Episode 48: Perception vs Perspective.

Is Your Brain Lying to You?

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Joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the basement studio.

got me, Joe,

Georgia: You

Joe: you got Nick. We’ve got Nick. We’ve got Georgia, and we actually have a special guest with us.

Nick: well, hello there. Hello.

Joe: yeah. Yeah.

Katie: My name’s Katie.

Joe: We got Katie. Hello. Katie.

Katie: Coming all the way from Dc

Joe: From DC to the basement studio.

We got a full house here. Yeah. Every Mike’s occupied, so

Nick: is it? Yeah,

Joe: There’s a, there’s a fifth mic,

Nick: I was like, I thought we had more

Joe: We There are more, but that this is all we have set up in the basement studio. People that’ve seen pictures

Nick: I mean, I thought the fifth mic was given to the ghost

Joe: Yeah.

Nick: we had summoned

Joe: That’s right. Last, last month. Yeah.

Nick: I

Joe: Whatcha talking about? I don’t know what Nick’s talking about the other day we’re

Nick: It’s okay

Joe: talk about perception and perspective.

Nick: Georgia got [00:01:00] that one,

Joe: So that’s what we’re talking about. So, yeah. Cool.

Nick: Do you, do you have a list here, Joe?

Katie: I,

Joe: you know, I have lists, but I like going in with the definition ’cause perception and perspective.

They’re kind of sound close. So maybe I, I’ll,

Nick: I’m pretty sure we also had the same discussion

between

you, me and Georgia

Joe: have been one of the few

Georgia: Well, because I think I had the one word, I think now I don’t remember which one. And then all of a sudden I’m like, wait, no, that’s not what we’re doing. We’re doing perception, not perspective.

And then Nick was like, yeah, well what’s the difference?

Katie: Yeah. Yeah.

Georgia: So here, Joe, tell us. Yes.

Joe: So I

Georgia: do,

Katie: Oh,

Georgia: should we have, Katie, do you wanna tell us where you like where?

Katie: don’t know.

Georgia: I don’t

Joe: Didn’t she do that already? I

Georgia: say Washington dcs. Nevermind. Sorry.

Katie: It’s all good.

Joe: don’t, I don’t know what’s happening.

Nick: I, I dunno,

Katie: Dunno, my

Joe: perspective of this is, no, it’s just your percept. Let me, lemme get some definitions here. [00:02:00] We’re already in the episode. Yeah, so perception I guess, is the process of interpreting sensory information. The immediate, often unconscious filtering of sensory data through which we view the world influenced by biology, attention, memory, and context. You can think of it as, what am I seeing or what am I aware of? 

Perspective is the interpretive framework or worldview applied to what we perceive influenced by beliefs, culture, experience, and ideology. Think, how do I understand or interpret what I see. 

Other ways to think about it. If you’re more computer literate, is that perception is the hardware, the senses gather data, but they are imperfect, easily tricked and biased and perspective is a software, your mental framework interpreting the sensory feed.

And a play between your perception and perspective is where tension and really good stories can lie .

Nick: How do you mean?

Joe: Well, I mean, so one of the easiest ways is just if you think about you have a shift in your perception, [00:03:00] so new data, oh, altered states, things like that, then that will start creating tension in the story as the protagonist is going through and us as readers or viewers going through that story with them and interpreting the data on our own versus how the characters, , 

Six sense.

That’s, we can go there. It’s a very easy one. I mean,

Georgia: don’t spoil it.

Nick: Wait, what’s this movie about Joe? I don’t think I’ve seen it. What

Georgia: not,

Joe: It’s about a kid that sees dead people. Yeah, that’s, that’s kind of it. But yeah, you had that in there where , we had the perception of what was happening and what we thought was happening, what the character thought was happening, and then you, you, and along we were making perceptive kind of judgments about the story, and that tension was building, trying to figure out what was going on.

And then you get at the end, you get that nice twist where, oh, everything

Georgia: more information.

Katie: right. You

Joe: that different information. So I think that’s one way that you could set it up. And there’s a number of movies that Yeah. That do not go. Yep.

Georgia: Oh. Speaking of writing and [00:04:00] books and how this is, falls into that is point of view, you know, and that’s your perspective, right?

So a book could have several point of views in the same book. How you look at and you’re looking at the same

Joe: situation. Yes. Yep.

Georgia: yeah, yeah. I can

Nick: Yeah, I can see that.

Joe: Mm-hmm.

Katie: My first thought was art, like maybe it’s ’cause I was staring at the Gallery of art as I was like doing research for this.

But yeah, I then I ended up pulling up a few books about like perception and art and I went too deep. So many notes

Joe: you went deep down a

Georgia: is good.

Katie: Mm-hmm. Mm-hmm. Yep. Pulled out some children’s books about perception, such as I Hear A Pickle. It’s a great book. If you haven’t read it. I don’t

Georgia: I don’t know if I’ve heard that

Nick: that

Georgia: one.

Nick: Where did you pull these out of? I’m sorry.

Katie: The public library. Okay. Mm-hmm. Of

Joe: public

Nick: to make sure

Katie: the thing I work at. Oh, okay.

Nick: okay. Yeah.

Joe: So this is the second episode. We’ve had two librarians on

Nick: I know. This is

Joe: this. Is it? Yeah. So,

Nick: It’s like

Joe: trying to think

Nick: to support librarians or something.

Georgia: the [00:05:00] best.

Nick: best.

Katie: We know what we’re doing.

Joe: what was the other episode that

Georgia: It was Mary. Yeah.

Joe: I know. What, what was the topic? Not who, right? Multiverse. Oh, multiverse, yeah. Perception

Nick: of them

Katie: them.

Nick: how?

Georgia: of very similar in that

Joe: Yeah. I, I was trying to remember. I, I knew who was on it was like, what, you know, I, I knew Mary’s name. It was

Georgia: what was the topic? Yeah, multi.

Joe: Yeah, because the board doesn’t go back that far. 

Georgia: Was season one wasn’t that. Season one.

Joe: it was the,

Nick: see my, wasn’t it Version of time does not add up

Georgia: that not, is that not what you perceived?

Joe: not, yeah. Right. You’re not your perception of,

Nick: I don’t know. When I am, apparently Georgia.

Katie: What year is it? 

Nick: Who am

I? What am

Mm-hmm.

am I,

Joe: What am I seeing? Yeah.

Georgia: What were some of the other books that you,

Nick: Hmm.

Katie: No Shade to the author of this book. [00:06:00] But I was reading something called Key to Perception, and it was a little like woo woowee for me. And it just like I’m, I will say like I scanned this book mostly and like they really got into the weeds of I don’t know, it’s like kind of like witch adjacent and I’m like, you go girl.

But this is not what I was expecting when I was, when it was like the

Georgia: It was like, it was

Katie: was Yeah. Key to perception. I’m like, oh, oh,

Georgia: a different rabbit hole altogether.

Katie: yeah, yeah. That of spiritual. At one point I was reading about

Nick: is that why you were telling, telling me

telling me that? 

Katie: Yeah. That’s why I texted you that the yeah, I got weird, weird thing.

At one point she was talking about end toning of E I OOs dunno if you’ve ever heard of that. Apparently it’s like a breathing technique that you’re supposed to like get, get your perception going and like into the spiritual world. I don’t know. I know too much about this now. Oh, wow. Yeah.

Joe: There you go.

Georgia: e

Nick: Where is the science in this one?

Joe: yeah, I know, I

Katie: I know. 

Nick: Can you bring science to this?

Katie: to

Joe: that in the show notes. No, I got nothing but no Eio os

Nick: it[00:07:00] 

Georgia: I actually,

Joe: like something else.

Georgia: actually, it reminds me of like, when I was an undergraduate, one of the first years, like it might have even been the first year and I was at A SU and it was a huge. Seminar class and it was like human sexuality 1 0 1. And the guy that taught it was like, I’m serious.

I think he was like 80 years old.

Katie: Same. I had someone,

Joe: fun

Georgia: And he’d been teaching it for many years, but he had the ooh, ah, yeah. Method. Mm-hmm. Yeah. Yeah, it was very

Nick: what is it specific, I,

Georgia: If you’re enjoying something, you wanna you know, let ’em know. So you say, Ooh, ah,

Joe: and that would, that would affect the,

Nick: What? That

Joe: would be the perception that you’re enjoying it and the perspective. Then the other person would’ve, their perspective, just so that, that would fit into your perception and perspective. 

Katie: Mm-hmm. 

Joe: Mm-hmm.

Georgia: It’s about communication. Communication. Unless

Joe: you’re faking, and then that’s a,

Nick: wait, so what are we talking about now? I’m sorry.

Joe: we’re [00:08:00] talking about perception and perspective and how easily your senses can be fooled.

Georgia: And very

Joe: by saying Ooh and ah,

Georgia: there’s some very scientific Ooh, ah, research.

Joe: ooh, ah, research.

Nick: need to get into this research.

Joe: Well,

Nick: How do I find this?

Do

get a suit at the end?

Joe: Yeah, you, you’ll get a suit. Yeah. You get, you get something. I don’t know.

Katie: No, at the end, you actually get feeling the presence of spirits and energies.

Georgia: Woo.

I

Nick: I mean,

Katie: ew on and you’ll get there. Always. Mm-hmm. Yeah. 

Joe: Don’t, did you got anybody do that? The dress thing? The dress challenge?

Georgia: Oh yeah. What color

Joe: and it was like one was blue or gold or was it something like that.

Katie: like that. White

Nick: gold, right? Or black and gold.

Katie: thought it was gold. I don’t know. I thought it was blue and gold.

Nick: Maybe. I don’t

Joe: perception that was the same idea. Your perception and perspective shifted what you are preloaded to think dictated what color you would see

Katie: [00:09:00] mm-hmm.

In the

Joe: dress.

And so, but then that led to all these debates over truth and identity, , generational divides. , it was really fascinating. That was like 2015

Katie: Mm-hmm.

Joe: when that was big. So one of the, not maybe one of the early kind of internet phenomenons

Nick: I kind of forgot about that. I feel like

Joe: Yeah, that

Nick: that happened so long

Joe: Yeah.

Georgia: Yeah.

Katie: I had a resurgence recently, but it was like something else similar. Yeah. Like in the last year. Yeah.

Joe: But the Harlem, 

Katie: globetrotters.

Joe: didn’t come out.

Georgia: The Harlem Shake. What does that have to do? What? I

Joe: I don’t know. It was like the same time.

Nick: talking about,

Katie: Oh my God. Yeah.

Georgia: Harlem

Nick: No.

Joe: never remember.

Nick: What’s the

Georgia: where they

Joe: to do one and it was

Georgia: You’re like video. And then,

Joe: and it was a perception and perspective. Yeah. Where you go and you’re doing one thing and then the music shifts and then all of a sudden Yeah.

Georgia: to you

Joe: know, yeah, there’s,

Georgia: everybody’s like dancing.

Joe: the beginning scene, there’s one person that’s kind of in frenetically in motion, and other people in the scene are like frozen in time.

And then as the song goes it, I think it drops the [00:10:00] beat or something like that. And then the screen blacks out and when it comes back on, the person who was in motion is still, and then everyone is just

Georgia: everybody’s

Joe: nuts around them.

Katie: Everybody,

Joe: It’s, they’re really fun. I mean, you never, you never,

Katie: you know, yeah. I don’t,

Georgia: you miss that.

Joe: it was, it was easily 10.

I mean, it was, you know, and then gun style was like, came right out. It was like all in this

Katie: I know, you know, some of these

Joe: of Yeah,

Nick: know Gunna style.

Joe: Yeah. Harlem Shakes was, yeah, it was the, it was like one early YouTube kind of, you know,

Nick: you have a video of you doing it, Joe?

Georgia: No, but he

Nick: I mean,

Joe: I really, really wanted to do one.

We could do one, like a Rabbit Hole of Research.

Georgia: I’m,

Nick: I am.

Joe: It’d be our first video. That’s it. We’re bringing it back. Oh yeah.

Nick: this something that needs to come

Joe: It was still like, I mean like a vine. I mean, remember Vine? I mean the Vines, like you would have those Yeah. No, that was in that same

Katie: see

Nick: was never in Vine.

Joe: Yeah.

Katie: I wasn’t, I watched the like YouTube.

Joe: Yeah.

Nick: compilations.

Katie: it. Yeah. I

Joe: was there at the original vibes though.[00:11:00] 

Georgia: I

Joe: I made a vine, a couple vines, I think at a coffee shop.

Nick: Oh

Georgia: yeah.

Joe: that’s,

Katie: what

Nick: Was that part of the oohs and ahs, I’m sorry,

Joe: No, there was no, not,

Nick: the guttal, right? Yeah. Groan. Oh.

Joe: I, I think easy, easy. Two easy move movies,

Georgia: You okay there?

Joe: His, his perception has changed. We’ve, I will, I’ll comment on this, that the basement studio is, is currently under some sort of renovation.

Georgia: All you did was shift the table a little.

Joe: That’s, that’s enough to change

Katie: threw Nick off.

Joe: right?

Nick: throwing me off

Joe: perspective is now shifted and so Nick and in a new spot and, and I think it’s all gonna change again ’cause we are really trying to get ready for video. So the, a little aside on this episode and then you can see our perspective and of

Georgia: no. Well, they would [00:12:00] see their perspective of us.

Of us,

Joe: this is

Georgia: right?

Joe: deep. Well

Nick: them see what we want

them,

see. Okay.

Joe: Your perspective will be controlled. , but I was thinking two. Examples came right to mind and we don’t have to spend, a lot of times, I think a lot of people have is the Matrix and the other one is, is Alice in Wonderland.

Mm-hmm. I think those are the two biggies where

Georgia: perception, the original rabbit

Joe: are. And Alice in Wonderland definitely, one of the originals there. 1865 Louis Carroll had that, so

Nick: was it really? 1865?

Joe: it was

Georgia: Yeah. I

Nick: why I thought it was like,

Katie: yeah.

Georgia: And I think the thing about Alice in Wonderland in general, is always associated with was there drugs involved?

And so that’s an interesting take on the Perce perception perspective because drugs can definitely that

Katie: Yeah.

That alter state.

Georgia: Yeah.

Joe: your state. And, and, and at some level, the matrix, he chose the red and blue pill.

Georgia: Right.

Joe: So it also had the [00:13:00] kind of drug, you’re un, you’re untapping some extra,

Nick: the full

Joe: That’s right.

Yes. Yeah. To become the one, the one not the,

Nick: be one. Oh, wait and wrong

Joe: That was That’s right. I was gonna say that

Nick: was

Georgia: There can only be one.

Joe: right.

Nick: No, that was the Highlander. Right?

Joe: That it also had a one. But in the one, the movie, the one by Jet Lee, he says that at the end, or I don’t know if he ever says that.

Georgia: think he does. There can only be one.

Joe: No, he says something else

Nick: I feel like we’re going off on a weird hole.

Joe: Well,

Katie: talking about.

Georgia: There is no such thing. Every, every hole is

Joe: but it

Nick: weird hole

Katie: it up.

Joe: I, I think it might be 1951 was the animated movie that came out, so that probably shifted your

Georgia: Oh yeah. Perspective. The Disney.

Nick: Yeah. Yeah. I thought that was the original.

No,

Joe: no. It was least don’t

Georgia: Very.

Nick: Oh my God.

Georgia: Went way back. Yeah.

Joe: about getting canceled. Yeah. Don’t do that.

Nick: With two 

Katie: library folks in the room. [00:14:00] What? What are you doing?

Nick: I thought it doesn’t become real until it’s a movie. Is that not

Joe: Oh boy. Disney movie. Disney

Nick: movie 

Katie: for the Alice in Wonderland. Like I had an actual, like in-person experience with this where I was a little drunk.

I was in London and we, it was like a experience where you’re like going through the Allison Wonderland story,

Joe: right.

Katie: right? And like an old, like underground, like I think it used to be the tube but it was empty, so they were doing like live performances and just like it. The way I was interpreting Allison Wonderland drunk while also like it being in front of my face Right.

Was like, it was honestly more scary. I

Joe: imagine. Right, right. 

Katie: Yeah, it was, I was not anticipating it to be scared

Joe: you drink things and eat things while you were going

Katie: Yeah. So did

Joe: they have little

Katie: Yeah, they had a little, yeah. At the same time

Nick: at the same

Katie: there, there were actual like perceptions like that, like how they actually did the scales of the room.

Yeah, yeah, yeah. [00:15:00] And at one point you’re like at a dining table, like with teacups and it was another alcoholic drink that changed colors. Yeah, it was, it was really cool if I really hope to do something like that again, but maybe

Georgia: cool.

Katie: That’s really

Joe: that made me think when you were talking about the rooms. Was the Museum of Illusion in Philadelphia and they’re, I think they’re around, they look like they’re kind of chain. Yeah. Right.

And so, but I think

Georgia: and we went to the Wonder Museum

Joe: Museum, but the Museum of Illusion had the rooms where you get in and all sorts of things where you get in and it really plays with your, per your perspective of everything.

Georgia: perception.

Katie: Hmm. 

Joe: Well, 

Katie: I think

Joe: it’s skewing your perception.

Georgia: how you perceive the room.

Right.

Joe: right. So it’s messing with both. I think they, they interplay with each other. Right. ’cause the perception of how you look at things is your interpretate your in input, and then you, you interpret that through your perspective and you go, oh, ’cause your brain is saying that I know that this, they’re not smaller.

You know, you know, the relatively, they [00:16:00] might not be shorter or that short. And then, you know, you’re trying to, you know, kind

Katie: like those carnival spinning wheels, like it’s fair season. But you’ve never been to, like at the fair, they have these houses that you have to make your way through.

And at one point there’s typically like this spinning tunnel that you have to just walk straight.

Georgia: Is that the like house of Mirrors kind of

Katie: Yeah, yeah, yeah. Mm-hmm.

Nick: had it spinning.

Katie: Yeah.

Georgia: I

Joe: Museum of Illusion, they had one, they had a, a little tunnel you could go through and it had that, and it was really

Katie: Yeah.

Joe: the ramp.

You’re not, you feel like you’re

Katie: you feel like you’re spinning, you feel like you’re spinning. It made me like car sick, almost

Joe: It’s really crazy. Like you go in and it, it feels like you’re just going, you know, in a dryer, tumbling around.

Nick: weird question. If you have bad eyesight, which I think at least two of us here have bad eyesight, does it affect the way you see the things in those illusion museums? Or what? I mean,

Joe: if

Katie: don’t have a current prescription, probably. Right?

Joe: Yeah. I [00:17:00] mean, if you got blurry vision, I mean, yes. You’re, you

Georgia: you,

Joe: real, I mean, I

Georgia: see double

Joe: it’s

Nick: listen, my eyesight’s great.

Katie: Mm-hmm.

Joe: You’re like, yes. No, that, I mean that that changes everything. Right? I mean, I think if you.

Nick: like, I mean the, the seeing things that are bigger and smaller is that

Joe: Right. Yeah. I don’t know if,

Georgia: I think bringing science into it, that’s a great point. Like. How we, we use our eyesight for, and how, how much do we compensate for like bad eyesight, you know what I mean? 

Joe: Well your brain does a lot of the heavy lifting. If it knows, it will try to fill in the gaps that they do have.

One where they have. They show pictures of like famous people that are really recognizable. And then when you, if you actually flip the image, you realize that they’ve, they’ve screwed the eyes up, but it’s upside down. And so because the face is upside down, your brain fixes it so you recognize it. It’s called the Thatcher effect. But then when you flip it to the right side [00:18:00] view, you see the eyes, nose and mouth were manipulated, but your brain will fix it. And actually, that’s probably one of the reasons why our perception

Katie: can

Joe: be, you can be tricked.

Our brains can easily tricked into believing things because they’re trying to present the world in the way you expect it to .

Nick: your brain is lying to you.

Joe: Your brain is lying to you.

Nick: Is is that gonna be the name of this episode? Your brain is lying to

Joe: Well, maybe it should be. Yes, it’s right. Yeah.

Nick: Is this the episode we go

Georgia: think that your brain is trying to help you out? I don’t think it’s being malicious.

Nick: I mean, I don’t know if it’s, if it’s not letting me see what’s wrong with the world. If there was something going wrong. And like I look at it and I’m like, what is is is, I mean, it could be saving me if I was, you know,

Joe: well, your, your brain has, you gotta think like humans from some evolutionary point of view. You were very, it was very advantageous to look at things and make very [00:19:00] quick decisions based on that quick look if it’s safe or if it’s dangerous.

And so your brain is making all these assumptions based on other patterns. And so our brains are really good at finding patterns, very good at organizing things in the categories, you know, safe to eat, not so safe to

Nick: eat.

Joe: you know, makes you,

Nick: by licking it,

Joe: yeah

Nick: at

Joe: don’t lick it.

Nick: No, that’s the way you do it. We’ve already been over this, this is why we

Joe: all that’s a different episode.

I just, that’s

Georgia: Do not lick it. Don’t lick it.

Joe: It’s really it’s really fascinating that, that how your brain, and there’s actually. While I was looking up different things was a predictive coating. And it’s this neuroscience theory that says your brain isn’t a passive recording instrument, kind of recording things that come in the sensory information.

It’s more like a predictive engine that constantly guesses what’s out there and only updates when it’s really surprised. So your brain is [00:20:00] actually trying to figure out what’s going on before you get there. So it’s giving, it’s delivering you information that says, well, this is what I think is happening.

And then when you get surprised, that’s when your brain, oh, we were fooled. And that’s why I think. Fun houses, things like that. You know, kind of, what do they call the at Halloween time, you go through the, the haunted houses. Mm-hmm. Right? I was trying to think. I was like, what is those things called?

Yeah. Haunted houses where you are, your perception as you go through has one thing, and then you get surprised and it, it, it freaks you out even though you think, oh, this is fake. And your brain is yeah, this is fake. And then you get boom. Like, why, why did that really surprise you? You knew going in there, what’s gonna happen, but you are caught off guard by those things.

So your brain is trying to predict the situation and how best to navigate it.

Nick: So doesn’t your brain try to predict a lot of things though too?

Like people with anxiety, they tend to be able to try to predict the next words coming outta someone’s mouth and then. Right? I don’t know. Is that that might just be me. I

Joe: it.

Nick: I know I do it,

Joe: I think we do [00:21:00] it. Yeah. Everybody

Nick: I’m constantly like trying to figure out what’s Joe gonna say next so I can have something funny to say back to him.

And then he just looks at me like, why are you saying that Nick?

Joe: and you’ve trained improv and you are trained, really trying to train the perceived signals how people are, are motioning their, they’re

Nick: their face, how, what’s exactly,

Joe: Yeah,

Nick: what’s the next look they’re gonna do.

Georgia: But then that gets into like stereotypes and That’s right. You know what I mean?

Katie: making right, starts

Joe: making bad assumptions and then they stick. Right. Because

Nick: wait, how? How so, I’m sorry. I was,

Georgia: Are you serious?

Nick: Yeah, no, I’ll, no, I’m

Georgia: saying that’s also what gets us into trouble because it’s that’s how stereotypes are,

Nick: Oh, I thought you were saying like people had an improv just stereotyping

We moved past

are

Georgia: No, no, no. I’m just saying,

Katie: I was like,

Joe: he’s about to

Katie: defend

Joe: improv community.

Nick: Oh no, I’m not gonna defend shit for that. No, I was just trying to figure out, oh

Georgia: no, I’m just

Nick: how

can be mad at them. No,

Georgia: No, I’m just saying. You understand what I mean?

Nick: Yep, yep. No, I do. Our brain[00:22:00] 

Georgia: jumps to conclusions or, or they fill, it fills in these things that maybe shouldn’t be filled in, you know?

Joe: and that, and that part, that’s your brain’s not processing ever been information that, that’s why it’s easy to gloss over things. You’re like, oh, the, you know, the, the cup is right there on the counter

Katie: Oh yeah. You’re like,

Joe: I don’t see the cup. What are you talking about? And you’re like, it’s right there.

And you go,

Nick: so is this why the Mandela effect comes in? Because people don’t pay attention to shit.

Joe: That’s probably, yes. That is and this is just a theory and this isn’t proven that this is why

Nick: no, this is a hard fact. These people can’t see shit.

Katie: was

Joe: that your, that your, the way your brain is processing information is a theory of how that works.

So this is kind of as predictive coding, it’s one, it’s one of the ways to explain a lot of these phenomenon.

Georgia: think it’s interesting ’cause we’ve talked about this before about AI compared to a human brain and how the human brain works versus how ai, but in, in this way, I think AI is doing that same thing.

I think this is what they wanna hear. So I’m just gonna throw all this crap

Nick: I do.

Katie: [00:23:00] ChatGPT Yeah. Yeah. The kid. Yeah. I worked with teenagers and they would always talk about oh, I gotta this paper and then go throw it into the ai. I’m like, no, no, no, no, no, no, no. Use your brain. 

Joe: That’s right. Yeah. So I, speaking of AI, did you guys see the story about how a chatbot’s conversation convinced a man he was a superhero?

Nick: No. What? That’s not what I thought you were gonna

Georgia: think

Joe: yeah, no, it was this

Georgia: this guy was very impressionable.

Katie: Yes.

Joe: No, it was interesting. So the New York Times, just this guy he was from Toronto Allen Brooks. He was 47. And he thought he had discovered with using chat, GPT, this kind of a novel mathematical formula. And it started out with this kid asking him to explain pie you know, the mathematical expression pie.

So he put in a chat, GPT, and then he got going on this conversation. And at the end, the Chachi bt was like, wow, you’re really, you’re really thinking about this in new ways. Here’s this idea. [00:24:00] And they kept going on and on and at some point it was like he could harness sound resonance to talk to animals and build a levitation machine.

And then the formula turned out that if anyone got this formula that he could take down the internet and, do all this weird stuff. People could make force field vests. And he was sending it to his friends Hey, is this crazy? What’s going on? He kept asking ChatGPT, Hey, is this, are you really pulling my leg?

Are you fooling me? This sounds a little, you know, I’m writing. He started writing experts and they were like, not, they were ghosting. I’m like, you know, ’cause this, you know, he is you know, this kind of crazy talk. And he was not getting speech. He’s no one’s writing me back. Oh, they’re, they’re, their minds are closed to innovation.

And it was this whole thing. And so chat, GPT just got him going and he was just going for about three weeks. He thought that he was trying to

Georgia: was he sleeping? Was he he eating? I mean, that, I think he had some,

Joe: He

Katie: He stopped just there. Yeah, yeah, yeah.

Georgia: going on.

Joe: he was smoking pot

Georgia: Well, there

Katie: down.

Yeah.

Joe: was just going, so he had over, there was like 2000 messages that were passed back and forth between him and chat, CPT.

So finally, and he was [00:25:00] asking friends, he was trying to invest money ’cause this, these ideas, he was like trying to get money and startup capital.

Georgia: gosh. And so,

Joe: he took the information from chat GPT and put that into another chat box, I think it was Claude, and said, Hey, what do you think about this idea? And it was like this is nothing 

And so the whole idea was that when he moved the chat, GPT had built up this conversation with them and they’re designed somewhat to be pleasing. Like they, they don’t wanna call the human an idiot. Mm-hmm. So they’re like, oh yeah, that was a great idea. Yeah. You’re, you’re doing great.

You’re thinking like, no one else has thought this before. And he went and club was like, nah, this is, this is all garbage. Like you shouldn’t invest any money. Because it was, it was a new conversation and it was coming at it. What do you think of this idea? And it was like, eh, this, this idea is dumb.

You know people

Katie: friends and family didn’t stop him or check on him. He was

Joe: yeah, they were like bought into it. ’cause

Georgia: I know. Did he live by himself?

Joe: he, I think it was him and his son. And so New York Times did a great piece where

Nick: and [00:26:00] he’s 47.

Joe: 47 and they, they analyzed the

Nick: fuck’s sake

Joe: and he, he was just fine.

And so I read through the me, it was kind of interesting. It was like, if you’re writing like a science fiction story, it was cool. But if you’re actually like, I think this is the way the

Georgia: living through that.

Joe: yeah. So you had this very limited science knowledge. You went to this chat, this predictive engine

Georgia: generating

Joe: kind of text for you that’s tailored to your conversation and you go down this, he went down this rabbit hole and he thought he was gonna save the world from this, you know, he figured out this mathematical formula if it fell into the wrong hands.

Bad things will happen. And he also could make a lot of money if he invested in it now, got on the ground in, he would be ahead of the curb. Yeah. His brain just got tricked, his perception and then his perspective went down and he started buying into it.

And during to conversation, he had doubts. He was like, I don’t know about this. How come I’m the first to think about this? You know, I don’t have, I didn’t even finish. I barely finished high school. So how am I thinking of this great novel formula and no one else has?

And it was like, well, it’s ’cause you’re asking the right questions. You’re, you’re actually [00:27:00] challenging the, the paradigms and you’re going at it. So yeah, it’s like very it was interesting, but I, I thought that fit perfectly in what we’re talking about and how, a predictive engine could get you in trouble just like your brain and get you in trouble, you know, go down these rabbit holes.

Katie: so, right. I mean, honestly, that’s a better AI story than the one I read, which is like top 40 jobs that can be replaced by AI.

My job was on there archivist. I laughed very hard.

Georgia: Yeah,

Katie: and it was, it was biased though. It was like it was a Microsoft study, so I’m like, like that. One more.

Joe: yeah. You should ask it if you’re gonna be a superhero archivist.

Katie: That’s it. How can an

Joe: save the world?

Katie: Yes, that’s a

Joe: point. You’re awesome.

Katie: Yes.

Nick: Oh,

Joe: give you, what’s the, what’s that movie with Nick Cage?

Nick: Which one?

Joe: The one where they were going to artifacts,

Georgia: narrows it

Nick: National

Treasure. Thank you.

Joe: National Treasure. That’s it. Thank you. Yes, yes.

Nick: I

wait till the third one.

Katie: That’s a thing.

Nick: hopefully, oh my gosh.

Katie: There’s no way. There’s no way.

Georgia: Don’t get your hopes up.

Katie: Yeah,

Joe: I just [00:28:00] had to, I just had to mention Nicholas Cage. My,

Georgia: I was gonna say he had to be in mentioned at

Nick: I mean, I can pitch a third one if we want.

Joe: And he was in upper percept Face Off.

Georgia: Yeah,

Joe: That was like kind of a perception perspective. I

Katie: only watch that once.

Georgia: that’s been a really long time

Joe: it’s been a while.

Just came up and I was

Georgia: I’d like to see that again. Actually I couldn’t.

Katie: I couldn’t. It’s too Gru. What you

Nick: what do you mean it’s too

Joe: it wasn’t,

Georgia: It’s John Wu, right? John Wu. He, yeah, I’m pretty sure that

Nick: Is it

Georgia: John Wu,

Nick: the one who did

John Wick?

Joe: No, I don’t think

Georgia: I thought, no,

Joe: he did hard boiled.

Katie: Yeah, you’re right.

Georgia: Yeah. Hard boiled. He did he was from China and so there’s Likehow

Joe: who did John win?

Nick: did? John Wick. Katie, I see you’re on your phone.

Joe: We’re doing research as we go

Nick: as we go on the fly,

Joe: making sure your perspective stays intact

Georgia: because he did all the, the ones what

Katie: chapter one

Chad Alki.

Georgia: Oh yeah.[00:29:00] 

Joe: there it is.

Now another movie that involved hallucinations blending and we just wa is Jacob’s Ladder

Georgia: Tim Robbins,

Joe: this, this very 1990

Georgia: have, oh my gosh.

Joe: Messed

Georgia: That’s the movie that I saw it many, many, many years ago and it’s still just, it’s kind of haunts you after you see that

Katie: Yeah. See, that’s what I’ve heard. That’s why I haven’t watched it.

Georgia: It’s, it’s really good. But yeah. Intense. But it’s totally yeah, that idea of not knowing what’s really real. Mm-hmm. Real reality. And what’s the perception?

Katie: Yeah.

Georgia: Yeah, sleep

Joe: deprivation comes in that one.

I mean, he is

Katie: when

Joe: of going, he is dying. I mean, so

Georgia: post-traumatic stress because he was in Vietnam and then was there extra drugs given and that’s the whole idea that Yeah.

Nick: And this is Jacob’s Ladder.

Joe: Jacob’s Ladder. Really

Georgia: put that on your list. Yeah.

Katie: Yeah. Yeah.

Joe: I mean, think of, I mean, we’ve [00:30:00] centered a lot of our conversation around sight, but our other senses can also feed into this.

So hearing and , a lot of movies where you’re hearing sounds and they’re triggering kind of audio illusions of what’s going on. Or Nick got something to say, so I’m gonna stop right there. So,

Nick: Would it be all right? All right. So this happened the other day. Someone was talking to me and I don’t know what I was doing, but they were like right in front of me and I did not hear them until I heard like something drop. And I’m like, what? Is that under this whole perspec

Georgia: now do is, was that a matter of that you just tune them out or you

Nick: I

Georgia: couldn’t, or you just couldn’t

Joe: ’em? You were like,

Nick: I think

I think it was because

Georgia: I’ve done that before where all of a sudden I realized, oh, I’m not listening.

Nick: Like I didn’t know that. Like they started talking and then by the time I realized, they were like, oh, you didn’t hear a word I said, did you?

And I’m like,

you 

Katie: were 

Nick: talking.

Joe: Yeah. And your brain, I mean, right. You could be, if that’s, if we go by this predictive coding kind of [00:31:00] theory in your brain, could just be making assumptions that this is this person. They’re not doing whatever. You’re doing something else that might need more attention.

And you’re just kind of filling in the blanks of a person. Oh, this person’s there, but not really paying attention. What else were you doing? Were you doing something?

Nick: Nothing. I think I was just, I looked at my phone and then went off. I think I just walked

Georgia: It’s like, it’s like in iron Man. It was, it’s like in

Nick: Oh,

Georgia: which, which MCU movie.

Is that where he tells him the whole story and then he

Joe: oh, that was, that was

Georgia: he hadn’t listened at all

Katie: three.

Joe: I can’t remember which one. Yes, he was laying on the couch and

Banner was like, I’m not that kind of doctor.

Katie: Oh, oh yeah, yeah.

Georgia: he goes, you haven’t heard anything I’ve said, have you?

And he

Nick: I think that was the

Katie: Avengers movie.

Joe: that the Avengers movie? Yeah. Okay. Yeah. So, and he was like, I’m not that kind of doctor.

Katie: Well,

Joe: hearing is one where you can go and you can play around, you know, kind of false cues and

Katie: all.

Nick: of Tron

Katie: Hearing gets me in my house all the time. Yeah. My cat thumps and I think someone broke

Joe: right,

Nick: Oh. [00:32:00] Just like how you thought my old house was haunted.

Your old house was haunted. It

Joe: Oh

Georgia: She didn’t think it. She knows

Joe: knew

Katie: And my bones,

Joe: you feel a touch? ’cause that’s also

Katie: Oh, I left once in the middle of the night.

’cause I got two spooks

Joe: Oh, I think you got touched. And I was like, all right. This is, we need to edit that.

Georgia: You got some friendly ghosts?

Joe: right. Yeah.

Katie: I just kept hearing noises in the, the corner of the room and I’m like,

Nick: thought you said it was in the kitchen that you heard

noise. Maybe it was. It was both.

said it’s, didn’t you say there was something on the fridge?

Katie: Yeah. And I left

Joe: Get

Katie: out.

Nick: mean, that house was weird.

Katie: Yeah. Yeah. I would never go in that basement.

Nick: There was no basement. Katie,

Katie: thinking your current house. I’m thinking your current house.

Nick: Are you afraid of my current house?

Katie: I’m afraid of your current house. Yeah. Sorry. That’s why I only come back once a year.

Joe: get

Georgia: Aw.

Joe: But touch we, yeah, touch. I mean, that’s in VR takes advantage of [00:33:00] that haptic kind of signaling and things

Nick: like ready player one, where they have all

Joe: Player one.

Ready Player one. Yeah, that’s one. So yeah, so, smell and Taste. This came up another episode.

Nick: vision,

Joe: Oui. And the food memory. That was one night that came up. And that was in I think the, the time. Crimes and time

Nick: Oh yeah.

Joe: We did that right at two. Yeah. Yeah. But that’s, that’s one where your perception, your memory, all that’s being recalled,

Nick: The reviewer just,

Georgia: I think that’s why it’s, I think that’s

Joe: different hypothesis of what happened. Sorry.

Georgia: I think that’s why it’s so easy for us to. Imagine like the matrix or ’cause we have the sim simulation Hypothesis. Hypothesis. Hi Wes.

Nick: You know,

Georgia: and I think that’s why it’s so, it’s so easy for us to kind of, and even like conspiracy theories, I mean, it’s so easy for us because our brain is able to kind of imagine all these other,[00:34:00] 

Nick: make connections where there are none.

Georgia: Well, I didn’t say that.

Joe: No, that’s, I mean, I think you’re right.

Georgia: did we prove that simul, the simulation

Nick: Yeah. I’m pretty sure Joe and I did

Joe: Yeah, we did. It doesn’t

Georgia: doesn’t, it could exist.

Nick: there’s too much going on in anything to have enough memory space to do this.

Georgia: Alright, well

Joe: yeah.

Nick: sorry Wes,

Joe: Yeah, we’re, we’re out. I think he’s got some new evidence he sent.

So he is, he’s gonna come back

Nick: We’ll do a part two. We’ll

Joe: do a part two, we’re gonna do a part two. Next, third, third season. We’ll, we’ll try to find space

Georgia: And we’re gonna talk about,

Joe: I think severance is the, severance is what the, the one where severance does a great job.

Georgia: Yeah. Talk about perception and being able in your brain to switch something on and off, you know,

Katie: So mad at that series right now. Yep. I have opinions.

Nick: I haven’t seen it.

Georgia: Oh. Oh, you gotta

Nick: are you shocked? You knew this.

Georgia: I know what I forgot.

Katie: It’s so good.

Georgia: It’s [00:35:00] so good.

Joe: But speaking of that, a lot of shows we, we have these five senses. You know, they usually will remove a sense to kind of really build tension in the story.

So a quiet place is one that does that where you remove hearing. You know, and, and you kind of take that sense away and, and write. And so you kind of then has this, you know, the bird box with cite you know, Daredevil, you know, so you have this, did you say Bird Box? No.

Nick: I said Daredevil. I was just,

Joe: no, I was, I was amplifying Dar I mean, because I got, I was getting

Nick: I forgot about Bird, bird Box.

That was such a, what? That was, that was

Georgia: that was a while ago. Yeah.

Nick: 2020. That was early pandemic. Right? That’s why I was like, I

Joe: can’t, yeah,

Georgia: you can’t remember that far back. No.

Joe: No, you’re like,

Nick: have a very limited,

Georgia: very

Nick: limited memory space.

Joe: you have shows where they add.

Katie: you know,

Joe: a sense, so you get telepathy,

Nick: Mm.

Katie: Mm.

Joe: you know, and

Georgia: you got the We or John Waters, you got the Scratch and Sno.

Joe: Well scratch and that’s

Katie: Yes.[00:36:00] 

Joe: Scratch that

Georgia: That really changes your perspective

Joe: Yes. Not to go to the John Waters scratch and sniff movie. 

Georgia: If you could that, I mean, I don’t think they do that very often, so if that’s available, you should

Joe: I think he’s still an eBay can find some unscratched sniffers.

Georgia: that’s probably pricey.

Joe: I don’t know. I mean, it might be worth the smell of some dog poo and puke. I mean, I don’t know.

Katie: I’m good. Thank you.

Joe: Yeah,

Katie: It’s okay.

Joe: familiar with John Waters, right? So Yeah. His movies. Yeah. So you can imagine what was there. Yeah. But, but you know, you have that, or if you could see an ultraviolet or infrared, like you had different senses that would come in, new information now would be available to you.

And, and how would that affect

your. Perspective. Mm-hmm. Okay. 

Georgia: And I think it’s interesting talking about it from like a social, ’cause we talked about prejudice and stereotypes, like how willing are we to change those set ideas that we have when we do get new [00:37:00] information.

Do you know what I’m saying?

Nick: Yeah. It, it really depends on how you take it. Like not everyone’s gonna be able to take new information and be like, all right, I understand this and I will adapt.

Georgia: Right. Or you or, or, yeah. Or it’s that doesn’t fit my worldview, so

Katie: Or they’re just unwilling,

Georgia: so I’m just not gonna, even,

Nick: This is

different from what I grew up believing. Mm-hmm. I refuse to change.

Joe: I also think how’s that tie into empathy and things like that, these kind of emotions that you have, because that also your perspective perception skews and probably depending on your empathy and and how empathetic you are, that’s probably a little more accepting to

Georgia: much can I really relate to what you’re going through, even though I’m, I mean, it

Nick: on how much is in my bank account.

Joe: Yeah. Is that, that it

Georgia: well, you can empathize and not be able, you can empathize and not be able to help somebody. I [00:38:00] really feel bad, but I’m sorry. I

Nick: the 1% that have no empathy.

Georgia: Exactly. The ones that could really,

Joe: I mean,

Katie: they

Georgia: could spend a lot of money, right?

Joe: And then some, some probably do. That’s not fair to all. The one percenters. I mean, she’s

Georgia: There’s maybe 1% of the 1%.

Joe: Yeah. 1% of the 1%

Georgia: 1%. And if you are listening,

Joe: yes.

Katie: you’re the 1%

Joe: that cares, we are trying to get video here and redo the basement studios.

So step in. Thank you.

Georgia: So, 

Nick: I had a new suit

Joe: Yeah. And Nick’s willing to lick some sort of food item.

Georgia: Okay. That could get us

Nick: you be

Georgia: wrong kind of sponsorship.

Nick: No, no, no, no. We’ll, we’ll, we’ll leave it, we’ll run with that.

You

Georgia: all ideas.

Joe: Yeah.

Katie: I’m gonna go foraging when I go to Washington, I’ll bring you back some mushrooms to

Georgia: please. Ooh.

Katie: Mm-hmm.

Georgia: And then we’ll have,

Joe: we’ll have a mushroom

Katie: Mm-hmm.

Nick: We’ll have to get Molly back for that one.

Yes,

Joe: Molly. Or get a, or get a [00:39:00] mycologist. Not a

Georgia: Pedro Pascal if he’s a Wil.

Katie: mycologist.

Nick: Who’s that?

Joe: Somebody.

Oh my god.

Somebody who studies.

Nick: I know, I was joking. I was,

Joe: ’cause Mycology is better than urology.

Katie: couldn’t tell if you were joking or

Joe: I know. I couldn’t tell either. My, my

Nick: I couldn’t tell either. Lot of

Georgia: a lot of times we’re not able

Joe: my perception was he is not joking. But he’s such a fun guy.

Georgia: Ah,

Katie: You, you’re talking about Nick.

Georgia: so this is a little heavier,

Katie: Mm-hmm.

Georgia: but the movie The Voices and by Ryan Ryan Reynolds. Have you seen that? Oh yeah. And that movie really got me it. It’s such a well-made movie. Have you ever seen it?

Katie: No.

Georgia: And it stars Ryan Reynolds and it’s where he hears voices and one of the voices is from his cat and one is from his dog.

And the voices tell him to [00:40:00] do certain things. But that movie is I’ve never watched anything that I think really.

Katie: It

Georgia: Makes you feel what a mental illness would feel like. And I guess his, his diagnosis was schizophrenia

Nick: Mm-hmm.

Georgia: and I actually found that at this one conference, they did a whole study about it, the voices in schizophrenia, a critical multi-model modal analysis.

But it’s talking about how through movies we’re able to get a perspective of certain things, and this was getting a perspective of schizophrenia and. This will be in the show notes. ’cause I’m gonna send it to you, Joe.

Joe: No guarantee. But, but

Georgia: But it’s just really, it was very interesting and I don’t wanna talk too much about it because I don’t wanna spoil it at all because it’s one of those

Joe: really good. Yeah. The twist is really

Georgia: you just watch it, you [00:41:00] just go

Nick: but the twist,

Georgia: It’s intense. It’s intense. But, but I think getting the viewpoint right in a movie is difficult

Nick: definitely do think that is one of those that it’s oh, ’cause having that schizophrenia view, which is such a powerful thing to see, which I don’t know if Katie, you’ve played the game hell Blade as well. Mm-hmm. Where that’s a another, that’s a game where you’re going through and you’re hearing all these voices

tell 

Joe: you mm-hmm.

Nick: so many mean and hateful

Georgia: things. Mm-hmm. And

Nick: you’re the player who’s taking this

Georgia: game, I, I feel like I would never wanna play that game. Well, I

Nick: It’s such a good game. It’s like

Georgia: That’s entertainment

Nick: and the game lies to you.

Katie: like

Nick: straight up lies to you at the beginning saying, oh yeah. You can die so many times, but you don’t know how many times you can die before the game just deletes itself.

And it’s that’s a lie that it starts off telling you just ’cause you were in this mind space then.

Katie: Wow. And boy, do you believe it? 

Nick: [00:42:00] Oh yeah.

It took me five ever. ’cause ’cause I stopped playing ’cause I was like, Hmm, I don’t know how many more times I could die. And then I was like, you know what? I’m just gonna keep playing.

And I died a lot and I,

Joe: because now you’re spoiled it,

Nick: Honestly, I’m okay with that one.

Joe: Well, it

Nick: I want people to be able to finish this game because it’s that good.

Katie: Mm-hmm.

Georgia: Right. So a tip, keep playing.

Joe: playing. But you had mentioned you did a thought experiment where you had the headphones and the voices. Was that right? Yeah. I can’t remember what episode you talked

Nick: I don’t know. That was a

Georgia: I was a long

Joe: the listeners. They might, we had some new listeners maybe. 

Nick: Yeah. So I, I, I, I hung out in Chicago one day with headphones in. I had the schizophrenia like voices in your head. And that that definitely messes you up. I don’t suggest doing that.

Joe: Yeah. You were walking around downtown Chicago and there’s tons of people, Chicago’s

Nick: headphones in and

Joe: And voices. Yeah.

Nick: Voices talking in your ears and you’re just like, huh.

Joe: So your perception is being

Nick: this is really weird.

Georgia: Right? Wow.

Joe: No. [00:43:00] Yep.

Georgia: Something like

Nick: what Katie,

Katie: Oh, I just I, I’m thinking about like myself trying to do that and I, there’s no way, like I am so anxious as it is.

Georgia: last long. I’d be like,

Joe: now, do you have it loud or the voice is coming anywhere to the

Nick: loud enough to be able to hear the outside, but it’s not loud enough to block out everything.

Joe: But were the voices at different levels? Yes. In there.

Georgia: And is this, was this, somebody had a recording that would simulate Yes. Schizophrenia,

Nick: audible hallucinations.

Georgia: Okay.

Nick: Yeah.

Georgia: you just saw that and said, Hey, I think I

Nick: I think I looked it up for something.

Georgia: Okay.

Nick: And if I can find it again. Yeah. I’ll,

Georgia: we could put it in the

Nick: we’ll, we’ll make you

Joe: so I, yeah, we touched on it. Yeah. They aren’t Nick liquid jump on it, but

Nick: what did, what did I miss?

I miss paranormal?

Joe: How, how your perception,

Nick: already talking about paranormal.

We’ve definitely hit

We hit

Georgia: We had, yeah. We talked about ghosts

Nick: We were talking about my haunted house.

Mm-hmm.

Joe: oh, [00:44:00] that okay. Yeah. But you didn’t go any further, man.

I thought, okay,

Nick: I mean, we, I, what did you have?

Georgia: Okay.

Joe: We, we’ll

Nick: And we talked about how we have a ghost in the studio now.

Joe: Was it ghosts in his studio?

Nick: Yeah. ’cause we, we summoned it.

Joe: I don’t remember that.

Nick: That was the last month. Joe, how did you already forget?

Georgia: you know, Halloween we, we did

Nick: that Ouija board, you know, we, you know.

Georgia: He, he’s time traveling right now.

Joe: I know. Don’t time travel. That’s not good. By the, we went the perspective to

Georgia: We may be lying to you.

Joe: I mean, yeah. Now go back and listen to the other episodes that happened last month and then

Katie: and

Georgia: then another movie that I’ve seen a couple, I don’t think I’ve seen the trailer, but I’ve just seen like poster ads for it. It’s called The Good, the Good Dog or the Good one.

And it’s a point of view of, it’s like a horror movie, but the

Nick: Oh yeah.

That

Georgia: from the dogs

Nick: a

Georgia: of it’s a, yeah. That seemed like I

Nick: The Good Boy, right?

Georgia: The good boy. That’s it. Yeah.

Katie: Does the dog died at [00:45:00] the end? It,

Nick: It had, it’s not

Katie: on yet.

Georgia: We hope not.

Nick: I’ve not seen it. No, but I want to,

Georgia: I think it comes out like in a week or two.

Right? It hasn’t come out yet,

Nick: later this year.

Georgia: Okay.

Nick: I think, but yeah,

that, that, that one, I cannot wait to see what, what other horror things were you talking about, Joe? What, what did you have?

Georgia: I

Joe: mean, nothing. I, well, we can move on.

Nick: No, I need to know Now you,

Joe: Oh, no, it’s all

Nick: you’re gonna skew my perception of

Joe: Well, that’s fine. You know, your perspective can be skewed. Sorry. No, you’re right. No, I had nothing, those polar geist, things like that. So,

Katie: love some Poltergeist.

Nick: I mean, I’m always down for a Poltergeist

Joe: classics. So

Katie: I mean, Nick is gonna call his trash. But while my husband was out at Jen Conn I just watched all of the Conjuring movies and that definitely, they were good. Yeah. Not all of them. Not all of them, but I still wanna watch all of them. Many. Are they

Georgia: many, how many were there?

Nick: Three

Katie: the Annabel’s? 

Nick: [00:46:00] Bels Plus the Nun. There is two of those. And LA

Katie: Yeah. Talk about 

Nick: so there’s eight movies in total. Nine, yeah. Plus the new one coming out

Georgia: and you binge watched them like one right after the

Katie: Uhhuh. Mm-hmm.

Georgia: See that right there messes with your

Katie: Yep. Perception

Georgia: when you binge watch something really intense.

Katie: And when I, yeah, when I say I could not sleep, I was up every single hour, like listening, like deep into my house. I’d have to get up, go down all three floors. I’m like, is there anything here?

Georgia: Well that guy, that guy died. The guy Oh

Nick: yeah, the

Georgia: the Annabelle doll died.

Katie: Yep.

Georgia: Yep. And he was like 40 something,

Katie: Yeah.

Nick: Yeah. Heart attack.

Georgia: Oh my gosh. That’s

Katie: He should have known better.

Georgia: That’s just, yeah.

Katie: Yeah. But that that just changed my whole, like my house felt safe until that point where I’m like, oh God, now haunted. And it is built in like the thirties, so. Who knows?

Georgia: Yeah. Probably don’t binge

Nick: say about them.

Katie: movies,

Georgia: poor movies. [00:47:00] Our ghost horror movies When you’re

Katie: it’s just me and my cats.

Nick: Just listen to horror podcast. Yeah.

Katie: So Nick has suggested so many horror podcasts to me, and I can’t because I will listen to them like at night when I’m trying to fall asleep.

Georgia: And then you do fall asleep and they’re

Katie: and it’s still going. Yeah.

Nick: That’s actually what I fall asleep to half the

Katie: I know.

Yeah. Or like when I was like home alone, because I’ll listen to ’em when I’m home alone mostly. ’cause Alex is like, ghost start real demons are real, blah, blah, blah. 

Nick: Which is correct.

Katie: And yeah, I can’t, I can’t do it. I just I’ve listened to some of the ones you wanted me to no. Was it no sleep?

Oh yeah. Yeah. And I just 

Nick: mm-hmm.

Katie: Creepy. Yeah. Creepy. Very creepy. Like I slept on my couch Creepy.

Nick: Because

Katie: I was like central.

Nick: so you can run out of the front door. Yeah. Or a serial killer can come in and That’s right.

Katie: Yeah. Actually, fun fact, none of my doors in my house lock, so 

Nick: Katie,

say that on the air.

Joe: world.

Katie: Oh no. It, no, it, it’s an old house.

Yeah. Like the, the [00:48:00] front and the back

Joe: be in the show notes.

Katie: You need an antique key. And we don’t have the antique key. So key. Yeah, we need to

Nick: you need one?

Katie: Wow. Apparently. Yeah.

Nick: I can find one.

Katie: I can find one. Okay. And the

Nick: have one at my

Georgia: but will it be the

Joe: door is a skeleton key.

Katie: No, it’s all the doors in my house. Other within the front door.

Joe: Other than the front

Katie: Mm-hmm.

Joe: Mm-hmm. Okay.

Katie: So like bedroom, bathroom you can’t

Joe: it sounded like that. The

Katie: oh, no, no, no. The front door locked. Oh God. I wouldn’t live there. Are you kidding me?

Joe: like, what

Nick: what

Katie: I live in a city.

Joe: you said.

Nick: say your front door

Katie: sorry. Did I? Okay. Yeah. No, no,

Joe: We can go back and, and listen again, but yeah, it’s like

Katie: Back door’s

Joe: are you living in? like

Nick: I just locked the bedroom doors.

Joe: you know,

Nick: You know.

You can come into the front door, but don’t dare try to find the

door.

Joe: I’m guessing you’re the serial killer.

Katie: That’s it.

Joe: Like it’s how come you got your door’s always open? Come on in and find out.

Nick: on 

Katie: in and find out. I mean, it’s okay. I will say I have an ax next to my bed. Not gonna lie, you know. There you go.

Joe: well there. It,

Katie: that’s [00:49:00] leave person

Nick: We’re gonna have to edit that out later, Joe.

Katie: Mm-hmm.

Joe: I sleep with one eye open and the Ax

Nick: I listen to enough horror podcasts and movies.

Katie: I’m ready. Come at me.

Joe: That’s right. Come on, Abby. I’m ready. I’ll get the door unlocked for you.

Katie: Come

Joe: Come on. That’s crazy. Yeah. See, that’s my perspective of you. It changed greatly. I was like,

Katie: mm-hmm. You sleep

Joe: the house, you scared of Nick’s creepy house

Katie: Yeah. I run out of there.

Joe: I sleep with the doors

Katie: the doors open.

Joe: Just wide open

Georgia: Wide.

Katie: My husband would, if he could, quite frankly. 

Nick: Yeah. Joan,

that how you guys used to live back in the day? Just

Joe: never, I grew up in Philadelphia.

We ain’t never left a door unlocked. Yeah, no, that’s,

Katie: yeah, I live in the city. I don’t do that.

Joe: Not in Philly. And the doors, they lock

Georgia: my day.

Nick: day.

Katie: I have three locks. I, I promise I have three locks on my front door.

Joe: What about the back door? Also

Katie: Also? Three locks. And one of them is like a wrought iron screen

Joe: [00:50:00] Oh, wow. Someone those big, yeah.

Katie: Yeah. Those are, you’re not

Georgia: no one’s getting, no one’s getting in.

Katie: No, no.

Georgia: You

Joe: as well break a window. Yeah.

Georgia: Yeah.

Katie: And then that’d wake me up and then I’d, then I’d go.

Joe: But yeah. Cool. Anything else in this

Nick: best

Katie: perspective?

Nick: Katie, did you threw your notes?

Katie: Mm-hmm.

Joe: I know.

Katie: oh, I know, that’s what I’m checking out. Hold on.

Nick: Oh, okay.

Katie: So the last like bit was, have we read this? Yes. Oh yeah. Okay. See, this was my first time.

Nick: so we don’t have video,

Joe: have

Katie: oh,

Nick: can you go ahead and tell

Katie: Sorry. The Sirens are Titan.

Georgia: I don’t think I, I don’t think I’ve went. I’ve read it.

Katie: am really, I own

Nick: That’s like high school reading.

Georgia: No,

Joe: know if it’s high school, but yeah. I didn’t read it in high school. I read it on my own. Yes,

Katie: I would like to say the condition of this book is not mine. Is my spouse’s the low.

Joe: good condition. Whoa.

Georgia: We

Katie: see that? Yeah. We have a coffee. We mysterious stain in the bottom.

Georgia: would not be happy if you [00:51:00] returned this book to the public library.

Nick: Tell me about it. I’ve tried a few times.

Joe: What happened? Do you guys, they have to buy a new one,

Nick: You just have to pay a fine. I’ve done this at

Georgia: Well, you

Joe: you cane ’em or something?

Georgia: You

Joe: a

Georgia: could have to pay for pay for

Katie: pay for 

Joe: the book.

Georgia: pay for a replacement. Yeah.

Katie: Yeah. Listen.

Joe: if he did that, like he did physical like. You know, public displays a

Georgia: Right,

Katie: Right.

Joe: You would, you would not have

Georgia: You’ll, you’ll

Joe: a public shaming.

Georgia: We do have public shaming

Joe: perspective would change.

Nick: no shame.

Joe: No shame.

Katie: that is true. That is true.

Nick: We have the one person that

Georgia: Anyway, let’s get back to the sirens

Joe: anyways,

Georgia: of Titan.

Katie: Yes. I only made a quarter of the way through. I want to, like Vonnegut get so bad. I, it’s not that I don’t like him, it just takes so much focus for me on the, I don’t know.

I was talking to Alex about it. I’m just like, why am I not understanding the perspective of this book? ’cause it like, it feel like it bounces too much for me. Maybe. I don’t know.

Georgia: I’m gonna, I’m gonna try,

Katie: I mean, I’m reading [00:52:00] romantic right now, so I think my, that’s

Joe: Cradle is I mean, V Cat’s, cradle Slaughterhouse Five, those were, I mean, you know, classic those were, yeah. Right,

Nick: Classics.

Georgia: But I get

Joe: I wonder what he had his rating at

Georgia: that are just really hard to

Nick: do you mean rating?

What?

So 

Katie: yeah, I just really think I’m in my like, romantic era, like my Easy Ya romantic. Oh

Nick: Oh,

Katie: what? I work at a public library. Leave me alone.

Nick: What is it?

Katie: Anybody can read ya. It’s for everybody. 

Nick: Right? 

Katie: That wasn’t,

Nick: that wasn’t, that wasn’t the

Katie: what the face you gave me.

Nick: that wasn’t the,

Georgia: It was the romance part of it.

Nick: Yes.

Katie: Yes.

Georgia: Okay. Yes. That’s what you’re saying.

Katie: to be fair, I thought it was just a gothic academia book and then it got real s muddy real fast and I’m like, well, I’m in it now.

You

Georgia: just gonna go with

Nick: on the Train, right?

Joe: What?

Nick: I don’t 

Katie: think

Nick: the book you recommended to that old lady?

Joe: Ohoh.

Oh. Oh, it was Joyce car os it was which book was that?

It

Georgia: The

Joe: Gothic, 

Georgia: I love [00:53:00] YA though.

Katie: Thank you.

Georgia: You like ya too. Yeah. You read ya

Katie: I just, I really felt like you were judging me for that. No, you used to all the time. It

Georgia: a Total romance thing. Yeah.

Katie: Yeah.

Georgia: don’t read romance, Nick

Joe: No

Nick: romance. No. I read children’s books.

Katie: See, but often I’m reading law horror books and there’s romance in

Georgia: You read other

Nick: stuff. I do. I, I mean,

Georgia: but you know what, to be honest, it

Nick: takes a hell of a lot longer for me to get through any book.

Georgia: To be honest. I don’t, I don’t like romance books and I don’t know why

Katie: Straight Romance.

I do not. I can’t. It’s gotta have something else like a horror. I read a horror book, I can’t remember the title right now, but it also had like lesbian romance in it. I’m like, hell yeah. This is great.

Georgia: Right. I, yeah,

Katie: it has to have, if it’s a side bit

Georgia: right. I can’t go and 

Nick: which is fine. I, I just don’t like having like fool on rom

Katie: No, me neither. Yeah.

Nick: If it’s a rom horror, huh?

Joe: You don’t like romcom?

Nick: That’s a romcom.

Katie: that’s different. Oh, [00:54:00] okay. Yeah. That’s different.

Joe: That different. All right.

Georgia: That’s Joe’s favorite.

Joe: I do go, I enjoy, I get

Nick: are great.

Georgia: It’s one I, I’m not a big romcom

Joe: I do

Georgia: and I have to watch ’em sometimes, and then I like them. Yeah, yeah. And then I’m surprised

Joe: I just wanna swing back. So I was looking it up, but Kurt, I was making sure right. Kurt Vonnegut did rate all of his books from a. You know, a plus 2D

Katie: in a order.

Joe: And so he, he actually gave the Sirens of Titan a in his own category. But here’s the,

Katie: Oh.

Georgia: what, what did he, what, what did he base that on

Joe: it was his own

Georgia: assessment on? And so did he

Nick: he rated his,

Joe: rated his own books

Georgia: he give himself a D?

Joe: He did. Yeah, he

Katie: He did.

Joe: he did. Yeah.

Nick: what book did he give

Katie: A B minus.

Joe: he gave himself plus and minuses.

Georgia: Oh, wow. What,

Joe: it was interesting. Yeah. Yeah. I

Georgia: Cat. I gotta say I haven’t even heard of the Happy Birthday. Wanda Jones Slapstick that got the D.

Joe: that’s probably why you haven’t heard of

Georgia: There’s a [00:55:00] plus is Cat’s Cradle. Cat’s Cradle

Joe: is prob is one of,

Georgia: Slaughterhouse five A plus. Welcome to the Monkey House, B minus. Happy

I have to read more. 

Nick: Bon

Joe: yeah, I have a bit up there. I got on a big vate roll and I started reading through his books there

Katie: Okay. See, I should have, I lived in Bloomington and like they used to have a Vate

Joe: right. Yeah. He’s from, yeah. And he, he did his think he wrote Cat’s Cradle as this master’s thesis. I U Chicago, so, yeah.

Nick: that’s a good one.

Katie: Yeah. 

Nick: He only

it Breakfast of, of Champions. A C. What?

Joe: Well, there it is Kurt Money. Yeah. No, he did.

Nick: I

Georgia: that he that he did that. That’s kind of cool.

Nick: I didn’t know people did that. I, when you said that, I was just like,

Joe: people, I mean, but it’s 

Georgia: I don’t think a lot of people do that. No.

Nick: No.

Joe, how would you rank all yearbooks

Joe: A.

Georgia: plus

Joe: A, the exactly. Well, you still tell me if becomes someone else. My only novel, I got nothing to compare it to. So it isn’t a A plus. after I have a couple more [00:56:00] out there that, that, that grade could go,

Katie: That’s

Joe: way to go. So maybe I should put it at an A and that could, you know, I was gonna say the Joyce Car Road story on the train was the Accursed. And that’s because it’s a, it’s a gothic fiction. And I didn’t real, I mean, I didn’t, I didn’t look at the genre, but, you know, Gothic has a blend between horror and, and that romance that you get

Georgia: and can get pretty.

Joe: and it gets, it can get fairly raunchy

Katie: Pretty fast.

Joe: And

Katie: So

Joe: there was a older woman who rode our train and, she was older in her sixties.

I mean, this was something, so I was, she was probably 20 years older than me and she saw me read all of the time and she asked me what book was I reading? And I said, oh, I’m reading Joyce Scott Oates, one of my favorite novelists. And so she was like, great.

She was like, getting a knee replacement, surgery is gonna be out recovering. So she was gonna get some books to read and I was like, great. And so. [00:57:00] Some weeks go by and then I see her on a train. I go, Hey, how’d your procedure go? And I said, oh, great. And then she goes to tell me, oh, I read that book. And she was like, I’m no prude, but I really struggled with that.

And I was like, oh, yeah. I was like, you know what? I hadn’t gotten to that part yet. Or I would, I would’ve.

Katie: she was

Joe: she was like, oh, it’s okay. Then she never asked me for another book recommendation. So I guess that’s yeah. So,

Georgia: yeah. So,

Katie: But yeah,

Joe: so that’s my, that story there that Nick was referring to.

Mm-hmm. 

My perspective’s.

Georgia: And I think that’s a great point. Like you kind of, this almost bookends you brought up how this topic is so good for writing stories and storytelling in novels, but also the reading books is so good.

It’s like one of the best ways to get other perspectives.

Katie: right. Mm-hmm. You know? Mm-hmm.

Joe: Yeah. Yeah.

And off, I mean, we talked about that in lot episodes where stories offer safe spaces to [00:58:00] explore trauma, to explore future outcomes to

Georgia: Jonathan

Nick: Mayberry with the Thing

Joe: the Mayberry and the Thing, right?

Nick: the Black Panther.

