Transcript EP 52: The Physics and Biology of Extreme Performance

Guest Hayley Reese Chow

SubstackAppleSpotifyYouTubeAmazon

[00:00:00]

Joe: Hey, welcome back to the Rabbit Hole of Research down here in the base-

ment studio for Season Three

coming at you. Yep.

Nick: I’m shocked.

They haven’t canceled us yet, Joe,

Joe: we

haven’t been canceled. We’re here.

No one’s raided the Basement Studio and dragged us out. Yeah, so

Geo: don’t

give em any

ideas.

Joe: Yeah, so you have me, Joe, of course.

We’ve got Georgia.

We’ve got

Nick: you. Got Nick.

Joe: Nick. And we actually have a special guest with us

Nick: Oh wait. Hello there.

Joe: So if you would like to introduce yourself really fast and

Hayley: Hi, I’m Haley. I’m an author of Science Fiction adventures.

And I’m also a full-time

engineer, so I’m super excited to be here and thanks for so

much for inviting me.

Joe: Yeah,

definitely. Thank you. We got an engineer on here

Nick: So do you Look at human bodies as a piece of engineering, like

Geo: Yeah.

you’re, you [00:01:00] just,

are.

Joe: know you went

right in. Did, I

Nick: I mean, I didn’t know that

Joe: List. No

Hayley: I’ve never had that thought, but I was sitting next to an engineer that was

talking one time about the flap in your throat and how

Joe: throat. That’s right. it was because it was

Hayley: not robust enough and

5that’s why he was Choking

Joe: and not that flaps the epiglottis,

Geo: Oh, thank you

Nick: I thought about that.

Is that what it’s called? That’s

Joe: what the little flap is called. Remember that

Nick: the little dangly bit? I thought that was a, no,

Joe: the dangly bit. That’s called the Uvula, but There’s a flap that covers up your

windpipe when you swallow.

Oh. So that you don’t choke to death all the time. Yeah. The epiglottis.

Hayley: down the wrong pipe. So it had gone down the wrong pipe and he was

criticizing the

Joe: Yes.

Nick: I constantly do that. It

Joe: is. So I, we didn’t even, you jumped right

Nick: in. I’m

so sorry. I didn’t hear. I didn’t,

Joe: it.

But

this episode

we’re gonna be talking about the physics and biology of extreme performance.

So that’s it. And Hailey didn’t mention, she’s also an ultra marathoner,

right? Is that true? Yes. Yep. Yep.

Hayley: So in, in my twenties

I did ultra

6marathons and adventure [00:02:00] races and actually I still have I, I have two sis-

ters. One is a professional triathlete, and then I have another one who still does ad-

venture races

Across the globe in Fiji and Africa and South America. So

Yeah. we have Kind of an

a athlete family.

Joe: Yeah. Awesome. And you were in the Air Force, is that, did I do the

Hayley: Yes, I’m still a reservist

and I was active duty for a few years.

So,

and I mean, while we’re putting it out there, I guess I

was Also

A

fencer in college actually. So I got ultramarathon after I got out of college.

Nick: Oh Damn. There it is. Were you trying to go for like the Amazing Race?

Hayley: No, it, yeah I.

just, I had a lot of time on my hands after I got outta college and I didn’t have to

like do fencing or homework. and I really, didn’t know what to do with myself, so I

Nick: wait like fencing as in swords?

Damn goods.

Joe: are you talking about?

Nick: I

wanted to make sure

Geo: Yeah, like

Nick: she’s got a nice

7Watch this.

Joe: You What? Talking about,

Hayley: A common question

Geo: she

Nick: could be out there putting fences together and be like, yeah.

Geo: Oh,

Joe: a, fencer.

Oh, I

see.

[00:03:00] Like,

Nick: Yeah. Like, I

don’t know.

Joe: Stop it.

Hayley: you would have.

Nick: This

is the energy I’m bringing.

Hayley: I have fielded so many phone calls to the

Louisville Fencing center.

that say we do not sell fences. So many phone calls.

Joe: right. Well, as you guys know, I have I have my little opening,

Geo: have a little intro.

Joe: I have a list too to get us started. I have a few things here, but I’ll just do that.

Get us. I

Geo: I think

8Nick: before I derail it anymore Yeah.

already got

Geo: started. Right?

Joe: trying to hawk goods or something.

Nick: I actually I am trying to swindle people with things. Yes. .

Joe: So the human body is an experiment in balance, a lattice of muscle and

bone, electricity and chemistry, rhythm and rapture. Every stride, every breath, every

heartbeat is a predictable calculation between energy and entropy.

And yet no equation fully captures the human will. Physics and biology tells us

what is possible. Endurance tells us what we refuse to accept as impossible. [00:04:00]

What is the biology and physics of pushing past a red line? The second wind beyond

the pain and the signals from the brain that whisper stop. What happens when muscle

meets meaning and the human condition becomes a question mark?

Is there a limit?

Nick: I

feel like I’ve hit the limit

with drinking before.

where it’s

Like I know it’s no ultra marathon, but you know,

Joe: an ultra marathon. It’s the opposite

Geo: What do you mean?

Nick: You know, you drink hard that you just black out. You know that it’s, pushing

your body to the limit of uh,

Geo: how much you can drink?

Nick: Oh, yeah.

Yeah. before

9Geo: I don’t think

Joe: oh no, that doesn’t

Nick: no, no. I,

Geo: about.

Joe: endurance.

Nick: thought that was the exact same

analogy. That’s a different kind Like athletes train with their

Geo: bodies.

Nick: train with my liver?

Joe: know. Your liver. That is

Nick: not your

Joe: liver.

That’s killing your liver. yeah.

Nick: Gotta kill it to make it stronger, right?

Joe: Yeah. Yeah. That it doesn’t kill you, it makes you stronger. Yeah. Maybe a

good thing for you to, liver is the

only organ I can regenerate. [00:05:00]

Nick: See,

Joe: What were you saying, Georgia?

Geo: Oh, I thought that was very poetic.

Yes.

Joe: I

Nick: or

him

Hayley: the same thing. That was awesome. It

was pretty sweet.

10Nick: keep

people

Joe: a little hype. And I do have, some biological ideas that I think makes en-

durance, and maybe we’ll add a more physical, from a engineering perspective Nick

kind

of

led

into

Nick: that

Joe: earlier.

So

one right in.

But an endurance is sustained, maximum output, maintaining power, speed, effort

over long durations without catastrophic failure of key systems.

And so I have six areas. We have anaerobic metabolism, energy generation with

oxygen, cardiovascular delivery, heart vessels, blood flow, muscle efficiency, fiber type

mitochondria, fuel utilization, thermal regulation, heat balance, neural reregulation,

the brain’s control of effort and kind of our control center and then repair and stress

signaling.

The hormonal and cellular feedback loops [00:06:00] that, during training and

things like that prevent us from over training or should. So these are six areas I had

from a biological perspective that you can think of conceptually controls endurance,

and you have to train your body, your mind for all these

Hayley: yeah, endurance is just a, it’s a really interesting thing. So I, got into ultra

marathoning because I always thought I

cannot go very fast, but I can.

11keep going. And

it, It was

And it’s interesting because it’s very much

A mindset

in so many ways about what the human body is capable of and what essentially

that we

were

originally designed to do, right.

We’re so far removed from it

in this day and age, but if you can kind of tap into

it and have that

confidence that you know that your body can do that,

especially because, you know,

when we

talk about.

Our kind of everyday performance, right? And then you, but

then there

is the very high adrenaline performance.

right, Which is completely different. Like you may think that you are done or

tapped out, but then if your life is in danger and you have [00:07:00] that adrenaline

response then you can tap into a whole new range of essentially a performance that

you may not even consciously be aware of. And I think even knowing that exists is a

huge part of mindset for endurance runners. And actually, it was interesting. when I

got into, when I started Dec decide, deciding how I wanted to see my experience with

Ultra Marathon was trying to see how far I could go. Really, I was trying to find my limit

as a person. And I read this article, which was kind of my gateway drug into. ultra

12marathoning, which said that if you could run a certain amount of disc, like a certain

mileage that you could

Go twice as far not necessarily running. So like if you had run a marathon, then

you are already ready to go 50 mile to do a 50 miler. Like you might not be able to run

the whole time. but you can go And then, so I essentially, I did a 50 miler and then I

was like, well, if I could go, if I ran the whole 50 miles right, then I could go a hundred.

miles. [00:08:00] And so it’s that. It is really interesting, I think, how the brain and the

human body are interacting sometimes,

Even and a c part of it, too is pain management, right? Because If you’re running

for a certain amount of time, a time, there’s going to be, pain. and so you have to be

able to mentally essentially ignore the pain, so.

Geo: right.

Joe: No, for sure. No, I think that’s, really interesting and you raised a couple

points. I was thinking of flow state and I think we as creatives, you think of flow state,

you get into this mode where you are in writing and your flow and you’re, or you’re

creating, but also and performing, , the flow state where you get into that and you

were , I think, alluding to that where you get into this kind of mental state where you’re

now in this equilibrium between kind of the pleasure runner’s pleasure, they call it the

second win where you’re now, you’ve trained and so now you’re maximally using your

oxygen efficiency , depleting the lactate, lactic acid in your muscles, [00:09:00] re-

freshing that and you’re cruising along.

Before you have to hit this, next gear of a, this kind of very mental zen kind of

state. And then I think you go and I have the Berserker state where now you go into

this next phase where you are pushing yourself, you said that flight or you’re like, oh, I

got, can I make that last 20 miles?

13Or whatever. Or we think of movies, you know, John Wick, when he goes in from

flow state, like you almost see it where he is in some flow state, and then he goes into

a berserker mode where he is, it’s a, it’s physically taxing mentally and physically. And

he goes and it’s just, you shut everything off.

The whole world dissolves around you.

Nick: I think that movie actually does a really good job at showing that berserker

State. Like it makes you focus in on exactly what he’s seeing without being like that

POV view.

Joe: Yeah.

Geo: that’s a good point. I,

I read your blog and I was well, I was reading about when you did your marathon

and you hurt your ankle like very early on, [00:10:00] and I’m just like I was so im-

pressed that you were able to, like you said, mentally push past that. I can’t even imag-

ine. I’ve I have broken my ankle before. and I just can’t imagine. I mean, I can’t imagine

it just in the best possible scenario being able to do it.

Nick: I mean, I trip just walking. I don’t know.

I

don’t understand how you, do it.

Joe: you don’t, you are not, are you a you’re not a big sports guy.

Nick: What are sports?

Joe: Yeah. And Georgia,

I know you haven’t, you’re not, but when you play, like, so I’ve played like basket-

ball ultimate Frisbee, and you go and you do get, you have these injuries and things

and the, and I’ll say the longest run I’ve ever done was a 10 miler, and that was by ac-

cident.

14Because it was a 10 k 10 miler, and I just got the signage wrong and I just went

along. And that’s that whole point that if you can

do, and it’s even

in

training

because like when you train for a marathon, you don’t actually run a marathon.

You actually run 70% of it, , and then you know you can do the rest.

And I think when I ran, I’m just going [00:11:00] along and then, people, and I

read the sign, I’m like, 10 miler. And I’m like, what? Hold on. I’m in the wrong, I’m

Nick: running the wrong

Joe: route.

But, once I was in it, I was like, I can do this. Like, you know, I’ve

Nick: looks like I’m, just going, yeah,

Joe: right. And I finished and I had a good time.

Geo: But I can’t imagine rolling your ankle and then still running.

Geo: How Did you overcome that?

Hayley: So for

me

it was definitely the feeling of necessity because in some ways I was

like 22 or 23 when it happened and when I was doing

the. a hundred Miler

And so at that time

For that a hundred, a

hundred

mile ultramarathon Ultra marathon. So it’s essentially five 20 mile loops and you

can bring in a safety runner for mile 60 through a hundred.

15So I had also flown in my sister and my mom, who were gonna do essentially the

last two 20 mile laps with me. And so I was thinking, I was like, well, I’m never gonna

get them to

come out. Like I’m never gonna be able to fly them out here again. Like I spent all

this money to fly out here and fly my parents out here and I don’t know if I’m ever

gonna do

this again.

And I’m already here. So

even if I have to walk, there was a lot, this was my [00:12:00] exact like thought

process ’cause you know, you have a lot of time to think in a hundred mile

Nick: I don’t understand how you do

that alone, just being stuck with your own thoughts.

It’s like, oof.

Hayley: There’s a lot of thinking. Yeah. So

I, was basically, you know, I’m just gonna try my best. I’m going to, ’cause I’m try-

ing to find my limit. I wanna see, I’m just going to go until I can’t Anymore. And I’m

gonna see if I can, just because I knew that even if I walked right, a 20 minute, mile

pace, I, you know, I would finish in the 24 hour In the 24 hour, or actually 30 it’s a 30

hour in the

Geo: Oh my gosh.

Hayley: So I felt that need of necessity. And actually it’s a, it’s interesting. I have a

friend who’s an army ranger who talks about who, and we would talk

about how difficult the Army ranger test is to

pass. You know, it’s also very

physical and there’s this mindset that you get in that is this,

16this is terrible. And it is just this acceptance that this is terrible. But I never felt like I

couldn’t do it. And I would just knew that I could keep persevering until I couldn’t.

And it was interesting. It’s interesting you talk about being alone with your thoughts.

Like one of my mindsets, and I think someone else had said this [00:13:00] too, is real-

ly just keeping yourself happy. Like knowing how to keep Yourself upbeat and positive

is a huge part ’cause as soon as you accept that you can. Quit, you will. So you really

have to kind of almost trick yourself into saying, I cannot, it’s, and it’s very much the

same, It’s like also like, I think one of the toughest ultra marathons is actually in New

York and why? It’s

very tough. It’s a hundred miles

and it’s around one

block and they run. the same block

Joe: My

Geo: gosh.

Hayley: thousands of

Geo: Oh my

Hayley: difficult because it’s so easy to just walk away and

quit

Geo: Oh my gosh.

Hayley: are doing an out and

back, Right? If You were to run. 50 miles out, well Once you run, the 50 miles out,

you have to run,

Joe: right? Yep. Yeah.

Yeah. I think of the scene in

GATTACA

GATTACA

17where, you have the brother one is genetically enhanced and he’s put on the

pedestal perfection. Versus the other brother who was natural born. I don’t know why

it wasn’t his parents didn’t spring the money for him, but maybe I missed that part

when I got cut out the movie. [00:14:00] But but yeah, it was interesting because then

you had, he was trying to achieve this goal of going outer space,

and so he was struggling against the system of genetic perfection in that you

could force yourself. And I remember they would swim and his challenged, his brother

and his brother was like, I can beat you. And so they went swimming. And his brother,

who was his perfection, was built to do this and they swim out and they go and go.

And then the brother fails. A genetically a perfect brother runs out and turns around

and starts going back, and then they get back, and then it’s like, well, where were you

doing? And he goes, I didn’t expect to come back.

I was just gonna keep swimming until. We either swam and died out in the middle

of the ocean, or you turned around and that was it. And that’s that whole thing. A

minute, you can quit. Like you have nothing to gain or lose. You go, well, I’m just

gonna head back. I don’t know what I’m doing here.

I don’t wanna die. That’s same idea of you just running around the block, a hun-

dred times and it’s like, you said Hayley why am I doing this?

Hayley: Yeah,

it’s [00:15:00] actually, it’s

interesting

so, and Malcolm Gladwell has this book called Underdogs, and he talks about

what.

I, you know,

Underdogs can win, right? And in odds where it seems like they

can’t. And it’s like, even when it comes

18to

like things, like war, right? Like when a better, equipped, you know, more powerful

better funded military will lose against a smaller one. And it definitely, a part of it is

that

mindset of

having. Nothing. to

lose

of just of, you know, they don’t,

They have something to prove, and it’s a do or die situation.

And underdogs are able to to to harness that. I think it’s really

Geo: I think it

like just

the psychology of doing an ultra marathon or even a marathon, I think that proba-

bly just people with certain

mindsets

can do it in the first place. Do you know what I mean?

Joe: Yeah.

Well, I mean

there’s probably components, physical components that people that do it, they,

they have something, , the lung capacity, they’re what is called VO two max. How

they’re much oxygen in your lungs. So [00:16:00] there’s physical things that probably

start to separate, but then what separates those people from the people that actually

finish?

And I think that’s the intangible. This will, this mental kind of drive that I’m gonna,

I’m gonna do this, right? What anybody that succeeds, , they push through and they

have this kind of thing in ’em. And so even if all things are equal, you still need that

19drive. And I think that is important and forgotten in some of these things when you

see people do that.

So, because I know there was a documentary or something where you watched

about an ultra marathon through the Rockies in like Colorado

Hayley: is it the Trans Rockies run?

Joe: I think that was it. And they were showing people in the little tents

Hayley: I’ve done that one.

Joe: did you? Yeah. And they had

the blister, like

the one person

they had their feet were like just all blistered up and

bloody

and they were just running and it was like, I keep going, I gotta go.

You know? It was like this thing, like you said that, and you can almost see it where

it was like I can’t quit. Even though he had a good valid reason. Like your feet. Or

shredded, you should probably [00:17:00] stop. And it was like, now this banty is up

and we’ll take care of it at the finish line. And it was like painful to watch, but it was

also inspiring a bit to, to see that and have them push through.

And so, yeah, I think that mental capacity, that’s a big component. The will to do it,

the drive to do it.

Hayley: And there’s also a knowledge, component too, because I feel like there’s

also You know, when you get hurt, when you get hurt like that, I think you are doing

the mental calculation of.

What is the

worst that.

could happen?

20You know what I mean?

Like

it, you know, Is this going to get any, wor like, is this going to Permanently injure

me and not, , 99 times out of a hundred, the answer is no. That it’s a, it is a temporary?

it’s a temporary pain that will ,

go away. And it’s interesting ’cause you

especially see it in children, right? When

children are hurt

and a

lot of times

when they’re crying, it’s not necessarily because of the pain, but it’s the fear that

The pain will never go away.

So once.

Joe: Yeah.

Nick: I still get that. I’m like, this is my life now. Great job. Wake up from [00:18:00]

sleeping weird. And You’re like, oh, this crank. This is just my life. This is where this is

the new are you’re

Joe: talking about you or your 4-year-old?

Nick: Me now? No, this is straight up. Me

Joe: a little.

Geo: I do think

there’s certain times where you just go, is this gonna be permanent? Like certain.

Nick: So have you, is the idea of like the invisible wall, an actual thing?

Hayley: I have not encountered that. I personally have not encountered the wall

sensation in any of.

21Joe: Know for those listening that might not be familiar, Nick, you wanna or Allie

to explain the invisible wall? Yep. To our,

Hayley: So the wall, as I understand it, is that in, in any sport, and specifically

actually in

running, is that you get to a point where you feel like you cannot go any farther.

And but if you break through the wall, then a lot of people think that is when the

runner’s high actually kicks in is once the wall.

Is broken.

And Nick, I don’t know if your understanding,

of the wall is [00:19:00] different.

Nick: My understanding of it is through the movie that Simon Peg did in 2007,

which was called Run Fat Boy Run, where they actually had a wall show up in front of

him in his like head and he broke through the wall as like the big conclusion of the

movie.

It’s like, oh wow. He made it through and actually finished the race. ’cause he was

someone that. Didn’t finish anything he ever started and that’s pretty much what I

thought it was.

Hayley: And you know, what it could be is it could be the the si like a kind of a

less, even less literal of the expectations of

what you think your body can do. you, it could be D, that could also be the wall,

right, is that you think that you can only perform up to what your mind thinks that your

body can perform. And that is the wall. And you have to essentially break yourself out

of that. You have to trick yourself once again into thinking that your body can do more

than you’ve ever thought that it could. And I could see that being the wall. as Well, un-

fortunately, I think I was born with a lot [00:20:00] of hubris, so I am much more likely

to take on task.

22Joe: Yeah. I mean, that’s like the runner’s high. you have this mix of hormones,

your endorphins, the, endocannabinoids kicking in as you go and hitting your blood-

stream. So once again, I think that’s part is flow state.

And so you have this kind of your brain chemistry and you’re getting this pleasure

sensation from that. Some of this is pain suppression, calm euphoria, so all these kind

of feelings that you have, and like you said, make yourself happy. And so where you

might not feel this wall approaching is because you’ve set yourself up to actually have

those thoughts to go, oh, let me get in the good space.

Let me find my good space. Let me be mentally sound. I’ve trained, I know my

body, I know I can do it. And then you do it. I think if you go in doubting yourself, I

think that’s when you might hit walls or if you’re, I. Writing for effect a movie or a story,

then it might even come in more because that, that adds dramatic quality to it.

Nick: [00:21:00] Well I think he did go in doubting himself. Because like through-

out

the events of the film yeah it all led up to

Geo: sometimes

there’s

just like a switch and like you just get to that point where you Oh, I can. do this.

Like you Might not always.

Right. You might not

go into it even feeling like

you can. But maybe at some point then that just,

Joe: yeah.

Geo: But also I think, as far as the human body , isn’t it also about age? I just feel

like especially at my age there

Nick: you kinda talk about, but you know

23Geo: know what I mean, like the body is there only a certain

window where your body’s

like.

In the right sh Shape,

Joe: I think

there’s, for training and recovery, being younger, that is, that’s an advantage be-

cause your body metabolically still on a growth curve if, let’s say that. And I think if we

think about that as you age, your body just heals. It takes longer to heal naturally.

So if you twist your [00:22:00] ankle when you’re 20, you could be back out run-

ning the next day, just a sprain. Whereas if you’re in your thirties, eh, you might, not go

as hard the next day you hit your 49 and fifties, you know, I just hit 50 this year.

Geo: I’m just thinking of everything like lung capacity,

Joe: So, but lung

Geo: like

Joe: some of those things.

Geo: the stress, on your, you know what I mean?

Joe: So flexibility

in your cartilage, your tendons, all that as you age will stiffen up. But if you were

training, you know, you

Geo: I’m sure there.

are people that do it.

Nick: It’s not like you’re gonna go out tomorrow. and be like, I’m gonna go

Joe: an ultra

marathon tomorrow.

Geo: But, I feel

Nick: I feel like

24I,

Geo: that is kind of a limiting factor maybe.

Hayley: So the oldest person to complete the bad

water, 135

ultra.

Marathon was 80 years

old.

Geo: Wow.

Joe: I

Nick: I don’t know why I was hoping you were gonna say, like a hundred and

something. I was like

Hayley: Well, for a marathon maybe, but this is for the Ultra

Joe: Ultra

Hayley: 135 [00:23:00] miles.

Through the desert.

Joe: Oof.

Yeah. And you might gain advantages mentally. And I think Hailey, you mentioned

this knowledge of self knowledge of. What you’re doing as you get older you, what

you lack in physical capacity, you gain somewhat in, mental capacity and the knowl-

edge that you’ve seen a lot.

You’ve done a lot, you’ve pressed through a lot. And you can press through this

here. And I was gonna say the other thing, you might have an innate natural advan-

tage of being a woman both LA and Georgia. It’s a lot of research now when you talk

about physical activity that usually men are thought to be dominant, , just longer, larg-

er lungs.

25Oxygen capacity, muscle strength, just built to be stronger, quicker, faster, , equal-

ly trained, athletic man, woman, the man will generally outcompete the woman.

But

more recent research is showing that in short, quick burst [00:24:00] activities,

man has the advantage, but women start to gain the advantage when it goes to en-

durance sports.

So a lot of research is coming out, is that as you stretch out past the marathon lim-

its to ultra marathons, women now are competing equal. And if not, superseding men

ability, equally trained, equally competing. And so it’s really fascinating that kind of

that the long game, favors, the, women and their biological makeup to persevere and

to push through.

And I just thought that was, am I researching this topic? I thought that was really

fascinating to see that kind of research come up. So,

Hayley: and it’s interesting too, ’cause I feel like part of that might also have,

to do with the pain. right,

And it’s interesting. ’cause my

Joe: Mm-hmm.

Hayley: does these these multi-day

Adventure

Races where They’ll be going for like, she did the

bear grill’s eco Fiji race, which was like actually wrote it down. it was like 11 days,

and it’s 417 miles.

Nick: Oh

damn.

Hayley: Yeah, It’s wild because they also

they’ll sleep

26and I don’t know [00:25:00] if this was for

that particular race, but I know that they do in other races. ’cause

They have to first of all, navigate often through the wilderness, so not, so

they’re choosing the path and then they’ll also sleep

in like

crazy

short bursts, like

20 minutes

at a time. And I mean, yes, it, is wild how little they sleep. And then once again,

dealing with the pain. And I think there are studies, about, women

and I feel like I’ve seen, I have to fact check me, but I feel like I’ve seen studies on

women. and pain. tolerance. So I think that might play a role as

Joe: yeah, no, I think I mean you’re probably right

Nick: Honestly,

I feel like this would be the best thing for if you’re in a horror movie.

Like the endurance you’re surviving

right?

Geo: right?

Yeah.

The ultimate Final

Girl,

Joe: girl,

right?

Nick: You’ve succeeded. We found our final girl for

the season. It also

Geo: reminds me, it reminds

27me of the extreme of us.

Joe: Well, that’s no

Nick: you’re just pushing

this one in. Come on.

Geo: No, but it’s extreme. You know, I

Joe: I had on, I was just looking [00:26:00] up my notes on this topic.

One is , fat metabolism that women they have estrogen, upregulates enzymes for

ma fat metabolism. So that might improve mitochondrial efficiency during these long

endurances fatigue resistance.

Women experience less muscle damage and faster recovery under repeated

strain.

So that was one of the things thermal regulatory advantages. Women can regulate

their kind of heat management better than men.

And then hormonal modulation, so this kind of, I just mentioned the estro estro-

gen pro estrogen help with mitochondrial biogenesis antioxidant capacity, so you get

better cellular endurance through this kind of process of running these really long dis-

tances.

So, yeah, so really fascinating,

Hayley: About time we won

Joe: That’s right.

Nick: Hell yeah.

