Yeah. And so like earthquakes cause these volcanic eruptions, avalanche, large waterfall. So this is like a natural.

Frequency that you would physiologically, respond to. And it was interesting is one of the things with cats, and people go, oh, cats they’re staring off into the distance. And they must be looking at some sort of spirit or ghost or entity, but some of it could just be a they pick up the smallest of movement in their environment and then b, it could just be some motor running your refrigerator motor at some frequency and it kicks on and it’s like, oh, what is

So you’re saying, you are saying

geo: that you’re hearing this instead of a ghost?

j: We assign our cat’s behavior. Or behavior in general to fit a narrative. And if the narrative that cats [00:19:00] have a special ability to see beyond,

geo: Oh, so you’re trying to explain the,

j: but maybe it’s just there.

This, there’s some little thing, you know, flutter in the corner that they’re looking at past you, everyone has a cat know what I’m talking about. The

Moses: Yeah, no they get geeked up for a second. They

j: That’s right. Yeah. And they just stare off past you and it’s like, what are you looking at?

And you look behind you and there’s nothing there but empty space. But some of it could just be they’re hearing some frequency somewhere that’s happening or some

Moses: it’s not per it’s perceivable like range of,

Vinny: I feel like if I’m listening to this podcast, my initial thought is these guys better do a follow up podcast. At a haunted location,

nick: I would totally do it. And I want to, we were

geo: We were,

Vinny: a legit,

Moses: be dumb for

geo: Yeah.

Vinny: has activity.

’cause that’s a

j: you

nick: And then we’ll bring out a Ouija board.

j: You stop with the,

Moses: see. That’s a lot of doubling down statistically of like,

Vinny: like, yeah, we, he’s like, yeah we didn’t believe in ghosts or Bos. Now we’re witches.

nick: know what, I’m totally d It’s

Moses: like, now I’m a [00:20:00] full blown occultist

nick: I would give into it. I would give into it all. If we can get some hard proof.

geo: So we could just stop here and then meet up again at the cemetery

j: we

nick: let’s pack up guys.

You guys aren’t opening the

Moses: where’s the nearest cemetery?

geo: Yeah.

j: Yeah. There we go. We go to cemetery. Yeah. And I’m getting all these things about why not, but maybe why, and I, my head goes to, oh, go ahead.

Moses: I was just gonna say that, our perception of just in general, not, like human perception, obviously we can read into like the electromagnetic spectrum and kinda, you know, pick things up with machines to help us out.

But I feel like even with that, there’s so much in existence that we cannot physically interact with most of existence, really. So it’s one of those where it’s hard it’s hard to rule anything out,

j: Yeah. No truth.

Moses: truth is definitely stranger than

j: No I think that’s right. And I was gonna, you know, for all the reasons you have ghosts, that. May not manifest with classically [00:21:00] explained science.

You know, they have masks, they can move objects, they emit light and sound. How are you doing all that? How many big Macs do they need to do that? But that’s a

nick: They need at

geo: Of course, they’re not eating Big Macs

j: How do,

nick: they’re eating souls.

j: But

Moses: I

nick: saw,

j: I was thinking about some of this and we’ve touched on this, but the, a couple things came to my mind. One was the multiverse that, that ghosts or the way we perceive ghosts, they’re just apparitions from another multi-dimension that we happen to be interacting with, right? So it crosses over for a second and we have this experience or keep having this experience.

’cause in this house or this place that was where their domain was at one point in time or in their universal line. That’s different than ours. Significantly different that we have that. So that was one idea had. The other one was that, and this, you know, we have some fans of the show.

Is the simulation hypothesis that ghosts are glitches in the matrix? They are unclean programs and I think [00:22:00] even the Matrix, they touched on that, the ghost programs and things, but we could have, that could be Is that evidence? So

geo: so this, do you believe in more than Ghost, I believe?

j: No. I,

Vinny: like,

Moses: How do you feel about, how do you feel about simulation theory

Vinny: is Lawrence Fishburne. They both really exist.

nick: Wait, they’re real.

Vinny: Yeah, I found that out last week.

nick: thought they were ai,

Vinny: was an interview and I was like, wait a minute. Can’t spell Matrix without ai. Also, side note, there’s a drinking game that we have, we currently have our door closed and we have a sign saying that we’re recording a podcast, and two people so far have pushed a door still.

So I will make note, and then anybody who’s listening, just take a shot. So then by the end of the podcast, you’ll just be too drunk to do anything.

j: They’ll see ghosts

Vinny: Yeah, probably. And

nick: they will become the ghost. Just start knocking things down. What was that?

j: Yeah. I’m not a believer in the simulation hypothesis, and we did an episode early in season two on this topic or into season one.

I can’t, yeah. But. And I’m

nick: this season.

j: a season? Yeah. Whew. [00:23:00] Season’s

it really? Yeah.

nick: Yeah. This we’re on season two guys. We’re,

j: we are, we’re in season two. But that was an idea , and the other thing would be the, this quantum and entanglement and and then you have waveform collapse, the observation effect where you have things exist in both states, so superposition, and then until you make the observation, you collapse down to that thing being gone.

So a ghost could be there. When you look at it, you’ve now made an observation and you’ve collapsed waveform form back. And then, you know, over time, you know, the, I have problems with that because it’s not.

predictable

or reproducible in some way. Like it’s changes for whoever’s watching.

Yeah. Yeah. And I’m not a quantum physicist, so maybe I’ll be like, no, you’re wrong. That’s, it can be proved. If we’re going to say it’s real then here’s some ideas to make it real.

geo: Has anyone done like a movie or a book about that type of concept? Like that’s what, ghosts

j: Our quantum

geo: yeah. I [00:24:00] don’t think so.

j: so. No. I feel

geo: I don’t know.

Vinny: Ghost

nick: I don’t know guys

Moses: Ghost Hood. The

Vinny: Ghost.

Idle hands? Seth Green and his best friend. No, I’m kidding. I’m

j: Oh, I was like, really? I was like, dude, dad on top of it. As

nick: as you said Seth Green, I was like, oh wait. He might actually be

j: you know, there was I have a little a list here, but Black Mirror, then they have the the one.

Moses: Had. Which episode? It

j: San L No, it’s the one where the woman, they kept going. They were living through the memory. Oh. And then they go and keep repeating and you could get digitally uploaded or it was like some sort of

Moses: Oh, he was trying to remember that girl’s face.

nick: Oh

Moses: Yeah.

j: I can’t, I’m trying to think of that one.