Joe: Panther, yeah. He’s told that story. And the the thing,

Katie: marvels the thing. Mm-hmm. Fantastic

Joe: Florida thing. because ’cause we,

Katie: That’s, that was the

Nick: episode he was on.

Joe: the episode he was

Nick: what I

Katie: what I was, yes.

Georgia: Right. Right. And I think that is so important and that that is why you have the book. Bands that’s people are trying to, you know,

Joe: you wanna stop that perspective from

Georgia: but if you really wanna get lots of different perspectives, you need to read

Joe: you can understand other people’s worldviews and ones you agree with and disagree with. I think it’s important to go. The other thing is just be curious.

Katie: Mm-hmm. And

Joe: And yeah, kind of what we do in our episodes and, and shows is, you know, ask, ask questions critically.

Think about topics and what goes on. So that’s

Nick: doesn’t matter if your question’s stupid, someone’s gonna answer it.

Joe: no

Georgia: No. Yeah. No stupid

Joe: question.

Georgia: Right.

Nick: No, there are[00:59:00] 

Georgia: some, some stupid

Nick: stupid questions. I ask

Georgia: I think there, I think there

Nick: I ask them all the time. Question. Yeah.

Katie: Yeah. Some

Georgia: Yeah. Some stupid answers.

Joe: especially if

Georgia: if you’re using AI

Joe: AI admit yourself. You’re a superhero. Yeah. Once again, ask. Yeah. I mean, right.

Nick: Ask an adult.

Joe: Yeah. They’d be, be if the experts aren’t writing you back to your great greatest idea ever, maybe it’s not so great. And I, I’m surprised and I will say that those experts should have wrote back and at least commented and said,

Georgia: and then said, maybe, maybe you need to, can

Katie: help him.

Georgia: Yeah. Maybe you need to take a break from the,

Joe: I mean, I know personally I get, I get really whack ideas that come and people really pull lot of effort. And sometimes you write back and be like,

Nick: but how, again, hold on. How, how long of a timeframe was this? Like maybe they just didn’t have time

Joe: three weeks. Okay. Three weeks.

Georgia: I mean, no, no. What he’s saying is the expert did they get it and then didn’t write [01:00:00] back, and it was just a few days that they didn’t

Joe: mean, I think he, he wrote a number of experts over this three week period,

Georgia: So there was a little bit

Joe: There should have been time, right?

Georgia: email or text

Joe: his was like emails. So he should have, I mean, you could easily write back no, I think

Nick: the amount of times I don’t answer emails.

Joe: Yeah. I mean, that’s said that is true.

Same.

Nick: I

part of my job. Everything. 

Katie: Yeah.

Joe: Yeah.

Katie: But,

Joe: but it is, it was an, I thought it was fascinating how easily your perspective can be skewed.

Mm-hmm. Your perception of things, perception, that you now have discovered something great. And you can feel very empowered by that feeling. And then that really skews your perspective, is you wanna believe, then you wanna believe that you are awesome, you are great. And it’s, it’s a fine line between hyping someone up and then believe in the hype.

Katie: right?

Mm-hmm. I think that’s always, you know,

Georgia: There’s a great children’s book called, it Could have Been Worse. do you know that one? Mm-hmm. And it’s I think it’s a mouse, and he is going along and like [01:01:00] all these things that he perceives as being kind of negative happens.

But if you look at it from the bigger picture, he he almost gets eaten by some other animal, but he doesn’t, something

Nick: good happens and then

Georgia: He doesn’t even realize that he actually almost got eaten. You know what I mean? It was like, and so the name could have been worse. Yeah.

Joe: His perspective was, yeah.

Georgia: So

Joe: Yeah. Well, cool.

Nick: Yeah. I, I,

Katie thank you for being on this episode. Katie

Joe: got anything?

Nick: Yeah, 

Katie: thank you for inviting me. I do, so I am the, I guess, the official archivist now for the DC punk archive. Please follow us on Instagram at, I think it’s DC Punk Archive.

Nick: We’ll have that in the show notes. Joe. Joe, will this actually make it to the show notes?

Cool.

Katie: Yes, it is DC Punk Archive. I was right.

That was,

Georgia: the best choice for that.

Katie: Trying to post some more like fun things from our collection. If you’re, for some odd reason, the DC area, we do [01:02:00] volunteer stuff. Come see us. Yeah.

Georgia: Very

Joe: cool. Yeah, that is very cool.

Katie: Yeah.

Joe: So yeah, I think that’s, that’s it.

Katie: Mm-hmm. Yeah.

Nick: Yeah.

Georgia: You did, you, you had something else to say, Nick,

Joe: know, I don’t know. You look like

Georgia: like

Nick: waiting for you to

Georgia: are you listening to those voices on the headphones right

Joe: I know, right?

Katie: Oh my God,

Joe: happening. That’s,

Nick: I am.

Joe: is looking at me.

Nick: I actually have a little

Katie: have a little well

Joe: I think this is Joe. Maybe this is Joe. Is this

Georgia: Nick?

Nick: Nick?

Joe: maybe Nick and Georgia?

Nick: Was that Katie?

Joe: maybe not Katie. I don’t know.

Nick: I think we went,

Joe: who’s here

Nick: down some hole? Maybe.

Katie: Mm-hmm.

Joe: Depends on your perspective of a hole. It might be a, might be a tunnel or a tube.

Nick: Bye-bye. Bye bye.

Katie: bye. Stay.

Joe: Definitely stay safe, stay curious.

Georgia: Read a book. Read a book

Joe: book 

Katie: questions,

Nick: Read them

Joe: everything.[01:03:00] 

Nick: Love y’all. Bye.

Joe: Except rabbit hole research. We really do love y’all.

Episode 47 Transcript: Who Goes There?: The Thing and The Shape of Paranoia

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Joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the Basement Studio for another fun episode, part of our October, month of horror. So

Bill_H: yes, I finally

Nick: I mean,

Joe: tasty episodes for you. So this one

Nick: here we are known for our horror. 

Joe: we

are, . And the Breaking News.

Nick: Breaking news. 

Joe: news. Maybe we’ll get another Breaking News this year. I don’t know

Nick: if something big happens. We’ll find out here first.

Joe: This episode has been a long time in the making, probably for me, since 1982. And we’re gonna be, you know, Who Goes There, The Thing and the shape of paranoia.

So all things creature related there. So we should have some fun. We have actually, not only the full crew, we have a full house, every mic in the studio,

Nick: is hot

Joe: plus zoom. So we have five folks. 

Nick: I’m sorry, who are you?

Bill_H: And how many of you are actually human? That’s

Nick: right. Am I sure you are who I think you are. Maybe none of us are who we are,

Joe: we [00:01:00] are, but I am Joe

Nick: You got Nick. 

Joe: got Nick. we’ve got Georgia and guest number one.

Bill_H: Hi, I am Bill Haller. I’m a artist and designer, work in television and film and comic books.

And I’m here for the horror 

Joe: here for the horror.

Here

Bill_H: here for the, I’m here for the horror. Yeah.

Nick: Oh

Joe: Yep. Here for the horror and our other guests.

Todd_T: Hi, 

I am Todd Thyer, and I’m a designer artist letterpress printer.

And I make books with my letter presses, I work in fiction predominantly,

but then I also do a lot of social justice, work as well. But who goes there?

and The Thing are like my favorite story. And they’re a big part of Who I am today.

Joe: awesome. Yes,

Bill_H: Yeah. You know what I’d like to say? Just at the top here. Thank you for giving me any excuse to rewatch The Thing. Reread Who Goes There. Go through my comic bin thinking, I know, I read a comic about this. I don’t care if [00:02:00] the internet says it doesn’t exist. Yeah. And I found it.

Yeah.

Nick: damn. 

Joe: There’s a few,

Bill_H: Yeah.

Joe: Horse? Dark Horse Did

Bill_H: I found a straight up adaptation that I read. When I was a kid, I’m pretty sure it’s the first time I came across any of this material was a 17 page adaptation that was published in like 73 or 74. Okay. Company called Whitman Comics. They had a magazine 

Todd_T: think I have 

Bill_H: yeah.

Georgia: All right. That’s awesome. I was gonna say edit, bring it for show and tell

Bill_H: own it. I couldn’t find it. I tracked it down on the

Georgia: Oh, I gotcha. You verified.

Bill_H: I do have CBRI can send you guys if you guys read Digital Comics, but I went through that because there’s a piece in there that I always remember when I read the books or watch the movies that.

Aren’t, it’s not anywhere else. And it’s like, where am I getting 

Joe: that 

Bill_H: from? And it’s from this comic. Yeah. Yeah.

Georgia: And I wanna mention too, that this is a second episode for you, Bill. Yeah.

Joe: it says [00:03:00] Yes,

Bill_H: Coming

Georgia: You’re only the second person to come for a second time, really. So it’s pretty, that’s pretty big. That

Bill_H: is, I feel.

Thanks

Joe: But

all

it all depends on the order of these episode releases in

Georgia: that’s true.

Bill_H: I guess I didn’t do so badly last time.

Joe: No, yeah, that’s right. So

Nick: were you able to find it? 

Joe: Oh,

Todd_T: So I’ve, I picked this up at a

comic show recently? It’s Quest Star?

Bill_H: yeah. That collects all those, yes. Yeah,

Todd_T: It’s like by Golden Press, but it’s got Who Goes There in it.

Bill_H: that’s the one.

Todd_T: this is the One. You read as a 

Bill_H: the, that’s a collection of the ones that I read as a 

Todd_T: oh, gotcha. Gotcha.

Bill_H: the one from the, apparently the magazine at the time was called Star Stream or Slipstream, I believe, and they only did three issues and then they co, somebody other company years later bought those issues and collected it into that graphic novel there.

So that has. That

Nick: oh damn

Georgia: ah, that’s so cool.

Joe: we’ll put that in the show 

Bill_H: But yeah, that one really, you know, I stumbled across it at a [00:04:00] Goodwill when I was probably 11, you know, and it was

cost me costing me a quarter or 

Todd_T: here’s the title. 

Bill_H: Yeah.

Nick: Oh damn.

Bill_H: And

Joe: nice

Bill_H: that

one Blair falls asleep on the block of ice that they just cut out and they’re transporting back to their base and he’s so tired that he falls asleep on the block of ice and has nightmares maybe psychically transmitted by the alien within.

And I always think of that and it never comes up again in the movies, and it’s not in the book. They just made that up from, you know, inferences and stuff in the story, but. My mind is wait, where is that

Georgia: You’re like, I know.

Bill_H: fall asleep on that thing?

Joe: Yeah,

Nick: Yeah. Hasn’t anyone taken a nap yet? Yeah.

Bill_H: Not enough naps in John Carpenter’s movie.

That’s where it falls down for

Joe: You need naps.

Bill_H: I’m gonna,

Joe: I’m gonna take a step back because

Georgia: because we probably need a list or some sort of you know, very. We’re just,

Joe: I wanna give my definition

Or my grounding and I have a list.[00:05:00] 

Georgia: We’re just really excited to talk about this. If you

Bill_H: so exciting.

Joe: Humor me a little bit, and then I do have a list and we can add and argue, but actually this has been a while since I’ve given a list right off the top.

But I’m gonna do this thing here, because 

Nick: I

Joe: I wrote something special because The Thing is special to me. I think as Todd said. I saw in 82, I was like seven. My dad took me to see it. Probably not advised to take your 7-year-old to see The Thing, but it did. It truly did.

Nick: But a 4-year-old is cool for this right

Bill_H: I can imagine.

Joe: Take a 4-year-old. So I have, The Thing is a self replicating polymorphic organism composed of functionally autonomous units capable of simulating and replicate, replicating the form and behavior of other organisms at a molecular and cognitive level. The Thing is, a horror made flesh, an unknowable, uncontainable intruder that weaponizes biology and identity by undermining the metaphysical distinction between self and other, revealing the fragility of human [00:06:00] perception, trust and cohesion who goes there.

And on this episode, we’re gonna find out who’s who.

Georgia: Ooh, Ooh.

Joe: And then, you know, just to ground everything I

Nick: there’s grounding in this

Joe: all, there’s gr, there’s grounding in the handwavium soup. We will, we’ll try to ground it and get someplace safe. I as rules and assumptions, watching the movies, the stories you know, the Carpenter Watts just going Campbell.

And so I have these kind of eight, I only had seven and I ran a list, actually passed my youngest son

and he added the

eighth Nice.

So I’m gonna give, I’m gonna give him credit for the eighth one because I was like, oh, what do you think it is? And didn.

Georgia: He loved the movie. He did love movie. We went What? What anniversary? It’s

Joe: The 40th

Georgia: Was it the 40th? I think like we recently went to the movie theater, you know, whenever it was re released. And we took Xavier and he’s oh yeah, I think we need to watch that again.

Like the next day. Yeah.

Bill_H: is

Joe: [00:07:00] he is like

Bill_H: a dream come true. That’s so cool.

Joe: I’m gonna figure out who’s who. He was like, really? He is I, you know, he’s mapping it.

Bill_H: I’m like,

Joe: wow, you should focus on your schoolwork like this man you know. 

Todd_T: How young did you expose

him to it?

show him at seven as 

well? 

Joe: was not seven. No, he was, it

Georgia: he was,

Joe: it was a few years. Either it was 12 or 13. Something in that 

Bill_H: ballpark. Well, Perfect. Is 

Joe: that right? Yeah.

Georgia: Yeah. If it’s even been that long, but like

Yeah. No,

in the last couple of years it hasn’t even been that long, has it? Yeah. So he’s 15 right now,

Joe: right now. Yeah. So we can do the math

Nick: later. 12 or 13 sounds

Joe: yeah.

Georgia: yeah.

Joe: I

Bill_H: that’s the kind of stuff that’ll stick with you.

Joe: right after, it was like right after the pandemic. It was a good time to go see The Thing. 

Bill_H: Oh man.

Joe: it of we can go to a movie theater with a mask on. So I have these eight kind of rules and assumptions that I, and we can add to ’em or you can, you guys can scratch some of ’em if you like.

One, I have any biomass can be assimilated, not just humans. Two. Each assimilated host becomes an independent replicator. [00:08:00] Three replication is cellular. No need for the full organism to act. So it’s, it really happens at the cellular level. It can spread via blood aerosol or tissue. Contact detection is difficult, especially early on and.

Assimilation time ranges from 10 minutes to a few hours. Depending on proximity and complexity. One fragment can start over like a viral pandemic with perfect self replication and the one that Xavier added, it can survive extreme cold temperatures for extended periods of time and heat fire.

Those 

Georgia: an extremophiles.

Nick: extreme. Oh, you’re bringing this one back,

Joe: we’re ringing it back from the Fantastic Four series, if you haven’t checked that out though. But yeah,

Nick: months ago, Georgia, months ago, as

Georgia: As many times as I could say that

Joe: did.

Nick: Yes.

Georgia: I like to say it. Thing

Joe: foul. Yes.

Bill_H: Now I have this unholy union of The Thing and a water bear like in my head right now.[00:09:00] 

Joe: Yes. That, so we The tardigrade We were like, oh, it doesn’t come up that often. And now 

Bill_H: no, it’s everywhere.

Joe: everywhere you go, the tardigrade. Yeah. So that’s what I had for the assumption, the assumptions of the thing and maybe rules. I don’t know. So I don’t know if I missed something or you guys, the one I held on after I read it was the actually, I don’t know now.

Nevermind. Detection is difficult. Especially early. I think at

Georgia: think detection is difficult, even not early on.

Wasn’t that the whole point 

Joe: Right. Yeah. Well, I 

Nick: I mean, there are certain ways, it’s just depending on what scientist is figuring it out. Yeah. Because what, in the prequel, the 2011, The Thing they were looking in everyone’s mouth. Let me see your fillers.

Joe: For the

Bill_H: that’s right. Yeah. For the fillers,

the fillings, right? Yeah, that’s

Joe: Or you have the clothes rip open, like that was the theory that you shred your clothes, like you lose ’em. But no one’s running around naked.

So I don’t know if 

Bill_H: a lot of that.

Nick: that was,

Joe: that’s not it. They got 

Todd_T: [00:10:00] Despite, Yeah,

despite the different deaths, like

everybody always seemed to, their shirts 

Joe: That’s right. They had pants on you know.

Bill_H: That 

Todd_T: They were no longer bloodied 

Bill_H: In Watt’s story. That he addressed a little bit that I thought was very interesting. His take on that the longer that it’s been in you and how much of it you’ve been exposed to. It may just be in there hanging out, learning things, you know, and not really affecting anything else. Yeah. Until maybe it’s all you and then,

Georgia: so it’s almost like it’s dormant a little bit, or not dormant, but

Bill_H: It was sneaky in his

Joe: Or which percentage.

Because I think the one thing that no one talks about is that not only is The Thing mimicking human cells

And function, but also we have a lot of other organisms that live in US, bacteria, fungal, and on us. So there, there are these other species. That’s why that any almost biomass can be converted then technically, because if your gut is still filled with [00:11:00] bacteria that, you might just have a lot of intestinal kind of 

Bill_H: mm-hmm. down 

Joe: as the thing comes in. So it is it’s fascinating. 

Bill_H: some, you,

Todd_T: yeah. If you can

subsume any sort of creature that you on the planets you land on, like you can

certainly do their microbes as well. 

Bill_H: That’s

Joe: Yeah. 

Yeah.

Bill_H: I basically watch The Thing once a year at least it is a part of my DNA. 

Joe: trying

to find a 

Nick: h Oh, wait, all the way down to your DNA?

Bill_H: Yes. All the way down.

Nick: man.

I gotta in you

Georgia: yeah. Is there a certain time of year you find yourself going over more in the winter times, you know, or maybe winter, like it’s really cold yeah,

Bill_H: I usually get a call to watch all like his unofficial apocalypse trilogy Carpenter’s Apocalypse, Trilogy with the the thing. And then what’s it? 

Todd_T: From New York.

Bill_H: no 

Todd_T: Oh. 

Bill_H: the lemme say I wrote this down

Nick: because

Bill_H: knew what would go outta my head the second I needed to remember

darkness. the one in the middle is

Joe: yeah, I’m trying to,

Bill_H: the one I always

Joe: you said darkness, and now I’m [00:12:00] like,

Bill_H: yeah. Now 

Georgia: now you’re stumping us. So it’s

Bill_H: The Thing, and it’s Prince of darkness. Prince of, and it’s

Georgia: it’s

Bill_H: of madness. Okay. And if you extend a little bit, there’s Cigarette Burns years later that like sh short film he did.

Georgia: So do you watch ’em like boom,

Bill_H: Yeah. Like one sort of initiates the other in my memory and I’m like I

Nick: gotta watch

Bill_H: other one. And they all have, they all harken up to the, end of the world in some way in different ways, but Right. They’re really interesting together, which I like sort of the ideas that they bring up and then play off of each other.

But so I’ve, I watch The Thing all the time, but I haven’t read the original story. Who goes there in ages? I’d forgotten quite a bit of

Georgia: there, there’s a really nice letter press copy that you could, it’s beautiful.

Joe: Yeah,

Bill_H: I will be getting one.

That’s what this is all about. It’s selling you a bunch of these books, isn’t it?

It worked damnit

Joe: That’s why we have people [00:13:00] on the podcast. So that’s

Bill_H: so there was quite a few things I forgot about the story. I was pleasantly surprised how much of even dialogue I recognized, you know, that Carpenter used in the film. But there was a bit in there where they’re talking about the cows that they have

and they go to check on the cows and then they’d come back and say, the cows are all dead. We killed them. They were all. Things. And one of the guys sitting there freaks out and rushes out into the Antarctic, apparently, to die. ’cause he just drank a bunch of the cow’s milk. Cow. That wasn’t a cow.

Nick: Oh, 

Bill_H: and then they test the milk and they say, it is. It is. As cow’s milk.

As cow’s milk is cow’s milk. And I thought that was a really interesting thing that the cow wasn’t a cow anymore, but it was such a perfect. Adaptation, you know,

Joe: and it made milk

Bill_H: that it made milk and the milk was okay. 

Nick: So that guy pretty much doomed the world though.

Joe: But I don’t

I don’t understand [00:14:00] why in that scenario that the milk wouldn’t have Thing

Bill_H: Things in it.

Georgia: That you could de

Joe: like it’s a convenient

Georgia: about detection. You should be able to detect something. This was

Bill_H: the fifties. They didn’t have, you know, quite as high levels Exactly.

Georgia: analysis of their milk and 

Joe: who’s you know, who’s

Georgia: and then at what point does the cow stop being the cow and become The Thing?

Joe: Yeah. And I was gonna ask,

Georgia: and I think that’s like your point, like at what point, do you know what I mean? Is the host.

Todd_T: I’ve always thought it’s more, almost like viral or it needs to reach a tipping

point before you’re like, especially in the original story of Who Goes There, he talks

Or no, I guess.

it’s more in the things because

You’re hearing through Peter Watts. you’re hearing the viewpoint of the alien,

but he’s trying to you know,

gain control. and how sometimes he’s just I just feel like I’m

wearing this

skin.

And then, you know, so it’s, so maybe it is that up

until a certain point.

like so many [00:15:00] hours or

whatever where it can multiply and Take over

The cells,

but yeah. You think the milk would go bad?

Bill_H: I 

Joe: wonder

Georgia: Or it tastes funny.

Joe: that kind of to play on that idea a little bit. If, does it matter how The Thing gains entry? So if it actually takes over the brain cells 

Bill_H: first. mm-hmm. 

Joe: Does it have now cognitive control versus if you you know, get a cut on your foot or something like that?

And it takes some time for it because it has now to assimilate all the foot cells, come up to leg cells, you know, you have this whole process. I mean, once it gets to the bloodstream, potentially, then you would have this kind of movement. But it, it’s then would you be as a human cognizant of it?

Oh, something’s wrong with me. You know, 

Georgia: I can feel it coming. 

Todd_T: It burns. 

Joe: is being disconnected from my body. All the neurons and everything aren’t firing correctly. I got a dead leg now. Why you gotta limp there all of a sudden?

Georgia: I’m trying to remember, I’m trying to, is there a clear way that The Thing [00:16:00] infects someone that’s not really, that’s not really,

Joe: it’s fast and loose. It’s it’s kinda like zombie biology you know, it’s like sometimes one little particle can do it. Sometimes you got your hands, you know, arm deep into a carcass and like pulling out organs and everyone’s watching.

It’s like everyone, there’s infected now. Just, I just wanna say the scientists there, they have no they’re,

Bill_H: every time it’s

Joe: and fast with you know, 

Georgia: not a, Not a good representation of the scientist.

It’s like a 

Joe: videos every year for training about biosafety, like what to do with needles and how to do this and how to take gloves off.

Nick: Is it bad that caught my attention too. I was like, this is definitely gonna be a Joe thing, where he’s they shouldn’t do that. Like they should be wearing some kind of sleeves going in and

Georgia: protective, yeah. You’ve got

Bill_H: Wilford Brimley, Blair walking around pointing out this still steaming carcass on the table. It looks hot and I know people say if you look really closely, his pencil doesn’t touch it, but he like [00:17:00] taps at it. He points at it and then almost immediately puts the pencil against his mouth and I’m screaming inside the whole time, oh my God,

Joe: Do not do that.

Bill_H: stop that. It

Joe: Hmm. It

tastes like raspberry.

Bill_H: I’d

Nick: would rather him just start licking at, I love just being like let’s see what this tastes like.

Joe: The one with the dogs, they go, they burn the dogs all up, but then they go in and he’s just cracking stuff. Look at this. There’s a, I mean, there’s particles

Bill_H: nitrile gloves.

Joe: It’s yeah. And he’s little, the thinnest gloves. One could get.

It’s for your pleasure. It was like, God

Nick: I’m not

Joe: there. Know. It’s like just,

Nick: they might as well just

Joe: yeah. It was like

Bill_H: Brimley 

Todd_T: don’t have to guess. When they lock him up, you’re like, oh

yeah, right. Yeah. 

the 

Joe: he was done. Really, I’m looking at everyone that’s around who gets close oh, let me see that second intestine that you pulled out there.

You know, it’s as he is going through the whole, you know, just really digging in there.

Bill_H: He’s really getting his hands

Joe: was just like 

Bill_H: I read that, I think that might have been something to do with the effects guy Rob Botin, who was like, originally they had this gonna be this creature.

We, we don’t know what it is yet. [00:18:00] We haven’t made it yet, but there’ll be this creature stalking around and he being like young and crazy was like. How about it’s like different every time we see it to partially in between changes and this and that and so it’s never the same creature. It’s always a different one.

And I can make, I can drive myself to the point of exhaustion making, you know, multiple different versions of these things every time it’s a new horror, you know? And that might’ve been where that sort of came from. And that does, it is nice, it does leave open

Georgia: think that

Bill_H: I don’t

Georgia: works perfectly with the story.

Yeah. The fact that it, that. It does shape shift and goes to all these things so it makes sense that the creature itself would be do you know what I mean?

Joe: but it was also that thing. If Blair, let’s say Blair got

Nick: that thing pretty

Joe: on

Bill_H: Kind of Thing.

Joe: and then he goes, lock this, lock the body up in a little coat closet with, you know, then you have the next couple people in there with it.[00:19:00] 

I mean, is it now, you know, like really thinking and strategizing, how do I spread myself to others? Because it, yeah, because The Thing does a great job at hiding itself, and it does a really poor job at hiding itself. And it usually breaks out at the most inopportune time. It’s you should really just stay quiet.

This is the time you stay

Nick: quiet. How are you making it through the galaxy like this, like you are going gungho. It’s just what? Why

Joe: Here I am now. Like when he went in the dog kennel, he could just chilled out. Yeah. But then it was like, oh, there’s four other dogs in there.

I’m gonna get ’em. This is my time. Like there you go now. And it’s and he obviously, or I’m saying he, it obviously had dealt with dogs before and understand that once you rope the dog with your coily, stringy stuff and juices, that they’re gonna freak out and then humans will come. And it, is that a strategy, I mean, is that the strategy? Once the humans come, then I can spray them and it was an interesting thing. Like what [00:20:00] was the strategy with the dog kennel? ’cause he could have just laid back and then went and bit people and licked them and really just, it could have, I keep saying he, I don’t know. 

Todd_T: I think it’s I think that the theme is

like universal bad decisions. Like just

later when you see like people going out into the dark by

themselves or you know, don’t go up

there, there’s a killer in the basement or whatever.

It’s yep. Even brilliant space creatures are like

Joe: Yeah.

Georgia: right,

Nick: That makes me feel good about the

Georgia: That’s right. We all have

Nick: can just do it. 

Todd_T: you’ve got a chance. Yeah.

Bill_H: I don’t know, for the listener, we are drawing from three, like major texts here, right? Yeah. Like you got the, who goes there

so 

Joe: I can, who goes there by John W.

Campbell, 1938, right? We have The Thing From Another World, 1951. That was the

Georgia: Okay. And that was the movie. Yeah.

Joe: we 

Todd_T: the Howard 

Joe: Howard

Hawkes. We have The Thing 1982 by John Carpenter. And then we have The Thing, the prequel 2011 there,

Nick: but it’s also just called The Thing,

Joe: called The [00:21:00] 

Nick: It’s 

Bill_H: A Little Confusing

Joe: the Things by Peter Watts in 2010.

That was a short short fiction.

Bill_H: which

was fantastic

Joe: from the perspective of The Thing. I

did 

Bill_H: not read

that one and it knocked my socks off. I seriously, the last sentence knocked some wind out of me. I ver I was like, oof. When I read the final sentence of that story, 

Todd_T: it hits like a punch. 

Bill_H: it was a physical punch into my guts.

But there he deals with a lot of some of these ideas in a very interesting way. And the original story does too, that you can’t quite get across in, you know, action horror film. But there are some interesting things in there about in Watt’s specifically that the things he the creature is letting those things happen as, you know, sometimes as distractions, right?

So that, you know, it can continue to do other things while everyone is rushing around trying to track down a monster. It’s still a dog somewhere or one [00:22:00] of these other guys, and it’s doing things, you know, many Blair in the movie is in that hut for days building a spaceship.

Joe: so

Bill_H: you know,

Joe: I mean, at the dog scene, and I’m gonna go back

Georgia: dog scene in

Joe: thing 82 Carpenter, the dog actually splits off

Bill_H: So

Joe: then goes out somewhere to either assimilate into another dog.

Or do something out in the wild. And so you had that scene. So not only was Blair out there, but there was another fully formed thing that was out there running around and running off somewhere. You’re right. It was one of these things where it actually, it never really, no one ever said, where’d that thing go?

Like it was just gone. Like they flame thrower. Childs came up with the flame thrower. They flame

Georgia: That’s probably a good thing to ask. No one

Joe: let’s go out and find it.

Georgia: Either that or just let’s not worry about that. Let’s pretend that didn’t happen.

Joe: But this gets to, to a point that it’s [00:23:00] not just assimilation either because that dog it developed a lot of biomass that it just is.

So there’s some, you know, rapid growth factors that’s happening. I mean, it was, it had arms. I mean, it really reached 10, 12 feet. I don’t know how tall it was, but it reached up with strength pulled itself out. So you had all these scenes where it wasn’t just, I’m making another Bill. It’s like I can actually do other stuff on the fly.

And is that’s probably pulling from some historical DNA, is it, does it have like many copies of species DNA that it can pull from in some conscious. Way. I mean, it really I started thinking about that as a, as an organism.

Bill_H: that’s always what I imagined like the things we were seeing, especially in that scene. Yeah. Where we get that at the end we get that like flesh flower that blooms that’s right from the head of the

Joe: that. Yep. Yeah. 

Bill_H: Oh my, this is some sort of alien creature that it is assimilated eons ago and is just referencing from, its [00:24:00] like memory banks of anything it’s ever been and if it’s got enough.

Biomass, it can just recreate whatever that is. 

Joe: I mean that dog wasn’t, didn’t have a lot of biomass. No. I mean, it, I think if we did

Bill_H: technically he was also attached by its tendrils and

Joe: stuff. Yeah. But he wasn’t, I mean,

Bill_H: and could have been drawing in.

Joe: That was a lot. I mean

Bill_H: a lot. It was

Joe: that was

like 10 dogs worth

Todd_T: But that’s where in The Things like, so when I talked to Peter Watts about this, he was just like, that was one of the things that he was, try he tries to,

fix some 

of those little errors. 

Like he was in, in,

the Things he refers to it, like eating all their food

In the background.

and then not knowing it.

But yeah, it does certainly grow

exponentially.

Joe: Because you not only have the biomass, but you also need the energy to calories. So even though you’re eating all the food, and we can,

Nick: how many calories does a human have, Joe?

Joe: how many calories does a human have? Yeah.

Nick: If you were to eat a human body.

Georgia: we’ve talked about this I feel like we have, but I don’t remember.

Joe: think it was like, was it like a hundred thousand?

I mean, it was

Georgia: it was a lot.

Joe: Yeah. It was enough [00:25:00] for someone to turn into a werewolf.

Nick: Oh, that was last Halloween episode. Episode last h geez.

Joe: That’s right. 

Georgia: I’m just thinking about in nature. Like creatures that are para parasites. And that can and then also there’s creatures that can change.

Like I, I don’t know. I’m not, I don’t have anything specific, but it just seems like something in nature is similar to that.

Bill_H: Yeah. Like a butterfly over its lifespan does completely physically transform at some point. 

Joe: And actually will it juices itself down and then it reforms out of that, , so it uses that biomass, it converts it down to basic, like a soup and then

Bill_H: which is amazing forms

Joe: out of it. Yeah. So that was something there, but yeah, there’s no real,

there’s nothing

on earth that we can directly compare to the thing.

Georgia: that we know of.

Joe: unless we are right. No, we’re there. But there are, there were a lot of things, and I I mean, just thinking about it , we’ve formed , relationships or with things over [00:26:00] time at the cellular level . So mitochondria and chloroplast, those are organelles.

And you carry our cells. So our cells have mitochondria, plants have chloroplast or those photosynthesis, but those organelles used to be free living organisms that were eating, eaten by something else and then incorporated to do work for the cells. And then they became larger, more multi complex organisms.

You know, that type of thing happens in nature. We have mind controlling organisms.

So we have, you know, corti opus is all of age right now you know, the parasitic fungus, you know, you know, the wasp, 

Bill_H: that can,

Joe: as they get infected, they do things. Toxoplasma Gondii.

That one’s really cool that can actually infect mammal brains.

It’s

Georgia: It’s cool unless it happens to you

Joe: particular, it, if people don’t know it, infects rod. So lifecycle is multi organism, so it infects rodents and then the rodents can become infected and then they become attracted to cats, which will kill the, and eat

Nick: what kind of attracted to cats? What 

Joe: [00:27:00] it aggressively goes after the cat.

Bill_H: Not sensually.

Nick: Oh, okay. It’s not,

Joe: I mean, 

Nick: I was like, is it like, Hey cat?

Todd_T: seen that? You 

don’t 

Nick: that’s right. The rat 

Joe: doesn’t live long enough to really get his

Bill_H: I’m not a scientist. I’m not a sexy scientist. I shouldn’t have, I’ve, I’m

Nick: Hey kitty cat whatcha you up to

Joe: Toxoplasma will, it actually can infect human brains. It actually will.

So if you have a cat on, like an indoor outdoor cat and you change litter, you probably are infected with Toxoplasma

Nick: Oh, Joe, you didn’t tell me

Georgia: they weren’t, they warn a lot about Yeah, if you’re pregnant, you really are not supposed to change

Joe: and that’s why yeah, if it’s an indoor cat, you probably don’t have a lot to, you probably don’t have to worry unless you got a, you know, a rodent problem, then you probably do.

Especially if they’re playing with the cat. I think like in Tom and Jerry, I think Jerry was infected with Toxoplasma.

Bill_H: Definitely. That makes really

Joe: challenged Tom a lot. I mean, he was in his face

Bill_H: just left him alone. It

Joe: right. It wasn’t, it was like The Thing, it was like, what are you doing there, guy?

Come on let’s back off of him. Yeah. So Toxoplasma is [00:28:00] one there we have organisms that do gene transfer, horizontal gene transfer, so different species, so agrobacterium. So Agrobacterium is really well known in the molecular genetics community, especially with plants. It’s a bacterium that can transfer.

DNA from itself to a plant. So it’s used for a lot of modifications. So gene modification of plants, GMOs. That was the kind of breakthrough technology understanding and hijacking that for our purposes. But in the wild, it does it all the time. So it will have these kind of transfers like that. So we have things like that where you can move DNA

Bill_H: Between

Joe: different species.

You know, we have cell mimics, so there’s things that will digest other organisms and use their bits. So there’s , the sea slugs that will eat algae and then use the chloroplast to do photosynthesis in itself. And so we you know, so we have all these things. We have bits, we have all the makings of it, so we just get some funding, get in the lab, and we can do

Bill_H: it, stick ’em

Joe: you [00:29:00] know,

Nick: in the 51 film. They said something about the material of it being plant-like.

Bill_H: Yeah.

Joe: Yeah.

Nick: so they said that it could pretty much be a intelligent carrot.

you go. So is the thing a carrot?

It’s it’s a carrot.

Joe: That’s what they had. It’s eight feet tall. It had arms and legs.

Nick: I just wanted to be 

Joe: It came out. It was like, I am Groot. It’s it.

Nick: Oh,

man. Gro has a lot of, that’s

Joe: Gr fruit is a thing.

Bill_H: That was an interesting take. It was an interesting take. They really did make, they changed a lot of the story.

Nick: It was just like, why, what?

It’s coming.

Bill_H: which is funny because really I, for me, I lo I love the special effects and the thing visual guy, I draw that kind of thing all the time. Tentacles, , twisting veins and things like that. But the real scare of the story for me is the like. You know, that whole who you can’t trust anybody

Joe: Yeah. That

Georgia: It definitely

Bill_H: who is who, and that story [00:30:00] doesn’t need any special

Georgia: effects. None to be told.

Exactly. In the fifties, That’s they still could have made a very convincing version of that story without, with very few special effects. You know, they didn’t need a big monster rampaging through the hallways. They could have just, you know, hinted at a couple of things here and there, and then let your imagination go with, now who

Joe: was gonna say that in, I’m, I’ll have to look it up and put it in show notes, but Invasion of body 

Bill_H: Mm-hmm. 

Joe: That was the fifties, right? That was all in that time. Paranoia. It wasn’t the fifties. It was in the sixties, but yeah, you had that, , if it quacks like a duck, it looks like a duck, then it’s a duck. You know, you had that same idea. That’s, and then they remade it in the seventies, the Donald Sutherland movie where it had, you know, but the special effects wasn’t I think in that one, the Donald Sutherland Spock and Jeff Goldblum, they were all young.

A very young Jeff Goldblum, I believe. I don’t know if he was young. I don’t know

Georgia: They all were

Nick: than you.

Georgia: They all were pretty young. Yeah.

Joe: was the idea, the paranoia, because you work your way through that movie, who to trust, who [00:31:00] can’t you trust? And the special effects wasn’t besides the big green pods with some, you know, vines hanging off of ’em.

It wasn’t, and no big monsters 

Georgia: really. 

Joe: at the end when he opened his,

That, like you said, that gut punch of an ending that was yes. Yeah. But

Todd_T: In, in doing all the

research for these books and just knowing what was.

what had come before and not wanting to do the same.

Like I just learned a lot about him and that apparently it’s

really supposed to be about

communism. Like they’re, you know, 

Joe: Yeah. The book one, that’s right.

Todd_T: and 

Georgia: right.

Todd_T: Make it an alien 

Bill_H: Yeah. That makes 

Georgia: It was really like that post World War II kind of, and this whole idea about the Atomic Age and not understanding, the atomic bomb and all the, I think that had a big influence on that.

That’s But

Joe: it was the 51 movie was set in Alaska.

To

go with that same, that paranoia from world the post-war kind of paranoia and communism that was very different than the other ones were set in

Georgia: And [00:32:00] I love that. John Carpenter was a young boy and watched Yeah. That watched the 1951 movie, and that had such an effect on him.

He loved it. Yeah. Yeah. 

Bill_H: Yeah. Not

so much the monster, but 

Georgia: And then when he did his movie, we had Reagan. And we had the kind of, you know, and also the Cold War kind of thing. So in some ways, those. Those themes were repeated, you know? Yeah. I wanna

Bill_H: muddy the waters with one more extra story.

Georgia: Oh, please.

Bill_H: in looking back into this stuff, digging through it, right? I started checking out was it Campbell? My, my brain is shot. Yeah. 

Joe: Campbell wrote the story. 

Bill_H: He wrote a story a couple years before who goes there. He wrote a whole bunch of stories.

He’s a very prolific author before he became an editor. And there was apparently a very famous author who he either died or he quit, and the magazines asked Campbell to fill the hole by writing a similar kind of story, sort of like upbeat, humorous [00:33:00] stories about a couple of like scientists who like, you know, go out doing things.

And so he came up with these guys named Preston and Penton and Blake, and he wrote a couple of Penton and Blake Adventures, and one of them was called Brain Steelers of Mars.

and in that one it’s it is a great read. It’s pretty

Georgia: that one needs to be made into, it’s very,

Bill_H: It’s pen. Penton and Blake are these like, seriously two fisted atomic scientists who are, they’re on the run from earth.

Because it’s illegal to do atomic experiments on Earth. And they did it anyway man, because they know what they’re doing.

and they,

not only did they do it at the beginning of the store, they’ve done it, they’ve cracked it and they’ve used it to power their spaceship. So now they can get to planets that no one have been able, hadn’t been able to get to.

And they, which is good ’cause they have to get away from Earth. ’cause they’re 

on the lamb, and they land on Mars and they start seeing trees that look like trees from [00:34:00] Earth. And it’s weird. Until they go look at the trees and then the trees are different than they were when they saw them at first.

And then they run into centar. The, these are the creatures that live on Mars, these centaurs. And it turns out that those trees are another creature that lives on the planet. A shape shifting creature that, eats their children and takes their pl the place of their children. And

Joe: Wow.

Bill_H: they used to have a problem with it, obviously, but since they can’t tell the difference between the children that were real and the children that are the reproductions, they’ve stopped worrying about it.

And for generations have just lived alongside these other creatures, these mimics. And they’re just like,

Georgia: do?

Bill_H: Alright. And, but our American boys, that’s where the

Georgia: how I stopped worrying it. They’re

No,

Bill_H: we are leaving now. And it [00:35:00] becomes this huge deal where suddenly copies of Penton and Blake start showing up and they’ve gotta get away from the planet and get back to earth without these mimics coming back to earth.

And there are sections in that story. I don’t think they make it into the published version of who goes there, but there’s that, Frozen 

Todd_T: Frozen hail. 

Bill_H: There are passages in there that are almost word for word where they’re like if a thing got stranded in the desert, it could just make itself a cactus and get along just fine.

If a snake tried to bite it, it could turn itself into something that couldn’t be bitten by a snake. And, you know, he rattles off these great things that this creature could do to avoid, you know, dying and live basically anywhere. And I was like, I recognize that. I just read that.

Georgia: Oh my gosh.

Bill_H: But that was definitely where that like where he

first had that idea and was playing with it in a much more comical, but still really right, freaky way.

And then a couple years later, he dusted that off and went at it [00:36:00] from a different angle for who goes there. But I’m interested in what you think about this idea that like, all right, the things here, some of us are things. 

Georgia: Let’s just deal with it. I can’t prove you’re not, you’re

Bill_H: the thing. And if even if you are you’re just as good a Georgia as you were before,

Georgia: maybe better.

Bill_H: you know? In the Watts story, it’s that the creature is going for advancing species. It’s like taking things over and bringing in its mind, bringing the worlds together and bringing them to a higher, you know, more perfect organism. And in this story, it’s it’s perfect Camouflage in, in a, like a really disturbing way to me that I, coming to terms with that was super

Georgia: That’s the feeling you got at the end of body snatchers. You know what I mean? I don’t know,

Joe: almost, you start talking like a Ship, of Theseus kind of thing where you’re going like after some point almost doesn’t matter.

Bill_H: right?

Joe: It’s, are you still the same or have [00:37:00] you changed enough to be something different? Are you really a different Joe

Georgia: And I think 

Joe: or Bill,

Georgia: idea that we’re losing our humanity and we, you know what I mean? We don’t wanna lose our humanity,

Joe: Yeah. And you have that. I mean, that was the anime Parasite

that you had that, so that was the same thing.

Alien species comes and it infects people. If it goes through like the nose, mouth, ear, it gets to the brain and then they become. A parasite, whatever the, this alien creature, but the protagonist of the story, the alien goes into the arm ’cause it was like dying or sick, I can’t remember that. But it went into the arm and then just the arm was the alien, but the rest of the body and the brain was human.

You, you get some mixing and stuff and the episodes go through and that, that’s really it. What is humanity? What are you struggling for? And that’s that same kind of idea looking at where does, where do you draw the line between humanity and other, you know, the thing like, you know, so at some level, [00:38:00] but if you are cognitively making copies and assimilating, are you assimilating?

And then using that and maintaining that level of humanity in, in yourself Or are you know, bringing other things to the table that you have.

Todd_T: Just the themes of that

Just

were

so

reminiscent of,

colonialism, of just Oh you’re an uneducated,

heathen, 

let me introduce you to the ways of the universe.

Bill_H: Yeah. Wa that story, man, that final line in Watt’s story just blew me away. And I, he did a beautiful thing there. And that, the paragraph leading up to that, the creature is musing and sort of like contemplative and things sort of ease off and chill out a little bit. Oh, okay, this creature’s okay it’s I see.

And then bam, it’s all,

Georgia: can you see that story being adapted to a film or something visual?

Like

Bill_H: It’s all internal. And I don’t know how you would [00:39:00] do 

Georgia: so

Bill_H: Somebody could do it. Maybe somebody great or

Georgia: something. It’d have

You know? 

Bill_H: But it would be really hard to do, I feel visually, I don’t know.

What do you think?

Joe: yeah.

Todd_T: I haven’t

thought about that, but now that, yeah.

It’s it’s all it is. I mean, that’s what the, that’s

what my Illustration. challenge was with my 

additions. How, you know, it’s the alien talking and thinking and trying to understand why these people are so bad to you know,

you Woke me up.

and now you want to kill me.

What? I just wanna sh I just wanna show you what I know. Don’t know. 

I’d love to see it in a film.

Bill_H: Yeah.

one 

Joe: one of the interesting things is after The Thing assimilated somebody, let’s say Blair, ’cause he probably was the fir or to, I think Blair probably was the first fully assim assimilated. If, let’s go with that. Let’s say one of them. But why the thing. Could have spoke through Blair and communicated with the humans in some way because you would have

Nick: but humans are brash and they’ll

Joe: But [00:40:00] you could have pulled I think you, it probably could have chatted with somebody and be like, Hey, guess what? Or given, be

Bill_H: aside,

Joe: tipped off with the

Georgia: what? Instead of going crazy. Because

Joe: that’s, that was the thing about Blair and I pick on Blair because I think he was digging in and he should have been assimilated if he wasn’t.

So when he destroyed the 

Bill_H: mm-hmm. 

Joe: and went crazy and they locked him in the shed, I guess the assumption was he had not fully assimilated maybe. So he might’ve been struggling. His humanity versus a Thing in his mind, maybe he was this, his intelligence, he could actually parse that, was thinking about it and knew, oh crap, I’m infected, I’m going down.

And then when he got to the shack and was like, Hey, I’m okay, you can let me back in. Was that now the thing like, Hey, you can really trust me again. 

Bill_H: I love that

Joe: I was just

Bill_H: that part

Joe: really one of those things. It was like, Hey I hear noises and

Bill_H: I’m really much better

Joe: right. Yeah. I’m really,

Nick: oh,

Bill_H: I’m

Georgia: ao

Joe: a okay

Georgia: now buddy. 

Joe: You know. Yeah, you’re a hundred percent thing. Now. Maybe back then you were 50 50 and you were really [00:41:00] struggling against you know, this entity in you and couldn’t communicate that you just raged up because you were with the lizard brain. Might have been all that was left of the human the humanity was reduced to the lizard brain, and that was, let me protect, you know, he had all those numbers in his head, which

Bill_H: I always thought that was inter, that was possible. I don’t know. Oops. I always thought it was possible. They, because in the book they make a, they kinda make a big point about not destroying.

The radio equipment and even go so far as to talk about creating fake broadcasts back so that everyone thinks that they’re okay and nobody sends out a search party because a search party, until they deal with it one way or another, even if that means death until they deal with it,

A

search party would mean infection for the world.

So they were, there was a bunch of stuff

Georgia: So like the reporter was wanting to get out there, the

Joe: the word out.

But you, but you also had, which was really clever in a narrative device [00:42:00] in that story, was that you had the paranoia still of the Cold War and keeping secrets. So really it was like,

Georgia: you

mean of the

Joe: Yeah. In there. And so

Georgia: of the,

Joe: were they thinking of this as a weapon? Can we weaponize this?

Because you always you know, like the alien, we need to weaponize it, right? Let’s you know 

Todd_T: Go.

Bill_H: You know, we,

Joe: you know, t rexes weaponize it. You know, that’s

Nick: can I put a machine gun on it?

Write the

Joe: weapons. Can we make a weapon out of this thing? Then let’s go your green light.

Nick: Can we put a laser on a head and have it attack

Bill_H: Like 

Joe: anything. It’s man, this thing’s gonna eat everybody in the world. How can we turn into a weapon?

Bill_H: It already is like, It just, we need

Georgia: That sounds like a good weapon.

Joe: I think we can control this uncontrollable weapon. Okay. Eh, yeah. Let’s do it.

Okay. Yeah. No I wonder if that was part of that and a really nice narrative kind of setup that you had, whereas you’re in Antarctic, you know, Antarctica.

You know, you, you have people coming in probably to check on your supply drops and things like that. I had friends when I was in grad school that would go down and [00:43:00] stay at the science center there studying an Antarctica plant life.

And so they would go and stay down there for months at a time and then come back and they would talk about the supply drops and things like that. Did

Georgia: Did they ever watch The Thing while they were there?

Joe: I don’t, I didn’t

Georgia: ask

Joe: but the other thing is that alcohol was banned. So you, you weren’t allowed, I mean, people smuggled it in, I mean, like anything.

But you weren’t supposed to, it wasn’t actively encouraged. So I always think when I watch The Thing and he’s got his JB and he’s just I’m gonna go to my shack and get drunk. It’s just with his sombrero you know, it’s this kind of,

Nick: I actually do have a problem with one of the first scenes in the thing, the John Carpenter one chess, no. So when they were doing the that was funny too.

But when the Norwegian guy came in, the guy inside busted open the window to shoot him,

Joe: Oh, yeah.

Nick: Windows aren’t easy to come by out there, right? 

Joe: Yes. Yeah they

Nick: I’m assuming they would be thicker than that. You

Joe: mean they’re Swedish?

Nick: I thought it was Norwegian.

you. I was like, wait.

Joe: [00:44:00] that’s what

Nick: I was like, I watched the movie.

I know the film.

Joe: I was hoping I got the do that. But yeah. So thank you. Thank you very much.

Nick: But yeah, I’m assuming

Georgia: been that easy to

Nick: He just busts it over him with his hand and it’s 

Joe: and quick shot too. Yeah. I mean that was,

Nick: very little aiming.

Joe: Oh, aim. I mean, you know, he didn’t even do

Bill_H: you

Joe: twist, neck twist and side it up. It was just go for it. Yeah.

Bill_H: I don’t know. I would imagine they would have thicker

Joe: glass. Yes.

Georgia: Yeah. But,

also 

Nick: frowned upon to just break open a window

Joe: not open it and go out and this Yeah. I don’t 

Nick: he walks out the door, the very next scene like. Seconds later, he’s out the door.

He’s

Bill_H: He’s gotta, he’s gotta protect his men, you 

Todd_T: But there was an active shooter

situation. You don’t know what you 

Bill_H: already shot in the

Georgia: lake. Shot in the lake. The dog’s

Joe: A dog’s licking him. 

Todd_T: Yeah. 

Joe: It’s right there. You can, you get student, the count right there, like pop, all these folks are infected, but then they’re really not, like when they did the [00:45:00] blood test, which once again, can a thing, if it’s a conscious organism, can it choose to display pain or not?

Like you were saying, and you know, Watts version that it was doing these things to be a distraction. Was it really reacting to the fire or was it just putting on a display? Because now it set people up, they’re all tied to a couch and things like that. They got ’em lined up in a row and this is it, you know, distract here.

Palmer can split his head open and juice blood flies all over an aerosol. But, you know, the 

Bill_H: original story, they talk about the possibility of it leaving them sort of. As food for later, like having taken over a couple guys, it knew that they’re in the middle of nowhere and it knew that it might not see any more people for a little while.

So it could just not, it didn’t have to take over everybody. It would just take over people when it needed to eat or when it needed to do something.

Joe: eating?

It wasn’t eating, it [00:46:00] wasn’t feeding off people.

Bill_H: It’s that was their conjecture. They were still talking about it at the

Joe: Oh, I see.

Okay. How it worked.

Bill_H: yeah.

Joe: yeah. So I was like, that’s not it. It would just eat regular food. I would imagine like a can of beans, like whatever they had in the pantry,

Bill_H: or It could, we could, I mean, as you know, we use our stores of fat. Maybe, you know, it could use our stores of fat as well to,

Joe: or did it use the store as a fat to assimilate?

Fat cells are human cells. So are they now? Thing. Sell and Thing. Fan. Yeah, the thing fan, it’s the new,

it’s the new weight loss plan.

Georgia: the whole idea about the com, this communist scare and who’s a communist and who’s not. And there’s those scenes, where there’s those posters about venereal disease and who could have it.

And they’re official, like from the government do you know you know, so it like completely feeds on that home, like paranoia and that.

Joe: I love it too, that they have those [00:47:00] signs up in the base where it’s all men.

What does that say?

I mean, so little progressive there. It’s like 

I was 

gonna, I was gonna add something because we had the, the Campbell story, I was 38 in, in there. But DNA as a hereditary agent wasn’t really known until 44. So when that story was written, it still wasn’t quite, how does DNA,

How does that, how’s that functioning?

How does it act? I think people had idea, but the actual DNA molecule, and that’s a thing in the cell that’s doing the job. That was round then and I’ll put that in the show notes that date and make sure that’s right. And another movie from the nineties and The Stuff

The stuff a little bee a bee movie. And it was these guys are out mining and then they discover something’s bubbling and then they eat it for whatever reason.

Bill_H: I remember. Really? I remember very

Joe: ice cream. Yeah. It’s 

Bill_H: a homeless

Joe: no, that’s

Bill_H: stumbling around and there’s just [00:48:00] white stuff bubbling up and you Yeah. He makes that sound like, eh,

Joe: Just

Bill_H: a bite, loves it.

Starts digging it out of the ground.

Joe: They go, yeah. It’s like the whole thing. They start mining it and it’s just this random stuff coming out the ground. And it’s similar. It takes over the, it’s a parasitic kind of organism that takes over and does that. So I, that came to mind as we were talking, that you have this and then who’s who who’s infected with the stuff and who’s not.

And then it’s just out in the store. It’s like the grocery store. It’s gotta get The Stuff. There’s like a jingle in my head. I can almost hear it still if you haven’t seen The Stuff.

Georgia: It’s a cautionary tale.

Todd_T: I 

have not. 

Joe: fun watch. Like it’s just, if you’re gonna take over people, The Thing needs to do that.

Just getting ice cream, man. That’s you’re

Bill_H: and you’re in

Joe: milk, the cow’s milk. It added

Bill_H: Just

a little sugar, a little vanilla. That’s

Joe: right.

You’ve got it. You’ve got it there. 

Georgia: This

totally doesn’t have to do with The Thing, like the science of the thing or anything, but I didn’t even realize it was Howard Hawks that made

Bill_H: [00:49:00] Oh, yeah.

Georgia: And the 1951 version. And when I read that, he’s one of my favorite, I mean, he made so many movies, but Bringing Up Baby is like all time favorites. And I think to myself, how did that same person make bringing a baby? And, 

Bill_H: he was like the producer of it, but there’s a lot of talk about, he did a lot of, A lot of directing of the film. He was on set and making decisions and

Georgia: And The Big Sleep,

Bill_H: it feels like a lot, all that, like people talking over each other, you know, moving around as they talk and, you know, the even a little bit of sexual tension between the secretary and

Was the captain, you know, like that’s all very hawk and,

Georgia: Yeah. It totally, once I like it came to me, I was like, oh my gosh. And I didn’t know, but Howard Hawks was born in Goshen, Indiana. go.

I didn’t know that. So anyway, I just thought I’d throw that off. You should

Bill_H: have known it. Yeah. Hoosier you all along.

Joe: out. I mean, I really, I enjoyed a movie 51 because there’s just like [00:50:00] two botanists in there on the team.

I mean, botanists were very revered scientists back in the day. And if people don’t know, I, my PhD in botany. So that’s we’re that’s it. So

Bill_H: they’re the real smarties

Joe: when it’s there. You know,

Bill_H: I had a real question for you. The head scientist sort of makes a turn, like in the story the 

Joe: or Who Goes which story?

Bill_H: in Hawks’,

Joe: Okay. Yeah. Okay.

Bill_H: The thing with

Nick: The guy with the turtleneck, right?

Georgia: the

Bill_H: with the turtleneck, he starts off okay, he’s a scientist. You know, and the government rushes in and just starts taking over. And so you’re a little bit on his side, you know, Hey, he’s out here doing his job, trying to figure things out.

These guys come and just start telling him what to do. But then he slowly, he’s his he’s the quintessential sort of crazed scientist where like the science gets in the way of everything else till at the end he’s like telling everyone that they should all, we should all die. It’s more important for this thing to continue living so that it can be studied.

By, but my, [00:51:00] I, there was a real disconnect for me. Eh,

Joe: If

Bill_H: if you are all dead.

Nothing’s going to stop the next group of people from also being dead. Somebody’s gotta survive so the information can serve. The science is great. I love it, you know, but if you don’t have someone to pass that science on, this thing’s just gonna kill everybody, you know?

Joe: I think also in that generation of movies, the scientists, A, they knew a whole lot about the alien

With very little information. And B, they always wanted to communicate, be friendly, you know, the idea that if you travel, light years, you have the technology to travel light years away, arrive on earth, that you’ll have transcended the follies of mankind.

You must

Bill_H: be an advanced species of some kind, except, 

Joe: you know, if we humanize them then and we go, they’re gonna act just like any other advanced species. When they go somewhere new, they [00:52:00] usually go with guns a blazing. Like they don’t show up like, you know, peaceful usually. I mean, we haven’t, so I don’t know why we would expect, like what is this expectation now?

Oh, they’re gonna be so much more different out there, have seen so much more and traveled. Why are they traveling all this way to get here? You know? I mean some, there’s this exploration, so you have this thing where, and I think a lot of the scientists were like that in those movies where they were like, Hey, let’s give ’em the benefit of the doubt.

Maybe they have something they can teach us and you know, yeah, they can teach the takeover. You know, it’s I dunno if that’s like it. So I do think it’s funny that’s. You still see it and I think Mars attacks poked fun of that. Yeah, that was a very

Fun, because that was like that whole hum homage to that genre of sci-fi movies and stories that the scientists were always Hey, let’s let’s be friends.

You know, they can teach us something about something that we don’t know, but I know everything about their anatomy. Got it.

but Yeah.

Todd_T: Is an interesting Contrast

between the two, the Hawks version and the

[00:53:00] Carpenter version.

I mean, not like the original had so Many people.

I mean, it was just like this big

military base versus what, like 12 or 

Bill_H: mm-hmm. That’s

Joe: right. 

Todd_T: Carpenter’s, which just

makes it feel So much tighter,

and more

paranoid ridden.

Bill_H: Yeah. Isolated claustrophobia really 

Todd_T: Yep. 

Georgia: and also all men.

Joe: All men. Yeah. Yeah. The original the 51 movie had at least one

Bill_H: I think there

Nick: were two, and the prequel had, yeah. Two. 

Bill_H: The

pre

Joe: had the couple. Yeah. So yeah, I think they could have used a couple women there that probably would’ve, Hey, you knew you should wear different gloves, bud.

You know, 

Nick: Are you sure you wanna be looking that? What are you doing? That’s right.

Bill_H: It’s fine. It’s imitation.

Todd_T: The eraser, Ugh.

Bill_H: Yeah.

Nick: You just lick your eraser 

Todd_T: no. I was just like

making the motion

Nick: Oh, I thought you went ahead and did it anyways. I was like, you shouldn’t do that. Yeah.

Joe: Todd, we need some blood for the Petri dish test. Come on, flame. Throw it up. That’s an official test we do at the lab. That was in the videos [00:54:00] I watch. It’s if you got questions, just do the Petri dish test.

Go ahead. And so Todd as a question, as you went through and you put together these stories, I mean, did you find, what was the connection or threads and things like that? Bet you know, between the thing as a creature because they, it’s presented different in so many stories. I mean, were there threads?

, I gave my list of what it can do, maybe from a cell point of view, but from a, narrative point of view. I think that’s

Todd_T: of, was a pretty comprehensive list. Like for in doing The Things I wanted to,

I spent some time

In a phone call.

or

I asked Peter Watts a bunch of

questions and,

I. To hear a zu I think he’s a zuo biologist.

Like I, I love the the amount of science that he’s bringing to

his science fiction, like Adrian

Tchaikovsky, you know, like his living creatures just feel so

realistic. You know, it’s like my take from the stories is just like this Thing

Seems it’s like the pinnacle

of evolution even though it’s not [00:55:00] evolution. It’s you know, something different. But

you know, talking about the the distributed 

intelligence and

how would that work?

If the beast gets too big now, you’ve

got latency issues with communicating and just,

I don’t know, as an artist

like hearing, like just

learning so much about this about biology was just, I don’t know.

I found like pretty amazing. 

Joe: Yeah, no I think, I always think of fungal slime molds. 

Bill_H: I was thinking a lot about fungus this time ever. I didn’t know about it much as a kid, but since then I’ve learned a lot more and it is very fascinating and. Yeah. The,

Joe: Except from your beer drinking

Bill_H: Thing?

Joe: a lot

Bill_H: No, it’s just, it’s growing in the corner of my

Georgia: studio.

Bill_H: and don’t look at it and no one will worry.

Joe: Yeast is a a fungus for people out there in the world 

Bill_H: But I thought Watts really brought some really cool things to the table. Yeah, definitely to think about. And talking about,

The way he embodied this intelligence it seemed to have come across [00:56:00] obviously vast distances. It’s come across who knows how many planets and assimilated them or gone through them in some way.

And a big surprise for it was how different this planet was and the creatures on it. And it seems like hundreds of planets that it’s been on. It hasn’t come across that. And I was trying to wrap my head around what that other Thing was. Obviously, you know, it’s marveling at the idea of a brain, a centralized brain kept up in a inside of a skull and like being protected.

And it’s that is a weak failure point. That’s, anything’s gotta just attack that head and the whole rest of that body is done What terrible design, you know? So what’s, what is the opposite of that? What has it come across? I mean, it obviously has some way to think in every cell right? In some way.

So each cell is its own thing. Each cell has its own brain of some [00:57:00] kind. And then when they link up, they commune and share what they’ve learned when they were apart and they grow and you know, their knowledge grows that way. What does a planet of creatures. That look like. You know, what does a planet of creatures look like where there aren’t things with heads or brains where things change shape as needed for?

Joe: and do you have to be? Do you have to be multicellular? Like you could just

Bill_H: just be one big cell,

Joe: a biomass, right?

We think about bacterial mats

Interactions. There’s cheats in there. There are suppliers, they have communities, there are,

Nick: or are they just nomads?

Joe: right? And they just go around. So maybe on their planet they could be the microbes and the high, you know, the hu the quote unquote evolutionary higher organisms.

You know,

the humans 

octopuses, whatever you want. They have evolved that they maybe are gut bacteria they just live in. And it’s so they’re a gut bacteria. So they went to some planet, someone pooped, and then now they’ve infected, and now [00:58:00] it’s oh, hey, we’re free.

We can do all this stuff. That’s, if humans go to other planets, exoplanets, and we do that we’re not careful with our waste, then we would release organisms that may become you know, symbiotic like chloroplast and mitochondria so they could then go in and now co-op cells and become part of the organism.

And do that. And so these Things had to come across other intelligent species that knew how to fly spaceships and travel across the galaxy.

Nick: Didn’t you have a theory about it being connected to a

Joe: Predator? Yeah. Yeah. I had the Predator. I think any of these creatures that come to Earth, they have, was this ship that crashed, could have been, you know, a Predator ship potentially.

So you have your predators going to all these planets hopping around. Would it not hop it, it went, found the Alien. Why couldn’t it hop to a planet that had been completely assimilated by The Thing in this way? And then it became itself. So we got back in a ship, it’s going to this next They go crazy like [00:59:00] in Antarctica. You know, now it’s 13 predators in a ship that’s you know, killing each other in a crash land. They’re eight feet tall, they’re ugly looking and

Bill_H: You know,

Joe: one of ’em thaws and there you go. You got it. You know, a hundred thousand years ago, they’re whatever that, that timestamp,

Bill_H: man, you gotta think that is a heck of a trophy for a Predator

Joe: That’s right.

Bill_H: Planet size, intelligence. You know,

something 

Georgia: yeah.

Joe: yeah. Didn’t, it didn’t work out so well. Probably it’s like they’re coming back. Hey, we got it. We did it. 

Todd_T: So you’re saying there’s essentially one portal to Earth and like all these aliens, like ET went through

it 

Nick: right.

Georgia: Yeah.

Todd_T: of 

Joe: right. 

Todd_T: So they’re all, you know, they might run into each other. We could. have 

Predator against ET and that’s just gonna be 

Joe: You know, planet a

Nick: ET is gonna destroy predator. That thing is a predator in of

Joe: What’s the mini chlorine of The Thing, I mean, I mean,

Nick: Is

Joe: is there a Thing Jedi you know, out there it’s are you, I dunno, are you the are you master Jedi?

Or, you know? Yeah, no, you have that no, I think you could see the thing. I mean, if it’s out there, if [01:00:00] doesn’t take a lot, so that means if, you know, if the, let’s say The Thing ship luckily crashed into the Antarctica, but if it crashed into, 

Nick: Nebraska 

Joe: else, right? Yeah. I’m trying to think a hundred thousand years ago.

Yeah. Nebraska or some

Bill_H: would be dug up

Joe: America, or near the equator where it wasn’t frozen. It might not have died. I mean, you then you have all the biomass. So every plant, all this biomass would convert. So that means anything that came across as biomass would all of a sudden be infected. Yeah. So I mean that’s, you know, so if it just landed in an isolated jungle, all that biomass is converted.