Joe: It’s, yeah. People start throwing research on women find out

Nick: offering them

Joe: Amazing. So That’s right.

Nick: And a meal

with and

28Joe: a suit and a you’ll get superpowers. [00:27:00]

No,

Geo: I do think of that show that, I

think

Stanley Lee did and it was he found

Nick: people

Geo: that were able to do like,

Nick: Yeah.

Geo: Like real life superhero,

like the people had been able to do,

Joe: oh, thing about the guy

and I could like punch through melons or something with the finger.

Geo: I

don’t,

Joe: the melon puncher, I don’t know.

It was so weird. Yeah.

Nick: Was it Jet Lee? ’cause I feel like that was, him.

Joe: it

Geo: It was so, and it was supposed to be

like people that you hadn’t heard of, like, you know what I mean? Not necessarily

famous people that were able to do these.

Nick: I think I’ve heard the show or heard of the show,

Joe: so maybe, you know, you Georgia, you had a point about maybe you’re not

ready to go do an ultra marathon, but maybe this is where the engineering can come

in and bio-engineering to enhance or have enhancements that could go on

Geo: Are you talking bionics

29or?

Sure.

Joe: Sure. Let’s talk bionics. Yeah.

Just cut

right

to it.

the

Geo: bionic [00:28:00] woman, Yeah.

Joe: like the bionic woman.

Geo: Yeah.

Joe: No, I

Hayley: you know, it is interesting

’cause like we talk about why humans continue to, get faster, right? Like why we

continue To break records

because, you know, shouldn’t at

some point we be optimizing the potential of the human body. Is it the shoes,

right, Is it like these braces, is it the material

of

the track that we’re running on?

Or is it our nutrition or is it, the fact that are we really just as, , humanity getting

stronger? So that is, it is a interesting thing

as well,

Nick: yeah, that is actually really interesting. Like

that is,

you would think that older generations of humans would be faster due to, , being

closer to the. Pri,

30Geo: right?

Like having to do a lot of that physical

Nick: Like having that danger of Right.

Having to run like,

Geo: hide, right.

Joe: Yeah. But we’re also designed, if you’re talking about when we were. More

prey than predator. [00:29:00] Endurance was our game. Like we’re designed for en-

durance.

So like a cheetah only can go fast for a very short distance. Like you can outrun a

horse over, a 5K or a marathon. You would, the horse will give up at some point in time

and it’s

Geo: because They’re not

Joe: you just keep going.

Right?

Geo: they’re like,

Joe: don’t think about that. So really all you gotta do is outcompete for x amount

of time and then you’ll win.

And that, that also then what makes us like really good predators, because then

we have this ability to stalk the hunt to go around. So now if you combine that ability

with weaponry and strategy, that gives you a very tactical advantage over things that,

you know, a, they’re gonna run out of energy. So all we gotta do is to.

Wear ’em down. We’re hunting a herd of, mastodons and, we know then we could

strategically wear them down stress ’em out, and then we can overpower ’em. That’s

our designs, our design isn’t actually sprinting. It’s the opposite

Geo: but I think that’s

31still a really great point because the way [00:30:00] our lifestyle is now is very sedi-

tary and a very, like,

Nick: we’re not in the same mindset of

fear.

Joe: I don’t wanna be like I was gonna say Hailey, when you were saying like, how,

why are people getting fast here? And I was just gonna throw in that there is prizes

and money and all sorts of accolades that come your way if you train yourself to be a

physical specimen and push yourself to that limit.

So if you have the. Physical makeup, so you have the genetic makeup to actually

run fast, and then you give yourself that extra advantage of training and working on

that then, and taking advantage of modern materials, outfits. You look at what people

are wearing now, when they run, it’s, , they’re pretty naked.

It is got like a little thin, I don’t watch the Olympics. I’m like, whoa, we need to blur

out some stuff on this. Like, you know

Nick: oh, I was just thinking of

Hal from Malcolm in the middle with his speed walking.

Joe: Yes.

Geo: Yeah, So,

Joe: but I think there’s been comparisons with like Hussein Bolt and Carl Lewis

and, some of [00:31:00] the greatest sprinters that we’ve had.

And you look at their stride length and things like that, and they’re really close. So

you go, you know, maybe Hussein Bolt, you do it. Maybe he’s got like a little bit of

stride length.

But if you do these comparisons through time, you do see these sprinters, they all

are from historical sprinters are, close, like they, if you give ’em some of these advan-

32tages and training, diet, lifelong kind of effort, like you’re gonna, this is what you’re

gonna do

Geo: could get in We could get into nature versus nurture

too. You could,

Joe: yes. That is,

Geo: you know. there’s probably some just innate abilities. sure. No, and then

Joe: that point,

Geo: And then at what

point do you, what things

in your environment was able to

Right.

You know?

Joe: You know? Yeah. No.

Hayley: And it’s wild these days too, ’cause kids specialize in sports so early. They

are like, they are going after these goals like the six year olds and the 8-year-old run-

ners of today that are breaking records. Starting that young. And then I feel like also in

[00:32:00] some ways we almost have like. This I don’t know, I guess ath this athlete

Social, structure, right? Because we have athletes that like go to college and, they

do sports there, and often they meet other athletes or, like two

basketball

players, right? Someone

from the WNBA and someone from the NBA. And then they have, they’re kids and

who are even taller and have the benefit of both of those genetic those.

lines. And I do feel like

in some ways

we

33are creating this environment where we are, you know, I guess incentivizing

This fascination. Maybe just this honing

Of

human ability and, in the extremes, right?

Joe: yeah.

And that’s what sells, right? I mean, you’re gonna go and look at it, then you’re

gonna pay good money to watch sports. Then you wanna watch the best of the best

compete. Not

Nick: I have to disagree. I want the worst of the worst.

Joe: there’s, want to see

there’s

Nick: the space jam in the first part.

Joe: Yeah, I think there’s probably

some

something there. you gonna

go to [00:33:00] the rec league and you’ll get your

fill of that for free. You don’t even have to, and I know we’re talking running, but

swimming distance, swimming for, near these long distances.

Looping back to the women versus men. Women also start to outcompete men as

a distance extends in any endurance sport. So, really kind of fascinating, but yeah.

But genetics you mentioned you get, you know, two W-N-B-A-N-B-A player and

they meet, they can have a very short kid with no athletic ability.

Right. Genetics doesn’t quite work out the way we, like, we

Geo: cruel, Mister.

Joe: we’re not engineering yet. We’re not GATTACA level, crisper you know, gene

Nick: you, wait, hold on. We, she does engineering.

34Let’s,

Hayley: extinct animals. Jurassic Park is happening in

Texas

Joe: Well, the thing is

they’re not,

Nick: I can’t wait. I’m going

little bit.

Joe: they’ve not actually brought back an extinct animal. They brought back

things that were close to the extinct animal because they had to like do a little bit of

trickery there to get it [00:34:00] going. So it is, it’s interesting.

Nick: Weren’t they bringing back the dojo bird?

Joe: The dodo bird. They’re trying, I think, but yeah, there’s no,

Geo: that hand waving, ma’am?

Joe: I mean,

Geo: it’s

Joe: so a

it’s

Nick: not ‘

cause it’s happening.

Well,

Joe: like the DNA isn’t all intact, so they gotta like, they kind of, they’re finding

something that’s closely related and then they’re kind of, you know, kind of smudging

the

Hayley: Wait a minute, wait a minute. in Jurassic Park they used, the frog DNA to

fill

in the gap.

35Joe: I,

I

just wanna

say

that is, that was a mistake in that movie because at the beginning of the movie,

now we’re off topic

Nick: Wait. You’re saying they made, mistakes in Jurassic Park.

What? a whole Jurassic

Joe: I’m this. But one in particular was weird because even at the beginning of

film, it’s like, oh, birds evolved from dinosaurs. Great. So, why in the heck are

you

Geo: using

Nick: frog DNA,

Joe: the, to

reconstruct

Geo: they use birds? They

Joe: Spurd?

DNA? I don’t get it.

So that could

have saved them some trouble, but it would, the plot wouldn’t have worked

[00:35:00] probably as Well, having

Geo: they seem to do

Joe: female male, uh, yeah. Of messing things up. Like,

Geo: well, they did a good job of bringing back some

dinosaurs.

Joe: No. All right. That’s a different topic.

36Nick: I have so many things.

to say about Jurassic

Park. Okay, so,

Geo: so,

what kind of

Hayley: the dire wolf. I think

Joe: Yeah, it was a dire wolf.

Hayley: up. The dire wolf. is

Joe: Yeah, that’s right.

Hayley: animal to have been successfully

Joe: Yeah. Yeah. But if you read the details on that, it’s a little, there’s some fudg-

ing in there. Yeah. It’s interesting.

Geo: wa I

was gonna ask what kind of engineering.

do you

Nick: actually the one working on the dire wolves. That’s right. Joe is calling her

out for no reason. I am so sorry about

this. This wasn’t supposed to be a Gotcha. piece.

Joe: is how we

get

Geo: started.

Joe: down.

Hayley: I’m a mechanical engineer, so

I work for the Air Force.

So I test testing

weapons

37Geo: Okay.

Joe: Nice. Are you working on anything fun or are you

Nick: that’s classified?

Joe: no. You know,

Hayley: When I was

younger, when

[00:36:00] I,

was younger, I we tested like, go eights and, missiles was our thing. So it was cool

to,

To do the 30

mil bullets and the

40 mil bullets. So

That was always fun And then when I got.

Then I also tested fuses, which is cool because you put the fuses in like this big,

like Metal.

cylinder and you shoot it out of a canon.

So that’s all.

Joe: So you were like, you’ll be the one attaching the gun to the War Machine, the

Iron Man suit.

Nick: So how far off are we from the Iron Man suit. It should be the

better question.

Hayley: You’re, we’re probably not as

far as

you think, if I had to guess.

Nick: what’s the

Joe: So I mean

38The, in my mind, the farmer and this tethers a little bit, what’s the power source?

Because that’s always, that’s a, because the arc reactor was the hand avium power

source that didn’t generate a lot of heat. It gave out tons of energy. But that we don’t

really have an equivalent or do we?

Hayley: I agree. I don’t see, I don’t think we

have an equivalent.

And actually It’s interesting

when the movie iRobot came out, like back in whenever that was [00:37:00] actu-

ally I come from a family

of engineers, So

all three

of my sisters are engineer. My dad’s an engineer. And

Nick: Oh, damn. Wait, is your mom an engineer too?

Hayley: What’s

Nick: Is your mom an engineer too?

Hayley: Nah,

Nick: No,

Oh, I was gonna say like, did they? Right.

Joe: Yeah.

Hayley: it’s a STEM

family. But yeah, we were talking about the A power source.

right? That That could go around that. And I still don’t think that we have that

battery technology

is advancing. and I think,

You know,

We joke about ai right? And all the

39evils and good evils

that come with that from a creative perspective,

I think that are we definitely

hear a lot about that in the writing. community, But

I

do think that they are, they’re able,

to use AI to look at the optimization for batteries, and I think they are

doing that,

Joe: Yeah. Yeah.

Nick: Which I think is a good idea to use it for like certain things. Ai. Yeah. I

want AI to test that,

but like, I don’t want it to be being the actors in the movies. It’s

Hayley: There is an ethical use of AI.

agreed, and

I hope [00:38:00] it

is to Make our lives.

better.

so that

we can make more art.

Joe: That’s right. Yeah.

Nick: Not having it do the art. Yeah. Degree

Joe: and taxes.

Well, unless you enjoy doing taxes, but

yeah,

Geo: laundry.

Joe: yeah. Or laundry. Yeah.

40Nick: Don’t get me started on

the taxes.

There’s

Joe: Yeah.

Nick: It’s gonna get us shut down.

Joe: No, yeah, no, I meant suit,

Geo: so

Joe: Yeah.

But yeah, no, that’s yeah, that I was thinking about because we, the biomechanical

kind of outfits Aliens, Ripley, , she had the, you know,

get away from

her, you bitch.

Yeah. Yeah.

Nick: oh man,

if only we had video. I did a great

interpretation of this,

Joe: video’s coming soon. And you’ll get to see Nick do whatever he was just do-

ing. Yeah, no, it’s

Geo: and

the, speed walking.

Joe: the, I mean, the other

area where we think about endurance is actually flight and going to other planets

and.

Everything involved in that because we think about going, you know, there’s some

endurance to G-Force things that are applied to your body as you go. But then

[00:39:00] if we think about being in space just your body undergoes in

41A zero G kind of environment. All sorts of losses, muscle loss, mechanical loss.

And then if you’re actually on other planets with different gravities or like our

moon or Mars,

then

Geo: Right.

Joe: your endurance, everything changes. So like I was thinking, like running a

marathon on like the moon would be really wonky ’cause you really wouldn’t run,

you’d be kind of hopping along. Am I right here?

You’re an engineer Usually.

I’m just sub

biologist. So,

Hayley: so it’s, well it’s funny.

so like

into,

so.

my book Into The Turn they do a race, right. That’s

part of it is inspired by, ultra marathoning and

it is what

that’s actually brought up is the level of GForce on the different

planets and how that affects Is,

the people from those planets, you know, their endurance.

And actually

I looked up, I actually, in that journey of doing that, I was looking up what toler-

ance that

humans have,

to live at different GS for a certain amount of

42time. because I don’t know if you guys are ever dragging ball Z

[00:40:00] fans, but like.

Nick: Yes.

Hayley: But like, Viji and Goku, they

train at like three times.

G and

I was like, is that

possible?

Like, and the answer actually really is

no, that humans really cannot survive

very long Outside of one G without external

intervention. We’re just, not made for that. We would Have to alter our bodies in

some way. The bone Density, and I think the show or the book series.

the

Joe: Mm-hmm. That’s right.

Hayley: of showing them altering the

body in order for Them to be able to survive long term in different. G environ-

ments.

Joe: Yep. There’s a lot of, there’s another movie where they were trying to create.

Humans modify human genetics to live on other planets. And conversely living under-

water, like leviathan, like creating humans that can withstand the pressures of deep

sea mining, of rare earth, elements.

So, but yeah, the spacing and it’s just interesting that you go and then what would

happen? So let’s say you train on, a lesser G or a [00:41:00] greater G and then come

back to earth to run.

43Nick: So going from two Gs to one G, is that gonna make you faster? Like, isn’t

that what, sorry? I might be wrong for Superman, Isn’t he in a different, like, coming

from a different amount of Gs?

Joe: We don’t know. I don’t. Actually, I don’t know what the,

Nick: because isn’t that why he could fly and stuff?

Joe: Alright, that’s, hold on. That’s a different, yeah, that’s why he could jump high,

right? That ’cause originally he only could jump. Yeah, really high. He didn’t really fly

Nick: falling with

style.

So

Joe: yeah. So if you’re on, if, I mean if Hayley, maybe you’ve said you’ve done

some reason, but if you’re my mind, biologically, if you’re on a greater g training your

bone density, muscle density, I mean, almost be like very vigorous training with like

backpacks full of weights, like all the time in training there.

So your body would try to adapt to that your lung capacity. So yeah, if you trained

at two G and then came back to one G, you would have [00:42:00] potentially more

endurance, but you probably wouldn’t have more speed. You probably would lose

agility. I mean, in my mind, because you would just, your bone density, your muscle

density, everything.

So usually if you. If you think of a big bodybuilder dude or woman they usually

lack flexibility.

Oh yeah.

And they’re not,

Nick: I know, that for certain, I have a buddy who’s a professional

Joe: I didn’t know

Geo: I was like, wait, a second,

44Nick: He can’t reach. his back.

Joe: Yeah. So,

so

that

Nick: would

be Jared martin, go ahead and look him up and give him all the hell in the world.

Joe: You hear

that out there.

Um, tell him Nick sent you. but yeah. Is that, I mean, Hayley, does that sound right

Hayley: Yeah, that that sounds right to me.

So, so in my book I did, so that’s actually one of the reasons why the main charac-

ter has an advantage is that she did grow up on a on a

planet that

had

A higher G and

then she came to this planet

with, that had a lower G that has this race. So that’s one of the advantages that

she does bring, and for her it is a high, she’s a, she’s kind of a hybrid. ’cause She

has also spent like [00:43:00] five years in this new environment as well, which has giv-

en her the ability to adapt. So I think,

I mean.

I love

That idea of doing that. But it’s funny ’cause I think humans are

so

much more like goldfish than we really want to admit that we are where we cannot

survive outside of these very limited super conditions.

45Because I mean, even

when we talk about diving, right? You just talked about

diving and like, So I’ve

I’ve done

some dives,

Myself and I have a lot

of friends that dive and, I mean, the

bends is just,

Joe: yeah, that’s right.

Hayley: So That’s like where, you know, you come up too fast. From how I think. I

think that’s like what

Anything below 60 feet and you have to, you usually have to hang out at around

15 feet to give your, for like a couple minutes to give your body time to

acclimate before you

go up.

And if you don’t, you get the Bends, which can be very life threatening.

Nick: Wait, can you go ahead and explain the bends?

Hayley: What’s that?

Nick: Can you go ahead and explain what that is?

Hayley: So

I think I’m trying to think, I’m trying to think of the the science behind it other than

the

pressure [00:44:00] on your

brain

and like the

Nick: oh

46Hayley: your brain it me it messes

Joe: yeah. It’s like nitrogen bubbles in your blood that cannot escape. So it, They

can’t be safely exhaled. So you get all sorts of joint pain, dizziness, all of the air spaces

in your body just are extremely

Hayley: It can get like in your joint,

Joe: Yeah. So, right.

Hayley: joints, in your brain,

and like, and it

can kill you. It can last a

lifetime.

It can. So, and it’s

kind of wild, Right, because we do diving for fun, but it is like, it is super. danger-

ous and We’re not even going that far down. Right? Like humans can only safely go

like, you know,

our.

I mean, if you go any further than a hundred feet, then

you’re, you can Only, stay down there, right? There’s a whole table. So if you dive,

there’s a whole day table for how deep you go and how long you could stay.

and if you’re going to about

a hundred feet, you can only stay for about five to 10 minutes before you have

to start,

your at a set up.

So when we’re talking about doing Gs, like we can’t even, we can’t even

[00:45:00] go a hundred feet down,

Joe: yeah,

Geo: no,

47Joe: we’re, I mean we’re designed for, we’re not extremophiles. So that’s, we

are

Geo: Wow.

Nick: y’all are really shoving that

in.

Joe: If you have your drinking game card and that’s it, extremophiles.

Nick: So wait, why do whales get to go up and down? Like, do they have some-

thing in them that allows them to. Go to such depths and then come right back up.

Joe: They don’t usually, they, when they dive, they usually don’t, in my under-

standing, I’m not I’m not a whale biologist, but my understanding is when they dive

they continue to dive, and then when they ascend they actually ascend slowly back to

the surface. But yeah, I don’t know if they make quick

that jetting because of

Geo: because of that very thing.

Nick: So

they’re they’re not just going down. grabbing something and

Joe: no, but I would’ve to look that up and put that in the show notes, but I, unless

Hayley, do you know, I mean, I

Nick: sorry, I didn’t mean to interrupt you there, Hayley

either.

Hayley: I’m not I’m actually not sure

Joe: I think when they, I think when they [00:46:00] dive, like they don’t, once they

start diving, they they continue their descent and then when they ascend, they kind of

yeah.

Yeah. I don’t think it’s a quick, if

Hayley: If I had to, guess too, I would assume that.

48their girth also

provides some protection that they’re just

a Little less fragile, but

I bet that’s just a

Joe: yeah. The cardiovascular system could be a little different. They probably to

ascend, they have to use, air sacks. I’m trying to think of modifications they would

have that would be special for them to their boy that, to control their buoyancy.

Hayley: Yeah.

I think we, if we were truly to go to another planet, or even for long-term space,

flight, I actually,

think that a suit would, and once again in, in my

book, they also have

suits that help them to acclimate. That I think a suit to, to assist your body like, like

an exoskeleton to adapt Would be helpful.

Joe: Would the suit be integrated? Like, so would it be kind of like a cyborg kind

of thing? Would it integrate into. You know, or would just be truly external? Or do

[00:47:00] you think it would become part of the human to actually to have neurologi-

cal control, have all these kind of features?

Hayley: That’s a good question.

It is funny because

I

feel like

as an it’s tough because like, I

feel like, you know,

It’s funny ’cause when

I think

49one of the, one

of the things

that I think will become a thing in the future is like a chip, right? Like, oh, eventual-

ly that will have it a

chip in some, you know, that we’re able to implant some way in our brain to ac-

cess essentially the internet, right. And information and in a, at a thought speed. How-

ever, and I think that technology would be better if it was implanted.

However, I think that you’re gonna run up against the willingness of people to per-

manently modify their body with technology in a way that they don’t have. a control

over and they don’t understand.

’cause then I think you’re going to get into a lot of the cons, conspiracy and

And paranoia.

Nick: The subscription fees and all that.

Joe: You know,

Money seems to [00:48:00] be a driver, so I’m sure there’s people that are now,

you know, there’s companies that you know, oh, if you implant mag chips to open

doors and things. So there are people who are doing that at particular companies.

So I think there are people who are biohacking themselves. So I think there will be

a

group of people who jump in to the deep end and to see what happens.

Hayley: That’s just kind wild too, because, I mean, then you’re talking about the

obsolescence of technology, so you’re talking about having to update and then you

know,

you talk about having to insert

Joe: Can you be hacked? I mean, what’s the hacking, what’s your all these kind of,

yeah, no, I think once you start to.

50Biomechanically alter yourself. And then

Nick: I think cyberpunk, 2077 ends up talking about that. Where you’re able to

hack other people. Right, And it’s like, oh Now we’re that, that’s a good possibility.

Now that’s stuck in my head.

Joe: No, I think you right. I think you’d have that in it.

Would you take control of someone or can you control ’em? Can you run ’em like

a drone then essentially [00:49:00] for your work hours you’re just gonna be biome-

chanically, , running an ultra marathon.

Nick: Well, even with heart monitors and

stuff, if that, stuff can be hacked, then Like,

you can end that person’s life pretty easily.

Joe: The, like bio quantum and things like that, where now you’re using quantum

technology and quantum sensors that can go in and do monitoring of your biological

activity inside.

So as you are doing these things, as you are trying to push the limits of your hu-

man condition you’re getting instant feedback. It’s not even delayed, like where you

gotta, oh, do blood draws or temperature? No, it’s just, second by second you’re get-

ting a readout of core temperature of pH of all these kind of factors that are control-

ling.

And then can you actually modify it? So can we take someone, run ’em on the

treadmill, get this information, and they go, okay, here’s what you need now to be

modified. Genetically and to be compatible with your bio mechanical suit. [00:50:00]

Right. So that’s, that would be the ultimate, where you’re really like, so we’re headed

towards personalized medicine.

What about personalized, bio modifications both genetically and mechanically

Hayley: That’s always like, where it gets

51so Scary for me because

like I, when I think about that, of course.

at first I think the cost, right?

And So then of course. you

Joe: Mm-hmm. Mm-hmm.

Hayley: all of These

technologies would be for the extremely rich. And then

you would think, well, okay then what kind of like case are we creating?

In which case we

have, I mean, so I, the

The show with the evil superheroes, Why is it

not coming

The Boys?

so right. It’s like,

so

I mean, then it’s okay, if we have this case of very rich bio modified people, you

know, it’s like,

how

does.

that gonna

Affect.

us as a

society?

Is like what? So that’s where it gets wild for,

me,

is how that,

52Joe: yeah. I mean, you have the movie Repo Man,

Nick: Yes

Joe: the Forest Whitaker one. But where they had artificial organ, mechanical, bio-

mechanical organs that [00:51:00] people were getting, and then if they couldn’t

make the payments, then they had to, the repo men would come and repossess their

heart or liver or whatever organ was put in.

So yeah, it was, it’s a, actually, if you haven’t seen, is a really great movie, has a re-

ally twisty end at the end. So, but that, that plays that dilemma out. Like what happens

when, you’re buying modifications like. Used car,

Nick: Well, then you also get the black market that opens up with that, right.

Like

Doing underground modifications. And it’s like how safe is that gonna be? And

then gets real sketchy.

Joe: Yeah. Especially if you, I mean, like I said, you include the biomechanical,

Nick: can’t wait to do this episode

Joe: and you go and you have that, so, yeah. No, so it is very, and then you’re

right.

Then, the ultra wealthy they’ll get theirs and then you’ll have people doing it for

work. Like, are you need to be an underwater miner. So you need these modifications

to be successful at your work, but that means you won’t be able to live on [00:52:00]

land unless you, we take it away. After you earn so much, right?

So you start to set up these

Nick: paying the company. back.

Joe: That’s right. Yeah. We gave you these modifications, you’ve made money and

now you need to pay to have them undone. To start a normal

Nick: sounds like the Waylon corporation.

53Joe: Yeah. There you

Hayley: Or Yeah.

Or you can even go, I mean, kind of bringing us back to

like the bi the bio designing, right? Like there are, I know there are a couple books

out there, like the one of them I think of is the House of the Scorpion, where they use

clones,

right? Where They’re

growing these clones for the very purpose

of using their organs as

Joe: Right,

Hayley: For their original hosts.

But then if you

start Thinking, about, well, if we’re gonna go down this path, of, you know, this

thought path of the clones, Then you could start thinking of, well, are we, go, can we

alter the genetic makeup of a clone? Is it easier rather than to alter someone that’s al-

ready grown? Or is it easier to you know, adjust those embryos in in, in the beginning

Joe: Yep. Yep.

Hayley: Grow [00:53:00] specialized Mm-hmm.

space, or to go to the deep.

Joe: Yeah, that right. And that’s where I think their the movie I mentioned

Leviathan, but that was The Deep Sea one. It was a b horror movie, but one, one of my

favorites where, but they put the gene modification.

In

the vodka that they weren’t supposed to drink.

54Like they found it on some Russian UNK ship, and then they brought it back, and

then they started turning into these weird sea creature things. So yeah. No. Did you

see Leviathan?