But yeah, that was one, I think that had something like that, but I don’t have the actual source of that. But no, most I mostly ghost movies. It’s supernatural, right? Supernatural. And usually it’s a revenge style. It know somebody’s wronged you, you’ve been wronged and then you are you’re coming back for vengeance , except Casper, he was one of the few,

nick: Actually, I, you know, let’s go with the conspiracy theory.

Is [00:25:00] Casper our killer?

Vinny: No. The real conspiracy, I’ve read it everywhere is Casper one ghost or was the other ghosts?

Part of his like,

j: oh, split personalities. Yeah. Have

Vinny: Have you heard about that?

j: No, I haven’t heard that.

Vinny: Yeah, me either. I just made it up right now.

nick: I did hear that. He might be Richie Rich.

Vinny: Wow.

j: I did see that.

That

Vinny: No, I did see

j: drawing. Yeah. The, yeah.

Vinny: think it was just a lazy

j: Yeah, we have a Casper, if people don’t know, it was a children’s story that was first created in 1930s, was unpublished and it became famous, the Casper, the Friendly Ghosts as a cartoon in 1945. And it was unique at the time because most ghosts were from the horror kind of lens of revenge and, you know, scaring the heck outta people.

But this was , a story I always like Casper, lonely,

not scary, and actually kind.

geo: the, and then they came out again in like the, was it like the seventies and eighties or

j: 95.

Vinny: then nineties. I was gonna say the movie. ’cause then because then it, it made no sense. ’cause then I saw final destination. I’m like, he’s a [00:26:00] ghost. Like how is he gonna die? He’s Casper and

j: And they made a backstory that he died of pneumonia, I think, or something like that. And he had like, it was like a kind of a dark layer,

Vinny: had the black

Moses: sick boy.

j: Yeah. Yeah.

Vinny: So it really, side note it’s slightly on topic though. Do you know when you go to like corn mason or like pumpkin patches? They have like those big cut out, those cut out wood things where just like a farmer and his wife and then the top parts cut in a curve and you just put your head on top and then you take a photo. I think there’ll be a really good gravestone idea. Like, I want

geo: Oh, so then like a photo op at the graves? Yeah.

Vinny: I don’t know, I’m just trying to think outside the grave, the

box.

geo: I like that.

Moses: Honestly, that’s a great idea. Yeah,

geo: I really actually like

Vinny: you know, that like, that meme of that guy who’s like sitting there like on crouch knees and he has, is a peace sign up probably that it and graveyard for him with the head cut on and you can, oh my

geo: oh my gosh I actually really like it.

Vinny: I die

geo: Yeah.

Vinny: or after

Moses: The living something fun to do, you know? Yeah. That’s for them [00:27:00] anyway, where if you know everybody

geo: right?

Moses: is dead

nick: I just wanna be tossed in the woods, you know, let the animals eat my dead body.

Let it do something good once,

Vinny: like did you see what Vinny did before? Did you see what he did for us before he died? He’s like a

j: A funny Jesus,

Vinny: Jesus’.

do anything except make a weird ass gravestone. And he left a dad joke on the other side of it. It’s like a double whammy. That’s how I’m gonna leave the earth. You’re

nick: you’re not gonna come back as a ghost?

Vinny: I might.

nick: You should find some

Vinny: I just said somebody has to bring out a

Moses: you should find it.

Vinny: Ouija board. That’s the only way it can come out is if it’s a Barbie licensed Ouija board.

geo: I got

j: I got you.

Vinny: Then I’m gonna come

j: It’s ready to go.

Vinny: to go and I’m gonna whisper the

j: think. Vinny, are you

geo: gonna start collecting Ouija boards.

Vinny: So you see, you’re like, I did the Barbie Ouija board and like, I feel like Vinny’s voice is whispering. That Matchbox 20 push song in my ears, I’m sleeping.

Moses: Crossover of ghosts with dreams and weird encounters [00:28:00] actually even post, right? Because you have the whole phenomenon of like, sleep paralysis and the hallucination. But what’s fascinating to me is that like across the world the hallucinations are, it’s usually like a set

nick: the shadow man. It’s

Moses: usually a shadow man. Or like somebody, like some somebody in your bed or like on top of you,

geo: Yeah.

Moses: which is weird. Like, why are they on top of you? Why are they on your chest?

j: That was a

nick: Isn’t

Moses: ’em, get em off.

nick: the feeling of not being able to get up

j: Yeah. So you’re

nick: your body, oh, you got the science stuff

j: I mean I was gonna, you go, you could do it.

Moses: He’s got the, he’s got the colloquial speak version.

nick: got you.

j: you’re in that a transition of conscious states and so your body as you go to sleep, your respiration, your heart rate, everything slows your muscles. You’re in this, you’re in this state of sleep and

and

become aware.

While you’re in this state,

nick: aren’t you also in between REM cycles too?

j: Yeah, you, I don’t the exact state of where you’re Yeah. You’re in a more deeper sleep state. [00:29:00] And as you become aware. You also are aware that your respiration rate has been suppressed, your heart rate, your muscles you’re pretty much para paralyzed, yet you’re aware of your surroundings and now your mind has to make sense of that, right?

So you can imagine that you’re gonna see all sorts of things ’cause you’re now in this very trapped, confined state. And you, I think that’s part of this. And then you have other myths on top of that, once again to the, like the cats and sucking your soul. And that’s been, I think you, I’m trying to think of a movie where the cat will sit on your chest and things sit on your chest to have access to your mouth, to pull your soul, your spirit out of you.

And

Vinny: I’m so pissing my cat right now. I let her do that all the time.

j: That was thought what they were doing. And and then like having kids and stuff, it’s like, don’t have, because cats will. Rest on your chest and, I think it’s just comforting for them ’cause they fill your heartbeat. Your breathing rate and things

geo: So really the, so really this is the cat [00:30:00] episode?

j: Oh no, I don’t wanna, I’m not deifying cats, like, you know, I love cats. We have a cat, Ivan. He is a good

geo: I know. I love cats.

j: So I

but you do have cats in this, they’re used a lot in this kind of thing and I don’t, they get, you know, wanna de deify them and say, you know, it’s just they’ve got a lot, they got a lot of pressure put on ’em because they’re,

Vinny: Yeah.

Don’t say that too loud. She’s right there. Yeah.

Yeah.

No, but like, so with Ghost, I also curious to know, like, do you believe in the theory of reincarnation,

nick: No.