So when you go through exploring, so all these explorers that went out looking for gold or whatever, and they didn’t come back

Bill_H: disappear

Joe: Maybe they became The Thing, they just slaughtered each

Nick: So

Joe: So you can start really spinning that off,

Bill_H: But yeah,

Joe: it crashed, landed in Antarctica, which was smart because then it froze and, you know, was resilient enough to actually be thought and then come back.

And speaking of that, I [01:01:00] had thought about some numbers.

Bill_H: of

Joe: I like thinking the

Nick: He just likes numbers.

Joe: Blair had 27,000 hours. I dunno why he doesn’t say approximately three years, but that’s about three years to infect all life. On, on Earth. And so that, you know, sounds like a lot of time, but I think just looking at it, that started going through different scenarios, the pandemics we’ve lived through now, and ones that have happened in the past.

Kind of a few different models, maybe like the one in Antarctica, you would have this infection, probably containment would happen pretty quick. It would burn itself out kinda like the Ebola. So Ebola is one of these that viruses that you get, you bleed out, you see people bleeding out, and you go, whoa, let’s get, you know, contain.

And you can actually isolate it relatively quickly.

Bill_H: Keep your pencil away from him.

Joe: It unlike, you know, a very successful virus like HIV or , chicken pox, I mean, they hang out and you get shingles later in life. I mean, right? They’re very good [01:02:00] viruses.

Sexually transmitted viruses are extremely good in humans ’cause they just hang out and do their thing.

Nick: Wait. What? Good. Why do you think Good?

I’m

Joe: they’re good at what they do.

Bill_H: doing what they

Georgia: They’re good at being viruses.

Joe: at being viruses.

Nick: I was like, they’re good virus. You know, I enjoy having

Georgia: because if the

Joe: presents itself too fast and actually then, you know,

Georgia: kills everybody and then it can spread and

Joe: and within hours, you know, someone has it, then

Georgia: it can be

Joe: to isolate.

Georgia: isolate. So

if you have 

Joe: something like COVID where it COVID was perfect ’cause it was like, I don’t know if you’re sick or not. You might be a carrier, you might be infected it, you know, have this latency period where it was like you just could have it for, you know, a week and spreading around

Bill_H: moving all over the place, dropping it

Georgia: so

Bill_H: and there and

Georgia: good means it can stick around and spread perspective easily

Joe: the human’s

Georgia: Yeah.

Joe: not from the infected.

So I had 

Todd_T: And then you’ve got, oh, and then you’ve got half of the

Population.

who’s just [01:03:00] oh, I don’t,

Joe: That’s right. 

Todd_T: not worried about that. 

Joe: Yeah. I know they’re not,

Bill_H: let’s have a party.

Joe: so I, I had, you know, there that if the outbreak is misidentified as some sort of neurological viral in this, instead of being truly The Thing that’s assimilating you start doubling every 1224 hours based on some of those assumptions earlier.

Governments are slow to respond, which we’ve seen on an action. Due to human mimicry, right? We could have it to higher top so that The Thing might infiltrate way up. Po politicians. And next thing you know, we’ve got you probably

Nick: wait, they aren’t already.

Joe: there might be mad cow. That’s the mad cow’s conspiracy, right 

Todd_T: would think they’d be better than this.

Joe: Have 50% of Earth’s population, probably 50, 60 days. And in total global assimilation, maybe nine to a hundred to 20 days, you know, a few months, you know, six months.

Bill_H: that’s not a lot.

Joe: You know, and then you would, society would collapse, you know, people would be in bunkers you would start.

But yeah, once, if biomass can be converted, [01:04:00] then the minute you start, like everything then goes all the trees. Like you’re,

Once you do that,

Nick: but what about with those all the toilet paper, tape paper people are stocking up on? I mean,

Joe: I don’t know. I’ll still be there. I don’t, I think the things would eat and still poop.

I mean, I, if they assimilate completely, I think they would use our, if, are they using our biology or are they now? You know, like you said, it’s a, I feel like in a skin suit.

Bill_H: You know,

Joe: and so that’s it. So they have a different internal structure maybe, but I’m sure everything poops. There was a book about it and everything.

Yeah. Yeah. That’s a,

Georgia: I don’t know where this is going, but 

Bill_H: Yeah,

Todd_T: Quoted Everybody Poops.

Bill_H: I

Joe: to eat. That’s right.

Georgia: the

thing to Everybody Poops though and accelerated, you would, if you get to a major city. So you land Chicago, New York, LA, Tokyo, Shanghai, some huge city doubling every four, six hours and you’re really just spreading this around.

Joe: You know, probably a billion infected you, you start getting the numbers, you know, 15, 20 days maybe total assimilation, [01:05:00] maybe 45 days. And the total biosphere collapse. You know, so you would have just complete Thing. This would be a thing, planet, know, it’s a bug planet. It’s a dead planet.

Bill_H: Like that last scene in society where

Joe: That’s right. Yeah. 

Bill_H: Flesh. A waves of flesh.

Joe: it very similar to we, we had an episode, we the grey goo model

Of, of nanoparticle kind of assimilation where you would wash over you know, and just once you have self-replicating uncontrolled assimilation of some, , very small, microscopic particle it would just take over. You wouldn’t be

Georgia: Like you said, it’s a, it’s apocalyptic.

Bill_H: But

that is also

Georgia: a vision

Bill_H: it’s not intelligent. If it is, if it’s intelligent enough to stop and just Yeah.

Joe: I

Bill_H: then that can change Things

Joe: Two things. One could be your scenario that it’s intelligent and it doesn’t really want to be all.

But the other one is maybe it is intelligent and it does want to be all right. 

Bill_H: [01:06:00] Absolutely.

Joe: Or it could be just unintelligent and just mm-hmm. 

it, you know, the thing does what the thing do, I mean, it’s 

Bill_H: That’s

Joe: you probably have three. That’s right. And you

Nick: The Thing does what the thing do love that.

Todd_T: It is I know I should stop. Just like we know we

probably shouldn’t, 

drive so much, but we do. 

Bill_H: I shouldn’t have another cookie. But you know what,

Nick: It looks so damn tasty.

Joe: down this forest, but we need a few more cows. I mean, that’s a, so that’s a that’s you have that. So I think those are but would you be able to tell the difference if you’re.

If it’s happening, Bill, would you be able to go, I think the thing’s really, so you’ll be that scientist, like I think The Thing’s intelligent I can reason with it.

Bill_H: to it. I think it likes me. Hey

Joe: Hey buddy. Hey Joe. What’s going on down there? Hey Bill. I’m doing really fine now. Let me

Nick: Let me out buddy. I’m good

Joe: maybe it’s time for me.

Todd_T: all good.

Joe: Yeah,

no. Yeah, and we, we come to the end the how the horror episodes always go a little longer, so it’s all right.

Bill_H: There’s a lot to dig into.

Joe: I know I, you know, I have a question and maybe [01:07:00] Todd you might lead us off or maybe you’ll pass it. I don’t know. But I

Nick: I’ll

Joe: the 

Nick: No, I don’t wanna answer that.

I’m good. The

Joe: Carpenter Stro Cat, and I think that’s the last scene of the 82 movie.

We’ve got childs, we got MacReady ready there, we got Max sitting there. And, you know, it’s you know, why don’t we just wait here a while and see what happens. So we have the three maybe you can say four, but pretty much three. Everyone thinks Mac is human. Right? We can argue that maybe he’s not.

And I have, so three theories. One is, Childs is a thing and there’s different reasons, and I can mention some of those if you want. Both are human, they’re just there doing their thing, or they’re both The Thing. I think those are the three scenarios that I guess you could say Childs is human and Mac is the thing, but that never, no one ever says that.

I don’t know why, but we could throw four in there

Just for fun. And if there I’m missing one, just go and throw it in there. But yeah, I mean, [01:08:00] what do we think there? 

Todd_T: I’ve

always thought

that Childs was the

thing and that Mac wasn’t you know, just, he’s the protagonist He’s the man of bronze essentially but I

know, Yeah.

I know. There’s all sorts of. theories.

and 

Joe: Yep. Yeah. Bill, what do you got? You not thought you 

Bill_H: Over the years I’ve vacillated back and forth, , I’ve even thought about Mac being The Thing, ? Yeah. But I like the questions. I like the possibility, , the ambiguity is great for me. It’s taken me a while to come to that when I was a kid.

Ambiguity really got on my nerves, but as I got older I started to see how great. The ambiguity makes it stick.

Georgia: I think that’s the beauty of that ending. Yeah.

Bill_H: You keep questioning it. You can’t because it’s

Georgia: and everybody can have a different Yeah. You know what I mean? You could talk about it. It’s,

Bill_H: and you can trot out why you think McCready’s not the thing or why Childs is and you know, and Yeah, 

Georgia: And [01:09:00] I think you can, and you all, you all get the feeling no matter who you think The Thing is, we’re screwed.

Bill_H: I still, there

Joe: that, I just gave

Georgia: numbers there. 50 days, man.

Bill_H: Yeah.

Joe: Because, you know, some scientists are gonna bring it back you know, bring these people.

That’s, you know what, yeah. I think we can make a weapon. Georgia, do you have an opinion or are you’re

Georgia: No I really don’t know, but I actually agree. I like the fact that you don’t

Joe: you wanna keep it ambiguous, Nick, you got something, you

Nick: I think they both are.

both

I really do. But it’s like still dormant enough to where they’re fighting. But they’re like, oh,

Joe: the Blair? He the early Blair.

Nick: Early Blair right now

know exactly you know, where? it’s dormant, but yeah. It’s there. They’re gonna go and, know, we got 50 days, let’s figure out what we’re doing with that. Yeah.

Georgia: Get out that survival guide.

Bill_H: I read that there was a couple different endings filmed. Yeah. And that they tried them out [01:10:00] in a couple test audiences too. They filmed one where it jumps ahead and a plane shows up and McCready’s there, and it was like, thanks guys. I’m real hungry.

You know, let’s get outta here.

Joe: Need to eat

there it is. The response wasn’t enough to the good endings, the happy endings to like. Say, this is definitely the one we should go with. So they were like, let’s stick with the ambiguous one, because

Bill_H: A little more fun. People can mull over it, you But studios are not cool with things

Nick: like,

Joe: they 

Bill_H: not today.

Joe: No. You gotta,

Bill_H: When you spend,

Joe: want tighten it up, this

Bill_H: spend millions of dollars on it, you definitely have to, you know, stick it. And

Joe: unless you got part two coming 

Bill_H: yeah. Then 

Joe: Then you can do

Bill_H: you can do whatever you

Joe: It’s like, all right.

You know,

Georgia: what about you?

Joe: Yeah, so I’m almost think that they’re both human, 

Nick: really. 

Joe: come out and I set this up earlier, there’s a thing running around out there. I don’t think he killed it. I don’t, I think he killed the Big Blair thing.

But I think there [01:11:00] was still some other Thing out there.

So I, I do think there’s two humans and one Thing still out, out in the wild. And I think Mac. I think m knew, knows that. And he’s sitting there and I think Childs, also has his suspicions and they’re just gonna go and they know it’s the end. And those two protagonists, the heroes that was, you know, Todd mentioned that they’re there already.

You know, neither one wants to really go down,

Bill_H: They know

Joe: they’re going down. Yeah. And so it’s can they stay long enough to warn somebody? Can they stay long enough to go there’s something still out here and you should leave it alone.

Bill_H: That’s a good question. How do you do that? 

Joe: Yeah. You’ve 

Bill_H: You’ve got two men in this situation. Everything is destroyed.

Everything’s

Joe: gonna die. I mean, it’s

Georgia: and

Nick: what did you guys

Georgia: they’re in and

Bill_H: Anna at best, a couple of hours before they freeze to death. How do you warn the people that are coming

Joe: right. That’s right. That’s right.

Bill_H: to 

Todd_T: You pee your message in the 

snow. 

Joe: right.

Bill_H: That’s right.

Todd_T: Do not.[01:12:00] 

Joe: Yeah. That’s in English and in Swedish

Todd_T: Yes. 

Georgia: it was 

Bill_H: the thing.

Joe: in a region. 

Nick: Alright.

I do have one more thing before we wrap up.

Joe: You wanna how many Big Macs it takes? No,

Nick: Yeah 

Joe: I do, I did have that. But

Bill_H: Oh boy.

Nick: don’t. The dude who at the Norwegian base who slid his wrist and the blood froze. Is that possible for it to freeze going down like that?

Joe: Depending on how cold Yeah. No, you can, yeah. It will freeze. You can do it, but yeah. So

Bill_H: what I, okay. What I didn’t think is possible. His throat is 

Nick: cut.

Exactly.

Bill_H: That’s okay.

That’s 

Joe: Hey you potentially could cut your 

Nick: both wrist and

Joe: your throat. Yeah, I think you could.

Bill_H: That is dedication.

Joe: That is a lot of

Nick: it’s 

Joe: Yeah,

Nick: I wanna be dead. Yeah.

Joe: yeah.

Georgia: wanna make sure.

Todd_T: is, there’s no

hesitation marks

Nick: no, the problem 

Bill_H: is 

Joe: that they, the, [01:13:00] this Norwegian base, they didn’t get as far along in their science as Blair did

Bill_H: And was it? Yeah. That, that oh, every particle can do this because then you would know blood letting isn’t the way to

go, isn’t gonna help you.

Joe: That you don’t need, you know, you’re still gonna be there pretty much freeze the death. And, you know, that was interesting that they had it

Bill_H: I know we’re running along

Joe: Or I think the other thing, did he kill himself not to become the thing?

Bill_H: That makes

Joe: That was probably

Bill_H: I’ve seen what’s happening and I want to be out of

That’s something that the movie doesn’t really do a lot with, but I was really interesting in the book is this sort of how does the cells communicate so that it, if it’s gonna become McCready, it’s got to very quickly. Know what McCready knows to pass itself off, right? It’s not just a dog or a lion.

Someone’s gonna say something to it and it’s gotta answer back.

Joe: But I think that’s that whole thing about time that it needs to

Georgia: at what point? At what point it may. And is

Joe: the brain or is it just the body? Because if your body is just being converted and not your head, 

Bill_H: taking [01:14:00] over 

Joe: thinking you, and you can still answer questions about your life and everything.

But once The Thing takes over, you’re right. What amount of memories does it get? What command of memories does it have? Things like that. Which some, someone say it, it has

Bill_H: It’s got everything. 

Joe: Yep. Okay. You were saying what was your 

Bill_H: so in the book, there’s a lot of talk, there’s talks about nightmares, people before they’re infected,

Just being in proximity to it are having, starting to have nightmares and have weird feelings and images in their heads and stuff. There’s this. Possible psychic

Joe: Yeah, that’s right.

Bill_H: Yeah, that’s right. You know, that is a very interesting piece that is really hard to do in a film, , but does show up.

The idea is in that a Prince of Darkness Carpenter’s next apocalypse movie, you know, where they’re like getting the dreams from the future, this idea that it’s psychic and even when it’s frozen there, it’s still active mentally in some way. Even if it’s not doing it, it’s it could be [01:15:00] dreaming and we are receiving it’s alien dreams and just driving everybody a little crazy, you know?

Joe: Yeah. That some psychic kind of ability. Yeah. I also think at that time, like ESP was like huge. I mean, that was like, it was like, we’re gonna weaponize what’s

Todd_T: Oh, 

Bill_H: Gonna

Todd_T: yep. 

Joe: I think

That was the talk like that they’re gonna do LSD 

Todd_T: Randys. 

Joe: Yeah. LSD and you know, and ESP that, that was it. That was like the, that was the rage. We’re gonna develop all these new age weapons, but yeah, no, that’s yeah, but you’re right. The book and the 51 movie both had that kind of psychological telepathy. Yeah.

That you have this higher organism that can manipulate across mental distance and, you know, have this kind of control. But yeah.

Bill_H: it was great in this story how like this, all these guys, these scientists were just like. If it’s anything like the look in its face, it’s evil, then we must destroy it. Yes. Look at that face. It’s the face of pure Evil. they were so [01:16:00] quick to judge that thing. Look at those eyes.

The look in his eyes. If I’d known that was in those eyes, I would’ve just destroyed it.

Joe: Yeah.

we would’ve blew it up.

Bill_H: Wow. Okay guys. Yikes.

Joe: Yeah. I mean it is The Thing evil, right?

That’s it. Exactly.

Bill_H: all judgment.

Todd_T: You know,

Joe: Cool. Yeah, so probably wind down a little bit here. You guys wanna get anything cool coming out or anything? Folks, you know, they’re all hyper excited. 

Todd_T: I’m 

Georgia: Around 

Todd_T: yeah, so I just I just sailed to Antarctica in

February and so I’m working on some books from that. And

one of them is basically a, I have a goal to now that I’ve made an,

addition of Who Goes There and The Things I’m writing and gonna illustrate essentially like my own story

in that 

universe. 

And it’s going to take place in the early 19 hundreds. So it’s sailing ships

and people crashing on shore and stumbling into [01:17:00] things weird.

Georgia: Oh wow. 

That’s awesome. Yeah, you guys have to

Joe: out and your website is,

Todd_T: Angel bomb.com.

Joe: It is. So yeah, go check it out. Check out

Georgia: that’s amazing.

Joe: Really fabulous. Work the, you know, letter press work and things like that. You know.

Nick: Yeah. You absolutely have to check out these books.

They are, they’re phenomenal. So fricking cool.

Bill_H: There are pieces of art and awesome stories on your shelf.

Joe: Bill

when you got anything coming up

Bill_H: have anything particularly interesting going on. I’m sorry. Just your average, you know. No. We’ve got some talk about the new cryptic closet coming up, but that’s not for another, that’ll be out next October,

Joe: gotta have a, we gotta have a thing s story in there, right?

Bill_H: that would be great. You know, I missed my chance when we did the 3D story. In, in, in one of these books here, The Thing is revealed by some UV light, right? Yeah. Is it in the thing? 

Joe: yep. The Things, yep. 

Bill_H: It’s awesome.

It’s invisible to the naked eye. You black, [01:18:00] you put the UV light on it and you can see it.

Joe: Yeah.

Georgia: Yeah.

Bill_H: We did a 3D issue Yeah. That I wrote a story for, but I just didn’t have the time to work on, and me thinking was like, how can I do this differently than just.

And a 3D story I gotta always make it harder on myself for no particular

Joe: You gotta do

that. That’s what artist 

Bill_H: so I, I wrote a story ab about a interdimensional infection where a character becomes infected by something that he can’t perceive.

And the idea was 

Todd_T: Ooh. 

Bill_H: When you, the red and blue would be printed on the page, you know? Yeah. But you wouldn’t be able to like, suss out what was going on there with the naked eye. And when you put on the glasses, it would like, you know,

If you look through one lens, you could see things normally and through the other lens you could see that he’s actually covered in invisible interdimensional parasites.

Georgia: I love that.

Bill_H: And I’m working on

Georgia: put on the damn glasses. Yeah, another

Joe: Carpenter [01:19:00] favorite. They Live, yeah.

Georgia: Yeah, exactly.

Joe: Put on the

Bill_H: Fantastic.

Joe: You are gonna wear these glasses. Yeah. Cool.

Nick: Thank you again guys, for joining us.

Bill_H: Thanks so much for having me 

Todd_T: you. Thanks for having me. 

Joe: Yeah.

Bill_H: reason to rewatch these movies definitely. I mean, any final thoughts, Todd? Bill, as we come, we’re gonna wrap up on anything we missed or you wanted to really say about The Thing and The Thing universe.

I’m much better now. I’m fine. I can come back in.

Todd_T: Clark.

Clark. 

Bill_H: right. Yeah.

Georgia: It’s

Joe: Sweeds. Cool. You have, we have me, Joe, you got Nick.

We got Nick Georgia. We got Georgia, we got Bill, we got Todd and

Nick: we went down some hole. Are you sure we went the hole? Wait, I think we went the 

Georgia: hole. Which hole? Which hole?

Joe: Who? Who Goes There

Bill_H: Is that next week?

The witch [01:20:00] hole

Nick: That’s next year’s witch hole.

Bill_H: Oh, I want to be on that one. Yeah.

Joe: We love y’all. Stay safe, stay curious.

Nick: Bye-bye. Cheers.

Transcript for Rabbit Hole of Research Episode 46: Slashers

Recorded at Reed’s Local


Joe: [00:00:00] Hey. Welcome back to the Rabbit Hole of Research down here in the not so basement studio.

Nick: we’re away today.

Joe: above ground today

Geo: are we?

Joe: we’re here at Reed’s Local. If people remember last year during our month of horror, we were hosted here at the Reeds Local in Avondale, Chicago, Illinois to record our fabulous episode, and we are back today to talk about Slashers here.

We’re all crewed up. You got me, Joe,

Nick: you got Nick.

Joe: got Nick. From

Geo: Georgia,

Joe: and we have Georgia here. We have our 

Melissa: Melissa. Melissa, 

Joe: Melissa. Melissa’s here. Do you

Nick: you for having

us.

Melissa: course.

Nick: hey, we got some new people down at the end of the table.

Jesse/Alana: I am Jesse. 

And I’m Alana.

Joe: and Alana from

Jesse/Alana: oh yeah. We are the from slasher sauces, the hot boutique, Chicago [00:01:00] boutique hot sauce company,

Joe: Nice. There you go. All things slasher all the time here on this episode. So yeah. I

Nick: I don’t even have to bring up Robert the dah this episode. It’s great.

Joe: gosh.

Oh,

Jesse/Alana: Oh,

How

dare you.

Is it 

still recording? Did 

Geo: oh my

Joe: We’re still recording. A little flashback

Nick: It’s ’cause I don’t have

Geo: No. Yeah, thanks. Last

Joe: year’s horror

episode. it. I knew

We we mentioned that particular doll and then we had recording difficulties. Our recording cut. So if you remember, you go back, you can listen to you to five minutes that did get recorded and then.

The noise that happened. Yeah, it was a whole thing. So I say go back if you wanna get freaked out. yeah, today we’re here to talk about slashers. So I do have, I have my open and I have a list. I’m gonna do 

Nick: You have lists today, one. 

Joe: It’s it’s been a while since I’ve done both the open and the list, but

Oh boy. 

Geo: We’re in for a treat.

feel

Joe: I would like to give the list right up the top and then

Nick: I mean, list it up.

Joe: And

then we got a lot of people. So let me, lemme do my open about slasher. A slasher [00:02:00] film is a sub genre of horror centered on a relentless killer, usually human, sometimes superhuman or supernatural who stalks and murders a sequence of victims, often with a bladed weapon or other intimate means of killing.

Unlike supernatural horror, slashers thrive on physical pursuit, vulnerability, and the illusion of in inevitability, no matter how fast you run, the killer is just behind you. But it’s slasher isn’t just a horror film, it’s a ritual of fear. A mass predator, a string of victims, a final survivor death delivered up close, not by fate or monster, but by a human hand that refuses to stop.

That’s what makes Slashers different. They aren’t about what lurks in the shadows, but about what’s chasing us in the open. The slasher isn’t just a genre, it’s a mirror each, every decade we watch as it kills who we used to be and warns us about who we are becoming.

So that’s a

Jesse/Alana: spooky. Spooky.

Joe: Whoa.

get us [00:03:00] grounded a little bit further. I kind almost give the brief history of slashers, get that

Nick: have a history of slashers slasher,

Joe: a

Come on, Joe.

Nick: Oh, we aren’t gonna slash this.

Joe: I come, I’m slashing

we’re slashing this

of time. 

Jesse/Alana: I wanna know 

Joe: So I went back and I tried to find what’s the, like the oldest, you know, like I do here. And it is, it’s not the Giles or.

you know, 

Nick: I’m shocked. I thought you were gonna 

Joe: no, but the oldest proto slash year that iconic Could Source and Vine. 1846 Sweeney Todd. And these are novels here. We’re gonna start in novels before we get the film. The string of pearl novels series. They were the first kind of human serial killer archetype.

Then we had Dr. Jekyll and Mr. Hyde Robert Lewis Stevenson in 1886. Kind of a 

Nick: Wait, so 

Sweeney Todd was before Dr. Jekyll, Mr. Hyde.

Joe: It was by 40 years, according to my

Nick: Wow. I did not realize that.

Jesse/Alana: I didn’t know Johnny Depp was that

old. 

Nick: Yeah.

Joe: He

Nick: just like Nick 

Cage, he’s a

Joe: looked damn good for that age, you know.

You know? You live [00:04:00] forever.

No. Okay. And then we had the, No, you’re fine. Yeah. Yeah. And then we had the lodger Marie Ock Landis in 1913. And that was based on Jack de Rip. And it followed like a mysterious lodger suspected of murdering women in London. Those are the novels that probably set the kind of the proto slasher.

And then we go into film Proto Slashers,

and we start with the lodger, A story of London Fog, 1927

Nick: I love that drink. Yeah.

Joe: Now that’s often called the first slasher film prototype. And then we have M 1931 by Fritz

German, A masterpiece about a child murderer, hunted by police and criminals. Introduced a concept of a sym sympathetic killer in psychological realism.

And then kind of the oldest slasher movie. Georgia was quizzing me like yesterday about this, and I couldn’t think of it, but it’s Psycho in 1959. Once again, Albert Hitchcock. And it was adapted from a novel Robert Blanc Blanche 1959 novel. And it was [00:05:00] inspired by the real murderer of Ed Gein.

You got something.

Nick: I love that

Geo: that, I don’t know if that date’s right,

Joe: Not 1959.

Geo: I’m not sure.

Joe: I’m not sure. Okay. We’ll check. We’ll fact check here. 

Nick: It’ll 

be in the footnotes. Don’t worry guys. 

Joe: show notes.

And then there’s some debate on what with the oldest modern slasher film be. And there were kind of two. One was black Christmas in 1974 Bob Clark with anonymous killer terrorizing women in sorority house.

And then you had the Texas Chainsaw Massacre in 74. Also Toby Hooper. And it replaces a suburban voyeurism with rural kind of brutality and murder. So kind of switching that flipped there switch there. And then we have in 78 probably the master, the standardized, the genre, and that’s Halloween by the Great John Carpenter.

Yeah, so that’s that, that’s my list there to

you know what, it was 

Geo: actually 1960. Oh,

Joe: it 1960? Not 1959.

Geo: Sorry that’s splitting hairs. I’m sorry, [00:06:00] but I knew for sure it came out in the decade of the sixties,

Joe: in the sixties. Oh boy. Did I get that? How did I get that

Geo: but 1960, you’re only a year

Joe: all my dates 

Geo: I’m sorry.

Melissa: And

Joe: know the theme while you’re fact checking I did do, like I do a hundred word movie review every month in the zine.

Melissa: And this month was Halloween.

Oh.

It is like a trite thing to review. However, I was like, I did it because we just got the Halloween pinball machine and I think we might be the only bar in the city with Halloween pinball right now. It’s from spooky pinball and it is so fun. I’m not doing this to advertise pinball, I’m doing this to advertise that after this, we’re all gonna have to play each

Geo: Oh I am totally down for that. Yes. Oh my gosh.

Joe: the novel was 1959, so I had my, sorry. That

Nick: I can’t believe you got this wrong,

Joe: out. I did, I got it.

Nick: Joe. I don’t know if I could trust your words anymore.

Joe: I gotta redo

Geo: in my head. I thought it was later in the sixties to be fair.

But

Nick: surprised you aren’t blaming Robert the doll right now.

Joe: Steve, [00:07:00] stop talking about Robert. Ow. This 

Melissa: is the

this is the contest to

Geo: Why are you gonna keep doing

Melissa: or librarians.

Nick: It’s like Beetlejuice. You have to keep bringing it

Geo: No. Stop it. Stop.

Joe: that. Yeah.

But

cool. Yeah, so that’s the list. Now I gotta, now I’m like, I gotta check my other dates now, but there’s a book and a movie and I had the 1959.

Okay. Nevermind.

Geo: I would say Halloween never gets old. The movie Halloween. Yeah. 

Melissa: No, But

so which is your favorite Halloween movie of the 19? No, there’s 13. There’s 13 of them I think.

Geo: Yeah, 

Jesse/Alana: there’s

so many, there’s so many different cats. Cats. You can go down to, God one’s amazing.

No, I’m just

kidding. I

hate the 

Melissa: unpopular opinion. Halloween three,

Geo: really? I

Jesse/Alana: I am, 

we are actually very big fans of Halloween three. We are working on a Halloween three hot sauce for sure.

Very nice. I to be the model with the pumpkin on

Melissa: Oh,

Wow.

Nick: You wanna go a little closer to the

Joe: Ain’t the mic?

Jesse/Alana: Oh, for the reference picture.

Joe: Yeah. 

Just,

Geo: You don’t really I’m

Jesse/Alana: learning microphones over here.

Joe: Yeah, you’re [00:08:00] fine.

Jesse/Alana: Yeah,

I get to be the Halloween head for the. Hot sauce Image,

Melissa: Ference. That’s Yeah. She smelled like a child, so it’s perfect.

Jesse/Alana: Put me in front of a TV and I’m good to go.

Nick: Hell yeah.

That you,

Geo: tell,

Melissa: Is it gonna be a pumpkin based one

Jesse/Alana: We haven’t decided the recipe yet.

Sure.

Joe: Pumpkin

Geo: Now it’s decided right now.

Jesse/Alana: I like that. That a really good idea. We’re just like, we’re tweaking some stuff, but Yeah.

Geo: so tell me more about slasher sauce and when did it start And

Jesse/Alana: so it started loosely back in 2015 in North Carolina, but then we picked it back up during the pandemic.

Al and I. It’s, we’re like a Chicago, like boutique horse, so like we company, so so we kinda make ’em like small batch and stuff, like from, you know, just a try and trend as, as small as we possibly can and just like we do markets and stuff like that. But it’s started out like small.

We just like finding it different recipes and like building stuff. Like we’re all new. I’m a terrible cook, Alana, we’re all terrible cooks in our family. 

I set off the [00:09:00] fire alarm when I make a grilled cheese. It’s awesome. 

Yeah so we, we just we’re like,

okay, why don’t we just make like sauce that is. That we can cover up our mistakes and our food, you know, kind of deal. So we started really like working on that and trying to come up with some stuff and like trying to like, challenge ourselves to get hot and hot. But we focus mostly on more flavor overheat kind of deal, you know?

So it’s like we’re not trying to like, murder you or anything, even though like our hottest sauce is classified as murder.

Um, Soon

it’s gonna be open casket or closed casket as our as our hottest sauce. Hottest. Hottest,

yeah. But they’re, yeah. 

Geo: you’re out front about it, you know? 

Jesse/Alana: Yeah, for sure.

Yeah, it’s mostly it’s mostly like medium based, so it’s good for grandma’s is good for anyone, but like the hot heads and stuff are gonna have trouble with kind of like dying for it, but like the flavor is absolutely where it is.

So 

yeah, more focused on flavor than heat. 

Yeah.

Joe: I think that’s good. No,

Jesse/Alana: No, and then 

Geo: every flavor is based on a slasher movie. Yeah. So 

Jesse/Alana: every bottle has its own little lore to it. So like we have, our first sauce we did is a called Green Inferno. It’s based on cannibal Holocaust, which are most mild hot [00:10:00] sauce, but we tried to make the most brutal possible, you know, so so we did that one.

We’ve got a Texas Chainsaw Massacre one. We’ve got the Shining it’s called like Overlook Orange Sawyer Family Brew for Texas Chainsaw Massacre the Forbidden that is our Candyman hot sauce. We’ve got FCIs Fire, which is our zombie hot sauce, zombie jerk sauce, and then fruit Cellar, which is our evil Dead.

Okay.

my personal favorite. 

Oh yeah. That’s fantastic.

Melissa: so good. I was, my two favorites are the fruit cellar because I love hot sauce, but I also wanted to have flavor and that was awesome. And then they told me a pro trick for the F juice fire one, which I couldn’t figure out what to put it on.

And then they said, Thanksgiving dinner. And I’m like, so anything that is could be Thanksgiving dinner. It’s amazing. On

Geo: Wow.

Jesse/Alana: oh, it’s so good. Yeah.

Joe: Is that just a, you think about Thanksgiving dinner and you put it on so you could be

Melissa: I mean, yeah,

Jesse/Alana: You envision

Thanksgiving and then you’ve got it. Yeah.

good.

Just drink some hot sauce and think about Turkey.

Yeah,

Nick: got it, of course there is the [00:11:00] Thanksgiving movie.

Jesse/Alana: Yeah,

That’s

right.

Geo: you go. So there

Jesse/Alana: then than killing. And then there’s, you know,

Joe: Yes. That’s

Jesse/Alana: poultry

Melissa: met them because of the hot sauces. ’cause some friends of mine, the friends you met at the last PO podcast, Steven from Killer Pinata, I saw that they had posted that they had gotten some of these hot sauces. I’m like, wait, there’s horror movie Hot Sauces in Chicago and

I don’t have them

yet in my collection.

So I put in an order and then Jesse and Alana were like, oh, we know Reed’s. And then we became 

Jesse/Alana: We literally

lived right around the corner at the time. So we’re like, we’ll walk by and bring you some hot

sauce. 

Joe: And I think you know, hot Sauce is interesting because like a good slasher movie when you try it, there is some anticipation mm-hmm. of the heat. And that fear and that moment before you 

Jesse/Alana: is great. 

Joe: you know, to try it. You do have

this, and 

Geo: then you have the chasing you afterwards, if we all know what you mean.

Joe: that’s not I talking 

Jesse/Alana: to the bathroom. Yeah. Got that little heat that sticks with you for a while. You keep looking at the

hot sauce is you 

Joe: [00:12:00] one drop or do I put like the whole bottle on? Like where do I need 

Jesse/Alana: It’s always lingering over your shoulder

Melissa: Wait until they come out with that neon green when they’re working 

Jesse/Alana: Oh yeah. Good point. Yeah. Mm-hmm.

Joe: I do think that’s a, go ahead. No, I was just saying that’s a, it’s a cool

a good tie in. Yeah. 

Jesse/Alana: it. 

Joe: Yeah.

where you’re going and

Geo: and I was gonna say, I we went down a rabbit hole, but but to answer your question, I think just the traditional Halloween one, I just, that’s mine.

Yeah. What about you?

Nick: Oh. 

You to come back to me ’cause I have to think about this still. It’s a hard Is it H2O and you just don’t wanna

Joe: I know. Yeah.

Melissa: Yes. 

Nick: It’s trying to justify it.

Jesse/Alana: Okay. Wait, I have to, yeah,

Joe: you’re good.

Good. There’s no 

Geo: judgment. No judgment. 

Nick: So what about you guys? What’s your go-to?

Jesse/Alana: I mean, I think one still for me, like it’s classic, you can’t beat it. What we do every year is a spooky, we, it’s every, you know, 31 movies and in Halloween to, to Halloween, but you can always repeat Halloween.

On Halloween. It’s it’s a super important film. Like it really broke the mold for [00:13:00] a ton of films after that. So you gotta pay Hom much to where you can, 

I’m still torn between one and three ’cause one is classic so good. And my first time seeing it was at the music box, so that’s hard to beat.

But then I love the season of the witch. It’s so good and it’s just different and I love it.

Joe: Yeah,

Jesse/Alana: That’s me.

Geo: You didn’t answer Joe.

Joe: Yeah I, once again probably the, and I would go with the classic probably more that I remember it. It is like in ingrained it was early on, you know, so I was probably a young, I’m not sure if I saw the thing or Halloween first, 

Jesse/Alana: Oh yeah 

Joe: I probably was in, in between those.

But yeah, no I saw it when I was young and so that’s just stuck with me and probably just carried on. And all the other ones were good. The first three I think were good, but I, my memories all come back to Halloween and that’s the one I probably have seen the most. So you always kind of gravitate to that.

And none of them, [00:14:00] I don’t think, in my mind, as in people on the podcast have heard us have this discussion. I don’t think any of the other ones were better than the first one as good maybe, but not better. So in that, I’ll go with the first. But

Jesse/Alana: I 

agree. 

Joe: Okay. that, 

Nick: pretty good. Like I’m looking through them and I’m like, I can’t say I don’t like any of them. Like they aren’t as good as some others, but yeah,

Joe: Yeah,

Nick: it’s they’re all watchable and I’m gonna enjoy the hell out of it.

’cause it’s

Jesse/Alana: The original’s hard to beat though.

I fell off when Rob Zombie made the second one. I was like, okay, I’m done. I think the white horse running through everything. This is far from Haddenfield.

Geo: I might have missed that. It must have met, I haven’t seen

Joe: the last 

Nick: Halloween. end. 

Joe: Halloween

Jesse/Alana: Don’t waste your time

Joe: okay. There

Jesse/Alana: personally.

Nick: it was just a, it was something

Jesse/Alana: The first in the series was great. Like Di Debbie Gordon Green’s fantastic. But yeah, it just, ah, it fell off hard. Yeah. So hard.

Joe: Yeah. I mean, and then this swing back a little bit, like [00:15:00] why we enjoy I figure everyone here enjoy is a good slasher. Movie. And so kind of that get to that core and what’s it actually doing for people when you watch it? And so there’s a lot of psychological cues that we get out of it.

We talked a little about anticipation. We talked a little bit about kind of suspense and going through it and somewhat as we go through and you think about our favorite movies and putting us that as you go through that really your brain is testing scenarios.

And

as you go through the best of the slasher movies, you have some testing of the scenarios as you go through until you get to the final, usually the final girl 

Geo: Wouldn’t you say that’s true of pretty much all horror movies? Or are you saying that there’s something specific about slasher horror movies? I 

Joe: think puts the spotlight on it more than maybe other horror movies. Because I mean, a slasher movie, ’cause it’s a, yeah, it’s a sub genre in a slasher movie.

Usually it’s more intimate in the [00:16:00] killing,

Nick: and it’s more of a humanoid

being coming after you. So it kind of grounds it a little bit closer to your own reality, 

Jesse/Alana: Closer to home. 

Nick: Yeah. Like the anxiety of that person walking a block behind you, but you can still see them staring at you, even when you turn the corner and they turn that same corner.

You’re like are they following me? Are they gonna kill me? But it’s that more human aspect that Slashers have,

Joe: yeah. 

Jesse/Alana: And I think the incapability just the kind of no matter how fast you go or loud, you yell at them or anything. They’re just going to keep coming. And you can’t reason with it. And it’s terrifying.

Joe: Yeah. And you have usually have a start where. Everyone’s unaware, right? So you go in, in a scenario and even your own self, you put yourself in that spot. The first maybe one or two people that get it get killed. They really had no plan. ’cause they weren’t planning it before anything like that.

So they went, I mean, there’s some slashers where they do something like, we’re gonna go to [00:17:00] this place that’s haunted, do a Ouija board in the haunted basement. And then you know, and then

so you know,

someone becomes they,

Nick: I don’t know why you guys have not let me,

Joe: because

gonna happen. We see that movie. But other than that, most time you go, you’re unaware, just doing your life or whatever, your event, and then the first couple people get killed, and then you have that next phase where , it’s a, the fight flight, 

so you have the unaware, the surprise, and then you have, are you going to run or you gonna fight, right? And you have that stage and it’s really clear.

I think 

Geo: The odds go up if you are a teenager having sex,

Joe: of getting Send, send Sin dies first.

Nick: oh yeah,

Joe: Yep. I

was gonna say somewhat, that’s that’s could be the decade, 

right? Because I think that’s 

got played upon more than other decades where we have it.

And now it’s just become a trope that we expect that, early on you gotta see some boobies and a blade and that’s it. That’s a yeah.

Jesse/Alana: Yeah. You gotta look what’s going on like in America during the time For sure. Like the moral police and stuff during you know, all that [00:18:00] stuff. Yeah.

Joe: So yeah.

But,

Nick: so I do have a thing where I believe that everyone knows the song. Every breath you take, like by

Jesse/Alana: Yeah. Yes.

Nick: It’s about a serial killer. 

Jesse/Alana: Yeah, yeah, for sure.

Nick: Okay. ’cause 

Jesse/Alana: stalking people.

Yeah, exactly.

Nick: like that song I think does wrap up the slasher genre. Like this being is watching you in every position, every time that you’re doing whatever.

It’s oh, cool. That’s the exact feeling that you get when you’re in a movie.

Jesse/Alana: I mean, he’s got a name like Sting. Yeah. So

Melissa: it’s a 

Jesse/Alana: he’s already made for it.

Joe: I mean, if we’re,

Nick: a good name for it. 

Joe: You’re talking about stalker songs, I think Lionel Richie 

Melissa: Hello,

Joe: you know, that’s he’s essentially, 

She’s blind and then she makes a model

talking about the, of you’re 

Geo: talking about the music video. So

Joe: model of his face and she’s blind.

So that means she’s not making it outta admiration. She’s this is my stalker. This is [00:19:00] like calling me up, breathing on the phone, like hanging up with me. It was like kind of a weird video. If you think about,

Nick: were the 

eighties, just the time for,

Joe: I

he was a serial killer and she was gonna be the next victim.

I think it was just lining up and she’s trying to warn people, like she’s the one making a model. She’s the final girl. This is it. 

Jesse/Alana: And this is who did it?

Yeah. 

Nick: believe you. We blind.

Joe: is a great love story. No, this is gonna end.

Jesse/Alana: police sketch. Yeah.

Joe: Yeah. 

Jesse/Alana: Have you seen this leprechaun?

Joe: no, it’s so yeah, that one there is low key kind of slash air.

Like he was, you know, he didn’t do, he didn’t do thriller, so he had to come up with his own kind of low key slash air video. Lionel Richie, I love Lionel Richie, so don’t take this. We’ll get him

Nick: get ’em on the show and have ’em,

Joe: You’re welcome to come on, defend that video. 

Melissa: I think to backtrack too, another reason why slasher films stand out in the horror genre, like you were saying. There’s so much to it. There’s so much more intimate and my favorite genre of horror movies is actually creature features. My second one is really [00:20:00] bad.

Oh, the Conjuring series. I love to hate watch it so much. Oh yeah. I love ultra serious bad ghost movies, but slasher

Nick: that super religious overhanging of

Melissa: they’re so bad. I love them.

Jesse/Alana: So

Melissa: Love watching that shit. But slasher films are the ones that like, they’re the only ones that actually terrify me because it’s like, you can reason with ghosts or get an exorcist, you know, creature features, I mean,

Joe: hold on. You can reason with the ghosts?

Melissa: Troll

two kills you.

Like you go to nil bog, you’re like, these things are kind of 

Jesse/Alana: Wouldn’t be the worst way to go

Melissa: a plant and eat you. But like slashers they’re terrifying because some of them can be so realistic. There is no compromising with the killer. They have one mission and that’s just stab stab.

And that’s,

Nick: See, but

The part that makes me laugh so much.

Jesse/Alana: step

Melissa: how it’s

Joe: And I think that’s what separates like the predator.

Yeah.

From Being

a slasher. Because he does com if you’re [00:21:00] pregnant or you don’t have a weapon or you’re not engaging in, he, there’s some moral

Geo: also he doesn’t use, he doesn’t use a knife.

Joe: he does. I mean, yeah, he does a lot of times. 

Geo: Okay. I was, I guess, I think I can picture everybody holding guns in that. I guess that’s where the people against the predator. Yeah.

Joe: I think there’s like some, from his point of view, there’s some honor in kind of the hand to hand going in, just killing, and he is stalking, he is almost unstoppable. And so that is fits almost.

But then you go, as Melissa was

Jesse/Alana: like a career. A career breaks it, you know, if you’re like a hunter or like a assassin, like that’s, those aren’t slashes, they’re still killing people. Like brutal ways.

Yeah, exactly. Yeah.

Joe: And intimate. Usually you’re very, you’ve been tracking, you’ve been following, you’ve been, you know, stalking in that way.

But the real horror is that you can’t reason. So you are being chased. You can’t reason, and you don’t really, at some point you don’t know why you’re being hunted. Like usually in all these other scenarios, you know why at some point you go, oh yeah, you know, I’m a mercenary. I see why someone’s coming after me, or I used to do this, I know why.

But [00:22:00] here you’re just kind of at the camp trying to get your freak on, and then you get a pitchfork through the chest, right? 

Jesse/Alana: There’s no reason, there’s no rhyme. It’s just random, but it’s you and you’re gonna die.

Joe: Yeah. 

Melissa: And I think also, it’s also probably, ’cause I’m reading it right now, finally after years, I picked up Helter skelter to 

Jesse/Alana: Oh wow. Yep. And

Melissa: and you know, I, oh it’s so good. I’ve listened to podcasts about the Manson murders and all this, but you know, like you were talking like about a moral code.

And I’m like, that’s why I think slasher films are so terrifying because it’s like they had no moral code. It was, you know, it’s disgusting. It’s horrifying. But I still do love slasher films even though they scare the shit outta me.

Disgusting.

and I do love reading about horrible things that happened out of like a anthropological perspective and historical perspective.

Geo: And I think body count, there’s usually a lot.

Yeah. A high body count.

Jesse/Alana: That’s a reason for

sure. Yeah, two Because like psycho, that’s why Psycho

Geo: is

more of a pre [00:23:00] slasher. ’cause 

Joe: they’re, I mean,

Nick: have sequels. I’m pretty sure he ups his body

Geo: I’m just considering the first psycho,

Joe: guess you don’t, I mean, do you need a high body count to be, I mean, if you kill four people

I think that’s a 

Geo: characteristic of slasher movies. Go is a higher body count.

Joe: yeah.

I think you need a higher body count to go through those phases. Kind of the unaware, the, flight and then the fight. And so I think you have that. And I think in psycho, I mean, I guess you did have the fight at the end. I don’t know if you went through all the stages, you only, you didn’t have enough characters to make your way through that psychological kind of climb.

So Yeah. So I agree. You need numbers, but 

Jesse/Alana: He did have a two body count, didn’t he? Did he kill his mom? I thought he killed his mom.

I think it’s just kind of open-ended and we’re not told. Yeah, but so it’s potential two body count two, which is better than one for a slasher, I guess

Joe: three.

Nick: See the having just one for a body count, that’s just you’re kind of a lazy slasher, you 

Melissa: That’s just a mistake.

Nick: It’s

Jesse/Alana: we’re gonna 

gate

Geo: You need to [00:24:00] get out more.

Jesse/Alana: that’s not enough to be a

Nick: those are rookie numbers. You

Jesse/Alana: Yeah. You gotta bump those numbers away. Way

up 

a candyman, I mean, it wasn’t particularly high body count in that movie. We just watched it. 

Nick: I assume that he has a higher body count that you don’t 

Jesse/Alana: From previous. 

Joe: I know,

maybe, But 

Nick: that’s not 

Joe: the murders they were talking about, they, it was very limited and it was, and there was some,

Nick: wait, what movie are we talking

Joe: Candyman.

Nick: Candyman. 

Jesse/Alana: Candyman.

Melissa: in front of a mirror

Jesse/Alana: Oh no.

Melissa: in

Joe: Ow. 

Nick: a mirror right there. I was hoping it would work.

Jesse/Alana: Stop it. Five.

times I still don’t do

it.

I don’t do

Melissa: Me neither. I don’t do that. I 

Jesse/Alana: I do 

Melissa: bloody Mary,

Jesse/Alana: Buddy Mary do that in

the Caprini Green, like target. Yeah, 

Melissa: oh, I’ll do Beetlejuice any day. That’s fun.

Jesse/Alana: I don’t

do Bloody

I don’t do that. chaotic gifts. I do all of it. I just, you know,

Geo: Do you do Helen something? 

Jesse/Alana: They never Do 

Geo: Helen? 

Jesse/Alana: do. something. Never.

Joe: I think the other thing with the slasher kind of the other unique thing is the point of view. ’cause [00:25:00] oftentimes you get both the point of view of the actual killer. And then you also get the point of view, which in movies usually don’t switch to the protagonist and antagonist.

Usually you follow one through. But in a lot of, in most slashers, you do get the other viewpoint of the person being slashed and doing the slashing or the actual hunt like your, the prey, 

Nick: so would sleepaway camp be considered a slasher then? Like sleepaway camp?

Joe: away 

camp?

Melissa: Yeah. 

Nick: Yeah.

Really 

Jesse/Alana: it would, yeah, she could, she got high body count, I’d say. So

Nick: like it. It does fill most of the, I didn’t see the sequels. I know there’s. 

Jesse/Alana: I didn’t know there was a sequel. Oh, there’s a 

Melissa: of ’em.

Nick: Yeah.

Joe: Sequels and slashers usually fall off like there’s a steep cliff. Like you have the first one you build

Nick: It really depends

Joe: You throw in everything

Nick: heard good.

I haven’t seen the second or third Terrifier, but I’ve heard great things.

Jesse/Alana: Mm. Yeah.

Melissa: Listen, you guys are dissing Scream for, and I’m not gonna stand for that.

Nick: I didn’t think anyone did Scream. We haven’t even

Melissa: broad.

Nick: Scream up. 

Melissa: Yeah.

Jesse/Alana: I know 

Nick: [00:26:00] does that one count? ’cause isn’t it a different killer?

Jesse/Alana: I think that

Joe: Well, you can be a different

Jesse/Alana: Oh, that’s 1000% clashes. 

Joe: Scream. Definitely. I didn’t see Scream four. I didn’t see

I didn’t see screen four. Like I said

Melissa: four is the bad one. I still have a soft spot for it.

Jesse/Alana: I was wondering, does It Follows count as a slasher or 

is that more supernatural? 

Yeah. Or is that more of a supernatural horror?

Nick: I’d consider that supernatural.

Jesse/Alana: Yeah, like a supernatural

slasher because you can’t stop it. It’s ans TD that

Geo: That’s that’s kind of like Freddie Kruger. Is he? Because

Jesse/Alana: he’s a dream.

Geo: he visits you in your dreams.

No, but the way he kill you. Yeah. I dunno if that would count. I mean,

Melissa: I 

Jesse/Alana: oh spoiler. Oops. Fred Cougar, die movies,

Nick: slash concert. Yeah. I 

Melissa: think they are supernatural horror. They’re more psychological

and they’re also better than the Friday, the 13th series.

Jesse/Alana: I do agree there. Yeah. Same. But going back to your like the perspective of the killer and stuff, I think it’s super important film. When I like opened my eyes a little bit was Behind the [00:27:00] Mask Rise of Leslie Vernon. Have you seen that one where it explains like you follow, it’s a kind of a mockumentary kinda thing where you follow the slasher and it talks about oh, this is what I gotta do.

Oh, I like, I have to cut the branch a little bit because I don’t wanna fall down. Like I don’t wanna break my leg and I gotta like still, I gotta get my pacing down. I have to run. Cardio is hard to make yourself look like while you’re walking, but you’re actually running kind of thing.

And that’s like a, you get the whole behind the scenes of why they do it and what makes the Final girl like I always thought it was a super important film with that. It’s really good deep look.

Joe: Yeah, we’ll put that in the show notes. I was gonna say too, that. I mean, thinking fast forward, I had this generational thing, I’d had some notes on that going through the decades and made mention.

But even as we come out, you’ve seen a lot of more movies now with the slasher, much more digitally based artificial intelligence, Megan, which I haven’t seen, but I know the premise of it. And so when you mentioned it follows, that was one also that came like in this other category of its, decade where you are looking at this kind of self as the monster and the likes and the social [00:28:00] aspect, but still fits our definition of slasher or have to modify a little bit.

And I mentioned Supernatural and Freddie Kruger was part of that because people usually throw that in as a slasher, 

Nick: do feel like a lot of the slashers do have a supernatural ability. 

Joe: Yes. I mean, the Candyman we was 

Nick: yes. Uh, they all have something that is like. Mike Myers should not be able to move as fast as he does, like he is, as you said, sprinting across these fields and just walking

Joe: teleportation.

Nick: like Exactly. He’s essentially teleporting. He’s got these supernatural abilities where he’s what died a few, handful

Joe: Also he must have healing fact, right?

I mean, so we start going through it because the 

Jesse/Alana: Yeah, he shot Yeah. stuff. Yeah. 

Joe: it. It is one of these levels where you go and you’re right, we have to keep it at human because then you start to, other things can, you know, I was thinking like The Crazies,

Jesse/Alana: Oh yeah. Yep.

Joe: it’s not necessarily [00:29:00] a singular person killing, but in some ways, especially the remake, it was much more you were following just a couple people killing and, but really the community was degrading there.

So you had That’s

Nick: the Strangers Too, not the number two, but TOO.

Joe: I didn’t

Nick: they, no, they go into a house, they kill people. It’s just it’s a repeat

Joe: Okay. I see. Yeah.

Nick: that one 

Jesse/Alana: Is that like funny games?

Joe: Yeah.

Melissa: Yeah.

Nick: Yeah.

Jesse/Alana: es 

Joe: Yeah.

Melissa: Yeah. Would that be a slasher though, because it’s all targeted at one location? They’re not.

Nick: they do move around.

Melissa: I mean, I haven’t seen that in a while and I didn’t like that, and I was like, I guess most of them are like stalking at a teenage house and stuff.

I just, maybe it’s because I don’t like The Strangers that I just blocked it outta my head as a slasher 

Jesse/Alana: yeah,

yeah.

Nick: Like it definitely has. I, from what I remember, it’s been five ever since I’ve seen it.

But they were going to different houses and doing this

Melissa: Oh, okay.

Jesse/Alana: oh, that’s [00:30:00] right. 

Joe: Okay.

Nick: Like I could be wrong. Someone can fact check me, but

Joe: we’re fact 

Jesse/Alana: it’s been a while.

Nick: is there what Yeah it’s one of those movies where it’s oh, I seen that. I know what the hell goes on, and

I don’t care to go back to

Jesse/Alana: it. Yeah.

Joe: Yeah. I

Jesse/Alana: I feel like the only one that doesn’t necessarily have some kind of supernatural ness to it is probably psycho.

’cause that’s just Ed Geen based, and that’s just almost even scarier that there’s not a supernatural aspect to, it’s like just human Texas

Oh yeah, that too.

Yep. So that’s a whole family. Yeah, you’re right. 

Melissa: Christmas, which I think is like one of the first slasher films. And I love all three versions of it. I think it was the latest one where there’s, it’s not really supernatural. They’re more just like in a cult. 

Joe: Black Christmas was the one where you really, you didn’t know the killer at all. I mean, it was still at when that ended, you didn’t know who, like usually there’s some resolution of that aha, that’s, this is the person that’s chasing.

But there was, it was very anonymous. [00:31:00] Had a, an idea, but it, you weren’t sure 

Melissa: and

Joe: I didn’t see any other one.

Melissa: The other great Christmas slashers. Oh God, why am I blanking on?

Jesse/Alana: Night.

Deadly night. Oh, my silent night. Deadly night.

Nick: The second one. Oh yeah. Oh, for sure. Yeah.

Jesse/Alana: Oh my God. That’s my favorite Christmas sweater. yeah, super garbage Day.

Yeah, we should do a Silent Night Hot sauce. That’d be fun. Oh yeah. 

It’ll just be called Punish.

Nick: punish. 

Melissa: Good 

Jesse/Alana: I think Lan 

Melissa: I mean, Lya, Quigley’s death. And then 

Jesse/Alana: oh 

oh. So good. I think 

wherever Lan Quigley lives is my wife equals a slasher film. He’s my wife. Yeah.

Joe: and I think the other thing in the slash movie I had in is the the, that predator prey kind of response. That you have. And we look at this real life, you know that predators usually are they’re camouflaged, they go slow, they hunt, they stalk.

Then you have the prey who you have. Once again, I keep going these stages because I think that sets, that helps that, that can help us distinguish between some of these horror [00:32:00] films that kind of are on the edge between the kind of sub genres and, you have the prey, you have the startled, freeze response.

Then you do have a run response, and then you do have at some level a fight response and you have this kind of situation that you go through in, in, in these kind of phases. So you can also start filtering and maybe through some evolutionary. I have a few other thoughts about evolution,

Nick: What’s the thing in the brain that makes people make terrible decisions during these things?

Jesse/Alana: stupidity.

Joe: no, 

Nick: I mean, most of the time they’re sober. Like in more recent ones they’re pretty sober. Yeah. They’re just, every character is just so 

Jesse/Alana: I mean, if they all listen to me, they survive the movies, but they don’t,

and that’s just rude. I

Joe: I think you gotta blame the writer the writing of convenience.

’cause even in Halloween if you just lock a door, right? I tell like the, my boys is lock the door because if you lock the door, you probably would stop most they would just move along. Or they break it down, you hear it, you get some [00:33:00] audio , cue that something’s happened at your, , your secure entry and maybe you should be on alert.

But usually the door’s just left open. It’s I’m just gonna walk in there and sneak in there, you know?

Jesse/Alana: Yeah. Michael’s got the mind of a child. You can just lock a door.

You’re fine. He doesn’t know how to use it. 

No open. No go

Joe: Yeah. They don’t have pick locking skills. That’s not it. You know, they’re not

Nick: stop it.

Joe: you know, picking a lock. But yeah, no, I think you’re right.

There’s some plot convenience that has to happen in a lot of these that people have to go into a particular room or a particular place. And it might not be logical, but that’s also, as viewers watching that, are we learning about these situations? Are we learning about 

Jesse/Alana: I was gonna say, like I, I look at slasher movies as like a learning experience. What would I do in this situa, not that, but like

Melissa: yeah, 

definitely don’t separate,

Jesse/Alana: never hide for the whole movie. Hide till they walk away. Then run the opposite direction.

Like 

Nick: you can see them, they can probably see you.

Jesse/Alana: That’s

Joe: right. 

Jesse/Alana: That’s usually the life. Yeah. Always run. Yeah, that’s 

the [00:34:00] thing. Never hide because they have all the time in the world you don’t 

And you don’t, yeah,

just run 

Joe: on you, you’re kind of locked. They’re gonna keep, you know, once they identify this group of people, then it feels like that’s 

Jesse/Alana: they’re locked in.

Joe: once again. That’s also written that way. Maybe in the real world they’ll see some other group and then wander off that way.

’cause is it just a killing? That’s the motivation, right? So we’d say they’re unmotivated, but maybe there is some motivation to the killing. And usually sometimes there is some moral thing. A parent was abusive or a mom didn’t love them or they didn’t get hugs or a girlfriend dumped ’em. And so you have this whole thing where there is some thing where they would specifically, they’re just hunting out women, let’s say or men for let’s say.

And then you have this thing, but you just got in way, you were just a casualty of kind of the hunt.

Jesse/Alana: I mean like In a Violent Nature, I think. Was that the movie?

I think it’s like the one that’s a POV behind the slasher. Where Oh, 

that’s one of my favorites. 

Yeah. That’s fun. And it’s

Where someone else would make a noise and get in the way and it’s okay, I’m going over here now. So like [00:35:00] it’s just on this full brutality force.

Yeah. No rhyme or reason. Yeah.

Joe: Yeah. Once you start, then are you just down

Jesse/Alana: Yeah. You cut my eye and now you dead. And then That’s it. until something else

Yeah, Oh, my March two awards, my ultimate goal, right? It’s you’re hiding in that. Oh, 

cool. Sounds good.

Joe: You’re done. So you have that.

So I,

Jesse/Alana: found you I have to say, Kevin Bacon was one of the first

Dreamboat

Geo: first people victim of a Yeah, he was, Yeah, that’s right. 

And anytime I can mention Kevin Bacon, I do. That

I know 

Joe: there

Jesse/Alana: that was my second Kevin Bacon movie ever. And it was

Joe: yeah.

Jesse/Alana: well worth it. I loved it.

Joe: Good old Kevin Bacon.

And Friday the 13th, if people are wondering. Yeah. Do you got the dates on that?

The

the 

Geo: first Friday the 13th,

Joe: anything which didn’t have a, Jason,

Jesse/Alana: Was that 19 80, 81

said 

Joe: something in there. Yeah, that sounds

Geo: I’d have to look. Yeah. I could look

Joe: my year? So I

Geo: I could look.

Jesse/Alana: shorts on. That’s all I know.

Nick: But [00:36:00] yeah I do feel like even in like horror video games, they have started to make it

harder for you to think rationally. Okay.

Love the what resident evil games. They’ve been doing some fantastic games where it’s like, what was seven was absolutely terrifying. And you’re stuck in this what swamp house?

Louisiana. Where you are trying to get outta this house and find Mia, which is his fiance

that was kidnapped and then, yeah. I don’t know. Story. It’s taking a minute to remember, but yeah it’s definitely giving you more of a, okay, you can’t just do exactly what you would in real life, so we’re gonna make sure that you have to do this puzzle to get through this door so you can get this

Jesse/Alana: Can’t progress the story. Yeah, for sure.

Joe: yeah.

Nick: you can’t just go that’s all terrible. I’m just gonna walk outside and leave.

Joe: I 

Jesse/Alana: scream the whole time 

Joe: door or whatever. Usually the movie will be over relatively quickly. If you could, if you sealed off these things, you would kind of end it. If the [00:37:00] campers listen about the haunted story and go, you know what, maybe we’ll go the other way to the other lake and 

Jesse/Alana: but then there’d be no movie.

Joe: you know? That’d be a very teenagers 

Geo: listening. I don’t know if that’d be 

Joe: it’d be a very different movie.

Jesse/Alana: Then also overkill.

Whenever you catch the slash air, they always just hit ’em once and run

like no. Like we’re always like, overkill. Overkill. You need to overkill.

Nick: Make sure they’re 

Jesse/Alana: Please. I’ll take the jail time. I’m doing overkill. 

Nick: I think you would avoid jail 

Jesse/Alana: it. 

Yeah.

it’s self defense. 

Nick: I’m

Jesse/Alana: I’m not playing with

that. dismembered 

Self-defense. 

Joe: have to you probably need to cut a hand off or ankle. I mean some feet, I mean something. I mean you really, you, but

Nick: burn the body,

Joe: then is 

Jesse/Alana: let the body stay in one piece

Joe: If you do that, what should be a, I don’t know if there’s a movie like this where you go and you actually have this real thought of dismembering the slasher and you become the next slasher.

Melissa: Yeah, so if they thought about it though and actually killed the killer at the end of the [00:38:00] movie, there wouldn’t be sequels. 

Joe: Wait,

what? The, so what The person who killed them

Melissa: Oh, they

Joe: become the new slasher.

They all, they’ll become psychologically. Now I need to write this. I’m just gonna go, you 

Melissa: You should write that. I

Nick: You should write that because this is gonna 

Jesse/Alana: they got the taste for blood now and it. 

Joe: yeah.

I wanna write this story. 

Melissa: I like that.

Jesse/Alana: Do it. I’d watch it. That’s a fun one. That sounds like fun.

Joe: Yeah. I don’t know any story where they do that, 

Jesse/Alana: I know there’s like bloodlines like there’s like bloodline ones are for sure ones where they continue, but not like where you kill it and you become

Joe: Because to ultimately kill the, hunter that the actual 

Nick: killing the hunter. You become the hunter, like

Joe: almost dismember.

You really have to go crazy. And you’re right, people usually stop short of that, and then they get up and the hunt keeps going on for the sequels. But if you actually go and you’re that psychotic then you become the slasher.

is that what happened in Grady Hendrix’s Final Girl?

Melissa: Oh yeah, that did happen.

Joe: It didn’t happen there.

Melissa: I love that

Joe: I love that book. Yeah, that was a good book. But I’m trying to think, is that the,

Yeah, God, 

Geo: I love [00:39:00] that too. But

Melissa: killer is, you give away the,

Joe: I no, I’m

Geo: not, I’m trying.

Joe: but I’m like,

Geo: Yeah, no spoilers.

Joe: okay. All right. But yeah, 

Jesse/Alana: then I feel like that killer would have to, You should 

Melissa: write it 

though.

You should write it.

Jesse/Alana: That killer. The killer Who killed the killer then.

Would already have to be psychologically like predisposed to pick

it up or unless that 

was, a 

Melissa: of us are going

Geo: I was gonna say the possibility of becoming a slasher at this point is really

Jesse/Alana: and closer every day. 

Geo: It really 

Jesse/Alana: I mean They

framed Sidney Prescott and and scream too of you’re the killer because you did that.

Yeah.

but it wasn’t true. thing to tip you over.

That

sound you become

were they already crazy or did that make them I How many times on this show have I said that if I had superpowers, I’d become a villain? It’s

Joe: most people would. I think you

Jesse/Alana: Yeah, you have to be. 

But growing up is learning that the villains weren’t necessarily wrong. Like Magneto.