Nick: No. I don’t think I have.

I feel like, that’s going on my list though.

Joe: it should be. Yeah. It’s got

Nick: it sounds familiar, like Peter,

Joe: is it Peter Wells, the Robocop actor?

He’s the main guy in it. And yeah. That was part of my childhood. And then it, I was

thinking of the book never Let Me Go. That was the one. Yes, that was it. Yeah. Yeah.

So, and they were growing clone.

You

were cloned at birth and then your clone was living a life, but it didn’t know it was

the replacement.

For some counterpart,

Geo: we need that heart. Sorry.

Joe: Yeah,

that’s [00:54:00] right. Yeah. No, that, that’s

exactly what it was. So, yeah, no yeah, and I just recently finished watching Firefly,

the

Nick: Yes,

Joe: and there was the last, was it the last episode where they had the or no, the

Geo: next are you gonna spoil it?

Joe: well, they just had a, the guy that was there, he was transporting organs.

So they were growing the organs in him, and then they were they would then, they

would go deliver ’em, then they would put his original organs back in. So they were

55like gene modified organs. That had to be transported in the living human. And so

they had live human mules running organs. So yeah. Yeah, you’re getting all these

weird,

Geo: that sounds like a fun, job.

Joe: Yeah, that’s right.

Yeah. All right. So we’ve touched a lot, I think of The bleak biomechanical future.

Nick: I mean, I do have one more question.

Joe: Go for it.

Nick: Have you thought about like actually putting together the suits that you

made for your book?

Hayley: Oh

my gosh. [00:55:00] I think, you know what’s funny, I

always used to say that the bioengineers and chemical engineers were like the

most difficult engineering because you were, like, I, don’t know. There’s just some-

thing about

taking

the bio part of science and Putting,

it

together. with engineering.

That was just

blew my mind. So that’s definitely not my area

expertise. ’cause like

in,

in my book. The suits that they have

The way.

56that they explain that the energy is they actually harvest the energy from the body.

So as

long as You’re continuing to,

replace the energy like that, you’re, that you’re expending

Nick: oh, like Jason Statham and Crank, is that Crank?

Joe: I don’t know. Maybe

I didn’t.

Hayley: that one,

Nick: I think that’s the one.

Is where he has to keep his heart rate going.

up,

Joe: Yeah. That is Crank. That’s that. That’s the line. Yeah. Yeah. I, no one ever does

photosynthesis. That’s a very efficient

Nick: I’m so sorry.

I didn’t mean to compare you to that. movie. I don’t know if you

Hayley: good. I know that humans, we

usually think

about how much

energy that

that we

expend, that we just have, you know,

are essentially

these Human batteries, right?

And If we could harness

our Energy

[00:56:00] and in,

57in some kind of and the suit could take advantage of that along with the nanana.

I think I have

a nanana, it’s made of

naite lattice, which actually probably does exist somewhere like, but Having to

make that biomechanical

link with the suit I think would be the tough part.

And also

in my book, we, they actually, they have these gogs that also links in. Once again

there it’s a it is like the chip that I described earlier that I thought is

One day gonna have. But it’s removable because I think, you know, that

people

like

to try to,

preserve their autonomy in some

ways, and

that linking

the thought to the suit

as well,

Is an amazing technology that I think is still belongs in science fiction, but would

be

Nick: Hell yeah.

Hayley: I.

Joe: Definitely. Yeah.

Cool.

Nick: Any last questions, Joe?

58Joe: I think that’s that’s it because it will, it’ll just keep going , we’ll just keep talk-

ing about stuff. ’cause Yeah. You raised that point, but now they’re doing things. With

folks who are amputees that are getting prosthetic limbs, they’re reconnecting those

back into their, [00:57:00] brain and then using AI to filter noise out to make the signal

very pure and controllable.

So that’s that’s now that’s, now technology not even sci-fi in there. So, yeah, no

some, so there’s cool things like that where, , it’s not pushing the body to extreme, but

you I think when I think about that you could start imagining a world where people

make decisions about removing their natural born limbs.

To replace it with a biomechanical limb that has some special feature, doesn’t feel

pain can have incredible grip strength. It doesn’t fail. So will people start making that

decision based on, , I have the money, I have the resources. You know what? I really

don’t, I don’t want a left arm, normal biological left arm.

I want the carbon fiber, nano lattice, mechanical arm. They now can plug that into

your brain. It’s not controlled by another chip it’s still you. You have a filtering device

or whatever that is, it’s tuned to you. [00:58:00] Okay. Get that off. And now you have

this extremely powerful, limb attached to your body that I can do incredible things.

Or will sport be that I want to be a basketball player? Okay, modify my legs, my

arms. Okay.

Nick: Now

I’d watch sports if that

was the case,

Geo: Well you

don’t get to watch. a modify,

Joe: that’s right.

Nick: No. I want them to be who

59wants straight up modified.

Joe: it. No,

so I think you could start thinking of this thing like pitchers, like I can throw now

ball 200 miles per hour.

’cause I’ve, you know, ’cause I’m making a hundred million dollars a year. That was

worth it to me to replace my arm to get, you know, so

Geo: that, but then there may be restrictions.

Right right.

Nick: None. I’d want

Joe: Nick will not be allowed to get, that’s the restriction.

Number one

Nick: No,

Geo: he won’t be allowed to compete if you have a bio,

Joe: Hayley, you got, looks like you’re,

Hayley: I mean, it’s just, it, is amazing ’cause I mean, there are even

today, there are leg lengthening

procedures. I mean, I know that people can

go and get, leg tion, and when we talk about,

enhancing

the human body,

I mean steroids, right? I mean, there are, there people take

[00:59:00] steroids And that is essentially,

you know, a, an enhancing drug that has costs.

But that obviously that, that people take. And whenever we

talk about those big technologies. I think it is amazing. I think people don’t realize

the

60amount of technology

and the futuristic things that do

exist right now.

And

The hurdles that

are,

that the reason that we don’t hear about.

them as much as, you know, we probably would like to, except on those, you

know, on the extreme is trying to make them producible, right?

That they’re trying to make

it Producible and affordable. and like that. I think That’s like the really, like, oh, it’s

always like the drag part of,

being an engineer is that you’re like,

oh, you know, here’s, this, like, we could

do all these amazing things.

It’s like, okay, well, can you make more? than one?

Joe: And

Nick: you

make Where it doesn’t cost Yeah,

exactly.

Geo: Right.

Hayley: Right.

Geo: realistic.

Yeah.

Joe: Yeah. I was gonna mention that I feel like we can’t have an episode without

mentioning kind of the birth or the idea of the marathon In Greek mythology in . Fip

61Nick: is

this, the first mention of a marathon? [01:00:00]

Joe: it was, see that, that ran a marathon at Anthems to develop, to deliver the vic-

tory message. And then he, and he died when he did that run.

So that’s that was the marathon. And it was supposed to be like 26.2 miles or, and

that was the distance, but he ran from Marathon Anthem, so that became the

marathon. So yeah, so.

Nick: have

you ran that amount, right? Like

Joe: she’s ran ultra

Nick: So

that’s what I’m saying, like

it

Joe: more than that

Nick: She’s doubled that

like.

Hayley: So, so I have run 26.2, but

I think it’s really interesting too, because there is an

ultra marathon in Greece that runs the route that he was

supposed to run,

And I,

for whatever reason, it’s way more than 26.2. It’s like, I think it’s like 125

Miles or something.

Even the Greek mythology, right? It is 26 point 20.

But, and, but They say, you know,

the, they say

62this was the route that he ran. It was actually,

a hundred and like 25,

and you have to do it in a ridiculous amount of time. It’s like 40. It’s like

It’s like 20, 20 hours ’cause it is supposed to be in the [01:01:00] amount of time

that he ran it.

And

if

I’ll have to

I’ll send you,

I’ll send you the link

To

this race ’cause it is wild. And yes, when I look at that, I’m like, yeah, I can see how

someone would die.

Because you’re also not talking about running

on roads, right.

Joe: That’s right. Yeah. That was,

Hayley: Greek

wilderness.

Joe: There was no yeah, no nicely paved streets. That

Nick: running from a bear a little bit, you know,

Joe: running from those dinosaurs, Jurassic Park, get that , you’re not running that

poorly constructed, genetically constructed dinosaurs wreck. So just let’s keep that in

mind.

When those dodos come back, they’re

Nick: I can’t wait.

you.

63I’m getting one as a pet.

Joe: Yeah. I don’t wanna mess with those birds.

Leave those birds

alone. Okay. I think that’s all I got. All right. I mean, I got more, but that’s all we got

time

Nick: We can keep going, but

Joe: I

could

Nick: going.

Joe: It’s a fun, yeah.

Cool.

Nick: But

so what

is the one movie that you think would use, should use more running in it? Like

Joe: there’s more

Nick: if,[01:02:00]

All right, so let me propose

this one better. question

running would be the answer in this situation for a movie like Jurassic Park, run-

ning away from them for a long time is gonna get you away from them, like

Joe: it’s gonna get you eaten.

Nick: Is it?

Joe: I think so,

yeah.

Nick: I think,

Geo: what do you mean? Like a zombie movie? That’s

64probably a good one.

to run

Nick: probably, I mean, it

follows is the first one that comes to mind. You know

Joe: Jason part six, the ultra marathoner, and he just follows you the whole thing.

Like he

Nick: He’s

trying to get me.

Hayley: So like, ’cause I mean in like in stuff like you know, world War Z,

you know. the zombies are Like super. supercharged

Nick: Those are, Joe’s

favorite. Those

are Joe’s

favorite zombie.

Joe: Don’t

get me started on fast zombies unless you’re biomechanically engineering them.

They’re not fast. You so

I wanted to

Nick: get started Nope. Nope.

no. because, and I’m

you can keep going.

Let’s just point that

Joe: the zombie in a [01:03:00] decay state cannot be faster than the living state.

I just find that hard to believe. So that’s it. Unless all those zombies were Hussein

Bolt before they turn to zombies,

they

65shouldn’t be running that fast. You know? It. So

Hayley: yeah, they can’t be decaying. They have to be rabid. It has to be rabid hu-

mans of

Joe: that’s, I would go if it’s like the, if 28 days later rage virus. ’cause they weren’t

technically, I mean, some were, I mean, it was a

Nick: weird

Yeah, it’s,

Joe: Yeah.

It was, they, it was fast and loose. Who was dead and who was just kind of infected

and angry. I will say that, but you shouldn’t be running full speed like that there,

there’s all sorts of problems. But there

Hayley: there is so there’s a Nike, there was an old Nike commercial where.

like Jason or someone was

coming after her And she just started running and she was running so far that Ja-

son just got tired and gave up. And like,

I honestly think if in any ghost movie where like the house is haunted and anything

where there’s a

guy in the house, like my solution is to run out of the house.

Joe: Yes. [01:04:00]

Nick: Right.

Geo: Right.

Joe: That’s probably

Nick: it’s a good,

instinct.

Geo: Yes.

Right.

66Joe: Yes. And your fight or flight will kick in, you know, you’ll break through any in-

visible walls and make it through.

Yeah.

Nick: Well, Thank you for being here with us.

It’s absolutely great.

Joe: Have any things you wanna plug? Any events, books, your

Nick: marathons

Joe: of your many books, your series? You got a couple, so do you wanna quickly,

Hayley: just wanna say thanks so much for having me. It’s been

a, it’s been a wonderful conversation. I’ve really enjoyed,

it. I always love talking science fiction. I

am, once again, I am a I.

have a science sci-fi series out, it’s called Into the Churn. It’s a completed series.

It’s about a girl an that she’s trying to save her mom’s terraforming lab by

entering this deadly.

race through a planet of storms.

And

It’s a lot of fun.

I usually pitch it as

like, hunger Games meets Twister, meets like Rogue One. So

it’s a good time if you’re interested

in something like that Into the Turn. Like I said, include series is out now,

so I really, once again, really appreciate being on the

Joe: Definitely. And congratulations. Right? I saw in Publisher’s Marketplace you

had [01:05:00] a,

Hayley: Yeah.

67So I Also,

have a

a very

Quirky young adult paranormal that we pitched as.

Adam’s Family

meets

Gilmore Girls meets like

Spirited away. That’s coming from Charlesburg

publishing.

but not till

Joe: Seven. Yeah. Cool.

Nick: We’ll have to get you back on for that when that comes out.

Exactly. Right? Love So you’ve,

I’m on my, first watch

through.

Joe: Yeah. I’ve watched Gilmore Girls a couple times. I’m on my second or third

watch.

I don’t know. But yeah, so. Awesome. Well, no, thanks for coming on. This was a

great conversation. I don’t always like running, but it was fun talking about it, so,

Nick: I

mean,

Geo: I’d

Nick: can’t say I I huge on running, but I think I might try to pick it up again.

Joe: Yeah, gotta do it. Let’s

Nick: Georgia, we’re gonna do a marathon.

Right?

68Joe: know what I

always wanna do, I’m not

sure.

Geo: maybe a walk the, race,

Joe: one of the

races I wanted to do, I had it on my race, like bucket list some years ago, but they

have these multi state city races. Like, so there was one where you run from Madison,

[01:06:00] Wisconsin to Chicago, and then there’s a route and it’s a overnight race

and you have a team of like five people and you usually match up the people, you

know, if someone’s really good at running hills for, 10 miles, 20 miles, and they run

that section and it, there’s a following van that you know has bandaids and,

Geo: I’ll drive the van. yeah,

Joe: I, and there’s a few, like the one, but there was a, the one that went from I, I

think Miami to the Keys and you run the final leg is the run out onto the, you know,

across the bridge onto the keys you know, and so, and there was one on the Pacific

Northwest and I was like, oh, I gotta get a team and do this.

And so, but I never found the other. Five people the Adidas with, so,

Geo: I don’t think,

Joe: am,

you don’t count me in,

so, but no it’s a cool,

Nick: I mean, maybe if I get really hi Joe, I can try. We’ll have to see.

Joe: Yeah. So, okay, that’s something fun. I’ll put that, I’ll put in the show notes if

anybody wants to

do

Nick: that.

69Joe: Cool.

All right, well you have me, Joe [01:07:00] here.

Nick: You got Nick.

Joe: got Nick,

Geo: Georgia,

Joe: you’ve got Georgia.

Nick: And we ran down some holes,

Joe: Oh, really long. Way down these holes.

Nick: runny holes.

Bye-bye.

Cheers.

Transcript EP 51: Season 2 Recap: What Makes A Christmas Movie (And Is Die Hard one?)

SubstackAppleSpotifyYouTubeAmazon

[00:00:00]

joe: Hey, welcome back to the Rabbit Hole of Research. Down here in the base-

ment studio in the throes of winter here in Chicagoland. It’s

NIck: the cold.

Mary: first day of winter.

joe: Is it the first day of winter?

7How are we there? It’s the first

Mary: day of winter

joe: or recording day’s. The first day. Not to release

Mary: Oh, That’s true. That’s true.

joe: Yeah.

NIck: Oh, Mary. Straight

up lying to the audience immediately.

joe: Alright, well now we,

well I mean

Mary: isn’t going

out live.

joe: Not live. No not yet. Yeah. Maybe in, in the future we’ll do a live

Geo: that, oh boy.

joe: With that we are already hearing some different voices. But you got me, Joe,

NIck: you got Nick. You

joe: Nick Georgia, we’ve got Georgia and a familiar voice.

Yes.

Mary: My name is Mary Schoons And I’m lucky enough to get to come back

joe: back you

NIck: Thank you for coming the multiverse I’m coming Season one Multiverse

episode. Yeah. And we have another

joe: too. And we do have another guest. Now our guests are introducing other

guests.

Mary: Yes.

joe: This is, to feel very comfortable.

[00:01:00] It’s like, let’s get whatever you want out the fridge here.

8Mary: Woohoo.

Kat: We got this

you guys can all kick back.

So,

My name is

Catherine.

Disturbance. You can Call

me Kat. And

My relevance for this topic tonight is that

I am the Chief Comfort and joy officer of the Virtual Nation

of Snow Globia, which

is a, virtual nation that currently is housed on Facebook and

joe: and

Kat: dedicated to

living

in the spirit of Christmas.

You have a sense of humor,

but we’re also very strict and there is no

joe: okay.

Mary: Alright,

Well

Nick, you’re on

NIck: cotton headed ni nuggets on there,

Mary: So yeah.

Thanks.

NIck: will get booted. Got it.

9Mary: Well

remember Santa’s watching.

Yeah.

joe: Oh. Or

Geo: listening.

joe: Listening.

or

Mary: Santa is

listening.

joe: listening. I mean, it could be

Mary: the podcast. That’s

audio Only Yeah. Yeah. Okay.

joe: Yeah.

A little strange that he is

watching all

NIck: Considered a Demigod?

joe: Yeah. Well, we’ll get to that. Let’s not jump the gun here.

NIck: I,

joe: I [00:02:00] yeah.

NIck: was a segue.

I

had to

Geo: question.

joe: was,

But

10what yeah, so if you haven’t guessed we’re gonna be touching on holiday movies

in particular Christmas movies. I think we got little Jingle Jangles. And it’s also our re-

cap.

So we’ll do a little recap of our season, ’cause this is the last full episode of the

season. And then , as we do, we have a mini that will come out New Year’s Eve and

we’ll just really wrap up the season.

NIck: Dang. We’re on New Year’s

Eve for that one.

joe: It is New Year’s Eve. That’s right. You gotta come in with

NIck: Are we gonna do a countdown

Geo: party

joe: hats and we’re not li I guess we could we have time the episode, like you start

this episode?

No. Okay. Exactly.

NIck: That’s exactly.

what we should do.

joe: so I, I do have a little, intro at that this season. I started that , my little mono-

logue at the beginning seems like people like it, Soma.

Got one here.

NIck: you really want to go for that late night talk show host, don’t you?

joe: That’d be nice.

I’m listening. Now I’m talking over the course of season two. We explored a lot of

science through the lens of [00:03:00] fiction. We asked How fast is too fast, what hap-

pens when time is misbehaves, when ecosystem, societies and technology buckle un-

der pressure from noir to kaiju, from superheroes to slashers, from hearts to stretched

and juiced organs.

11Every episode, we separated the science from the hand waving. And as we close

this season, we wanna unwrap a little of that Christmas magic.

Christmas is opposed to be comforting, silver and gold decoration, blinking lights,

hot chocolate, familiar stories, the same songs, same movies every year on a loop.

But if you actually look at Christmas movies, they’re not about comfort. They’re

about pressure. People force together deadlines. You can’t move systems push to the

edge when you expect everything to feel magical. That’s why Christmas is the perfect

setting for movies, action, horror, comedy, sci-fi, and even monsters because it’s uni-

versally understood to be a stressful time.

But a [00:04:00] movie set during a snowy December day isn’t an automatic in to

the Christmas movie club. So in this final episode of season two, we’re pulling the

wrapping paper off to see what stories were built to go on a loop and which ones

were only held together

by Christmas. Handwaving him.

So, alright.

Mary: Very

nice. Very nice.

Kat: nice.

Mary: So,

I’ve been really looking forward

to this

For Kat to

lay out

her arguments about,

I guess it’s

Now an age old question. Is Diehard a Christmas movie or not?

12And I really

am looking forward to Kat

talking

about

why you have now you have a, you have criteria why the why does die Hard is a

joe: movie. Mary’s the

host now. Yeah. She’s taking over.

Mary: I am. I’ve totally, that’s what I do. You

give me a, you give me a mic

and I’m like, whoop.

joe: There you go.

I, there you go.

Okay.

Geo: She

does programming. I

joe: I know. Yeah. I see that. You

Mary: can tell.

Sorry.

joe: No, you’re fine.

Kat: I very much have criteria.

Should I delve [00:05:00] into my criteria? Well, there’s a little business. All right. I

think we should take care of.

Okay. Do it.

joe: Do it. Folks who have listened. We may remember from season one recap, we

sampled the world’s strongest beer.

NIck: And then we did that again, pre-recording this.

13joe: the

Geo: Some of us

joe: which was 75%. It was a Scottish strong,

a blended with spirits.

So for this episode, I start to follow up in our

second season that we’ve completed or completing,

maybe after

this we got the world’s second strongest beer at 67.5%. It’s a fortified scotch beer.

And the fortification is, they concentrate it through freeze distillation. So you freeze it

and you separate the alcohol from the beer during the freezing ’cause the water will

freeze

before the alcohol.

Geo: That was a way to get science.

into the

joe: Indeed

it is. There

Mary: There you

go.

joe: And

then they blended it with some Scottish spirits also. So

that’s

what we have. It’s called a [00:06:00] snake venom.

NIck: By blending it, they just kind of. Threw a few. drops in and they’re just

joe: a few drops. That’s right. They did. And a little taste like, you know,

Geo: and cats Like, thank, goodness I’m not

joe: not,

14here.

Geo: in the studio.

Mary: lucky. You’re so lucky.

No, first

of all, I wanna say as somebody who has stamped the world’s strongest beer,

it’s

absolutely disgusting.

joe: And

Mary: I

knew it was gonna be, as I,

yeah, I was warned about it. And

listen

joe: to the, that episode.

Mary: What was it Nick?

You said it was like nail polish remover.

it’s,

it is.

it, I think

it,

joe: I

NIck: my inside’s so clean

Mary: Yeah.

joe: the tone

NIck: episode though.

joe: episode, though.

Mary: That was amazing episode.

15joe: So,

Mary: yeah. I love

that episode.

joe: Kinda want to some cheers and, we’re gonna get into the holiday movie Kat is

like just champing at the bit right now,

Mary: Oh, we are

so ready. We’re

joe: going. So I’m

Kat: your business. Do your business.

joe: but

just quickly

before we, we do our toast. Yes, please. , I just wanted some stats really fast and

like I said on the mini episode we’ll touch upon us again. But season one we had eight

guests.

Geo: Season

joe: season one, we had eight [00:07:00] guests.

Season two we had 25. Mm-hmm.

So almost

every episode,

At the end of season one, we had 3,823 downloads. But at the time of this record-

ing, we’re at 12,672 total downloads.

So we have listeners, someone has listened to this podcast on six outta the seven

continents. So Antarctica is the only one that’s because it’s

Probably, you know, that’s all right. Yeah, no yeah. There’s still,

NIck: why there are

scientists that live there.

16it.

Why? aren’t they listening?

Geo: Come on. We even

joe: We gotta get it

Geo: a shout out.

joe: Yeah. We’ll make it, that’ll be our season three goal. They

get,

Mary: they seen, have they uncovered the thing?

Are they things,

joe: or might, you know, the problem was to the map they gave with the stats on

Yeah. Didn’t actually have Antarctica in it, so maybe

that could,

Geo: could be, the reason

joe: there wasn’t, a spot for Antarctica, so maybe I’ll have to push

Geo: we need to, they need to have

joe: some better stats

Geo: Yeah. They need to be on the map.

Yeah. So

the,

podcasting,

met I think so.

There,

joe: There’s, they’re

folks

Mary: in that Antarctica.

Geo: Yeah.[00:08:00]

17So I,

joe: I just wanna thank.

Like I said, we’ll do this probably again, but all the guests that came on with us

made it a great show. We’ll probably dig into names and name drop on a mini one,

but, and thank the co-hosts. I mean, it’s this

show wouldn’t

NIck: we have to thank you for doing all the

joe: kind of a,

NIck: and So

Georgia and I

Geo: All

the

work

NIck: bullshit our way through.

Mary: And

joe: so yeah, with that, thanks. I also as I did last year, I like to give out the Rabbit

Hole of Research Award without

Geo: Oh, I didn’t even know.

NIck: Oh. Without consulting

anyone with anything.

Geo: So

joe: last year, Jeff, go, bloom won.

NIck: We’re gonna argue so hard right now. Actually,

joe: this one I think we’ll get consensus.

I think I’m gonna give the Rabbit Hole of Research word of the season. Extremo-

phile.

18Geo: Ooh. okay.

Well, I,

NIck: Georgia shoved that

in

so

many holes

Geo: we,

joe: that’s what

Geo: time

joe: out. Okay.

Geo: I

Mary: thinking,

you

know what, when you said the secret, when you said the word, I was

thinking [00:09:00] that because I’ve been watching the Peewee Herman’s Christ-

mas special a

joe: lot.

Right.

Mary: Which is awesome. It’s free on YouTube,

the secret word.

So if I hear Extre Aile

anytime in

2026, I’m

gonna

scream real

loud.

19joe: should,

yes. That’s what I want.

Mary: Remember,

Geo: always hear

joe: Rabbit hole hear secret

Mary: word,

Geo: and it really deserves a lot.

joe: Yes,

we might. a, It’s such a great, we might talk

about Extre Aile in this episode, but

that’s a little tip.

But yeah.

26 cheers. With the world’s strongest. Do

we

Mary: a beverage for cad? Are you ready? All

joe: Have a beverage. Here we go.

All

right. Cheers. Let’s do it.

Cheers.

We got some little clinking, Holly. We. Nice. Clean

Geo: last

NIck: Oh. One more joke.

Geo: All All right.

joe: Down to hatch people.

Mary: glug Goodbye.

NIck: Bottoms up.

20Not as bad.

joe: That’s actually

NIck: as bad.

joe: That’s a good, That’s a good, sipping.

Mary: You know what it, this is, some, yeah.

This is

not a beer.

I mean,

it

joe: no.

Mary: it’s like,

it’s

joe: a little heat behind it.

NIck: Oh, you guys didn’t shoot it? like A shot?

joe: No. It was a sipper.

NIck: Oh.

joe: What are you doing over there?

Mary: Uhoh.

joe: Uhoh. He’s gonna fall out. He’s got [00:10:00] this tall seat now, like he’s the

king of the studio.

Mary: paralytic in the corner. over There,

joe: But at least listening

Mary: one doesn’t

have a bad aftertaste. It’s slightly.

joe: No, it

doesn’t

21Mary: almost at the end.

Geo: right here. though.

joe: warms your

chest. Like, like if you were

Sitting

out by a fire trying to decide who was The Thing.