Vinny: like where you pass away and instead of becoming a ghost, it’s almost like you come back with No with no knowledge of your past life. And it’s almost like a reset because like, I’ve also heard. Theories like that. And then it also ties into the weird deja vu moments. ’cause like nobody can explain deja vu and why you have them, or why everything feels certainly familiar or you feel like you’ve done something before. Like it’s crazy that we’re in 2025 and that’s something that still can’t be.

nick: so that wouldn’t be reincarnation then?

Vinny: No. But I’m[00:31:00]

nick: that would be

Vinny: would wouldn’t that

j: different ideas there.

Vinny: But I’m saying that deja vu. I’ve also heard theories that like, it could be something from your past life being triggered as to why something feels familiar.

nick: I did hear something about this. It’s what was it? It was something about.

Deja vu is your body reliving it as if you’ve died already?

Vinny: That’s

I’m saying. Like it’s, it could

nick: just your brain doing that whole, your life flashes before your eyes, shit. Yeah.

Moses: But just for like the mini second. Yeah. Not the full, it’s not the full blown joint.

Vinny: When I

that, I was like, in my mind I was like, man I want that to be real so bad.

’cause it gives more answers to things that aren’t answered, you know? ’cause I’ve always wondered about dejavu and like, is it like past life or whatever it is. ’cause Yeah, at this point I’ve watched enough horror movies where I’m open to the possibility of almost anything, you know, as far as like supernatural

goes,

j: and

And I think you’re, once again, we go back to our brains, to human brain [00:32:00] and finding patterns and things that, people have white noise, what is the Spirit radio?

Spirit boxes. Yep. That does white. And you hear it’s just white noise. And we hear voices. We make things. People play the records backwards. And I hear so, our brains are designed per a, to keep us alive, you had to find patterns really fast. And then identify patterns that might be like something else, a past situation.

So some of these deja vu situations could be that the situation is close enough. And your brain is actually just processing and trying to lower your anxiety somewhat to go, Hey, this has already happened. Or prepare you if it’s some bad situation you’re going into. So you have this moment where your brain is actually just analyzing its environment.

It’s and saying what makes sense. Oh, this is like, I felt I’ve been here before. Okay, this isn’t so bad. Or I’ve been here before and I really need to leave

Moses: Yeah.

j: ’cause

it, it didn’t turn out so well.

Vinny: That’s why you gotta talk to those four or 5-year-old musical prodigies who are like four years old and they’re playing [00:33:00] guitar like they’re fucking Jimi Hendrix. I’m like okay. Somebody sacrificed their, one of their children for

j: People that are like, I think we have neuro a neural spectrum and we, you know, people that have like autism and we think about, we identify that, and then you have like this  savants that come in and usually they’re at some extreme in, but we don’t, you know, identifying that al early in some skillset that is talented.

We, we all, once again, put that in context with ourselves and go, man, that’s super impressive. But they could be somewhere on that scale. We usually see math, savants or, artistic, but it could be, they play guitar. They just can hear music.

They see it

Moses: different perfect pitch and

j: play Right. And they just can play that. And they see the instrument, you playing it, and then mimic it and then add their own creativity to it and can go. But they’re still social. They still have, so yeah it’s interesting what our brains can do.

So yes,

nick: Yeah. Guys, I think they’re a ghost in

j: Nico Ghost is throwing things now it’s upset. It’s like, you’re gonna believe Joe, you’re gonna believe, yeah.

Vinny: Maybe it’s just me wanting believe it’s a ghost because I’m like, it has to be somebody reincarnated.

’cause [00:34:00] when I was four, I was. Learning how to

j: and see reincarnation is interesting because I, and you asked that question.

Vinny: perfection

nick: wait.

Vinny: all. I’m just trying

j: trying to move it along here.

Vinny: know how slow in life I was.

nick: I was like,

j: Move it along.

nick: over this. I,

j: I’m just gonna

nick: aren’t you four years old? Learning

j: like, I was a grown man before I learned how to wipe No,

nick: I didn’t stop peeing the bed till I 23

j: 16

Vinny: I realized I didn’t have to wear a diaper.

Moses: I’m crying.

j: I got reincarnate. No. But yeah, reincarnation was re trusting me because I always thought, and in my own head, and this is I haven’t looked this up, I haven’t thought about this in a while, but somewhat are conservation of DNA and you go from bacteria, through human octopuses, whatever you think the intelligent kind of life forms are.

We share our DNA like humans to banana. I think we’re 50%. There’s a lot of, mechanistic systems, which are the same, you know, and are the way our proteins are made the genetic code bananas. Yeah.

Vinny: You like, I wanna know more about this,

j: [00:35:00] 50% our genetic.

nick: is that where bananas and pajamas comes

j: No. Our genetic code, like the instructions of life, we share about 50% of those instructions with a banana.

And some of that’s just cellular function, like how proteins are made ribosomes, they make proteins or your mitochondria proteins. Those are all shared, those are historical. Those haven’t changed that much through time. So those are just a basis of cellular life. So you share a lot of the same cellular kind of functionality at the cellular level with a banana.

And as you go, you get higher. You have muscles, you have you know, your neurobiology is different than a banana. If it has neurobiology. We have different systems that then will separate. They have to do something different in their life. You do something different in yours. But if you think through that with reincarnation, one could easily go, oh, you could you, it’s not that different, right?

You, it’s a loss of function or gain of genetic code and information and how that is processed and how is that moved. And then you get into how is memory stored? How are these things, is memory stored by the architecture of our brain [00:36:00] and how it’s wired? And so does some of that base memory carry over? If you’re thinking about reincarnation at the genetic kind of molecular level,

Moses: Cellular memory.

j: Cellular memory, right? So could you have that, could that persist in your code? You know, like most, like from biology, most of our, you know, there, there are sequences that get in our DNA code that get turned on and turned

nick: Is the cloud real? The cloud,

Vinny: yeah. I have a bunch of my pictures on ’em right now.

j: cloud

nick: like, is there, is if there’s reincarnation, is there like a person

j: how do we get to the cloud?

geo: A person cloud.

nick: ’cause I was just thinking, so

j: So you mean like, is there some if they, if

nick: if reincarnation was real and right. Yeah. Then there’s just a cloud of uploaded people or

j: Or your genetic because your genetic, yeah.