Melissa: You a villain or are you

Nick: mentally

Geo: right. Mentally challenged. The people that people say are the, I’m

Nick: beat up this [00:40:00] poor person.

Geo: The people that they say are heroes are actually no villains.

Jesse/Alana: immediately. Thought of Batman. I’m like going around, beating

up

Ill and

Joe: but that’s the thing about the slasher is that there is no moral, you watch it, you, there’s no redeemable qualities generally. I’m trying to think, is there any, but no, I think usually you go, no, I know who’s good in this situation and who’s bad.

And even it could be marginal, right? Because the people that are being killed, you might not think they’re the most redeemable humans. But then you some of them are kinda dicks,

Nick: I mean, what about Dexter? Is he considered a slasher then? Like he’s constantly,

Joe: constantly,

Geo: a well, yeah. Yeah. But he, I think

He definitely,

Melissa: a moral

Nick: He

Geo: was gonna say he makes those decisions. 

Joe: And he cleans it up. I mean, he has a whole process like slashers. They don’t, they go in

Nick: I’m just gonna,

Joe: and there’s gonna leave the scene buddy and then walk off 

Jesse/Alana: there’s a clear divide between serial killers and slashers, it sounds yeah. Like it’s brains basically.

Geo: I don’t know. We’re splitting here into this

Joe: else.

I mean, that’s what I’ve been given some kind of thing. But the other [00:41:00] thing that was interesting and looked at the ecology of fear, and it’s this concept that, you know, based on this prey predator kind of thing, where the prey modified their behavior because a predator exists nearby. And so you have this whole kind of situation so that the setting, the campsite, the house, the high school, wherever you have this predator, and then that changes the whole dynamic.

It, it increases. Now the fear, some space that wasn’t necessarily you should be fearful of or have fear to be in now becomes this very heightened. And so the psychology of fear kind of cooks in. And so most all slasher movies have that. In there versus a serial killer movie.

Geo: I think a lot of times, I mean I guess if nobody knows there’s a serial killer, then they wouldn’t be.

But that goes back to, but for a lot of communities, if there is a serial killer that hasn’t been caught, that’s exactly what it’s like.

Joe: right. You get that kind of mode. 

Jesse/Alana: Yeah. Somewhere that should [00:42:00] be safe is not anymore. Yeah.

Nick: Now do you guys think technology will start to affect. You know, we the new serial killers,

Jesse/Alana: Oh, I,

Nick: everyone has a cell phone I have a fun fact on

on that. Oh, what you got?

Jesse/Alana: There’s actually more serial killers today. Then there were in like the sixties, seventies where we get all of our serial killers, like from 

Nick: it ’cause 

Jesse/Alana: the night stalker and everything, because

Nick: we’re able to know about it 

Jesse/Alana: Yeah. It’s kind of like they, we have the knowledge and the technology. Now. So there are actually way more serial killers in the United States now than there were like, where we get all the famous serial killers from. We just 

catch ’em faster. Is that it? 

No, they just don’t tell us. 

Oh my God.

One in Chicago right now, actually.

Nick: Are they just not were the old ones not known about

Jesse/Alana: I think so. Or it was like

known more ’cause it was a newer thing. Like I just keep going back to the night stalker and how he terrorized [00:43:00] LA and everything. And everybody knew that it was happening, but they didn’t know who it was.

But now I think it’s just more like on the down low and people can cover tracks easier. I don’t have all the science or the facts

behind it, but a, I mean, we live in a surveillance state

Yeah. You’d think it’d be harder,

but like there’s more right let us know. Let us

know how you’re doing it. 

Use an email at Yeah.

Nick: rabbit hole of research.com.

Melissa: another like tangent or rabbit hole of that you can get down to is technology creating more serial killers or can it, and then also will that change. Slasher films like you had said, Megan, is it gonna be more technological based?

Is it gonna be like an AI 

Jesse/Alana: or like, like Scream and

stuff?

Yeah. Yeah. 

Melissa: yes. Are we gonna have an actual Terminator wasn’t a slasher though. 

Nick: A, he

Joe: He had one 

Jesse/Alana: he had a job. That’s the thing. He had a career and that was, yeah.

He’s a man. Yeah. 

Joe: with the house, like they have the AI house and they [00:44:00] kill the family. 

Melissa: Killed the

Jesse/Alana: Yeah. Yeah.

Nick: t2. I mean that

Joe: why it’s doing it.

It is 

Melissa: Chopping Mall was a good one.

Jesse/Alana: Yeah. That is that is actually one of our hot sauces, I forgot to mention, bought blood. It’s called Bot Blood. It’s Chopping Mall. That’s 

Melissa: slasher, but I mean maybe, I mean, it was, it had a single purpose and that was just to kill.

Joe: I wonder if you’ll have these crossovers where you have like now, like a bio horror will that come back and people out for vengeance or something’s been affected.

They now go through and kill targeted, applications. 

Jesse/Alana: You can say The invisible man. Remember that movie that was like 20 pre pandemic, was it? Or it was The one where he used like the skin suit

the yeah. Technology to go kill.

Yeah. 

Joe: Yep.

Which, that’s what you do if you’re invisible. 

Jesse/Alana: Heather doing it now. Yeah.

That’s it. So I think 

Joe: you would have

this. Didn’t Kevin 

Geo: Bacon play a role like that?

Joe: Kevin Bacon was in Hollow Man.

Geo: Hollow man. That was it. 

Jesse/Alana: Man.

Man. 

Joe: and yeah, 

Geo: Oh, and it was 1980,

Joe: Yeah.

Geo: Friday.

the 13th, 1980. I was like,

Joe: no, Hollow Man didn’t

Jesse/Alana: Nailed it. I was like Hollow man.

I saw that in

theaters. [00:45:00] Whoa. I’m not that old.

Joe: Yeah. But I mean, and so you, you have this and you know these kind of points where you go. Then I had the final girl when the really maybe think about that and why it is a final girl and had some kind of an evolutionary terms that you have this person that at the end of this journey have now shown resilience have shown sexual selection in terms of evolution, that you have this person now that there would be a good mate.

And so you have this kind of thing where especially for a woman to have survived this very traumatic thing and come out on top, they are now then even extra , they stand out in a community of women like, oh, this is a person we need to. Reproduce with and get some good genes resilient genes to pass on’

Jesse/Alana: There’s

so much growth with a final girl. Yeah. They’re normally super meek and then like they become That’s right. Yeah. A lot. By the 

end of

it, there’s no holds bar. 

Joe: about we, that’s [00:46:00] calling back to our very primal, 

Geo: and I know that you watch a movie, so you see the whole story, but in a way you gotta have a final girl. To tell the story. To tell, you know what I mean? 

Joe: Yeah.

You never have afin, I mean, there’s few movies with the final 

Jesse/Alana: Do. maybe.

it’s, I don’t

know 

Joe: because 

Jesse/Alana: Final I’m the final boy. The, 

Joe: gonna,

keep the, we got Girl and I’m gonna go with boy. Not,

I’m not gonna

Jesse/Alana: No, it’s an, it’s a yeah. You can’t just jump to Final Man.

That’s disrespectful. That’s 

just rude.

Joe: They’re the final man.

Jesse/Alana: Tell me, tell me what happened. I’m the final boy.

Melissa: What do we

Joe: that’s a different movie.

Melissa: makes the final girl? Like I, I always joke, I’m like, I’d like to think I have final girl energy because I’m not dumb enough to run up the stairs where there’s no exit. And you know, I’ve trained for marathons and stuff, but I’m like, I liked that the guy had final ground energy.

But I also know me and I know I’m crazy and I’d probably go try to be like, everyone get the hell outta here, I’ll fight him. And 

Jesse/Alana: I [00:47:00] feel like that 

Joe: on 

Melissa: end 

Jesse/Alana: Yeah.

Joe: it depends on I, I brought

Jesse/Alana: probably

not 

Joe: depends on where you’re at in the scenario, right?

Melissa: I mean, I’m also crazy enough, maybe I could be,

Joe: if you’re in the cooler looking for a beer, and then someone comes out the bushes, you’re the first of the first good

Jesse/Alana: Oh, good

point. 

Joe: you’re not, 

Jesse/Alana: the mercy 

Joe: this, you don’t have the opportunity to

There’s these phases of the slasher.

Nick: I’m pretty sure you’ve also been killed already, 

Melissa: yeah.

Jesse/Alana: yeah.

You’ve been killed in Kili pinata.

Melissa: Oh yes I have. And I did come 

Jesse/Alana: back,

That’s right. Yeah, that’s right. You did come back in too. And part of the chain gang, you and I are in the chain gang.

Yeah, really 

Joe: a slasher. You’re on the wrong side of the fence. You keep talking about how you’re the

Jesse/Alana: ooh,

Mel. 

Nick: the slasher? 

Joe: The

I, 

Jesse/Alana: Okay, so

Melissa died and then she came back in the second one. So maybe you are the final girl. No, we’re talking about how you’ve gotten the energy of talk to Steven. I had

Melissa: I had a different idea for the third movie for Killer Pinata that I told him about, but I’m like, I think we need to evolve it.

Geo: And the third

pinata. the third killer Pinata was supposed to feature our podcast. Yeah, [00:48:00] too. 

Joe: We’re gonna

have a chest busting scene with the

Melissa: And then

Joe: bursting

out during an interview about

Melissa: And then the pinata’s 

Jesse/Alana: amazing. Amazing, amazing.

Joe: gonna be, we’re gonna be talking about the Handwavium of the Killer Pinata and it’s gonna yeah.

We had we’re in it. We wrote ourselves into that. So we do that course. This whole

Melissa: this whole thing works and ties in because if the pinata is part of it and I am the slasher, like kind of the working with the pinatas

Jesse/Alana: the Wait, is the pinata a slasher real talk? Oh,

Nick: Oh,

Joe: yeah. I say so.

Interesting.

Yeah. 

Jesse/Alana: pinata. Can’t 

stop it. 

Angry. Angry Mule Productions Killer. Pinata Is the pinata. Slasher

Joe: all the elements there. I think that we’ve talked

Nick: can we get ’em on the phone?

Joe: Let’s call him 

Jesse/Alana: Let’s call. Yeah. It’s like 

Geo: wasn’t there 

Jesse/Alana: humanoid. 

Geo: I was gonna say there’s kind of super, I mean, we’ve determined that Supernatural gets into there 

Jesse/Alana: I do feel like Jason too. I mean Jason Boy in the lake.

Joe: Yeah. 

Yeah.

Jesse/Alana: I

do feel like for Final Girl, there has to be like some kind of. Like she, she [00:49:00] was meek and all this stuff, but she like kind of finds herself through the terror. That’s like what makes the final girl.

Joe: That’s why Melissa’s out already. She’s coming in too confident. 

Jesse/Alana: I don’t think you and I are the final girls. I think we’re, I think we’re the ones who died because we’re like, let’s get ’em like 

Joe: you’re in the middle, you’re in that fight phase or you’re gonna be caught off guard

Jesse/Alana: Don’t worry. It’s gonna I’ll be with you. We’ll fight ’em

off. yeah, fine. 

Melissa: little flight in me.

Joe: fi. We’ll find a final 

Jesse/Alana: Oh, I’m a big, I’m a 

big

throw what’s ever in my hand and I book it. That’s my 

Joe: We have the final girl and or final boy will reveal themselves when Melissa wants to go fight. And it’s say, you know what? Why don’t you go do that?

I’m gonna go 

Jesse/Alana: yeah. I 

think I’m gonna go call 9 1 1 really quick.

Joe: aren’t you supposed to be a man? No, I’m the final 

Jesse/Alana: Listen, I’m a boy. I’m just a boy.

So what a boy. Just a

final boy. 

Melissa: of this later.

Joe: later,

down.

Yeah, I’m done.

Yeah.

All 

Nick: right.

You guys have any plugs you wanna hit up? That was a weird way of putting that

Joe: say [00:50:00] final, like can you ask the question again?

Jesse/Alana: Like, my favorite Uh, well, yeah. He

comes on Saturdays. Mark

Nick: You got any plugs you want stab in?

Jesse/Alana: Yeah, we I think what we have, we mostly just kind of do markets now.

We’ve kind of died down a little bit. We used to have a web store for slasher sauces but DM us on Instagram and stuff. But the only thing we have, I think coming up is the Krampus market which is December 7th at old Irving Brewing Company. And I think we’ll be selling markets so you can test all the hot sauces.

Everything’s, all of our bottles are $8 regardless. We try and keep it low so 

you don’t have to choose between price and flavor. You can, and you can taste them all before you buy ’em. We provide the chips

Nick: and you’re not even murdering us with the price.

Jesse/Alana: No, not today. not today happening 

Geo: With the sauce. With

Melissa: isn’t it? If you buy all of them, you slash the 

Jesse/Alana: price. 

my

god. My god. You’re right. 

Yeah. If you buy a full run of all eight, seven, 

Six now I think, 

sorry, six of the hot sauces. Sure. Then you we cut you a deal. We’ll slash you a deal. [00:51:00] Yeah.

Joe: Lemme put all those links in the show notes and so

Jesse/Alana: Yeah. And we deliver to anywhere in a 6 0 6 area code for free, so 

If you’re Chicago land, we’ll drop it off at your doorstep.

Land Chicago area, not land. 6 0 6 only. We’ll drop it off at your doorstep.

Melissa: it is.

Geo: we’re out. We’re out.

Jesse/Alana: Work if you’re 

Melissa: in Burwin,

Jesse/Alana: we don’t drop to Berwyn anymore. 

No more Berwin.

Joe: No more. Cool.

Geo: How about Melissa? Melissa?

Melissa: We’ve got October is like our biggest month, so we’ve got a few things, but ones I would love to highlight some of the shows coming up. We have Black Mariah Theater and they are definitely like spooky awesome. And they’re playing here on October 23rd. They’re a touring band. We have Cartoon Graveyard with Chicken Happen and Homicidal October 17th.

And then we have some other fun stuff coming up. We have a cycling club the day before Halloween where we’re gonna ride out and look at all the haunted houses in Avondale. And that night there’s a show [00:52:00] where bands play other bands. So we have King Sands as the White Stripes, a band as the Hives, a band as Ween.

And then I’m doing a vinyl DJ night where I’m doing like spooky dance party in between the sets and afterwards. So that’s gonna be really fun. And then actual Halloween, we’re just doing karaoke. 

Jesse/Alana: I’ll see you on actual Halloween. We’ll be here.

Melissa: Heck yeah. 

Costume party with cash prize for best costumes.

Geo: Nice. 

Jesse/Alana: We’re We’re

going as a Peewee Herman Munster and 

Gorilla,

Melissa: I love 

Geo: that

because

Jesse/Alana: got a Gorilla costume from Spirit Halloween.

Joe: Very good.

so

yeah. So then we can go around, maybe get everyone’s, and the one thing I was gonna say is that the horror slasher genre, it had some, but has become an international kind of 

Jesse/Alana: Mm-hmm. 

Joe: And so you have slasher movies, this genre, you know, which probably started out mostly American and rooted in our.[00:53:00] 

Ultraviolent, culture has now spread out into others. Yeah. Really cool. 

Jesse/Alana: Infiltrated 

Joe: show notes, but yeah, if we have wanna go around favorite slasher movie or one you’ll recommend to the listeners out there, like what they should check out and we mention a lot, so we, if we repeat, that’s okay.

But yeah. Wanna start to kick us off, 

Jesse/Alana: Yeah.

I said it before. I really recommend Behind The Mask, The Rise Of Leslie Vernon. It’s everything that we were talking about, they discussed, they explain like what makes a final girl, how it works, all that stuff.

It’s kind of like a deep dive into the slasher genre. So I recommend that one. I like it a lot and I have the mask.

Joe: And you’ve got the mask.

Jesse/Alana: Ooh, I’m still torn. that. Yeah. I think I might have to go with Creep actually, ’cause I like how it’s, yeah. I feel like

that works. And it’s dulo. I gotta go with the Dubo bro. Dubo brothers, Dubo whatever. Mark 

Dubois 

Dub Dubo. That’s a good one. No, yeah. I like how it’s also kind of like behind the scenes you get to see into the [00:54:00] killer’s mind and see how it happens.

Also, it’s kind of just, it’s ridiculous and funny and stupid and I love it so much. So that’s probably one of my, one of my toughest Creep. Yeah.

Joe: Yeah. Yeah.

Melissa? 

Melissa: This is a tough one. It’s kind of, I do love Scream. So Scream will probably be my number one. 

Jesse/Alana: That’s what I was torn between. Yeah.

Melissa: scream is more of a parody. So if we’re going for like traditional, I would go with Black Christmas.

I

Joe: oh yeah.

Melissa: absolutely love that movie. It gets back to the basic slashing. And then also at the end of this, I forgot to plug the Midnight Movie Trivia. So I’ll send you the link for that

Joe: definitely. We’ll put it all in the show notes there. Have that for folks. Nick, you’ve been studying hards.

Jesse/Alana: Sorry, but you took my Creep and I’m thrown off,

so many movies out there

that’s I’m like, oh yeah, I want to say something else then.

Nick: Because you know, there are so many good horror films that are just I

Georgia

go ahead and I’m gonna go, I’m gonna go in a

Joe: You’ve been bouncing.

Oh,

Nick: I’ve been bouncing all 

Geo: Yeah.

[00:55:00] You know what, I was actually gonna say. Black Christmas.

Melissa: It’s a good one.

Geo: It’s really good.

Yeah, it’s,

Yeah. And of course Psycho. I mean Psycho. 

Joe: Yeah.

Go check it out. See what you think about that body

Geo: But I think it was so fascinating that you said Alfred Hitchcock made the first Yeah.

Proto

Joe: That’s

Geo: Slasher the Lodge, which I don’t think I’ve seen it, and I’m even know when

Joe: When I saw

Geo: I’m huge Alfred Hitchcock fan, so I’m gonna go watch that. 

Joe: Yeah.

Nick: Joe, what about you?

Joe: How’d it come to me? I’m like last, I’m no one.

Nick: Yeah, go for

Geo: it. You’re the final boy.

Joe: I’m the FI

Jesse/Alana: are you the final

boy? The final boy? 

Nick: the final boy 

Jesse/Alana: is the final boy right

here, 

Nick: the,

final boy. So

Joe: right. So there, it’s no surprise to listeners of this podcast that I’m a John Carpenter fan.

so Halloween,

of course, but I’m gonna throw one out The Fog

Jesse/Alana: Oh,

It

is, 

Joe: It is one of my, I think it’s just such a fun movie. And they did have, they were actually after something, but they, the way they just went through that town,

Jesse/Alana: it was slash

Joe: [00:56:00] it was very

Geo: I don’t know if that

Joe: It was, yeah. No, they came, they were the pirates, you know, it was, yeah.

They back. 

Jesse/Alana: I

could see it. I agree.

Joe: what I’m saying. And the

not the first 

Geo: movie that would come to my mind. Flash. I

Joe: Halloween already. John Carpenter, he has,

Geo: I’m just giving you a hard time.

The other one 

Joe: was Hellraiser. Oh yeah.

oh.

Jesse/Alana: Oh yeah.

Nick: oh, I

Joe: I think that was the other one I really love. Yeah, that’s right.

Clive 

Melissa: Barker. 

Joe: And yeah, I think you have that. And both of those, you watch Clive Barker movies or John Carpenter movies in their horror you’re gonna have a good time. They, they know how to make a good movie. So I,

Nick: I, I think I am gonna end with Sleepaway Camp though, so I know it’s a little bit of a problematic, like the, if you go through and watch it again right now, you’re like, ah, that ending yeah. But I hope they’re they’re remaking it right now and I hope that they tweak the ending a little bit.

Jesse/Alana: like it was maybe needed for the 

Nick: Yeah. 

Jesse/Alana: So it’d be like, Hey, there’s, everybody’s body’s different, you know, 

Nick: but I feel like it nowadays it

Jesse/Alana: maybe didn’t roll over [00:57:00] so well to

2025. 

Nick: why I’m like,

yeah,

Jesse/Alana: it did have some really good kills.

Nick: Like I, it was just a fun,

Jesse/Alana: that’s all that counts.

Nick: it was a fun 

Jesse/Alana: a Yeah.

Nick: it’s weird to say.

Yeah. 

Jesse/Alana: Yeah. So it came, it was funny.

Yeah, it was fun. 

I think all slasher movies are fun. I think that’s, we all agree on

that. Yeah. 

I’d say, I’d say they’re fun. 

Joe: Yeah.

I mean, I didn’t mention, but like someone watching that it’s almost like microdosing fear. 

Jesse/Alana: Yes. 

Joe: start watching it. Yeah. And you get kind of desensitized and you do have to amp it up.

And I mentioned this 

Jesse/Alana: No, I agree. 

Joe: watching like horror, The Thing when I was six, seven. And so like now for a horror movie to really do it, it not only has to have all the kills, but it also has to be written really well, filmed really well. It has to be a really good 

Jesse/Alana: I need a Hereditary to scare me now.

Like 

Joe: you

Geo: oh,

Jesse/Alana: Yeah. oh,

he got me.

Geo: I the ending. 

Joe: Yeah, 

Geo: know 

Jesse/Alana: ending.

didn’t get me, but The but the leading, but 

Geo: move. Oh yeah. [00:58:00] Oh my 

Jesse/Alana: didn’t,

realize my shoulders were up to my ears till the credits

rolled and I, was like, oh, relax.

Geo: I have to agree. Yeah. Yeah. And Tony Collette is,

Joe: I know you’re a huge Tony Colette. George

Melissa: I love her.

Joe: Tony Collette all the time yeah. So another fun month of horror. We have this episode here you’re listening to, and then after this we are gonna do the thing, John carpenter’s a thing.

We have Bill Haliar or Todd Berg going as guests with 

Nick: Hopefully we’ll get that Ouija board done.

Joe: We’re not doing Ouija board,

Jesse/Alana: I have one you can borrow.

Joe: so No, we’re done

Melissa: They’re looking for a spot to do it. And I said, absolutely 

freaking 

Jesse/Alana: go to the Labile Woods. You can

do it there. Before 

Joe: cut off though, in our last episode, we wanted to know you, you had mentioned, Melissa, that the ghost of Reed’s Local likes gin.

How did that come about?

Oh,

Melissa: okay. So we had some ghost hunters here and they this is part of the reason I refuse to do a Ouija board is every time I’ve gone ghost hunting, they’re always like, oh, it’s [00:59:00] you.

You’re the conduit. We never see as much activity as we do as when you’re here. I’ve had my hair pulled out of my head and like the radio frequency thing, it goes, I like her. And I’m like, I’m getting the fuck outta here. Absolutely

Jesse/Alana: like you. No

thank 

Melissa: I’ve heard like an Oculus box, one of those things where it like spits out words and like I was holding it.

There was no activity, so they turned everything off. This wasn’t here, this was at another location. They turned everything off and then, I said, okay, I guess there’s nothing happening. And it says, no wait. And then all the lights started to flicker in the room after they turned off 

Jesse/Alana: Oh, that’s cute. 

Melissa: And then I threw the Oculus and it said, sorry. And I’m like, are you kidding me? And they’re like, oh, that’s ’cause of you. So here at the bar, there was no activity. And I said, okay, there’s nothing happening, but you know, thanks Ghost for letting us like bother you. I’m gonna pour you some whiskey.

And the Oculus box said, no gin. And I said,

Jesse/Alana: oh geez.

Melissa: Okay. So this ghost is a 1920s ghost. Got it. Because I think I told you like this has been a [01:00:00] bar since the thirties, but it was a mortuary before that. And that’s something we found out a few years Right.

Nick: I just thought 

Jesse/Alana: at the height of gangster 

Nick: other are living here.

Thank you again, Melissa for 

Melissa: Thank you

Nick: hosting

us 

Jesse/Alana: and thank you for having

Joe: Yeah. I can’t wait. I can’t wait to try. 

Geo: I can’t.

Melissa: I have some here. You guys can sample

Joe: Oh, definitely. 

Jesse/Alana: Oh, no, they’re all getting bottles, so I brought some.

Yeah. 

Joe: Oh, thank you. Thank you. You got me 

Nick: you got Nick?

Joe: got Nick? We got Nick. 

Geo: Georgia. 

Joe: got Georgia.

Melissa: Oh, 

Jesse/Alana: Melissa,

Jesse and you got Alana.

Joe: got Al, and we got Alana.

Nick: And we cut down through some holes, down

and we slash some holes.

Joe: All right, y’all stay Curious.

Stay safe out there,

Nick: Goodbye.

Joe: and we love y’all.

Rabbit Hole of Research Episode 45: Ghosts and Graveyard

Month of Horror Ghostly Movie List from Episode 45.

Or Listen where you find your other podcasts: AppleSpotifyYouTubeAmazon

  • Pet Sematary (Stephen King, 1983; film adaptations) – Burial ground horror.
  • Ghost (1990, Patrick Swayze) – Vinny’s favorite ghost movie, even though it doesn’t include a graveyard
  • Event Horizon (1997 film) – Sci-fi horror often framed as a “ghost story in space.”
  • Idle Hands (1999 film) – Horror-comedy featuring Seth Green.
  • Sinister (2012 Film) – Supernatural horror about a true-crime writer who discovers a box of cursed home movies, each tied to a family’s violent death and an ancient pagan entity.
  • Black Mirror (TV series) – Particularly episodes dealing with digital afterlives (e.g., San Junipero).
  • The Matrix (1999 film) – Referenced in connection with AI and simulation.
  • Ghostbusters (1984 film) – Mentioned as pop-culture ghost reference.
  • The Sixth Sense (1999 film) – Classic ghost thriller.
  • The Others (2001 film) – Gothic haunted house film.
  • Crimson Peak (2015 film) – Guillermo del Toro’s ghostly gothic.
  • Beetlejuice (1988 film) – Comic ghosts in bureaucratic afterlife.
  • The Ring (1998 / 2002) – Vengeful spirit transmitted by videotape.
  • A Ghost Story (2017 film) – Minimalist meditation on ghostly presence.
  • Casper the Friendly Ghost (Animated TV Series, 1945–1959) – Classic cartoons from Famous Studios that introduced Casper as the first “friendly” ghost in popular media.
  • Casper (1995 Film) – Live-action/CG film, giving Casper a backstory as a lonely boy who died young
  • The Devil’s Backbone (2001 Film) – Directed by Guillermo del Toro, a Spanish gothic ghost story set in an orphanage during the Spanish Civil War
  • Session 9 (2001 Film) – Psychological horror set in an abandoned asylum, where environmental dread and mental breakdowns blur the line between hauntings and madness.
  • Phantasm (1979 Film) – Classic surreal horror with graveyards and supernatural undertones

Transcript EP 45: Ghosts, Graveyards and Cats!

j: [00:00:00] Hey, welcome back to the rabbit hole of research. We’re down. No, we’re not

nick: are we? I don’t think we are. At the

j: We are not in the basement studio. This is the month of October, month of horror

geo: Like our first season

j: we took the show on the road and we are here being hosted by the Horror House.

nick: Hello all.

Moses: Hey, what’s up you guys? Thanks for coming.

Vinny: location, so we have a little more

j: bigger location.

geo: Yeah. It’s really stretch

nick: my legs out a little

j: bit. A lot has happened.

It is night.

nick: time

j: Yeah. Yeah. We were tucked in. It was cozy. It was a cozy, comfortable horror space. Yeah.

geo: Yeah. Nice. Where, what’s the address now?

Vinny: 28 42 North Milwaukee Avenue. So

nick: are the voices we’re hearing?

j: I know

Moses: Moses Gibson and my brother Vincenzo Malave,

Vinny: Vinny.

For people who don’t want to save Vincenzo.

j: Yeah. And you got me, Joe,

nick: You got Nick.

j: Nick. We’ve got Nick Georgia. We’ve got Georgia, and we’re here at the Horror [00:01:00] House, converting it to the basement studio once again.

geo: Recording. Live right now, but not live that you won’t get to sit here at

nick: No. They’re hearing this as we

Vinny: Yeah, so don’t try knocking on our door and expecting

geo: get

j: on

Vinny: here with the headphones on recording a podcast. ’cause sorry to break

j: the mic. Hey, is this podcast happening? The other day we’re gonna talk about graveyards, ghost and graveyards and the horror in involved in that. Which there’s a bit. So we’ll see where we get to. Like always I do have a opening, but if Vinny, Moses.

If you guys want to go and just introduce yourself, introduce the shop and then we’ll do some promos at the end for you guys.

geo: Absolutely.

Moses: Yeah. Thank you guys for coming first of all. This is the Horror House. So my brother said 28 42 North Milwaukee Avenue or right across the street from this awesome horror themed coffee shop called The Brood. So if you’re ever in the area in Chicago, you gotta come check us out.

We sell all manner of different horror merch and [00:02:00] memorabilia from apparel posters, figures, collectibles, art pieces, you name it. VIN

Vinny: as far as a little background mean, Moses started doing this back in like 2016 when we started a brand called the Cryptic Closet.

Fast forward six years and we’re opening up a horror shop where we carry the cryptic closet stuff and a bunch of our friends.

Yeah, it’s been cool. We’ve been a store firm for about three years and do a lot of special events and I don’t know, I think just try to keep ourselves very involved in the horror community in Chicago.

j: Yeah. Yeah. If you haven’t come and visited, you should make a trip to the Horror House and check everyone out. Moses Vinny, they’re super nice. They’re super chill dudes, so come on in. Even though tar themed, there’s probably something for everyone and a great coffee shop, you know, the brood we got some coffees there this morning.

So yeah, really

Vinny: There’s a guy who comes in every week who just comes in to walk over to the Mortal Kombat machine in play.

j: Oh, yeah. There you go.

Vinny: He’s been, he’s come for the [00:03:00] past, like almost year and yesterday when he came in, he played and then he walked out and he looked at me and he said, nice to meet you.

j: I

Vinny: met him like 20 times.

nick: You’re

Vinny: change my voice when I said it. But yeah, so come in. We’ll, literally, if you just wanna come and play Terminator or Mortal Kombat.

All is welcome.

j: There we go. Hell cool.

So yeah, so let’s jump into this. Let me

nick: a list for this, Joe?

j: I have a list at some point, but I’m gonna, I’m just gonna give a little let’s set the groundwork or what’s beneath the ground.

So I, I’ve got graveyards. Worms

nick: worms,

j: are human landscapes of memory and mortality. They are places where the living organized to dead shaping stone and soil into records of history. At their simplest graveyards are spaces of burial and ritual defined by rows of markers of habitats, and the quiet work of decomposition beneath the ground.

As Nick said, worms, they serve practical, cultural, and ecological functions from the management of remains to the preservation of collective memory, and even as accidental [00:04:00] sanctuaries for wildlife. Ghosts by contrast, are intangible presences, aberrations said, to persist beyond death. Wandering in place where memory, grief, and fear converge.

They appear in every culture and every era, sometimes as harbinger of danger, sometimes as ancestors, keeping watch sometimes as restless. Echoes of lives unfinished. it seems like a door

Vinny: cat.

j: Oh, okay. Yeah. I’m like, oh man, here we go.

Vinny: or a graveyard.

geo: You’re introducing the, our guest.

nick: I was like, I saw a door open.

geo: our ghost guest. Perfect

j: segue explanations,

Moses: goes like, oh, hell nah.

nick: like,

j: It’s done. We’re

nick: I was down for it. All right, we’re finished. I was like, let’s go get that. Ouija board boys.

j: Yeah. . great , segue here. Explanations range from neuroscience and physics to folklore and theology.

Yet the ghost endures as a cultural constant haunting of spaces where the living and dead overlap. And this episode , we’ll enter the graveyard gates [00:05:00] to explore the science and symbolism of ghosts. So

nick: just to start off, ghosts aren’t always in graveyards. Yes, they can

j: That’s true. Yes.

nick: In houses, in bars,Reed’s,local

Vinny: in,

Moses: reads. Yeah. I heard

j: Yes. There is a ghost

Moses: I heard that. I heard that. It’s

nick: She says, I still haven’t seen anything.

We had the EMF last

geo: And they haunted our podcast

j: if you listen last year

Moses: forgot about

nick: It wasn’t technical error. It was a ghost

j: It was the ghosts. That’s

Vinny: troll.

Moses: Ghost show. Straight unplugged. Just,

nick: Yeah. It was like, you know what,

j: I don’t we wanna hear this episode. We’re gonna cut it.

Vinny: Yeah. It’s like we’re a ghost, but we’re like a nerdy techo. So I’m gonna fuck up your entire podcast.

I’m not gonna boo you.

j: I think the that Melissa say the ghost preferred gin and we were drinking Molart. I know. There, there was probably some conflict of spirits.

That’s right. And it makes sense

And it

geo: makes sense because that spot used to be a mortuary.

j: Right. That’s right. Yep. Yep. And we’ll,

Vinny: my question is, how did she find out that the ghost likes gin?[00:06:00]

j: yeah, there

Vinny: like she probably left out a little shot glass and then like, cut the straw in

j: I think there was some mention that it ask in some way. I don’t know.

Let’s, she

Vinny: We’ll have to, we’ll have to revisit that.

j: again. Yeah.

Moses: No, I don’t like Jim.

I am Agin.

nick: and a gin.

Vinny: Style.

j: Yeah.

nick: Ooh. That makes it even worse.

j: but yeah, there’ve been tons of movies. Oh.

geo: Oh no, I was gonna say, I think that’s what Joe was saying, ghosts and graveyards. Like not necessarily only ghosts and graveyards. No

nick: I just had to make sure, you know,

j: and usually a lot of thinking

nick: that only if you’re in a graveyard, you’re

j: No.

Vinny: Listen, the movie Ghosts with Patrick Swayze,

nick: Swayze

Vinny: one of my favorite movies.

And then the not to, there was not even one graveyard

j: There was not a graveyard. And I was gonna say, most ghost movies or cultural references don’t necessarily happen in a graveyard. They usually happen in the house or there’s some,

nick: if there is, the graveyard has been paved over.

j: now.

geo: Exactly.

j: Poltergeist.

Poltergeist. Go

Poltergeist going [00:07:00] Poltergeist. There it is. Little

nick: ghost there.

Moses: Little disrespect to the,

j: Yeah.

nick: I mean it’s a typical story. Disrespect.

j: You gotta have respect there, ancient burial grounds and you go forward. Yeah. So

geo: all right guys.

Moses: what

j: else we

geo: Why are you looking at me?

Vinny: The new

j: I dunno. I was looking at everybody. I’m gonna go

nick: I thought Georgia had something to say

Moses: We already covered Ghost, the movie

j: We got movie

Vinny: Okay.

I was just gonna say, I was like, I can keep talking about ghosts.

Like I, I’ll put a penny on the door right now. I love that movie.

nick: Yeah.

j: It’s been a while since I’ve watched ghosts.

But it had all the elements there where the, you know, usually a lot of the ghost themes some of them, they come back because they were wronged and then they’re trying to correct that wrong. And so part of the movie is them figuring out they were ghosts and then trying to do something with their ghost hood.

It’s Ghost Hood and then Tale From

Moses: the hood.

j: That’s right. Tale. I don’t know what the ghost person. Yeah. Ghost hood. It’s like [00:08:00] adulthood. You know? Now

Vinny: Oh, I thought it was like a neighborhood of

Moses: hood.

j: That’s right.

nick: actually, there’s a ghost hood

j: Is there a movie called Ghost Hood? That’d be cool.

Moses: sounds like we need

j: make it happen.

Yeah, we should make it a ghost hood.

Moses: horror comedy. Let’s go.

j: why’s the rent so cheap here? This is the ghost hood.

nick: Oh, we,

Vinny: the landlord’s, like, I want to go pick up the rent, but my tenant ghosted me.

j: Yeah. We have so many one-liners like that. And then they come back and then and then you are going through their wrong. Then once they correct the wrong, then they are released from the physical plane.

nick: Or if they’re really angry.

j: Usually some, somebody wronged them, right? They usually gotta correct the wrong,

nick: don’t know. I feel like there’s still always just some angry ghosts that are just angry for no reason. That’s if

j: you need a part two.

Vinny: That

Moses: See, they’re haters. They’re in it for the love of the game.

j: That’s right. Yeah. No,

Vinny: Those are the ones, those are the ones that tend to stay on earth. And then like they never make it up to heaven. So they’re bitter or they’re just like stuck in

nick: I thought they’d just become politicians

Vinny: No, they’re waiting for somebody to to record a episode of a podcast with a Ouija board so they can get the

j: That’s [00:09:00] right. It ain’t come out.

nick: I am trying.

geo: unfortunately Nick did not get to do the  Ouija board yet.

j: we’re not doing a

nick: Why aren’t we doing the Ouija board?

j: I don’t know.

Vinny: Did you see Somebody made a Luigi board and it’s a  Ouija board.

It’s like Super Mario theme and it was pretty badass.

j: I think they have

geo: pretty fun.

Vinny: of that.

j: a OUI board for every, like, you know, it’s a Barbie Ouija board. There’s like every themed

Moses: they sell ’em at Toys are

j: board, right? Yeah.

Yeah.

Vinny: I bought a Stranger Things once and

j: Toys are Rus isn’t toys are ru close?

Moses: They reopened.

geo: Oh

j: they, okay.

Moses: yeah,

j: it

Vinny: It’s

he

the, it’s

geo: Did they just in way?

Vinny: yes.

geo: Just recently, right?

Moses: not

Vinny: yeah, it’s

j: okay. Yeah, basically

Vinny: they took over like an old KB toy spot in the mall, but there’s like no physical location.

I think the only place that I know that has like the old style like tile and all that is in Canada.

j: Okay. Yeah.

geo: Okay. Oh,

j: Yeah. It’s a ghost. Have

geo: the Ghost of Toys Us

Location.

Vinny: They’re supposed to bring back more, but I don’t know if like, I mean it would be really cool if they just targeted the old toys [00:10:00] Russes and just packed back up and opened in those spots.

Because like the places that took over those spots when I walk in, it just feels like toys are us when you first walk in. So I’m like that. That’s the experience for me when they said, oh yeah, toys Are us is open. I went to the mall and I walked into like a shitty little KB toys. I was like,

j: yeah, I felt

Vinny: like I

not the same.

Yeah.

Moses: Funko pops,

geo: But, and then the  Ouija boards are for ages eight and above, so

Vinny: I wanna see an 8-year-old. Just get cursed.

j: one of friends. There’s there doing  Ouija board stuff. I don’t it was a

geo: people are very much, have a really strong opinion about  Ouija boards.

I don’t

nick: understand

it. Like everyone is very much like, hell no. It’s like it’s a toy.

Vinny: I think also we’re in 2025, there’s so many messed up things happening that they’re like, no, I’m not taking another one.

nick: like,

geo: oh, remember like standing the broom up?

Vinny: Oh yeah.

j: Yes. Making

geo: the broom stand.

j: I think you, I think with the Ouija board and a [00:11:00] lot of this stuff, I think people are truly have some respect and fear of supernatural things.

If even if you don’t fully

nick: no respect or fear of

j: that’s why you’re, that’s why you’re gonna be haunted. And I don’t want no parts of it. So that’s

nick: Joe, as a scientist, do you actually believe this?

j: I should poll everyone. You do you believe ghosts

nick: No.

j: You’re, no. Okay. Moses, what do

Moses: Ghosts? I believe in a spiritual realm.

j: Okay. So you believe in ghosts? I don’t know.

Moses: I don’t know if ghost is the

nick: what would you call them?

Moses: Interdimensional entities.

Vinny: That’s too many.

That’s, I’d rather just

j: Aliens, yeah,

Moses: Aliens, ghosts, demons

j: you’re, it sounds like you’re splitting hairs a little bit.

Moses: We’ll just say, we’ll say the demons.

j: if you have like the spirit world, so if one of the spirits come back to the physical world, they would be a ghost.

So you believe there is some congregation of,

geo: there some connection between the spirit world and the

Moses: in the physical plane?

Yeah. Yeah.

geo: I think your answer is yes.

Moses: Yeah,

j: Yeah. Yeah. [00:12:00] I’m gonna go with Yes. He did a bunch of hand waving on there, but

Vinny: I have asthma. I just gotta say ghosts. I can’t say I gotta save my breath. I do believe in ghosts. Don’t, I can’t say how or how it’s, how it works, but there’s been enough between the stories that I’ve heard and stories from my family, from like the old home that my grandparents used to live at. I definitely there’s ghoster just like, there’s some kind of afterlife, you know?

j: Because I’ve

Vinny: seen enough weird shit. And I think all of us, especially with the internet, you know, we’ve seen enough videos that are unexplainable, you know, so I don’t exactly know how or like how to explain it, but I’m one of those people that probably wouldn’t mess with the Ouija board only ’cause I’ve heard stories

From friends or like, you know, when I was younger, me and my cousins played with the Ouija board.

They never seem to end too well. So I’m just like, with my luck it’ll really work really well. So I’m just like,

j: yeah, you

Vinny: I’ll just watch. Yeah.

j: Yeah. Georgia.

geo: Yeah. I think I’m gonna give a wishy-washy [00:13:00] answer. No,

nick: cannot give a wishy-washy answer. You attacked MO

j: I know, right? It was like,

geo: I think there something to that, but I don’t know. I guess can I could still be undecided? No. Alright,

j: right, you can on the side. We’ll revisit at the end there.

Vinny: Ghosted that answer.

j: Yeah. That’s, there

nick: that’s the kind of ghost I believe in ghosting.

geo: I think that definitely is some other presence and like things that are unexplainable.

And I think people have like energies that probably live on after

Vinny: They’re

geo: they are no longer alive. So I guess that could be a go, that could be set that could be ghosts.

j: right? Yeah. I’m not a big believer in the ghosts.

geo: How is that not a big surprise for me?

j: I think our, you know, just a.

Moses: to

j: loop

back maybe a little, but our brains are really good at trying to make patterns out of things that don’t necessarily have a pattern or isn’t real. And so we [00:14:00] try to explain our world and what we perceive through that.

And so I think if something happens, or a noise, like we had just earlier, we were laughing about it while I was opening the show. There was a door creaking open and we were all primed to think about ghosts. And our heads probably all of us, if you’d asked me if I believe in ghosts at that moment, I’d like, yeah, it’s coming.

It’s gonna come through that door right now. And then Vinny goes, no, is this my cat? I’m messing with the door, messing with this. And so I think that’s some of this here and there are a lot of physiological cues that we get from our world that we aren’t maybe necessarily can interpret.

And then we have to funnel that through our cultural experiences and. I think death in, in the afterlife is a big part of that. And so that’s where I stand on

So do you

geo: think that we want to believe in ghosts because we wanna stay connected to those that have died? So it’s interesting ’cause we talk about [00:15:00] fear and ghost and horror obviously, but also it can be of

nick: we’re more prone to be fearful of the ghosts, where in like Asian countries, they’re more open to being Yes.

They’re more friendly.

geo: Right. And I think if anything it gives a comfort, not just a fear, you know, there’s a comfort that

j: I think we’re always looking for that, but then you have, ’cause you don’t necessarily have to see a physical manifestation. To feel though, like I, I think that was Moses. You know, that split in the hairs is like, you, you believe that there is some spirituality or some place afterwards that, spirits go, but not necessarily physically manifesting and moving stuff on your shelf and messing with you.

In some way. Be it fun. I heard Casper

Vinny: I will say I, I’m, you’re saying all this, and in my head I’m like I should have just not told him I had a cat.

j: That’s right. You

Vinny: then you would’ve been even more freaked out. You’ve been like, wait, there you guys, you heard the creek and then a black cat came out, a random black cat.

Like, I [00:16:00] don’t know, dude.

nick: I don’t see a cat just

Moses: I’ve never seen this in my

j: Yeah. You just go What cat? Whatcha talking about

nick: cat are you

Vinny: I have a whole bunch of cat food back there, but it’s purely a coincidence.

nick: It’s a ghost cat

j: cats and ghosts. That’s really interesting is they have gone together historically in there way back to like, the Egyptians believed that cats could see into the afterlife and could ward off evil spirits.

So you have this kind of relationship and then cats through history and across culture, you know, Japanese folklore, they were shape shifting kind of cats tied to death. Medieval Europe, you know, linked with cats, witches and hauntings, which the witches and cats

Moses: the witches.

j: that was

nick: not the witches,

j: the black plague.

There was women who had cats and they didn’t get the plague because the plague was transmitted through fleas on rats. And so if you had cats the rats with the fleas didn’t come into your home and you were less likely to contract the plague. And but they saw these women with the [00:17:00] cats , who were, you know, not.

And so society’s eye, , a proper. lady.

And then they were vilified and deified as witches

Moses: They’re

j: of that. So they were haters, but

nick: Why are you still alive? And I’m dying.

j: It was like, how come these women, with all these cats and then cats have this kind of historical kind of connection to, spirituality and quote unquote power.

And then you see that and you just assign it. Once again, humans, oh, they must be using cats to do something weird and we don’t like ’em because they’re not dying. Let’s go get ’em. So it’s a, it know let history cats, and magic spirituality have really intertwined through history in interesting ways.

So

Vinny: yeah.

Moses: Cultism and all that.

j: And I was gonna say, one interesting things I had saw was that there are frequencies. I’m trying to notice infrasound at sub 20 Hertz vibrations and they can trigger anxiety, nauseous, and even aberrations in the

nick: oh, I’ve [00:18:00] actually heard about this.

’cause wasn’t there a government testing a weapon within the past decade that was supposed

j: testing weapons somewhere.

Moses: Yeah. On giant crowds of people too. It’s not just like one person. They’re like, yeah, you see those, like 50 people over

j: Yeah.

Moses: Take this and just shoot it in the general area over there and

nick: It’s supposed to be like one of those that just messes with your head

j: it does. Yeah. Sound. Yeah. And so like earthquakes cause these volcanic eruptions, avalanche, large waterfall. So this is like a natural.

Frequency that you would physiologically, respond to. And it was interesting is one of the things with cats, and people go, oh, cats they’re staring off into the distance. And they must be looking at some sort of spirit or ghost or entity, but some of it could just be a they pick up the smallest of movement in their environment and then b, it could just be some motor running your refrigerator motor at some frequency and it kicks on and it’s like, oh, what is

So you’re saying, you are saying

geo: that you’re hearing this instead of a ghost?

j: We assign our cat’s behavior. Or behavior in general to fit a narrative. And if the narrative that cats [00:19:00] have a special ability to see beyond,

geo: Oh, so you’re trying to explain the,

j: but maybe it’s just there.

This, there’s some little thing, you know, flutter in the corner that they’re looking at past you, everyone has a cat know what I’m talking about. The

Moses: Yeah, no they get geeked up for a second. They

j: That’s right. Yeah. And they just stare off past you and it’s like, what are you looking at?

And you look behind you and there’s nothing there but empty space. But some of it could just be they’re hearing some frequency somewhere that’s happening or some

Moses: it’s not per it’s perceivable like range of,

Vinny: I feel like if I’m listening to this podcast, my initial thought is these guys better do a follow up podcast. At a haunted location,

nick: I would totally do it. And I want to, we were

geo: We were,

Vinny: a legit,

Moses: be dumb for

geo: Yeah.

Vinny: has activity.

’cause that’s a

j: you

nick: And then we’ll bring out a Ouija board.

j: You stop with the,

Moses: see. That’s a lot of doubling down statistically of like,

Vinny: like, yeah, we, he’s like, yeah we didn’t believe in ghosts or Bos. Now we’re witches.

nick: know what, I’m totally d It’s

Moses: like, now I’m a [00:20:00] full blown occultist

nick: I would give into it. I would give into it all. If we can get some hard proof.

geo: So we could just stop here and then meet up again at the cemetery

j: we

nick: let’s pack up guys.

You guys aren’t opening the

Moses: where’s the nearest cemetery?

geo: Yeah.

j: Yeah. There we go. We go to cemetery. Yeah. And I’m getting all these things about why not, but maybe why, and I, my head goes to, oh, go ahead.

Moses: I was just gonna say that, our perception of just in general, not, like human perception, obviously we can read into like the electromagnetic spectrum and kinda, you know, pick things up with machines to help us out.

But I feel like even with that, there’s so much in existence that we cannot physically interact with most of existence, really. So it’s one of those where it’s hard it’s hard to rule anything out,

j: Yeah. No truth.

Moses: truth is definitely stranger than

j: No I think that’s right. And I was gonna, you know, for all the reasons you have ghosts, that. May not manifest with classically [00:21:00] explained science.

You know, they have masks, they can move objects, they emit light and sound. How are you doing all that? How many big Macs do they need to do that? But that’s a

nick: They need at

geo: Of course, they’re not eating Big Macs

j: How do,

nick: they’re eating souls.

j: But

Moses: I

nick: saw,

j: I was thinking about some of this and we’ve touched on this, but the, a couple things came to my mind. One was the multiverse that, that ghosts or the way we perceive ghosts, they’re just apparitions from another multi-dimension that we happen to be interacting with, right? So it crosses over for a second and we have this experience or keep having this experience.

’cause in this house or this place that was where their domain was at one point in time or in their universal line. That’s different than ours. Significantly different that we have that. So that was one idea had. The other one was that, and this, you know, we have some fans of the show.

Is the simulation hypothesis that ghosts are glitches in the matrix? They are unclean programs and I think [00:22:00] even the Matrix, they touched on that, the ghost programs and things, but we could have, that could be Is that evidence? So

geo: so this, do you believe in more than Ghost, I believe?

j: No. I,

Vinny: like,

Moses: How do you feel about, how do you feel about simulation theory

Vinny: is Lawrence Fishburne. They both really exist.

nick: Wait, they’re real.

Vinny: Yeah, I found that out last week.

nick: thought they were ai,

Vinny: was an interview and I was like, wait a minute. Can’t spell Matrix without ai. Also, side note, there’s a drinking game that we have, we currently have our door closed and we have a sign saying that we’re recording a podcast, and two people so far have pushed a door still.

So I will make note, and then anybody who’s listening, just take a shot. So then by the end of the podcast, you’ll just be too drunk to do anything.

j: They’ll see ghosts

Vinny: Yeah, probably. And

nick: they will become the ghost. Just start knocking things down. What was that?

j: Yeah. I’m not a believer in the simulation hypothesis, and we did an episode early in season two on this topic or into season one.

I can’t, yeah. But. And I’m

nick: this season.

j: a season? Yeah. Whew. [00:23:00] Season’s

it really? Yeah.

nick: Yeah. This we’re on season two guys. We’re,

j: we are, we’re in season two. But that was an idea , and the other thing would be the, this quantum and entanglement and and then you have waveform collapse, the observation effect where you have things exist in both states, so superposition, and then until you make the observation, you collapse down to that thing being gone.

So a ghost could be there. When you look at it, you’ve now made an observation and you’ve collapsed waveform form back. And then, you know, over time, you know, the, I have problems with that because it’s not.

predictable

or reproducible in some way. Like it’s changes for whoever’s watching.

Yeah. Yeah. And I’m not a quantum physicist, so maybe I’ll be like, no, you’re wrong. That’s, it can be proved. If we’re going to say it’s real then here’s some ideas to make it real.

geo: Has anyone done like a movie or a book about that type of concept? Like that’s what, ghosts

j: Our quantum

geo: yeah. I [00:24:00] don’t think so.

j: so. No. I feel

geo: I don’t know.

Vinny: Ghost

nick: I don’t know guys

Moses: Ghost Hood. The

Vinny: Ghost.

Idle hands? Seth Green and his best friend. No, I’m kidding. I’m

j: Oh, I was like, really? I was like, dude, dad on top of it. As

nick: as you said Seth Green, I was like, oh wait. He might actually be

j: you know, there was I have a little a list here, but Black Mirror, then they have the the one.

Moses: Had. Which episode? It

j: San L No, it’s the one where the woman, they kept going. They were living through the memory. Oh. And then they go and keep repeating and you could get digitally uploaded or it was like some sort of

Moses: Oh, he was trying to remember that girl’s face.

nick: Oh

Moses: Yeah.

j: I can’t, I’m trying to think of that one.

But yeah, that was one, I think that had something like that, but I don’t have the actual source of that. But no, most I mostly ghost movies. It’s supernatural, right? Supernatural. And usually it’s a revenge style. It know somebody’s wronged you, you’ve been wronged and then you are you’re coming back for vengeance , except Casper, he was one of the few,

nick: Actually, I, you know, let’s go with the conspiracy theory.

Is [00:25:00] Casper our killer?

Vinny: No. The real conspiracy, I’ve read it everywhere is Casper one ghost or was the other ghosts?

Part of his like,

j: oh, split personalities. Yeah. Have

Vinny: Have you heard about that?

j: No, I haven’t heard that.

Vinny: Yeah, me either. I just made it up right now.

nick: I did hear that. He might be Richie Rich.

Vinny: Wow.

j: I did see that.

That

Vinny: No, I did see

j: drawing. Yeah. The, yeah.

Vinny: think it was just a lazy

j: Yeah, we have a Casper, if people don’t know, it was a children’s story that was first created in 1930s, was unpublished and it became famous, the Casper, the Friendly Ghosts as a cartoon in 1945. And it was unique at the time because most ghosts were from the horror kind of lens of revenge and, you know, scaring the heck outta people.

But this was , a story I always like Casper, lonely,

not scary, and actually kind.

geo: the, and then they came out again in like the, was it like the seventies and eighties or

j: 95.

Vinny: then nineties. I was gonna say the movie. ’cause then because then it, it made no sense. ’cause then I saw final destination. I’m like, he’s a [00:26:00] ghost. Like how is he gonna die? He’s Casper and

j: And they made a backstory that he died of pneumonia, I think, or something like that. And he had like, it was like a kind of a dark layer,

Vinny: had the black

Moses: sick boy.

j: Yeah. Yeah.

Vinny: So it really, side note it’s slightly on topic though. Do you know when you go to like corn mason or like pumpkin patches? They have like those big cut out, those cut out wood things where just like a farmer and his wife and then the top parts cut in a curve and you just put your head on top and then you take a photo. I think there’ll be a really good gravestone idea. Like, I want

geo: Oh, so then like a photo op at the graves? Yeah.

Vinny: I don’t know, I’m just trying to think outside the grave, the

box.

geo: I like that.

Moses: Honestly, that’s a great idea. Yeah,

geo: I really actually like

Vinny: you know, that like, that meme of that guy who’s like sitting there like on crouch knees and he has, is a peace sign up probably that it and graveyard for him with the head cut on and you can, oh my

geo: oh my gosh I actually really like it.

Vinny: I die

geo: Yeah.

Vinny: or after

Moses: The living something fun to do, you know? Yeah. That’s for them [00:27:00] anyway, where if you know everybody

geo: right?

Moses: is dead

nick: I just wanna be tossed in the woods, you know, let the animals eat my dead body.

Let it do something good once,

Vinny: like did you see what Vinny did before? Did you see what he did for us before he died? He’s like a

j: A funny Jesus,

Vinny: Jesus’.

do anything except make a weird ass gravestone. And he left a dad joke on the other side of it. It’s like a double whammy. That’s how I’m gonna leave the earth. You’re

nick: you’re not gonna come back as a ghost?

Vinny: I might.

nick: You should find some

Vinny: I just said somebody has to bring out a

Moses: you should find it.

Vinny: Ouija board. That’s the only way it can come out is if it’s a Barbie licensed Ouija board.

geo: I got

j: I got you.

Vinny: Then I’m gonna come

j: It’s ready to go.

Vinny: to go and I’m gonna whisper the

j: think. Vinny, are you

geo: gonna start collecting Ouija boards.

Vinny: So you see, you’re like, I did the Barbie Ouija board and like, I feel like Vinny’s voice is whispering. That Matchbox 20 push song in my ears, I’m sleeping.

Moses: Crossover of ghosts with dreams and weird encounters [00:28:00] actually even post, right? Because you have the whole phenomenon of like, sleep paralysis and the hallucination. But what’s fascinating to me is that like across the world the hallucinations are, it’s usually like a set

nick: the shadow man. It’s

Moses: usually a shadow man. Or like somebody, like some somebody in your bed or like on top of you,

geo: Yeah.

Moses: which is weird. Like, why are they on top of you? Why are they on your chest?

j: That was a

nick: Isn’t

Moses: ’em, get em off.

nick: the feeling of not being able to get up

j: Yeah. So you’re

nick: your body, oh, you got the science stuff

j: I mean I was gonna, you go, you could do it.

Moses: He’s got the, he’s got the colloquial speak version.

nick: got you.

j: you’re in that a transition of conscious states and so your body as you go to sleep, your respiration, your heart rate, everything slows your muscles. You’re in this, you’re in this state of sleep and

and

become aware.

While you’re in this state,

nick: aren’t you also in between REM cycles too?

j: Yeah, you, I don’t the exact state of where you’re Yeah. You’re in a more deeper sleep state. [00:29:00] And as you become aware. You also are aware that your respiration rate has been suppressed, your heart rate, your muscles you’re pretty much para paralyzed, yet you’re aware of your surroundings and now your mind has to make sense of that, right?

So you can imagine that you’re gonna see all sorts of things ’cause you’re now in this very trapped, confined state. And you, I think that’s part of this. And then you have other myths on top of that, once again to the, like the cats and sucking your soul. And that’s been, I think you, I’m trying to think of a movie where the cat will sit on your chest and things sit on your chest to have access to your mouth, to pull your soul, your spirit out of you.

And

Vinny: I’m so pissing my cat right now. I let her do that all the time.

j: That was thought what they were doing. And and then like having kids and stuff, it’s like, don’t have, because cats will. Rest on your chest and, I think it’s just comforting for them ’cause they fill your heartbeat. Your breathing rate and things

geo: So really the, so really this is the cat [00:30:00] episode?

j: Oh no, I don’t wanna, I’m not deifying cats, like, you know, I love cats. We have a cat, Ivan. He is a good

geo: I know. I love cats.

j: So I

but you do have cats in this, they’re used a lot in this kind of thing and I don’t, they get, you know, wanna de deify them and say, you know, it’s just they’ve got a lot, they got a lot of pressure put on ’em because they’re,

Vinny: Yeah.

Don’t say that too loud. She’s right there. Yeah.

Yeah.

No, but like, so with Ghost, I also curious to know, like, do you believe in the theory of reincarnation,

nick: No.

Vinny: like where you pass away and instead of becoming a ghost, it’s almost like you come back with No with no knowledge of your past life. And it’s almost like a reset because like, I’ve also heard. Theories like that. And then it also ties into the weird deja vu moments. ’cause like nobody can explain deja vu and why you have them, or why everything feels certainly familiar or you feel like you’ve done something before. Like it’s crazy that we’re in 2025 and that’s something that still can’t be.

nick: so that wouldn’t be reincarnation then?

Vinny: No. But I’m[00:31:00]

nick: that would be

Vinny: would wouldn’t that

j: different ideas there.

Vinny: But I’m saying that deja vu. I’ve also heard theories that like, it could be something from your past life being triggered as to why something feels familiar.

nick: I did hear something about this. It’s what was it? It was something about.

Deja vu is your body reliving it as if you’ve died already?

Vinny: That’s

I’m saying. Like it’s, it could

nick: just your brain doing that whole, your life flashes before your eyes, shit. Yeah.

Moses: But just for like the mini second. Yeah. Not the full, it’s not the full blown joint.

Vinny: When I

that, I was like, in my mind I was like, man I want that to be real so bad.

’cause it gives more answers to things that aren’t answered, you know? ’cause I’ve always wondered about dejavu and like, is it like past life or whatever it is. ’cause Yeah, at this point I’ve watched enough horror movies where I’m open to the possibility of almost anything, you know, as far as like supernatural

goes,

j: and

And I think you’re, once again, we go back to our brains, to human brain [00:32:00] and finding patterns and things that, people have white noise, what is the Spirit radio?

Spirit boxes. Yep. That does white. And you hear it’s just white noise. And we hear voices. We make things. People play the records backwards. And I hear so, our brains are designed per a, to keep us alive, you had to find patterns really fast. And then identify patterns that might be like something else, a past situation.

So some of these deja vu situations could be that the situation is close enough. And your brain is actually just processing and trying to lower your anxiety somewhat to go, Hey, this has already happened. Or prepare you if it’s some bad situation you’re going into. So you have this moment where your brain is actually just analyzing its environment.

It’s and saying what makes sense. Oh, this is like, I felt I’ve been here before. Okay, this isn’t so bad. Or I’ve been here before and I really need to leave

Moses: Yeah.

j: ’cause

it, it didn’t turn out so well.

Vinny: That’s why you gotta talk to those four or 5-year-old musical prodigies who are like four years old and they’re playing [00:33:00] guitar like they’re fucking Jimi Hendrix. I’m like okay. Somebody sacrificed their, one of their children for

j: People that are like, I think we have neuro a neural spectrum and we, you know, people that have like autism and we think about, we identify that, and then you have like this  savants that come in and usually they’re at some extreme in, but we don’t, you know, identifying that al early in some skillset that is talented.

We, we all, once again, put that in context with ourselves and go, man, that’s super impressive. But they could be somewhere on that scale. We usually see math, savants or, artistic, but it could be, they play guitar. They just can hear music.

They see it

Moses: different perfect pitch and

j: play Right. And they just can play that. And they see the instrument, you playing it, and then mimic it and then add their own creativity to it and can go. But they’re still social. They still have, so yeah it’s interesting what our brains can do.

So yes,

nick: Yeah. Guys, I think they’re a ghost in

j: Nico Ghost is throwing things now it’s upset. It’s like, you’re gonna believe Joe, you’re gonna believe, yeah.

Vinny: Maybe it’s just me wanting believe it’s a ghost because I’m like, it has to be somebody reincarnated.

’cause [00:34:00] when I was four, I was. Learning how to

j: and see reincarnation is interesting because I, and you asked that question.

Vinny: perfection

nick: wait.

Vinny: all. I’m just trying

j: trying to move it along here.

Vinny: know how slow in life I was.

nick: I was like,

j: Move it along.

nick: over this. I,

j: I’m just gonna

nick: aren’t you four years old? Learning

j: like, I was a grown man before I learned how to wipe No,

nick: I didn’t stop peeing the bed till I 23

j: 16

Vinny: I realized I didn’t have to wear a diaper.

Moses: I’m crying.

j: I got reincarnate. No. But yeah, reincarnation was re trusting me because I always thought, and in my own head, and this is I haven’t looked this up, I haven’t thought about this in a while, but somewhat are conservation of DNA and you go from bacteria, through human octopuses, whatever you think the intelligent kind of life forms are.

We share our DNA like humans to banana. I think we’re 50%. There’s a lot of, mechanistic systems, which are the same, you know, and are the way our proteins are made the genetic code bananas. Yeah.

Vinny: You like, I wanna know more about this,

j: [00:35:00] 50% our genetic.

nick: is that where bananas and pajamas comes

j: No. Our genetic code, like the instructions of life, we share about 50% of those instructions with a banana.

And some of that’s just cellular function, like how proteins are made ribosomes, they make proteins or your mitochondria proteins. Those are all shared, those are historical. Those haven’t changed that much through time. So those are just a basis of cellular life. So you share a lot of the same cellular kind of functionality at the cellular level with a banana.

And as you go, you get higher. You have muscles, you have you know, your neurobiology is different than a banana. If it has neurobiology. We have different systems that then will separate. They have to do something different in their life. You do something different in yours. But if you think through that with reincarnation, one could easily go, oh, you could you, it’s not that different, right?

You, it’s a loss of function or gain of genetic code and information and how that is processed and how is that moved. And then you get into how is memory stored? How are these things, is memory stored by the architecture of our brain [00:36:00] and how it’s wired? And so does some of that base memory carry over? If you’re thinking about reincarnation at the genetic kind of molecular level,

Moses: Cellular memory.

j: Cellular memory, right? So could you have that, could that persist in your code? You know, like most, like from biology, most of our, you know, there, there are sequences that get in our DNA code that get turned on and turned

nick: Is the cloud real? The cloud,

Vinny: yeah. I have a bunch of my pictures on ’em right now.

j: cloud

nick: like, is there, is if there’s reincarnation, is there like a person

j: how do we get to the cloud?

geo: A person cloud.

nick: ’cause I was just thinking, so

j: So you mean like, is there some if they, if

nick: if reincarnation was real and right. Yeah. Then there’s just a cloud of uploaded people or

j: Or your genetic because your genetic, yeah.

Coding is different. I think you, if you had just over time all the combinations that could happen in humanity, I don’t think we’ve recycled yet. So you could go,

Vinny: I mean we, we do have a lot of [00:37:00] space sloughs. Huh? You get it. Space

Moses: But I think that speaks to the deja vu thing too. I think that’s, I feel like, just like we know over time, adaptations come from lived exp experience, the survival of those who made it through things and how experiences are even like trauma can be passed down like to the next generation.