Mary: Mm-hmm.

joe: is the drink you want. Yeah.

This is what you want.

NIck: the drink you’d give it everyone.

Absolutely. And the one that isn’t human it’s gonna just freak out.

joe: There’ll be

Mary: the world’s

Geo: I have a,

NIck: I have

joe: people. Now I, now that’s my segue and we’ll get back to you, the others. But

it, there’s a petition going around and this might, this will lead to for you Ka while we

oh,

Geo: now, how the hiccups Is that

gonna be a problem?

Kat: I heard

Mary: A few more.

a few warming

drinks will turn us stiff as a board over here.

22joe: So there’s a petition online, and I don’t know if you’re familiar with the movie

The Thing, but there’s a petition to have it class reclassified as a Christmas movie. And

no.

Yeah. Yeah. The Thing, yeah. So really and there’s some fundamental [00:11:00] I

think there’s some fundamental problems with it that I have.

But,

NIck: what the movie? The Thing.

Geo: like

joe: the thing Yeah,

the movie

NIck: a, you have problems with that movie

Geo: being class. No,

joe: as a Christmas movie.

Yes.

NIck: movie. Oh, I was like, Joe, well, this is Oh, has

no

Geo: with the

movie. No,

joe: I actually, I was like, yeah, let’s do it. Let’s make it a Christmas movie. That’s so,

I could give Christmas movie lovers a hard time, but but yeah,

NIck: it,

Mary: And who

Geo: who’s

joe: you were

Geo: the, who do you petition to like, who’s the ultimate,

Christmas

23joe: It was authority. Was it Internet? Internet movie database? I think it was I don’t

know. The inter internet movie database. Whoever does the previews,

Mary: it was in the snow.

joe: Yeah, so Right. That’s when the cold

Geo: but it’s always snowy and

cold there.

joe: The thing that, that they said, , in the movie is, the first damn and week of win-

ter.

And so I think a lot of people, as you said that today’s the first day of winter, which

is a week away, so that would make it a Christmas movie. But you gotta remember

they were in Antarctica, which is in the

Southern Hemisphere. So actually that wouldn’t be December. You would be

more like. Is that March?

So it’s actually not [00:12:00] Christmas time. It’s more a an Easter movie maybe.

Geo: Okay. you have to tell us where to write in.

Where do you write in?

joe: Where do I write in?

Geo: Yeah.

To say that you think you are asking people to do this

petition

and you don’t even, I’m not,

joe: people to do the

petition. I said the petition?

is out there that you can do.

Geo: Well That should be in the show notes,

24joe: that in the show notes. But what I want to get to you is to hear Cats’ Rules of a

Christmas movie, please.

And we could see, not die hard, but let’s start with the thing like a easy one.

Maybe because I already kicked a leg outta that table, but may maybe, let’s see what

the rules of the road are. Yeah. Yeah,

Mary: let’s

do it.

NIck: Well,

Kat: Well, yeah. So I

I’m only, I just barely

remember

the thing,

but

I’m just

looking at

like people’s

arguments for

the thing. It’s like takes

place in wintery weather and

Kurt Russell has a Santa like beard.

I mean that is the

Geo: Yes,

NIck: well.

Mary: Oh, you know, that beard is hot,

joe: there is a, okay,

Mary: Let’s,

25joe: so you, you brought that up. But [00:13:00] there is a an alternative theory, so

go ahead and then I will

I’ll swing back on that,

Mary: but yeah, go over the criteria, right? Yep.

joe: Yep.

Kat: see how

it fits with

that. Okay. So

criteria on

judging

whether something is a Christmas movie,

it’s number one

does the movie

prominently feature

joe: Mm-hmm.

Kat: That is one of the criteria it’s not like, doesn’t

require all three of the criteria,

but it should have at least one of the criteria. And that is a large one. Number two,

does it feature Christmas and also have

a redemption and forgiveness theme,

Mary: Mm-hmm.

Kat: like you

were hearkening to that

you know, with like everybody’s under

pressure,

There’s like these

26ridiculous, illogical Christmas, Eve deadlines for things

that really, have nothing,

to

do Eve

and

yet. that’s when they’re happening. Number three for me, number three came up

because people sometimes refer to things that really have nothing to do with Christ-

mas, but traditionally occur

in

December.

Geo: Mm-hmm.

Kat: Now, for me, this doesn’t make it a Christmas movie, but [00:14:00] the clas-

sic example is the Sound Of Music, because whoever owned the rights to that for

decades always aired it in.

December. and that always made it

like

it was on

the TV when we decorated the tree and stuff like that. So

for some people, that’s why

the Sound of Music is a

Christmas.

movie.

that’s why my favorite things is a

Christmas song, even, though it’s

really not.

And

27you know,

thematically.

so.

those

are the general

joe: Mm-hmm.

Kat: I

have more specific Diehard rules, but those are the,

those

are my general rules.

So,

let, yeah.

let’s see

how that applies.

to The Thing,

joe: Yep. No, I have similar, that was my similar

Geo: Right. Christmas Doesn’t come up at all.

joe: Christmas doesn’t come up,

NIck: I’m pretty sure Joe’s right.

Geo: Yeah

joe: it’s not set in Christmas.

Geo: Yeah. You don’t even say the word, Christmas. once. Right.

NIck: There’s not even a tree.

joe: Yeah. I mean, am I my cri I mean that, that whole thing about the plot collaps-

es have moved to another season. That’s a strong point. Like you mm-hmm. You need

28the Christmas there, so, but yeah. No, I, the [00:15:00] thing doesn’t fit. I looked it up.

It is internet movie database and letter boxed. That’s

where you petition until December 24th. you can, okay.

If you choose to petition

and

NIck: do have a problem, Joe. You keep saying the whole name. Instead of just IM

db.

joe: Well, ’cause people might know what IMBD is.

That

Geo: is a good point. Come on, we’re old.

joe: Yeah. You

can find, but you know, I, speaking of season

two

Mary: information super highway,

joe: we are, we, I

Geo: and I was just talking about Jill and

joe: I

was looking if

NIck: movie

joe: I was looking this up a few more

Geo: The Royal the podcast.

joe: We,

are now listed in the I am db. I am

Mary: db. ‘

joe: cause I had, I’ve had the snake. Ve but yeah, we’re the

Mary: world’s second strongest

29beer is pretty

joe: can go on in there and write plot points and stuff.

Geo: Getss us back on point.

We never even discussed this or Yeah, we

did.

NIck: Yeah, we did

joe: What?

NIck: Georgia’s drunk

joe: guy. I know. She’s done, she’s had

Geo: wondering.

joe: Yeah.

NIck: she has shitfaced

joe: [00:16:00] think the

thing fails on a

number

Geo: hiccups,

NIck: boy,

joe: A number of points there, but Die Hard. Let’s assume that’s always a favorite

one.

NIck: I got one, that I don’t

think is gonna be brought up, but I’ll wait till the Diehard conversation.

joe: Right,

So Diehards a Christmas movie. It

Mary: It’s not a Christmas movie. It is

joe: It’s solidly

Geo: Oh my

30NIck: A hundred percent

Mary: but

would you

like to hear the rebuttal?

joe: Well, I guess, yeah.

NIck: I mean.

Kat: another

criteria though is does it

have like

The Christmas

bling is

what I like to

call it, and I do look the lousiest,

Most

terrible anemic

plots on Hallmark and a lot

and

fantastic.

Wonderful.

Interior

and

Exterior bling, which Diehard

does have

but I am curious to hear. I’m Curious to hear, the no thing

Mary: Okay. This, is, I do not

think that

31Die Hard is a Christmas movie.

Die Hard is an action movie set at

Christmas time.

joe: That’s

so,

NIck: I mean that, sounds like

joe: Yeah. I mean, yeah,

it sounds like Christmas.

NIck: Yeah,

Geo: Eh,

joe: if you,

Mary: okay, hang on.

Geo: Alright, [00:17:00] so,

NIck: so,

joe: so,

Mary: so

Die

hard’s original release date is July 22nd. 1988.

NIck: Christmas in July. Yeah,

joe: if

you’re in Antarctica.

NIck: Okay.

Mary: Alright.

Now

Kat: now.

32Mary: Now take a look at the, okay. So take a look at this movie poster. So, folks I

know, right?

It is very riveting to be told about a visual

thing

on a podcast,

but

you can look this up on yourself. Google image, the diehard movie

poster. If you saw this poster,

Geo: it

NIck: should be on every tree.

Mary: Where

Kat: I wanna

Mary: If you saw this movie

poster, where

would

you put that movie

Without

knowing anything about

it,

W would you put this in the

Christmas section?

or

would you put this in the action or action movie section?

joe: I mean, you could

Mary: if

joe: you wanted to.

33Kat: mean, as a criteria though. As a, as.

NIck: going on.

joe: Yeah. We

Weird area

Kat: though. I think that would take out a lot.

of movies that are considered generally Christmas

movies. It’s a Wonderful.

Life.

Arguably that could have [00:18:00] happened.

I,

could have

happened on the 4th of July.

that that is not That’s not a Christmas

dependent

plot.

It’s got a great redemption theme. But the poster is probably what all those guys

standing around a big table of money at the end.

Mary: it’s, yeah.

Well, anyway, it doesn’t feature anything in Christmas,

however, so I wanna talk about this because

I

watched, I rewatched Diehard for this.

And I came away, well, first of all, I almost just didn’t even finish it because it’s very

eighties, very machismo, you know,

blah,

blah.

34joe: blah.

I love it. Hold on.

Geo: getting,

joe: I know? geez, you just don’t like, I mean,

NIck: do you have your email so we can have all the hate mail go there.

joe: If you don’t like the movie, that’s one thing,

but now

Mary: hang on for I,

I’m

not finished yet.

All right. So I started this and then I almost didn’t finish it.

And then I get to that amazing scene where he’s talking about,

he’s talking about his wife and

you, he’s

talking to Al.

On

the ground, his other love

interest in the movie. [00:19:00]

And

He’s just saying, you know, I,

she’s heard me say it a million times, I love you. But yeah, she’s never heard me

say I’m

sorry.

And it’s. The movie itself plays with different

themes. It’s

kind of easy to miss with all of the bullets and, blood flying everywhere.

35But the reason he’s on such

a tear

in this movie is because he’s

scared about losing his

wife.

NIck: This sounds like a Hallmark Mart movie.

joe: It does, yeah.

Mary: But,

can we also talk about the insanity

of having a giant

Christmas party, a work Christmas party on Christmas Eve? Can we talk about how

crazy that

is?

joe: Man, it happens. They just closed a big deal. So they were working at that, in

that culture. Yeah, they were working through Christmas.

They just had, that was a whole thing in a party. It wasn’t just Christmas, it was also

Christmas. And they closed a deal before everybody went on holiday. So it was kind of

pressure there that they weren’t still in the office. They still were super excited

and instead of us leaving,

Mary: how do you get a live [00:20:00] band to play a work party on Christmas?

Eve?

joe: I mean, yeah. And it’s not

Kat: Oh, hey.

NIck: I mean, if someone pays me enough money.

I will leave my family.

to go play.

36Mary: and they,

If

they’re cha,

joe: me up. We’re good. Yeah.

Mary: a lot of cash back

joe: in catering, but

Mary: but

can you imagine? I

joe: they had

NIck: and the amount of cocaine.

joe: I think they had, I think they were planning this party, but I think it just also it

because they had more people stayed.

They were there because of that event. And they all kind of congregated there be-

cause they were working hard to finish close the deal. Mm-hmm. And then they were

there on that floor.

Mm-hmm. And Then

they kinda locked the building. Right. So it was a very private thing if you did that

other times of the year.

Other offices in that building could have been occupied. It wouldn’t have been as

clear. So setting it at that time, you actually cleared a building. And then these people

who are business people closing a deal in a different country, like in Japan and other

countries with different work cultures, they were, that was part of that whole thing.

And so they were there working hard,

and then it was oh your family’s here. Yeah. Let’s give him a place. And so when

John was coming, John McLean was coming. It was this whole idea that family might

37be there or show up [00:21:00] because you’re missing that time. Mm-hmm. And this

was, and she was the right hand woman there.

So,

Mary: and that

explains his fear of losing his wife because the head of the company, he saw that

what ha happened to the head of the company. He knows his wife is

second in command

And is very noble. She’s, you know, he

knows that. I think he’s

just trying to, I realize after that scene, like that’s

hi. why he’s on such a frantic tear.

I would argue that diehards more of a slasher than a Christmas movie, actually.

’cause he’s just boom, W him out.

He’s scared about, it’s a love story. It’s a,

love st

joe: But all that could be a Christmas story. Right. I mean, that’s the thing.

Well,

I, I’ll counter every love okay. Not every, okay.

Mary: Now every Christmas story has a bit of redemption. but Not every redemp-

tion story is

a Christmas movie. Otherwise, the Shawshank Redemption would be a Christmas

joe: movie.

Must not

NIck: does it take

joe: though. Well,

yeah. See, that’s

38Mary: it Has

redemption in

it.

joe: I think it was

said

NIck: That’s just because it’s in the name you can’t get.

Mary: okay.

Yeah.

It’s got,

yeah.

Yeah. So, [00:22:00] but the I

and

oh, so, and then one of the things that and this is, I swear this is relevant because

we’re drinking.

joe: And

Mary: When I

was a

when I was

an undergrad, one of the things I did I worked in restaurants to get through

school.

I.

And at that time I think my, I could probably count on two hands how many times

I’d had alcohol. So I had no experience whatsoever with it. And I was at this restaurant

and I’m

tasked with

making mixed drinks from time to time. , I’m like, okay, shot,

39mixer,

steer, here you go.

And

then people would keep complaining about my drinks

not being strong enough.

joe: Mm-hmm.

Mary: Mm-hmm.

And so one day the bartender says, Hey, look, listen, I’m gonna handle this for

you.

She goes, okay,

put a little bit of alcohol in,

then put your

mixer, then put your alcohol

on top. Because if you finish it with the alcohol,

they’re gonna think there’s more. In fact, you can actually put in less alcohol.

And the,

the bar,

the bargo were, and.

we’ll think there’s more. And sure enough, it worked. I started getting [00:23:00]

compliments, like finally I got my drinks right. I was actually giving

them less alcohol, but because I finished it strong. And that’s kind of how Diehard

finishes. The

diehard, diehard, it’s an action movie.

There’s a couple of mentions, , there’s

some pivotal moments where they have the Christmas tape where he is able to

hide the gun.

40joe: Mm-hmm. You know,

Mary: but it ends super

Christmas-y.

joe: Super Christmasy. I like it.

Mm-hmm.

Mary: it does, it didn’t, this body,

joe: body where he has ho, ho. I got a gun now

and he’s got the hat on and ferry play, which, you know, he probably shouldn’t

have done that.

I mean, he shouldn’t have tipped off the guys that he was there. So if he didn’t do

that, he could’ve just got the gun, got the walkie talkie, and then Oh yeah. Just went

around. So really he wanted

Geo: but because it was Christmas,

joe: he wanted to show it

then

Geo: and he had Christmas spirit

NIck: I mean

Mary: I mean,

It’s the Spirit movie

set at

Christmas.

joe: I will say He did

have Natalie,

Mary: it

NIck: So it’s a Christmas.

movie, Right. No,

41joe: He had a really strong redemption arc. Yeah. Family stakes. Like everything in

a Christmas movie [00:24:00] that you would cook in there,

NIck: It’s like saying Jingle All the Way is in I mean you would just put

joe: that in so you would have it

Mary: check out the the.

I’m just saying it takes place at Christmas.

I’m not, obviously I’m not gonna change

any minds here. And you’re not, you’re definitely

not gonna

joe: change mind. No, we’re not.

Mary: But I did come

away with

a new

appreciation of Die Hard because I think, oh yeah. It’s actually a

love story.

He’s scared about lo losing

as he’s scared about losing his wife. I

was kind of a bummed though, at the end of the movie, you know, after he has like

the big,

Embrace with his wife, and so

we’re, I think we’re

probably all of age, we probably saw the movie like the first time in the theaters,

right?

No,

not

Okay. some of

42us are young. Okay.

So

I just,

Geo: I

joe: I remember,

Mary: like, I still remember this one.

joe: We’re watching

Mary: it and like, there’s like the huge embrace at the end, and Bruce Willis is just

covered in mud and blood and ugh.

Geo: ugh.

joe: ugh.

Mary: And

this one person

in

the audience, you could just hear going, Ew,

Geo: they’re just

Mary: going.

but

like when he got down

At the end they had the climactic,

meeting [00:25:00] with Al, I was like,

why didn’t he kiss him like that?

joe: Well, that would’ve been a different movie, maybe. I don’t know.

Kat: I’ve heard arguments that it’s like a reverse,

hallmark plot

because in the

43Hallmark Lifetime movie, the woman

Is the workaholic, with the Christmas Eve deadline and winds up getting sent to

the

Podunk Town where she meets the guy, the overalls with no visible means of finan-

cial support. And then she winds up giving up the big city.

But in this case,

she

actually

went

to the

big city. She’s got the really demanding.

career and her sort of

patriarchical,.

toxic husband

follows her to the Big city and supports her career

which is a funny take on it.

Mary: At the end of the movie, he realizes he’s wrong to stick with

he was and be stuck in the old ways. He moves out to

LA to be with his wife

and

his

wife, takes back, their married name.

They have a, like a reconciliation of

joe: sorts. Yeah. Nice. Redemption art.

Mary: Yeah. Yeah. It is a very nice redemption

44joe: So I’m gonna put another movie out there that Mary’s probably not

[00:26:00] gonna think, but Trading Places another one of my

favorite,

Mary: I no

joe: Christmas don’t know that much about Trading

Places.

Yeah. Eddie Murphy.

NIck: that was a good movie. I just re-watched that recently.

Geo: you feel Like

the fact it was set at Christmas, had a big part of it.

Kat: And

the redemption. theme

also

joe: redemption, moral, the moral story in there, like that all cooked in and then

being set at Christmas did add that consumerism, that greed.

I think if you said it at other times, it may not have landed as well, but yeah, that

one I always think put it in

there.

Geo: don’t know. I have to get back to

What

a Wonderful Life.

Mary: Oh, I

love that movie. I

Geo: think that could be said at a different time.

I think it has to

be said

45at

Mary: Mery Christmas. movie house.

joe: I think you could set it at a different time. I think the problem with that, you’re

right.

Geo: I think that one

Kat: I could.

joe: he, He’s

Mary: through the snow

going, Merry Christmas. I’m back. I mean, come

joe: It could just be like, you

know

Geo: that

scene

joe: Happy 4th

of July.

Happy 4th of July. you

can see

Geo: somebody

their wings. I

joe: Yeah, I know. I mean, you, you have a lot of [00:27:00] elements, but that one,

maybe you can,

Mary: a

Christmas movie.

NIck: a quick rewrite to make that not

a Christmas movie

joe: I mean,

46Geo: what’s that

NIck: quick rewrite to make that not a

joe: Christmas

movie? Yeah.

Mary: Okay.

So Die Hard is a Christmas movie, but it’s, a

joe: gonna go Home Alone also. That’s Home Alone.

Kat: not gonna die

on that hill, but I am gonna say, if You’re gonna be a purist

and really A stickler, if It can’t be two kinds of genres at the same time. Or, , if it’s

not feel good. enough or if it’s

too Violent.

which I have never considered

an

acceptable

criteria to rule out a

joe: No, you shouldn’t.

NIck: What about too sexual

Kat: Christianity and the Nativity are so violent that it’s like, well, you can’t use

that as a criteria, but what did you say Two?

I mean, there’s,

joe: Yeah. Go for it.

NIck: Eyes Wide Shut. Christmas movie.

joe: Yep.

NIck: There’s,

Kat: can’t even,

47Mary: bless

Kat: what? what? are the criteria that makes it a

Christmas

Geo: yeah,

I’ve seen

NIck: I it takes place during Christmas and there’s Christmas decor in

Mary: be arguing that [00:28:00] Halloween is a Christmas movie. I

don’t know.

joe: No, Halloween is set in Halloween, so, yeah.

No,

But

I, I,

was gonna say I would say for moving, shifting, maybe I’m popular, you could

move Home Alone. Like, there’s a lot of structural questions in there. Like why? I

Kat: oh my

Mary: I think Home

joe: you didn’t need, obviously

Christmas. No, it could be

Thanksgiving. Very easy. People

Kat: now that I’m so glad you said that.

joe: it’s, you know. Yeah,

Kat: so Glad you said that.

Home Alone is

but Diehard is not,

Mary: right?

NIck: Yeah,

48Kat: I don’t think you can have it

joe: that’s right.

Kat: because

Home Alone,

Mary: have it anyway I want.

Kat: Home Alone is like Die Hard for kids.

Home Alone is so

joe: Super

violent.

Mary: no,

I

Kat: insufferable brat and , he like sticks, nails in their feet and like third degree

burns and a

blown torch on the

head

NIck: could have killed every one of them. I think

joe: they probably

did die.

Geo: Yeah. no, I

joe: they’re like ghosts. They’re

Stalkers, right? They’re like

incompetent

Geo: I

joe: Jason. I think

Myth Buster [00:29:00]

Geo: did a whole thing about what would be the injuries of all those.

49joe: They all

were fatal. 100%.

They all were fatal. Yeah.

Yeah.

Mary: Oh,

did you ever hear the, Or the internet

to rumor

or? No, not rumor, but it’s not a real thing. But people saying that maybe Kevin

McAllister is actually, grew up to be

jigsaw.

from the saw

joe: I did see something like that.

Yeah.

Yeah. The

Mary: ages wouldn’t be right at all,

but,

I thought that was

hilarious.

joe: What I was gonna swing back to the

Mary: Kurt Russell, Okay.

joe: I, we can always, and really we can always swing back to

Kurt, be old

Geo: that dreaming beard.

joe: I mean, I, you had the ending of The Thing. They’re out there in the frigid

cold,

and

50then in, oh, love this movie,

Kurt Russell’s filmography.

He has was in the Santa was it the Christmas Chronicles? So he became Santa

Claus.

What is this? So

can you actually make the line between The Thing and Christmas Chronicles

where he was now abandoned in this cold weather environment, taken in and became

Mary: That’s his origin [00:30:00] story.

NIck: this pre or post Tim Allen

joe: That is Saw that somewhere. And I was like, you know what, that’s, yeah. That’s

Santa Claus’s or Origin

story. he’S not the Thing. He became Santa Claus. The

Kat: Goldie Hawn.

Mary: Mrs.

Kat: Hawn as Mrs. Claus,

You’ve got your redemption theme

joe: there it is.

Mary: I love it. Yeah. Oh, can

joe: we

also where’s Child’s at?

He’s gotta get in there.

Mary: Okay.

So Swing. okay.

I wanna swing back to Die Hard for a second, not to

debate it, whether it’s a Christmas movie, ’cause it’s not. But

we can talk about,

51joe: wow.

It is,

Mary: I

NIck: love this is almost as

joe: I

Mary: Christmas.

I love Diehard. It’s just not a Christmas movie.

Anyway. Oh, yes, please. Thank you. Actually after I finished the world’s second

joe: with this nice Candy Cane ale, if you remember the Gremlin episode.

But,

But

s Hans Groove is, says he’s an exceptional thief. He is a terrible thief. He is proba-

bly the,

Mary: maybe possibly the worst

thief.

joe: He did a good job. I mean, he got in there.

Mary: Got in there, I mean, he got in there. Why did he wait till Christmas day?

Why didn’t he wait till

joe: we needed the building empty.

I mean, there was a whole, that’s why the heist couldn’t happen. You had to have

the building empty.

You [00:31:00] had to have people there.

No, but he needed,

Geo: And they were, he needed and they were like, He He needed the hostages

because that was part of it, that they were gonna blow the roof. Yeah. And they think

he died in that explosion, but then got out through the, you know, drove away.

52joe: And so that was a whole setup that so you had to do it with the people.

I

understand. And not a lot of people, you couldn’t have a whole building full of

people because then they, you would have more than one John McLean hero. You

needed the building pretty much empty. One security guard maybe watching the

door.

Mm-hmm. Because there’s still some people in the building. So that’s where, be-

cause probably that guy would go home. Right. And you would just not have any se-

curity. You’d just lock up the gates and everything. So really that, I mean, you had to

have this whole thing where you had to have a holiday where you could actually, you

would have a party.

Mm-hmm. You would have the celebration to keep everyone there. Right. And

then have the heist happen. So really it was the, and then you also have probably.

We’ve learned from other movies like Gremlins, the security during holidays seems to

be drunk or a little lax, a little bit.

So when it’s, when the cop came, with the suit and tried to do things. He did

[00:32:00] everything that Hans wanted them to do because he probably had a little

at the you know, at

the station and, Showed up. Pretty confident. Yeah.

Mary: I

just feel,

joe: Al, Al was very.

Kat: strongest beer.

Geo: Yeah.

joe: Al was really more on top of it. Al should just been in charge ’cause Hans Gru-

ber

53would’ve got stomp a lot

Geo: would’ve been like 10 minutes long.

Mary: you know, also, Al would,

Al

is so fired after

this movie. He is so 100% fired.

joe: theory about that he went. That’s where his

boss Yeah,

that’s when, that’s where he went to. Was it the whole theory. That’s where family

Matters comes in.

Mary: Oh, I haven’t

heard.

joe: so he goes,

he

loses because he shoots another person. Right.

And then he kind of goes psychotic and then he winds up in a mental institution

Where

he’s haunted.

Yeah, he’s haunted

Geo: horrible.

joe: Urkel Kel is the kid that he killed originally. And so he kind of loses it. And so

he’s being haunted by this figure who always comes out and he goes, did I do that?

You know, it’s kind of this whole thing, his whole life. And so this whole story of how,

and his said,

Kat: Wow.

joe: and

54so they went through you.

Look what?

Look it up. I’ll [00:33:00] put the

Geo: is it like a website for Really? obscure random storing?

joe: YouTube. Awesome.

As you guys noted, I do

research. It’s like

Mary: I love it. I

love it. Okay.