Coding is different. I think you, if you had just over time all the combinations that could happen in humanity, I don’t think we’ve recycled yet. So you could go,

Vinny: I mean we, we do have a lot of [00:37:00] space sloughs. Huh? You get it. Space

Moses: But I think that speaks to the deja vu thing too. I think that’s, I feel like, just like we know over time, adaptations come from lived exp experience, the survival of those who made it through things and how experiences are even like trauma can be passed down like to the next generation.

Epigenetics, all that kind, how far that goes. So maybe we’re like having experiences that aren’t literally, it’s not even your experience. This is something that happened that could have happened to your generation, your dad, your grandfather. This could have been like 10 generations back. You don’t even know who those people are.

But

j: comment on that epi epigenetics. So that’s his kind of control of our genes and how they’re turned on and turned off at some level. And really interesting and fascinatingly, is that all your epigenetic markering or most of it comes from the mother, right?

Because you gotta think, you gotta think that the DNA payload and we’re getting a little reproductive volume away from ghosts but sperm really is just, it’s just full [00:38:00] of mitochondria. So energy to swim to the egg and deliver your half of the genetic. Input. And so there’s not a lot of extra room.

You can’t carry around a lot of extra proteins or information. It’s just a genetic code. Whereas the mother provides the egg, which then would have all of this kind of other information embedded in there. All of their imprinting, all of their kind of genetic controller epigenetic control is imparted on that load.

So when that 50% comes in, then the maternal side then imprints on. And that’s why when they do kind of anything mitochondrial kind of ancestry thing that did get a pur, it usually go to the mitochondria, which is maternal passed. So all your mitochondria. Have come from your mother ’cause you’ve, you know, the sperm has burnt it all out.

And so when you get there, that’s, the mother has provided all this kind of generational history in. So usually you follow lines through the mother’s, pedigree and in human history that people, we’ve had some concept of that because, like slavery.

Then when they made all [00:39:00] the changes, it was like, your your freedom state comes from your mom, right? It’s like passed through your mom. You look at other cultures that it is always through the maternal side that you get your cultural kind of background. And so at some level it’s really interesting and fascinating that, generational things are usually passed that way and learned genetic memory. We talked about this on the the swarm episode and crows they have, they actually will pass down memory faces. So

nick: they pass down

j: has identified they don’t like you or they like you. Then their progeny will also carry that on and have the same hatred for you.

So if you go out and you upset crows or mag pies or jays, I think they will remember and keep coming to, get you the

Vinny: It

Moses: take out the whole bloodline is

j: that’s

Vinny: If that’s the case, like my mom’s Puerto Rican, so I’m probably more of like a plantain banana.[00:40:00]

j: Yes. There it is. can’t

nick: I think we just did the show. I think we’re,

j: it.

geo: I just have no idea how this relates to Ghost, but

j: yeah.

geo: If crows can remember and like hold a grudge. I know, but I was just thinking about that. And then humans. We aren’t born, like, you get all that from your parents or from culture whether to hate someone or to, but you don’t just automatically see someone and know whether you should hate, how does that work with crows and not humans?

j: Yeah

geo: good

Vinny: ’cause crows don’t wear like douchey t-shirts or anything, you know, like we, we at least get to see somebody wearing a really dumb outfit and we’re like, I hate that guy. Like, crows are all the same. Like, how do you

geo: yeah,

j: Yeah. I dunno.

geo: I don’t know. Anyway,

j: go. But no. Yeah, that’s, it’s a fascinating thing. You’re right. There’s a lot about brain chemistry and human brain, like Yeah, I think we are you, it came up earlier that there’s a lot we don’t know that’s even [00:41:00] about ourselves and how our brains work to that level, or crow’s brain, which is smaller and, you know, potentially you could understand it better, but Yeah, no, they’re, it’s sophisticated and they show intelligence.

So that is a sign of intelligence, but it’s a generational, and I will say that probably there are generational traumas that get passed

There is,

and you go in humans and we just don’t, we don’t think about it because then it’s taught also. But you have some innate kind of, you know, especially a person of color, you have some innate.

Fear is some somewhat, it’s like, and you, your parents try to teach that out of you. But then also the wink, wink, nod, like, you know, oh, okay, don’t do this that, but you may not know why you’re not supposed to do this or go to this neighborhood or hang out there. But you just know to trust that and go, you know what, you know until you don’t, until you’re like, I’m gonna go find out.

And then you find out

nick: Isn’t there like the stories that get passed down, like don’t whistle at night. You

j: Yeah. It’s just

nick: stories that get taught down and you know, you forget where it all came from.[00:42:00]

j: Yeah. Yeah. They go in there and the ghost stories, tie it all back together, that we have a lot of those also.

Vinny: Why

nick: are there no recent ghosts? All the ghosts seem to be like at least a hundred plus years old.

geo: Are you talking about like in stories and stuff or what do you

Moses: and lore. Like even in real life, like legends of

nick: Yeah. I want a hipster ghost around here. Like I just want it to annoy

Vinny: Those are hard. You gotta leave PBRs out.

j: Yeah, that’s right.

Vinny: Like Santa.

nick: I want someone to be like, man, your music taste sucks. And I’ll be like, yeah, it probably does.

Vinny: makes it easier for us to track regular ghosts. ’cause now that we know that you just gotta like do really ancient shit, you gotta put on like, I don’t know, Charlie Chaplin movies or something for these old ass crusty ghosts to come

nick: But like, it,

Vinny: you

j: yeah.

nick: wouldn’t it make sense that they’re, they would be ghosts now, like

Vinny: seen John Wick?

j: Yeah. They go, yeah. Hey, new

Vinny: new ghosts.

j: that’s, I was gonna say,

nick: I want a new

Vinny: Ghost [00:43:00] revolution

j: From a mo like movies. Let’s go there because some, and it touches on the kind of ghosts.

Vinny: Okay. That’s a ghost right there. That’s

geo: Please clarify. Please clarify.

Vinny: his weird. Siri

Moses: The government was listening.

Vinny: on

j: started jumping in. But I was gonna say one of my favorite probably ghost adjacent movies is Event Horizon. And it touches on that multiverse, like you have the space time. I think George, you had asked if there’s any movies, but that’s one that that I think I’m gonna, I enjoy a lot, man.

That’s just a great movie. But it has that ghost haunted feeling and it’s actually filmed, if you watch it the color of the tint of that movie is almost sickening. You feel anxious through that whole movie as they get going and the descent into madness and this multidimensional ghost and these voices that he’s hearing and just sabotaging the ship and killing people.

No, it’s a barium.