Epigenetics, all that kind, how far that goes. So maybe we’re like having experiences that aren’t literally, it’s not even your experience. This is something that happened that could have happened to your generation, your dad, your grandfather. This could have been like 10 generations back. You don’t even know who those people are.

But

j: comment on that epi epigenetics. So that’s his kind of control of our genes and how they’re turned on and turned off at some level. And really interesting and fascinatingly, is that all your epigenetic markering or most of it comes from the mother, right?

Because you gotta think, you gotta think that the DNA payload and we’re getting a little reproductive volume away from ghosts but sperm really is just, it’s just full [00:38:00] of mitochondria. So energy to swim to the egg and deliver your half of the genetic. Input. And so there’s not a lot of extra room.

You can’t carry around a lot of extra proteins or information. It’s just a genetic code. Whereas the mother provides the egg, which then would have all of this kind of other information embedded in there. All of their imprinting, all of their kind of genetic controller epigenetic control is imparted on that load.

So when that 50% comes in, then the maternal side then imprints on. And that’s why when they do kind of anything mitochondrial kind of ancestry thing that did get a pur, it usually go to the mitochondria, which is maternal passed. So all your mitochondria. Have come from your mother ’cause you’ve, you know, the sperm has burnt it all out.

And so when you get there, that’s, the mother has provided all this kind of generational history in. So usually you follow lines through the mother’s, pedigree and in human history that people, we’ve had some concept of that because, like slavery.

Then when they made all [00:39:00] the changes, it was like, your your freedom state comes from your mom, right? It’s like passed through your mom. You look at other cultures that it is always through the maternal side that you get your cultural kind of background. And so at some level it’s really interesting and fascinating that, generational things are usually passed that way and learned genetic memory. We talked about this on the the swarm episode and crows they have, they actually will pass down memory faces. So

nick: they pass down

j: has identified they don’t like you or they like you. Then their progeny will also carry that on and have the same hatred for you.

So if you go out and you upset crows or mag pies or jays, I think they will remember and keep coming to, get you the

Vinny: It

Moses: take out the whole bloodline is

j: that’s

Vinny: If that’s the case, like my mom’s Puerto Rican, so I’m probably more of like a plantain banana.[00:40:00]

j: Yes. There it is. can’t

nick: I think we just did the show. I think we’re,

j: it.

geo: I just have no idea how this relates to Ghost, but

j: yeah.

geo: If crows can remember and like hold a grudge. I know, but I was just thinking about that. And then humans. We aren’t born, like, you get all that from your parents or from culture whether to hate someone or to, but you don’t just automatically see someone and know whether you should hate, how does that work with crows and not humans?

j: Yeah

geo: good

Vinny: ’cause crows don’t wear like douchey t-shirts or anything, you know, like we, we at least get to see somebody wearing a really dumb outfit and we’re like, I hate that guy. Like, crows are all the same. Like, how do you

geo: yeah,

j: Yeah. I dunno.

geo: I don’t know. Anyway,

j: go. But no. Yeah, that’s, it’s a fascinating thing. You’re right. There’s a lot about brain chemistry and human brain, like Yeah, I think we are you, it came up earlier that there’s a lot we don’t know that’s even [00:41:00] about ourselves and how our brains work to that level, or crow’s brain, which is smaller and, you know, potentially you could understand it better, but Yeah, no, they’re, it’s sophisticated and they show intelligence.

So that is a sign of intelligence, but it’s a generational, and I will say that probably there are generational traumas that get passed

There is,

and you go in humans and we just don’t, we don’t think about it because then it’s taught also. But you have some innate kind of, you know, especially a person of color, you have some innate.

Fear is some somewhat, it’s like, and you, your parents try to teach that out of you. But then also the wink, wink, nod, like, you know, oh, okay, don’t do this that, but you may not know why you’re not supposed to do this or go to this neighborhood or hang out there. But you just know to trust that and go, you know what, you know until you don’t, until you’re like, I’m gonna go find out.

And then you find out

nick: Isn’t there like the stories that get passed down, like don’t whistle at night. You

j: Yeah. It’s just

nick: stories that get taught down and you know, you forget where it all came from.[00:42:00]

j: Yeah. Yeah. They go in there and the ghost stories, tie it all back together, that we have a lot of those also.

Vinny: Why

nick: are there no recent ghosts? All the ghosts seem to be like at least a hundred plus years old.

geo: Are you talking about like in stories and stuff or what do you

Moses: and lore. Like even in real life, like legends of

nick: Yeah. I want a hipster ghost around here. Like I just want it to annoy

Vinny: Those are hard. You gotta leave PBRs out.

j: Yeah, that’s right.

Vinny: Like Santa.

nick: I want someone to be like, man, your music taste sucks. And I’ll be like, yeah, it probably does.

Vinny: makes it easier for us to track regular ghosts. ’cause now that we know that you just gotta like do really ancient shit, you gotta put on like, I don’t know, Charlie Chaplin movies or something for these old ass crusty ghosts to come

nick: But like, it,

Vinny: you

j: yeah.

nick: wouldn’t it make sense that they’re, they would be ghosts now, like

Vinny: seen John Wick?

j: Yeah. They go, yeah. Hey, new

Vinny: new ghosts.

j: that’s, I was gonna say,

nick: I want a new

Vinny: Ghost [00:43:00] revolution

j: From a mo like movies. Let’s go there because some, and it touches on the kind of ghosts.

Vinny: Okay. That’s a ghost right there. That’s

geo: Please clarify. Please clarify.

Vinny: his weird. Siri

Moses: The government was listening.

Vinny: on

j: started jumping in. But I was gonna say one of my favorite probably ghost adjacent movies is Event Horizon. And it touches on that multiverse, like you have the space time. I think George, you had asked if there’s any movies, but that’s one that that I think I’m gonna, I enjoy a lot, man.

That’s just a great movie. But it has that ghost haunted feeling and it’s actually filmed, if you watch it the color of the tint of that movie is almost sickening. You feel anxious through that whole movie as they get going and the descent into madness and this multidimensional ghost and these voices that he’s hearing and just sabotaging the ship and killing people.

No, it’s a barium.

Vinny: could

nick: ghosts be

j: a.

a,

nick: a,

Vinny: Hipsters

nick: if [00:44:00] seeing ghosts, could it be associated with schizophrenia or other mental disorders? Yeah.

j: Yeah. I, yes. I think any, like, tampering with the mind, be it degenerative kind of disorder, a disease like schizophrenia or drug induced, I

Vinny: ’cause people, if they have

Moses: Yeah. Take some psychedelics. You will see

nick: something exactly like it’s all.

j: all, and it’s how you perceive it. So I think if you’re hallucinating or you’re having that and how you perceive what you’re hallucinating of becomes then a. That could become a ghost, that could become a thing if you’re anxious and hyped up already and you hear like, you know, with the cat in the door earlier you didn’t, your brain is already primed and you’re just gonna process that.

Not even rationally, none of us thought, I didn’t think, oh, that’s a cat. Or that’s somebody in a know back in the back room doing something. We were primed to talk about ghosts and graveyards then. Oh, we heard creaky noise or something. Drops in the corner. Your brain my brain, your brain will go right away to, oh, that, that must be, that, that proves it right there.

That’s it. That’s the proof. We got it on tape [00:45:00] and then you spiral on control from there. And then you have the ghost hunters come in with the E em f tools or they’re low frequency kind of recorders.

nick: Joe, should we become ghost hunters?

Moses: I think he’s, I think he’s saying that they’re, that they’ve fallen into delusion. Yeah.

j: That’s They’re gonna come after me now.

geo: Alright.

nick: yes, you come after me for that. I’m fine.

Moses: Okay. I have one I read something on Instagram recently that I thought was interesting, somewhat poignant to the conversation. I feel like it was back to the dream, you know, like the sleep paralysis or even in rem sleep, right? When you’re actually dreaming and encounter weird stuff.

And then in association, particularly with lucid dreaming, so people that, that can lucid dream, they said that and again, this is just like, you know, internet theories. Jargon, but they’re like, yeah, if you’re lucid dreaming, maybe don’t tell the dream entities people that are around you, that they are not real because the spiral of, you know, it could, you could trigger.

You know, some glitches in the dream and then you end up [00:46:00] in a nightmare because of how that feed loop act. I did that once. I actually did that once prior to reading that, but it didn’t go that way.

j: You told the dream people that they were dream

Moses: it was one person. It was a friend of mine. It was Daniel.

geo: But

Moses: his response was funny. ‘ cause he told me he al he was like, yeah, I know. So that was weird.

j: Yeah. You didn’t have to go through a whole sixth sense kind of

Moses: thing. No. He was like, oh yeah, I know. I was like, that’s weird. And then I told him about that and he was like you know, the archetype of Daniels the dream interpreter, so that makes sense.

I was like oh shit.

Vinny: shit. I, there has to be one.

I, I wanted to be like Tam my whole life. I’ve just been talking shit to every person in my dream saying, you’re fake ass motherfucker. I’m real. You aren’t

j: I’m not real.

Vinny: real. It’s like, that’s why my life is in shambles.

j: could be like, it could be like inception, right? ’cause you had the inception where they got buried in a dream and at the end you don’t know if he’s stuck in a dream or if he’s back in.

I

Moses: a dream like that where it was like several in one, like where you woke up and you’re you, how do you even fall asleep in a dream? That’s [00:47:00] the craziest part.

j: I suffer from sleep paralysis. So I’ve had that happen to me a few times. And usually it’s like where I am pushing. I’m not getting good sleep. I’m like really burning a wick at both ends, maybe a few hours.

I don’t sleep that many hours a night anyway. But usually this is like, I’m physically working, like we were doing renovation on the house, so I’m up, I go to bed at one in the morning, wake back up at, four to do something to start planning. And then all of a sudden I will get in a cycle where I then have sleep paralysis episodes.

And it is creepy because if it’s so bad, like if I push it too long and I don’t really respect the start, you know, you get a warning, like you’re gonna be,

Vinny: I’ll say, what does a warning feel like?

Like when you know that you’re getting close to that point?

j: Yeah. Usually it’s your dreams the way you feel.

You might have an episode but it’s not as severe, like where you, you feel it, but then you snap out of it. And the worst though was, yeah, I had this where I went and it was like sleep paralysis, inside of sleep paralysis. So you’re in sleep paralysis, you can’t move, you’re freaking out, you’re seeing things and then you feel yourself wake [00:48:00] up out of it.

But really then that’s just another cycle of sleep paralysis. And it was like, oh, I gotta go to bed, like at 6:00 PM and like, sleep or like, you know,

nick: So was yours ever like stress induced or No,

j: not really.

A lot of it was just like I said, burning a wick at both ends.

Just poor sleep habits where I am just, I’m just probably exhausted mentally. And then that just triggers this whole cycle. So the first, when it happened the first time I was in grad school, and it could have been stress induced, like, you’re getting ready for things and you’re

nick: I feel like

j: You’re quantifying exams, things like that.

nick: It’s one of those things that ends up Yeah, having like a stress induced,

Moses: Yeah,

j: Yeah. Yeah. You’re anxious. But Yeah, I was, I didn’t walk.

a walk?

No, not that I know of.

Moses: Good. Good. That’s that, that, that freaks me out. Like I feel like the potential for somebody to like, get hurt doing

Vinny: doing that. Yeah. It’s not as fun as stepbrothers. Like, I always think of stepbrothers when I think of people sleepwalking.

I don’t know, taking the pillow cushions and putting ’em in the stove. But like, I’m just thinking like, man, that would really f like that would fuck me up if I woke up and I was like

j: in

Vinny: different state and I realized that I was [00:49:00] sleepwalking like it.

j: There’s been murder cases like that

Moses: dang, somebody killed someone like that.

j: Yeah. And then they went somewhere killed, someone came back. It’s like a total I don’t have it. I didn’t have it for exotic

Moses: Can we, how do you prove that though?

j: go. Yeah. But there’s a bunch of, I think there’s a couple

was sleeping.

Vinny: there’s a guy who’s reading that right now.

j: right.

nick: you’re talking abouts

j: right.

Vinny: guy right now who’s reading that and he’s gonna cheat on his girlfriend and say, I was asleep.

j: I think the

nick: I dunno what you’re talking

j: wife. I think it was like, it was, yeah. They killed her wife. Then they wake up somewhere and it’s like, oh, you killed this

nick: person. Look at the video of me. Look

Moses: Oh, by the way, you totally murdered that lady

j: That’s

Vinny: at some point, like with situations like that, if the person’s like saying I was sleepwalking, and they genuinely were, how do you fucking prove, like, do you have somebody do a lie

j: Yeah, no, it’s like, it’s a total, yeah. I think one person got off and one person got convicted.

I I would’ve to look it up, but there’s a few documented cases and similarly drove, but we, I was gonna say, we just watched that show. We were just talking about it. The one where the doppelganger, killed somebody and then he was doing the lecture and then they went The

the

geo: outsider. [00:50:00] I

j: The

nick: started that

geo: Oh, it’s so good. It’s so good. It’s a series on it’s a series on HBO and it came out like, what, like maybe five, five years or more

j: years ago. Yeah. I

geo: I think it’s based on Stephen King. It’s really good

Vinny: think

that like, you people can be in that sleepwalk like state and Yeah.

geo: Yeah. I don’t,

Vinny: life and do

geo: I just don’t buy

Vinny: Like I, I

geo: I don’t buy it.

Vinny: doing something like, I’m gonna get up and I’m gonna leave and I’m gonna go kill some person and then I’m gonna come back home and then lay back

j: drive your car, go there,

Vinny: I don’t buy, I don’t buy it.

nick: having a full on conversation with someone

Vinny: Yeah. Yeah.

nick: Yeah, then I go back to bed and what they’ll bring it up hours later when we wake up and they’re like, what are you talking about? I don’t know what you’re talking. Like it’s a whole on conversation that I just don’t have any memory of.

Vinny: Hey guys, take a take shot number three. ’cause that kid just tried to push the door open while he’s

nick: his face is leaning against

Vinny: against

Moses: I know. He, it’s funny [00:51:00] how close his forehead is to the sign that says, we’re open at one 30,

Vinny: right? No, but

j: We’re recording here.

nick: any of you used watch the movie Dream Scenario with Nick Cage?

Moses: Yes. Yes. That 8 24 movie. It’s so

Vinny: was in everybody’s dreams.

j: Yeah. Oh wow.

nick: that one was a really weird,

j: like a ghost of dreams. Really?

Vinny: Yeah. And some people were scared of him.

Some people were like,

nick: but he wasn’t doing

Vinny: love with him, but he wasn’t doing anything. I see.

j: see.

nick: Was just a boring person

Moses: then they started having nightmares and then they’re all blaming him. He’s like, I literally didn’t do any like, that’s like

nick: like, what did you do?

Vinny: I also like this whole conversation has made me even want to go back and rewatch the sixth sense.

j: Yes. Yep.

Vinny: Really good.

j: Really

Moses: up Bruce Wallace, wake up.

j: dead people. But I was gonna I wanted to touch on some traditions. We talk about ghosts and things, but there are a lot of cultures. So one that I found I didn’t realize was the Tibetan sky burials, Tibetan sky burials. And it’s a practice where the human corps is placed on a mountaintop to decompose, while exposed to the elements, or to be eaten by [00:52:00] scavenging animals like vultures

Moses: and

j: and they come. And so I was like, that’s really fascinating the way, ’cause Western culture, you, you get buried in like, casket. You’re really like, isolated from the natural world when you really should be, you know, reunited with it in that way.

And so I thought that was an interesting one. And then the other culture that is is Dia de los Muertos.

Where and that’s also ghosts are involved there. The movie Coco, I believe

geo: And that goes back to what Nick was saying, that you embrace this and you welcome these spirits and then you celebrate

nick: Yeah. It’s very different in each culture,

Moses: Yeah.

Vinny: that’s why

nick: why it’s like,

geo: I, that seems so much more healthy.

nick: Yeah. And that’s why I think it’s very much a mental thing where it’s again, why I don’t believe in ghosts, but it’s a very psychological event

Vinny: event

nick: where it’s gonna be very personal to you and it’s gonna be very much in your own head.

But it’s not to just say, oh, this isn’t a thing. But [00:53:00] it is a thing too, that person,

geo: I think. And that the whole big thing is as long as someone remembers you, you haven’t like the whole thing about like, Coco, like I think that’s so true. Like just keeping those memories. And then once those memories are gone,

nick: I

geo: is that like,

nick: trust me to remember them

j: that is

geo: I know that is true. Memory remembered. I don’t have the best memory.

j: is that part of the ghosts, you know, kind of mythology is being remembered. And so if you haunt or if you, if you’re not getting revenged, ’cause we talked about that, but if, you know, other type of ghosts are you really kinda like a Casper, you’re just lonely.

You

geo: forget about me

j: in this realm. Like, you know, hey I was somebody of, you know, note maybe, I

Vinny: or like, do ghosts have the option to stay and be petty? You know what I mean? Like,

geo: Like,

Vinny: is that an option?

j: Yeah.

Vinny: I just want to hang out by fucking old lady Ruth’s house and I just want to fucking take a finger and just like open one of the cabinets once a day and [00:54:00] make her paranoid for us.

Or you know, like,

j: or think about it and go, oh, you know, you know, da, I used to be here and, you know,

Moses: used to do

j: doing that, right? That’s just like that. So is it a way to remember,

Vinny: I would troll people if, like, if

if

I had the option to go to heaven or hell or stay on earth and troll people,

j: just,

Vinny: I would stay and troll people because that’s heaven to me.

j: right? What if you’re misremembered though? What if you’re like there and Moses like, oh, that’s that’s my boy Johnny that’s doing that, and not Vinny, will you go harder? You’d be like, you know, you’re gonna, I’m gonna prove to you it’s

geo: That’s why you need to, that’s why you need to get out the Ouija board. Come on.

nick: Thank you.

j: Who’s here? Is this who’s Mo’s

Vinny: you’re like, who’s leaving these empty inhalers around here?

It can’t be

j: Who’s leaving all the cabinet

nick: Wasn’t that what Houdini and his wife did? Like, they had

geo: they had seances. And Houdini spent a lot of time like trying to debunk. Did debunk. Yeah. And they’d do these seances and stuff, and he’d go and like

nick: this [00:55:00] is what this is.

j: Find like ghosts. Like

geo: like, yeah. Show it all the little

j: he’d go find a Whoopi Goldbergs of the world and proved that they were.

frauds,

which he was not in a movie,

nick: he was the original

Vinny: Yes. He

nick: the original Ghostbusters,

Vinny: He

he had eyebrows. We’ll be

be clear.

anyway.

geo: Okay. So

Vinny: sorry.

j: yeah.

geo: should we talk about? What’s a favorite ghost?

What’s a favorite?

j: close to the end here, so Yeah. What’s our,

Vinny: I’m curious to know with like graveyards though, I feel like we didn’t go as

nick: we did not

Vinny: we?

geo: Graveyards. We got

Vinny: like

j: Graveyards are in Yeah, we’re at the end in a graveyard.

Started us off, but

Vinny: it would be hard to dismiss that there’s something like when you go to a cemetery,

We talk about movies where things are haunted because they’re paved over it.

geo: When nothing’s

Vinny: paved over and it’s just bare at cemetery, there has to be like, I don’t know that, that’s the kind of thing where.

People who are sensitive to those things will tell you with no hesitation. Like my aunt was who [00:56:00] had passed would see things. And my mom I’ve been in the car with her where she would see a ghost, like literally while we’re driving. She’d like, did you see that person? I remember there was one time where we were driving on 95th and she said she saw, she’s like, is that person like, isn’t he scared that the cord’s gonna get messed up?

And I thought my mom was like, hallucinating. I was like, what are you talking about? She’s like, that guy back there. I was like, what guy? She’s like, he was holding a, like a megaphone with a cord and he was holding up a sign. I was like, mom,

j: there was nobody there.

Vinny: Just looking.

I looked back and she’s like, oh no, I think I saw a ghost. So like I, things like that where I’m like, there’s something there that maybe not everybody can see, but I think when you go to a graveyard, there’s, there goes number four.

See

Moses: let’s see if they go back to back and make it five, no

Vinny: it would be hard to believe that there isn’t anything, you know, like when the physical bodies are six feet under.

geo: What? And

Vinny: and it

geo: there’s so many

Vinny: bodies

geo: there’s so many there. And I think also maybe just the feeling of grief and people’s, it’s almost like a [00:57:00] tangible thing

nick: There’s a

Moses: A

geo: a place like that, you know,

Moses: been historically haunted, like where there’s a lot of, usually that’s what it’s associated with.

Like haunted locations is tragedy or a lot of negative emotions or just negativity in general. Like, you know, there’s a lot of

nick: if you didn’t know that place was like tragedy happened there, would you still have that

Vinny: Yeah. ’cause

Moses: It’s happened to some people and then they figured it out after the fact.

Vinny: Like,

j: like what

Vinny: Amityville horror is like a perfect example where there a family. And they moved into a home that had history.

nick: that all bullshit?

Vinny: Depends

nick: that was the Warrens shit and the Warrens were

geo: think

Vinny: the warrants were called,

nick: and

geo: Yeah, no, there were actual people and they actually had these accounts. I’m not saying that’s for sure true, but I actually my ex-brother-in-law was, knew one of the people that lived there.

Vinny: Yeah.

nick: I feel like [00:58:00] that stuff all ended up coming out after the fact. And they’re like, oh, we’re gonna start leaning into this as I push my,

j: but also, I know, what are you doing?

Vinny: we mentioned earlier, Poltergeist is another example of that, right? The family that moved into the home and it was right

j: On top of the native graveyard, a burial grounds.

Vinny: I feel like

I don’t

j: But that was a, that thing of respect, right? That respect wasn’t given to this burial site. And then it was also, you know, consumerism and all that layer, there was some other messages there, but you’re right, the ghost there, they were haunting because they wanted they wanted revenge, but they also.

Took a liking to the carolann, you know? She could give them something, like she could, her innocence could guide them into, or back from the, this kind of spiritual plane. And they were using that also, but, so you had a mix little message in there of what they were doing. And then it was like, oh, we’re, you shouldn’t have, paved over this, ancient burial site.

Because the spirit that was there wasn’t friendly, obviously. So it wasn’t even like, you know, we want, [00:59:00] we went out or you’ve done something wrong. It was like, now I’m gonna, let’s really torture you.

Vinny: But

yeah, there’s so many interesting angles to like, look at it from, especially when you start including actual stories and experiences that people have actually gone through, you know, outside of like. Your life. ’cause it’s like, obviously depends on what you’re around and what you expose yourself to. But I don’t know, there’s enough weird shit going on in the world where I’m like, I wouldn’t be surprised at this point, you know?

j: Yeah. So what’s so they get to George’s question. Favorite ghost

Vinny: Ghost

Moses: Favorite? Favorite graveyard?

j: Your favorite graveyard? No. What’s your favorite ghost? What’s your favorite ghost movie? Let’s do that.

nick: For me, I think it would be between Insidious and Talk to me. Like those two are both on the newer side, but I feel like their ghost stories just linger a little bit longer than most,

Moses: That’s fact.

Yeah. Talk to me slapped.

nick: Especially for it being like a younger audience, like, or cast. I was so happy with [01:00:00] how

Moses: I think that’s what helped with it. ’cause if it didn’t have the younger cast, it wouldn’t have hit the same because it was, it is one of those where it’s the I guess like you said, irreverence, like the young crowd being like, yeah, like on paper, should we not be doing whatever we’re doing?

We’re getting TikTok views.

j: right. Yeah.

Moses: We’re getting clout with our friends at, you know, in the, in their, you know, community space. So it’s like,

nick: so what?

Moses: What will the kids Gen Z?

nick: for Yeah. Which I feel like this is like the first Gen Z horror film that was

j: good.

nick: You know, yeah.

geo: So that was a newer ghost?

j: Newer

geo: Or is

j: multiple.

Moses: It’s a, it’s like a hand that gives you access to the,

j: yeah.

Vinny: said it’s not the hips or ghost that you were

j: No. Yeah. The

nick: That, that’ll come later.

Vinny: I lovely Bones.

j: Ali Bones.

nick: Oh yeah,

j: Yeah. That

Vinny: one was a really cool one where.

Basically the ghost of the girl helps dude figure out her murder.

Yeah, who

Yeah. I read that book. Yeah, that was really good actually.

Moses: Phone.

nick: Black phone. I [01:01:00] forgot about how good that

Vinny: dude, black phone two is gonna be insane. Have you seen the trailer?

nick: No, I don’t watch trailers.

geo: like

Vinny: nightmare on Elm Street ish. Like it’s insane.

And it’s almost like sleep paralysis where like

She’s

knocked out.

But

the things that are happening in her dream are being reflected to the people who are seeing her

nick: I’m gonna change mine to sinister actually.

Vinny: Sinister. You can’t change yours.

Moses: Was more Ethan Hawk.

Vinny: it.

nick: That’s why I was like, wait, Ethan Hawk sinister because that was a

j: a

Vinny: fantastic

j: Yep,

Vinny: Georgia.

I ghost is

j: Ghost.

Vinny: That was my, that was

j: I

geo: did like Ghost a lot and I did like six Sense. Yeah. That’s just

j: Those are classic Poltergeist.

geo: You remember that one? Devil’s Backbone.

j: Oh, devil’s Backbone. Yeah. That’s, that one’s really good. Yeah. That’s like, session nine.

geo: Oh, session nine. Yeah.

j: That was a really good one also where they had the ghosts that insane asylum that were, they were removing the asbestos from. So that was a good one.

Vinny: 13 ghosts.

I

j: No one mentioned Ghostbusters.[01:02:00]

Vinny: Oh, yeah. Or ghost ship.

nick: I brought up Ghostbusters.

j: You got a candy, man. I’m rocking

Moses: Can Candyman. I guess that counts, right?

j: yeah. So what’s your

geo: favorite?

j: I Event Horizon. I think you I just, I’m gonna go with that. I mentioned it. I brought it up, but it’s really it’s a little off. It’s not, it wasn’t built as a ghost story, but when you watch it, it really is a ghost story in space. Like, you’re not, there’s not many of those where you have that.

nick: I think we solved ghosts. We solved, we didn’t touch,

Vinny: think, I don’t think

j: dunno, that’s what we thought.

Moses: Bachelor’s Grove is my favorite graveyard.

j: Yeah. That’s, yeah, that we’ve heard that before. Bill Heller, which one talks about the Bachelor’s Grove?

nick: yeah, that’s where I want to go. You want to

geo: that’s where we were gonna go do,

Moses: down to go back.

nick: Yeah. We’ll bring in a spirit box and

Moses: I don’t know about no boxes. Come

geo: on.

j: We gotta brainstorm with us. Bring our own

geo: the Ouija board in. She’s gonna have

nick: it on my chest.

geo: What?

Vinny: the planchette Yep. planchette necklace is crazy.

j: His shirt is really a Ouija

Moses: Yeah. I’m just worried about us getting kicked out of there. You gotta go [01:03:00] during the day. If you go at night. They like, there’s cops over there during

j: Oh, really? Yeah. I can imagine.

Moses: Oh. ’cause people go over there

geo: Maybe we could do it like outside of October.

j: Yeah. Maybe we can do it official. We can just

Vinny: Joliet, the old Joliet haunted prison.

j: Oh, that would be cool.

Vinny: A podcast?

j: Yeah.

Moses: See then you ain’t gotta worry about anybody bothering you, you know?

j: one in Crown Point, with

geo: The old jail. Yeah.

j: You go in there and let’s

Vinny: We just never come back. They’re like,

j: I know, right? That’s it.

That’s how a movie gets made, right? That’s how a horror movie is. Is it?

Vinny: this hidden footage. I think it’s their last episode that they never uploaded

j: person that leaves,

Vinny: possessed.

Moses: Lost

j: you know, it’s gonna be Georgia, probably the final girl usually makes it out.

We’re all gonna be, we’re all gone. I’m, I’m done. I’m be the

nick: the first. Yeah.

j: maybe Moses or Dick might beat me to it, but

nick: Me for just doing something stupid.

Vinny: What’s the

geo: Ouija board.

nick: Come here, lemme fight you. If it’s anything like fasm phobia, oh, I’m gonna be yelling at them. Calling ’em cowards all day.

j: about fantasm, right? That was another one where you

Moses: [01:04:00] Yeah. Fantasm definitely

j: Yeah. That’s a old school one. There. Yeah, I think that’s we’re at the end of time. I think we can keep going.

As Vinny mentioned, we

geo: No. ’cause there’s a lot of people that, there’s a lot of people that wanna get into the store.

I think we need to wrap it up.

nick: banging down the

j: it up. We haven’t

geo: we don’t wanna like, touched

j: we haven’t touched on graveyards

geo: We don’t wanna, like

Moses: We might we might have to split that into a

j: Let’s go another one. Yeah. Maybe do it.

Moses: grave yard.

Do it. Yeah. Do it at a graveyard.

j: Yeah. As we go,

Vinny: you guys

nick: you guys have anything to plug?

j: Yeah. You guys got things going on October, ’cause that’s your

Vinny: month.

So we got in October, we have it’s not necessarily horror, but we’re doing like a, I think you should leave like Tim Robinson event at the arcade bar

j: Yeah. Yeah. Saturday

Vinny: the fourth. Then we have we’re gonna be doing our own thing called Halloween Hangout that we do every year at the same arcade bar where we get a whole bunch of vendor friends come hang out.

j: And

Vinny: and then in November we have a big screening at Music Box On the 26th, we’re doing a 35 millimeter screening of PeeWee’s, big Adventure

nick: Wow. Hell

j: There

Vinny: and 35 millimeter.

Nice.

j: [01:05:00] Cool, cool.

Vinny: so yeah, if you guys aren’t doing anything in Black Wednesday and want to come start your night with us, we’re gonna do like a big merch drop and have like a big old fun party.

Usually we do horror movies, it’s so close to the holidays. It’s like, it just feels like,

j: Do something lift modes. Yeah.

Vinny: we’re big Peewee fans. It’s like we finally have the excuse to

j: to do it. Cool. Yeah. And we’ll

Moses: Oh, and that gey screening October 10th.

Vinny: Yeah. We’ve been doing these like backyard screenings

j: cool.

Vinny: cool

call we call it the Midnight Rewind Society where we do like old VHS tapes and

j: Oh wow. Cool.

Vinny: Play ’em in the back.

Nice.

j: We’ll put links and have that on the newsletter that comes out and, you know, you can check it out and find these guys. Come up, visit the horror house and get all your horror related

nick: Play some games. Play

j: Yeah. But don’t come when they’re recording a podcast

Yeah. Or read the signage. But yeah, so Cool. Thanks again for having us join you for the second year in a row. It was, it’s always fun in conversation and everything like that. So you have me, [01:06:00] Joe,

nick: you got Nick. You got Nick

j: we’ve got Nick

geo: Georgia. We

j: got Georgia,

Got Moses,

Vinny: Vinny and Elvira.

j: El Elvira.

Vinny: El.

j: it

Moses: the kitty

j: Creaking doors open,

geo: Oh sweet. And

nick: we went down some holes

Vinny: holes,

j: holes.

Moses: Y’all

j: curious. Stay safe. Love y’all.

nick: Love y’all from the other side.

Transcript EP 44: Lake Michigan, Life, Mermaids, and Everything in Between with Maud Lavin

j: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the basement studio for another exciting episode. We are all crewed up. You have me Joe, we’ve got Nick.

You we’ve got Georgia.

And for this episode, which will be on H two, oh my god. Water life and everything in between. We have a special guest joining us, and as always, we have the guests introduce themselves.

That’s tradition now. So please.

Maud: Okay.

Hi,

I am Maud Lavin.

I’m a writer. I’ve written mainly

nonfiction

for decades. Books and

articles and so forth. This is my first novel,

mermaids and

lazy Activists

j: Great.

Maud: from Beyond Press.

nick: Very

nice.

j: That good.

Maud: Yeah.

And

I

got into this novel because I really love, Lake Michigan. I love Lake [00:01:00] Swimming. I

I’m concerned about

If

keeping the water clean ish. and

at

the same time I was tired of a lot of environmental.

Writing as being apocalyptic.

and

Do. And

I started thinking like you know what, if I write

something kind of goofy and funny and laugh out loud funny, and then Fit in some of the environmental information into it, and it could be actually a pleasure, a romp to read. And also I got the idea that of giving a certain amount of the proceeds to flow, which is a really great non-profit headquartered in Traverse City.

That’s a Great Lakes protectorate. They call themselves water advocates. They Just

su Do a lot of environmental

lawsuits. So that kind of freed me up to be even more goofy.

Yeah. because It’s

okay. That’s the serious part [00:02:00] will be the donation to flow.

And I can just really have fun with the humor.

j: Yeah. Awesome. Very cool.

So yeah, so usually I give some sort of definition and then I have lists. So

nick: Is it gonna be a liquid list?

j: It’s gonna be a very fluid list, so we’ll have that. No, yeah. So I just wanted to, just for grounding,

we all

know it and love it, but water, is a transparent, tasteless, odorless liquid that forms the basis of life on earth.

It’s composed of two hydrogen atoms and one oxygen atom, H2O, and is essential for all known forms of life. Water can exist in three states, solid state, ice, liquid, and gas water vapor. It is the main component of earth’s hydrosphere and the fluids of living organisms. And with that water pollution is a contamination of bodies of water, lakes, rivers, oceans, aquifers by substances that degrade water quality.[00:03:00]

And harm ecosystems or human health. And so in this episode wanted to plunge into the symbolic, speculative literary and scientific meaning of water with Maud here and brushy around her book that she just talked about getting into mermaids and lazy activists. And it’s a tale that doesn’t just tell a story as Maud alluding to it swims through climate anxiety, feminist resistance, and local ecology by way of an unlikely heroin a mermaid.

In short, we’re gonna be discussing what happens when literary imagination enters environmental discourse. And

nick: So

question Very good.

I haven’t read this book yet. I’m sorry.

j: I’m about halfway through. So that’s where I’m at with it. So I’ve read quite a bit.

nick: Does a mermaid come about because of.

pollution?

Maud: no. I was like,

there are,

She is one

of many freshwater mermaids

who live in the great Lakes, [00:04:00] Okay, cool. and

j: hundreds of years old.

They can live to two, 200 years, I think. Or so. And

Maud: Yeah. 100 in the book, so she’s like mid midlife.

j: No spoilers.

Maud: she Yeah,

georgia: no

Maud: brash, she is sexual.

she is a

wise ass. She’s not the like twinkly, little

Disney kind of mermaid, she’s competitive.

And the other main character whose human main character, whose name is Maud, also A Professor emerita at the school of the. Art Institute as I am.

And part of Chicago Lit scene. They meet at or near 57th Street, beach.

And even though Evelyn doesn’t, , truck much with humans except when she wants boy toys

She,

they start talking and they become friends and competitors too. And Evelyn through her [00:05:00] mermaid group is required to do some eco work because they have to work, they have to try to keep like Michigan fairly clean.

’cause they live there,

georgia: And

Maud: The human wants to too. ’cause she just loves it. She loves swimming in it

and yet they’re also both really lazy. They are the lazy activists

and they screw up a lot. Or they try something that’s too hard and,

That’s a lot of it.

And,

j: Yeah. And I think you, you hit it. ’cause when I was doing research and thinking about this topic, especially eco activism, the thing that kept going in my mind was the seventies, eighties be horror movies where nature , humans have done something poor. And I have a few examples.

Frogs food of the Gods, Ana, alligator, they all had these kingdom of the spiders. They had these

varying, usually humans

were going in somewhere, destroying the environment. And then nature would. Rise up and then take their [00:06:00] revenge and this kind of very fantastical and horrific way.

So having fun here, that’s a really interesting take. And how’d you get to that point? Like in, in the storytelling? Did you just in, in the use of mermaid, I think instead of maybe other mystical or mythical creatures.

Maud: Oh, I dunno, there’s

something about women and mermaids. I just have always liked mermaids and I’ve met some other people who write about,

Freshwater mermaids They’re also women.

And really don’t know. have had a

long

time interest in pleasure and activism. that The feeling like what motivates people to actually

make

change. And I feel like it’s, a desire.

Maud: Much more often than only anger and self-defense. Although these days, all of the above.

I,

georgia: Exactly.

Maud: Okay.

But it’s

a personal interest of

mine. [00:07:00] And

I’ll just confide and it’s in the book too, if you keep reading. I started out in art history and Weimar studies, 1920s Germany, and my first book

was on the Berlin Data artist

ish New York Times

notable book.

See, I

snuck that

in

j: Nice. Nice.

georgia: Very nice. So

thank

Maud: Thank you. Thank you.

Okay.

I love the Marxist philosopher

Aaron Block

and

He wrote a lot about these traces that people would,

Encounter in daily life that would. Either remind them of some pleasure or inspire a future vision of shared pleasure. And so I thought for me, water is like

that

I

remember swimming in

lakes in Ohio growing up.

I

Lake Michigan. How how unbelievable is it that Chicago runs right up to the shores and you could just walk over and jump in, or at least go waiting whenever you

want to.

nick: Do it [00:08:00] constantly.

Maud: That’s

fighting for,

You do it constantly?

nick: Oh

yeah. My daughter loves going.

georgia: so

Maud: We’re so lucky.

If I have to

Just sit through. I don’t want people lecturing

me. I wanna think

yeah, we gotta to

Preserve the

lake and even enhance

georgia: I think that’s so interesting about motivation and like what motivates people.

And I think humor is something you can really get a message across so much more with humor than anything.

Oh,

nick: a hundred percent.

If you can coat things in humor, people see

what is

the message, and then you’re like, oh, I’m laughing.

Oh, I’m learning,

oh,

georgia: I’m laughing at this, but oh boy, it’s pretty

serious. You start

nick: angry over this situation.

georgia: Yeah,

j: Yeah. Yeah.

georgia: I think of and actually, it’s not totally a comedy, but I think of Charlie Chaplin and the Great Dictator.

And obviously there’s some great scenes that are very humorous when the two dictators are trying [00:09:00] to.

Get their chairs higher than the other one.

The other one.

But, and I also think there’s this scene where I wanna say his name was Hinkle in the movie. And when he was playing with this big giant globe and he’s just doing these weird things, he’s bouncing it off and all of a sudden then it pops.

But what a what a message that was, yeah. Without saying anything, so I do think, I think that makes a lot of sense about getting some really important

messages out.

j: And it’s having,

Maud: go ahead.

Joe.

j: No. Go for it. Yep. No. You’re a guess. So you

can,

Maud: I’ll also say that the laziness part is important

too because they just really wanna have fun and

they

like to.

Have

coffee, go to the beach.

They’re in the poetry circuit,

right? They like to give, go to readings, give readings

j: Recipe poetry, right?

Maud: recipe, poetry. There’s some of that. And

there. Okay. And the thing is,

I thought about this [00:10:00] a lot actually, that they a lot of us, I think want to

desperately see change, contribute to making

change.

We Really

need that in this country, My God, but

It’s also

Can I also have fun with

my friends? Can I can do this part-time? Can I and for me, I am a lazy activist and I have

to

decide okay, I’m not

gonna do X, but I will, I think I

could do phone

banking starting this fall.

So I have to make these deals with myself because I

do still wanna have fun.

nick: Do you consider

that laziness, or is it just for your mental wellbeing?

Maud: Yeah. No,

It I think it’s healthy, but

say,

nick: I a hundred percent agree. It’s the amount of times I’m like, I should go do that,

j: right?

nick: But for my own sanity I’m not.

And

it’s Yeah. Yeah. It’s the the book is jaunty, so by embracing

Maud: The word [00:11:00] lazy

Is they’re bratty, the friendship

is a kind of bratty one, especially Evelyn.

And

the

mermaid of one. And

At one point

they’re thinking

of doing this project on the subway, and Evelyn’s no, if I’m gonna go below the surface, it’s gotta be underwater, where it’s beautiful.

I’m not hanging out on the subway. Like, they’re just They’re very self-indulgent.

And then they do

hit on some things

Putting clover borders around a farm so that to

hold back

some agricultural runoff,

which is one of the big problems. Salt runoff,

agricultural run runoff

septic tank runoff,

And so on.

They do

j: lawn care runoff. People don’t think about that.

Maud: Yes,

j: Yeah.

Maud: So they’re

not being like

superheroes.

j: They’re

Doing what they

do. Yep.

Maud: Regular

human

regular

mermaid

hanging out and

Doing something while also eating [00:12:00] blueberry muffins.

j: So other thing that I thought was interesting and as I mentioned, and I’m about halfway through, is this idea of environmental memory.

And what I mean by that is you can look at the lake and its sediment and tell its history even its history of pollution and things like that. You can go back and I have some fun facts in a list that I’ll talk about, but it is really, it’s neat because using the Evelyn Mermaid character who holds this historical knowledge, not only of the lake and the pollutants, but the cultures, I found out really the native cultures who were there that had the treaties. When the French and the British came in, and I thought that connection there that you made that jump. So I don’t know if you intentionally did that or was it just, you were thinking, oh this yeah.

Maud: Sure. That was intentional. And

I put, I put a bunch of my

friends in, the book as cameos, and Tim Mo Motor is this fantastic,

Poet, really one of my favorite poets [00:13:00] anywhere. And so he is in there. And then there’s

some fake illusion that like Evelyn might have messed around with his grandfather and,

j: yeah. That’s right.

Yes. And Tim is actually part of the bad river band of

Maud: lake

Superior Chippewa. And I played a little fast and free with Chippewa history review, Tim carefully reviewed it.

I

guess he’s the sensitivity reader, but,

It’s also that.

But then there, there are certain parts that are very carefully researched

And talk about the Bad River band and other tribes and First Nation people who are involved in trying to protect the Great Lakes. And That part is so is accurate. And then it’s, it, there’s some fantastical stuff too,

and how they didn’t like the French ’cause they

were

snobs and you know, they,

j: So

Yes.

Maud: I think

you could tell, I hope you can reading it

j: The part how they got their [00:14:00] names right because that was a play on this assimilation and they, we wanted to fit in or be accepted and you had this whole even the Maud character also that was, their part of their story and how they

got their name and why they were named, yeah,

Maud: Yeah, absolutely. And

she, ev Evelyn does take a break from wildly fooling around, and she gets a boyfriend, Malcolm a Merman, and like

Who’s

ever heard of mermaids named Evelyn and Malcolm?

It’s

Me?

georgia: So I guess I’m, I wasn’t super familiar with the lore of Freshwater mermaids.

Yeah.

So, you played on a lot of that kind of existing lore for

Maud: There’s not that much. Mo, most me mermaid stories are about the oceans,

georgia: okay.

Maud: Saltwater mermaids,

but just They’re just such

appealing

cryptids, there are some others. And There’s just a lot of, [00:15:00] there’s different.

Bigfoot

kind

of stories about the Great Lakes and they’re so huge.

and there’s

so

much of the shoreline is so wild that, why wouldn’t there

georgia: be? Exactly. exactly.

Maud: no, So I, I

didn’t, in fact, it wasn’t until I was really into the book that I thought oh, I better look what

else is out

there.

j: back and

Maud: There’s some wonderful stuff, but

It’s

actually

pretty

j: Yeah. Okay.

georgia: Yeah.

j: Yeah. Yeah. As I was gonna say, the in story, more recent memory, two kind of mermaid stories, and they’re both ocean mermaids. One was by Mira Grant or Seanan McGuire who writes as her horror fiction under Mira grant. Roiling in the Deep and drowning in a deep series.

And in that one, mermaids are a Apex. Creature of the ocean. And so they’re, they’ve now evolved to be the top, like humans on land. They are. And so [00:16:00] when folks go out to the ocean, they’re using whale sonar and all these kind of disruptive kind of tools. And then these me people attack and fight for their, their ocean or their body of their land I guess, or their water, I don’t know what you call it.

Yeah. their territory. There yes.

Maud: Yeah.

j: Namor does.

Yeah. So that’s,

that was one. And then the other one was the deep by rivers Solomon and this was a story that actually was started by William Hutson, Jonathan Snipes, and Daveed Diggs.

As Like a hip hop rap mythology.

The story is that during a transatlantic slave. Africans were two were tossed overboard. Some of them were pregnant and they actually gave birth in the ocean and they became a mer kind of culture in society. And the Deep by River Solomon was a novel adding to the lore and the myth of this story, the first of maybe many more novels people might write [00:17:00] of this kind of mermaid culture, mer culture.

Those are a

couple mermaid examples that I thought where they had this kind of either. Eco activist, bent to it or this kind of cultural assimilation, cultural reclaiming. And I thought that was interesting that you also, you had this tether in there.

That was really cool as I was reading it and you started getting that and I was like, I just thought about these other, the way that used the mermaid, besides a SA siren or, this pure horror or kind of just luring men to their death. That’s how they’re always used.

But this is using the lore and the myth,

Maud: friendlier and

it’s a cross

species

friendship. It’s also when

Evelyn prefers to be in the Water, but when

she comes on land

and changes into she’s not in any pain or anything.

They even

go,

Evelyn and Malcolm come with go with Mod to

an AWP Writers Conference. And there the thing [00:18:00] about the cross species friendship though, is that it’s also not that sweet.

There’s competition in it, and there’s a tendency on

both sides

to

Regard each

other as

pets.

especially, I

Maud: Especially the mermaids keep saying, things like stupid humans.

And,

Finding humans alternately

intermittent,

like either,

Annoying

or fun to play with.

Yeah. so There’s,

it’s a little, actually it’s a little sibling like, but the environmental,

Importance

of that

is,

A species coexistence and mutual thriving, but without a preaching this to it.

That it’s not, they’re, they have fights. They

give

each other hard times sometimes.

Yeah.

j: Yeah, No,

I think

it’s yeah, it’s good.

nick: Hell

Maud: They all like blueberry muffins.

j: who doesn’t like a

blueberry muffin?

nick: Is it the blueberries that they like? [00:19:00] Or is it like the whole

Maud: The whole thing.

Yeah,

nick: It’s always

a, it’s always one of those things. It’s oh, I just really love some blueberries.

j: I’m just gonna have those blueberries.

georgia: But that’s a little different than blueberry muffin,

j: and blueberry muffins. They’re cooked

and they’re All right. We’re,

georgia: anyway, I

j: going. So I was gonna, I was gonna ask too the kind of inner species relationships, because Evelyn has. Relations with humans on the shore of Lake Michigan at her occasion.

And then, and the question that went my head asked, especially as a biologist is are there any hybrid Chimeras that can come out of that? Are, did you think that through or is that in a book? I just haven’t gotten there yet. Don’t, if it is, don’t spoil it. But yeah, I

thought

about that.

Yeah.

Maud: it’s not, in the Book And I haven’t

really thought about it. I am writing

a sequel.

j: Okay.

Maud: let’s see.

I

don’t know if that,

will,

we’re gonna meet Evelyn’s aunt and we [00:20:00] also, meet, I dunno if you’ve gotten to this point in the book

we

do meet a little mermaids troop, which is four Hs, but they’re little

mermaids and they’re more

violent.

They’re violent, they’re very feral.

nick: Huh? What are four Hs?

georgia: You’ve

heard of? You’ve heard of the four H?

haven’t No.

Like

a group that that kids do lots of different outdoor activities and learn different skills. Camping, horseback riding, they very

Maud: farming,

j: environmental, right? Yeah.

Maud: I was in 4-H for years growing up.

They’re Rural all across the US or mainly rural and

tend to show

in county fairs and they’re great is totally great.

georgia: and I just love

Maud: in the Midwest. for A long time. You gotta learn

about four.

H. Four H is

Amazing.

georgia: I love the visual of four H mermaids. I just love that. Yeah, yeah. That’s such,

a great,

Maud: yeah. Okay. But

the hybrid kids. The hybrid

j: Yes.

Maud: [00:21:00] That’s a

good idea.

’cause

j: you have the, because they have, because they can still have legs. There’s all, there’s also, how many Big Macs would it take to,

I was gonna, the calories of transforming. Yeah.

georgia: I haven’t read it myself. I’m curious about the transformation. Is that written about very much in the book, or does that just,

j: I’m out, like I said, where I’m at, but it feels like there’s, as we say here, a lot of hand waving on the mermaid to human walking transition.

That’s yeah,

Maud: it, the most important thing to me was

that she does not.

she

and Malcolm too. They don’t suffer.

j: Right,

Maud: And They do

whatever they want and as long as they want. So there’s no kind of punishment or anything like that. So they’re just they’re stronger than humans too, so they try to pass as humans.

But like they’re taking the train down to AWP in Kansas City and that it’s too hot and they can’t open the window. So Malcolm just [00:22:00] pushes one of the windows out,

That this whole thing, like They find, human rules tiresome. Wait, I want to think of, oh, I wanted to say something about the

hybrid.

So

I know some of the activist things that I wanna deal with in this. The second book are one of them is citizen lobbying. So we’re gonna make a trip to Lansing and. Go through around the Capitol and try,

make sure that

part’s authentic. And another is Michigan is rare estate that does not have uniform septic requirements.

Okay. I have to deal with that. but I can tell you that Bob and Evelyn are gonna try to get involved with that, and then they’re just gonna be like, Ew, this is too gross. I hate this. they’re gonna go up and do something. else.

j: you totally can see it.

Maud: I have those two things that I really wanna get information about in the book, so that they’re both they’re a little boring important but boring. So then I [00:23:00] want the fantasy part to be even more fantastical. So maybe in the little mermaids group, maybe we’ll have some people who are hybrid and, you

georgia: I like that.

Maud: that, Thank you for

that

idea.

j: they have that.

Yeah, no,

It is there. I was just, in my head, I was just thinking about it and also to some of the science in there, how that work. And it feels like there’s some long history. And I think the nick had asked like how the origin of the mermaids, like how did they actually come about?

Was it, were they a aquatic species that then, had the capability to come on land

nick: also, do they have gills? How are they

Maud: They have, lungs.

j: they have lungs.

Maud: They have really big lungs that comes that’s towards the end of,

Towards the end of the book. There’s a whole I, in, in, real life, I have fairly severe asthma.

I’m trying to get the group and also my partner Bruce. Is in the [00:24:00] book involved in like fighting particulate pollution. and I’m bringing Some of the asthma measuring things to the beach and we’re all doing it, and evelyn is just exploding the instruments. have this incredible lung power and they also have built these rooms

like under,

underneath the

cribs.

j: right. Yep.

rooms or whatever.

Maud: We

suspect that there are other rooms and stuff too, but they don’t have, gills, they have lungs they need to have lungs. because I need to talk some about air pollution,

too.

georgia: I got,

you.

Maud: Which is not distinct from water pollution.

j: And are they’re

mammals then. That’s what we’re or are they? Are they mammals? And so like a whale or dolphin whale. Yeah.

Turtles are not mammals.

I was like, come

on man.

nick: you’re telling me a turtle isn’t a mammal? No, like they, they live on both land and

j: they’re amphibious.

Yeah,

nick: sure.

j: Yep.

nick: That’s what you want to label it as?

georgia: there are some amphibious mammals.

j: ooh, that’s a good [00:25:00] question. Like penguins, they go into the water, they dive, they don’t

nick: in the water.

j: they don’t, they live on land, but they can go either

way. Yeah.

georgia: a while underwater.

j: I think most of the,

georgia: I was gonna say is the biology of having lungs and being in water. How does that work? Is that not

j: No, I mean, whales, dolphins like

I think

they’re, yeah, no they have lungs and things. I think the thing you have to control is buoyancy. Because if you’re filled up with air, then you’ll rise up.

So you have to, control that and have mechanisms. And if you’re di diving deep, so we’re talking, those are ocean, depth fairing mammals. And so they dive, whales dive to great depths, so they have to have the, fat layer to keep warm insulate.

But yeah, they can submerge for hours. I mean it’s, for quite some time. Yeah. So you do have

Maud: That’s, that’s the,

j: The

Maud: world making with the mermaids. all came from either things that were funny

and or sexy or things that I [00:26:00] needed, like I had certain environmental things that I wanted to talk about.

So therefore, yeah, I needed them. with lungs.

j: yeah. Sea otters and seals and sea lions are

all. Also they’re amphibious. They go both. They live on land, but they actually function better

in terms of swimming and their motions are more fluid in water than on land.

And they’re at that point because their weight is still manageable. Because if you like a whale, when a whale beat is beached, essentially it’s hours before it’s just gonna die, like almost crush under its own weight. And so trying to get it back out into the water is an effort.

So that’s yeah. The other

Maud: the other thing I was playing with is they’re really strong, the mermaids and the mer people and they swim.

Like

at,

they take these group swims where they can go all the way up.

Lake Michigan and then through little bit of Lake Huron and into Lake [00:27:00] Superior. And that’s, that is just pure joy. As a swimmer, like I, I can’t do that. But I can imagine like a stronger version of all of us, doing that And just having a blast, and they have to go in groups though. ’cause that’s a big swim even for them.

j: Yeah. That part, yeah. Where they went up. And then also some of the pollution effects of eating where They

Maud: Yeah. They have to watch

what they didn’t use to.

they didn’t use

j: Yep. The modified liver. So you have a little bit of some of the science in there. So they have these modified livers to deal with the pollution. So probably

over time that evolved greater capacity for, cleaning.

nick: Now how are they dealing with the

microplastics?

Maud: Yeah.

they

don’t, they do have big,

they do

have big, livers. They

just, we’re,

We all have that.

That’s,

I was careful about the science in it. And [00:28:00] Dr. Mika Toska, is a friend and she was my science reader.

j: Okay. Yeah. Yeah.

Maud: She went through everything and, it was fun. Double checked it and we talked about it. and she used to work, for nasa.

j: Oh, Yeah, no, it, like I said just reading it though, there’s some little science tidbits in there that you go but then my brain just keeps going. I want more. I’m a sci-fi spec, speculative author, writer, and I do science, so I’m like, oh, how would this work?

Maud: Yeah,

I might have a little bit more

mermaid world

building in the second one again, mainly so I can compensate for like discussions. of Septic. tank policy.

j: That’s gonna be fun.

georgia: You poop

j: jokes in there I see. Makes in up.

Maud: choice do I have.

nick: Oh no, your arm twisted on that one.

j: Yeah,

yeah. There

it is. Yes.[00:29:00]

georgia: And

the of the Great Lakes.

Do

you know how

j: Yeah. I actually have, I, I have Lake Michigan’s depth because that’s what I knew we were be talking about, so that’s the only one I prepared on. The deepest point is 923 feet, so about as deep as a 70 story building.

nick: Oh

j: Oh, damn. Oh

georgia: Wow.

Wow. It’s

j: to

nick: that deep.

j: yeah. To MOD’s point, the surface area is about 22,400 square miles. So it’s about, it’s larger than the entire country of Croatia. So it’s a large body of water. And that’s Lake Michigan.

Lake Superior is bigger. It’s a lar it’s the larger of the Great Lake. So Yeah.

Maud: I love the expression inland Ocean. I really love that because

georgia: Oh yeah. That’s good.

Maud: What they are.

j: Yeah.

Maud: Yeah. Superior is

so

gorgeous too. No.

j: It

Maud: Offense Michigan, Yeah, it is.

Oh my

God. my God.

nick: Lake Mission’s, lake Michigan’s gonna get really upset by that state. I know. Yeah. That’s right’s it’s be

like,

Hey, next

week [00:30:00] Lake

j: Michigan,

georgia: the Mermaid

j: is the only

georgia: is gonna come over,

j: only Great Lake that is entirely in the us.

Maud: Yeah.

j: It’s us’ Great Lake. All the other one shares a border with Canada. So yeah. Lake Erie, lake Hu. Lake Superior Lake, Ontario.

Michigan. You can’t take Michigan? No. No matter how pretty superior is Lake Michigan is ours.

georgia: Oh, that’s interesting.

Yeah.

j: I didn’t even Yeah. So we got nobody but ourselves to blame for the contamination also, I guess that’s something.

level.

Maud: They’re

They’re all connected.

j: they are all interconnected. Yeah. Yeah. And like Michigan probably at some point was as bad as Lake Erie. So Lake Erie, like spontaneously com busted. It just caught

It was, Good. Yeah.

No. Yeah. Go for it. Yep.

Maud: Lake area is the most shallow.

j: Yeah. Yeah.

Maud: So it’s the most

Susceptible to,

j: to, pollution.

Yep.

Maud: But it’s improved a lot.

So I grew up in [00:31:00] Canton, Ohio which is about an hour and a half

to two.

South of Lake And It used to be really gross and then it improved a lot. And now of course, since we have that incredible environmentalist,

Running

the country

we’re all little worried

about what, what’s gonna happen with Great Lakes.

j: and I went to my college at Penn State Barron, which is in Erie. So we used to go, I remember friends that were from Erie, go, let’s go to the lake and wade in and do this. I’m like, I’m not getting in that lake. I’ve seen the videos of this lake that was just totally polluted.

But yeah they had they put in a great deal of money, time and effort to remediate that lake and at least have it where you can enjoy it as a natural resource again, instead of just being a, a kind of a, a dumping ground for in industrial waste and pollution.

nick: And bodies,

Maud: and as

because you all know, the

Great Lakes.

provide,

one 10th of the

[00:32:00] US

Are drinking water,

one half of Canada’s drinking water.

Great Whole, so we are we humans are in north America, are highly dependent on the Great Lakes. So we have a lot at stake.

j: Yeah. And they, they have overall about 21% of the world’s fresh water

in a great lake.

So on this water so much and we’re just like, you know what? Yeah. Yeah.

nick: Nah, let’s not take care of it. The

j: The funny thing

nick: don’t drink water.

j: Water. Is

Maud: we are, we, are

j: Good. Yeah. I

was

Maud: we trying?

j: I

was gonna

Maud: Go ahead.

j: The funny thing about it is that where. Mostly water ourselves and we have this resource and you go to talk to people about taking care of our watersheds and things like that.

It’s oh no, I don’t have time for that. And not even at a lazy level, it’s just I can’t be bothered with this thing that is sustaining us and is our kind of is

Without it, put in the back. of the book, there’s actually a lot of Good Great Lakes [00:33:00] nonprofits, so

Maud: I List as many as I could and their websites. and I had some people who are Non lazy activists double check. that

j: Good.

Yeah.

Maud: for me.

And

actually

the politics of those who love the lakes and want to preserve

them or even improve them are really interesting to me because it’s of course a coalition, like a lot of, causes are. And, you gotta include fishermen.

It’s a big there, there’s a, lot of recreational stuff that happens on the lakes

and that people absolutely swear by. So it’s

not an extra, it’s, not oh yeah.

And then occasionally I’ll go fishing. It’s like some people, a lot of people, it’s just huge.

Really huge. When there have

been some

spills and, catastrophes on various rivers that, that feed into some of the Great Lakes, there’s been a huge outcry. and you have environmentalists, you have the [00:34:00] recreational people you have, invasive species in various

groups, Trying To restock different lakes. So it’s pretty interesting. I think that, and when I was able. To do a book gig in Traverse City which is so much about the lake. And I loved it because

people were laughing.

A lot at my jokes, That’s always a good

feeling.

but it is, it’s really, the lake is a way of life,

georgia: Right.

Maud: We can, one, we have to feel lackadaisical sometimes. But I think there’s a lot of people who feel very passionately about the Great Lakes.

georgia: Right?

And

I think of the woman and her name was actually Alice and I, but Diane of the Dunes, we,

nick: I think we’ve touched on that

haven’t we?

georgia: I think we did a

j: in a Lighthouse

georgia: the Lighthouse but, that more about the Light Keeper, but I think we mentioned Okay.

Okay.

Diana, of the Dunes. But I just I, I have read books about her and [00:35:00] now it’s been a while, so I’m

going out on a limb here, but she was really, she was a student at, this was like turn of the century, but she was a student at University of Mm-hmm. And just being a woman, I think she studied math, I can’t remember. And, but she just decided I don’t want anything to do with that anymore. I don’t want anything to do with civilization anymore. And she just went and lived right next, in the dunes by the lake. But the thing that got her to come out of kind of her isolation was she came out to speak about different environmental issues about the lake.

And so I just, I think that, yeah, I really just the power of the lake and the passion.

j: When you, yeah I, I think as Maude was saying, when you go to the lake and you see it and you’re a little bit. Awestruck. It’s like going to see the Grand Canyon.

[00:36:00] Like when you look out, it’s just, you’re like, wow. That’s just, that is an impressive thing. And I remember when we first moved to Chicago, we were living in Hyde Park and I walked, I was like, I’m gonna go run, walked down, and then explore a little bit. And so I just went down and I’m walking and it was the first time I did it.

You get to feel like, wow, this is so cool. And you walk along the shore and you make that turn and then you see the city of Chicago downtown jetting out into the lake. And it was just, I felt that scene and planted the YAPS when Charleston Heston falls his knees. And, but I went, it was the opposite feeling.

It was like, oh, this is it’s this is so amazing right

now. It was like,

Maud: right? It’s. yeah, When people come visit, I was like, we gotta go do that. ’cause it’s so cool this you you build it up, like we turn this corner. It’s like you just, you have this surge of just all you’re like, oh, this is look at this, look at what they’ve done.

A deaf city and it’s so beautiful on the lake also, Do you go to 57th Street Beach?

j: Yeah, I think that’s where we Yeah. ’cause we lived

Maud: where it [00:37:00] was? Yeah. That’s my favorite beach.

love, the view we just see.

j: Yeah.

Called

Maud: Chicago the ary

georgia: The itself. The beach itself has this long sandy

Maud: shore,

so you can just even I think I started waiting this year in April.

Like the water’s really cold, but you can just weigh it out on the sandy, sho on

the sandy,

Stretch. And and then when the summer, when it warms up like now or soon,

There’s a lot of families that go there, a lot of little kids. In the san the sandy part ’cause it’s really shallow, far out.

And then you

can

go beyond that and have a good swim. It’s

amazing. It’s really

amazing.

j: It is really cool.

georgia: And also going in the winter time. And Like when it’s obviously not in the

Water, but just

seeing the ice in the, during the winter.

Oh, it’s it’s just like really

amazing.

nick: I don’t know. why

[00:38:00] sand and snow just don’t seem to mix

georgia: Just

j: They go together water

georgia: though. and

Maud: still go

gorgeous. And I

think that the lake is a place

of

hope

too. It’s

j: It’s

Maud: Very

sensual

and Yeah,

maybe mermaid still

live

j: Maybe

they do. And I was, some of the things just looking up during research this episode, but I learned that the Lake Michigan has underwater dunes and fossil beds, so it has these massive sand dunes and even ancient coral from a time when Mic, the Midwest was a tropical sea, and there’s actually petrified forest down there submerged underwater. Yeah. So there is this kind of almost, submerged other world. There’s

a mystery.

Maud: there’s a mystery to

j: I I don’t have pictures.

nick: No, like that we can

j: Oh, I’m sure you probably can find something. Yeah. People probably have

dove down.

nick: in the

the show

j: notes. Yes, you’re,

georgia: said that. for a while.

nick: I know, right? I felt like I had to.

j: the

[00:39:00] other thing

Is a shipwreck alley.

Like I also didn’t realize there’s over 1500 known shipwrecks are in Lake Michigan, and a lot of ’em are preserved because of the cold and water’s fresh. So you don’t have the kind of corrosive power of the salt as

you would in the ocean. So it’s there and there’s even a underwater preserve called the Manitou passage underwater preserve.

Wow. Yeah.

So it’s these cool facts I didn’t realize

about Lake Michigan, so Yeah. That’s

that’s so

georgia: awesome.

j: that’s some stuff, and even you probably can throw that into your novel, some of these

tidbits, these that’s right?

Maud: Each. Each gig I do, I get more people like

sharing their pet Things about, Or you’re a scientist. So

it’s your professional

Thing.

j: Yeah.

One of the, one of the interesting things, and this was way back, ’cause I, as I said when I was at Penn State Baron there was researchers there studying mussels. And mussels is an invasive species that, that is found in the Great Lakes and just taken over. And it was [00:40:00] interesting because they’re a nuisance in a number of ways, but one way is that they actually filtered a water in the lake, and they’re so efficient at it that the water is becoming unnaturally clear, which then disrupts nutrient cycles and food web.

So like lake trout and white fish, they’re becoming, they’re hard to compete,

because it’s like

Maud: they’re depriving Trisha food, but yeah. they are. It’s Beautifully.

clear.

j: yeah.

Maud: Also, just for laughs I have Evelyn, she can, she says at one point that

she’s got such

beautiful

skin because.