I

love this.

I, I,

Geo: I wanna say, I think the whole debate about whether something is a Christ-

mas movie or not, right? It’s all how you define it, it’s all my definition.

And I think Christmas movies are that way.

joe: I, I think

Geo: If you watch a movie and you feel like it’s Christmas.

It’s very subjective.

And I think it should be subjective.

Mary: No.

I love, it.

Well, Ebenezer Scrooge said, you keep Christmas in your way and I’ll keep it in

mine. Yeah. If someone thinks that Diehards a Christmas movie, absolutely.

NIck: Unless they talk to you.

Unless

they talk

55to

joe: I think

Mary: well, they

won’t be able to convince me, but if they think it’s a Christmas

movie, absolutely. Go

joe: I think that

you actually secretly agree and you want to you’re

arguing about it

because you keep it alive, you keep it fresh, and then you get, then

you go and

then you

go I watched Die Hard just to make sure.

And you know,

so you

NIck: it wasn’t the [00:34:00] Christmas season, so,

joe: yeah.

Mary: I

was watching it in

joe: When do you, when do you watch, when do you watch it? Usually in the win-

ter, probably right.

Mary: when, I actually can’t remember the last time I watched Diehard. Honestly,

it, I don’t really watch a lot of

action movies,

so

Geo: gonna say, it didn’t sound like she was really like, she went out of her way to

watch it for this.

56joe: Oh, okay. Yeah.

Yeah.

Mary: I watched

it for this

joe: mm-hmm. Heman.

Kat: Shoot him up things. Well I’m a huge fan of Bruce Willis’ Abs and Die Hard.

joe: really, I didn’t even know he abs. Yeah. I didn’t even know he had abs. sense

of

Kat: humor. He

Mary: did in

this movie.

Kat: have, and he does have

nice abs and They are on they washboard. Oh. And can we talk about to s Gruber

and the sexual chemistry

Mary: between Hein Gruber and

John McLean’s wife?

Holly.

That was there were, there was a couple of times Holly was giving Hans the look,

and I thought, you know, John, if you wait a little if you don’t kill all those guys in

enough time,

you are gonna lose her, man.

I’m telling you Alright.

joe: All right. How

about the, Okay.

Kat: gonna, I

57am gonna say that when the topic of, you know, for this [00:35:00] podcast came

up And I started going down my own. Rabbit hole of what constitutes a Christmas

movie. And I started running

like

lightning rounds in my head and talking about it too much until people got un-

comfortable. looks on their faces.

and, you know, things like that.

But I was like,

Okay,

criteria,

Let’s do this.

And I was like, it’s a Wonderful.

life. No.

it’s

not Christmas dependent. I love it.

even a Christmas Carol. If you take a Christmas out,

of the, that, those ghosts could have visited

anytime any holiday.

They don’t have to be Christmas

ghosts,

joe: you got The

redemption. The redemption arc though holds a

little bit.

Geo: I would,

joe: so that’s what saves

Kat: As for sure. I’m just

58joe: yeah. you can,

Kat: with some rewrites. It does

Geo: I wish you could see Mary’s

joe: face.

Yeah,

Kat: Now

I

have three examples of

NIck: you. That’s the great

Kat: I have, so listen, I have three examples of each. Not Christmas dependent.

I had, It’s a wonder, It’s a Wonderful Life.

Mary: that’s

Kat: Carol White Christmas could totally have happened on Thanksgiving.

They didn’t have to save the generals in on

Christmas. But [00:36:00] the ones that are

Like indisputably Christmas Dependent

Plots Miracle on 34th Street,

all about Christmas

Christmas and Santa and all that Elf, absolutely completely about

Christmas from a start to finish and a

Charlie

Brown Christmas, but

also special.

Completely. A hundred percent. A hundred

percent

joe: Rudolph Reno’s, reindeer.

59NIck: Santa

Slay. Krampus. Krampus. I was

joe: Krampus. I was gonna say. Yep.

Krampus.

Kat: yes. Krampus

joe: Christmas

NIck: movie.

Yeah. The, These movies are

Mary: Silent

Night. Deadly Night

NIck: Oh my God. I love those movies. yeah. Garbage day.

joe: gotta

Geo: go,

I gotta go back though. I really, I can’t let, I It’s A Wonderful, life is a Christmas

movie. It’s

joe: Absolutely.

I’m, it’s in my list, but I can make it, if Mary’s gonna make her argument, I can go

up against it. is not a

Kat: that’s exactly what I’m saying. Yeah, I mean, it’s just like you

said though, Georgia, it’s

completely Subjective.

So

for me, I love,

it. I can’t get, you know, I watch it Actually at all kinds of, ear because I am a prac-

ticing

Christmases, you can [00:37:00] just

60gimme a blue pen. I can make, yeah, I

can make some

joe: is that, Kat? You a Christmases

Kat: a, yeah. So

I realized that I had

accidentally, kind

NIck: over that one so much.

Kat: I am made up,

My, I kind of created my

own spiritual practice

because most religions I can’t really connect

with, but I, As I reflected on Christmas.

spirit And.

The

elements that come up in Christmas,

books

and movies and other content.

You know, it always, it, It like highlights the highest form of human behavior. You

know, it’s generosity, sharing

forgiveness.

kindness. No, not

capitalism.

That’s not a spirit of Christmas.

That’s

kind of the bottom line

of Christmas. But you. know, it, you know,

61So as a matter of fact, oh, as a matter of fact, get this,

so

I wrote this small book,

right?

And

it’s the eight tenets of

Christmas. ’cause I figured, well, if

like Catholics, which raised,

I am a recovering Catholic, and it’s like, well, if

you guys can have commandments, then I need to have,

[00:38:00] something cool. So I

have the eight.

tenets of Christmas

and in this book, okay, the fourth tenet, this is relevant, I’m bringing it back around

The fourth tenet of Christmas is

forgiveness, laying down of arms acceptance and redemption.

And my, one of my examples

in the book is Ebenezer Scrooge, John McLean, another popular fictional symbols

joe: Yes. A

Mary: That was written in a book, so it has to be true.

Kat: it has to be

joe: Yes.

Let’s

Mary: was written down.

Kat: Yes, exactly.

It’s

62Geo: how long have you Been a

Kat: Christmases.

Geo: Yes.

Mary: That’s, a hard one to say.

I’ve

Kat: I have been a practitioner of

Christmas

for almost 11

joe: Yeah. How’s that?

Kat: Yeah. Yeah. That was the year That I decided that since humans really are at

our best

behavior in

the Christmas season, that I don’t know why we think we should stop, celebrating

Christmas ’cause things aren’t Going well. So I think anything that we can do to

[00:39:00] try to clean up our behavior I am all for.

but of course that was before the wheels came off and the dumpster fire.

joe: I was

gonna ask,

does Christmas

Geo: cyst is

joe: overlay with like Festivus,

NIck: for the rest of us?

joe: is it, is there

any overlap? It feels like there’s some overlapping kind of ideals.

Kat: Absolutely. I mean,

Chris Christmas.

63is open

to

anything

that embraces the spirit

of Christmas. and for.

me, that is

Absolutely inclusive

of humor.

joe: Okay. Nice. Not taking yourself too serious.

Kat: Right. So,

you We

celebrate.

any holiday

that has some

overlay

with

Christmas in

snow

Glo, my virtual nation. And so we

do Celebrate

Festivus. I just was

recommending

to someone right

before I came on here that they get their

airing of grievances

in

64order, because That’s coming up on Tuesday, stay after Tomorrow. So, you know, I

Got get your poll.

out

joe: Yeah.

NIck: It’s already ready. [00:40:00] Joe,

Georgia, you guys are ready for this, one?

joe: and diehard, she’s gonna be airing her grievance.

Kat: Ramadan, Hanukkah,

joe: Kwanza.

Mm-hmm. Mm-hmm.

Kat: Have overlapping tenets

for sure.

So, you know, I’m super cool with all of those things.

Geo: So basically you,

that’s

what you do is bring Christmas

to

the,

for

the whole year.

Kat: Yeah. So I try to practice

the spirit of Christmas every day. I have.

jing, I have. jingle bells on my rear view mirror so that when I want to

road Rage on somebody’s ass, I will be like

just like jingling the bells

NIck: you ever

65wrap your finger in like red yarn? and give them

the middle finger so it’s

joe: red,

NIck: cane?

joe: You need red and white. like a candy cane?

Kat: just men. I’ll be like,

I’ll I’ll unleash a three A

stream of

expletives, and then I’ll, and then my jingle bells will ring and remind me, and I’ll

be like, right. Okay.

joe: Christmas in, the glass.

Kat: my brother.

Yeah,

joe: Yeah,

Geo: I do. I really like that. I like that thought

about.

Kat: my book.

joe: Yeah. [00:41:00] Awesome. That’d be

Geo: really like that because

I think it’s so easy. To get to your point, Nick, it’s so easy to fall into

the

expectations and the capitalism

and

Feeling like you’re living up to these expectations, and I think that really comes out

at

Christmas.

66time And do like focusing on those things about Christmas that we should be fo-

cusing on,

NIck: Wasn’t like this whole holiday season started because it was a really de-

pressing time for people where it was cold, people were dying like

Geo: sun.

NIck: And you just had to have a reason to get around together and to,

make yourselves happy by

the

company that you’re with.

Yeah. Like you all here with us.

Absolutely. Man.

Turn that one around.

Mary: I love it. of the tenets. hot damn. tenant, the third

Kat: tenet is gathering with

loved.

ones. you know, To

your point though,

Nick, I mean [00:42:00] the Christmas as it

is today.

is like this ridiculous

mashup of things. It’s like pagan

rituals and

joe: Religious. Yeah.

Kat: agricultural festival of ell and

it’s like whatever Prince Albert brought in to Queen Victoria and all that stuff,

joe: Yep.

67Kat: yeah, Prince

Mary: Albert.

joe: Oh, boy, shees. let out. All right. Yeah.

Kat: Yeah. I’ve also

Mary: the second strongest beer, so

joe: Yeah.

Kat: There you go. Uh, with a non-alcoholic beer, so it’s

joe: like, and a candy cane stout, Oh, and

Mary: candy cane

joe: That’s like Christmas in a can.

Mary: can.

It

is, it’s,

it is absolutely I chased mine with some whiskey and some white claw.

joe: I know

that’s, Oh, mine. Hey, I have a few

Kat: things. I have a few things The

topic of Die Hard. I have a few things

joe: Back to diehard. No, please.

Kat: found when I was, that I, when I was

researching, which I found hilarious. Okay, so the first one is Somebody Posted

Die Hard Isn’t a Christmas movie because

it occurs on Christmas. It’s a Christmas movie because

It’s about a social obligation with a family member that you didn’t [00:43:00] wan-

na participate.

in, but spirals more and more into an unending nightmare.

68joe: Yes. that’s it. You know, That

Mary: might be the most convincing argument that I’ve heard for it.

NIck: There we are.

joe: it is.

NIck: The end of the,

joe: you got Mary. She’s done. a

Mary: Okay.

no, but

I,

I have, a,

NIck: I think we started the season with an argument And

Mary: I have

a rebuttal as well. So, go You have some, What is this? This is like, yeah,

Oh, It’s like a, it’s like a rap battle here on a, you know, a The oddest Yeah, that’s

Okay. So, Kat, what’s the next one?

Kat: Okay.

Uh, well Are you rebooting that one? Is that point for Kat? We give the win

do you wanna,

do

Mary: a Absolutely. It’s Christmas time. It is Christmas. It’s the season of miracles.

That was

joe: Is that your

NIck: Ooh,

joe: point? What

Mary: Oh, my rebuttal.

Okay.

69So,

joe: It’s happening.

Mary: Okay. This

is

another person

who thinks that Die Hard is not a Christmas movie.

Kat: Okay. Bring it

on. Let’s have it do it.

Bruce Willis: careful.

carefully.

Die

Hard is not

Christmas

movie.

NIck: That’s not fair. He has [00:44:00] dementia

Mary: He

didn’t.

NIck: then.

Bruce Willis: It’s a goddamn Bruce

Willis movie.

joe: That’s

because he it be a Willis movie.

That’s a droll. is. droll.

Kat: is to the point of is it a Christmas

movie or an action movie.

It’s like, well, it can be both Bruce.

70Mary: It can

joe: Well, he actually, he said it’s not an action movie either. It’s a Bruce Willis

movie. I mean, he’s a brand.

Kat: take his,

joe: a brand so that he’s disqualified out of this conversation. That’s, well, that was

Macaulay Culkin. He said that Diehard wasn’t because home Alone is, but like, as we

said, Home Alone’s an action movie, essentially.

Violent.

Mary: No, it Home. Malone’s definitely a Christmas

joe: you could pull

it

Kat: Ah,

Geo: Christmas

joe: season.

It’s,

NIck: but you can pull it out. I actually, it doesn’t have to be on,

joe: it

Mary: but it’s

NIck: parents leave their kids

at home all the time.

Mary: A movie

Kat: yes, exactly.

joe: he redeem himself? Because in part two he was still a brat,

Mary: a movie.

Oh, no, he’s, well, he became Jigsaw, so I mean, he

never learned anything. So

71NIck: I see we’re calling him a brat, but like.

those

parents are trash. they have left his child

[00:45:00] alone. did you hear multiple times? Mo

joe: the uncle was in cahoots with the what do they

Geo: Oh, they a, he actually threw, Yeah, he

actually threw

away his plane.

joe: That’s right. Yeah. He actually, he was actually the villain in the whole thing

that he actually wanted him left there. So that, and he wanted to split the money

’cause he was kind of poor. Like they made

comment of that and they were going to actually do that. So really it was a, he that

was a heist job, but they were just bad.

Kat: I am, I’m surprised honestly, Mary, because I really can’t, I have a hard time

getting through Home Alone because it’s a kind of a bummer that family is so mean to

each

other. I yeah, they are. Yeah. it’s got great bling, but the house gets trashed

joe: It does. Mm-hmm. Again, at It together.

Mary: well, like, well, like going back to family members who make things weird

for everyone.

Geo: Well,

joe: I don’t know why they

Mary: That’s also very much

in the spirit of

joe: My

72other issue was that they decorated all that, they put all the decoration, all that

bling up, but they were leaving for a week or two

weeks.

That’s so weird. So I

don’t understand why they even decorate it. I mean, that’s the whole thing.

[00:46:00] They forced hollow Chris Halloween. They forced Halloween

because it could be Halloween. They could have decorated for Halloween, went

on a trip, and then he got

Geo: Halloween would’ve

made it

such a different movie. I

Mary: know

Geo: Gone so so far

Mary: off the

rails, right?

Kat: Well, I mean, honestly, yeah. The only relatable part of Home Alone for me is

when he gets a lovely cheese pizza all to himself, because

I also am from a large family,

joe: Yeah.

Kat: like I don’t get to have the Yeah.

Mary: How many brothers and sisters do you have, Kat?

Kat: have five of each.

NIck: Oh so I’m the, I’m the Damn.

Mary: You’re

the youngest of 11 children.

Kat: 11.

73Yeah. So

Mary: you were like, in the were at alone family,

joe: right? You were at a Macaulay Culkin of your family.

NIck: How

many times were you left home alone?

Geo: Did

NIck: Did your family

forget

you?

Like,

Kat: Are you kidding? I

would’ve

paid to be home alone. to be home alone. Yeah. See, of my experience.

joe: All

right.

I wanna touch on a few. Oh yeah. Solid. Probably non debatable, but there’s some

of the science in them. I have

On the ice way. Is Frosty

the Snowman.

NIck: Wait, what

is, what did you say before that?

joe: What

NIck: you start off with?

joe: That [00:47:00] they’re, I mean they’re Christmas movies.

Oh,

74okay. Solid Christmas Frostiness Snowman. I think that’s a solid Christmas movie. It

could happen some other time in a winter.

Kat: like

joe: It could happen.

Kat: of a winter

joe: Yeah, I guess it’s like The Thing, right?

Geo: or It could have taken place in Antarctica at other times.

over year, but it

NIck: take,

joe: no, I guess he’s a winner. Maybe you’re right. Maybe I just got winter movies

’cause I got Jack Frost here too, so, you know, maybe I’m back off of that.

But the science is interesting. A lot of hand wa on because Frosty. So a Frosty gets

the silk hat and he comes to life, right? And then in the animated feature, the magician

is actually built as a villain. But really the kids stole his hat.

NIck: they did not.

joe: The hat blew

off. Yeah. And he

has

the hat.

Geo: it’s

NIck: finder’s keeper’s rule.

That is exactly how it No. You come you lose your hat.

and I’m driving down the street and I’m like, oh, that’s a nice hat. And I pick it up.

no, you drop

joe: your car

75keys, someone picks ’em up and they start your car and drive off. You’re like, oh,

hey, find his key

for this guy.

Just keep it. That’s

an, that’s

from a No of It’s Always Sunny in [00:48:00] Philadelphia.

is it? I watch that show.

Mary: Yeah,

Yeah.

There

was like something

that flew away and

he, she immediately picks it up like, Hey, wait a second. That fell out of her

hand. She,

that’s not yours

And again,

NIck: to I now it’s exactly how it

joe: But he wasn’t, I think he had some right to get his hat back and

Absolutely. And get that back. So, yeah. I’m gonna put that on record. And then

Jack Frost, who was just,

NIck: wait, What Jack Frost are we talking about?

Kat: The one,

the, the Michael Keaton one, I.

joe: I

NIck: the horror movie, Jack Frost.

joe: Jack Frost. All of those entities have the same biology, particularly

76NIck: Well, I just wanted to make sure which one we were talking.

joe: could talk any of ‘

em. I’m talking

more

NIck: like the serial killer one.

joe: Yeah. He wasn’t, he was a human right. He was Right. I’m talking about the

embodiment of Frost Ice. Water turning into ice.

Kat: Are you talking about the,

Michael Keaton movie?

joe: I’m talking just the actual legend of Jack

Kat: Oh, just the

joe: spit. Right, right, right. An

Geo: Well, is there an, there’s

an animated, right? there’s an

joe: animated one also

where he’s just ice, like he’s an ice person, like frosty.

And it’s kind of, the question is, how would you get [00:49:00] to an ice person?

Because when you form water into crystalline ice it actually is destructive to cells. It’s

something that in, in, in my line of work, my research we try to create vitreous ice and

there’s a whole process to do that.

Mary: So what’s vitreous?

joe: Vitreous Ice is glass like ice, so it’s non crystalline. So when we free cells

quickly you remove heat so fast about 10,000 degrees per second that you form not

crystalline ice, but you form a different phase of ice, which is called vitreous ice. Or a

glass glassy ice.

Geo: So do you think Jack Frost was glassy ice?

77joe: I mean he, that he would have to be, or, you know, in that magician’s hat, the

reason he wanted it back so badly was because I think it was nano machines and AI.

So you had that there, that he was skid it

Geo: oh

joe: an AI hat. But

this would be a, this would almost like,

this

would be like an Iron Man suit hat where it’s this nanoparticle, you’re laughing. But

I mean, frosty, we think of fro let’s F folks on Frosty. [00:50:00] He had no skeleton. He

had no structure to make sound or throat. He had nothing. He had he, , so he is an em-

bodiment.

That’s just a snowman. The hat lands. Mm-hmm. The nanoparticles then infiltrate

and then he he resets every time. Like a bad computer, like happy birthday. , I’m think-

ing

NIck: also dunno how he does.

half the things I think.

Geo: I think he’s an

joe: extreme.

That’s right. Yes. told you it

would come Look, I did my job

NIck: and Georgia’s plugging in so many.

Geo: Oh, I love it.

joe: it. It’s a word.

NIck: every hole we can get in Georgia’s like Extreme Ohio,

Geo: you know?

Mary: What’s another girl.

78Great Christmas movie? Grumpy

Cat’s. Worst Christmas ever

NIck: with Aubrey

Plaza.

joe: the Grumpy Cat thing.

Mary: I love, that

NIck: Never seen

joe: Yeah. It’s so

Kat: Never seen it. I never seen it. Either.

joe: Either. Yeah. Oh, it’s,

Mary: Oh, it’s such a,

NIck: didn’t, that

Geo: like a number one?

Mary: Yeah. Rest in peace. Grumpy cat, yeah. Grumpy cat.

RIP. Yeah. That’s a bummer.

But we have this, and it’s great because [00:51:00] Grumpy Cat spends like 90% of

the movie just like in a cat bed sleeping,

you know?

And Aubrey Plaza’s, voiceover that. So like, the cat’s clearly

Geo: Being a cat,

Mary: Just

joe: So it’s really, like the real life, Yeah. No. Nothing like that. No, It, but it’s it’s

Mary: dumb as all get out. I love it

so much.

joe: Now, George and I, we watched a really interesting movie, Dead End, and it’s

a

79is it horror movie?

I think it billed as a horror

movie

or a

thriller

maybe. And

Geo: think it was billed as a Christmas movie

though.

joe: and it was billed as a Christmas movie. It comes up on list as Christmas

movies. And so on Christmas Eve, they’re driving to the mother-in-law’s house. The

husband’s driving.

Mm-hmm.

Geo: Mm-hmm. And

joe: then it’s this whole scene where they take a different route

Geo: Well, you don’t wanna

joe: yeah. I, I’m not gonna spoil it. I don’t know how old it is, but I’m not gonna

spoil it. ’cause it is a really good

twist at the end.

Mary: I’ve had

this world’s second.

joe: Yeah.

It’s like a So

mind eraser.

NIck: Yeah.

joe: And they drive this, they and little be,

Mary: got my little bell.

80ding.

joe: they drive down this road [00:52:00] and they’re lost on this road.

And then as they go parts of the family are getting taken and killed.

Oh wow. And it’s really it’s very interesting. Yeah. But it was, and we watched it and

at the end I was like, well is that a really

Christmas movie? But then after some thought I think it what it had to be set at

Christmas.

’cause that’s why they were trying to get there. Any other holiday you were just

like, let’s go back home. Like we went, we have to get there at this day. It had a re-

demption arc. ’cause it did have that at the end. It was interesting. It had the kind of

the moral buildup. So it had all these elements in here and I can, you described at,

had a similar list and I started playing with that and it really fits.

We talked about it’s good if you haven’t seen Dead End, check it out. I

mean it’s

Geo: In a strange way,

there’s part of the movie, like, I’m watching and I’m like,

oh, I don’t know. Do I like this movie?

But when it’s all over. It’s still, I’m still thinking about it and we’re still talking about

it.

So That’s

just the sign of good

joe: move. Very, it’s the sign

of a good

move. Very David Lynchian. I think it has that kind of that feel that atmospheric, I

it’s not

Geo: yeah. not, to that [00:53:00] level.

81joe: not his level,

but to that level, it, it’s in

Geo: The main character is a twin Peaks cast member,

and I can’t

remember

his name.

joe: Yeah, it’s all right. We’ll put it in the show notes.

NIck: Ray, Wes,

Geo: Um,

It’s

the dad.

NIck: Lana or Lauren’s dad.

Geo: Yeah. The dad.

NIck: Ray Wise.

Mary: Oh,

okay.

joe: Did you see Deadhead Nick? Yes. Yeah.

NIck: It’s been years and years, but I had to look it up.

joe: Yeah,

Kat: I’ve never heard

of Dead end. I was telling somebody

that I was gonna be uh, having this discussion about

Geo: about

Kat: uh, diehard and and

this guy this person who’s in

our weekly silent writing group, he said you know, McLean basically

82spends the whole movie, hiding from Alan Rickman in a building.

So basically it’s a Harry Potter movie, which

that’s the only person I have ever heard make that point, which I thought was

hilarious.

Mary: Oh, rest in Peace.

joe: Harry Potter is not a Christmas movie. set at

Kat: does have fantastic bling

joe: You’re right,

it does. But no, it’s not even close.

Yeah,

Geo: [00:54:00] like, okay.

Kat: hall with the

Yeah.

joe: Yeah. It has a

Geo: It has some scene, but it’s not a Christmas movie. Oh, no, absolutely. Well,

and then it was funny because we try to watch Christmas movies. Around Christmas

time. And we’re trying to be diplomatic and give our kids a chance to put in their sug-

gestions. So we write down on piece of paper and then we pick ’em out.

And

what was the movie

joe: that Daddy’s Home with a, and

Geo: and it was like,

it was set in the summer, but then there’s

one

scene

that is

83like

Christmas in

July or

joe: a, it’s like

they have like they’re separated the mom and dad and the, and then the wife is

Remar, is it Will Ferrell and John Cena?

NIck: No,

it’s not John Cena. It’s like Will Ferrell and Matt Damon

Geo: Oh,

joe: Oh, Matt Damon. Yeah.

Right. John Cena is Matt Damon’s like, yeah, there’s a whole thing. I think he

comes maybe

Geo: I think he’s in the there’s a couple of the movies. Yeah.

joe: yeah. And it was like, we watched this thing. I was like, well this isn’t Christmas

movie at all.

And then because the Matt Damon character wants to give hi, he didn’t get to do

Christmas ’cause he [00:55:00] was in jail, I think. He then plans this big Christmas day,

and so there’s like scene, a scene of Christmas of him planning that and it was like,

oh,

this doesn’t count. This is not, yeah, right.

Geo: we gotta make some more rules for this

Christmas

movie thing

joe: unless Anna, and the apocalypse, like Christmas musical, zombie Christmas

musical.

Have you guys seen that? Oh, yeah. I haven’t heard

84of it. It’s really good. I heard that

Mary: of that one.

Geo: We haven’t seen that

joe: did, but you

know, I think, oh, I’ve seen it. Yeah.

Mary: think for me though,

like when

you guys were talking about Harry, because I agree, I don’t think Harry Potter is a

Christmas movie either,

Kat: Oh,

no, Absolutely.

Mary: But I but it, but by those rules, I feel like Harry Potter

and Diehard shared

like the same

things

joe: eh,

Mary: Yeah.

NIck: boo.

joe: no.

Kat: No.