Vinny: could

nick: ghosts be

j: a.

a,

nick: a,

Vinny: Hipsters

nick: if [00:44:00] seeing ghosts, could it be associated with schizophrenia or other mental disorders? Yeah.

j: Yeah. I, yes. I think any, like, tampering with the mind, be it degenerative kind of disorder, a disease like schizophrenia or drug induced, I

Vinny: ’cause people, if they have

Moses: Yeah. Take some psychedelics. You will see

nick: something exactly like it’s all.

j: all, and it’s how you perceive it. So I think if you’re hallucinating or you’re having that and how you perceive what you’re hallucinating of becomes then a. That could become a ghost, that could become a thing if you’re anxious and hyped up already and you hear like, you know, with the cat in the door earlier you didn’t, your brain is already primed and you’re just gonna process that.

Not even rationally, none of us thought, I didn’t think, oh, that’s a cat. Or that’s somebody in a know back in the back room doing something. We were primed to talk about ghosts and graveyards then. Oh, we heard creaky noise or something. Drops in the corner. Your brain my brain, your brain will go right away to, oh, that, that must be, that, that proves it right there.

That’s it. That’s the proof. We got it on tape [00:45:00] and then you spiral on control from there. And then you have the ghost hunters come in with the E em f tools or they’re low frequency kind of recorders.

nick: Joe, should we become ghost hunters?

Moses: I think he’s, I think he’s saying that they’re, that they’ve fallen into delusion. Yeah.

j: That’s They’re gonna come after me now.

geo: Alright.

nick: yes, you come after me for that. I’m fine.

Moses: Okay. I have one I read something on Instagram recently that I thought was interesting, somewhat poignant to the conversation. I feel like it was back to the dream, you know, like the sleep paralysis or even in rem sleep, right? When you’re actually dreaming and encounter weird stuff.

And then in association, particularly with lucid dreaming, so people that, that can lucid dream, they said that and again, this is just like, you know, internet theories. Jargon, but they’re like, yeah, if you’re lucid dreaming, maybe don’t tell the dream entities people that are around you, that they are not real because the spiral of, you know, it could, you could trigger.

You know, some glitches in the dream and then you end up [00:46:00] in a nightmare because of how that feed loop act. I did that once. I actually did that once prior to reading that, but it didn’t go that way.

j: You told the dream people that they were dream

Moses: it was one person. It was a friend of mine. It was Daniel.

geo: But

Moses: his response was funny. ‘ cause he told me he al he was like, yeah, I know. So that was weird.

j: Yeah. You didn’t have to go through a whole sixth sense kind of

Moses: thing. No. He was like, oh yeah, I know. I was like, that’s weird. And then I told him about that and he was like you know, the archetype of Daniels the dream interpreter, so that makes sense.

I was like oh shit.

Vinny: shit. I, there has to be one.

I, I wanted to be like Tam my whole life. I’ve just been talking shit to every person in my dream saying, you’re fake ass motherfucker. I’m real. You aren’t

j: I’m not real.

Vinny: real. It’s like, that’s why my life is in shambles.

j: could be like, it could be like inception, right? ’cause you had the inception where they got buried in a dream and at the end you don’t know if he’s stuck in a dream or if he’s back in.

I

Moses: a dream like that where it was like several in one, like where you woke up and you’re you, how do you even fall asleep in a dream? That’s [00:47:00] the craziest part.

j: I suffer from sleep paralysis. So I’ve had that happen to me a few times. And usually it’s like where I am pushing. I’m not getting good sleep. I’m like really burning a wick at both ends, maybe a few hours.

I don’t sleep that many hours a night anyway. But usually this is like, I’m physically working, like we were doing renovation on the house, so I’m up, I go to bed at one in the morning, wake back up at, four to do something to start planning. And then all of a sudden I will get in a cycle where I then have sleep paralysis episodes.

And it is creepy because if it’s so bad, like if I push it too long and I don’t really respect the start, you know, you get a warning, like you’re gonna be,

Vinny: I’ll say, what does a warning feel like?

Like when you know that you’re getting close to that point?

j: Yeah. Usually it’s your dreams the way you feel.

You might have an episode but it’s not as severe, like where you, you feel it, but then you snap out of it. And the worst though was, yeah, I had this where I went and it was like sleep paralysis, inside of sleep paralysis. So you’re in sleep paralysis, you can’t move, you’re freaking out, you’re seeing things and then you feel yourself wake [00:48:00] up out of it.

But really then that’s just another cycle of sleep paralysis. And it was like, oh, I gotta go to bed, like at 6:00 PM and like, sleep or like, you know,

nick: So was yours ever like stress induced or No,

j: not really.

A lot of it was just like I said, burning a wick at both ends.

Just poor sleep habits where I am just, I’m just probably exhausted mentally. And then that just triggers this whole cycle. So the first, when it happened the first time I was in grad school, and it could have been stress induced, like, you’re getting ready for things and you’re

nick: I feel like

j: You’re quantifying exams, things like that.

nick: It’s one of those things that ends up Yeah, having like a stress induced,

Moses: Yeah,

j: Yeah. Yeah. You’re anxious. But Yeah, I was, I didn’t walk.

a walk?

No, not that I know of.

Moses: Good. Good. That’s that, that, that freaks me out. Like I feel like the potential for somebody to like, get hurt doing

Vinny: doing that. Yeah. It’s not as fun as stepbrothers. Like, I always think of stepbrothers when I think of people sleepwalking.

I don’t know, taking the pillow cushions and putting ’em in the stove. But like, I’m just thinking like, man, that would really f like that would fuck me up if I woke up and I was like

j: in

Vinny: different state and I realized that I was [00:49:00] sleepwalking like it.

j: There’s been murder cases like that

Moses: dang, somebody killed someone like that.

j: Yeah. And then they went somewhere killed, someone came back. It’s like a total I don’t have it. I didn’t have it for exotic

Moses: Can we, how do you prove that though?

j: go. Yeah. But there’s a bunch of, I think there’s a couple

was sleeping.

Vinny: there’s a guy who’s reading that right now.

j: right.

nick: you’re talking abouts

j: right.

Vinny: guy right now who’s reading that and he’s gonna cheat on his girlfriend and say, I was asleep.

j: I think the

nick: I dunno what you’re talking

j: wife. I think it was like, it was, yeah. They killed her wife. Then they wake up somewhere and it’s like, oh, you killed this

nick: person. Look at the video of me. Look

Moses: Oh, by the way, you totally murdered that lady

j: That’s

Vinny: at some point, like with situations like that, if the person’s like saying I was sleepwalking, and they genuinely were, how do you fucking prove, like, do you have somebody do a lie

j: Yeah, no, it’s like, it’s a total, yeah. I think one person got off and one person got convicted.