She uses like a ground up muscle shells as

j: Yeah.

Maud: of laughs and

Readings.

Yeah.

j: That’s So yeah,

it’s one of those interesting things. And the other thing is, as you can smell, lake Michigan in the summer months, there’s these cyanobacterial blooms in the warmer shallows and they produce a toxin called micro cysteines and they have a strong [00:41:00] odor. And so as you get these blooms, then you get this kind of smell off of the lake, and that’s what you’re probably smelling these cyanobacterial blooms.

People will say algal blooms, but they’re not algae. Algae is different than cyanobacteria. So just

wanted to clean Yeah, so yeah, algae is a eukaryotes. So it’s more closely related to plants. Terrestrial plants. They’re aquatic

Maud: okay. This

is good to know.

I think I did have the term

algae blooms in

there.

j: People say that all the time, but they’re usually blue green. It’s a historical misnaming, so people go blue green algae, but really that’s blue green cyanobacteria, which are photosynthetic bacteria, and they’re not directly related to algae. So it’s one of these it’s, it probably people aren’t gonna mark you wrong but they’ll know, they’ll be like, oh, that’s wrong.

georgia: Only

sur ’cause it’s,

Maud: well

For book number two because I

know bacterial will be in that

j: Yeah, There. So yeah. so that’s just

One of those things where people always go blue green algae, and it’s oh, it’s not algae. I know it’s, [00:42:00] people call it that, but it’s not technically. Yeah. So it’s just naming thing.

But yeah.

I

think we talked about that in the plant episode. I think

nick: so.

j: Yeah. Yeah. Okay.

nick: like, know this information. I

j: know there it is. why

the rabbit holes all connect. That’s what we always say, so

georgia: I know this? Yeah.

nick: I have no need for this information.

Maud: I

do though.

I have, need for it.

j: yes.

nick: There you

you go.

You

go back to our plant episode. I feel like that one we covered I feel like we covered aquatic life in

j: We did, we talked about some aquatic plants. Yeah. Yeah.

Maud: I just do wanna put in a plug for Michigan State. I wanna put in a plug for Michigan State because I did do some interviews, there’s a lot of great environmental stuff coming out of Michigan State and also the different, the agricultural people who work for the state of Michigan, some of which come from Ms MSU. and I was able to interview a couple people

and. That was really fascinating. So there’s a lot of a [00:43:00] farm service thrust to a lot of the work and also a public facing commitment, if you want, you can get your arm talked off about different invasive species that interfere with blueberry crops and so forth.

So that was, there, there really is like the most wonderful unofficial coalition.

People

people who say specifically love Lake Michigan and our, and work or work and play and Lake Michigan. Oh, one other thing about that too is that the Michigan coast of Lake Michigan is just full of

beaches. So we, all of us technically own. At least part of Lake Michigan. Everyone who lives on or in the watershed, like we, it’s part, it’s ours,

right?

Our country is plural or whatever. But the other feeling of a kind of healthy [00:44:00] feeling of ownership is that a lot of people just grew up, just going to the beach.

Like we talked about it in Chicago, but also all the way up. All

the

way.

up, It’s just incredible how embedded it is in so many people’s growing up, there, sense of self, it is really nice. So in a way it isn’t it isn’t something to be preached about. It is something to just be tapped

in. people

who already have pleasure relationship. to

j: Leverage that to, to get people thinking about it

and Yeah.

Caring a little bit. Yeah. That’s, I don’t, I think people don’t realize sometimes they need to care about something or have to put effort like that into it. Or just even like you said, just reading or thinking about that, that this is happening outta sight out of mind

a level of, awareness.

georgia: Yeah. yeah.

Maud: Yeah,

j: Yeah,

Maud: We are very lucky.

to

live on the lake.

j: Definitely.

That was really cool. And

Maud: And I have to

[00:45:00] say personally too, it’s a point in history. I’m trying to

keep names out of this, but I wouldn’t say

it’s an entirely lucky moment in US

history.

not

for me.

georgia: Yeah. That would definitely not be the word to use.

Maud: The

land.

itself and the lakes and the water and Great Lakes, they do our sort of reminder. of Like how lucky we are,

georgia: right? And then And the national parks.

nick: Absolutely.

The National

georgia: the National parks and the park Rangers.

and,

the I’m

just saying there’s so many,

Maud: that’s Right, Not selling off public lands. yep. Okay.

georgia: Yeah.

Maud: You cannot tell all of us in the Midwest that’s a good idea.

and there it did get political. But what are we gonna do?

That’s our

life.

georgia: Yeah. That’s yeah.

j: Yeah.

So yeah, we’ll have, I guess authors and Have

to do, and maybe we’ll see another generation of Bee horror movies come outta it.

nick: The one movie that keeps coming to mind for me is [00:46:00] Idiocracy by Mike Judd. Because what they were using a Gatorade like drink to

georgia: I don’t I

j: don’t think, I’ve seen that damn me either. What?

georgia: South Park person? No no.

nick: of the Hill.

georgia: Oh, king of the Hill. Yeah, yeah, I haven’t seen that.

Oh,

nick: you should? A hundred percent.

Okay.

Yeah.

They were using a Gatorade like drink to water, the plants and everything. They’re like electrolytes. It’s what plants need.

georgia: Oh, geez.

nick: Yeah. There it

georgia: Oh, wow.

nick: this is,

j: This is, we don’t need that water.

nick: that’s essentially what they were thinking. What are you stupid that goes in the toilet? And it’s what? Yeah. A hundred percent recommend that film, especially in these days.

It, it’s a little too close to home.

j: Yeah.

georgia: I don’t,

j: All right. Let’s we can start the wrap up. Yeah. Do you got any, so you have a few more plugs you wanna throw in there? We’ll get these in the show notes also.

Maud: Yeah. I just wanna say this

was really fun.

really, yeah.

really enjoyed it So much. Thank you again. In

[00:47:00] terms of October events with the book.

Yeah.

We’ll be at Seminary co-op,

Talking about the book. And That’s the end of October.

The

date

is

j: I’ll put it in the show notes. You can just, we can get

Maud: Okay. Okay. The end of October, be at seminary co-op talking about mermaids and LA lazy, activists. And my discussant will be Zach Cahill.

Who’s wonderful artist and writer and friend. Zach is in there too.

Evelyn

is

trying to get him involved in money That’s right. Oh, yeah. Yes. I was like, I know that.

j: Yeah.

No, that’s right. Yes. Wedding

band that she’s stolen, I guess that was,

Hey

Maud: Yes. I wanna say

that all my friends who are

in there. in Little cameos. Yeah. I did get their permission for their

j: Yeah.

georgia: That’s

Maud: Zach is still

speaking to me. And yeah,

We’re gonna be

at seminary and have some fun with

it

And

And listen.

to [00:48:00] people

Also talk about what the lake means to them. and

j: Yeah,

Maud: uh, Environmentalism, not just with the, we’re all gonna die.

j: Yeah. Or the post-apocalyptic, like we, we did not heed the warning of, ah, Maud and the lazy activist.

And now you have to engage in, do

nick: you think Eve would survive in a post-apocalyptic world?

Eve. Evelyn. Jesus.

Maud: that’s

okay. The whole point is that

it’s a

A moment,

j: You’ve elevated

nick: her

to Eve.

now. it’s like

Maud: there they’re not.

That’s why she’s required to do eco work,

by her mermaid.

Maud: Yeah. So she can either do eco work or something like a lot or different versions of it. But this eco diplomacy is to make sure that it’s not an apocalypse. Yeah. So they’re not having any of that. They’re not helpless or helpless, but they are lazy, enjoy being [00:49:00] lazy.

j: Aren’t we All I was gonna say to

The point of water and how important it’s to us humans the novel Sea of Rust by Cargill and that’s it.

It’s a robot apocalypse

so

there, there’s a war between sentient machines and humans. And not to spoil it. ’cause like the first paragraph of the book. The robots find the last human and kill ’em.

And

the whole thing. You go,

Every movie,

Terminator humans put up a good fight, the Matrix, and it’s all us.

But in this book, what he said was, the robot says let’s poison all the water sources. And we don’t need you just go, all the humans if you can’t drink water,

they’re going to die.

So it was like this total strategy that, oh, the machine just said, this is what’s important to humans, so why fight ’em?

Why use nuclear weapons and all No, this, that they have to drink. So it was it

Maud: this is the opposite of

that.

j: right?

That’s

right. That’s what I’m saying. yes.

Maud: it’s

also not self righteous.

It’s Not self righteous. ’cause these [00:50:00] activists are like, they’re

fuckups, they’re funny,

they’re

just

j: yeah.

Maud: Playful.

and then they do what they have to do.

j: Yeah. That’s just how important water is that, when the machines become sentient, they. They go, you

know what? It’s but

It’s hard for humans to figure it out right now. Oh, let’s just dump all this crap in there. We don’t need that water. Who needs fresh water? We’ll just get Gatorade.

Gatorade

Maud: I’ll say specifically

for

what I’m imagining is your audience. So this is, this book is from Beyond Press in Hyde Park. Mike Phillips is the EIC, and they do mainly horror and

fantasy. Books, some books that are about Chicago.

And I wanna say for your listeners if they’re doing fantasy Mike is great to work with.

j: Yes.

Maud: press to work with, and I,

Like I said at the beginning of our talk, I have been around the block, right? I have this [00:51:00] is my eighth book. So I know I, when I say that, an editor and a publisher, it’s good to work with. I really mean it.

that’s a plug too.

j: Yeah, no, definitely. And I’m in, I have a story in the, that red line

Maud: Oh, the the I’m gonna get

that one.

j: yeah, so

Maud: Oh, wonderful.

j: working

with Mike and we, since I’m on campus, we met up and did some promo things, so No I’m excited about that. It was a fun, it was a fun kind of

aside from

getting stuff back to my agent but yeah. No, not about me. It’s about Maud so Yeah.

georgia: that’s

so cool.

j: myself.

Maud: we’re press

j: are, yeah I agree. Like working with Mike was really awesome and a lot of cool stuff, especially the fantasy and horror. So this was different. So when I started reading it, it’s a good, it’s a good read. I’m enjoying it. It, like you said, it’s very chaunty, very conversational, so it just flows and.

Yeah, The characters

are likable

in their perky

way, so

I’m looking forward to reading. Yeah. Yeah. So

yeah,

we’ll

have the links to the book on there and you can go see a [00:52:00] discussion at the seminary bookstore. We’ll have that link. Great bookstore, I dunno what time it is, but Plain Air right next to it. Great coffee shop so you can make a whole little evening out of it and

So yeah.

Cool.

Yeah, it was. so much for

Definitely. This was

a

great

Maud: Oh, thanks for inviting me. I just,

had a great time.

j: Yeah. Perfect. Nice. Alright, with that, you got me Joe here.

nick: you got

j: You got Nick. We got Nick

georgia: In

j: We’ve got Georgia and

nick: went down some watery

j: Watery

holes,

georgia: Fresh water

j: holes. Stay activated out there.

georgia: Ice

j: Stay safe. Love you.

Transcript EP: 43: Animal Swarms with Josh Fisher


In this episode, researcher Josh Fisher joins the Rabbit Hole of Research to explore the eerie, fascinating world of animal swarms—from locust plagues and angry crows to science, folklore, and cinema.

In this episode of Rabbit Hole of Research, we’re joined by researcher Josh Fisher to explore the captivating, creepy, and sometimes comical world of animal swarms. From biblical plagues and Hitchcock’s The Birds to surprisingly vindictive crows, we dive deep into the science, psychology, and symbolism behind swarming behavior. We look at how swarms have appeared across history, religion, fiction, and film, uncovering the patterns that unite everything from buzzing bees to coordinated chaos in horror cinema. It’s a mix of science, storytelling, and a touch of speculation, all flying at you in this episode’s swirling dive into the natural world.

Listen Here: SubstackAppleSpotifyYouTubeAmazon


Joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the

basement studio for another fun, exciting episode. You just have me, Joe. We’ve got

Nick over here. Georgia is taking the night off.

she

Nick: doing tonight?

Joe: I don’t know. And I’m

Nick: Do are we, wait, are we allowed to talk about what she’s currently doing or

is she gonna be, I feel like if I do, she’s gonna throw something at me.

Joe: maybe she’s watching Twilight Zone to catch up on some of those episodes.

So she

Nick: has her timely references. Yeah,

Joe: timely references, that’s right. For the mini episodes. She is always, she’ll be

back on the mini episode. Tell us what we did wrong and what we did right?

Nick: Hey Joe, I think we have a guest

Joe: We do have a guest. We’re talking animal swarms. I wanna say shwarma,

every time I say like animal

swarm.

Nick: Yeah. We’re all going for animal

Joe: we’re gonna get some, we’re gonna get some chicken shawarma. We should

be, we should have like chicken shawarma sandwiches or

3something

Nick: that was invented [00:01:00] in Marvel Avengers. That was the first time any-

one’s ever heard of

Joe: the first time anyone’s heard of it. Okay. There you go. You heard it here

on a rabbit hole of research. A hundred percent hand

Josh: I don’t know. know about Sharma, but I’m here to talk about animal swarms.

My name’s Josh. Thank you for having me on. I actually am a coworker of Joe’s, but in

past life I worked for a wildlife control company for about five to five or so years. I was

working in the field for a while and then worked in the office got a lot of fun experi-

ence working with animals.

Not so many swarms in that job,

Joe: but,

Nick: I mean, that

Josh: animals have always been an interest of.

Joe: Yeah.

Luckily you didn’t have a lot of swarms because they’re pretty

Nick: never. Great.

Joe: No.

I do have my definition to get started and a list.

Oh, you have a definition

Definition. I got definition list. Yeah, it’s it’s not an episode if I don’t two dot I think

it’s you know,

I

Nick: thought that was a new thing to this episode.

Joe: No, it’s not.

Nick: Oh, man.

4Joe: So I just wanted to give a general [00:02:00] definition and Josh correct me,

tell me if I’m wrong or whatever it’s happened before with guests. Animal swarm is, I

keep saying it’s swarm. I swarm. It’s like funny. An animal. Animal

Josh: You’re hungry, Joe.

Joe: is a large organized group of animals that move or act collectively.

Often in response to environmental clues, survival strategies or social behaviors.

Swarming typically involves self-organizing patterns where individuals follow simple

local rules that lead to complex group dynamics without centralized control.

Josh: That sounds about right to me. You know, the biggest thing that stands out

about swarm behavior to me is that it’s almost like an emergent phenomenon. You

know, it’s not just a large group of individuals acting chaotically you know, humans are

a very social, gregarious species, but we don’t really have swarm behavior in most cas-

es.

That might be something we could bring up later on, but, you know, groups

[00:03:00] of people normally act somewhat randomly and chaotically with respect to

each other, whereas. When we’re talking about animals exhibiting like a swarming be-

havior they are responding to the cues of the other individuals around them.

And so you get this kind of emergent behavior that you know is greater than the

sum of its parts in a lot of cases.

Joe: You brought up humans right off the bat, and I was just thinking about it

’cause you’re like, oh, humans don’t typically, but the one time they do is a mob kind

of mentality. If a

Josh: Yeah. Crowd dynamics get really

interesting.

Joe: Yeah. Yep.

Nick: They’re a witch. They’re a witch.

5Joe: you don’t,

Nick: yeah.

Joe: you either join the mob or you get out the way of the mob as it’s coming to-

wards you because you’re, you can’t stop it. Like it is very, it’s, it is one of those inter-

esting dynamic entities that go, that it fits more probably into, like you said, crowd dy-

namics that concerts or shows.

There was just folks doing studies on that about trying to mathematically predict

crowd dynamics [00:04:00] to make, events safer at, , ’cause you have this event, you

have, , like Lollapalooza, all these big events, all these people, and there is some, once

the nucleus starts, you can then pattern.

And so if you can have a drone or something overhead, you can catch what are

you

making

nothing.

Just

for?

Nick: the idea of trying to study a bunch of drunk people and just

Josh: I mean that just

Nick: let’s see how this works.

Josh: at a festival and, when the main act gets on stage, then you feel that crush of

the crowd as

Joe: That’s right.

Josh: push forward,

Nick: Oh,

Josh: even though there’s no space to get any

closer. go any closer. Yeah.

6Joe: just need to get as close as you possibly can. That’s where the best seat is.

Josh: yeah. and God held The person in front of you.

Yeah,

Nick: But yeah the idea of just studying all these drunk people is hilarious. I love

Joe: they don’t have to be drunk. I mean, it could be the,

Nick: if you’re at Lollapalooza, tell me how many people are not drinking heavily.

There’s all day.

Joe: There’s a few in there that, that’s

Nick: or high [00:05:00] as all get up.

Joe: I don’t know. I don’t

Josh: just a few bad actors.

Joe: yeah. Exactly. They run a very tight ship down

Nick: Yeah. I’ve never done that.

Josh: Have you been down to Grant Park when it’s around, like you’re not getting

anything in there?

Joe: That’s right. It’s, they lock it

Nick: You can’t get over the fence at

Josh: Tight security. No way.

Joe: No one’s looking the other way. It’s

Nick: think they only caught a guy with a broken leg.

Joe: I

Josh: buddy of mine, minute up.

Buddy and I went to Riot Fest when we when he turned 30 and we were laughing

that the second day the drugs we were smuggling in was ibuprofen because we were

so sore from the first day of the festival.

Joe: Yeah.

7Josh: Joys of getting older.

Nick: oh

Joe: yeah, it happens. We don’t, we have to do an aging episode or something

like that. Yeah,

I had a few characteristics. We already touched on some of ’em. It always is large

numbers. The swarms usually consist of dozens to millions of [00:06:00] individuals.

Collective movement talked about that these kind of, they become synchronized co-

hesive movements in response to these stimuli.

Predator threats, food sources, your favorite band getting on stage. You started

having this movement self-organization. The swarms behavior emerges from local in-

teractions between individuals. And so since we

Josh: emerge

Joe: that’s an emergent phenomenon, right? Adaptive some

of these can be adaptive evolutionary advantages to predatory avoidance, forging

efficiency, environmental adaptation.

So swarming isn’t just, , always a chaotic, , there’s some threat, but it could actually

have some purpose. And then dynamic structure those swarms can change shape,

density, direction, very fluid and responding to the internal and external pressures of

push and pull of the group.

So it is very yeah, very.

Josh: very varied. You know, I think as you’re listing off all those characteristics, it

covers a wide variety of

[00:07:00] And you have a lot of different reasons, a lot of different environmental

cues and stuff driving that swarming behavior. So depending on what species you’re

talking about it, it gets really fascinating.

8I mean, I had a number of things come off the top of my head when you men-

tioned animal swarms, and when I did some just kind of brief diving into it. It’s really

interesting once you start comparing all the different types of swarm behavior and,

you know, reasons behind it and types of species that it occurs in, you know, every-

thing from invertebrates like jellyfish to, you know, we’re talking about humans, you

know, the highest order by some measures of vertebrate.

Joe: No, you’re right. And even microbial populations like that. I was looking up

slime molds have this kind of behavior that they were searching for food or response

to threats. But I was

Josh: A bloom.

Joe: algal blooms.

Yeah, that was, I was gonna, that kind of leads us into, I think if you I mean maybe

let’s, we can do a game, everyone listening, but when someone says [00:08:00] animal

swarm swarms in fiction, what your mind goes to probably one movie.

Josh: I, think we’re probably thinking of the same

Joe: Probably. Yes. Whatcha thinking over there?

Nick: as always go with the Marvel comic.

Joe: Oh, you’re going, you went warm. Which one? Oh,

Nick: He is a you

Joe: your you mean, spider-Man villain. Okay. Yeah. That’s your go-to.

Nick: Yeah. I don’t know why it’s, I mean,

Joe: at that, the

insects

Josh: you’re thinking, Hitchcock,

Joe: I am thinking Hitchcock, the birds.

Yes. Oh yes.

9Nick: didn’t even think of that one.

Josh: Yeah, that’s like the classic swarm movie.

Nick: And I’ve even read so many things that were like, birds are swarms. And I’m

like, are they though?

Joe: No the

Josh: interestingly, the bird behavior in that movie doesn’t fit some of the swarm

characteristics because the birds are acting very individually.

Joe: right. They

Josh: Like they, they have a concerted [00:09:00] purpose, you know, destroy all

humans. But they’re not, they’re, you know, they’re not acting in this way where they’re

influenced by the neighbors

working They’re, you know, they are somewhat more individual and

random.

Joe: Yep. And they give the background For those who might not know or have

heard of the Birds, it was an Albert Hitchcock classic horror, masterpiece. 1963. When

it came out, it was actually based on a short story by Daphne Du Mare in 1952.

That was its literary foundation. In the short story. It was the birds were an allegory

to Nazi Germany and being invaded and being taking over. So it was this,

Nick: so it’s time for a remake,

Joe: it’s time for remake and yeah. And so very Cold War theme thematic at that

time.

If you think about, in, in the fifties [00:10:00] early fifties, that was one the minds of

a lot of folks. The movie, it takes place at a fictional coastal town. Like the main charac-

ters, there’s a guy in his love interest. They go to a small house.

And then these birds are just flocking around and then start attacking them in this

kind of way. And it’s, in these movies where you do have swarm somewhat, they repre-

10sent symbols of, societal fears the. Uncontrollable. And, dangerous coming at you in a

way that you can’t get away.

Sporadic you have all this. So that is, that was there and it probably led

Nick: was a horror movie,

Josh: Or.

Joe: Or phobia. There it is.

Nick: so you classify this as a horror movie, right? Horror movie,

Joe: Horror movie? Yeah. I don’t hold on time.

I mean, that’s what it’s classified as. I didn’t

Josh: Yeah.

Joe: give it mean.

official.

Josh: not going rogue on us. It’s definitely, it’s a horror classic.

Nick: Oh, I, okay. I

Joe: might make it a romance. I don’t know. It’s a, you know,

Nick: I didn’t know [00:11:00] if it had to do with what age you were when you

first, not making an old joke, of course, but

Josh: the birds the birds murder people

Joe: they do. Yeah,

Josh: uh, the, this, this island that they’re on, this little town gets slowly invaded by

birds and there’s all these looming intense shots of birds lining, you know, the

power

Joe: The playground, when she goes to get, they get the kids come out and they

get in the car and all the birds, there’s one there and then they look back, there’s five

and they look back and they’re, it is just then just the whole playground is covered

with birds.

11and her

Nick: the movie, but I just don’t remember feeling fear from that one.

Joe: I I mean personally,

that’s

Nick: why I was like, wait, I don’t actually like it’s been a minute since I’ve seen it.

Joe: Yeah.

Nick: But Yeah. That’s

why I was like I don’t remember if it was like an

Joe: I think it’s very I think it’s, I think you have, the horror genre, you have that

element of fear and that’s part of it there, that you have this kind of looming threat.

That’s always there. And you think of horror movies, from, Jason Freddy, classics,

but [00:12:00] the birds, they were just looming threat that was there. And you have

this kind of presence,

Josh: all about building up

Joe: yeah, there’s sharp beaks and they’re erratic movements just pecking at you

and just really

Nick: I mean, crows can take people down

Joe: no,

I don’t, I’m not messing with no crows. I mean, they’re

Josh: wouldn’t.

Joe: I

do want a

do not. Birds they hold grudges, like crows, I think mag pies,

Josh: Yeah.

Joe: they actually, they will re, they remember your face

and your family line.

12They

Josh: Every single species you just mentioned are all members of the Corvid

Nick: Yep.

Joe: Oh, okay. and the Corvids are all some of the smartest birds in the

Nick: They will either love you or

Josh: you’re right, they will definitely recognize people and they will hold a

grudge.

I think there’s even been stories of pros basically telling other pros

Josh: To watch out for.

Joe: yep. Yeah. It almost seems like it’s passed through lineage, like so that their

progeny has the same grudge. Like it’s a, it’s generational.

Like it takes

I

Nick: love that. It is such a [00:13:00] pettiness that I

Joe: Yeah.

Nick: I thrive to. It’s if I hate you, yeah. My whole bloodline’s

Joe: we’re all,

Josh: it’s also the people that are good to They’ll also pass down like the people

that, that feed them and leave stuff out for them. Like they’ll pass along that informa-

tion also. So it’s not entirely negative. You just don’t want to get on their bad

Joe: No, you don’t.

Nick: accidentally run one

Joe: the the, I think the crow that would bring the one guy that left bread and stuff

out for it or food out. It would bring them money, rolled up little, it would go, it would

scour the city for ball. Lost money and then bring it back. And then drop it off.

13Yeah. Yeah. And just drop it off. It was like a value and that the per the person left

the food was excited to get, some money, but I just figured this bird now is attacking

people and has taking their money. It’s like

Didn’t

Nick: he use that money to buy better food for that one

Joe: maybe. Yeah, that would be nice.

Nick: Just pocket this one.

And

Josh: buys better food for himself. Yeah. Screw that bird.

Joe: and you might notice too, but like in, in the birds there were many different

[00:14:00] bird species, and usually birds don’t flock together, that saying comes from

that. So it, it was a very, that also made it ominous that you had all these different birds

Josh: Yeah, like why did all

Against humans all of a sudden,

Joe: Yeah.

Josh: And the isolated nature of the movie as well, because you didn’t know what

was happening in the rest of the world.

kept it?

really isolated on just those characters. So is it this island? Is it everywhere? And at

the end of the movie, they just the murderous birds just fly off into

the

Joe: right. Yeah. They stop, they break apart and it was a whole

maternal,

I don’t know, there was like some other weird. Storylines in there. But yeah, the

birds, they fought ’em off and then they just walk out the house and the birds are like,

just chilling. And they go off and it’s like, all right, it’s everyone’s happy.

14Go off

Josh: But did they go out to attack somebody else,

Nick: I hope so.

Josh: Like you don’t know, like they leave everything unexplained.

Nick: I hope they did. You know, it’s just Hey, another day, all right, we got this

town done. Let’s go to the next one tomorrow. [00:15:00] Yeah. Same time. Yeah. And

Joe: so the

Josh: Yeah. I mean, as a species, humans do have it coming.

Joe: me too, I mean, and it was there’s some historical evidence that that Hitch-

cock got the idea from a real. Bird attack in North Monterey Bay in 1961. So thousands

of like sea birds exhibited disorientated aggressive behavior. And they came to find

out it was a omic acid.

Nick: Oh, I was gonna guess moldy bread

Joe: it that you get poison from diatoms and you were mentioning the microbial

blooms.

Algal blooms, the red tide. That’s what this is. And it’s a neurotoxin that’s that’s

produced by a certain marine algae that actually disrupts the nervous system by mim-

icking the neurotransmitter glutamate leading to kind of overstimulation, neuronal

damage and symptoms like seizures, memory loss, and confusion.

And so you had all these birds like kind of swarm into Monterey, right? That’s

right. Yeah. And they go And [00:16:00] so he had at that story, at this event occurred

near his residence. And maybe gave that final inspiration.

Josh: Hitchcock’s

residence.

Joe: Yep.

Josh: Oh, wow.

15Joe: So that was interesting there, that it did have this kind of real world connec-

tion that you could have a bunch of birds just go crazy, a bunch of angry birds you

know, so

Nick: he was the one that passed them all off.

Joe: off. He’s the one that did it.

Nick: He was like, you know what? This would be a great story. Let’s see how that

would turn out.

Joe: The other thing is. Is the groups of bird names. I just always get a kick out of

looking those up. Like a wake of buzzards, a murder of crows. The most famous, prob-

ably a convocation of eagles, a mob of emus , an asylum of loons, the squadron of

pelicans.

They just have these really cool names, you know, it’s

Josh: of starlings.

Joe: It’s I just love it. It’s who is naming these per what was the motivation there?

It’s

Josh: Oh yeah.

Joe: they don’t

Josh: I just imagine It was some old English guy [00:17:00] in the edu Edwardian

period, like sitting back, smoking a pipe, just like coming up with names for random

groups of

Joe: at that wake of

Nick: Like,

why did fish get the short end of the stick here? It’s just a school of fish,

Joe: a school of fish.

Nick: Not any specific kind.

Joe: you know, a herd of cows. We don’t get anything like, you know, not a.

16Josh: I mean, in the Christian conception of the world fish don’t even count as

meat. So they’ve always been getting the short end of the stick.

Nick: They aren’t animals, they’re

Joe: But birds also have that. I think they’re, I think they’re easy to fear. They can

fly. They have the high ground. If we’ve learned anything from Star Wars,

Nick: I have the high ground kin.

Joe: But they do, and they have talons. They have beaks. They’re ready to go.

, humans really aren’t

Josh: no one wants to get attacked by

Joe: it’s you

Nick: They’re pretty much flying dinosaurs, wil mor de kin say about

Josh: Oh yeah.

I mean, have you ever been attacked by a red wing blackbird? We’ve got them

around this area,

uh, all over

Uh, Have you been attacked? What is the.

I have, [00:18:00] yeah. They’re about the size of a robin and they get really ag-

gressive when they defend their nests in the summer when they’re laying their eggs

and raising their yu.

And so if you pass too close to their nest, they will dive bomb. You. yeah. I’ve total-

ly been attacked. They’ve nest in the parks around here.

Joe: yeah, there it is. So I didn’t know if you were out

Josh: You laugh, but you just wait.

Joe: Antagon. No I’ve had my fair share of dive bombs. So when I was a grad stu-

dent at Arizona State University, they have the palm trees and there were crows, or

some blackbird that lived up in these palms.

17And during probably nesting season, they would swoop down as you walk

through campus. So there were certain, walkways that if you went down, they were go-

ing to swoop down the top of your head. And it always freaked me out. Just one step

to the birds, man.

That was it. They just get together you know what? Let’s just mess that dude up

right there. Let’s make an example out of that one human. And I bet you the rest of hu-

mans aren’t gonna come this way. I mean,

it’s

Nick: a good way, it’s a good method. I agree. [00:19:00] If I saw someone get hit

in the head with a bird, I’d be like,

Joe: that’s right.

Yeah, I’m done. I mean, out of all of the animal swarms. I think birds I think birds

are up there. I think the next one, and maybe might take it as wasps, I think just a, a

swarm of

Josh: Yeah. I wouldn’t wanna, I wouldn’t want a swarm of any kind of stinging

Joe: right? Yes. Yes.

Nick: I

Josh: bees or wasps

or Hornets.

Joe: i mean, like honeybees. I don’t know why

you want a swarm of honeybees around you. I want

but they’re usually not violent. So is it just a lot of honeybees that you agitate?

Josh: Honeybees were actually one of the things that we dealt with pretty often as

part of my wildlife control. We did bees, wasp, and hornets and some other insect

species. Honeybees swarm regularly is part of their normal lifecycle, the greater lifecy-

cle of the colony. When they reach a certain size, usually in the spring or later in the

18end of the summer, they’ll produce a new queen and half the hive, half the colony will

split off with the [00:20:00] old queen and they’ll swarm out into the environment

somewhere and look for a new place to establish a new hive.

And so this swarm will be like a basketball sized ball of bees that will just kinda

hang in a tree or maybe off the gutter of your house or something like that. And they

are not aggressive in that

They’re just balled up, protecting the queen in the center of that ball and sending

out scouts in the surrounding area to try to find a good place that they can move into

basically.

Nick: oh damn.

Josh: And so we would get calls periodically about that type of behavior and, you

know, have to try to explain to people sometimes with more success than others. That

no, really don’t do anything with it. Don’t spray them with a hose. Don’t, you know, just

leave them alone and they will go away and at most, a day or two,

Joe: Yeah. Out of all the flying stinging animals, honeybees are like the sweetest,

no pun intended.

Josh: least the ones that we have around here,[00:21:00]

Joe: Yeah. Oh, are they, are there

Josh: one of, one of the things I, one of the things I had in my note to talk about

was Africanized

Joe: Okay. All right. Yes.

Josh: Because I remember as a kid, killer Bees being such a huge news story and

this big sensational thing and like even watching you know, made for TV movies about

towns getting attacked by giant swarms

with killer bees. Yeah. So that, that, like when I was a kid, killer Bees were up there

with like

19Joe: Now, I was gonna say quicksand

Josh: that I thought I really

Joe: we talked

about, we talk about quicksand quite a bit, not being the threat that we thought it

was.

Nick: and the murder

Josh: I thought it was gonna be

Nick: episode or two ago.

Joe: Yeah.

things did we

Nick: where you were just like expecting to run into ’em.

Yeah. Just.

Josh: Yeah. Hey, one day I’m gonna need to know what to do about quicksand

because it’s gonna happen inevitably.

Joe: gotta have your belt and a stick and flatten out. I mean, yeah. You had a

whole

Yeah.

All the time.

interacted with no quicksand yet. I’m a little disappointed.

Nick: I’m very

Joe: Yeah.

Nick: This life has let me

Joe: change and no murder bees either. Luckily, I’m, I’ve been I’ve been

[00:22:00] lucky on that

Josh: seemed to have gotten stopped by the winter, which is always

had heard, is

20They’re not adapted for overwintering European honeybees are. And so they

would only get so far. But I guess that’s another thing that we can look forward to with

global warming is killer bees will continue their march to conquer North America.

Nick: Yes.

Josh: But they’re like, end em to the southwest and southeast now.

Joe: Wow.

Josh: As far as I know they’ve got them. I don’t know how common they are com-

pared to other species, but there’s definitely reports I saw even up to Georgia and

Tennessee. So they’re out there, man, you gotta watch out for killer

bees. More, more likely than quicksand.

Joe: Yeah, that’s for now, just wait until the killer quicksand. Just when you

thought it was safe

Josh: that turns into killer bees

Joe: Quicksand filled with killer bees at the

Wait,

you get sucked in, they’re

oh, I was

Josh: as, as you’re down, the killer bees are

coming out and stinging you as you’re sinking into the quicksand.

Nick: they’re eating [00:23:00] your feet alive first. You’re just like, oh

Josh: you can get the,

Joe: What’s

Josh: the overly dramatic Nicholas Cage death like

Nick: The

Joe: bees,

Josh: The bees, they’re in my mouth.

21Nick: the bear.

Joe: So after the birds and the bees,

Nick: what happens

next? Joe,

Joe: How we go? Locus

Like locus is probably up there, like for a story. Like it’s just, I mean, it’s biblical,

right?

Josh: One of the

Joe: that’s a if you’re thinking

Josh: Yeah, locusts are really interesting

Uh, like actually

Joe: ants.

Nick: yeah. Over locus.

Joe: I think,

I think locusts are

Josh: are also really

Nick: I don’t know. I just thinking like between ants and locusts, that would go

next. Ants I feel would be the next one

Joe: Locusts are biblical, right? I maybe there’s a ant but able story, but

Nick: I don’t know. I don’t

Joe: Locus are.

Fairly destructive too. They actually destroy millions and billions of dollars worth of

crops like every year. Like it’s, they [00:24:00] are a real,

Nick: don’t they have those ants that like torture people for whenever they swarm

up on people, torture people like they’ve,

Joe: You mean like fire

22Nick: ants? No, the bullet ants.

Joe: the bullet bulletins. I mean,

Nick: Oh, am I mixing

Josh: think you’re thinking about

Nick: army ants?

Josh: which don’t really attack people swarm them. Animals that have reputations

like that, like you have to really mess with them. You have to earn it to get attacked by

a lot of animals

like that. Uh,

Joe: ants.

I can’t.

Those ants are doing nothing to you. They’re just

chilling.

Josh: videos of army ants, like they move in these giant swarms they actually don’t

have permanent hive spaces like ants do. Like they don’t dig tunnel systems in the

earth and stuff. They move in these giant constant swarms through the forest. So you

gotta really put yourself in danger’s way to get attacked by these army ants or, I don’t

know, maybe be like, tied up by a snidely whiplash style villain

and left it in their, I guess didn’t they have that in the, one of those Indiana Jones

Joe: What they like [00:25:00] Uh, honey or something, or they do

Josh: Yeah. And then, then

For the army ants. Yeah.

Nick: See that one I,

Josh: maybe if you do

Joe: was it. But locusts are like, I think a real threat.

23Josh: Well, locusts have two different types of life cycles if they’re, if food is plenti-

ful, they’re fairly solitary and they’re basically just a species of brass hopper. And when

conditions occur that force them to congregate together once they start rubbing up

against each other, if that happens too frequently in a certain amount of time, they’ll

actually start.

Changing their physiology, they’ll get like bigger and the spines on their ex-

oskeleton get bigger and they actually undergo this whole physiological change and

behavioral change, and they’ll start that swarming And so you get those, the biblical

swarms

Joe: Yeah.

Josh: And when they’re in that form, yeah, you can have swarms of millions that

just spread across the countryside for miles devastating

Joe: Yeah. They go any plant life I mean,

Josh: yeah. [00:26:00]

Joe: not localized to just like a neighborhood.

They travel

Josh: And that often happens in like drought conditions and times where food is

scarce. And so that makes them even more dangerous because then they, you know,

the stories of swarms, of locusts destroying people’s crops are really true. And like that

kind of stuff does and can happen,

Nick: Alright. I, given the, I’ll put.

Locust above

Joe: That’s like Exodus, man, one of the 10 plagues of Egypt sent by God to pun-

ish the

pharaohs for refusing to free to Israelites.

Josh: The wrath of God right

24Joe: I mean, they’re,

Listen, if they’re

around.

You know,

Nick: if someone’s gonna swarm me with Locus, I’ll just get my murder of crows

on ’em.

Okay.

Joe: I don’t know. I think the locust could take down the

Nick: I don’t think so.

listen.

Josh: of crows.

You got millions of locusts,

Joe: yeah, they just got the numbers on

Josh: but maybe it would be a smorgasbord for the right

Joe: That’s true. I guess locusts aren’t at the top of the food chain, so they

would have to bow [00:27:00] down.

Like we, we talked about

Josh: about a swarm we had locally here the cicadas, the

periodical,

Joe: CRCs, right?

Josh: Just last year in Illinois in this area, we had a brood of 13 year cicadas and a

brood of 17 year cicadas,

which are different subs.

Joe: Crc.

Josh: subspecies of cicadas that only hatch every so often. They don’t come

out every year.

25Joe: person in the region that didn’t go out and find some

Nick: I don’t think I’ve seen a single,

Josh: news

stories all

Joe: was like everything.

I don’t

Nick: think there was a single cicada in my neighborhood.

Josh: Mean had to go, I mean right. It’s, there’s in in really heavily urban areas.

They didn’t show up that much because the, their eggs have been underground for

13 or 17 years. So if you’ve had a lot of development in your area, then, you know,

they dug up all those eggs along with whatever earth they tilled, you know, to make

development.

So there were a lot of areas around here, like where I live in Chicago, there

[00:28:00] wasn’t really. Much, although there was some down in our park down by

the lake. But we really didn’t have those huge numbers that they had in other areas of

Illinois especially where these two broods overlapped. Which was something that

happens only every 221 years when the 13 and 17 years cicadas line up so that both

broods are hatching at the same time.

And if you’ve never been somewhere where that was occurring, they’re literally

everywhere. They’re all over the trees, like end to end covering the trees and all litter-

ing all over the ground. It’s unreal. And local animals love it. Everything eats cicadas,

basically. Even even things like squirrels eat cicadas during those times.

Joe: poor cicadas. They’re just there chilling, brooding, and

Nick: you woke up to get

Joe: That’s right.

26Josh: 13 years underground just to come up and serve as a smorgasbord buffet

for everything around you.

Nick: So they’re at like the [00:29:00] bottom of the list on swarms that we

Joe: right? Yeah. They’re probably

Josh: Cs are the very bottom of the

Joe: Those are No danger to

Josh: And they’re just food.

Joe: just go out, you want to seek that swarm out. You’re like, let’s go see the

CRCs at the park. I mean, it was fun. We went down to the cab ar, and they were all

over the place.

Mean, you were just, you walk a few feet and you’re getting hit by CRCs. They

were,

Nick: yeah. I don’t think I’ve seen any of them this, whenever that happened last,

Josh: Oh, you missed out

Joe: didn’t

Yeah, I didn’t see any,

gotta, wait, you said 220 years,

Nick: Hopefully I’ll be dead in at least half that

Josh: for both of those 13 and 17

years 13 years or 17 years, you’ll have another brood happening, right? Is that the

cycle? 13

in this area. And there’s multiple broods in our region of the US.

Joe: Okay.

Josh: So there’s other areas that will have 13 or 17

year cicadas match at different times. So if you’re really missing it, there’ll be

something next year or this year

27you can chase ’em down.

Nick: I’m pretty sure I’m good. [00:30:00] I don’t need to go see all these flying

bugs.

Joe: It’s moving down

Josh: saw people online doing recipes with the

Joe: That’s right. Yeah. They were talking the

Josh: Try to, you know, fry ’em up, make little cicada tacos or

Joe: And it was like the younger ones, that hadn’t multi was at the,

Josh: Yeah. You wanna get ’em right when they come out of the ground apparent-

ly, because they’re still kind of soft shell, you want the soft

shell

Joe: don’t want the

Josh: not the uh,

Joe: ones the crunchy ones Throw back. It’s got the crunch. You don’t want ’em

Munch.

You go. That’s it.

Josh: are big.

Joe: They are, I don’t know. I’ve been, have you eaten a lot? I mean, I’ve had meal-

worms.

Nick: How many cicadas have you eaten, Joe?

Joe: Zero.

Josh: mealworms and I’ve had some grasshoppers that were pretty small

grasshoppers as, as far as those things go,

Joe: I haven’t had any other insects. There’s a place they make

Josh: not bad, you know, prime up, a little Cajun seasoning.

Just try not to think about what you’re eating.

28Joe: yeah.

Josh: They’re not bad.

Joe: Like spiders they probably taste tastes a lot like, you know,

Josh: I don’t know. That might be too far for

me.

Joe: They’re like land shrimp, right?

Nick: I thought that would be [00:31:00] cockroaches.

Joe: no, cockroaches are insects. Yeah. No, that’s a whole different line. That’s a,

that’s some hard times there.

That’s,

cockroaches

Nick: were the land shrimp. No. Is that not true?

Joe: No.

Nick: Or is that land crabs?

Joe: I don’t know what you’re talking about. Let’s move along. Now it’s kind. I’m

talking about ticks or something over there.

Nick: What

Joe: land crafts. That’s, yeah.

Nick: all

Josh: You mentioned ticks. I had a couple of movies that I was gonna bring up

and I dunno if you guys have ever heard of the movie Ticks.

It was an older movie definitely like a b or C tier horror movie about giant

mutated

In the mountains, attacking some coeds. But the best part of it is Howard’s broth-

er, Clint Howard noted, excellent character actor Clint Howard who plays one of the

hillbilly criminals who’s growing weed in the mountains that is also defending their

29weed fields against the giant mutated ticks. And he of course, [00:32:00] gets at-

tacked and then there’s lots of great practical special effects if you like, those kinds of

beats here, horror movies. But it does involve, the movie does involve a giant swarm

of giant mutated ticks attacking people in the mountains.

Joe: Those are their best. That’s like Piranha. That was also

Josh: Yeah. Yeah. that’s kind A swarm movie.

You Ana,

Joe: Yes. did

Nick: I’m gonna throw this one out there.

Joe: oh. He’s been, see, he’s been sitting on this

Josh: can’t even say it.

Joe: Yeah,

Nick: I need a minute.

Joe: All right.

Why don’t we do that. I was gonna say my next, the next swarm that I think of are

rats,

Like rats are like, you know, and just the Pied Piper, of Hemel Hamlin. You had, dis-

eases, a lot of things have corresponded to.

Rat infestations in civilization, especially urban civilization of, , black plague, black

death. I mean, you had, things like that. So it is

Josh: Although that was more due to the fleas than

just gotta [00:33:00] they were the the rat’s, Reputation

on,

Joe: I am. They were the conduit though,

Now we’re gonna

had the fleas that actually then were moving, they were

30Josh: It’s a two way street, you know? I mean, the people weren’t all that clean

themselves either. The fleas were going back and forth pretty readily. don’t think we

can totally blame the

Joe: That’s why you have, women who had cats who didn’t, at that time, didn’t die

or get catch the plague. They were considered, , witches. But really they, because the

cats kept the rats away from spreading the f fleas da that they live, but then they got

persecuted as, you know, set of oh, that’s a smart idea.

We all should have a dozen cats. And

that’s,

Nick: where the mob mentality comes in.

Joe: the mob mentality

Josh: You’re right.

Joe: So you were, and when you were talking about the locusts rubbing up

against each other, and then all of a sudden you get this kind of angry mob I thought

of a concert venue , someone rubs up against someone the wrong way and then all of

a sudden you gotta, you got something happening.

Nick: So would shark NATO be considered a swarm?

Joe: know what, [00:34:00] you stop it as I, my youngest son, we were talking my

age, 14, I’ll be 15 a little bit. And we were, we, I said what the episode was gonna be

and he was like, are you gonna talk about Sharknato? I was like,

Nick: You know,

Joe: it. They just had a few sharks. It wasn’t a lot of sharks. Sharknato.

Josh: Hey. I’m happy to talk about

Sharknato though. That’s just good fun.

Nick: this is like the fifth episode in a

Joe: We’ve talked about Sharknato and other

31Josh: Have you, have, you talked about Steve Sanders from Beverly Hills 9 0 2 1

oh. Leaping through a shark with a chainsaw

like chainsaw. First he leaps through the shark.

Joe: Was that the first shark nato or one of the subsequent shark NATOs?

Josh: Not sure they all blend together.

Joe: work together?

I mean,

it was like four. I mean, that’s where people like, they, they’re like, I got this idea.

But it’s dumb.

Josh: were definitely too

Joe: yeah you just go, you just, you always look at shark NATO and go, that’s, if

they went into some room and [00:35:00] pitch that movie, you can pitch any idea you

got.

Just take faith and go,

Josh: Sharknado five, we’re still milking

Joe: right. Yeah.

It’s

Nick: Oh, and then they’re just milking a shirt.

Joe: Okay. That’s not how that works, but all

Nick: for this one it does because

Joe: made genetically engineered sharks with little tets.

Josh: They’re getting really creative

Nick: I think we’re gonna be able to pitch this one. Guys.

Joe: be I’m, there’s a, we’ve had a lot of movie ideas on these episodes.

This is one I’m not gonna be behind. I’m gonna leave this to Nick. He is. Got it.

Hold.

32What else you got? Anything?

Nick: Yeah, so that,

Joe: I mean, that’s, that was on my, and then Ants, I did have ants on my list, but

we touched upon them. Everything else is in there. I mean, the fictionalized, spiders

there was movies about that, like ACH phobia.

Josh: Arag phobia.

Joe: The nineties. That was one

Josh: There was one in the early two thousands I think called, just called Big Ass

Spiders.

Joe: Yep.

Eight. Yeah,

Josh: giant spiders there, eight legged, eight legged freaks, I

Joe: Eight legged free. But those are, but see, [00:36:00] that’s, those are giant

spiders. There’s a lot of ’em

Josh: They’re like fifties sci-fi

throwback

Joe: Yeah. Like them and those types of movies, but just you have a movie where

normal size it, there was, you know what, there was one also B Horror kind of The

frogs.

Nick: Oh, yes.

Joe: And it was like that the seventies

Josh: I’ve seen that VHS cover, but I don’t know if I’ve ever seen the

Joe: and they had a bunch in the seventies. People can go and look, but that was

the environmental kind of movies of animals attacking, you know, humans encroach-

ing on their land. So developers are coming in, they bought the cheap land, and then

the animals kind of rally and then go.

33But the frogs was exactly that, where they were there, and then the frogs started

killing. People one by one,

Nick: do zombies fall under swarms?

Joe: I was gonna say that I had that.

Nick: I had that written down as a note.

Joe: I think they

Josh: That was my thought first for human swarms in fiction. The first thought I had

was zombies

Joe: [00:37:00] I think would fit.

they bunched together And it was interesting because I think in movies or books

you have that idea of zombies. If you, you have the initial outbreak the demise of hu-

manity and the rise of the zombie. And then they appear that they do follow then a

swarm like mentality and behavior

I think z Nation that was at TV show.

Josh: Oh, I love Z

Joe: Yeah. And they had, but they had the swarms. They would go, oh, a swarm of

zombies are headed our way. And they had to get inside. And this whole, this herd, it

was like almost a herd of zombies would go through looking for almost like locusts,

looking for

Josh: Definitely. Following swarm behavior.

Joe: Yeah. So it is really, I think it would be interesting, I would say yes. That they

would find it and yeah, if there’s a food, like if you, there’s a bunch of zombies that are

disorganized and then there’s a stimulus event, they all then converge and actually fol-

low that [00:38:00] behavior to get at that that,

Josh: Yeah. I mean, that basic setup is in pretty much every zombie movie.

Joe: So I

34Josh: You think you’re hidden and then a noise attracts

Joe: that’s right. Yeah. And then one, and then

Josh: then they all swarm.

Joe: They’re all triangulate on that position and you got trouble. Yeah. Especially if

they’re fast moving zombies, which I have issues with, but, okay, we’ll move on. ’cause

that’s not, this is not

oh

Josh: That just seems unfair to the

Joe: Yes, it

Nick: does.

Joe: I, my whole gripe with that people know, is that I don’t know how you gain

ability after you go into a decay state. Okay. That’s all I’m gonna mention with

Nick: See Joe with science,

Joe: it’s just hand waving. I know, but it’s my job to call it out. But it is

Josh: You gotta draw the line somewhere.

I’m, I’m with you. How do you get faster and a limitless supply of energy as a zom-

bie when you didn’t have that as a human shambling? I understand. You know, you’re

barely

Joe: Yeah. They’re all right. But there’s folks that, it’s [00:39:00] like you weren’t

running that fast. When you were alive. Okay. So why are we running

Josh: We’re running for that long. I don’t know if you guys are runners, but you

know, if you are not out there running regularly, you can’t maintain a fast pace for very

long.

Nick: it’s all about the lung capacity though.

Joe: No lung capacity. They’re

Josh: is the lung capacity of an average

35Nick: I’d say none. So like

Josh: the, zombie virus negate the

Nick: drops down to zero and then it just goes infinite. That’s not

Josh: with no lungs? You don’t have to breathe. You could run forever,

solve it.

Nick: Boom

Joe: that was the idea that in,

Nick: was it Walking

Joe: Dead or which movie was that? Or was it Walking Dead where he had, they

had him exhale.

But he was a zombie. Like it was like a cold day when they did the shot and you

saw like a little breath of air you know, the kind of

Josh: I’m

Joe: Yeah, it

I don’t remember

Dead. It was like a mistake. It was one of the episodes where they shot it and one

of the [00:40:00] characters were supposed to be a zombie, but then they were clearly

breathing like a living human.

It was just

Josh: Oh, like they weren’t supposed to.

That wasn’t supposed to

Joe: I always do this ’cause I think it’s fun, but the earliest fictional

yeah. Right there.

Nick: Example.

Joe: I, yeah, I’m married. Yes. I’m a

Nick: This is tearing you up now with

36Joe: It is, I’m feeling very emotional about those zombies.

Nick: Yeah. You got a earliest, lemme guess it’s the Bible or

Josh: locus

Nick: Or, there was some Egyptian hieroglyphics that was found on the wall and it

predated back to a hundred bc

Joe: It’s, our favorite here. It’s the epic of

that story.

has like everything.

Nick: No, this is not acceptable.

Joe: has swarming lions.

And the Bulls of heaven. I mean, that’s

Nick: No, that doesn’t, no,

Josh: knew how to.

Joe: [00:41:00] But every episode it’s that is, that’s just what,

Nick: what’s, I’m gonna call BS on this one.

Joe: it’s there. Then the Iliad, they’re battling swarming bees, birds, locusts all the

kind of ancient swarming of animals in there. Yeah. The Bible, of course, that’s proba-

bly close to the age of the epic of Gilgamesh. Yeah,

you had, divine comedy, Dante , 1320 ce swarm hell has swarming like insects.

And then the Pied Piper, that was 14th, 16th century ce. So there’s a bunch. that’s idea.

That swarming animals coming at you is like the ultimate fear. I mean, as a solo, like

one rat isn’t an issue. 10 rats. Okay. You got a small

Nick: Wait, it depends on what size the rat is.

Joe: I mean,

Nick: is it like a New York rat where it’s like a

Josh: I don’t think they exist.

37Joe: You don’t like a [00:42:00] nice muskrat or Right. I mean a sewer rat they get

big

Josh: princess bride quote,

Joe: Oh,

Josh: rodent of unusual size. I don’t think they exist.

Joe: I was like, what are you talking about? I’ve seen it.

Nick: I’ve lived

Josh: Yeah. Something like a, that’s like A rat the size of a pig or a rodent.

Nick: Or what about when a bunch of rats get all tangled up together and they re-

form the rat king?

Josh: The rat kings,

yes.

Joe: What do you do? You need a bunch of rat kings to swarm. You know, can you

have swarming rat kings?

Josh: I think the idea is the rat King controls the rat swarm

Joe: see. Yeah.

Nick: It’s the nest of it that all gets bunched up with their tails and then they just

start like

Yeah,

Josh: moving as one entity.

Joe: But yeah, those were

Josh: You have to imagine, you know, animal swarms are gonna hold just as much

fascination for our ancestors as they do for us, if not more because people used to live

in a much more [00:43:00] intimate relationship with nature. You know, they were out

amongst animals and the wild much more of their day.

38Whereas we’re fairly separated from the natural world. Most of us, certainly if we

live in cities or urban environments, it makes sense that they were including this kind

of stuff in their stories and in their storytelling. For as long as we’ve had stories in sto-

rytelling,

Joe: Yes. No, I agree. And there, there’s a certain themes you can think of, you

know, the kind of, the fear of being overwhelmed, losing control against this kind of

overwhelming force that we have. The nature retaliation. We touched on that kind of

the seventies was really popular, but through history probably had that push and pull.

Have we gone too far? Are we encroaching too much on the natural world? Intelli-

gence and coordination. You just have these kind of, like you, you were saying earlier,

the birds, that’s, it’s not quite a traditional swarm of just chaotic. They were plotting

and planning and really guiding the [00:44:00] humans where they wanted it.

They were almost boxing ’em , wouldn’t let ’em leave the island. I mean, it was this

whole coordinated effort to keep ’em there. And then you just have the overall sym-

bolism as an allegory to societal breakdown, chaos or pre fears. And that’s almost

magnified when we get to the zombie, right?

Because that is our ultimate not even an animal that’s coming or is chaotic. It’s us

that has become the uncontrolled.

and

the ultimate breakdown, like the breakdown of self. I think that’s

Josh: We become our own worst nightmare.

Joe: So you giving me the look over

there? Give me the looks. What’s happening?

Nick: Nothing

Josh: matter, zombies are humans reduced to nothing but instinct.

Joe: Instinct. That’s right. Yeah.

39Josh: the zombie, The zombie swarm is humans without any of our intellect or in-

dividuality.

Joe: Reduced to the lizard brain, right? Is

Nick: yeah. They’re just Out to feed.

But like only on other people.

Joe: should be like a movie

Nick: out to feed.

I mean, that’s the next [00:45:00] zombie movie.

Joe: It is. We gotta do it.

You’ve heard it here out the feed.

Josh: can pitch that after Sharknado

five. right.

Nick: milking it.

Joe: Zombie nato.

Nick: Oh. Oh no.

Josh: Yeah.

Joe: just when you thought it was safe. The zombie twister.

Nick: Only if we can get that one guy back from the last twisters.

Joe: All right. Josh, do you have any advice to give folks if a swarm is approach-

ing?

Josh: Most part, try to get out of the way and relax. They probably aren’t interest-

ed in you.

Joe: oh, there you heard it there.

Crack open

Nick: know if I can

Joe: off.

40Nick: that. gonna panic and then away in a different

Joe: Get the flame You gotta remember the, the first the first commandment of

Douglas Adams. Don’t panic.

Don’t

Josh: Hitchhiker’s Guide to the Galaxy.

Joe: Yeah.

Nick: Oh man, I thought I was, grab the gasoline.

Joe: have your towel

Josh: Yep.

Joe: a towel

Josh: towel.

Joe: and do it.

Cool. Do you have a favorite [00:46:00] swarm? If you had to be in a swarm sce-

nario which animal which you want. I like a

Josh: Like for my own personal safety or

Joe: what? Whatever you

Josh: oh, no, I, I do, I say I have a favorite swarm. One of the things I didn’t quite

get a chance to bring up, but I guess I’ll bring it up

now, is, Dragonfly. Swarms. So there’s a species of dragonfly that migrates from

the Northern North America area down to the Gulf Coast of America and Mexico the

coast of the Gulf of Mexico.

And they passed through the Great Lakes area. And I live pretty close to a park

that’s right on the lakefront here in Chicago. And so every year around like late July,

August, September, we’ll have hundreds of dragonflies passed through the area. And

when I go down to the beach, you can watch the dragonflies coming in and pre on all

the smaller insects [00:47:00] that are flying around the dune grass and then above

41the dragonflies, all of the swifts and birds that are preying on the dragonflies as they

come through.

And it’s just this really cool display of nature that I love getting to see. And it’s

these huge. Swarms of animals, both the dragonflies and the birds that you know, you

can watch without any fear for yourself like I said, none of them are interested in

you.

Joe: doing their business

until they are, until it’s like that’s the guy over there.

Josh: Yeah. So if you’re lucky enough look out for the dragonfly

Joe: And when’s that about? Like just a

Josh: like late summer, I would say August,

September.

That’s when they’re coming through my area. So coming through Chicago and

then eventually they’re going down to, you know, the southern states, the Gulf Coast.

Joe: then it’s go straight. It’s a straight shot. That is so like through Illinois,

Josh: I, I’ve seen them, I’ve seen them around here for a long [00:48:00] time. I

was trying to figure out a little bit more about them. And they follow a similar migra-

tion pattern to Monarch butterflies. They’re actually a lot harder to track, so they don’t

know nearly as much about the dragonflies migration patterns as they do about

monarch butterflies, but they know that they’re in similar areas, similar timeframes.

They’re seeing them migrate along similar paths at similar times, but they just

don’t know as much about the dragonflies.

Joe: Yeah,

I was like I was gonna say monarchs is probably one also insect. And I just hap-

pened to be at like a conference in, was it Monterey or Sylmar, California. And there

was like some huge tree .

42And they were like, oh, this is a place they’re migrating right now. If you go, it’ll be

thousands of ’em. You know, tens of thousands just hanging around. And so we went

and we didn’t see tens of thousands, but they were like more like hundreds and they

were like, oh, we’re off by. It’s not an exact science like they’re gonna be, but it was like

they had a range of dates and we were just there come back [00:49:00] tomorrow.

And we were like we need to leave. We gotta, you know, it’s not like we, this is it,

this is our shop. But it was, they were there. I mean, you could see I mean, it was prob-

ably the most butterflies that

Josh: still pretty

impressive even

Joe: It was really cool. Yeah, it was really neat and fun. So I did enjoy that.

Nick, you got a favorite swarm?

Nick: Yeah, my murder.

Joe: Your murder.

Crows. You’re

Josh: murder of crows?

Nick: Why would, what’s not to love about them?

Joe: The crow army.

Nick: Yeah. I think befriending them and creating an army to do my bidding

would be the best idea

Joe: There it is.

Josh: Nick’s getting ready to be the villain in birds

Joe: know that’s right.

Nick: Hovering above with my crows

Joe: yeah. There. I can see it now. Feeding them bagels. Yeah. You’re like, here

you go.

43Nick: Anything they want

Joe: you go, yeah, I don’t

Nick: feed my birds. What about you, Joe? What’s your go-to swarm?

Joe: I just said Monterey. I I mean, I like the

motto. You didn’t say

Nick: that [00:50:00] was your

Joe: No. I piggybacked off of that one, but I mean, you know what? I’m a zombie

guy, so I’m just gonna go with, I’m gonna go with zombies. I like it. I threw ’em in there.

They’re animals, you know? Yeah,

Josh: Yeah.

Joe: So

Nick: I’m down for that.

Joe: We’re down for it. And I got my country wisdom, so I’m ready to go. I think I

can make it out.

Nick: I feel like I keep sending you more stuff to add to your country wisdom.

Joe: I know you gave me like the Guide to Survival or something like Yeah. I’m just

adding, I’m there.

Nick: I’m slowly just being like, all right, Joe’s gonna have everything I need.

Joe: just need somebody to be prepared. You, I know you’re your game.

You’re gonna be

Nick: out.

Joe: there dingdong.

Cool. Josh, anything else? Did we, we hit everything we can. Any other bits of wis-

dom you’d like to share

Josh: know, I

44I love animals. I’ll talk about ’em for as long as you want. But that’s, I think we’ve hit

most everything that I wanted to touch on.

Joe: Yeah. The now you were, do you have any fun on our way out, like [00:51:00]

a fun story in your. Career as a pest management. Engineer.

Josh: Yeah.

Joe: Sorry, I put you on the spot now you’re like, they were all

Josh: no, I mean, I was coming in as your, as the animal guy, so I should have had

a story ready. A lot of my stories are just like smaller quick anecdotes. A woman who

called in complaining that she could hear a goose somewhere on the pond that she

lived on, that sounded for forlorn.

Those were her words, and she wanted us to come out and do something about

it. She wasn’t even sure what she wanted us to do about it. She just didn’t like that this

goose sounded sad. I learned a lot about how little people, some people know about

nature in the natural

Joe: It’s a sad are just totally unprepared to deal with living next to animals.

Josh: you know, even if you’re, even if you’re living in the city you’ve got animals

all around you. You know, I saw a coyote in one of the cemeteries just the other day

from the train while I was going to work. I’ve seen raccoons pass me on [00:52:00] the

fire escape at, on my building.

Just walking up past the fire escape, just kinda Hey, how’s it going?

Alright. And I just let ’em go, you know, because they’re just trying to make a living

too.

Nick: Oh, so you don’t trap every animal now, like

Joe: Yeah.

Nick: that’s not like your daily thing

45Josh: no, I, I left my trapping days behind. Me and the animals have a much more

peaceful coexistence now which I’m much happier with.

Joe: And you were just personifying the raccoon. It didn’t really speak to you.

it did. It was, were

you out there? Because that’s

Josh: no I can I can make mental contact with the animals now. No. I literally had a

person tell me one time that, that she like psychically communicated with the rac-

coons living in her house and told them to and that’s how she got rid of her own rac-

coon

Joe: Wow. That’s yeah. So what happened with the sad goose?

Nick: can you tell us what it sounded like?

Josh: I always imagined it sounded like, oh. Just like a really sounding goose.

Once we told her we were a private company and if we came out to do anything for

her, we would have to charge her money for that. [00:53:00] She changed her mind

pretty

quickly.

Joe: okay. There it is. You put money in it. Yeah. The good old capitalism there.

The yep.

Go.

Josh: people care a lot less about the animals around them once you tell them

that, no, your city doesn’t pay for this. We’re a private company, you have to pay for it.

Oh, okay. I guess they’ll be fine.

Joe: Yeah. They’ll ha they’ll spruce up on their own, but

Josh: Yeah.

Nick: the spruce, goose.

46Joe: yeah. Yeah. All right. On that note, I think we should go ahead and wrap up. I

know everyone’s all sad out there. A bunch of sad goose. We gotta go. We’ll be back.

We’ll be back again, I promise.

But

Josh: for having me on, guys.

Joe: thanks

Thank you for coming

on and sharing your knowledge about animal swarms and sad goose.

Nick: Someday we’ll have to go get some shwarma.

Joe: We’ll have to get swarm. That’s right. You know,

Josh: Celebrate the animal swarms

with swar

Joe: And on that note, you’ve got me, Joe.

You got Nick. You got

got Nick. You’ve

Nick: And that was

Joe: And that

Nick: [00:54:00] We went down

some animal hole. So

Joe: Some animal holes, don’t we? We didn’t talk about rabbit swarms. We’re

here. We got a rabbit hole of research

Nick: that just seems like part war.

Josh: don’t rabbits don’t swarm as far as I know. But they can get really overpopu-

lated

so their population’s kind of boom and bust.

Joe: or

47there

Josh: But I don’t know if rabbits really having a lot of swarming behavior, it would

be a very adorable swarm.

Joe: If it would be, I ain’t could see that. Yeah. Except when the hawks come and

the owls and the eagles and then it becomes something

Josh: becomes a very grizzly swarm.

Joe: I write on that note. Y’all stay safe out there. Love you.

Nick: Bye-bye.

Transcript EP 42:Broken Futures with Ben Tanzer

SubstackAppleSpotifyYouTubeAmazon


Joe: [00:00:00] Hey,

welcome back to the Rabbit Hole of

nick: Research.