Mary: even worse

because Diehard, Diehard came out in

July. You know, and so,

joe: keep, you keep movies don’t Come out and, they’re, you

have to come out at Christmas time to be a Christmas movie. Like I think that’s a,

that

85Geo: that’s an inter some nothing rule there.

joe: But you don’t, I mean, because

that’s all [00:56:00] based on money and when you make money on a movie

is in a

Mary: you You would

Kat: Hollywood to

joe: A Christmas

Mary: movie in July.

In

joe: Yeah.

In the,

Mary: In the eighties when

NIck: it’ll be on DVD, Like by the time Christmas comes around it’s on vh,

joe: right?

That’s right. Yeah.

NIck: So that’s why they add it like that far in advance.

Geo: Well,

Mary: then every summer Blockbuster would be a

Christmas movie

NIck: I mean,

joe: No, no. But dude, no, that’s not,

NIck: they want it to be

out around that time so you can have it at home so you can watch it with your fam-

ily. To

Geo: To be honest, I think it’s an unintentional Christmas movie.

I

86think Christmas just happened to be

in Diehard, and I

think enough people are watching it and.

then

picking up on that and It becomes like

people’s favorite Christmas movie. I

joe: to do to

Geo: think It was intended

For

a Christmas.

joe: the

writers who wrote it, who haven’t come forward, or that Bruce Willis, who was the

action star, making a brand for himself to go.

This is Bruce Willis movie. Okay, great. Yeah.

NIck: Bruce Willis, who didn’t

write the film. It’s a Bruce Willis movie

joe: they [00:57:00] were going through their plot and their plot holes, Uhhuh

they purposely made that movie at Christmas time,

Geo: but they didn’t think it was gonna be a Christmas.

like

joe: they don’t know How do you know? I mean,

Kat: That’s, no, it’s the,

Actually one of the writers is on record,

or Possibly.

the writers is

on record, saying,

87he did write it to be a

Christmas

Geo: Well, there you go.

there you go.

joe: Yep. and

Mary: one more, and one more thing about Die Hard. It’s not

related to Christmas, but I love

this.

This thing about Die Hard is the undershirt.

cool

is the undershirt

Geo: as

Mary: a metaphor?

I do. I love it.

Kat: This is like an

abs adjacent,

uh,

Mary: But

NIck: I’m not sure what’s going

joe: I know I don’t either.

It’s like Rabbit Hole of Research.

Mary: Do you

guys remember?

Like he starts off in the movie. At first he starts off

with a white pristine,

undershirt.

88but

Making fists with

your toes. I don’t know. I don’t,

I think legs up the wall or legs up the chair personally

is better for, you know,

joe: What the heck are you talking about?

Mary: Anyway, remember the

reason

joe: know why he was

barefoot.

Mary: [00:58:00] The reason why he was barefoot

joe: is, The guy

took, he had to be barefoot, so that was a plot device there.

That’s right. Toes. And I thought, what? I thought Quentin Tarantino was involved,

you’re right.

Mary: Right.

Geo: Right.

Mary: So,

exactly. He

might’ve well

Geo: been,

NIck: but like,

Mary: as

the

movie goes

on,

89it gets

progressively Dirtier and by

the end,

like the troll, the

trappings are just

like his straight

and narrow. My way or the highway way is ended,

Like the,

Geo: he’s gotta just go with it.

Mary: completely gone.

at that point. yeah.

Geo: Yeah. I

Mary: just, I love that as a metaphor

joe: metaphor.

The

Geo: the

Mary: for

how,

John McClain has changed throughout the

course of the movie.

Geo: See

joe: his redemption

Kat: great. I have one great regret. One great regret about Diehard that they have

a hugely pregnant woman front

and they have Argyle in the parking garage.

If they had.

90just had her have to

try,

to go, like

give birth in

a garage parking spot, or they would be so open and shut.

Christmas movie, it’s So, like

Merry

and the not a Christmas movie. Yeah. Okay. [00:59:00] Anyway.

joe: But they might have cut that out in the editing floor. It might have had an

edit scene Well, they, but the problem is if she gave

Kat: had it right

joe: then

she would have to leave and ar guy who waited to bust out mm-hmm.

Until the end. I mean, you know, there’s a lot of little f flowy flaws in there where

this could have been shut down a lot sooner.

As Georgia said, it would’ve been a 10 minute movie if you fix all the plot

holes. Oh my gosh.

Mary: Yeah. This movie

would never,

ever happen. But let’s talk about the other cool thing about Diehard is

all of

the

joe: really liked Die Hard, it

sounds like

I mean, you want it to be a Christmas movie.

Kat: Bruce

91NIck: started off really hard.

joe: Yeah, yeah,

Mary: know, I you

Geo: I

joe: You came out like, I

NIck: I don’t like Die Hard. I hate

Bruce Willis. No.

Geo: ab

joe: if he didn’t have nice abs, I would’ve been like, don’t even watch that movie.

Mary: No, but you can

joe: look, I stopped watching him when he put the shirt on.

Mary: a Christmas movie, right?

That is

Geo: true.

joe: true.

Mary: true.

I like

joe: watching the movie when he put

the We wanna hear the one more point that Mary has

Geo: about

joe: now? How much she loves Die Hard. Yes,

Mary: Yeah, I

do like it.

So we’re talking like 1988, so, you know, you don’t have

[01:00:00] black protagonist like the, as the action star.

But you have, Argyle,

92joe: He’s mm-hmm. You know, he’s

Mary: Driving the li, This guy Christmas Eve, he

just has nothing else to do, but hang out in that limbo and hang out with, you

know, like, man, oh man,

Geo: most he’s so Carey about. it.

Mary: That’S the world’s most dedicated Limmer driver.

Right. Can You imagine anyone sticking around that long

for you?

Really? That

Kat: That

is one

thing

I did notice

though, you know?

it’s classic in action movies.

that the black Character goes first and horror.

movies. In this case, you have

the

safe.

joe: Mm-hmm.

Kat: Argyle.

Mary: Yeah.

joe: And

Kat: Al.

And I was, I was especially waiting for the safe

cracker

93to, go down in a hail of

bullets or

Mary: but he doesn’t,

Kat: three of ’em, all three of ’em make it through the

Mary: but don’t Well.

Geo: just

Kat: white guys.

who take it in the

face

and get ho, ho, ho on and, know, all that.

joe: Well,

the

white foreign, the,

Mary: The Germans,

joe: the yeah, the immigrants.

Kat: Oh, You’re right about that. Damnit. You’re right.

Mary: let’s,

also

talk about rest

in [01:01:00] peace. Agent Johnson, I thought he was unfairly

killed. He was awesome.

He was

amazing. Not the other agent Johnson,

Who cares about

him, but

the other guy, remember he was he had such a dry wit.

94And he ended up getting wiped out in

the

helicopter crash,

joe: think, right?

Mary: I thought that was a wrong note for me.

I was

waiting for

them

to survive the helicopter crash.

NIck: And I’m gonna circle back

though real and like

Mary: maybe like they would start in their own in their

NIck: Yes.

Batman

joe: and

Mary: their own action

movie series.

NIck: But the idea that a limo driver wouldn’t

wait around,

that’s They’re getting

joe: paid. Yeah. They are

NIck: like, it’s

money.

joe: Yeah.

I’m

NIck: to wait

95for

money. if I just have to sit somewhere.

Mary: He was really gonna wait.

NIck: Yeah. I’m just gonna sit

there. Yeah. I’m getting paid.

joe: and a timeframe.

Kat: relaxing

evening down

there. He was,

joe: was, out like hours. It wasn’t.

I mean, we didn’t get a good picture of that timeframe, but it wasn’t like that. He

didn’t wait like days down

Mary: I wanna have someone that dedicated on my side,

NIck: you wanna pay me enough, I’ll do

joe: Right. I, I, agree.

NIck: I will do it. and a tip.

joe: [01:02:00] So he is waiting for, he get paid and a tip that he is gonna get

when he comes out there.

And it’s like in a, you know, they’re gonna be taking a little extra especially ’cause

they’re That’s right.

Mary: It’s Chris.

Yeah, a

joe: hundred percent. I’m waiting.

They got a ban on Christmas Eve to show up. I mean, you know, they got, they’re

rolling in the Clearly nobody in this

Mary: movie. Yeah. Like you can have a, you can have a

96holiday.

Yeah. That blows

my mind. Yeah.

NIck: I mean it’s an extra toy for my,

Mary: if the, if, our

work had us a Christmas party, at Christmas Eve night.

oh

my God. I lose my mind.

Kat: what’s gross about

capitalism. though. I just saw a commercial tonight about one of these poor, stu-

pid box stores. You can leave your Christmas

Shopping

till Christmas

Eve.

joe: Mm-hmm.

Kat: I thought You

bastards,

you know, let these People

go,

home.

joe: yeah. Yeah.

Geo: Right, right. Well, and I

Kat: I listen though.

Geo: oh,

yeah.

Kat: Oh, I just have one question.

97I

just wanna, I have, because after this lovely experience is over, I go back to the

land where people look at me funny and start inching away. When I talk about this too

[01:03:00] long,

But I

just have to know

Mary,

why

is

Home

Alone a Christmas movie if Diehard is not

joe: On the is it about? Yeah. Why

Kat: Home Alone? well, it’s not the, it’s not the violence. I think. I think that,

Mary: Some people in here think that, I don’t think it’s a Christmas movie because

it’s violent. I just think that

it

just happens to be said

at Christmas, but it’s not a, it doesn’t really, it just doesn’t feel Christmasy to

me.

Yeah.

it just doesn’t

Geo: part

the whole

NIck: I’m I’m pressing tonight.

Mary: Oh

NIck: yeah, I’ve had A few

98Mary: What, What part doesn’t,

feel

joe: And it has the coolest Christmas song Run, DMC Christmas in Hollis

, you know? Yeah. I

Kat: Uh, that’s

Mary: I

think it ends super Christmasy. Right. It has the loan paper or the bond papers

floating down like snow

and

joe: Yeah. it

Mary: it ends with the

limo.

Yeah.

joe: Snow in la Right. I mean, I was, it’s

Mary: at Christmas. But

I feel like it’s

fairly

joe: Mute. I mean,

Geo: I think that this is one of those things that we just can’t solve, you know?

Well, like we,

just

joe: probably not this episode, we’re [01:04:00] running

against the clock here.

Yeah. What,

NIck: we

started on an argument this season and we’re ending on an argument.

99this season on

joe: What was the argument we started on? We,

Geo: Wes.

joe: oh what’s that? We about

the simulation?

Was that the That was our first, no, yeah, no,

NIck: that was the first episode. The season, wasn’t it?

joe: No, the first episode of the season was exploring Utopia and Dystopia.

NIck: Really? I thought

it was with Wes.

joe: No, that was the last, that was the,

Mary: was

Geo: season

joe: that was season one.

That was season

NIck: That was the end of season one.

joe: was towards the end of season one. And Mary,

Mary: like

for

Home Alone, Christmas is more prominent. It’s a thing you have to get back to,

your kid for s , to celebrate Christmas

together

joe: you gotta get back to your kid if you leave them.

Yeah. And you’re in France. I you just gotta , make a return

NIck: it doesn’t matter what time of year.

that is.

100Mary: Honestly, I, ,

joe: If I, that could be any, that could be a Tuesday

, March. How about,

Geo: Planes, Trains and

Automobiles? That’s,

Mary: it’s

a

joe: movie. Thanksgiving yeah. I said a Thanksgiving. Yeah.

It’s a, it’s

Kat: that does go back though, Joe. That goes back

to Your point [01:05:00] that

Christmas,

you’re under pressure, know, goes, oh God, we have to go to Paris. We’re late,

the flight, blah, blah, blah,

blah.

Mary: I

would’ve just like put, him

joe: well,

Mary: I would’ve

joe: trip anywhere to Paris or any trip you take, you’re under pressure to get to the

airport in time, especially when you have that large of a group of people.

So you pick any of the

other, right. That’s right. Yeah.

But I think

Geo: Christmas just makes it even

more,

101NIck: but it could have been Thanksgiving.

and it

would’ve been

just

as bad. Right.

Geo: And the busyness, of the airport and Yeah.

Kat: 4th

of July.

joe: Fourth or

July.

Okay.

Kat: have been Thanksgiving.

Geo: guess we should wrap this up pretty quick. In a Christmasy

kinda way. Oh,

Nick, what’s your favorite? I

know you’re not a big Christmas fan. Do you have a favorite

Christmas movie?

NIck: have the most sentimental. Christmas movie and that is Santa Slay because

every year Michelle and I will go ahead and make a gingerbread house.

Aw, While watching Santa Slay. Aw, I sweet. And I absolutely love how stupid and

gory [01:06:00] and violent that movie is because it’s something absolutely bonkers

going on.

Well, we’re just making a

nice, you know, gingerbread.

joe: Now think about gingerbread houses in people. Now is the house. Made out

of flesh or is it gingerbread person made out of house material? I

102NIck: the house being made out of flesh.

Kat: I have

a perfect cartoon for that I gotta send you.

NIck: it is

Flesh.

and

that is the only way I will eat it.

I like to know that my gingerbreads

are

full on just

trying

to survive, so they had

a bigger civilization until

joe: it’s a

call back to season one in the That’s amazing. Tortillas that tastes like flesh.

Mary: Well,

NIck: I

joe: I forget what episode

that was.

NIck: Was it taste like flesh or

joe: it

was like, tastes like Yeah, it was it corn?

NIck: Corn tortillas.

joe: Tastes like flesh. Oh, we gotta look back.

Yeah. Oh wow.

Kat: a cartoon. There’s a cartoon,

103my sister posts every year. That’s a

four panel and it’s a gingerbread [01:07:00] man sitting in a gingerbread house

and

it says A gingerbread man sits in a gingerbread.

house. Is the house made of,

flesh or is he made of?

house He screams for, He does not

joe: know.

Oh man. Look at

that.

Kat: Very

Mary: that’s in,

joe: I’m there, right? Someone’s got it. Yeah. Send me a link. I’ll put that in the

show

Kat: I will, I

NIck: What

about you, Georgia?

joe: All right, move along. Well,

Geo: my, I think my favorite,

I don’t know.

I have quite

a few that I like, but I, my favorite I think is Christmas in Connecticut.

joe: Oh, come on.

Kat: Oh fun

joe: thunder.

Now I gotta come back.

104Geo: God. Who

made you,

Who

made you

Kat: one? The original

Mary: also like

Christmas in Connecticut?

joe: I do like Christmas in Connecticut, but I’ll

pick a different one. yeah. It’s really good. You should stay here. We can watch it.

Let’s get it on. I’ll watch it

any time. Even in July,

you go.

Geo: you didn’t even

know about Christmas.

in Connecticut until I

joe: don’t like romcoms. It’s a nice romcom. It is. And I do

like, I like romcoms. Yeah.

Yeah,

too. Stand there. Okay. I mean,

Mary: can like some,

Geo: It’s, yeah. go

joe: Muppets Christmas or whatever. Yeah.

Mary: Oh yeah. Wes Christmas Carol.[01:08:00]

joe: Yeah.

NIck: Yes.

joe: Look at that.

105Mary: I have

a soft spot. I have a soft spot for the George C. Scott, Christmas

Carol. I really like

Geo: that one

Mary: That’s

a great one.

joe: I like Scrooge. Scrooge. That’s one of my favorites. I do like that a lot. I don’t

know. I mean, it’s

probably just, ’cause when it came out and I was of that age and that 88.

Mm-hmm. So I was an impressionable, what,

Geo: Young man. 15-year-old? 13 old.

Mary: Mm-hmm.

joe: I somewhere in that ballpark.

Mary: Yeah.

NIck: What about you? Kay.

joe: Kay.

Geo: Okay.

Kat: Uh, the, the, Muppet, the Muppet, I’ve had a few drinks. Okay.

NIck: I’ve just shortened it completely.

Kat: that. I am flexible.

Uh, Muppet Christmas Carol

is one of my Very favorites. It’s a wonderful life.

but I, but

I have to say, there is a

30 minute

British cartoon

106That was popular. At the same time.

as a Charlie Brown Christmas. It came

out Around the same time, and it was an annual tradition on British tv. It’s called

The

Snowman,

and if you

haven’t seen it, you can find it on YouTube.

It

is like [01:09:00] It is beautiful

and soulful. Uh, there is a piece, there’s a song

that

requires like a,

boy soprano and a choir,

and it’s like basically they’re frosty the snowman, but it’s

so

British. Classier.

yeah. I,

Highly

recommend

Geo: Yeah. Cool.

Mary: Thanks.

Kat: a, Yeah.

Mary: Yeah. Well, mine is the George C.

Scott.

Geo: She already

NIck: She already said this.

107Mary: really like That one.

Geo: I think Joe’s had a

joe: No I missed it. Well, everyone went around and then we foreclose in, so, okay.

Yeah.

Mary: there and,

of course, and right

now I’m just have PeeWee’s

holiday

special

joe: Right. You said that right? Right. Rotation.

NIck: I do. have to say off that. Yeah. TV shows have some of the best Christmas

show like

joe: Specials.

Geo: Ooh.

Like

Kevin Bacon on The Guardians of the Galaxy. Yes.

joe: There

NIck: I just finished up Gilmore Girls Gilmore Girls love it. Oh, that’s a nice

episode. They have. every time I just feel like it’s like, oh, this was great to have on dur-

ing the season. And Bob’s Burgers as well, always [01:10:00] have very solid

Christmas

episodes.

Mary: Oh, yeah. You know, the other one riff Tracks has also put a lot of their

Christmas shorts and

some of

joe: their mm-hmm.

108Mary: their Christmas movies on, on

YouTube for free.

NIck: Interesting.

Mary: And

for free.

Yeah. And they’re excellent. And If you get a chance, watch Wizzo of the Clown.

It’ll scrub your

brain

clean as a whistle.

You

won’t

NIck: remember Oh, good. ’cause I have so much rotten. in there.

Mary: Okay. Yeah.

joe: Or Snake Venom, either one.

Mary: Yeah. It’s, it is like, if you

can’t have Snake Venom, watch Wizzo the Clown.

You won’t remember

your own name after it. Okay,

joe: cool.

Geo: Did you, oh, did you say Joe?

NIck: Yeah.

joe: no, I was letting everyone

go.

NIck: wait, I thought you already did.

joe: No. I mean, Christmas kinetic is a favorite. I got, I Diehard Gremlins Scrooge. I

Scrooge I love Scrooge. I

109Christmas Carol adjacent.

I say Scrooge ’cause that’s a, just a derivative of Christmas, Carol. Yeah.

Those are my favorites. We did a whole gremlins episode, so go check that out.

Mm-hmm. I was gonna bring up the Grinch. I do, I mean the animated

NIck: Oh, not the Jim Carrey one.

joe: I love the Grinch. And [01:11:00] we did in the Heart episode, Heart of a Su-

perhero. We touched on Grinch in his heart condition. ’cause a heart de grows three

sizes too big. probably Not good for

you, you know? No, it’s, it is not good at all. Yeah.

Yeah. So, or something.

NIck: Okay.

joe: yeah. But yeah. Anything else?

Mary: Did we, Christmas ourselves out?

joe: think we’re Christmas out until next year. Well, to come back and debate.

Mary: I know.

joe: Die hard again.

NIck: Oh, I thought next year is the year of Santa Verse Krampus.

joe: We could do that. Yeah.

I have in my notes Yeah. The Biology of the Immortal Santa Claus.

We

NIck: I got Notes about that.

Yeah,

joe: I have notes on Rudolph’s bioluminescent nose also. So, I mean, there’s some

sciencey stuff we could touch on, but we didn’t get there.

Kat: well, my

license plate is X MSS 3 6 5. So I’ll just be waiting here. for you

110guys anytime you wanna come back to

joe: On that note, Kat, why don’t you go ahead and plug your deets.

Kat: Oh, yeah. Well, I

just have really two things. to plug. one is of course the virtual nation of Snow,

Glo, which you can find on

the evil Facebook

for now, even though it exists.

[01:12:00] everywhere at all times.

And

then also if you live,

in

northwest Indiana

I

manage

a

silent writing group under

The

international

Organization. Shut up and write That meets at Tinies in Gary every Saturday morn-

ing at 10 15. So

you can find us on Meetup.

That’s

uh, where I,

got the

comment about , Diehard as a,

as an

111overlap.

uh, in

the Harry

Potter, omniverse,

joe: I’m

Mary: you could do this.

This is

Geo: Yeah,

It’s

NIck: Thank you you for so much for being here with us.

joe: It’s all Oh, thank you. do

Geo: you know the the Tree Twins?

joe: What

are we,

Kat: yes. Do I know the, Tree?

Twins? Yes.

are, are that the Tree Twins.

are our cover photo.

Geo: Oh.

Kat: OG Glo

Geo: I had no idea.

Kat: I

do a

joe: What are the Tree Twins for people who aren’t?

Geo: Well Kat can probably speak to this better than

joe: I

112Geo: did meet the Tree Twins.

And I

have a picture. I got

Kat: You’ve met the Tree Twins [01:13:00] and Octavia Butler. My God, you were

like the greatest human being I have

ever known.

Unbelievable.

NIck: going on. Her

Mary: is

joe: awesome.

Wow. There it is. Yeah.

Kat: Okay. The Tree Twins just quickly are, it’s a married couple of men in San

Francisco. They’re on Instagram as the tree twins and they wear lit up Christmas tree

costumes and they go and they just dance all over

the city.

Geo: so,

you can’t

Kat: they go

on.

joe: Yeah. Wow.

Kat: they’re

Geo: cannot be sad if you,

yeah, if you see the Tree Twins, that sounds,

Kat: That’s why they are our

NIck: All right. That

Kat: mascots of Snow Glo.

113Yeah.

Geo: That’s awesome.

Kat: of Snow Glo is those two. Those two guys, they’re amazing.

NIck: You gonna put those in the show notes. Show

joe: in

the show notes. Yeah. That’s no hand waving on there.

Mary: Tree

Kat: They’re on

NIck: And they’re actual trees, right?

Geo: Yes,

They’re like Groot. Oh,

NIck: Oh, okay. I’m down.

All right. I’m here for

joe: right. Well maybe it’ll a costume

Mary: next year for Halloween.

I’ll dress

up as [01:14:00] a

Christmas

NIck: tree.

Oh,

you and

you Georgia,

Oh,

Mary: Oh, we can

NIck: well, hot damn.

Mary: twins. Yeah.

114Kat: also the tap dancing Christmas trees.

in the Bay Area. There’s the tap dancing Christmas trees, which is a dancing

group of women

who are

wearing Christmas tree outfits,

and uh, they tap. So we

could do that too. I could hit you

Mary: I’m here.

Kat: meet you there

Geo: That’s awesome.

joe: there you go.

Geo: Yay.

joe: Yay.

All right,

NIck: well, thank you, Mary. as well for being here with us

Mary: much. This is so great. I’m so glad I got to come

back.

NIck: I’m sorry. We just had to yell at you.

joe: Oh,

but

Mary: You know, yell away.

That’s I’m, That’s

what

I’m here for.

I’m here to ruin everyone’s Christmas.

joe: It’s all in the spirit. It was

115ruined

Mary: Christmas.

joe: It’s not Christmas though. Hans Gruber falls out of a window, so, Oh.

NIck: He’s on my tree.

Mary: Oh, he’s,

Kat: You know, there is a, There’s an advent calendar out there,

You’ve probably seen it,

which is, it’s the

Nakatomi building. uh, Tabletop size

And

then Hans,

Gruber is flying and you just lower him down. There you go.[01:15:00]

joe: Oh, nice.

I love 24th day he hits the ground. Oh my God.

Kat: Yeah.

not Christmas till Hans Gruber falls off the Naoma

joe: it is.

Mary: Oh my gosh. I love it. I, yeah, anyone who wants to get me

a diehard advent calendar is welcome to do so.

NIck: there.

joe: Whatever it is.

Mary: I mean, it’s still not Christmas movie, but Yeah, you

Geo: do that.

joe: It’s an advent calendar.

Mary: Love,

advent calendars. Anyway, it is ebbs adjacent. yeah

116joe: you’ve got me, Joe.

NIck: Yeah, I got Nick.

joe: I got Nick. You’ve got Nick Georgia. You got Georgia. a merry,

Mary: Merry

Christmas Yeah. everyone. And

NIck: And

Mary: And

NIck: we went down some holes,

joe: some tinsel holes,

NIck: Some

sparkly

Geo: Christmasy holes.

joe: Stay safe.

NIck: Ding, ding. Bye.

Transcript: Episode 50: Gremlins and Holiday Science

SubstackAppleSpotifyYouTubeAmazon

joe: [00:00:00] Hey, 

welcome back to the Rabbit Hole of Research down here in the basement studio. And next a little 

We are in the spirit. Here already. We have the full crew. You got me, Joe,

Nick: got Nick. You got Nick. 

Geo: Georgia. 

Chris G: We’ve

joe: got Georgia. And we have a guest joining us for this 

Chris G: How is everyone?

What’s going on 

guys? Why? 

Nick: Hello there. I didn’t see you there until you spoke.

joe: a 

Chris G: I’ve been hiding. 

joe: thought 

we had gremlins in studio, but. We don’t, will you please introduce yourself?

Chris G: I’m Chris

Guzman

and I’ve known Joe for a few

years through the Northwest

Indiana ComicCon. Mm-hmm. 

joe: Mm-hmm. And you are an artist? 

Chris G: I

am an artist. 

I’m the official artist for one of the boxing halls of fame

in Belfast,

New York. Specifically the Bare-knuckle Boxing Hall

of Fame,

which was illegal for

a hundred 

years. 

And

just maybe eight 

years ago, nine years ago, 

became

Legal again

And and [00:01:00] popular very popular. on Pay-per-view. 

Chris G: I’m actually known as the boxing glove artist. I’m I’m the one that’s painting on the gloves and chasing folks down, getting them

autographed, And I’m An autographed nerd.

I’m a pop

culture nerd.

eighties in particular.

And I think

folks that

were born in 1975 have a distinct advantage

over others.

joe: I 

Geo: wait a 

joe: agree.