I I would’ve to look it up, but there’s a few documented cases and similarly drove, but we, I was gonna say, we just watched that show. We were just talking about it. The one where the doppelganger, killed somebody and then he was doing the lecture and then they went The

the

geo: outsider. [00:50:00] I

j: The

nick: started that

geo: Oh, it’s so good. It’s so good. It’s a series on it’s a series on HBO and it came out like, what, like maybe five, five years or more

j: years ago. Yeah. I

geo: I think it’s based on Stephen King. It’s really good

Vinny: think

that like, you people can be in that sleepwalk like state and Yeah.

geo: Yeah. I don’t,

Vinny: life and do

geo: I just don’t buy

Vinny: Like I, I

geo: I don’t buy it.

Vinny: doing something like, I’m gonna get up and I’m gonna leave and I’m gonna go kill some person and then I’m gonna come back home and then lay back

j: drive your car, go there,

Vinny: I don’t buy, I don’t buy it.

nick: having a full on conversation with someone

Vinny: Yeah. Yeah.

nick: Yeah, then I go back to bed and what they’ll bring it up hours later when we wake up and they’re like, what are you talking about? I don’t know what you’re talking. Like it’s a whole on conversation that I just don’t have any memory of.

Vinny: Hey guys, take a take shot number three. ’cause that kid just tried to push the door open while he’s

nick: his face is leaning against

Vinny: against

Moses: I know. He, it’s funny [00:51:00] how close his forehead is to the sign that says, we’re open at one 30,

Vinny: right? No, but

j: We’re recording here.

nick: any of you used watch the movie Dream Scenario with Nick Cage?

Moses: Yes. Yes. That 8 24 movie. It’s so

Vinny: was in everybody’s dreams.

j: Yeah. Oh wow.

nick: that one was a really weird,

j: like a ghost of dreams. Really?

Vinny: Yeah. And some people were scared of him.

Some people were like,

nick: but he wasn’t doing

Vinny: love with him, but he wasn’t doing anything. I see.

j: see.

nick: Was just a boring person

Moses: then they started having nightmares and then they’re all blaming him. He’s like, I literally didn’t do any like, that’s like

nick: like, what did you do?

Vinny: I also like this whole conversation has made me even want to go back and rewatch the sixth sense.

j: Yes. Yep.

Vinny: Really good.

j: Really

Moses: up Bruce Wallace, wake up.

j: dead people. But I was gonna I wanted to touch on some traditions. We talk about ghosts and things, but there are a lot of cultures. So one that I found I didn’t realize was the Tibetan sky burials, Tibetan sky burials. And it’s a practice where the human corps is placed on a mountaintop to decompose, while exposed to the elements, or to be eaten by [00:52:00] scavenging animals like vultures

Moses: and

j: and they come. And so I was like, that’s really fascinating the way, ’cause Western culture, you, you get buried in like, casket. You’re really like, isolated from the natural world when you really should be, you know, reunited with it in that way.

And so I thought that was an interesting one. And then the other culture that is is Dia de los Muertos.

Where and that’s also ghosts are involved there. The movie Coco, I believe

geo: And that goes back to what Nick was saying, that you embrace this and you welcome these spirits and then you celebrate

nick: Yeah. It’s very different in each culture,

Moses: Yeah.

Vinny: that’s why

nick: why it’s like,

geo: I, that seems so much more healthy.

nick: Yeah. And that’s why I think it’s very much a mental thing where it’s again, why I don’t believe in ghosts, but it’s a very psychological event

Vinny: event

nick: where it’s gonna be very personal to you and it’s gonna be very much in your own head.

But it’s not to just say, oh, this isn’t a thing. But [00:53:00] it is a thing too, that person,

geo: I think. And that the whole big thing is as long as someone remembers you, you haven’t like the whole thing about like, Coco, like I think that’s so true. Like just keeping those memories. And then once those memories are gone,

nick: I

geo: is that like,

nick: trust me to remember them

j: that is

geo: I know that is true. Memory remembered. I don’t have the best memory.

j: is that part of the ghosts, you know, kind of mythology is being remembered. And so if you haunt or if you, if you’re not getting revenged, ’cause we talked about that, but if, you know, other type of ghosts are you really kinda like a Casper, you’re just lonely.

You

geo: forget about me

j: in this realm. Like, you know, hey I was somebody of, you know, note maybe, I

Vinny: or like, do ghosts have the option to stay and be petty? You know what I mean? Like,

geo: Like,

Vinny: is that an option?

j: Yeah.

Vinny: I just want to hang out by fucking old lady Ruth’s house and I just want to fucking take a finger and just like open one of the cabinets once a day and [00:54:00] make her paranoid for us.

Or you know, like,

j: or think about it and go, oh, you know, you know, da, I used to be here and, you know,

Moses: used to do

j: doing that, right? That’s just like that. So is it a way to remember,

Vinny: I would troll people if, like, if

if

I had the option to go to heaven or hell or stay on earth and troll people,

j: just,

Vinny: I would stay and troll people because that’s heaven to me.

j: right? What if you’re misremembered though? What if you’re like there and Moses like, oh, that’s that’s my boy Johnny that’s doing that, and not Vinny, will you go harder? You’d be like, you know, you’re gonna, I’m gonna prove to you it’s

geo: That’s why you need to, that’s why you need to get out the Ouija board. Come on.

nick: Thank you.

j: Who’s here? Is this who’s Mo’s

Vinny: you’re like, who’s leaving these empty inhalers around here?

It can’t be

j: Who’s leaving all the cabinet

nick: Wasn’t that what Houdini and his wife did? Like, they had

geo: they had seances. And Houdini spent a lot of time like trying to debunk. Did debunk. Yeah. And they’d do these seances and stuff, and he’d go and like

nick: this [00:55:00] is what this is.

j: Find like ghosts. Like

geo: like, yeah. Show it all the little

j: he’d go find a Whoopi Goldbergs of the world and proved that they were.

frauds,

which he was not in a movie,

nick: he was the original

Vinny: Yes. He

nick: the original Ghostbusters,

Vinny: He

he had eyebrows. We’ll be

be clear.

anyway.

geo: Okay. So

Vinny: sorry.

j: yeah.

geo: should we talk about? What’s a favorite ghost?