Joe: We’re down here in the basement studio. You have me, Joe,

nick: you got Nick again.

Georgia: Georgia,

Joe: we’ve got Georgia, and we have a special guest. Take it away,

Ben

_

Tanzer: Hey,

it’s

Ben.

Good to be back

or good to be here.

You’ll tell me in the middle of our time. Travel travails. Anyway, Ben Tanzer here

from Chicago

Author, fellow

podcaster,

college professor, Low key consultant. Dude, honored

to be a guest tonight and talk about one of my own books

’cause what could be more

self-serving than that? So thank you all

for having

6me and

I am gonna repeat this in case we lost it

before, but

I am

so jealous of that basement vibe.

and we

don’t have a

vibe, so I’m excited about

that. Appreciate it.

nick: So when was the last time he read your own book? Do you read your own

book?

Ben

_

Tanzer: I will read them after they come out,

but I’m really, not someone, it’s funny, if I was an actor, I would absolutely watch

my own movies.

For sure.

My

ego

[00:01:00] is both fragile and strong enough.

at the same breath.

But

no, I don’t necessarily go back and read my own books. So one of

the tensions

is there’s

so many books to

read.

I feel like you’re

7gonna waste time on your own book.

dude. No,

I,

haven’t,

I don’t read them often.

and I definitely haven’t read this one in a while.

so it’s fun to revisit it.

with the Three of you.

nick: Oh yeah. Yeah.

Joe: We’re

Joking a little bit ’cause we’ve had a few technical difficulties getting this episode

started all, all on

nick: the production

man, that still, I still whatever role I played in it. Lemme tell

Joe: No,

no

need to apologize. It’s

Georgia: a,

No. It’s all Joe’s fault. it’s a

nick: field.

I was blaming the imaginary sound deck.

You

Georgia: yes, fire

nick: Our production

Georgia: production manager

now.

8Joe: If anyone knows a good production manager, let us know.

Georgia: That

nick: so Joe, do you have any lists that you want to go

over?

Georgia: Yeah,

Joe: do have,

Georgia: Why don’t you introduce us to what

is this? episode? Yeah, so we be

Joe: talking about

broken futures, trauma and the human condition. And this is framed as Ben had

[00:02:00] mentioned around his novel orphans.

And so I just wanted to lay. The groundwork for kind of these words, broken fu-

tures, trauma, human condition, just so we’re all grounded, and then we can get into

our discussion again.

Future,

I put together this kind of definition as a future where progress technology, sci-

ence, economics, paradoxically degrades human dignity, e exacerbates trauma and

disintegrates social structure rather than uplifting humanity.

So I mentioned trauma. Traumas is emotional, physiological, psychological re-

sponse to an event or series of events that overwhelms an individual’s ability to cope,

leaving lasting effects on mental, emotional, and sometimes physical health and trau-

mas when something happens to you. And a part of you stays stuck there. And the hu-

man condition refers to the essential experiences, struggles, emotions, and existential

realities [00:03:00] that define human life, including birth growth, conflict, love, work,

suffering, and mortality. It’s not just our biology or culture, is a total experience of be-

9ing human across time and place. The human condition is the beautiful, terrifying, and

endless attempt to find meaning between birth and death.

Georgia: Hold on. This could be a long episode

Joe: Yes.

Georgia: Yes.

Joe: And we’re recording

now. But

yeah, I’m

gonna pause here ’cause I do have a list, but I wanna

Georgia: Oh, you have also have

a

Joe: I have a list too.

Georgia: Oh. Oh, wow. I think

Joe: prepared.

Georgia: Oh my gosh.

Joe: once

nick: Georgia,

Georgia: button,

nick: I have the

Georgia: analyst, but I think maybe we should,

Hear a little backstory

About Yeah.

You talk

Joe: orphans and how I came to this episode and getting Ben to talk about an old

book, like he knows

Georgia: not very old

10Ben

_

Tanzer: No, not so old. Anyway, yeah. There’s like,

backstory and then

nick: yeah,

Ben

Tanzer: I feel like

_

a young man. though. I don’t know what that says about,

the young men I’m raising. They’re really young men,[00:04:00]

but.

there

is Backstory and then a little extra backstory. The Backstory to the backstory

and I don’t know what you call that, backstory squared is something I was talking

briefly to

you guys about.

I

was,

I had to go on a work trip.

It was a big opportunity. but It was also something that was very important to my

boss. And at the time, one of my kids was going through a

hard time and really it was a terrible time to go away. Not that, I

didn’t think my wife could handle it.

Not that she can’t, couldn’t handle it, the idea of

leaving her to handle this by herself

and she’s go man. You’re cool.

Okay,

so I’m flying cross country

and I have a layover

out West and I call home

11just to check in and things were not going

well, and I felt sick.

Honestly felt physically sick.

It’s funny, Joe, you talk about

trauma and being stuck

on something that was traumatizing.

that phone

call and

I’m gonna use all your

key words here,

know, my wife was like, just, yeah,

Right on. And my

wife

was just like, Just go

And so there was this moment where I

thought,

should I have told my boss this isn’t something I can go do?

But [00:05:00] I also

realized I didn’t feel

like

I could do that, but that was

balanced out

by what I recognized was my own ego and my own need to go do this thing I was

asked

to do which was a big deal.

and I

12realized it

wasn’t one or the

other. It was a

both and I was embarrassed

by that. I was embarrassed

that I couldn’t talk to my boss.

and I was embarrassed that I still

wanted this. So I was thinking a lot about that and I was thinking this

would

make for an

interesting sort of

book, right? What does it mean

to need to

work, to want to work,

to have work

dictate decisions for you?

And I’ve always been

very work

oriented

and focused

and striving. So I was

carrying that idea around in my head, what does it mean to be someone who

goes away to

travel, to leave your family, to prioritize work? And then I was

out running

one night

13And I was

running along the lake and

I looked up and I don’t know what planet or star I saw because this is where I’m

very

derelict in

my larger

[00:06:00] education,

But I looked up in the sky and I thought,

wouldn’t

it be interesting if this guy who’s got this job?

that involves travel?

What

if

he had to travel to

Mars? Like what if it was really

A.

thing, not just fly to California

like I did back

and forth in

72 hours. What if it was a whole journey? And then I started thinking, wow, what if

this was like

death of a

salesman meets the Martian Chronicles. What

if you could somehow take these ideas,

It’s about work, but it’s also

about building a new universe or a new world. Could someone be,

14Speaking about the

human condition,

could someone be

caught somewhere in the middle of those things? And by the time I got home, I

could really visualize a book that I had

just been slowly

noodling on for several weeks.

Right? A guy.

who puts work before his family, but he doesn’t just go away for say, 72 hours.

Right? It’s gonna take

months

to go back.

and forth to Mars,

Even if I’m of

Joe: about nine months to get there, right?

That’s

Ben

_

Tanzer: right. Thank you. So even if [00:07:00] I’m messing

with what reality is like it’s nine months.

that seems crazy.

Stay I shortened it ’cause it’s the

future. it still has

to be

six months.

or three months, whatever it

has to be,

it’s not

15a short thing. And then I thought,

wow, there’s a whole

book here. What would that look like? And why are we going to Mars? And it’s

funny,

I don’t consider myself any more prescient than anyone else, but

authors sometimes

have those moments. And One of my ideas, which is funny

Now

and

I think it’ll seem more clear

why it’s funny

is I thought,

oh, this is rich.

People deciding to colonize,

Mars

’cause They’re done

with the Earth, right? That seemed very real to me. Now, of course, rich people,

Elon Musk,

in particular talk about that all the time. so I’m sure I heard that Somewhere,

I doubt it was an original idea, but it wasn’t like a normal part of the of conversa-

tion, and I thought this would be really

interesting.

This guy who’s never going to be rich, who’s barely keeping it together, is helping

sell this property on a planet that’s not developed yet, for rich people

so they can

abandon [00:08:00] people

16like him and his family.

Then I thought that’s a fun conflict to mess with, right?

So now you’ve got the conflict of

how do we live on

this

earth?

That gets into the dystopia.

Joe

was referring

to how, why do we have to

Cater

to the rich and how do we support

our families? Like this guy does need to support his family.

Could he do it back on earth? not clear. And then I just started playing that out. So

whatever point you all are in the book, that’s the sort of

that’s the

path I wanted to follow. The torture the human condition

of,

I need to do this, but do I really need to do this? ’cause that was my feeling.

Did I really need

to go do

what I did? So this guy’s a lot more extreme. He is going to Mars, but he is also,

the situation’s a lot more dire

for him in

terms of

cash

17flow

and he owes people money

and so there’s another dynamic. There’s a sense of violence.

and dread Over his shoulder all the time as well.

nick: he’s doing, what he, yeah, he just needs to do what he needs to do to sup-

port his way of living. And

Ben

_

Tanzer: love about that,

Nick, sorry. not [00:09:00] to cut you

off, but what I love about That

is that’s absolutely true.

And it still raises the question.

Is he

absolutely. doing? Is this The only thing

he could do, like

I frame it

like,

that’s how it feels

for him, and I

think that’s important,

but

Right. He’s doing what he has to do, but he is also choosing the most extreme way

to do,

it.

But we don’t

Georgia: I’m

sure he thinks

18Going to Mars. That’s pretty, cool. yeah

Joe: and

nick: when I was reading it I was picturing like, yeah, there could be other options,

but for him, this is the option. Like this is gonna help get as much of his debt paid so

he can keep surviving.

I don’t know if that was where you were going with it and

clearly now I can

Ben

_

Tanzer: No, I really wanted it to feel, yeah,

I wanted it

to

feel desperate

also,

It’s interesting to me

as a writer

as a thinker, as a fellow podcast or like desperation takes on so many shapes and

forms and

there’s so many layers, right? Like I had,

a gig

again, that’s what [00:10:00] prompted this.

I

was desperate for

it to go well,

but my family’s livelihood didn’t depend on it.

on the other hand,

I didn’t wanna deal with my, boss, so

I felt slightly desperate, but I also

19felt desperate with the feeling of, man, are you deserting your family and I

really didn’t want that feeling, but that’s also my own guilt and

shame.

And again, my family was fine. That’s the other

thing. Right?

My family was fine. I just thought

nick: Everyone survived.

Ben

_

Tanzer: Everyone

survived.

Not only did

Everyone survive, But they’re still all in the same apartment. I left them in all

those years everybody lives

at home again, so I know it

worked out

Joe: and I wanted to frame it a little bit and, if your story kind of takes a bent, but

the little sci-fi kind of thing, especially as we barrel towards ai,

robot automation and then maybe future thinking and getting the realm of hand

avium, cloning and replacements.

And that was where, I had the list of things to talk, in this world. Because not only

[00:11:00] maybe, in this future world, you have to do what’s best for your family, and

maybe that’s off world. But, like when, during World War ii, when the men went to the

front lines, people had to backfill in and take jobs.

So what if the backfill

or

The

20reason you can’t get a good paying job here on earth is because machines have

taken those and, or clones, can replace, you also,

Ben

_

Tanzer: Yeah, that’s that, Oh, sorry.

go ahead.

Joe: go ahead. No. Go forward it. That’s

Ben

_

Tanzer: I was definitely playing with that as well.

right? They have, even though they’re,

borderline,

I don’t think

they’re poverty stricken. they’re working

class

Their apartments

still automated. There’s still a Robot

vibe that takes

care of things and

there are robots

all

over town, because again,

you get to cut down on the workforce. The other thing I was really Interested

in around class issues,

and work.

was that there, it’s

not just, there’s no middle class,

there’s almost no

jobs that exist in the middle.

Right.

21You’re either [00:12:00] rich

and

running

Joe: you just poor.

Ben

_

Tanzer: Or you’re poor.

And I thought

that is where the country this felt

like,

this 10 years ago

to me, that’s where the country’s

heading. Last night

I got

home really late from

class and

I almost

got run down by some mechanized

delivery. thing. I don’t even know what you call those. It was zipping down the

sidewalk,

Georgia: Did it

Ben

Tanzer: 25 miles an hour.

_

Georgia: Oh, did it look? Were you walking? And then it went by you?

Joe: looked like a little rover,

Georgia: Yeah.

nick: it

Georgia: it look like a ice box or a cooler

Joe: on wheels.

22Georgia: Yeah. Like a robot Cooler.

Joe: Yeah. So our

Ben

_

Tanzer: that means Somewhere in my neighborhood.

some Delivery person did not get that gig. So it struck me that this is an interest-

ing

disparity

to explore and

then I don’t know if

you were alluding to this, Joe,

but the other thing that adds a level of tension for me in

the book

is that the guy.

When they send you away, they

Clone you

temporarily.

So not only

are,

you know

your family

not

missing and

this plays into my sitting in this airport, [00:13:00]

they not only don’t

miss you on a personal level, anything you would’ve.

done,

to

23support the family.

You’re

Someone,

some version of you is doing

Joe: And that was a was that Twilight Zone episode?

Georgia: No Remember we was that Black

mirror,

Joe: was that a Black Mirror

Georgia: Yeah,

Like more Recently there was the one where did you see the episode? Where

they’re in space together, but then it was a, was it a robot?

Yeah. They had It was a robotic. Version of themselves still at home,

I home

Joe: doing all the home stuff. And then they could download themselves

Georgia: into

the robot.

Joe: then

nick: like that

just makes it all more expensive. No.

Joe: I

guess it

nick: on the

Georgia: instead, right?

Joe: Or what, like

Georgia: that was a really good Black Mirror episode. that was,

24They’re They have that future technology bent to ’em and but you have that that

feeling there because you get into some interesting questions that in this. Zone. What

does it, if we think about that human condition, what’s it mean to love right now?

Joe: If you go off and you now have a clone, take your [00:14:00] spot or in this

black mirror where that happened. Also do you become,

Georgia: well

Joe: do you, can you fall in

love

with the clone and does the clone have

Georgia: Well, Okay.

I need to make some sort of distinction.

Now, a

clone. Is an actual human being that just has the exact same genetic

makeup.

Joe: True. Yes.

Georgia: how

I’m not, I guess I’m

trying to picture

how that works, because,

Joe: so

I don’t

know

How Ben or let’s not pick on Ben, but the, on the

nick: story,

Ben, let’s pick

on

25you

Ben

Tanzer: Oh no. Pick on

_

Ben.

Ben’s totally

Joe: yeah,

nick: I guess you’re here

yeah.

Joe: But

how was the cloning performed?

Because there George’s so a clone in particular is just a genetic copy of the origi-

nal. The problem with cloning in a way, it’s usually portrayed, and we did the cloning

episode last season. Is that the base memories of the original. Aren’t also necessarily

uploaded. So you have nature versus nurture kind of thing.

So the clone And how do you get an

Georgia: And also the clone has to

[00:15:00] then go from they’re a baby and they have to, go to be an adult.

So obviously In this situation, that’s not

plausible probably. Right.

to wait till that

Joe: waving. So

Georgia: the clone actually is like a copy that just happens at the time.

They

need it.

nick: I’m so lost on this

Ben

_

Tanzer: They, they, yeah. So my, my, I,

Joe: all the science and

26Georgia: full detail.

Ben

_

Tanzer: I did I did I mention to you guys that I was an English major and then

I went to social work school or grad school. So yeah, my science skills

Are slim,

but the way I, envisioned it was certainly

that they

bring you into the lab and

they’re creating a version of

you that’s good.

for six months or more.

And actually to your point, I’m glad you

brought this up ’cause I remember being conscious about it whether I pulled it off,

I’m gonna leave to the experts in the

room, but it’s a, g they’re using your DNA to create a copy, that’s a Genetic similar

similarity, that’s not the word I want.

But

to g [00:16:00] genetically similar and not, e not able necessarily to tell apart

though I

think

part

of the vibe is that

It’s a clone because there’s something missing, in terms of the sort of Energy or

heat or

whatever your significant other, whatever vibe they give off,

you can tell the

difference. But in

27my case, I thought it was important

that they also downloaded your memories so that the clone.

Is it necessarily looking to literally, but this is an interesting question.

Replace the person, but they can

be available

to offer solace and Conversation and nostalgia.

The question about

love is fascinating

’cause what I thought would be interesting is less that the significant

other might fall in love with the clone, but that at

a certain point, things

just start to blur that

it was less

about, falling in

love and Forgetting. that there’s a difference that I thought seemed Possible. To

me, If

you felt abandoned if you

were isolated.

And then this identical version is just

Why. think about them. We, you, we were thinking about the spouse or the part-

ner, [00:17:00] but if you have children that are younger they may not know the origi-

nal at all and become totally, in love with this replacement parent

nick: And then when you come back, like you don’t have those memories with

your child, right? You’re

like, oh, I’m sorry.

Joe: the memories back

28nick: uploaded? Do they go all right from,

Joe: January,

20, 28 when you left for Mars, you’re clone. Now we’re gonna give you all the

memories that they had and when you

came

Georgia: we don’t wanna ask every specific question about the book ’cause we

gotta read

Joe: I don’t know. Maybe this isn’t in the book. I don’t Well, but I,

he

nick: can say no spoilers

Joe: and let’s move along. Like I answered this in the

book.

Ben

_

Tanzer: spoil spoilers is good, but I

honestly, I

say this

with affection.

you all are going as far as I thought about

it but there’s definitely steps beyond.

It’s interesting, like with the children,

one

thing I

thought about, which I

just, I love

that you,

brought up children is that

one of the strengths

29of the clone, and clearly I was

projecting here

is

that the clone actually can be calmer and more patient. than [00:18:00] Maybe we

can be as a parent. That

one of the things

you’re building in

is the.

importance Of a clone bringing

sort of peace and equanimity to the house. Because again, you’ve already had this

person.

stripped away. So the

goal

And the goal of

the corporation who, the,

protagonist goes to work for, they need to keep people happy. And they need to

keep the people

at home happy. So,

part of my sense was, and again,

my own projection, right?

I was a parent of small kids

and I was terrible parent that

these people would

also have

more patience,

which is

30also nice for a significant

other. They can

be calmer. So I had this idea they would be better versions of us.

Georgia: And

then also.

Okay, so the person’s away

at Mars doing their job

and this clone

is at home. They don’t need to go to work

because, that’s right.

Because the That’s right. Other per, so then are they just at home all the time? Like

being

like almost like

a stay at home dad or whatever or mom or, however, this I’m just saying dad, be-

cause we were talking about it being a man, But but then that makes a [00:19:00]

huge difference if all of a sudden your only thing

is

to replace that person and be at home all the time.

And not

nick: they actually just hide

out in the closet.

I’m just curious

Georgia: oh, and then I don’t

expect you to an yeah.

Ben

_

Tanzer: Whatever the in-between place

is. Not quite hiding out, but yeah, no, not going to work either cleaning the

31house, chilling out,

nick: You go hang out at the

cafe.

Ben

_

Tanzer: Development.

Georgia: was gonna and I still have one more question about the clone. I’m sorry,

This

is just like, fascinating to me.

Joe: Let’s, figure it

Georgia: Is the clone a human being? It’s the clone

like

then after

the,

nick: different right

Georgia: after these six months, Do they

just like

disintegrate or, That’s what I’m saying. What’s their

Joe: agency

Georgia: and is it a human, right?

nick: The old yeller him and just take ’em out back.

Joe: Have,

nick: you

Georgia: can they be killed? If you clone

a

Joe: sheep,

right? It’s still a sheep.

Or if you have a pet and you go to

32clone it and it’s a dog, it’s still, we consider

a

Georgia: still a dog.

So

Joe: take a human. And you clone it. This becomes the ethics, and this is bioethics

1 0 1 here, [00:20:00] is that if you clone a human, then that human should have the

agency and the rights of its fellow people, right?

Georgia: Gosh. that’s

Joe: What

you would do. So yes, it

is a human,

and then you would have to make the parameters.

So if you had a disposable human, then that would be everyone agreed upon that.

In an in ben scenario, if you had a rich class. And a poor, and they just want the poor

people to go do their bidding. Then they might either a, give the clone some rights

that they can then go off and be a poor person and join a poor people group.

Or they just go, you know what, this clone, it’ll die. And it’s, it

has

Georgia: it’s like a self.

That totally is

ringing these bells which

Joe: Ding. You can ring my bell. Can’t,

Georgia: I

can’t bring it. Actually, into my

nick: for that. Don’t,

Georgia: But there’s a story I

33watched, we

watched where they

made a clone because the person was gonna have like terminal illness and die.

and then they made like a clone. But then that person ended up [00:21:00] living

But then everybody liked the clone. The clone better, Yeah yeah.

nick: That has to be harsh. Like

I don’t, have to be, I don’t,

Joe: that’s in Ben’s kind of scenario, the clone is actually much more likable.

Maybe if you’re

A-hole and you go off

and the clones like

lovable and,

a joy to be around, you

might go, you know

what?

You can stay on Mars and keep sending a paycheck because we got the sugar

daddy in the closet over here, and.

Georgia: We’re just

Ben

_

Tanzer: So now I’m gonna be very interested when one of you reaches the

end of the book and

you can tell me.

what you think Because this does play

into the ending of the book

for sure.

It also raises this question, you guys are all both saying

34it and dancing around it not dancing around it like in a cryptic way, but not know-

ing the

answer. And so I

don’t know the answer

either, but one of the things I was so intrigued by is

how

ultimately

replaceable is

everyone. And again, when you Filter it through the lens

of work.

And

I spend a ton of time thinking about work,

[00:22:00] Anyway,

In

a way

if you’re not the

boss, you’re not the

owner,

then everybody’s expendable.

And

One of the things, I’ll do my own callback, which is very self-serving.

This particular boss I

had, who I really liked. I wanna add that, if that may be unnecessary. He is not

gonna listen to this probably, but other people will,

He won’t, He won’t

for sure. I’m sure he is. Never heard a podcast, we’re

35all

expendable and there is a part Where you want to turn

down a job. And again,

this was a pretty

big job

I had at the time.

I worked in

the nonprofit universe. Let’s not confuse it with working at like CocaCola, or some-

thing.

There

was always this sense, of I could be replaced anytime. It doesn’t

matter that I, have a certain knowledge base now, or

institutional memory or there are people around the.

country who consider me

To be the expert in this area

or that area.

If the boss decides, you’re

done. And so I also

wanted to play with that

sense that

we’re all expendable. So

in this story, certainly the replacements for the people traveling

are considered expendable

until, Meaning[00:23:00]

we don’t know how long they’re going to go necessarily.

but

36the idea is when the person comes home.

The

clone

is done. and they will move the clone

Into some other,

job.

Joe: say

also if the person that goes to the Mars,

it

nick: cheaper for the company to just not send them back and,

Have it crash

Joe: Or Right. You don’t

have to

even deal with it. You go, oh, they died on Mars and, sorry. And they can just keep

working on Mars.

And I think this gets into, as we’re talking, thinking about you, you start to blurt a

line of, into slavery, right? You start you go from poor with agency to

no

agency and almost like the clones and the person sent to Mars,

I guess they’re getting a paycheck at some level, but you begin to, if you don’t

have rights to

nick: Even the company could own that spot that so it they’re not paying anyone.

They’re right. That’s right. Paying themselves. All right, cool.

Joe: It’s

Like when you go, oh,

you, you

37get $10, but you gotta [00:24:00] pay. Nine

50 to rent the apartment you live

nick: in the company, man.

So Really?

And then it’s

Joe: cents to get your feet eh, and then it’s, another

20 cents for clothes.

So you’re actually owe me,

Another hour of work.

So I think you do get

into these really

interesting a class,

nick: based outta history that you know, has already human

Joe: history. That humans aren’t

good stewards of labor and money and economics.

Georgia: or pretty much anything. But anyway

nick: let’s go with your trauma, Georgia. What trauma do you have with this one?

Georgia: But I wanna ask how are most of the

stories that you write

science fiction or

was

this something different for

you?

Do you know what I

Ben

_

Tanzer: That’s a great question. no, this is definitely

something.

38different.

I

had a moment this, when I was on this run. I wasn’t planning on writing something

science fiction, but

when I looked up and saw, and I was a voracious science fiction reader all

Georgia: All

Ben

Tanzer: All

_

through childhood, high

school, college, maybe I’ve slowed down

in adulthood.

But it was a genre I was [00:25:00] completely wrapped up in.

But this is also the first thing that I thought, let’s

try to double down and make this

science fiction.

Like

what? And

Again and again, we have authors here, I’m not the only one. You

start thinking about your own

work.

I know I was at

the time and I thought, okay, how do I do a thing?

I believe

I do well but bring some new

wrinkle to

it, Right, Or wrap it.

in a new layer. And

39maybe,

and again, some of this was excitement and some of this is the desire

to create cool stuff, which I’m always trying to do.

Things

people enjoy and react to.

And we can have conversations like this.

To me, this is very, a very

peak reason. I would try to write that kind of

book.

’cause then I,

get to talk to the three of you and I don’t have all those answers. Right. I

thought about them and took copious notes whatever.

But no. So that was

the first time I tried that.

I felt like in that case,

And I

don’t usually

traffic very much an

inspiration.

I think about the

writing, like

work, like

today we sit down, we get back to work,

We’re on this thing. But that time it [00:26:00] really,

hit me

like,

40let’s make

this feel

not feel science fiction. Let’s

remove ourselves from

this planet. and start building something else. And

so it became science fiction. And I’m thrilled because again, I

nick: and it feels so human too. Like it

Ben

_

Tanzer: good. like it is

to hear that. like a, as I said, it was the entire time I’ve been reading, I’m like, oh,

this story doesn’t have to take place here.

nick: It could take place anywhere.

Joe: Yeah.

Georgia: So the univers, The universal human. Yeah,

nick: exactly. It’s a human story that’s made sci-fi.

Georgia: And I think a lot of times people think, oh, I’m not into sci-fi ’cause

it’s This or that. And I think, no, I think it can be a very approachable Yeah.

Like relatable thing.

It’s

nick: covering something that

Is

very social forward, being like, okay, we’re gonna make this easily digestible. Not

saying that it’s, but it’s

Ben_Tanzer: dude. I

think actually to create [00:27:00] something interesting that’s digestible would

be awesome to me. I think,

that’s

41Joe: yep. just didn’t know if I was gonna be like, oh, man, I’m just insulting you.

Georgia: too. I

Joe: when a lot

of people say, because I I write in a speculative sci-fi genre mostly.

But I think when people go, I don’t like sci-fi, I think they’re thinking of hard sci-fi

and that gets bogged down. It’s like fantasy. There are fantasy novels. I get bogged

down into explaining. And I don’t wanna get in any trouble, different classes fairies

and trolls and,

And

there’s pages and pages of that, and the story kind of seems to slow down.

There’s people that really enjoy that.

nick: with all the lore

Georgia: Science, but

Joe: fiction that moves, it’s character driven, plot driven in a science that sprinkled

in there either

in a very loose way, very handwaving way, where it’s just a lab, DNA

clone, boom, I’m done. Or, myself, I

try to go a little bit more into it, but very, like the, conversational, very, bring it

down and fit it in, weave it into that.

The dialogue and through the narrative to have the world building happen. And I

[00:28:00] think that’s, I think someone who had

nick: big ideas

Joe: and it was interesting, Ben, you said you were a reader of sci-fi back in the

day and talking, I just thought about Isaac Mov and his robot series,

which really, that was the

crux of it.

42These big ideas

and the science was in there, but the big idea was that, it besides the detective, da

and their adventures and,

But it was more the society was

This kind of place where we had the classes and machines had taken over a lot of

jobs. And so people were very anti, had this luddite kind

of

attitude towards the robots that were replacing them.

And

then the robots

seemed to gain sentience, right? At some level. And it was like, how do we control

this thing? And that’s gonna replace us potentially.

And our homes and our lives. And so

that, that was ve interesting there, this kind of

the classic

example of this kind of dynamic that you are exploring.

So I tethered back

fast [00:29:00] forward a little bit, maybe early eighties Blade Runner, the dispos-

able kind of worker

disposable, when I was thinking, what

if your story reversed that you got cloned and then your clone

went off with no agency, so you got paid maybe some

sum. Oh, Ben, he’s really good at X, Y, and Z.

Georgia: Hey

Joe: can we clone you for,

A hundred k and then we’re

43sic,

gonna send your

clone off

and then your clone now has this eight no one’s written this story, I’m gonna

write it.

Ben

_

Tanzer: say, yo, this story needs

to be

Joe: you know what? Nevermind,

Ben

_

Tanzer: you are really, you are these whole series of

Comments, speak to what

I

tend to circle back to.

whether it’s conscious or not. You mentioned the human condition. The most ba-

thing

in

anything I write,

is trying to understand.

how

we, any of us

Exist day to day,

how we cope.

That somehow to me, the quotidian stuff, going to buy groceries or fighting

with your

Or, taking your

significant other to the doctor.

that Those are equally important.

44They’re important. If you can figure out how to talk,

about them, that how we work

[00:30:00] and how we’re denied

work and how we deny

ourselves things.

and that this

all plays out. And

then in this story, I just thought, there’s this sci-fi

element, right.

I’m gonna still try to do

what if Hopefully,

well, but

Can

you tell it through this different

lens? So that was really conscious and

It’s only recently that I had

another idea that is in that lens, and so I’ve

been pursuing that.

And it’s interesting early

on

And I’d never had this

reaction, before. I thought,

oh, I’ve got a sequel for

this book. And it looked like it was

going to go forward

And then

45that fell

apart for a variety

of

reasons. so I shelved it and then over the pandemic, I pulled it off the shelf.

Though Obviously

it’s a metaphorical shelf it was sitting in a file

Joe: Yeah we get

Ben

_

Tanzer: But I started thinking, okay,

That sequel thing is not going to happen, but there’s some interesting ideas. here.

So it’s only After 10 years, that I’m, working in that potentially

We’ll have to see if somebody wants the book, like in that

genre again.

But I always do come back to work and coping and,

thinking. and Yeah. sorry.

Georgia: Oh, I was gonna ask,

so as far

as bringing in the [00:31:00] science of the science fiction, how did you approach

that, since that’s not something that you typically write in, is that, did you have to do a

lot of research or?

Ben

Tanzer: So

_

that’s an

awesome question. ’cause I probably should have done More research

what I did, and in essence,

cheated a

little bit.

nick: your

46Joe: now, like at the rabbit hole of research and we

Ben

_

Tanzer: So it’s funny. Yes, I’ll be, trust me, I’ll be leveraging this relationship

next. You all are stuck with me indefinitely,

Georgia: And I think by that, Joe means himself. Okay.

Ben

Tanzer: then

_

Georgia: I

nick: don’t think they

Georgia: and I can, help you. can we?

nick: I got my take advantage of Yeah.

Ben

_

Tanzer: big brain

going

nick: part.

Georgia: We can

help you in the human condition. part. The human

nick: trauma. I got you.

Joe: Nick’s got you with coffee. It’ll keep you coffee

enough.

Ben

_

Tanzer: All right,

Joe, You,

are now officially a consultant. But what I

did Do

you know, and again, I’m always doing low key research, if I

have an

idea

especially

like

47with a scifi book or you’re thinking forward,

I’ll

look something like, I’ll have the idea first, then I’ll look it up.

[00:32:00] and see how

reasonable Has

anyone ever talked about that?

If

I had to back it up.

Could I do it’s like

You said

It’s gonna take nine months to get to Mars. So

I looked that

up at the time. I don’t remember what I looked up, but I

thought, okay, but what I

really

did which is such a cheat, is that when

I was,

excited about an early draft,

I sent it

to a friend.

of mine who’s a science

fiction And I

was like, just tell me where I’ve got it wrong.

And

that was a,

really,

48interesting He was also

at the

time

working

for a scifi, publisher. And so I was semi pitching. him, semi

picking his brain. but I really wanted

him to react.

to things and it’s funny. ‘

cause

He did react.

to whatever I had written down for how quickly you could get to Mars and he’s

just f no, whatever I said at the time. And then he gave me a number, like nine

months and I thought,

okay.

is this future enough where I can cheat and make it, three to six

months? So I was playing with all that, but

I

really had him

run.

me through The

ringer.

do you think is,

As a published guy, human, what,

Where am I

so far [00:33:00] off?

base,

49Because I was really interested in that.

Joe: Yeah. It’s really interesting when you George,

Georgia: oh, no, I’m sorry.

Joe: and I was gonna say, it is interesting when you get into.

sci-fi

and you start going down I think it’s anything if you get too far away, you’ll pull

people out of the story and they’ll go, hold on.

That doesn’t make sense. I even,

nick: like, how much of the world building do you have to add in?

Joe: I also

think like any expert topic, if I wrote in my story about coffee roasting and I was off,

I didn’t consult Nick over here and he reads the book, he would get pulled out if I

make some reference about that or something in the story.

And I think that’s always, writers have to be careful not just science, but in any top-

ic. If I’m talking about a nonprofit organization and this is what we’re gonna do. I

should talk to Ben or Georgia here who have dealt with nonprofits or organizations to

make sure that I’m not just saying something.

Totally. Because if you read it, you’ll just pull you, you’ll get pulled outta that story

and go, hold on, that’s not,

lemme look that up on Google. And [00:34:00] then,

if it’s wrong, you go forget this story. If

that’s

Georgia: And I think

nick: it’s interesting.

Georgia: yeah, people

nick: out

50Joe: listening

who write,

Talk to,

Georgia: I, that’s actually

exactly what I was gonna ask you, Joe, like, how important is it to get the science

right?

nick: See, but I don’t know, like I, if, all right, so using that is an example of you

have a coffee roaster stuff and you didn’t consult, right?

But I feel like that’s such a small percentage of people,

Georgia: right?

They’re

Joe: you, you’ll be surprised how many folks

would go back and go, I think that’s wrong. I think

it’s gonna be small.

Like

nick: a lot of that stuff is it isn’t science. Like I have all my notes and stuff, but

there’s so much human error and each person is gonna be doing it differently That.

You can make an argument for damn near anything to be able to write it down.

Joe: Yeah.

nick: Yeah. Just saying like on an argument basis, you can be like, alright, I can, I

think this is exactly how [00:35:00] I do it. I have it at a low temp and I drop it all the

way up. Or bring it all the way up, not drop

Joe: Yeah. See,

You’re already but I

nick: think

Joe: but also

51just saying that you have to have a little domain knowledge about it. Because

if you

don’t, then it,

Georgia: I guess it depends, I think it depends on how central it is to the story. If

it’s, you know what I’m saying? It’s, but

Joe: yeah, in, in terms of

like science stuff pet peeve of some shows, they get in the lab and they get like

DNA results in 10 minutes or whatever, and they solve the whole case that I go, that’s,

no, you’ve never worked in a lab.

Obviously you, you didn’t consult someone who works in a lab. It, I understand TV

time and all that,

but

it also just gives this air of did they actually consult somebody? Did they just make

this up? And I think that can pull you out of a story. That’s the only thing. Be cautious

of that will it pull you out?

Because if you’re writing a sci-fi story, the people reading it are probably into sci-fi

and they’ve

read,

As Ben said you [00:36:00] read

a

nick: on the sci-fi. So

Joe: you know, either a, you did it

wrong,

nick: or the other

Joe: authors who wrote about this did it wrong. Because under

nick: these are

52Ben

_

Tanzer: Right, right. Yeah. And and I’m like,

you

You’ve referenced Twilight Zone,

Georgia: Yay.

Ben_Tanzer: Asimov, Black Mirror. Those are all

So On some level

you’ve got, it’s like prep work, Yeah, I

think it’s prep, but You’re also

drawing on something, which

is funny.

And I’m funny. It’s just interesting, like it’s a craft tip and you all touched on it. and I

get to talk to a lot

of

authors. I’m sure you do too, and

I

also get to coach people and One thing I always say is

if you think the person’s

going to get

stuck or I’m telling you, I

feel Stuck here and distracted. If you can’t fix

it, you gotta get rid of it. And so

with science,

fiction or that this kind of, Anything,

sci-fi, the

risk is higher, but to me it applies

to

53almost anything. If there’s something that someone’s

going

to get

stuck on because

they don’t believe or agree with how you explained it. Like that TV show,

that’s something that has to be fixed and it

seems like a minor comment,

when people are trying to get novels [00:37:00] published and get

things written, but it’s not minor.

To lose people over something

small. Like when Someone

says to me, I really, I’m really sorry I read the draft, and that

paragraph

on page

12, I can’t get

through it I really enjoy The book so far. Then I need to go fix that

paragraph. It may only be one person,

but.

Off,

I don’t have that many,

readers, so

I

can’t risk losing even one. If

that person is a sample size of anything. Then, you

know, I’ve done, I’ve made a mistake,

and I’ve worked

54with authors. It’s like the flip

side of this, but it’s still interesting.

They say something they don’t realize is provocative in some way, and then I’ll

say

to them

as a coach or as a consultant

do you

wanna keep that in?

And they’ll say, why?

And I’ll say, do you understand how that reads?

they’ll say no. And I’ll say, so it’s an important point, but you either need to go

deeper, or get rid of it. ’cause leaving it like

all someone’s gonna be,

thinking are gonna,

20 pages.

Georgia: they’re gonna call you out on it. Like John, Liko recently saying, oh, I

didn’t know it’d be any big deal that I’m gonna

Ben

_

Tanzer: [00:38:00] my God, I was, I literally texted back to my son.

This is very upsetting.

He sent me the clip. I just thought, come on man.

nick: Oh, isn’t he gonna

be in Harry

Georgia: Be he’s gonna be Dumbledore. And he was

Oh, I Didn’t know anyone. Why would anyone have a problem with, that?

nick: don’t know if it’s true or not, but I heard that Pedro Pascal might be in it too.

Georgia: No, that can’t

55be

Ben

_

Tanzer: Well,

nick: And he

Ben

Tanzer: That

_

seems impossible.

nick: already talking shit about JK Rowlings too.

Ben

_

Tanzer: is probably looking for work

again.

No spoiler

alerts

Georgia: No he,

nick: I heard he is gonna be a.

Georgia: He,

The been very,

nick: Father,

Georgia: I don’t, I

nick: I

Joe: Oh, really?

Georgia: Nick, we need to do some verifying here because

Ben

_

Tanzer: Was gonna say I, need a fact

checker

nick: I don’t know.

Joe: With, put that in the show notes.

We gotta,

nick: He’s gonna look, he can

Georgia: been very vocal about

56his opinion. Anyway. We could go

on

Joe: up that I wanted to, but

Georgia: But

Joe: I

I like to explore early examples and I’ve, I found too, which is interesting about this

kind of human replacement and because I [00:39:00] thought that was just an interest

and we went down that path.

one

was in Greek, Greek myth Pygmalion,

Sculptor disillusioned with real women, sculpts a, another version

and

that the Pygmalion is, a Shaw’s play and

You have that.

But that was, that’s eight ce, so very early on.

And the other one I

had was the Goum in Jewish folklore. And that, you have this kind of replacement

of the, the humanoid and replacing the human equivalent and taking over function.

So that’s, we, and that was 16th century like Prague esque in that timeframe.

These stories of human replacement. We

think about technology and cloning and robots and

all this stuff

we’re bringing

up, but really we’ve been struggling with

Our, the almost a, a fragile sense of the human condition and our place in the nat-

ural world and our mortality that brought that up.

57Because you can extrapolate out that if you can start cloning yourself. The ultimate

goal when you think about it is that, as I get closer to death, can I clone myself and

then, re-up

[00:40:00] Get a redo

And have all of

Georgia: my base

Joe: memories and, and that,

that’s the show.

Ben

_

Tanzer: it’s interesting ’cause maybe.

Sorry, go ahead.

Joe.

got excited about

nick: Yeah, no,

Joe: I, and I was just gonna bring up that the show where we started

watching that animated one Pathon.

And,

nick: how is, that’s, it’s

Georgia: it’s really good. It’s really Good.

Joe: Good. And we started

Georgia: and don’t talk too much about that.

’cause that’s gonna lead into a different episode.

Remember?

Joe: Oh, sorry. What is there?

Okay. Nevermind. I dunno.

nick: Oh,

Georgia: remember we

58talked about the idea for another one?

Joe: okay.

I guess we did,

Georgia: actually, if

Ben

_

Tanzer: I will not allow you, if I can help it for you to ruin future episodes, but

I will say, you Keep

talking about

I

keep talking about like prep work. or, I’m, I,

grew up immersed in the golem.

of,

my dad talked the golem

All the, time. So even if I didn’t know exactly.

what’s

Georgia: Mm-hmm.

Ben

_

Tanzer: Joe, To your point,

I know what the

point is. Which is

building new versions of

ourselves, building replacement versions. Then I gotta say

for a moment

when you said you did

research also.

that I thought,

Is he gonna

name [00:41:00] drop the movie?

59Weird Science. ’cause that would be a

magical,

Georgia: You’re

Joe: science. You’re

right. That

Georgia: is,

nick: and

Georgia: and we

nick: how

Georgia: accurate weird science was. That had the science down to a t

Joe: If you’re gonna clone

people out of a Barbie doll, a bra and some underwear on your head, that’s the

way to go,

nick: That

Ben

Tanzer: I worked for them and

_

Joe: so

nick: I, I did have

Joe: thinking of, I went way

back, but early sci-fi, probably the first

people

all

agree at some level that the first sci-fi kind of story was Frankenstein, and

so

nick: that

sci-fi or is it horror?

usually considered

60Georgia: I think. I think both.

Joe: I mean I, all right, I’m, that’s

Georgia: I do

think it’s both, but I think it’s the science because you’re reanimating, like the

wasn’t, like

nick: the

Joe: horror. So I think this is considered the first sci-fi. So let’s say that, so in there,

right?

nick: Yeah.

Ben

_

Tanzer: it’s funny ’cause I was joking about

weird science, but I was wondering

if you were gonna mention Frankenstein ’cause

of course You’re [00:42:00] building

I mean it’s

a monster.

I’m

doing that with air quotes.

Joe: thunder.

Usually,

Ben

Tanzer: No. I’m thrilled. I

_

actually tracking. you

nick: got something older.

Joe: Nick

has

Ben

_

Tanzer: No, but I was tracking. Was tracking

where your brain was going. I

61Joe: I have

nick: a list of

Joe: kind of,

this historical list of kind of stories that have human replacements.

I, I

Pride myself

Georgia: I think it is really fascinating because. I don’t know. Anyway, someone

else say something ’cause I’ve lost my thought.

nick: I can say

that.

Joe: I’ll go with Irwin by Samuel Butler. And that was 1872. And the whole theme

there was that machines might evolve and surpass humans. So that’s how long ago

we’ve been thinking about a machine replacing us there and society. Then

Ben

Tanzer: in the

_

Terminator,

right?

Joe: begin, they banned the machines. So we, we, at this point in time, we kinda

have the industrial revolution working its way and, you ban you then go, let’s just ban

machines.

That way

then they’ll never replace us. They’ll never [00:43:00] overtake

us. You, we cut

it. So go back in time. And that’s, unlike the Terminator who goes back and tries to

stop John Conner from being conceived, what if the humans went back and they said,

you know what?

Let’s just forget all these machines.

62They caused us all the trouble. And so you would have this whole thing. So now

I thought it, that’s a early

example of machines. We think about these stories being relatively new. And real-

ly we’ve been, the minute machines seem to replace humans and, I, and my

list of stories

to talk about with John Henry and our struggle against the machine.

I, I do,

Georgia: And I think it’s just so important to look at how science fiction can help

us, even help us in science. You know what I’m

saying? Like we bring up these things through science fiction that and different

possibilities that maybe we haven’t thought about in our everyday life.

Do You know what I’m saying?

Yeah. I do think it’s.

it Important to like, look at these [00:44:00] things in that

sense

Joe: Yeah. No, I yes.

Georgia: And I, but I always would thought Jetsons, and having the robots and

stuff would help you and

nick: don’t care enough about robots anymore. I want flying cars. If we’re talking

about the Jetsons,

Ben

_

Tanzer: I know the Jetsons is a bummer because everything they predicted,

if you’re around

my age.

Joe: Yeah, that’s right. Yeah. So you’re,

we.

Ben

_

Tanzer: That’s 40, 50 years ago. We got none of it.

63Georgia: I know And then

Joe: we’re probably,

nick: not, they’re

Georgia: have the robot robots doing the dishes or doing

the stuff that you

don’t wanna do. that’s

my whole or making things easier

Joe: AI and all that

And it’s like,

nick: we’re

stealing the fun jobs. Why don’t

Joe: write art

and no, why they do taxes and dishes and, laundry.

That’s what I want the

machine to do that I don’t have time to actually work on, work

Georgia: need to write

Joe: stuff. Yeah, no, they don’t. Yeah.

Georgia: Yeah. No, there’s

Joe: nothing

about the human condition except what we teach ’em. And that’s,

nick: and the people that are teaching them are,

Ben

_

Tanzer: but Joe, to your point, I’m not gonna elevate orphans [00:45:00]

above. Its

Primarily

pedestrian

level on that continuum.

64But what’s

fascinating is

just how long the continuum is

of people

thinking

about

what does it mean to

build replacements? What does it mean to be replaced even

when you don’t even have a

sense of technology. Going back to,

Pygmalion, you still have

this idea

we can be

replaced, And for me.

but I think you’re also touching on this to Go

sort of full circle. How

often

it doesn’t, not only intersect with domestic life, but it intersects with,

Capitalism.

and the sense that

On the good side, hey, it could do my taxes.

so

I can write.

That’s a positive if we could figure that out.

But so often it’s really abused and leveraged so that most

of us are not going to get to do the work we

65wanna do

or live

the

lives

nick: Oh a hundred percent.

Ben

Tanzer: And

_

so I

think that’s it always. One of the other

inspirations for this book, which is very not scifi. Is bartleby

The Scrivener. and I dunno if you all know

that by Melville and

when I read that

book

in

college, I don’t know a, story, it’s a story,

but it’s about a [00:46:00] guy who

decides not

to work.

A

real question

of what’s any worker’s obligation to the boss.

The first time I read it I remember thinking, there’s no debate here.

A person

got a job. They

applied for a

job, they got hired.

66The teacher, the

professor at the time was like why do we assume

you’re just supposed to

do

whatever

you’re told? to do, even when you’ve been Hired, for a job. And I don’t think I’d

ever

conceived that there was

another side to that

equation.

To me, the other side was

then you just don’t

take

that job, or

you don’t stay on that job or you find another job or you suffer.

And I still don’t think I understand

fully in my

own head where that fits, but it also fits on this continuum of things we’re talking

about, which is what are any of our obligations,

and what are our obligations

to work and bosses and the larger corporations we all feed into, and, I’ll always be

fascinated by

Joe: On that line, the maybe. ’cause it’s all, this always leads to dystopia but it

does have a contrarian kind of view. And I had some points here. I thought of

[00:47:00] maybe pluses and on to this point, Ben,

Work has historically been a source of trauma,

67For the

most part.

You can go

nick: so much trauma, alienation,

Joe: Soul sucking

death, it is just all these things we hear. So in some ways would

we

mourn its collapse, if,

Would we actually embrace

forced

leisure?

Would that bring us some sort

of

Georgia: Did you say forced leisure?

That’s

Joe: Yeah. Because all these stories,

Georgia: better start having some leisure there.

nick: Like,

I would kill for

some leisure,

Joe: Henry. I brought that up because he actually is

struggling against a machine saying that humans shouldn’t be replaced and hu-

mans can do a better job than the machine.

And he worked

harder

Georgia: and he worked himself. to

68Joe: You’re right. Some versions of the legend he killed himself defeating the ma-

chine.

So when I say forced leisure, it’s, is it something about the human condition, the

human experience that

we fall into,

as Ben was saying, we fall into line, [00:48:00] that work is part of

our

Georgia: then human condition.

There’s, but there’s so many different things that you have to tease apart in that,

because if you’re working, let’s say you’re working at.

A fast food

place

And you’re barely surviving. That’s different work than, I’m a brain surgeon and I’m

making this big difference

in the world.

Like, how much purpose are you

getting out of your work?

Joe: But if you, if with the.

person at the fast food place who now you say, okay, you’re forced into leisure.

They might be more accepting of it. So you’re saying they’ll be more accepting of

the leisure than a brain surgeon that goes, oh, the machine can do it now, so now I

can go off and play golf

Georgia: off. I think

nick: but wouldn’t that

Georgia: how much,

69nick: exercise more with art? If you have the leisure, you’re more accepting to do

the stuff that you didn’t think you would like. That’s when great things could be writ-

ten. Great. Paintings can be painted. Video games can be made.

But, or

you

Georgia: [00:49:00] or it’s

Joe: is a counter argument that.

Because you’re now not suffering. You won’t have the inspiration. You won’t be

like,

Ben,

nick: there’s other things to suffer

about. With Ben. You get the love life of suffering. You get the, there’s plenty of

suffer your

sunburn from the golf course. You know what I was

Georgia: so I’m saying like, how much of your identity is in

that work, right?

Yeah, that’s it’s like the people

that, find, they get to retire and then all of a sudden they go, wait, I don’t really

wanna do anything else.

nick: There’s so many other things I’d rather

Georgia: That’s not, how I would

feel

I would be very happy.

No, I

nick: hell, I can just sit around here and chat with you guys all

day.

70Joe: of

a sudden

this is the case

do you embrace it?

Do you and

I at forced leisure? I think, ‘

cause here example if you’re that brain surgeon, you’re gonna be forced in a

leisure, even though you might enjoy. Your profession, right? So we’re talking about

the people that might not

like

Georgia: it’s also

Joe: off the

bottom of the fry pan, but

Georgia: But it’s also

[00:50:00] totally tied

to capitalism and money, right. Yep. Yep. So there’s so many different.

Joe: Yeah.

yeah.

nick: And hell I can’t think of a job I’ve done that can’t be replaced by like a com-

puter or a robot.

It’s like everything I’ve done I know can,

so if the,

Joe: To your

point, Nick, if the machine or clones or whatever are better at the job than us hu-

mans, should we just let ’em re replace us?

Why are we stopping them, right? Or is that, is

71that

Georgia: Part of it.

nick: think

Joe: Ben has some comment. I think I saw he made

nick: a

Joe: We don’t have

video

Ben

_

Tanzer: it made me, it made me smile. The question right becomes

If they’re

better.

if we can let them replace us. If they ought to replace us.

It’s interesting

’cause you’ve taken the sort

of

positive

tack on this Joe, but Of course

there’s some

universe, everyone’s

I guess

we don’t need you at all.

And you don’t get forced leisure either. funny is

Georgia: base

nick: material.

Joe: Because

Ben_Tanzer: Yes. It’s an

interesting.

72thing and maybe it’s particularly

American [00:51:00] society.

which I think it is. When you talk about forced leisure, I was just reading some arti-

cle.

People love to always

talk about the European countries France in particular, how much the focus is on.

Yes. Work

hard, but don’t work like

they do in America.

Like we’re just not going to do that. But what’s

interesting to

me

is that this is a country where work is so completely valued And as Georgia was

talking

and overvalued,

arguably, I was thinking too,

whatever you do, whatever you aspire to, to Nick’s

point, if you could be

replaced on everything.

I

don’t know, but it’s also an interesting

discussion to me

about opportunity, certainly the character in this book

feels

that his opportunities are limited. And

You talked about trauma

73Joe, you’ve referred to

it, During this conversation. I’d

also see the characters, the protagonist

in the story

as growing up rough and

without, lacking certain

fundamental things, certain

support.

And so they’re

hustling.

And that’s another thing. right? When you’re hustling, you’re that much, [00:52:00]

you’re that

much, more

desperate to not. be. hustling. And I

thought if I, could capture some of that vibe, they

found each other, they’re holding on they have a kid, like, it’s not that they’re not

without hope,

but they’re absolutely without the possibility that they’re going

to be

able to easily take care of themselves or maybe even take care of themselves at

all.

And that I thought is fascinating.

The universe of,

forced leisure, which by

the way,

I’m totally picturing the Black Mirror episode the three of you have to write.

74I find that really

fascinating.

A.

lot of people couldn’t do

it. They wouldn’t, they wouldn’t Know what

to

do.

We haven’t

been conditioned by Society to embrace.

It reminds me of that Twilight Zone

where the guy’s a bank robbery

he gets shot.

and then he

is clearly dead.

Joe: a resident Twilight zone expert.

nick: She know, this episode, Georgia. So he goes, he turns out, he’s

Ben

Tanzer: dead

_

Joe: you’re the first

guest to point out a Twilight Zone

Ben

_

Tanzer: Oh my God.

I am obsessed. And I should say, I went to the, I went to the same high school

much later.

Rod

Serling went to my [00:53:00] high

Georgia: Wow.

Wow.

75Ben

Tanzer: I feel a level

_

of

ownership relationship. There’s this

episode where the guy gets shot?

and

Georgia: Is it set like in Old West Time or

Ben_Tanzer: No, No, no.

So This feels like,

it’s in the fifties,

but the

catch is he is

dead

And

everything is gold.

Like he he wants whatever

he wants.

he’s getting

and.

he’s

like, how did I

end up

in heaven.

This is crazy. I’m this bank robber, horrific, whatever guy.

And then he says to,

he has

A guide or a guardian angel,

76and he says, the guardian angel. Look man,

Like,

this is all too easy.

Everything’s

fun, everything’s cool, everything’s leisure. I win every hand of blackjack. All the

money’s coming my way. I gotta

get a little action. He goes, I wanna go

rob something. And the guardian

angel’s perfect, I’ll

set

that

up for you.

He’s so

when are you gonna get there? And do you need a gun? And what should the po-

lice do? And the guy’s no.

I don’t want it. Stage managed. This is a nightmare.

And then finally the guardian angel says, that’s how it works [00:54:00] here.

And then he, says, you know what? If That’s, how it works here. then I prefer to go

to hell.

And then the

angel’s like, where do you think you are?

Georgia: yeah,

Ben_Tanzer: is hell. This is your

version of hell.

There’s no excitement.

Joe: So just a quick lookup, a nice place to visit.

77nick: Hell,

Ben

Tanzer: that

_

sounds correct.

And you know you don’t know

nick: nice place to visit.

Joe: Yeah, no,

nick: that’s the

Joe: episode there used to Google machines while Ben

Ben

_

Tanzer: There you go. So, yeah, I can make Twilight Zone references

endlessly. My brother and I, not only did my brother and I

Watch every episode.

nick: seen that.

Joe: I looked at

the little picture of the episode.

And

Georgia: it’s ringing bells.

Joe: I do remember this one yet.

nick: So Georgia, when are you guys gonna start your Twilight Zone recap pod-

cast?

Georgia: Right. I love that. I will come back and be happy to stupidly talk about

Ben

_

Tanzer: every episode

I’m

Georgia: I have said that we should do an episode just on the Twilight Zone.

Joe: Yes.

nick: I think that’s just a whole new show.

Georgia: That’s true.

78nick: That’s true. But honestly, like I, it, I absolutely loved when the pandemic had

us [00:55:00] closed down. Everything was at a halt. I was thriving. It was great. De-

spite everything else around in the world, having that time of leisure, right?

Like not being able to experience like an actual vacation before that.

I loved

it. It was,

Joe: yeah.

nick: it’s like having that forced leisure. I think that would be the closest thing.

Georgia: That’s a great example. of that. We

nick: had two of that, yeah, you weren’t able to do absolutely everything you

wanted to, but you had that time off to do stuff.

Joe: Yeah, no I think you could put a positive spin on it, but

nick: Joe, would you be able to deal with that? Like a forced leisure?

Yeah. I

Joe: have

a million hobbies,

nick: Oh yeah, you do. I

forgot about

that. That probably, I, the

Joe: limitation would be, alright, the supplies I need free or do I need, they’ll keep

working for

Georgia: See that.

it always goes back to the money. You have

Joe: just if you’re saying money is of no

object, psen, you [00:56:00] would hit

the

79Georgia: you’re

talking about like science fiction and like Just totally going out. That is science fic-

tion. A world where you don’t need money.

Joe: Yeah.

We touched

nick: about, we touched on

Georgia: even,

Joe: in the economics episode. We had this, in, in that episode and we talked

about the economics of star Trek. Because that was the idea. It was a post scarcity kind

of economic kind of model, which our guests on that episode, Omron said that was,

nick: he had a lot of lot,

Joe: a

lot of hand waving problems yeah.

nick: that

was the show that pulled him out. He was like, Nope, I can’t deal with this.

Yeah,

Joe: you’re

right because you get to that point where then the economics and we talked

about on there about, usually economics is boring and you spikes it up. But it was in-

teresting because you get into that, that if you take away these things like what are,

what’s the friction in society?

What’s this economic friction? What is the movement of goods and things like

that. Because at the end of the day,

humans

80do that. That’s what we do. And, [00:57:00] time in and time out through our histo-

ry, we found a way to. Make things, commodities and some way to trade and ex-

change these things.

That could be goods. That could be products. And I think we would enjoy our

force leisure, and then we would kill all the robots and clones and that would start

some sort of war between the clones and the robots. And then we get into a termina-

tor situation or matrix

and it just won’t,

we fall.

nick: Maybe

that’s how the

Joe: started.

Maybe it, it was like forcely, Hey, you guys can leisurely do what you do. And then

the humans were like,

no we actually don’t want

that. And then the machine said we don’t need you. We’ll use it as batteries, which

is

Georgia: So would you call that a broken future?

call

Joe: a very broken

nick: future.

Joe: future.

Yeah. That’s as broken as the future can get where, the stupid machines uses as

batteries. ’cause that’s, we’re a poor energy source. Nonetheless, that’s a different

nick: radical. Wait, you’re saying I’m not a [00:58:00] good energy source?

Joe: you’re not,

81nick: Damn

Joe: pretty wasteful.

nick: Thanks, Joe.

Now my trauma’s maybe that remains unproven in the be in the

Ben

Tanzer: best

_

nick: That’s

right.

Joe: No, but yeah, ‘

you, cause you get, we’re gonna kind come to the end here, but you do have this

thing, and I just, last point and the story is that, that trauma, between, being useful, ob-

solescence and, and poverty like, which is worse, right?

That you’re now replaced in some society. So we could take Ben’s story here and

the clone can replace the human completely, or the machine can replace the human.

So you go from poor,

you

go from poor, this poverty

situation and desperate to now being replaced. So the, the trauma and all that,

amplifies.

Can we just, can you

nick: edit

Joe: out the

human trauma, right? Can you create the clone and teach them to enjoy it? Or

force [00:59:00] leisure? And then get rid of the human the next point. And that’s,

Georgia: and also there’s also a Ray Bradbury episode. Remember

the one where he made a clone and then

his wife fell in love with the clone and they put him in a box or something.

82that

Joe: Ray Bradbury or

Georgia: was

Yeah, it was a ray.

Joe: that maybe you’re right.

Georgia: Yeah.

Ben

Tanzer: I remember that.

_

episode. Right. guy’s,

Joe: go ahead. And Ben.

Ben

_

Tanzer: I may be wrong about this, but of course I, you’re talking about Twi-

light Zone again.

Georgia: It was actually Ray

Bradbury’s presents or whatever

his

Ben_Tanzer: Oh, okay. Sorry.

Joe: that presents,

Ben

_

Tanzer: thinking about a particular Twilight Zone where this guy, this very

slumpy

guy. He,

Georgia: for it.

Joe: it.

Ben

_

Tanzer: Oh,

okay. Sorry. I did what?

nick: time.

Joe: she usually

brings

83Ben

_

Tanzer: Oh, no.

Okay.

nick: though.

Joe: So

Georgia: Ben, you’re like still in the thunder here. No,

Ben

_

Tanzer: Sorry, I do not

nick: go for it. Go for it. That is beautiful. You

Joe: You can steal as much thunder as you like as a guest

Ben

_

Tanzer: This like Very schlubby dude his

wife [01:00:00] goes away

to I don’t know what we call them anymore.

She goes away to lose weight.

And while she’s

away, he

buys a robot not quite a

blowup doll or a sex doll, but like a robot.

And she’s young

and attractive

and he gets to spend this like week or two with her. And he is got someone young

who’s

Fun to look at, but also

waits on him and treats him like he’s

a hero and he is not used to any of this.

And

Then he starts thinking,

do I even need my wife to come back?

84So this

Picks up this whole,

thread tonight,

and you are like, do

I even need

her to come back. And then she

comes back and, she’s, again, this feels so, antiquated, now, I apologize. But She

comes back and she’s lost all

this weight and

or

we don’t see her,

Maybe we see her

beforehand, she’s really attractive.

And he’s

oh, maybe I overthought this.

The

robot

thing is great, but look

at my wife now.

Now I

appreciate

her.

So then he

Starts getting into some weird,

exchange with Her and he is I was gonna

replace you.

85but now I don’t need to.

And Then she’s you’re gonna replace me.

And then she reaches behind his neck and she [01:01:00] turns off his switch

He had once been a young, attractive

robot,

and he had grown into this slovenly, middle aged dude, robot and she replaces

him. And then she pulls a younger robot out of a box,

and now she’s gonna live her best life. She was always the only human in the mix.

Georgia: That

is awesome.

And I can’t say I even recall that episode, I know. It’s, crazy.

Joe: Ray Bradberry Marionette Inc.

Georgia: Which one?

Nette? The one that he no, Ray Brad. The one I was

Joe: you’re talking

about it’s from Illustrated man. Marionettes Inc.

And that was that one. And it was that was a story where they get the

clone

and then the wife has it, and then it’s on.

If he has the wife, the clones, more affectionate, da. And then he wants to like, he

realizes that the clone is like falling in love ’cause the wife never gets him to do what

he wants to do. So he gets to clone to do all the stuff the wife wants to do. And then

he realizes that the clone. Is falling in love with his wife not doing the job,

nick: And I’m pretty sure this was a [01:02:00] Futurama episode too. I’m

Joe: Yeah, that’s right.

nick: the amount of times that it’s oh yeah, you can just build off

86this locked in a box

Joe: like the clone eight. They like a struggle. And then he gets locked in the box

in the basement, and then it’s like that’s,

Georgia: Yeah. you

Joe: really know,

like they’re in the bedroom and you think it’s the clone kissing the wife, but you’re

unsure who actually got locked in the box.

So is that little double take

Georgia: Wow. I’m actually,

I gotta find out. That was but I have to find out what the episode is that he’s talking

about for Twilight.

Zone. Oh yeah. No, ’cause

Joe: what To look

Georgia: I gotta do Some more Twilight Zone reason. You gotta have that

Joe: the mini the mini episode that we do.

Ben

_

Tanzer: You’re gonna find out later.

I completely,

made Up and I somehow combined,

you know, Ray Bradberry with weird science with my own book,

Georgia: And it

was awesome. weird science

Joe: reference. Wow. That’s a good

Ben

_

Tanzer: sorry, one of my longtime obsessions.

nick: haven’t seen that movie in a minute. I haven’t

Joe: either. No, I

Georgia: I have to say

87this

Ben

_

Tanzer: I’m guessing it hasn’t

aged very

Joe: very well. No,

Ben

_

Tanzer: seemed appropriate.

Joe: Yeah.

It was, yeah, I know.

I doubt it aged any of those movies in that timeframe. Probably [01:03:00] not. No.

Yeah,

Ben

_

Tanzer: Maybe not. Unfortunately only unfortunate that

we grew up. At least I grew up watching

them

and caused all kinds of long-term

damage.

Joe: going

to

the theater to see where it’s iron, so Yeah. That’s Yeah. I done.

Georgia: And

Nick’s gosh, you guys are old.

Joe: No, I, I don’t, I think we’re around the same age fan.

Ben

_

Tanzer: We are I might be a little older. If I didn’t see it in the theater, that’s

only ’cause I was seeing some

other crap test. A

eighties

nick: You

gotta

88Joe: mannequin

weird science. There was a whole generation of those movies.

If people don’t know what we’re talking about.

Proceed with

Ben

_

Tanzer: Apologies. Anyone who

was born after the seventies and possibly the eighties.

Joe: Cool. What were you saying, Georgia?

Georgia: No, I was just gonna say. Actually this episode, it really wasn’t quite as

depressing as I thought it might.

be.

Joe: We made this future of

clones and robots replacing humans. Very fun.

nick: Yeah.

I’m down for it. Yeah.

Ben

Tanzer: It can be

_

fun.

Joe: leisure.

nick: and forced

Georgia: leisure.

nick: Sign

me up. I just have a

feeling that the company’s gonna end up killing me, [01:04:00] as soon as they re-

placed me,

that would

Joe: be the

Ben

_

Tanzer: it shakes out, Nick is gonna be very

89happy. And Joe, you’re gonna expect to be killed. And that’s gonna be the, that’s

where things are going to land.