I wholeheartedly 

Geo: you hear 

Chris G: that Not Looking to alienate anyone 

in the 

room. I 

Geo: you hear that? 

Chris G: There’s a comradery there.

That’s all I’m that’s all 

I’m getting at. 

Nick: Oh,

is that ’cause it’s the two gentlemen in the room.

Chris G: Yeah.

joe: that’s us. 

Chris G: Oh, is 

that you? That’s me. 

joe: That’s me. That’s me. 

Chris G: I was way off. Pardon me. Pardon? me. Yeah.

joe: Yeah. All right. We’re here to talk about Gremlins. Yeah. And 

so 

I have this was I was actually at Northwest Indiana Comic-Con this year.

Saw Chris and I was talking about the podcast and he was like, have you done gremlins? And I was like, you know what? 

There 

it is. That’s an episode. So glad we made it work. And I have my little. 

Chris G: [00:02:00] Intro.

Nick: A 

joe: I I, you know, I, it’s, there’s always 

gremlins has a natural list, but, so I’m gonna 

Chris G: read 

Geo: it’s, yeah. No, it’s his 

joe: It

My description. 

Geo: he’s studying, setting, the stage. Stage. I 

Nick: so many times, I can’t even remember.

Geo: I think it changes every time, what we call it. I try to keep it short and sweet ’cause you guys don’t like it when it’s long and

Nick: wordy.

joe: I got gremlins.

Chris G: using 

Nick: words and whatnot.

joe: weren’t, gremlins weren’t born in a Hollywood script.

They came from the sky, from the cockpits of fighter planes. When engines failed without warning or instruments spun wildly without cause. British pilots gave the phenomenon a name gremlins. These creatures were never seen, only blamed ghosts of the machine imagined saboteurs who chew through wiring and logic alike.

It was folklore built for a mechanized world. Where myth and metal overlapped at 30,000 feet. But in 1984, the Gremlin evolved into the cute face of [00:03:00] horror, 

Joe 

Dante and Steven Spielberg’s, 1984 Gremlins recast the superstition of World War II failing equipment into something far more visible and more dangerous.

It arrived in the shape of a fuzzy Malwai, 

Chris G: an adorable 

joe: pet named Gizmo, and governed by a set of rules so specific they almost dared you to break them. Don’t get them wet, don’t expose ’em to sunlight, and don’t feed them after midnight. 

Chris G: There’s 

joe: lot of hand waving ’em to unpack. But back to the story, it unfolds against the backdrop of a snow covered town blinking with Christmas lights.

Which brings us to one of the most pressing questions that I have. Is Gremlins a Christmas movie? 

Geo: Why? Definitely.

Yes. Yeah. 

Chris G: you better believe 

it. Good 

Lord.

Nick: It’s more of a Christmas 

movie than Die Hard. I was saying 

joe: No, don’t. Hold on. 

That’s not, no, 

Geo: Die hard every year. 

joe: Die. hard 

is 

definitely

movie. 

I agree. I think it’s 

Christmas movie, but I have seen a debate where it’s not a [00:04:00] Christmas 

Geo: movie

Why? Because it’s who? 

Chris G: Yeah. 

joe: It goes the same thing 

Geo: but 

Chris G: Silent Night. Deadly Night. 

Nick: Oh my God. 

Chris G: Is also, 

Nick: know, hold on.

You gotta do the better of the two. Silent Night. Deadly Night Part two.

Chris G: I usually, I usually reject sequels. my friends 

that are listening right now are like, oh yeah. Done. Messed up there. 

Nick: You gotta do garbage day

Chris G: Oh. 

Geo: No.

I dunno.

Chris G: If you didn’t get it right, if you 

didn’t get it right in the first one.

I get angry when you force

sequel upon, me. Yeah. Okay,

So what was I doing yesterday to prepare for

today? 

I

was

watching 

Gremlins two, the

New batch 

joe: It’s

Geo: It’s

Chris G: against

my moral compass. 

and Personal we have a whole little 

Geo: Oh no, I’m

just saying you gotta have exceptions. 

joe: do. Yeah. And we have 

Chris G: a always 

joe: a running little debate down here about sequels, which are as good or better than the original. And 

so some that we’ve 

had, we had, I had, I have a couple examples. One is Alien and Aliens,

Nick: is not a debate.

Chris G: It’s, 

joe: I 

think it is. I think [00:05:00] aliens, it’s just 

Terminator one. Terminator two. And

Chris G: and

joe: I’m trying 

to think. And then we had

Nick: Terminator one, Terminator two

joe: Is that 

No. Oh. Star Wars and new Hope and an Empire Strikes Back. 

I think 

so. Episode 

Chris G: Trilogies get a pass for me,

especially when you’ve made 30 of them at 

this point.

I can’t really hold you to any hard fast rule,

and I’m not gonna call Empire

Strikes back a sequel.

it 

was part of a larger story in the 

first 

Geo: I 

have to agree.

It was, 

yeah, 

joe: I don’t know. I considered a sequel. 

Geo: I mean,

I guess there are

times you 

joe: the 

Terminator movies, I think 

Chris G: was 

joe: idea 

there was 

Unlike The Matrix, which I think was also planned as a trilogy, and it really fell apart 

in 

the second and third one.

My, my opinion. Okay. 

Geo: Anyway, let’s, get back 

to the 

joe: not talking about 

any of that, 

Chris G: Lawrence Fishburn line

two. 

joe: right. 

Geo: is a little early to get way off 

topic. 

joe: You can, no, 

just you 

Nick: Joe entered this

joe: I know. I came in [00:06:00] hot. 

I thought you 

guys were gonna disagree about the Christmas movie, so there it is.

Geo: what do you think it’s a 

joe: I do, yeah. I love it. Yeah. No 

Chris G: it. There’s no disagreement 

in this room. Gosh, It’s, 

Geo: it’s most definitely, 

joe: a listener out there, don’t think it’s a Christmas movie. Hit us up. Let us know why not 

hold,

Chris G: Hold 

your

peace. 

If

you 

don’t

agree with us? 

Geo: You’re

Chris G: you’re an 

American. You’re allowed 

to be wrong. It’s okay.

Awesome.

Alright. Okay, 

Geo: So now that we have that,

joe: we have that settled

Nick: that was an

joe: So 

Is the new batch as good or 

Chris G: better 

joe: than the original? No. Okay. Okay. All right. Just 

Chris G: Is the new batch as good? Absolutely. not, No.

The

magic of the first one is lost on the second one. They spend more time worrying about science without explaining any of 

it, Just 

What’s the term you’re 

using? Hand 

waving. Hand. there. We don’t have video yet. We 

joe: will, I’m sorry 

Geo: but he is, 

Chris G: for those at home. I’m waving

my [00:07:00] 

Nick: waving before he even said a

joe: That’s right. It was

Nick: He’s what do you call 

joe: the word?

Where I’m doing this thing teacher 

Chris G: I’m a school teacher during the day. I’m not Italian,

joe: but 

Chris G: I do use my

hands Quite a bit. Very

demonstrative.

Geo: year did Gremlins two come out? 

Chris G: 1990.

Okay. 

Nick: Interest. 

joe: Yeah. Interesting. Mm-hmm.

Chris G: And it looks like it came out in 1990.

It’s

got that shiny, candy shell to it. And 

Geo: that’s an interesting point.

’cause I think the original Gremlins was, is such a timeless, it really, I mean obviously there’s, 

Nick: it’s 

Geo: in 1984, but it doesn’t, it feels very timeless. 

Chris G: Timeless. Yeah, Totally. Yeah. Because it’s a Christmas movie. 

Geo: I

think that’s got

something to do

with it 

Chris G: because 

no matter

what, you’re gonna have another

Christmas, 

Coming up Christmas.

Yeah. 

joe: always happens. You get there. 

Yeah. 

So I, you almost segued us into the lack of science and explanation. And so I think we can just go [00:08:00] through

as

briefly or as long as we want on the three rules. ’cause I think that’s, 

that really

Nick: I have problems with at least two of them. You

joe: You’ve got you.

We’ll start, you wanna start with the one you don’t have a problem with or start with the ones you do have a problem

Nick: We’ll go through and I’ll start calling ’em

joe: Start it out. Go ahead.

Chris G: You could easily have 

problems with all 

joe: know.

I, I’m a 

Nick: I mean, 

Chris G: I

wanna 

know which one you’re cool with. I wanna know one is totally you’re slick all

Nick: over the sun. The sun one. I’m like, you know what? I could let that one pass go by.

Vampire rules. Whatever 

knocked, 

Chris G: rules,

Geo: And

Chris G: There

we 

joe: There 

Nick: there we go. This is 

why I 

joe: hand wavy of an 

Chris G: long

as we’re set

In actual

fact, 

I’m good. 

Nick: You know, this brings us down to reality. 

Geo: But really 

there 

are a lot of things that happen in

nature that, Like PE-people and animals that are affected by the sun.

so That, that doesn’t,

that seems

more plausible that 

joe: you could be Right. I think that 

Geo: Or bright lights. bright lights, 

joe: could have, 

could be [00:09:00] toxic. 

Nick: I get it. I to their,

joe: to there, you know, cellular structure. They could have, unstable 

chromophores 

in their 

skin.

And, when they 

evolve 

From the Mogwai two to Gremlins, they do have different pigmentation. Their skin changes, everything. So there might be some light triggering in there that they have, that you would get this kind of. 

Reaction to sunlight. 

And it feels like that’s the most consistent rule across 

Geo: although the 

storyline.

it’s interesting that it’s a bright light that bothers him

and

but the 

Nick: of a camera, 

right?

Geo: But yet You can have a light on in the

room.

and it’s pretty, I mean,

it’s it’s interesting

like where that

you draw the line, between Bright light. And 

joe: It could be like UV in, in the light.

So maybe that’s why sunlight or certain lamps. Would affect them more than maybe a flash. Maybe that’s temporary. No one likes to get flashed in the face with a, I mean, 

Chris G: that’s everyone 

joe: old enough to 

remember the flash [00:10:00] cameras. That’s right. 

Chris G: Okay. That’s ticking everyone. 

Let’s not put that on Gizmo old

Geo: those old school cameras that had that Yeah. bulbs on the top of it. I mean, those were intense. So they hit you. Yeah. You were seeing, you know, 

joe: What’s happening? But yeah, no, 

you had that where the sun, they would melt in almost in vampire fashion.

And I it felt, you know, like a lot of these, like a plot device to keep ’em at nighttime, you get to set the story at night , ’cause really that wasn’t the way.

The majority 

of them died in the movie theater and 

Geo: Ooh, You’re spoiling 

joe: Yeah. It’s older 

than 20 years. That’s our rule here. 

If you haven’t seen it, stop here. Go watch Gremlins least the first 

one and move forward. You gotta see 

Chris G: I can’t be, I can’t be part of this.

I

can’t be part of this. 

Nick: Wow. Is this the first time a guest is leaving? Mid 

joe: He’s done. We’re not. 

If you’re What kind of fans, what kind of listeners do you have that haven’t 

seen Lins

Chris G: Step

one. Watch 

it then.

I [00:11:00] mean, then go on and listen to this And

we’ll tear the whole movie apart. And that’s 

fine. But You better show 

up having 

watched it,

joe: but you had it 

and so you have this thing.

I, I have some theories about all three rules, but I just want to, I let everyone get their piece on it and then I will, 

Chris G: if we’re, 

joe: I’ll make ’em all work. I actually figured it 

out. 

Chris G: If

we’re gonna talk about the sun,

we’re in the sun. 

I can hang with

the sun.

This down at the mercy of the court. What about albinos and. Really light and white colored, furry animals almost always are very 

light sensitive. 

Nick: Mm-hmm. 

Chris G: No pigmentation in the Eyes 

at all. Even Red a good 

portion of gizmo’s body is white

fur. Yeah. That

could be the the achilles heel of the the sun. 

joe: Yeah. No I think that’s true. The breakdown is , when they actually, go through their metamorphosis to the gremlin state and they’re pigmented in, so they do actually now go to where they should have some protective mechanisms in there that would [00:12:00] protect them from the sun, and so they would be more resistant.

So I can imagine the moai and their non-converted state. Maybe being sensitive, but then after you switch, 

Geo: They almost look like lizards after 

joe: look kind of, look like 

Geo: Almost 

joe: That’s right. That’s right.

Geo: The

opposite. 

Chris G: Would 

be drawn

to the 

joe: That’s 

exactly right. Yes. Yes. 

Chris G: But I direct 

you to a particular fountain scene at the mall. 

Geo: the mall.

joe: is true. Yes. 

Chris G: Where

you’re mixing every rule

you got

joe: They 

did. Yes. Yes. 

Chris G: In the water 

with the sun. Come 

on now. 

joe: They did. They did 

a lot. And they 

and the water. No, we’re gonna 

jump 

Chris G: That was the fireworks finale though.

Yeah. 

joe: gonna 

jump right to the, oh, go ahead. Did you have the sun? Because I, we got the fountain and I’ve got

Geo: Yeah, I was gonna say, these rules, the three rules are for all

these

creatures. Not just for Gizmo, right. 

Correct. 

I mean, 

joe: yeah. Okay. So they have 

two states. They have the Magis State, and then they have the Gremlin 

Geo: So are most of the [00:13:00] mogwai, am I saying.

it?

right?

Mod. 

joe: Let’s go with it. 

Chris G: You’re

saying it just like the 

ancient Oriental man? 

Geo: Yes. 

Great. 

joe: Without

the accent. 

Geo: I practiced so many so many times 

Chris G: Ah, you nailed it. pipe. You need a cool pipe hanging 

joe: out 

your mouth You 

Nick: me I wasn’t allowed to smoke in the studio anymore.

joe: didn’t 

say you had to smoke it. I didn’t Said you 

had the pipe in your mouth

Nick: Listen, If you have it, you got 

Geo: you anyway.

joe: hunched over a chess board 

or something.

I don’t actually don’t know what he was playing. There. 

Geo: typically look like Gizmo or do they come in? Variety of fur. Do we know? 

Chris G: Oh, we

know. 

Yeah.

They 

Nick: have an animated show. 

Geo: Okay.

joe: Even in, in part one, 

they had, when 

Gizmo first gets wet Oh, they all All right. That’s two

yeah. right.

Chris G: Secrets of Amay is

adorable. 

Nick: It is. 

Chris G: It’s 

adorable. daughter was 

Geo: And that’s an and that’s an anime Animated. show. 

Yes. Okay. It’s 

Nick: But that came out couple years back, right? Yeah. It’s not that old. 

Chris G: No. Probably

pandemic time. Yeah. Okay. 

Geo: I, ne I never, I [00:14:00] missed that.

joe: Yeah. I didn’t 

Chris G: You didn’t miss all that much. You’re

doing 

just fine. 

Nick: It’s a kid show pretty much.

Geo: I, like,

kids. 

Chris G: was expecting to, I watched a little 

of that, Joe, as 

joe: you.

It is preparation. 

Chris G: And I was expect, okay they’re going 

they’re gonna 

leave the 

string hanging out of 

a sweater

and I’m just gonna yank on it. and I’m gonna 

learn a

little more that I didn’t know. I 

No,

joe: you got nothing. Ear air. 

Chris G: Absolutely

not. 

joe: All right. So we had the water thing. I’m gonna go, I’m gonna skip ahead.

We, we can loop back. We’re gonna loop back. ’cause I have a, like I said, I have a tethering theory, but the water thing is

probably, 

Geo: now, that’s the one that bothers

me. How can an organ, how can an organism

live

And 

not even, ’cause he goes, don’t even

dr don’t even give

it water

to, 

joe: well, I’m pointing that to her.

I have.

Chris G: have

joe: One word for you. Extremophile.

Nick: man. 

You. Is this the season 

of Extre of No, 

Geo: Wow. I’m 

so [00:15:00] excited. that we get, 

Can I say it?

You can.

Extreme of vile

Chris G: now, for a 12-year-old listening at home.

can Someone

define extremophile please?

joe: Yeah, 

These are organisms usually a prokaryotic you know, single cell organisms that le live at extreme conditions on Earth. So extreme temperature, extreme, pH metabolic extreme.

If you go to thermo vents in the ocean those organisms are extremophile. They’re living at very hot intense conditions. So you, and there are organisms that, besides extremophiles, that can actually, desiccate themselves, can live on minimal water.

The water bears, tar grades. 

So you can have organisms that can live. 

A extreme. Are you looking something up over there?

Nick: No. I had to make sure my phone volume was off.

joe: Oh, 

all I don’t, I was like, you know, so 

you do have things, you have desert and 

then you can even go up and you go those are, you know, single cell organisms or sim but you got desert frogs, lizards.

They can 

Chris G: but live 

joe: [00:16:00] on dew and ambient humidity through belly skin. And they, if we go with the sunlight affecting their, and their skin might have some, sensitivity. Maybe that’s because they are absorbing water through their skin actively 

a fourth rule.

Might have been Keep ’em, humidified, I don’t know. 

Geo: But

Chris G: by the way, the name of my third book is 

joe: living On De There is the 

Extremophiles. 

Geo: The thing is

Gizmo looks like a mammal. I mean,

he really, 

joe: I mean, we didn’t 

Geo: I mean, you know what I mean? Cute 

Nick: you describe it to us? Yeah. 

Geo: Yeah. I just, I don’t 

think 

joe: It had the big 

Geo: I

don’t think extremophile when I see Gizmo. 

Chris G: So it’s an advance being for sure. 

Geo: I still 

think it would, that he would require some water to drink.

Yes.

joe: And it 

could be. 

And now maybe that’s a misinterpreted of the rule. ’cause maybe 

Chris G: it’s 

joe: it’s sophisticated enough that it could tell the difference between hydration and 

Geo: and that could have been 

joe: ways 

That there, it could have a. 

duality. [00:17:00] So water through the mouth 

Geo: like you could drink 

joe: you don’t get pustules in your 

mouth that pop out. You can 

Geo: get submerged 

joe: Dr. No dribble, no 

dribbles down the,

Chris G: I was gonna 

say, 

joe: you know, no 

Chris G: fact you’re riding a razor’s edge there, man.

Geo: I know. And Maybe it’s 

just

the dad got confused and added

joe: because there, there 

could be like 

Geo: a 

don’t even let 

him drink anything.

joe: There 

could be 

a threshold, but you had the scene with the guy the science the high school science teacher and you know, 

Chris G: honest to god, one of

my

favorite scenes

which takes me to a point

that I’m gonna, try and 

joe: okay, go for 

Chris G: it.

think,

and I’ve never 

heard this before, anywhere. I think the purity level Of the water. that is given

To the exterior

of set animal has to do with what type of

mwe. 

joe: Oh, interesting. Thumb out. 

Chris G: Because the science teacher in the 84 original takes an eye dropper. He’s not gonna use an eyedropper. For tap

water.

How do know? 

I’m assuming that 

because [00:18:00] I’m married to a science teacher, he’s 

joe: have filtration systems. In 

Geo: making an assumption here. filtration system. You’re making an 

joe: but yeah, go 

for it. 

Chris G: I’m gonna take a w make a wild assumption

that he’s using distilled water

Because he is

a man of science.

Nick: Mm-hmm.

joe: Yeah. 

Chris G: Not

gonna be a lot of chlorine. A lot of fluoride in this water. This is gonna be distilled water. And He does one. drop. It’s very specific

what he’s looking for.

I don’t think you would use an eyedropper for tap water. And if I’m being repetitive,

I’m sorry.

But

I think he’s using distilled water later. The cinematic genius that is Cory Feldman 

spills over, 

Billy’s

paintbrush water, 

Which

is. 

I am an artist. There’s artists in this room, definitely. You’re just using Junko tap

water. And

there’s gonna be paint

additives in that water.

So because, 

and think

of the 

two types of maggi that were produced 

from that when the science teacher uses the eyedropper, [00:19:00] it made a very cute, normal, adorable looking mwe and they’re knocking at each other through the cardboard box.

They’re being adorable when the dirty paint water, and it’s not 

that dirty. But it is not

as pristine

as what I believe. I 

agree. 

joe: I agree. 

Yes.

Chris G: Now you have five,

right.

One of ’em has a

stripe. One of ’em got crazy eyes.

I mean, you got that crazy eye cousin that you

Christmas only, you know? Yeah. Not really hanging out on the

weekends with

him.

Those five are very

different. And 

Geo: That is the 

point. 

joe: be the, 

maybe the chemicals from the paint. I mean, they could also, that could be it. Maybe the tap water, maybe you’re right. Purity of the water. But maybe even tap water would’ve been better than, because even the fountain water probably would’ve been bad.

The swimming pool had chlorine probably in it, and that produced a, a range of organisms off of that. Yeah. So

Nick: Yeah. A range of

joe: it was a range of organisms mm-hmm. 

Geo: So It really was. 

Chris G: Yeah.

I’ve got a

range of emotions. Right.

now.[00:20:00] 

Nick: Yeah that is a really good point though. ’cause having different qualities of water.

joe: No, that’s a good one. I like 

that. 

Chris G: I

was like 10 or 11 and I’m like, that’s dirty water.

joe: Yeah, it 

Chris G: that

was clean water. 

Geo: So you’ve been thinking about this for a

while. No. 

Chris G: I wasn’t gonna come

into this blind, but yeah. 

But that though. I like the water purity thing. You, yes. Yes. 

joe: That was no shade on the

Geo: but 

joe: teacher.

Sorry, I 

Geo: I still think 

joe: that. ’cause I 

Geo: they need to drink, 

joe: They, you know, I just wanna say there was no shade. I just didn’t see any equipment in that room to do, you know, so 

that, that’s the only reason I was calling that question. And 

Chris G: My wife Angie is listening and She’s gonna say, 

oh, there was science there.

Yeah.

Okay. I never saw a one Buns

and burner in that 

room. Yeah. 

joe: He had a, 

also, we 

had a sandwich right there. 

You’re, 

I think there was a lot 

of bad scientific technique 

in 

That scene, so that’s why I questioned the water source. But I, once 

Geo: on, we’re, talking high school. hand, I’m waving my hands here.

joe: I’ll let it go. So 

Chris G: he had a,

it [00:21:00] was probably

something

a hamster would’ve come 

in And then

a cardboard box

over that. a very technical setup. 

if I’ve ever seen one. He, 

joe: on a limited budget. I mean, that’s a,

Chris G: public school

teacher, Kingston

Falls 

let’s have a bake sale.

Let’s

get some real equipment for that 

science room. 

joe: Please. He’s throwing some sophisticated experiments in there. 

Chris G: Now, 

one year later, when that was hill Valley. 

Nick: Okay. 

Chris G: Because the same set was used for Back to the Future.

They would’ve had the the monies.

joe: Yes. They would’ve then, 

Chris G: I’m

sure they have a better science department there.

They probably 

for Michael J. Fox

joe: sure.

Geo: don’t know. 

Did

they have any scenes

in the science room?

Chris G: Yeah, there 

joe: was a couple scenes in the science room

Geo: In back to the 

joe: Oh, back to 

the future. Sorry. 

Geo: that’s what I mean. 

Chris G: I 

joe: Oh, I thought you meant in Gremlins. I was like, yes. I don’t remember. I haven’t seen 

Geo: Yeah, I can’t think of any time they visited

the science room 

joe: a lot on this show. Maybe we should revisit it. 

Chris G: I’m willing

to bet the science teachers

in Hill 

Valley 

are not leaving [00:22:00] sandwiches

joe: right 

Chris G: right out on the, counter. I’m just gonna leave it at 

that. 

Geo: Yes. 

joe: That wasn’t but yeah, then that goes to that Feeding After Midnight rule.

Chris G: Mm-hmm. 

joe: That’s 

Nick: is another one I just have a problem with.

joe: Yes. There’s a lot 

Geo: and why do you have a problem 

Chris G: I want to hear, 

Nick: First of all, how can mock wise tell time? Like I barely know what time it is 

Geo: Oh, you mean like How did they get clever enough to know about the clock and Yeah, and that 

Nick: If they’ve been around for centuries, time hasn’t been a thing all that time.

joe: Yeah. And then, 

Chris G: okay. 

Nick: Yeah. 

Chris G: the t-shirt right there. Time 

has not been around

all that time.

That one down. Yep. Yep. 

That’s your Christmas card Nick, right there. that came right 

Geo: from Nick. Yep. 

Nick: Just we went down Tim Ho.

Chris G: I like it

Geo: when 

joe: you have that, like what’s 

Geo: and also what time zone? I mean 

Nick: If I just cross into the next time zone and I live on the border [00:23:00] time, are they gonna be like, you know what, you’re good. 

Geo: you 

know what, you’re good.

But you know, there is precedent ’cause think about the pumpkin in Cinderella. That was

midnight.

Nick: what? 

Geo: That was 

midnight 

joe: but it was set at a particular time zone. 

Geo: Change 

joe: It was, there,

Nick: It was a one.

You know. Alright. This one singular pumpkin gets to turn back at this specific

joe: time. And that could have been, that could have been a time thing, like maybe this in the story didn’t go, it’s eight hours in 42 minutes.

Chris G: if Cinderella is The precedent. 

joe: Yeah. 

Geo: that is the thing we’re

basing all science 

Chris G: I got nothing.

Geo: It’s the baseline.

Yes.

Chris G: Yes. Counselor I 

refer you to 

Cinderella,

minute 38. 

Oh. 

Nick: Oh. But it’s like that, that one just doesn’t make any sense for me at all. Why is it exactly at that time for them?

joe: Yeah. No, 

that one is 

hard to explain. But you could have some,

Nick: there is no extremophiles that can’t eat past [00:24:00] midnight.

joe: But you could, there could be some sort of internal, you could have that circadian Yeah. Kind of, threshold that then would, , as you go, that didn’t with, in a 

Geo: and what is it about eating? What is it about eating that makes them 

joe: that might trigger, I mean, it 

could 

Geo: I mean, 

joe: You guys know my favorite thing to talk about 

Geo: a Big Mac. 

joe: Yes. And so maybe they need calories to actually, go through their change. That metamorphosis. 