What’s a favorite?

j: close to the end here, so Yeah. What’s our,

Vinny: I’m curious to know with like graveyards though, I feel like we didn’t go as

nick: we did not

Vinny: we?

geo: Graveyards. We got

Vinny: like

j: Graveyards are in Yeah, we’re at the end in a graveyard.

Started us off, but

Vinny: it would be hard to dismiss that there’s something like when you go to a cemetery,

We talk about movies where things are haunted because they’re paved over it.

geo: When nothing’s

Vinny: paved over and it’s just bare at cemetery, there has to be like, I don’t know that, that’s the kind of thing where.

People who are sensitive to those things will tell you with no hesitation. Like my aunt was who [00:56:00] had passed would see things. And my mom I’ve been in the car with her where she would see a ghost, like literally while we’re driving. She’d like, did you see that person? I remember there was one time where we were driving on 95th and she said she saw, she’s like, is that person like, isn’t he scared that the cord’s gonna get messed up?

And I thought my mom was like, hallucinating. I was like, what are you talking about? She’s like, that guy back there. I was like, what guy? She’s like, he was holding a, like a megaphone with a cord and he was holding up a sign. I was like, mom,

j: there was nobody there.

Vinny: Just looking.

I looked back and she’s like, oh no, I think I saw a ghost. So like I, things like that where I’m like, there’s something there that maybe not everybody can see, but I think when you go to a graveyard, there’s, there goes number four.

See

Moses: let’s see if they go back to back and make it five, no

Vinny: it would be hard to believe that there isn’t anything, you know, like when the physical bodies are six feet under.

geo: What? And

Vinny: and it

geo: there’s so many

Vinny: bodies

geo: there’s so many there. And I think also maybe just the feeling of grief and people’s, it’s almost like a [00:57:00] tangible thing

nick: There’s a

Moses: A

geo: a place like that, you know,

Moses: been historically haunted, like where there’s a lot of, usually that’s what it’s associated with.

Like haunted locations is tragedy or a lot of negative emotions or just negativity in general. Like, you know, there’s a lot of

nick: if you didn’t know that place was like tragedy happened there, would you still have that

Vinny: Yeah. ’cause

Moses: It’s happened to some people and then they figured it out after the fact.

Vinny: Like,

j: like what

Vinny: Amityville horror is like a perfect example where there a family. And they moved into a home that had history.

nick: that all bullshit?

Vinny: Depends

nick: that was the Warrens shit and the Warrens were

geo: think

Vinny: the warrants were called,

nick: and

geo: Yeah, no, there were actual people and they actually had these accounts. I’m not saying that’s for sure true, but I actually my ex-brother-in-law was, knew one of the people that lived there.

Vinny: Yeah.

nick: I feel like [00:58:00] that stuff all ended up coming out after the fact. And they’re like, oh, we’re gonna start leaning into this as I push my,

j: but also, I know, what are you doing?

Vinny: we mentioned earlier, Poltergeist is another example of that, right? The family that moved into the home and it was right

j: On top of the native graveyard, a burial grounds.

Vinny: I feel like

I don’t

j: But that was a, that thing of respect, right? That respect wasn’t given to this burial site. And then it was also, you know, consumerism and all that layer, there was some other messages there, but you’re right, the ghost there, they were haunting because they wanted they wanted revenge, but they also.

Took a liking to the carolann, you know? She could give them something, like she could, her innocence could guide them into, or back from the, this kind of spiritual plane. And they were using that also, but, so you had a mix little message in there of what they were doing. And then it was like, oh, we’re, you shouldn’t have, paved over this, ancient burial site.

Because the spirit that was there wasn’t friendly, obviously. So it wasn’t even like, you know, we want, [00:59:00] we went out or you’ve done something wrong. It was like, now I’m gonna, let’s really torture you.

Vinny: But

yeah, there’s so many interesting angles to like, look at it from, especially when you start including actual stories and experiences that people have actually gone through, you know, outside of like. Your life. ’cause it’s like, obviously depends on what you’re around and what you expose yourself to. But I don’t know, there’s enough weird shit going on in the world where I’m like, I wouldn’t be surprised at this point, you know?

j: Yeah. So what’s so they get to George’s question. Favorite ghost

Vinny: Ghost

Moses: Favorite? Favorite graveyard?

j: Your favorite graveyard? No. What’s your favorite ghost? What’s your favorite ghost movie? Let’s do that.

nick: For me, I think it would be between Insidious and Talk to me. Like those two are both on the newer side, but I feel like their ghost stories just linger a little bit longer than most,

Moses: That’s fact.

Yeah. Talk to me slapped.

nick: Especially for it being like a younger audience, like, or cast. I was so happy with [01:00:00] how

Moses: I think that’s what helped with it. ’cause if it didn’t have the younger cast, it wouldn’t have hit the same because it was, it is one of those where it’s the I guess like you said, irreverence, like the young crowd being like, yeah, like on paper, should we not be doing whatever we’re doing?

We’re getting TikTok views.

j: right. Yeah.

Moses: We’re getting clout with our friends at, you know, in the, in their, you know, community space. So it’s like,

nick: so what?

Moses: What will the kids Gen Z?

nick: for Yeah. Which I feel like this is like the first Gen Z horror film that was

j: good.

nick: You know, yeah.

geo: So that was a newer ghost?

j: Newer

geo: Or is

j: multiple.

Moses: It’s a, it’s like a hand that gives you access to the,

j: yeah.

Vinny: said it’s not the hips or ghost that you were

j: No. Yeah. The

nick: That, that’ll come later.

Vinny: I lovely Bones.

j: Ali Bones.

nick: Oh yeah,

j: Yeah. That

Vinny: one was a really cool one where.

Basically the ghost of the girl helps dude figure out her murder.

Yeah, who

Yeah. I read that book. Yeah, that was really good actually.

Moses: Phone.

nick: Black phone. I [01:01:00] forgot about how good that

Vinny: dude, black phone two is gonna be insane. Have you seen the trailer?

nick: No, I don’t watch trailers.

geo: like

Vinny: nightmare on Elm Street ish. Like it’s insane.

And it’s almost like sleep paralysis where like

She’s

knocked out.

But

the things that are happening in her dream are being reflected to the people who are seeing her

nick: I’m gonna change mine to sinister actually.

Vinny: Sinister. You can’t change yours.

Moses: Was more Ethan Hawk.

Vinny: it.

nick: That’s why I was like, wait, Ethan Hawk sinister because that was a

j: a

Vinny: fantastic

j: Yep,

Vinny: Georgia.