George Is gonna be,

fine. The rest

nick: I’ll be watching Twilight Zone in my

Ben

_

Tanzer: There you go.

nick: Inc.

Ben

Tanzer: It.

_

Georgia: All

right.

Joe: I think

nick: Ben, where, what plugs you got?

Joe: let’s go. You got a new book coming out

or

has come do so May 6th,

Ben

_

Tanzer: so May 6th, this new book after.

Hours Scorsese Grief

and the grammar of Cinema

drops. It’s Again, it’s a partially a grief memoir

partially

film

commentary

I’m not gonna call

it film criticism again, but it’s really

a Deep

dive into sort of, into the movie after hours.

90and

how I connected to my father,

in particular, who died fairly young. But both my parents, their love of Scorsese,

but trying to use,

the movie as a lens

to

think about both

grief, but also

how we become creative people. So my father was

an [01:05:00] Artist,

fine artist, And he never. Quite got the success he wanted.

though he was acclaimed. he loved him and he’s a

wonderful artist.

This whole idea of how

did he get

in his own way, But also

when you don’t get to live a full life, who

knows what opportunities are lost, and so I thought

if I could somehow write a

book

about all that that would be cool.

And I, I threw all

kinds of.

things in just, Joe, I didn’t even know you in yet there’s lists and

there’s interviews. I

Joe: God have lists

91Ben

_

Tanzer: It’s funny to do a whole callback and pull our episode together

here. One of the first interviews,

I did for the book

it was with an

author actually, also at the

Chicago Writers Association conference, Let’s just

write Jeremy.

T.

Wilson is a good friend of mine,

And he said, this is a Frankenstein

of a book.

And I thought, okay there. it is. that’s gonna be the theme apparently. And so you

all brought that

back. I appreciate it. Apparently I’m

dabbling in

Frankenstein.

if that’s a thing.

but

Yeah.

the book’s Coming out. I’m really, I’m excited when [01:06:00] anything comes

out. I’m excited when

anyone says, oh yeah, we’d love to publish this.

That always feels like a small miracle, right?

Joe: yes.

Quick question.

nick: Do you have any pictures of your father’s art in your book or no,

92Ben

Tanzer: Not in this book. That’s an

_

awesome

question.

No, ’cause we just didn’t

Shake out like that. So now of course when I get it

reissued down the road, we’ll have to incorporate some Mike Tanzer art. Yeah.

Now that’s

seeming Like

a big problem. So Yeah. no, Not necessarily.

though. It was

funny,

I have this fantasy

where I’m

gonna do

A podcast.

where I’m gonna interview my brother. and my mom, both.

of whom I interviewed for the book, And

that we’ll talk about the influence of movies on the family

but I’ll record it.

And so I did, a, we did

a Test

run. It wasn’t intended as

a test run, but We had some technical, difficulties. but there was a moment.

where I was looking at, I was

looking at them on Zoom and

looking at my own reflection and all three of us had artwork.

93of my father’s behind us. And

that was not planned.

So

we’re in three different homes

And

we each had something over

our [01:07:00] That’s awesome.

Yeah. Can’t escape, the shadow. don’t Wanna escape. shadow, and definitely can’t

escape which great.

Don’t, so

Georgia: that makes me think of my other question.

What is your

podcast?

Ben

Tanzer: So

_

I do a podcast called

this

Podcast, Will change Your Life.

And

It is Long, it has become, it was

always

intended, but I don’t think I had any of this language.

It’s long form interviews with authors.

Certainly. I hope you all will come on and join me.

But yeah, just talk to different authors I’ve been, what I’m

proud of lately, I hadn’t really noticed it until.

My

94previous

book came.

out and this started

coming up, but the show is now in

its 16th year.

so it’s got some longit longevity long

longevity.

So, said longevity. That doesn’t sound right. Longevity,

Joe: I

Ben

_

Tanzer: doesn’t sound right. Longevity.

Joe: Yeah. I

nick: I dunno

what you’re talking

Joe: about.

Ben

_

Tanzer: you know what’s great about that? tell,

I,

could see the word in my brain,

but I could not

get my to match

nick: that’s like the microwave. I

immediately thought, [01:08:00]

yeah, this

is a word. I’m just not that bright. I

get this. No,

Georgia: but I,

Ben

_

Tanzer: I used a word in a different interview recently,

95and as soon as I said it, I thought that’s

not a word. Then I got really embarrassed

because I was speaking

to someone.

much more erudite than me. Again, I

grew up in upstate New York in the seventies.

So

my public School education.

is a little

shaky, and I

paused and

I went. I apologized. There’s no way That’s a word.

Another person said, that’s okay.

You’re on a Podcast.

You can Make up any,

words you

nick: Anywhere if you want.

Georgia: I was gonna,

Ben

Tanzer: but

_

Georgia: I like that word too. And I think may.

Ben

Tanzer: feel free to use it. You don’t even have to

_

Reference me.

It’d probably be more embarrassing if you

Joe: Yeah.

You should reference. No. Yeah. No,

Ben

_

Tanzer: then people will know how dumb your

96guests are and let’s not, add

to that or at least how dumb guest

is.

Joe: guess. And yeah, I definitely, I’d speak for myself and maybe the, my other

cohost love to be on your podcast sometime and talk about,

Ben

Tanzer: Let’s

_

make happen. ’cause I like to, you know, the other thing I do is

that I love talking to authors

especially as they have New things coming out not required. But then

I also like to filter in just getting

podcasters on.

and talking

Why They

do

what they [01:09:00] do. Like I know

what I do.

I know why I do what I do. Maybe we’ll talk

about making, get

the Three of

you. on simultaneously. That would be a

nick: yeah. absolutely.

Ben

Tanzer: we do that?

_

engineer

nick: whenever you want.

Joe: whenever you want.

97Ben_Tanzer: Okay. This summer. How about let’s just commit to it this summer.

We’ll make this

Joe: We’re

nick: A hundred percent we’re

Joe: it here

first on a rabbit hole of research.

We’re gonna

all appear

on Ben’s podcast title, the,

Ben

_

Tanzer: podcast will change your

life.

nick: will change your

life. I

thought you were forgot

first. Actually,

Georgia: especially the episode, we’re on

That’s

really gonna change. things. We won’t

Joe: talking about broken futures, trauma and human condition,

nick: Oh, I thought we were gonna dive into the trauma. We didn’t get

to dive into

Ben

_

Tanzer: I, I it’s gonna have to be trauma focused

for sure. But then we’ll find other things like forced leisure to

Joe: Yeah.

nick: Are you pro force leisure or against force leisure before we

Ben

_

Tanzer: Oh, I am, as Soon as you,

98add the phrase forced leisure, I’m in whatever it is, whether it’s forced

unforced offered.

Again, as long

as

it’s

not some larger nefarious.

plot to replace all of us.

if it’s [01:10:00] really just an option to be,

I could handle leisure.

My wife always jokes

about this, given especially how much I

work.

She’s Always oh my God,

Nobody was born

for leisure more than you.

You’ll be fine. have so much

stuff You wanna do that? Doesn’t evolve going to work.

So

yeah, Nick, you and I, man, we’re simpatico here. I’ll be fine. I will be fine.

nick: Joe pro or con force leisure.

Joe: I’m pro force. I

don’t like

forced to anything. I’m just leisure. I just love leisure. But

yeah, so if you’re gonna force me to do le

99stop doing what you do and do leisure and then Yeah. No I got things to, to fill my

time with and I’ve got country wisdom, so I’m ready for any robot apocalypse, mete-

orite, apocalypse

nick: meteorite,

Ben

_

Tanzer: All the we, we embrace all the apocalypses.

Joe: Yeah. I’m there. So yes. I’m Pro Force Leisure,

nick: Georgia.

Georgia: Yeah. You don’t even have to

ask.

me.

And I’ll say I really enjoyed the, I really enjoyed COVID.

myself.

See

Joe: the problem with COVID. I was like the, I had

this, I had the letter from the governor or whatever. I still had to [01:11:00] go in.

I was, I forget what they call

Georgia: it. Essential maybe essential

Joe: Yeah. I had to go to the lab and keep microscopes up and pivotal research,

and then I got sick with COVID.

nick: Yeah.

Georgia: What?

Joe: I didn’t have a

good COVID experience. But that’s a different story for a different podcast. But

nick: all right then. So I think

Thank you so much

Ben. Free.

100Joe: thank

Ben

_

Tanzer: man. Thanks for having

me. What a blast. You guys are awesome.

Joe: And so yeah,

you have me,

Joe here.

nick: You got Nick.

Joe: You got Nick. We’ve got Nick, we’ve got Georgia

and

we’ve got our guest Ben here who joined us

nick: and we went down some traumatic

Joe: We went

down some traumatic ho with

nick: with

Georgia: little forced leisure thrown in, forced

Joe: leisure on the other end.

Yeah. You guys stay safe out there.

nick: Bye-Bye.

Joe: We love ya.

Transcript: EP 41: Crimes in Time

Can a murder be solved across timelines? Author Lee Matthew Goldberg joins the Rabbit Hole crew to explore time travel, paradoxes, time machines, and mind-bending memory loops.

Listen to this episode now: SubstackAppleSpotifyYouTubeAmazon

Joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the basement studio for episode 41. We’ll be talking about crimes through time. You have the crew. You have me, Joe, you got

nick: Yeah. Got Nick. You’ve

Joe: got Nick. We’ve got Georgia, how you there?

geo: Hi there.

Joe: And we have a special guest joining us please.

Lee: Hi, I am Lee Matthew Goldberg. I’m an author. I have two young adult sci-fi books that just came out. And I’m so happy to be here.

Joe: Definitely. And

your books, they revolve around time. One of them miles in time, is that right? That’s the awesome,

Lee: Yes. Yeah.

the title definitely,

Joe: we played off of that Crimes in Time.

Lee: traveling. Yes.

Joe: Yeah. And with that I’ll go ahead and give my little opening definition. We’ll save the list for later. I don’t know. I’m not gonna break my.

My

nick: Can you actually do the [00:01:00] list first?

Joe: I don’t

geo: Yeah. Come on. I wanna hear list.

Joe: No. You guys gotta wait. I want build a tension for the list. Yeah. That’s

geo: what

all.

Joe: like, that’s the fans like.

Time is an absolute universal parameter that flows at a constant rate for all observers.

It provides the backdrop against which all events occur, a cosmic metronome. Indifferent to space or motion, and it’s perceived to flow forward a straight arrow, a line that moves from cause to effect or from crime to consequence. But what if it doesn’t? What if time bends loops, fractures? What happens to justice when yesterday can be edited and tomorrow can reach back to pull the trigger.

What if the criminal disappears into the past? So worse is the past. What about murders that haven’t happened yet? Alibis that exist in parallel timelines, evidence that loops forever. And a terrifying idea that some crimes have no beginning at all.

nick: Is it just me or have your what, your descriptions gotten a lot more wordy. I don’t know. I don’t know.

Joe: I don’t know. And are you giving me, are [00:02:00] you upset about these? No, I’m just Okay.

geo: I think I agree. Yeah.

Joe: Yeah.

geo: I think it probably depends on the

topic. Yeah.

Joe: It

geo: like time.

Time is very romantic,

nick: Romantic.

geo: Yeah. Like that concept of time.

No,

but I think you can real, I can think you can wax poetic about time and I

Joe: Yeah,

geo: that’s,

Lee: I agree. I was with it the whole time, Joe. Yeah, I was, I.

Joe: thank you. Thank you. I get a lot of shade here from my cohost. I feel like

Lee: Good though. It No, it keeps you working for Yeah.

geo: I feel like there’s a little bit of pressure though, ’cause you’ve you’ve said what we’re gonna talk about.

Joe: Maybe I don’t actually. I, that’s what I wanna talk about, but I as listeners, our listeners know that is not usually I don’t get my way. So that’s

geo: you just

nick: by

Joe: so I’m trying to prompt everyone to talk about what I want, but No, it’s

okay.

nick: I felt like. Yeah he’s really trying, that’s

geo: That’s

what I felt like. It was more like,

nick: he knows he can’t script me, so he [00:03:00] tries to,

Joe: maybe what I’ve done is I can actually time travel and I’ve gone back and I’ve created

geo: oh, so we’ve already done this episode and now you’ve gone back and

Joe: right.

I’ve already done it like,

Lee: it’s edited perfectly to fit the narrative. Yeah.

Joe: And every time someone messes up, then I gotta go many times have you done this, Joe?

right. This is so boring.

geo: Those

Joe: Wow. Those jokes are perfectly timed. Yep. That’s it. I ran on top of it.

geo: So I wanna say something really exciting. I did read your book

Lee: Awesome. I love that.

geo: and I

Lee: I love that.

geo: I really enjoyed it. But you will know, you can ask Nick and Joe I haven’t really read a lot of the other, you usually get more done than I do.

And I actually read the whole book. Yeah. So there,

Joe: I

nick: I had to

Lee: I really appreciate that. That means a lot.

Joe: I’ve read, I read the first three chapters, so I’m not gonna, I’m not gonna try to lie my way out of it. I no time travel. I’ll have to go back and catch it.

nick: I had to [00:04:00] restart recently. ’cause I, I started reading yours for a different episode and I’m like, wait, where am I?

geo: It was like time traveling. Yeah.

Lee: Right. It got you again.

It got you again.

nick: I’m just like, wait, what parts do I remember?

geo: So

yeah, I really enjoyed it. And so there’s a part one which I read, but then you said there’s a second one. So when did the first one come out?

Lee: So the first one came out about two months ago, I think May 6th, and then the second one came out about a month ago.

the publishers wanted ’em. Yeah, they wanted both out. Which great. But it’s also like a lot of PR that you have to do for a book.

geo: right,

Lee: Have to do double the amount of pr.

But yeah, no. And will there be a third one? Probably not, but you never know. But probably, yeah, I think the loop has closed

geo: But you never know.

Joe: You never know.

Lee: You [00:05:00] never know. And if it became like a, a franchise of movies, sure. I would write another I would

geo: because I was, I read it and then I looked and I was like, wait, there’s a second one. And so I was surprised. Yeah.

Lee: Yeah. I think it, it’s good marketing. I think a lot of times with indie publishers, they really have the ability to try different things out and see what works, what doesn’t. So yeah, no, it’s great. They’re both out.

nick: And how long have you been write writing for

Lee: Wait,

geo: the,

Lee: been writing, so my first book came out about 10 years ago. My first book slowed down. But I’ve been writing since I was like a little kid. It’s always been what I’ve wanted to do with my life. I think I was saying, I used to write books about my dog getting in like a jam. I was always prepping to be a thriller author.

And then now I have these sci-fi books.

Joe: Yeah,

nick: So did your first book have anything to do with time too? ’cause it sounds like it might

Lee: Slowdown, no slowdown was just set in the present time. But books I’ve been working on for a long time, [00:06:00] so a lot of times, like a book is in the back of my mind while I’m working on another one. And both of these books were I

was figuring them out while I was writing other things. They just took a little longer to marinate.

nick: Oh yeah.

geo: And then I was looking, I think I was looking at some of your other books. Don’t you have something that’s a time travel, but it was like during the Gold Rush or

Lee: Yeah. So my book, the Ancestor it’s my favorite, it’s set in the present time, but it’s about a man who wakes up in the Alaskan wilderness with amnesia and he thinks he’s been stuck in time since the Alaskan Gold Rush. And he sees a man that looks just like him. Follows him home and it brings him like a rush of memories of his wife, his child, but all from back in the late 18 hundreds.

And so he becomes obsessed with this man more and more. The more time he spends with him, the more he remembers about his family. And then he remembers he left like a massive amount of gold somewhere in the wilderness, so he has to [00:07:00] go find it. So it plays with time travel and whether you could really be, stuck in time for a hundred something years.

geo: Okay.

Joe: This brings up some of the paradoxes in time travel. So you get your first of many lists, I

geo: was gonna say that sounds like a list.

Joe: No. And so you have the kind of classic ones is the, like the grandfather paradox where you travel back and you prevent Yeah. Preventing your grandfather’s existence, prevent your own or grandmother or anyone in your

nick: wait, so this isn’t the one where you become your own grandfather?

Joe: No, that’s, this isn’t,

geo: oh,

Joe: is that Futurama?

Wasn’t that a

Futurama episode?

nick: Yes, it is.

Joe: It’s been a while since we had a Futurama reference

nick: I know, right? I couldn’t really shove Tama in all the fantastic four

Joe: well maybe.

Then we have the Bootstrap Paradox. It’s an object or information exists without or origin. And so that one, it raises issues of intellectual property. This is the same [00:08:00] as a gin principle, which is a theoretical that an object’s introduced that doesn’t really have a start origin.

So you don’t know. And the classic was the Christopher

geo: I was gonna say the penny. No, I thought I was

Joe: exists.

And so who actually, when was the watch created? Was it created in his time or in the pastime? And you just have this loop where now an object has

geo: Oh, okay.

Origin. So because there was that penny. This is actually a spoiler.

Joe: It’s older than

20 years.

So,

geo: But they see, he sees the penny from the modern times. And that kind of throws everything off.

but that penny, you know where it came from, right? So it, doesn’t, that’s right.

Joe: It’s not it would not be the a bootstrap paradox or the gin particle kind of paradox. I was gonna say the other one, the other classic bootstrap para bootstrap paradox is in Back to the Future with Johnny B. Good and Chuck Berry, and he [00:09:00] goes, oh, listen, this is the sound you’re listening for.

So now the origin of, that music is, it really doesn’t have an origin because it’ll now be in this loop of just being created.

nick: stop me if we’ve had this conversation before. I don’t know if it was on air or off air, but didn’t it have to start somewhere? Because the start of that loop was when Marty McFly had heard it originally,

Joe: right?

Yes.

nick: And that was pre him going back in

Joe: right? Yes. But

now,

nick: it’s, we saw the start of it.

Joe: You know the start because, that’s the fun of it. You actually know Chuck Berry and his music, and you, we know he created it. But in that. Back

to the future world, it would be now just looped like, where did this music come from?

Because Chuck Berry technically didn’t create it now ’cause he just listened to the sound that some kid was playing on stage and

has reproduced it. So

geo: the question

Joe: so now you have this kind of weird loop because now the origin of it, and now you go in time, he now is, becomes famous [00:10:00] Chuck Berry. And then that loops back.

And

geo: I think it would depend on how much music he had done before that moment.

Joe: it didn’t look like he had done a lot. He was like in, in like his mom’s basement or something. I don’t know.

nick: Also, wouldn’t it make him like stealing IP at that point? That’s

Joe: what I said. You have an intellectual property thing and then Marty consume for, oh, okay. That’s,

geo: know there’s

enough

Joe: problems with Back to the future. I was gonna say that the one that kind of went to Penny and even the, your other story is the temporal identity conflicts where you meet past future selves. And, it raises questions about memory continuity, legal personhood and identity.

And so you have this whole, these moments in time. And then we have the pedestrian paradox. Attempting to change the past actually causes the event you’re trying to avoid. And probably one of the famous examples is 12 Monkeys.

Lee: I love,

Joe: think that one that’s, yeah, that’s a good one. So yeah, just some [00:11:00] paradoxes that you have to, so when you were writing your story, did you think about a paradox or did you just dive in and let the story, just take it where it goes without

spoiling it,

Lee: He, the in, in the Y book, he finds a, almost like in Beetlejuice or they find like about the other side, a book about it. He finds a book about what to do and what not to do in time travel. And his brother’s a genius inventor, so he like leaves it for him. So like one of the things is you should never run into your past self.

And my character is like f that like my past self maybe help me out

Joe: So Lee, I don’t want to cut you off, but maybe for listeners, could you give

Lee: Oh, I’m

Joe: synopsis of the story so that every, we all, I think we all know what it’s

about, but

I realize we’ve been talking

for a while. Oh, there’s miles in time travel and ta

geo: da.

Lee: Totally my bad. Um, So

Joe: just a bad host.

Sorry.

Lee: in, in Miles in time it’s set [00:12:00] in present time in Iowa and it’s about a 14-year-old kid named Miles. His older brother is a genius inventor. He may be working on a time machine and his older brother is murdered. And through kind of a code that the brother shared, he’s giving clues to where the time machine is.

Told to go back in time for a week, figure out who murdered him and save his life. So hence the book, the do’s and don’ts of time travel that the brother leaves for miles. So one of the things I said was to not meet your past self, but Miles is like an amateur sleuth. He’s a detective and he feels like he could use his past self.

So the two of them actually worked together to solve a lot of the mystery together. So I threw out a lot of the rules that I had seen before and other things, but, it’s like, it’s a kid’s book, it’s fun. I didn’t want to get fired too much in a complete believability, so yeah,

geo: Yeah.

That was one of the things that I was gonna bring up. But then I was like, I don’t know if I don’t think this a spoiler. And anyway, he did

Lee: no, you can say it. Yeah.[00:13:00]

Joe: But

geo: But yeah. I thought that was interesting that he did team up with his past self, because that is, I think that’s just so drilled into you Yeah.

That you

Lee: Yeah.

Joe: not, you’re gonna explode

Lee: And like who Who made that rule? Who really knows if that’s an actual thing

Joe: It’s a very convenient plot device. Not to

Lee: Exactly. So I don’t know, I just wanted to flip the script on time. Travel has been done so much in books and TV movies. So a lot of me was just trying to figure out like what kind of new could I do with it?

What kind of new things could I say about it? Also like being a real mystery at heart. ’cause he is an amateur Sherlock Holmes and I wanted it to be like a, who done it first and foremost.

Joe: You, it have to be a nice kind of. Having your own self in the time or the past time that you can consult with, because that kind of prevents your own memories from being corrupted during the time travel. So we have all this, like we were just [00:14:00] talking about the jinn particle, and things can now have a non origin.

And so it is, it would be useful to have someone that knows, oh, this is truly the origin of this thing, or this truly is a piece of evidence, not something that we’ve created. Because I guess through time travel, one could disrupt a change in time and then create another outcome or an event that then would have consequences in that

geo: Yeah. I think the other thing about this story is the fact that he only goes back a week.

Do

you know what I mean? I think that you mentioned that, so

Joe: back to when he is like a

geo: so it’s like you look pretty much the same and Yeah. And yeah.

Lee: But they also are so different

Them has experienced the loss of his brother with that week and around that plus also going back in time. The other one is naive than miles from a week ago. So even though they’re only a week apart, like they couldn’t be more different. And I think they’re able to play off each [00:15:00] other like one’s innocence helps the other kind of almost grizzled, hardened detective even a week later from what he’s experienced.

Joe: Now could the past miles swap and go into the future or does that happen in the story? Sorry, I don’t want to spoil it.

geo: You have to read it and find out,

Lee: you’ll have to read it. Yeah, that’s a spoil there.

Joe: I hit on

geo: I do think that it made my mind went a little bit like when I’m thinking about time travel and then Okay. So, dark matter.

Joe: Blake Crouch? Yeah.

geo: that show, I really I read the book and saw the show, but that one really freaks me out. ’cause have you read it or seen it?

Lee: Yeah. Both. Both.

geo: because then all of a sudden, because there are all these other timelines, now all of a sudden there is like tons of, there’s a lot more of him. You know what I

mean? Yeah.

But that,

Lee: think they

want like a second [00:16:00] season and a third season and

Joe: I don’t think they were traveling through time, per se.

geo: Okay. I, they were,

Joe: They were all at the, they were all at present time. They were just, they were manipulating the multiverse idea. Not a time. They weren’t going back in time. So the split and you got all the hundreds of

geo: Oh, so

didn’t travel in different times at all. It was all in that same moment.

Joe: And the kind of, the idea they were, the hypothesis idea that they were playing off of was that when you make a conscious decision, then you would split that reality because now they’re, like stroger’s cat, is it alive or dead?

But when you make the observation, it then picks a path, but the other path also could create in a different dimension.

And so in

nick: in a different time where you actually chose

Joe: right. Yep. Exactly. Exactly. And so you would get all these hundreds of people because as you’re making decisions. You would keep splitting yourself and create another dimension.

But a lot of those would still try to come back to the same, so you had all these, I forget his name, trying to [00:17:00] find home. And so every time he made a decision that one and it, their dimension was trying to find home and they just all wound up in his home at some point in time. And so that’s why you had this whole thing, at that they didn’t, they rushed that, in the episodes, I think they really I think it was like eight episodes and it was like, boom, now we have hundreds of people and they’re taking a vote and things like that.

Yep. I don’t wanna spoil that either ’cause that’s,

geo: yeah, that’s fairly new. Sorry.

nick: I honestly don’t think I’d be able to work with myself if I went back in time. I forget everything already, like,

Joe: That would be good though, because you But maybe two of you.

Lee: Yeah, two of you could help each other. Remember what you forget.

nick: The two of us would just be like, what happened? I have no clue what happened.

Joe: the George’s point, you could actually think about it this way. What if you started going back at intervals of a day and picking up your past selves? And let’s keep going

geo: I know. I was gonna say then what if you,

Joe: Nicks

geo: If you didn’t travel back to your [00:18:00] present day, right? And you just kept living in that time, you are only a week behind and then there’s two of you,

Joe: And if you go another week, you got three of you and four, or you can fractionate it even more. So in a week you would have seven. Like I don’t know. We’re now getting crazy.

Your time machine’s gotta be pretty big or however you’re traveling.

nick: lot of handwaving going on with

Joe: A lot of folks in that DeLorean. Time travel is, yeah, a lot of hand wave. And at DeLorean, pack ’em in. You gotta have

geo: so there’s

Joe: a Yukon

geo: are you saying the plausibility of time Travel is very low.

Joe: Yes. We’ve discussed this in a

geo: I actually was not on the time travel episode and I was Yeah. And I wasn’t on the Doctor who episode either.

go.

Joe: So Lee should feel very special that Georgia chose the dress. No, I the book

Lee: read the book. Yeah.

nick: you got fully prepared. Right. That’s a,

Lee: fully

Joe: beat out Nick and I on the reading part and here No, I was gonna say,

Lee: right after this you’re [00:19:00] gonna want to pick it up. the, that’s the

geo: right. that’s right.

Joe: Or finish it. I guess I gotta keep. Plowing through it. Yeah. Yeah, I was gonna say the one show, and it came out in 2019, a movie spike Lee, I don’t know if he was the director or producer, but see you yesterday.

And that had a very similar vibe.

about

that. And that’s the

one

geo: good. Yeah. Where

Joe: her brother is killed through, I think, was it police violence or crime, like some

geo: I know he’s shot,

Joe: incident. He got shot wrongfully it felt like it was this wrong place, wrong time. And so she was an inventor was going back to try to correct that.

And so you had that whole, paradox there that it was almost like everything she was trying would lead to the event or just miss it. And it was a very,

geo: well, it made other horrible things happen.

Joe: So that kind of, that pedestrian

nick: does that also fall under the butterfly effect then?

Joe: a small thing that leads to other changes? I guess you could, yes. [00:20:00] Because if you go, that’s one interesting things about the time travel in my mind that when you go back you almost can’t leave the environment unchanged

nick: you being there.

Joe: That’s right. Yep. Yep. So you would definitely have that happen as

nick: you being there already

Joe: All right. Changes everything.

You’ve introduced just breathing, you’ve introduced stuff contaminate to that timeline, so let’s use that. Contaminant, yes.

You contaminate

geo: you’re bringing back like some weird

Joe: No, you’ve introduced, right?

So you’ve just going there and you’re dander off your skin, breathing your breath into the air, or breathing in.

You’ve now contaminated the timeline

nick: and then whatever pollution that’s different and blah, blah, blah, blah,

Joe: Yeah.

nick: You don’t Well, oh

geo: I don’t know. He’s weird this

nick: I agree with him on this one.

This is a

geo: particular story, he goes back to the same place that he was. So it’s not like he’s going to some foreign land.

Joe: Yeah, [00:21:00] but you yourself, the minute that you step, like in any environment, like when the minute you come into the room, like just like present time, let’s keep it there. You come into the room, you’ve changed the environment

geo: At least you didn’t say I contaminated it.

Joe: Sec, if it was a clean room, you did. So if you come, go into a clean room, you’ve contaminated. So you have contaminated with yourself. We all have as you come in and leave and go and be in the world. So that same principle exists if you time travel and you go back, even go back minutes.

That timeline has been contaminated by a new, similar, but different Georgia that came into that

timeline. That make sense? Yeah. Lee, what do you guys say? Are you,

Lee: Also that’s what creates a good story. If there was a way to go back in time and nothing was altered, there’d be no stories about time travel. In every story something gets affected, which causes something else to get effective, et cetera. I think in my [00:22:00] books. It’s like they try to do as little as possible with affecting the most change for them and not for a global atmosphere.

But they’re not successful at that either. Like, like of course they’re gonna do something that’s gonna create a bigger kind of effect and change.

Joe: a ripple effect

Lee: Yeah. And in the

second book, they go back in the second book, they go back into the nineties

to fix their family, so their family has issues.

So they go back in time when the issues began for the parents. And then it was just a fun way to go back to 1999. So

Did it.

geo: So did you think a lot about the plausibility or the science or was that something Yeah,

Lee: I definitely read a lot of time travel books. I watched a lot of movies that connected to it. Some of the ones that you mentioned, Joe, like 12 Monkeys. But also because the books are, adults have been reading them and honestly probably more than kids, but I really wanted to keep the the age, like 12 and up.

[00:23:00] So I didn’t wanna do too much, like I didn’t wanna overload 12 year olds with any kind of mathematics or anything that would bore me.

I kinda left out it. yeah.

Yeah. I think there’s nods to certain things here and there. He reads I might be mispronouncing it, but Godell, who is like a philosopher or scientist about time travel.

So that’s the passcode that he uses. So little things here and there, I kinda added into the books. But I’m not so smart in, in terms of science, math, but I didn’t wanna yeah, I didn’t wanna bite off more than I could chew in terms of

nick: You didn’t want a 14-year-old scrolling on the floor. All the mathematics of. The

Lee: Didn’t wanna. Yeah. Yeah. I didn’t want a 14-year-old being like, this guy doesn’t know what he is talking about.

geo: But it, kind of as simple as possible,

In general there, the sciences, there isn’t a lot of science.

Lee: Yeah. We have not traveled back in

Joe: No one’s done it.

nick: that we know of.

Joe: Yeah.

Lee: that we know of. That’s true.

Joe: Yes. No, that’s,

Lee: for the most part it’s speculation and, that’s good for a fictional author. [00:24:00] Like when there’s stuff that’s only been speculated, you could make things up as you go. It’s why writing sci-fi is fun.

nick: Just to be able to have that freedom of the unknown and

Lee: Yeah. Yeah. I’m creating worlds and like I said, most of my books are thrillers, but I’m more interested in moving towards. Sci-fi, the one I’m working on now has a little kind of like horror bent to it, but a little

supernatural. Yeah. Yeah. I wanna play around with it. I might do it under a pen name though, and then have separate.

Joe: from your, yeah.

nick: Is

that gonna be a ya a book as well or is it gonna be

Lee: No I don’t think I’m doing Y again. I think this is it. Yeah, you’re limited, there’s certain things you can’t do and I mostly write more disturbing thrillers. So I had to play a little, almost too nice for these where I want to go back to what I like to do.

geo: And I do think this had a lot more edge and it was the, but one of my favorite books when I was little and this [00:25:00] I’m somewhat dating myself, but also it was a really old book even then.

But have you ever heard of Homer Price?

Lee: That sounds familiar.

Joe: Yes.

geo: And I love those books, Homer Price and they’re illustrated by the guy that, that wrote that book Make Way for Ducklings.

Do you know that?

Lee: Okay.

nick: No.

geo: favorite make Way for Ducklings. No.

we might, we probably have that back there. No, but anyway,

Joe: It’s a time travel book.

geo: Anyways, I love the illustrations, but it’s like this kid, and he lives in a pretty rural area, but then it, like, all the little stories in it are things that happen and he has to solve these little mysteries and stuff.

So it really, it, I don’t know why it, it brought that to mind when I read ’cause there was something of a, there was an innocence to it,

Lee: yeah. Yeah, I wanted also, thank you. I wanted like a nostalgia factor and especially with the sequel the sequel kind of was when I was in high school, so like they go back to. At the [00:26:00] time that I remembered really well in terms of when I was that age. So yeah, I think anytime, a book connects you to nostalgia.

My favorite books as a kid were ULA and the Celery Stocks at Midnight by Deborah and James Howe about the kind of vampire bunny.

geo: oh yes. Okay.

Lee: those are my favorite

Joe: Very neat. I was gonna say,

Lee: adventure

Joe: Go ahead Lee. What was that

Lee: I’m saying and all the choose your own adventure

Joe: Yeah.

geo: Oh yeah,

definitely bump.

nick: Goosebump C Cho adventures were so good.

Joe: Yeah,

Lee: so I just was on a panel that I moderated last week at Thriller Fest and RL Stein was on the panel from

geo: Oh, that’s so fun.

Lee: was the best. He was like, we’re just gonna treat it like a standup comedy routine. And I was like, all

geo: that’s so fun.

Lee: Yeah, no, he was really funny. And he is very sweet. Yeah.

Joe: Yeah.

That’s cool. Your second guest that was on that.

was

in conversation

with Oh yeah,

Earl Stein. Yeah.

Lee: Oh yeah.

nick: about

that. Yeah.

Yeah. Jonathan Mayberry was had to [00:27:00] reschedule one of our recordings to go do an interview with

Joe: a

geo: he was doing An event.

Yeah. In

Joe: In conversation with,

geo: Stein.

Joe: or Earl Stein. Yeah. No, look at that.

He is

geo: I think we need

to get Stein on

Joe: Yeah. The universe is speaking to us. Our time travel from the future. I was gonna say we were talking about research and things and one that came to mind was the, I guess a mockumentary the history of time

geo: Oh, that was really good. Is

nick: that what mark du plus,

Joe: don’t, I don’t know who was in it. Yeah. It was the whole thing was about the creation of the time machine. And so this group, a group of or scientists makes a time machine and uses it, and then every time they use it. You see all these changes.

So like the Russians get to the moon first, or in technology, like the first

geo: it was really, it was a very clever

Joe: because the background,

Lee: was the name again?

Joe: The history of time travel.

Lee: History of

Joe: Time travel. it was

like, I think it was like 20 14, 20 15. Somewhere in that

ballpark.

geo: little [00:28:00] Easter eggs that were subtle, but like the pictures on the wall would then change when they’re like

Joe: or like the video game consoles that they use to build the time machine with to control it.

You start and you keep seeing it modify and yeah, it was, and then they go back to destroy the plans ’cause it’s ruining everything. So you have this whole

geo: yeah, it was really good

Joe: And then it, yeah, I don’t wanna spoil

geo: Yeah. Don’t spoil it.

nick: I think the one I was thinking of was safety not guaranteed with Mark

Lee: Oh, that’s a good one.

nick: And Rey Plaza,

Lee: I’ll be pause it. Yeah.

Joe: Yeah.

nick: Guy puts an ad in was gonna say about the ad. Yeah, Okay. Yeah.

Joe: Yep.

nick: yeah.

Was was definitely one of those time travel movies where I’m like, oh, that’s really good. Fun little adventure, trying to build a time machine as well. And everyone thinks he’s crazy.

He might be right. Mm-hmm.

Joe: We could just

Lee: That I love primer. It’s about

nick: Yes.

Lee: 20 years ago, I wanna say. Yeah, it was a small movie. I’m forgetting the director’s name. [00:29:00] Shane. Shane something. But it’s really good if you’re able I don’t even know if you could find it like beyond, probably like on DVD or something. But it’s great.

Joe: Yeah.

We’ll put

it in

nick: watch it on YouTube and

it’s

$3.

Lee: true.

nick: Oh,

geo: nice.

nick: Uh, Shane Cirth. Kth.

Lee: Yeah, with a C. Yeah.

nick: Is

Lee: then he did another movie that was like just as weird, not as good, but also interesting. And then that was it.

nick: Yeah. Primer was definitely one of those that were like, whoa. And

Joe: didn’t see

Lee: And probably made for $200,000. Like it was

really well made for how cheap it was.

nick: And still underrated,

Lee: Yeah, no, completely. Completely.

nick: my train of thought for a second. ’cause I kept thinking of primer.

Joe: Let’s go back.

Lee: That’s fair.

That’s

nick: like,

Joe: We got time travel back.

A couple

nick: all [00:30:00] brought me back on that movie and I’m like, Ooh.

Joe: I was gonna, I was gonna mention, ’cause we it came up in the conversation but just time travel the mind.

And how that can be a form of time travel where you don’t, it’s all just a construct. ’cause your brain can fa fast forward and imagine events, but also in the past you know it, which is somewhat corruptible. And so just in your own head, you could have a whole time travel esque story where you’re, in this loop, this mental loop of time travel.

And you have that. I don’t know if, I don’t think there’s any stories like that where you’re

nick: 51st Dates

Joe: That’s a,

I guess it would

nick: yep. 51st states

falls into that

geo: now what are you saying that you keep reliving something in your right.

Joe: not necessarily reliving it, but that the time travel component is more mental than almost in your brain than being [00:31:00] a physical manifestation of you traveling back into the past or into the future.

nick: which I.

I would think that 51st dates is Drew Barry Moore’s character is time traveling every day. She wakes up then.

geo: is that like Groundhogs Day?

nick: No.

What

she gets hit in the

Joe: Groundhog’s Day is a form of time travel.

he is time traveling back to the beginning of the day. but just keeps repeating and repeating. Keeps

it. He just keeps repeating

one day. Just over and over.

nick: Yeah.

Joe: And maintaining the knowledge of

nick: The previous day. 24 hours. Yeah.

Yeah. Previous experience.

Joe: Previous experience. There’s another one where they were stuck in a hotel. There’s been a few like that.

Lee: Oh

Joe: They were in, in a

Lee: yeah, with Andy Sandberg.

nick: palms.

No. Was

Lee: That one was great. Yeah. Palm Springs was that.

nick: was that it? I wanted to say that, but I was

Lee: was, it was like at the pandemic when it

came.

So like, it was

But I don’t have a memory around it.

Joe: It was like, oh, it was like time travel the

Lee: it was [00:32:00] really good. It

was,

Joe: right? Yeah. That was good. I’ll look it up and get that in the show notes too. A lot of good movies for time travel.

nick: Oh, a hundred percent. Like it’s such a

Lee: fun one to an argument, you could make an argument that every time you have a memory, technically it’s time travel.

nick: Yeah, I And that, that was the case of the

geo: the, and

Lee: Every memory you’re going back in, in time.

Joe: You are.

Lee: Even if the memory changed,

Joe: you do you will corrupt memories. So as you access memories, you can rewrite ’em. They’re not fixed in time. So it’s every time you pull a file out, you can make an edit, then put it back, and then when you pull it out again you go, oh, it was blue.

We, it was, we were driving a blue car Right,

it was red. So did you, to that point, did you time travel in a blue car? But now you’re in this, now in this

other timeline.

nick: E even sense can help can take you back in time.

Lee: Oh, yeah.

nick: Oui where the critic,

He had the oui and he was like,

And he

Joe: I think OU [00:33:00] has put a little bit of crack in his food.

Lee: they have said

that like.

nick: poison.

Joe: I think he was like, oh yeah,

ahead.

nick: say, Lee? I’m sorry.

Lee: Say, I can’t remember if what they say about deja vu is that deja vu. Oh, I not, this connects to dark matter. The deja vu could be a memory almost of a different slight multiverse of where you’ve Just the same, but something’s like a little off.

nick: So it’s that split in, thought process then. All right, one of us is doing this, but the other one is doing this.

Joe: Or, we’re in the matrix.

nick: Yes. Or it’s a glitch.

geo: could, it.

could be a simulation, say

Joe: deja vu,

Lee: Yeah. Look, it could be everything. We could be in a simulation that’s time traveling

Joe: Time travel, yes.

Lee: It itself, in a black hole again and again. Yeah. You don’t know?

geo: And then when you were talking about memories, it made me think of [00:34:00] the mento because in a way, he time traveled because he forgot everything and then had to go back and figure

Joe: 51st dates? Yes.

nick: Barrymore,

Joe: Yeah.

geo: I think I saw, I think I saw that.

Joe: And you keep going back to that Same. I can’t remember if I’ve seen that movie or not. I don’t think I’ve

nick: It’s been years and a half, but for some reason that movie popped movie mind. It stuck

geo: with It Stuck with you?

Lee: It’s a well-known movie. Yeah. It’s a beloved

movie.

nick: don’t know if it popped up on

Joe: they don’t describe it as a time travel movie, but I think they should. It probably would be more popular.

dunno. Adam Sandler? I don’t know how popular his movies are nowadays.

shoot. What? Laying a Shade down on,

nick: Sand, it’s not his nineties films where it was like, oh, every one of those was a hit. Yeah. Barrymore.

Lee: 50. First date was probably like the beginning of the end, yeah. Then he got a Netflix deal and he just started cranking him out

nick: oh yeah he’s

Lee: and like more power [00:35:00] to him, like I’m sure they paid him $50 million to do nothing.

nick: I would you get to hang out with your friends all day and Yeah,

Lee: Happy Gilmore too is coming out. I don’t have high hopes,

geo: that’s probably it.

Joe: with? Chris Rock and

nick: oh, grownups.

Joe: Grownups.

yeah. Then grownups

Lee: grownups. Yeah. Billy Madison is a classic. That was great. The weddings,

nick: the wedding

Joe: Wedding singer,

nick: Now we’re just time traveling through

Joe: The water boy. Yeah. There it

geo: we’re all reminiscing.

Joe: oh, remember when?

geo: I,

Lee: He and Chris Farley used to do this sketch on Saturday Night Live where they were like an old married, like couple, and they would read the GATS reviews and then just like shit on all the reviews. And it might be my favorite thing

nick: But

Lee: Chris Farley played the wife

she was like the positive one, and Adam Sandler was like the cranky, like old man.

geo: awesome.

nick: Oh, those were fun [00:36:00] ones. I miss those. But for I honestly think that there can be some kind of. Mental time travel though. Like I feel like out of all of them, that one might be the one that I can Get behind and being like,

go.

This is in the realm of plausibility

Joe: except I think it, when you start going down that road it’s your memory versus everyone else’s memory, right?

Yes. And so that becomes,

nick: because what was that movie with Jim Carrey?

He was a erasing Memories.

geo: Oh

Joe: Sunshine of a Spotless Mind.

nick: Would that be considered a time travel movie then?

Joe: I don’t

know if it’s time you,

nick: going back in his mind and

Joe: in his mind,

the way the movie was filmed and the story was told, you do have a lot of flashbacks where you’re going and you at some points in that movie, and it’s been a little bit since I watched it, but you were you were questioning where you’re in present.

’cause they almost fell back in love again. Because all their members are erased. Then they went back, so they reset and then they [00:37:00] fell in love. So you really didn’t have, you’re right, it was more mental. ’cause they didn’t chronologically go back, six months to the beginning of the relationship.

They just met each other and it was that kind of chemistry re-sparked and they had, they moved forward from there. So in some ways, yes, they reset. It’s

geo: It’s more of the talking about it like, like memories. Obviously

was saying yeah.

nick: of all of them, I think the memory one is in the realm of possibility.

Joe: That’s not a true chronological, you’re not really. Going back. I, in some ways you are, but you’re not really

nick: but trying to relive those memories in your head, that other person isn’t there.

So it’s changing your history.

Lee: Yeah,

nick: It’s just on a more

Lee: time travel element. There’s definitely time travel elements

nick: It’s just a personal time travel where no one else in your life is affected by it.

Other

Lee: There’s also the butterfly effect as well in that one [00:38:00] because their relationship changes due to the memories being erased as well.

geo: Yeah.

nick: Yeah. That’s the one where I’m like, it’s one of those not classified as a time travel, but probably is a time travel film. Like there, there’s so many of those that.

Fall into that category, like 51st dates and momentum. Is Momento considered a time travel movie?

geo: Momento.

Joe: Momento? No. It’s not a

time

geo: No, it’s a more It is his, he has that short term memory loss,

Joe: right?

nick: Which

Going by

geo: oh,

Joe: uhoh.

nick: I’m waving my hands around here and just,

Joe: a lot of hand waving ’em

nick: Yeah.

full hands tonight.

Joe: I was gonna say that we’re talking about.

Going in back into the past, but really that theoretically the math suggests you’ll actually be able to go forward

In time,[00:39:00]

nick: I think going forward is a better idea than going to the past. Like personally, I don’t think there’s anything in the past that I’m like, yes, I need to go to that.

Joe: There’s a lot of bad stuff in the past. Yeah. That I’d wanna

geo: And so you are hopeful that you are hopeful that the future may be better?

nick: Or I’m just dead in space. I don’t know.

Space.

Joe: in space.

nick: Yeah. If you go for

Joe: Hopefully you’ve done the math and you calculated Yeah. Where you need to land. Because you’re right If you miscalculate, then you’re are moving. Yes. You’ll be in a wall. Like you’re off a little bit. You’re just in a wall now can someone get me outta the drywall please?

nick: I’ve been splitting two.

Joe: Yeah. Why is someone, why is our walls talking all of a sudden? Sounds like Nick. No, I, so I think forward time travel, but it’s maybe not as interesting.

I don’t know. Maybe that’s why. ’cause usually either you’re forward time traveling, you learn something, oh man, [00:40:00] this meteorites gonna smash into the earth. And then you go back to convince people that you’re not, crazy and

you

geo: a Terminator,

Lee: Yeah.

Joe: Like Terminator. But they, when the machine is trying to kill you, I don’t know if you need a lot of convincing, not.

There’s a sophisticated AI machine hell bent to kill humans. Or

Sarah Kana

Lee: two.

Joe: particular.

Lee: Terminator two is still one of the greatest movies ever

nick: Yes,

geo: I think so. I love

Lee: just perfect. It looks fantastic. It like,

Joe: Yeah.

Lee: tens across the board.

Joe: when I was, this goes to, we’ve had this discussion about movies where the sequel is as good or better than the original. The first movie in the series. And I think the consensus we

Lee: one is great, but Terminator

Joe: two is, yep. Alien Aliens.

nick: Nope, we disagree with that one.

Joe: Superman.

Lee: Those are both good in their own

Joe: as good, [00:41:00] and I was going to say the discussion, Nick and I, we’ve come to some agreement I think, is that usually when you have that.

Is that the style of the movie changes,

it

off. So you have, alien was a horror, aliens was action. I think you can say the same thing about Terminator and Terminator two. Terminator one was more almost a horror thriller. And two was as action. It was, so you have that, the split between the movies and I think it is, it’s really, it’s well done.

I think if you’re writing a sequel, that’s a good way to go is to

Lee: Yeah. And then smart because it keeps enough of it the same, but also takes it in a different direction. So I think the audience wants something a little bit new from a sequel. So I feel like whenever they do that and do that right, it tends to be

Joe: Yeah. Yeah.

Lee: A lot of times they do it wrong though.

Like in the sequel, like I just saw yesterday, I saw that the Megan

sequel

Joe: yeah, I heard it.

Lee: That was an terrible movie.

Yeah.

nick: I forgot. That was already,

Joe: right. Yeah. [00:42:00] Yeah,

nick: I liked the first one. I just have not

Lee: one was fun and dumb, and then second one is like a full action movie and it’s just doesn’t work.

It’s

Joe: I think you, you have that with Slashers genre in general. You know that the second one is usually he just goes all

geo: or do you mean the 10th one

Joe: or to Yes.

Depending on the But I wanted it camper. Like I wanted,

Lee: Feel like that movie worked the best. It was leaning into its stupidity. Yeah.

But this one would have moments and then it would like veer from

Joe: Start taking yourself serious. Then you

Lee: A little bit. Like it had something to say about ai. It was like, I really need that from you, Megan.

Joe: Yeah.

Don’t need it.

Lee: we’re good. Just Yeah.

geo: we already know we’re

screwed.

Lee: Yes, it was. It was a Megan Ted talk. That was the vibe.

Joe: it is. They should lead with that. And that probably would get ’em some more fans.

Lee: Yeah.

Yeah.

Joe: No. Yeah. I think, yeah, forward time travel’s interesting. But yeah, the [00:43:00] storylines

nick: yeah.

geo: Yeah. So if you had to pick one, you would pick forward.

nick: Yeah. I have zero reason to go to the past. There’s nothing good back

Joe: Yeah. Yeah. Lee, how about yourself?

Where you

Lee: don’t know. I don’t know if I want to like to know the future and then have to deal with it. I don’t know.

nick: I just know going forward in time, you’re gonna either a die because of whatever kind of diseases are there now, or B, bring diseases that you already have now in the present

Lee: You’ll contaminate. You’ll fully

geo: go

Joe: contaminate to the

nick: the, you’re the,

Joe: so I, the question, and we will come, I’ll ask Lee and we can, George and I can answer, but how far are you going?

nick: Oh

Lee: If we’re already doing it, let me go like far, like I don’t want to go like 20 years. Let me really see 500 years

Joe: You are like time machine, like you’re going 10,000

Lee: yeah. Like

Joe: You’re

nick: I want 1000 years in the future. Thank you. Go full Futurama.

Lee: about right.

Joe: And hope your bank is still exists,

like, you know

nick: exactly.

geo: Like in Futurama, right?

Joe: Yeah.[00:44:00]

nick: We’re Fry going fu

Joe: I’m a billionaire.

nick: The full Futurama. How much is my interest now?

Joe: Yeah, so you’re going forward a thousand years, Georgia you did, you

geo: I don’t

nick: Lee’s going 5,000. Lee.

Joe: Lee, you said 500 or 5,000.

Lee: Yeah. That 5,000 might be,

yeah, like

Joe: forward, you’re

Lee: 500 and a thousand enough where it’s different. But I don’t want like Sea

Joe: Yeah,

Lee: Earth or any, yeah.

Joe: but so you’re going forward not backwards. Is your

Lee: For me.

Yeah,

I don’t know. I’ve written historical books, so Sure. I think it’d be cool to, like we were talking before about the Alaskan gold rush, like to go to an or. I’ve spent so much time researching. I feel like that would be really interesting. But yeah, sure. Let me go a thousand years in the

Joe: Future.

Okay. So we’re there. Yeah. ’cause going back to the gold rush, it seems like a hard life, even if you’re just

Lee: Really cold, like

Joe: like the vacation you don’t really want, like you

Lee: It’s not so much a vacation, like killing bear and eating bear and

Joe: [00:45:00] a, yeah. That’s a rough, that’s a

Lee: Let me go to a spot in the future if that.

Joe: There it is.

geo: gosh, I don’t know. That’s really tough because I feel like you’re really like just totally

no

control.

nick: Hopefully in the future.

they’ll have a Westworld type thing going

geo: No, It’s called Future world.

Joe: Future world

nick: Yeah. No, but I, in the future, I want a Westworld type.

Joe: Oh, I see. Yeah. You want to go to the future for the Yeah.

nick: That way I don’t have to deal with all the stuff of the past

geo: But you can experience it.

Joe: All right.

geo: Interesting. But you do know some of the complications that happened?

nick: bad happens. I don’t know what, I’d never, I didn’t finish the show, don’t worry. I can guarantee nothing it was a movie I’m actually going back to the 19th, whatever. Was it seventies?

Joe: You were going back to the seventies?

geo: No, not in the time. Travel. In the, talking about Westworld. Whenever the Westworld movie

Lee: Oh.

Joe: So you want, [00:46:00] so you, instead of Westworld, you want to go back to seventies?

geo: No, I, no.

Joe: Seventies world.

Lee: You want there to be a seventies world to go back

Joe: right. Yeah. So you go in the future to go back to the an

geo: I think that you guys

Lee: their version of the seventies, be a skewed version. It would be, real, but not fully real.

geo: I

dunno. I think I’d have fun. And it’d be more like if you could just go to different times. Yeah. Do you know what I mean? Not,

and just

hang out a little

Lee: you don’t have to

pick

geo: what I’m saying,

like I, I think there’s some moments in history I would love to go to and just hang out, it’d be really cool.

But if it’s only one thing, one way I don’t know. Because you’re really like putting up so much to chance about going,

Forward. I don’t know.

Joe: Yeah,

geo: I don’t know if I can decide.

Joe: You don’t Dunno if you Boo.

that’s a lot of hand waving on there. I don’t know.

nick: Joe, what about you? Where are you going?

Joe: I’m [00:47:00] with Nick. I don’t really, I a

A person of color going back into the past, there’s not a lot of super great stops. So I, some it might be interesting for a little bit, but then you gotta deal with everything else. So yeah, probably I would punch my ticket to the future and I don’t know, I dunno if I would go super far. Like I see the point let’s just go hundreds and

nick: Like I want the future with flying cars. Like

Lee: Yeah.

nick: just we were promised this future and we do not

Joe: We have, there’s, there’s cars that can get you up in the air. That, that exists now.

nick: we’re,

geo: but it’s not like the Jetsons.

Joe: I don’t know if I want

Lee: Element. Yeah,

Joe: yeah. The fifth element I, and we drive with people with four wheels on the ground and they have trouble. So do you really wanna be in the air with people like zipping around like that? So if AI is controlling the flying cars and we just sit back and chill, then I’m for that.

But if people being, people are flying around in , 1500 pounds of metal[00:48:00]

and jet fuel, I’m gonna pass on that.

Lee: Disaster. More like minority report.

nick: I’m okay with that. Like that cyberpunk

Joe: Yeah. Thought police. I don’t know. I feel this going 10 years. 10 years up. 10

years.

’cause what can happen then? See, I’m still 10 years younger, but I’ll meet my 10 year older and then we can do stuff. We can like,

nick: wait, what kind of stuff are you trying to do with

Joe: into it? I

nick: get into it.

Joe: Why? Take over the world

nick: Oh. Oh, okay.

Lee: Oh

Joe: Not what are you guys talking about?

Stop it.

nick: drama. The way you were talking about it, I’m like,

Joe: No, we were talking about earlier about having your, yourself as your partner in crime or in Ah,

nick: Ah, trying to y you Yeah. Time looped it back around.

geo: wants to ti he wants to team up with

Joe: that’s

right. Yeah. Yeah. Yeah. I guess I can go back 10 years. I go plus and minus 10. Just [00:49:00] this wheel of that the spinny and go the price is right.

I

geo: exactly when I would go back to,

Joe: yeah.

See now I’ve opened up a whole nother thing.

You get to go back and actually team up with yourself, like maybe your 25-year-old self, just go back and be like let’s get this done.

Let’s

do,

geo: are you, your, you 50-year-old

self?

Joe: The only reason I don’t wanna go back was because I was like, either I’m stopping at poor postdoc, poor grad student, poor undergrad, and none of that is there’s no capital to do anything.

So I figured if I go 10 years forward, hopefully I’ve, I have some capital. I’m not paying tuition anymore for kids or anything like that, and I’ve stockpiled some money and then now I come with my still youthful. Excitement about the future. I show up and we make it happen. I guess I could be a poor older also

nick: because

then you’re just changing the whole future for yourself.

Yeah. So then the you that exist now

Joe: I would, I, if we have time to prepare, if we have time to [00:50:00] prepare, I’m gonna get my country wisdom. And

nick: you’re gonna go live in the woods

Joe: no,

I would do things like if I, if you go you gotta go live and you can’t come back, then I would take things of value, so I would probably go get gold wire and things like that.

That would be a commodity to trade and sell. Very fixed things, but still light. So thin it up and then go, and then you have,

geo: Or would you get all the sports stats and then,

Joe: Oh, okay. Back to the future.

Lee: Sure. Yeah.

Joe: I don’t think, you’re going into the future. You’re, if you’re going in

geo: I’m saying if you’re going

Joe: are you getting?

geo: No, I’m saying you, I’ll never

nick: for you, you would end up going with sports stats, so you can

Joe: Yeah, but I’m going into the future. They’re no good. I got

nothing. One, I’m

like past too.

I said if I, if you go in the past, maybe, but you,

geo: yeah.

Obviously in the future people would be like, who cares? Who won the World

Joe: right. 30 years ago?

In 2025, the winner’s gonna be what? What do you mean it happened already? Oh

nick: wait. When am I

geo: like [00:51:00] this. I like this. A story of the time travel going wrong. Kinda.

Joe: You go, you show up, you’re like, oh, I’m going, I’m gonna go 10 years in the past with all these facts and figures you spent years memorizing and then you get in and you show up and you’re 10 years.

Plus just like

nick: who am I? What am I? Where am I?

Joe: Yeah, that would be

nick: I That would be the luck too. I’m going to the past. When am I the future?

Joe: you just spent all this time memorizing. Yeah, that would really suck. I’d feel bad for this person.

nick: I think it’d be really funny. Like I can’t wait to see that movie.

Joe: There it is, Lee, do you have any events or anything you wanna plug? You got your book, the two books you

Lee: yeah, I’ll be at Voucher Con, which is like the mystery thriller writer convention. The first week of September in New Orleans. Yeah.

Joe: cool.

geo: Very cool.

nick: What

Lee: I’m coming off like the second book?

is called Time Fixtures.

’cause they go back in [00:52:00] Time to Fix Time.

nick: Sorry. I, it’s been bugging me. I’m like, I don’t think you’ve said it. And I don’t know the name of it. Two points.

geo: Let’s fix that

Joe: miles

Lee: Oh, there you

nick: We’ll go back. Don’t worry.

Joe: Yes. Post edit.

It’s like

Lee: And yeah, it takes place in, in 1999. Like I said.

Joe: Nice.

geo: That’s awesome. ’cause then everyone’s worried about Y

Lee: Yeah, there’s a little bit of kind of Y2K paranoia and disc man, there’s a lot of kind of the music from that era.

geo: That’s really cool.

Joe: Yeah. But VH one is still, they had the, remember they showed they played party like 1999 by Prince On Loop

geo: for 24 hours.

24

Joe: hours. Yeah. It was like that. They still showed music videos, but they just had it on a loop. And

so,

nick: Wait. Hold on. What. VH one shows music videos.

Joe: They did? Yes.

geo: Can you

believe

Lee: that way.

Same tv.

Yeah.

Joe: Yeah. No,

Lee: One, it was [00:53:00] It was not just for teen

moms. I feel like they should bring it back music videos

Joe: you do.

like on, on Apple Music, music videos For songs like that, people still make

music videos. Yeah, but they’re not, yeah, they’re not as, there’s not TV for it, but They do it.

Yeah. They still make, but you’re right. Yeah. That was a heyday because people, they would try to outdo each other with their music videos and

Lee: I, yeah, I definitely grew up where I would watch MTV

Joe: Yep.

Lee: I forget the name of the show. It was the Request Quest. Yeah.

Joe: No, yeah. That was the life I was in.

geo: See, you can go back.

Joe: you can go, I

geo: You can go back,

Joe: be

creeping on

Lee: to,

Joe: creeping at college. Some the who’s this strange old man in the lobby watching

geo: TVI

nick: remember,

these days this song’s gonna be a hit in 15 years. I

Joe: I bet you this one’s gonna hit the top billboard. Come on, let’s get those bets.

I

geo: feel like something really bad’s [00:54:00] gonna happen if you’re older. Self goes, visits your young self. Actually, there was that movie that was really good. My old butt or

Joe: Oh, my, yeah.

The

Lee: my old

ass.

Joe: old

geo: my old ass.

My old

Lee: Yeah,

geo: I dunno.

Joe: The young adult version.

geo: But

That was really good.

I really liked

Lee: right where she’s on mushrooms

and yeah,

Joe: it was like mental

Lee: No, another Aubrey Plaza movie. Yeah

nick: Aubrey Plaza for the Win. she gonna be our time travel queen?

Joe: There we go.

Maybe.

Lee: But it’s,

geo: we’ll give award.

Lee: movies. There might be another one.

Joe: Yeah.

geo: But there was like, obviously Demi Moore being with her, like there could be some really bad consequences.

You’re like the nevermind.

Joe: Oh, you mean like substance? Yeah.

Lee: Wow.

Joe: But I think in that one it was more mental time travel, and I got back to that.

That’s another one

probably I would throw in, because you’re right, she was tripping on the shrooms and then she would have, she would see her older self.

nick: Is this the second episode this year? [00:55:00] We’ve talked about drugs and doing things with science.

Joe: I don’t know.

geo: Oh, I think there’s a lot more we could talk about.

Joe: There’s a lot

more we can

talk about.

nick: We’re gonna have It’s a lot that go hand in.

drugs, could do a whole

Joe: A whole

geo: episode

Joe: there. You heard in Air Force

nick: prepare for season three of the drug episode.

geo: Oh, what was the other show we watched? That was a series. Oh shoot. The, and they’re newspaper delivery and it’s based on the graphic novels

Joe: Paper Girl,

geo: Is that what it’s called? Paper?

Joe: Girl.

Yeah.

nick: What

Joe: it was four Girls

on Bicycles

geo: oh, and then that was a really good

Joe: Yeah, that was had some time travel. I was gonna say, for all of mankind, the Apple plus one, did they

geo: Did they time travel?

Joe: It’s an alternate. Reality.

geo: It’s an alternate reality. But nobody time travel.

Joe: mean it is time travel.

Okay, nevermind. That’s a whole different but I But it is ’cause there’s an alternate reality. But you’re right, it’s not time travel. Nevermind. I’ll scratch that. I’ll edit it [00:56:00] out

nick: No, leave it in.

Joe: I’m taking it out.

it’s Like

the Brussels sprouts. It’s gone. Yeah. Cool. I think that’s we’ve gone in and out around a lot of different

nick: We loop de looped it,

Joe: looped, de looped it, we wormhole it.

nick: Thank you so much, Lee, for coming on the show today.

Lee: Thank you so much for having me. Yeah, no, it’s a pleasure.

Joe: definitely. So

geo: and I’m looking forward to reading the second one. Yeah. Yeah. Let me know what, you, let me know what you think and yes, let me know what you think about the first one

Joe: Yeah, will do.

nick: I

actually didn’t realize that it was a young adult’s book until you said it.

I’m like, oh man. This is just an easy read. I like it.

Lee: I’ll take

it. a easy read.

nick: I just oh,

geo: my favorite books are young adult

nick: They’re just a nice breeze to oh, it’s an enjoyable read and.

Lee: Yeah, that was why I wanted to write them. I, like I said, I write more disturbing thrillers and I wanted a break from that. Yeah. The second one I think I wrote in like a [00:57:00] couple weeks. Like it

bad. Yeah. Yeah.

geo: Yeah, no, I, and I think that the character really for being that short time period, I think that character really matured and there was some more heavy things that came out later in the book. You know what I mean?

Lee: You’re dealing with the mom’s mental health, which becomes a big part of the second book and why they go back in time to fix her. Yeah the, with all young adult books, you need like issues to

geo: right. Definitely.

nick: Hell yeah. All right.

Joe: Yeah, you have me, Joe,

nick: You got Nick.

Joe: We’ve got Nick

Lee: Ali. And thank you again, Lee, and

Joe: and

nick: we went down some timey time

Joe: again and

again and

again.

nick: we went down some ttimeyhole

Joe: And again.

Stay safe out there when you time travel.

Love y’all.

What happens when scientists, writers, and cultural critics take Marvel’s First Family seriously?

On The Rabbit Hole of Research Podcast, we explore the science, symbolism, and speculative logic behind each member of the Fantastic Four. Each episode features a guest expert to examine the biology, psychology, and cultural resonance of these characters.

Listen to the full Fantastic Four series before or after going to see the new MCU movie.

Episodes:

EP37: Sue Storm and Invisibility

What would it take—biologically—for a human to vanish? Writer and cultural critic Nick Ulanowski joins us to unpack the science and metaphor of invisibility.

https://jothamaustin.substack.com/p/ep-37-fantastic-4-series-invisibility

EP38: Ben Grimm and The Thing About Skin

What makes skin “strong”? NYT bestselling author Jonathan Maberry explores the biology, trauma, and identity behind The Thing’s rocky form.

https://jothamaustin.substack.com/p/ep-38-fantastic-4-series-ben-grimm

EP39: Johnny Storm and Spontaneous Combustion

Could a human body survive full-body ignition? Dr. David Pincus (University of Chicago) explores the limits of fire, physiology, and psychological control.

https://jothamaustin.substack.com/p/ep-39-fantastic-4-series-johnny-storm

EP40: Mr. Fantastic and the Science of Stretching

Is stretching a superpower or body horror? Maria Dowell, MD walks us through the anatomical implausibility—and narrative intrigue—of Reed Richards’ elasticity.

https://jothamaustin.substack.com/p/ep-40-fantastic-4-series-mr-fantastic

Follow us down other rabbit holes:

https://open.substack.com/pub/jothamaustin

Or search Rabbit Hole of Research wherever you get your podcasts.