I ghost is

j: Ghost.

Vinny: That was my, that was

j: I

geo: did like Ghost a lot and I did like six Sense. Yeah. That’s just

j: Those are classic Poltergeist.

geo: You remember that one? Devil’s Backbone.

j: Oh, devil’s Backbone. Yeah. That’s, that one’s really good. Yeah. That’s like, session nine.

geo: Oh, session nine. Yeah.

j: That was a really good one also where they had the ghosts that insane asylum that were, they were removing the asbestos from. So that was a good one.

Vinny: 13 ghosts.

I

j: No one mentioned Ghostbusters.[01:02:00]

Vinny: Oh, yeah. Or ghost ship.

nick: I brought up Ghostbusters.

j: You got a candy, man. I’m rocking

Moses: Can Candyman. I guess that counts, right?

j: yeah. So what’s your

geo: favorite?

j: I Event Horizon. I think you I just, I’m gonna go with that. I mentioned it. I brought it up, but it’s really it’s a little off. It’s not, it wasn’t built as a ghost story, but when you watch it, it really is a ghost story in space. Like, you’re not, there’s not many of those where you have that.

nick: I think we solved ghosts. We solved, we didn’t touch,

Vinny: think, I don’t think

j: dunno, that’s what we thought.

Moses: Bachelor’s Grove is my favorite graveyard.

j: Yeah. That’s, yeah, that we’ve heard that before. Bill Heller, which one talks about the Bachelor’s Grove?

nick: yeah, that’s where I want to go. You want to

geo: that’s where we were gonna go do,

Moses: down to go back.

nick: Yeah. We’ll bring in a spirit box and

Moses: I don’t know about no boxes. Come

geo: on.

j: We gotta brainstorm with us. Bring our own

geo: the Ouija board in. She’s gonna have

nick: it on my chest.

geo: What?

Vinny: the planchette Yep. planchette necklace is crazy.

j: His shirt is really a Ouija

Moses: Yeah. I’m just worried about us getting kicked out of there. You gotta go [01:03:00] during the day. If you go at night. They like, there’s cops over there during

j: Oh, really? Yeah. I can imagine.

Moses: Oh. ’cause people go over there

geo: Maybe we could do it like outside of October.

j: Yeah. Maybe we can do it official. We can just

Vinny: Joliet, the old Joliet haunted prison.

j: Oh, that would be cool.

Vinny: A podcast?

j: Yeah.

Moses: See then you ain’t gotta worry about anybody bothering you, you know?

j: one in Crown Point, with

geo: The old jail. Yeah.

j: You go in there and let’s

Vinny: We just never come back. They’re like,

j: I know, right? That’s it.

That’s how a movie gets made, right? That’s how a horror movie is. Is it?

Vinny: this hidden footage. I think it’s their last episode that they never uploaded

j: person that leaves,

Vinny: possessed.

Moses: Lost

j: you know, it’s gonna be Georgia, probably the final girl usually makes it out.

We’re all gonna be, we’re all gone. I’m, I’m done. I’m be the

nick: the first. Yeah.

j: maybe Moses or Dick might beat me to it, but

nick: Me for just doing something stupid.

Vinny: What’s the

geo: Ouija board.

nick: Come here, lemme fight you. If it’s anything like fasm phobia, oh, I’m gonna be yelling at them. Calling ’em cowards all day.

j: about fantasm, right? That was another one where you

Moses: [01:04:00] Yeah. Fantasm definitely

j: Yeah. That’s a old school one. There. Yeah, I think that’s we’re at the end of time. I think we can keep going.

As Vinny mentioned, we

geo: No. ’cause there’s a lot of people that, there’s a lot of people that wanna get into the store.

I think we need to wrap it up.

nick: banging down the

j: it up. We haven’t

geo: we don’t wanna like, touched

j: we haven’t touched on graveyards

geo: We don’t wanna, like

Moses: We might we might have to split that into a

j: Let’s go another one. Yeah. Maybe do it.

Moses: grave yard.

Do it. Yeah. Do it at a graveyard.

j: Yeah. As we go,

Vinny: you guys

nick: you guys have anything to plug?

j: Yeah. You guys got things going on October, ’cause that’s your

Vinny: month.

So we got in October, we have it’s not necessarily horror, but we’re doing like a, I think you should leave like Tim Robinson event at the arcade bar

j: Yeah. Yeah. Saturday

Vinny: the fourth. Then we have we’re gonna be doing our own thing called Halloween Hangout that we do every year at the same arcade bar where we get a whole bunch of vendor friends come hang out.

j: And

Vinny: and then in November we have a big screening at Music Box On the 26th, we’re doing a 35 millimeter screening of PeeWee’s, big Adventure

nick: Wow. Hell

j: There

Vinny: and 35 millimeter.

Nice.

j: [01:05:00] Cool, cool.

Vinny: so yeah, if you guys aren’t doing anything in Black Wednesday and want to come start your night with us, we’re gonna do like a big merch drop and have like a big old fun party.

Usually we do horror movies, it’s so close to the holidays. It’s like, it just feels like,

j: Do something lift modes. Yeah.

Vinny: we’re big Peewee fans. It’s like we finally have the excuse to

j: to do it. Cool. Yeah. And we’ll

Moses: Oh, and that gey screening October 10th.

Vinny: Yeah. We’ve been doing these like backyard screenings

j: cool.

Vinny: cool

call we call it the Midnight Rewind Society where we do like old VHS tapes and

j: Oh wow. Cool.

Vinny: Play ’em in the back.

Nice.

j: We’ll put links and have that on the newsletter that comes out and, you know, you can check it out and find these guys. Come up, visit the horror house and get all your horror related

nick: Play some games. Play

j: Yeah. But don’t come when they’re recording a podcast

Yeah. Or read the signage. But yeah, so Cool. Thanks again for having us join you for the second year in a row. It was, it’s always fun in conversation and everything like that. So you have me, [01:06:00] Joe,

nick: you got Nick. You got Nick

j: we’ve got Nick

geo: Georgia. We

j: got Georgia,

Got Moses,

Vinny: Vinny and Elvira.

j: El Elvira.

Vinny: El.

j: it

Moses: the kitty

j: Creaking doors open,

geo: Oh sweet. And

nick: we went down some holes

Vinny: holes,

j: holes.

Moses: Y’all

j: curious. Stay safe. Love y’all.

nick: Love y’all from the other side.