Geo: you don’t Give them that food, they won’t do 

joe: They won’t change. 

So maybe it was 

Geo: but who cares if they transfer 

in the daytime

or at night, 

Chris G: could 

joe: be a misinterpretation of the rule.

Like we said, there was this Asian gentleman

Nick: Because it would 

Geo: saying a translation, 

joe: could be a translation issue. And it just turned out don’t feed after midnight. But it could be at a particular, like how much you feed ’em, like the, you know, and what you feed ’em. Does chewing gum equate food?

Is it just the act of chewing? Is it the calorie? That wasn’t clear. And a lot of it they were just scarfing down a big plate of raw chicken or undercooked [00:25:00] chicken that I was little That was a 

Chris G: It was Sweaty chicken. 

joe: I was 

Chris G: was sweaty chicken. 

Nick: Chicken 

joe: was, 

Chris G: Thank 

you for bringing that 

Geo: I love the way gizmo 

goes.

joe: I was like no thanks, man. It’s like 

Chris G: I love 

that. 

There’s 

literally 30

pounds of, 

joe: that’s right. Yeah. 

Chris G: Just sitting in the 

fridge, just chilling. 

joe: Salmonella, anybody. 

I mean, it was. It looked pretty rough. That was some gross chicken. 

He didn’t cook it. It was like, oh yeah, you guys 

can eat raw chicken.

Like he has fed them nothing. Were they eating raw? Like he got no dietary instructions, a how to feed him, right? And so I don’t know what they were eating throughout the day. So , were they feeding him dog food? And then Meida went and got, okay, you guys are whining, let get you some chicken.

Chris G: And it was the closeup of them eating that chicken is 

joe: it was, yes.

Chris G: Ghastly. 

Geo: It’s, 

joe: that was a horror right 

there in itself 

that, 

Geo: it was 

joe: put that on clip. They it at a little loop 

and show people.

Geo: like, oh, I dunno. Yeah,

joe: And they’re pulling, it’s like 

kind of that 

raw tearing of

Geo: I,

Chris G: that [00:26:00] was not fully cooked chicken. We’re just gonna leave it at that.

No, absolutely not. 

joe: I mean they probably all got gastrointestinal poisoning. 

I don’t know. That’s 

like kind of, so

Chris G: so

old man 

has 

the rules.

somehow the grandson, hears the rules,

Tells Mr. Peltzer as he’s out in the street.

Oh 

yeah. By the way, 

joe: Here’s some, 

Chris G: and then Hoy. Axton

who played the dad tells Billy, right.

Is that the first version of Chinese telephone?

joe: I, maybe not the first, but,

Geo: Yeah.

No, I No, I think

joe: They’ve been around 

for a while, man. Yes I know 

Chris G: I just mean. 

joe: Yes. Yeah, I got it. 

Geo: could be Lost. in 

joe: I 

think a number of these rules 

could have been lost in translation a little bit. You know, I think 

Geo: that’s, mm-hmm. 

joe: that’s probably what’s happened and they may understand the replication cycle of.

You know, the Mogwai and then these rules are just passed around, and 

then it just got , lost in translation. That was a movie, 

Chris G: wasn’t 

joe: it?[00:27:00] 

Chris G: early

Scar Joe, 

joe: Bill Murray.

Geo: But 

Chris G: yeah. 

Nick: I do think that it would have to be like a daytime thing for them, like afternoon, because you would assume that they’re more nocturnal because of the sun, like having that time being at midnight, which would be in their. Regular 

Geo: when they’d be up and 

around. 

Nick: It just, I don’t know. That part kind of always lost me.

Geo: Is there any folklore like that in general that you can’t eat after a certain time and it causes some sort of issues? 

Chris G: Lent Passover.

joe: that is true.

Geo: That is true. Okay. 

Chris G: Toss some

religion. on You

Heathens. 

Geo: Thank you

for reminding me of 

joe: that 

religion. We need it. 

Chris G: I’m here for you my brother? 

I’m here for You?

joe: and the 

Nick: is the first time I’m hearing of it.

joe: go watch it. 

Chris G: have so 

joe: Have some raw undercooked 

Chris G: chicken. 

joe: No, don’t do that. Sorry, 

Chris G: that was not an endorsement. of raw 

chicken. Yes, 

joe: no.

Watch that scene and you’ll understand why you shouldn’t 

Chris G: and You’ll probably not want to have [00:28:00] chicken for a month. 

So 

joe: yes, I think the eating one

Geo: is the hardest, almost.

Chris G: It, 

joe: It makes the, and if you’re gonna 

constrain it by the time and once again I think that was just a nice plot device ’cause you had to move the story along.

You can’t go, when they eat 5,000 calories in one sitting, 

they will, 

it will turn into a gremlin or a half eaten cold cut sandwich 

Chris G: I also change quite a bit when I eat that much. 

joe: Yes, that’s right 

actually. Undercook chicken, you probably, 

Chris G: I don’t grow claws, but 

I’m, definitely in the restroom for quite a while.

If that chicken’s not cooked, properly. 

joe: Probably wish you grew some 

claw. Get something out of it. 

Like

Geo: but I do like your idea about the 

transformation. Needing calories.

joe: Yeah. Back to the water. I’m going to, I was, 

had a,

another thought and had written down was reproduction.

And their reproduction is interesting because it’s not clear if all the gremlins are of one. 

Sex. 

And so the [00:29:00] water is like a asexual reproductive mechanism

Nick: Hydrous,

Geo: Hydro

Chris G: talk to

me about 

joe: hydras plantar fungal species that are activated by water and reproduce. So there are, there is some reproduction would be the way you go is that there is the water’s reproducing ’em, and then the purity of the water, if that is the trigger, then that could fit back into that, that model there, that your genetics and so if the water is the trigger and it has impurities in it, they could actually cause different kind of a gene expression that then will lead to the changes.

So is that the way you induce changes? So they’re not all, usually we have asex reproduction, everybody comes out the same. So that’s. Because you just made a clone, 

Chris G: essentially. Sure. 

joe: So 

were do you change that? If maybe the water is the inducer and what’s in the water 

they were a big 

variety 

And that might be a way to blend into different environments 

Chris G: So if the 

maggi, if Mawa lands in a

mud puddle, 

joe: right? That’s right. 

Chris G: That’s [00:30:00] right. 

Are they just horrifying Mwe? 

Nick: Maybe 

joe: Maybe that’s it. I 

Chris G: you’re Like

you’re

halfway 

there anyway. I wanna

see

a muddy 

mwe. And that’s the name of the bar I’m going to 

Open Joe.

joe: muddy mug. 

Geo: I like that. 

joe: this 

all, 

Chris G: we’ll have a midnight buffet. 

joe: This all Yeah. 

Geo: You can eat 

joe: chicken,

Geo: midnight

joe: maybe. Yes. The chicken gets better 

at midnight. But 

This 

leans into an idea I had. What if

the

mogwai were bioengineered weapons? Then all these rules kind of fit. Hm.

Nick: Joe, if you watch the cartoon

joe: were you engineered 

in the lab?

No 

I think you would have, so you have these weapons then?

Is 

that

in 

the cartoon? I don’t know. I didn’t

Nick: watch. No, they’re, they live in a mountain.

Chris G: Oh,

Nick: yeah.

joe: What’s I gotta do with being a bioengineer weapon? 

Chris G: They 

Nick: they weren’t,

Geo: That you know of,

Chris G: they are right.

joe: That’s where they 

Geo: that history. 

joe: But 

You think about all these 

things like, 

okay, so [00:31:00] water could 

be a trigger, and if we now go with this purity thing and adaptability to your environment, 

that 

then you go, and now you have diversity of organism.

They become extremely aggressive after they transform or after they eat. And so they have the first step reproduction and they adapt to their environment. Second step, they eat and then they gain calories. And then they go into their pupil state and metamorphs, and then they come out as this aggressive semi-intelligent once again, you have a bell curve of intelligence, but you have leaders and you have followers that they can organize and they’re disruptive, right?

Because that’s the nature of the gremlin. And so you have this whole thing, and they’re called gremlins because that’s what they do. So if you had this bio weapon, you drop ’em off as cute pets, and then they infiltrate an area, disrupt the 

radar. Electrical systems. 

Geo: I 

think it was 

joe: you would didn’t have that.

Geo: you didn’t have that. I

I think it’s a perfect example of what happened in

joe: That’s right. That’s right. 

Released a 

bio chaos. And like the sheriff [00:32:00] is basically oh God, and just 

Geo: rolls up his window, 

sheriff. 

Chris G: The 

joe: The sheriff for the year. He was not 

Geo: Let the guy get attacked by all the gremlins. and he is just oh boy.

And he just rolls up

his, 

joe: didn’t even shoot, but they were 

they were drinking a lot.

So I think it was, there was some question 

like, that’s right. Yeah. It was like, 

we’re on duty. But 

Geo: think that

could have be a, because it took over the whole

town It quickly. Yeah. 

Chris G: Yeah. 

joe: And then you 

have the one thing I didn’t mention. And was the sun was sunlight and light and how that fits into the bio weapon.

One needs a way to control the bio weapon.

And 

That’s with light. And so if you had uv, you understand that you can go in, hit ’em. So at night they’re spread it out, they destroy this place. You come in now to clean up, man, you don’t wanna deal with the gremlins here. So like you need to 

get rid of them.

And there you go. So you either wait, today comes and then you, okay, we know you got, most of them take bright uv, lights that would activate whatever kill switch. And they usually are explosive. So actually they actually do some more damps. So you go in, even if someone accidentally figures that out, when they die, they

[00:33:00] eject matter and it’s 

Geo: is that just in The microwave, 

joe: It’s, 

you know. 

All right 

Chris G: Chris. If you could see me. 

joe: He 

Chris G: man, I’m in three

directions right now. I was fine. till microwave,

I was fine.

was keeping track. I’m Like yep. I didn’t have nothing to do with the microwave, 

microwave

Ah.

bug spray in 

the 

joe: room. 

Geo: Excuse

Chris G: me. How badass 

is this? Mom? 

joe: Yes. 

Chris G: You are not

messing with 

this lady’s

kitchen.

joe: How many bio weapons does she take down? That’s who 

you 

Chris G: amazing.

Geo: was amazing.

joe: all right. 

Chris G: but knife to the face.

I mean, the juicer, the blender. the, that 

microwave. 

I’m gonna 

Nick: the 

Chris G: juicer 

Nick: one. Like she just did not 

hair. She was like, 

you’re in my 

domain now. 

Chris G: This is my kitchen 

joe: One. One last point to the bio weapon. 

Chris G: Oh, 

joe: and to your point now, ’cause you’ve sparked it, the discussion, I think Billy’s parents were spies 

Chris G: and 

joe: Billy’s dad was [00:34:00] out as the kind of goofy inventor.

His mom played along with it. Where’d he get all his money from? They weren’t selling those damn inventions ’cause none of ’em really worked. But they were living fairly well. 

He was going out. He’s, he is exploring kind of every nook and cranny for a gift. 

Chris G: So you don’t believe in the 

bathroom

buddy, is what

you’re 

joe: telling me?

I, yes. 

Chris G: Wow.

Geo: That’s

Nick: hot 

take there, Joe. Alright.

Chris G: Or the smokeless 

joe: ashtray

Chris G: I thought

I was

on a podcast,

here for a minute,

but I 

joe: I think his dad, 

Chris G: ashtray. 

joe: I think his dad 

Chris G: it’s a 

Geo: stove. 

joe: solo, you know, it’s like the, 

Chris G: like a, what’d

joe: a poorly working solos 

Geo: a Solo. stove. 

Chris G: Oh, 

joe: it’s not a solo 

Don’t do that to 

solo stove,

Nick: Georgia now. We’ll never get their 

sponsorship. 

Yeah,

joe: Yeah. That’s 

a, 

yeah. No. 

So that’s why his 

mom was so adapted that, I mean, she stepped right into that action.

Like she was just, she was going buck wild.

Nick: it.

joe: Yeah, 

Chris G: was getting sliced

and [00:35:00] diced in 

the

in the Christmas tree.

scene. 

Geo: That 

one she really was, yeah. 

Chris G: Good thing they had a sword on the wall.

joe: Why’d they have

Nick: don’t have a sword? on your a, I don’t know how y’all decorate for Christmas at

Chris G: your house, Nick. 

Nick: is constant kata, katana on the 

Chris G: wall.

joe: He does have a 

Geo: it’s all year round 

joe: for the chickens.

Nick: leave my chickens out of this.

joe: Chris is what is going 

on? Oh, okay.

That’s a episode callback. 

Chris G: Oh, Okay. 

Good times at 

joe: the zombie episode, I believe. Yes. 

Chris G: So you legit do have a katana on your 

wall. Yes. 

Okay.

So

just put a little

sign.

Chris G: you’re not gonna be into this. 

Nick: Yeah. Yeah. 

Geo: Did the gremlins 

have anything to do with it being on your wall?

No. Oh, 

Nick: It’s, it was a gift from a friend that it made its way up into my office.

Geo: Okay.

Chris G: I’d [00:36:00] like to think we’re in a world where everything is connected.

Geo: Everything 

is. it’s somehow, 

we just haven’t figured it out. 

Chris G: Yeah.

joe: We will on this 

one episode, we’ll get there and then they’ll cut us off the 

Geo: We’ll figure out 

Chris G: The 

Geo: number to the universe.

But

Chris G: If Mr. Pelzer wants to market these animals 

Geo: as 

Chris G: the Pelzer pet mm-hmm. Which is what he actually calls

it.

bet every kid in America would want one of these. 

Yes.

That’s 

the perfect little pet. It’s kind of monkey like, it’s kind of bunny like 

Geo: just so cute. 

Chris G: just so cute.

Absolutely is

the

Maggi 

Geo: Stunted growth. 

Chris G: Meaning is the maggi, the

caterpillar? Mm-hmm.

Then you can’t keep caterpillars around

forever. 

Right, 

Which I think plays into 

what you’re

going for here. 

Geo: So you’re okay. 

Chris G: The gremlin is the butterfly, the

gremlin. is The end game. The

gremlin is 

the entire point

to that 

bloodline. existing. Yep. Exactly.[00:37:00] 

We can’t

just have running around.

As

adorable as they are, 

Geo: just can’t have a pet

caterpillar. 

joe: They’re

gonna, 

they’re gonna

eat, they’re gonna eat, they’re 

very hungry, 

and so they eat

Chris G: and

joe: then they turn into flight. 

Chris G: Such 

a rockstar comment.

right there. 

Nick: Yes. 

You

Chris G: You can’t just go 

keeping caterpillars. It’s got a very finite life. They’ll let you believe,

Follow these three dumb rules and you could have a mawa indefinitely, 

joe: Mm-hmm. 

Geo: That brings 

up a great point. 

Nick: I mean, I would, I still want a mwai, 

Geo: Yeah. And okay, Gizmo. the Gizmo stays around, right? 

Chris G: Yeah.

joe: Maybe that’s why they don’t need to drink water. Maybe they’re just gonna desiccate down into a little 

nothing. Oh,

Oh,

Chris G: Oh, 

Geo: that’s horrible.

Chris G: How come Gremlin’s in the

bar scene at Dorie’s Pub. Can drink [00:38:00] beer and pour beer all over themselves.

joe: doesn’t count, man. 

Chris G: And

put 

their head under the 

tap

beer 

while their gut just

swells 

Geo: That is such a good point. 

joe: only 95% water. 

Chris G: head. 

Geo: Did it go, over your head? 

did 

Chris G: you You got me there, 

Joe. 

joe: That’s why I said if you can drink it, maybe there’s a mechanism that when you’re drinking it is that, but you are right. They’re pouring it all. The little dribble with that not activate. 

Chris G: Okay. That’s not a little dribble.

They’re engulfed. But yeah, no, 

Geo: That’s a really good point. I never even thought 

Chris G: it. Does that go back to, was it, Ben 

Franklin.

joe: Ben

Franklin that 

Chris G: said, 

I might be 

way off on this. I don’t teach history.

Someone like 

Ben Franklin, this is gonna go on 

a t-shirt 

too.

Someone 

like Ben Franklin said in

water

is disease. In beer is purity. 

joe: Yeah.

And that’s right. That’s 

because 

Chris G: rein Heights. about Yeah. 

joe: Water wasn’t 

safe to drink for a long

Nick: So that

Chris G: Yeah. 

joe: Yeah. 

Geo: why they 

drank a lot of wine. 

joe: Why they drank wine and 

Chris G: I attribute that to [00:39:00] Yes, yes. Mr. Ben Franklin. I don’t know if it was him. 

that said it. 

joe: It was, he could, he said a lot of, he was, he drank, he enjoyed his 

Geo: we can put it in our, the show notes.

joe: he enjoyed his Yeah. We can put in the show notes. Yes. We’ve got much better 

at the show

Nick: Have we? 

Geo: No, not, really. 

joe: And this one we got, 

I mean, there’s episodes that we’ve ripped Yeah, we, it’s doing well. Listeners Know. Okay. Yeah. 

Geo: Okay.

I wanna go back

to some history.

joe: History. Oh, okay.

Nick: Of what? Real 

Chris G: because we’re on Ben Franklin still. No, 

Geo: Not that kind of mean movie history or? 

Chris G: No.

Geo: Okay. History. Back to talking about gremlins in World War

ii. 

Oh 

Chris G: yeah. 

joe: Mm-hmm. Mm-hmm. 

Geo: And like

in the air, like causing

Chaos.

How much of that I really don’t know the 

history that 

joe: Yeah, RAF pilots in the twenties to forties they coined that term to explain mysterious aircraft failures, that there were gremlins. So that was, and that’s the definition that there, 

Kind of invisible impish beings who tamper with technology or 

Chris G: and did ever really [00:40:00] describe what they looked

Geo: like?

Or it was a 

very, it was just a very, some 

joe: and design 

Geo: idea. 

joe: As I say, this is, it was superstition 

Chris G: Okay. They do allude to that 

in the movie. 

joe: I noticed that at the end. ’cause I had this, I started putting together notes and 

Nick: The 

neighbor?

Yeah, the

joe: now, right?

Yeah. 

Nick: He was always like, oh. 

Geo: oh. And 

then

he goes, oh, 

the gremlins. 

like he Vietnam vet or whatever. he was also Always drunk in every scene and they had a Little

Chris G: gremlin in the watches.

joe: The other thing, if we’re going on in our bio weapon, he also was very 

Geo: that’s a good point.

Nick: a good 

joe: Via, he 

was very, xenophobic.

So

Chris G: yeah,

joe: he was 

Chris G: he was not borderline 

either? 

Nick: Full 

Chris G: Loud and 

Proud. 

is what he was. 

Geo: we’re gonna, have another movie

that kind of is a cross between Jacob’s Ladder and G Gremlins. 

joe: Yikes. Jacob’s Ladder.

Geo: Yeah. because we’re talking like Bio, warfare. 

joe: have 

Geo: Yeah. That was, like 

Chris G: aren’t those the little wooden blocks that are tied together?

Geo: we 

Chris G: some video? [00:41:00] Joe. 

joe: Yes, 

we do. 

Chris G: My good stuff. 

is 

not landing 

joe: know you guys see this. We’re missing it. I’m sorry. People we’ll try to describe it. 

Chris has his hand in 

front of him and he is kind of wiggling it like a fish that’s sort of dying. 

Geo: Or

a princess. or

a princess 

joe: Oh, a like a drunken princess wave. ’cause it’s 

Chris G: You beautiful. People at home 

know

exactly

what 

I’m doing.

It’s a 

bunch of wooden blocks and they’re all tied

together and 

They clack and re clack. That’s called the Jacobs 

Ladder. 

Nick: I’ve never heard of this one.

joe: I have heard of this, yes. 

Yeah. Thank you. 

No. Yeah, you gotta be a certain age. 

Chris G: Is 

Geo: specifically

born in. 

Nick: Oh no,

Geo: seventy five. 

joe: That could be it. Yes. 

I’ll go with it.

Chris G: If that’s the best part

of 

being born in 75. I want a refund. 

know for a fact that’s not the best 

part, 

joe: no. 

Geo: I 

had never heard of

gremlins in that World War ii.

Chris G: ii.

Geo: lore

joe: Yep. That’s it. Yep. They’re rooted in oral tradition of 

aircraft, [00:42:00] 

Geo: Chris, tell me

what got you into the gremlins and watching it and enjoying it so much 

Chris G: Captive audience. I was nine. I was over the moon, literally, figuratively with ET.

Mm-hmm.

Uhhuh.

And there was rumbling out there that there was gonna be a sequel

to et 

That’s right.

And it 

was written and It was

I don’t know 

if an actual 

script was

written for a sequel to ET

or

an ET

two

or whatever they were gonna call it.

But

in researching 

tonight, I found out that script that there actually was the beginnings of a script, 

and 

that ended up becoming

a very

violent

movie that they named Gremlins.

Yeah. And then toned it 

way back down. 

To make it family. 

Nick: That 

Geo: I 

didn’t realize, 

Nick: sense. Because I’ve said this multiple times on the show.

joe: I’m pointing at Nick

Nick: that ET is a predator. That’s right. A hundred percent 

joe: a

juvenile. He’s 

a juvenile [00:43:00] and was sent here as a scout once again as a cute scout to get Intel.

Geo: I don’t. 

joe: And then he had to make his way back

Nick: which makes my point,

joe: the gremlins

Nick: You 

heard it here. 

Chris G: So I want to hear 

Nick’s point. what exactly was it you were 

saying,

Because that’s before my time

Nick: during the movie you see the final versions of them. They’re big, tall, and like you’re not really seeing them all.

But they’re more advanced than the little ET version of it. And the amount of powers that he has that you don’t, they’re 

Geo: come on.

joe: somewhat.

He’s not in full control of his 

Geo: I don’t know. I

love ET 

joe: He can love et It’s just you don’t

Nick: he’s still a predator.

Chris G: Et 

does not love you.

apparently is what 

I’m hearing. 

Geo: I

don’t love the identity 

joe: just 

tasty. Raw chicken to them.

Geo: No, I don’t like 

Nick: The government should have captured him. 

I don’t 

Geo: I don’t Like

that. I don’t like it.

Chris G: the government was the most incompetent part of that. movie. 

Geo: it really 

Nick: Yeah. 

Chris G: Yeah. They couldn’t do anything. 

joe: anything.

Nick: They [00:44:00] were trash at it, but you know, yeah. ET is a whole nother can of

Chris G: yeah.

Okay, so I’m, 

Geo: I 

love D two. 

Chris G: Yeah. I’m

seven when 

ET comes

out. 

Yeah. 

And then something similar

with the name

Spielberg attached. I’m all in. 

And 

how did they really market gremlins when it started? The first 30 seconds of a 45 second commercial was Gizmo. 

joe: That’s right. 

Chris G: They know how

to get my butt there with the

popcorn and the

Geo: Yeah. No. They 

Chris G: They know how 

to get me 

to that theater. 

Nick: species?

Chris G: And 

then Oh, and it turns scary

at the end.

I’ll make 

sure mom’s on my left and dad’s on my right. 

Geo: exactly what I was telling Joe. ’cause you really think of the movie as one thing and then at a certain point

It really moves in another

direction. you know what I mean? Like

it’s cute and

Sweet.

And

it 

joe: like a Christmas movie. 

Geo: does,

joe: like a little romcom.

Geo: it gets really intensely

violent and it

gets [00:45:00] really, you know what I 

mean? 

Chris G: this is the tone 

down version. 

Nick: I want to 

know the script. 

Geo: Yeah. Can we have 

the there’s gotta 

Chris G: be a real

dark director’s 

cut somewhere. because the dog was supposed to get.

Absolutely slaughtered

joe: Oh

Geo: Oh my gosh. 

Chris G: the mom

was 

supposed to get beheaded and thrown down the stairs.

Geo: Oh my gosh. That 

Nick: old lady scene was

joe: old lady scene was great. The old lady scene. Yes. 

Chris G: And that

was a tone

down version. We did not get what

Chris Columbus was really trying 

to do.

joe: I 

think they, 

It felt like what they were doing was really playing into the folklore of the gremlin, kind of story there that we were, you were talking about this kind of superstition about things messing with machinery because the original gremlins went and that’s what they attacked.

Originally it was messing with the mechanicals, the clock. They messed with that. And that’s why I went to a weapon that they were there as a little aside, I didn’t like ET as a 

Geo: I

remember when we

first were like, we

were first going

out. Yeah. And

Somehow

that [00:46:00] came out

and I was really

questioning.

joe: And then I was like, you gotta watch The Thing. ’cause I 

was like, 

Geo: he didn’t even et I had to question, I had to really question 

Nick: No. Wait. When you guys were first going out, you guys saw each, 

Geo: okay. 

joe: Are you talking about?

Nick: wait, what did you just, 

Geo: I’m saying 

when 

joe: go over movies, like 

When 

Geo: When I first was getting to, 

joe: Hey, 

what do you like?

Geo: was 

Nick: I was like, 

how you guys haven’t been together that long, but 

Geo: No, we didn’t didn’t even I was really,

I was upset that you, didn’t, I’m not upset, but that 

Chris G: I’m 

upset for you. and for me. 

joe: I didn’t, I mean, but at that time 

of an age, I had seen Alien, I had seen The Thing, my, my parents were very 

irresponsible 

in movies.

So 

Geo: what? It get to ET and was like, what is this? 

It was too tame for 

joe: I 

just didn’t I was 

like, what is this? This the Plots. Really? I was like, Justin Didn. It didn’t hold me, but I’m like ready to go back and see The Thing again. 

Chris G: So then a few years later, Predator

comes 

out.

He’s There’s my boy right there.

joe: that’s right.

Geo: now. 

Nick: Was this what ET was supposed to be?

Geo: Now I like 

joe: Gremlins. 

I’m like, oh, that’s, yeah. Gremlins. I right off the [00:47:00] bat. 

Geo: About. 

joe: already I had seen these other 

Geo: men and then there was the Goonies. The Goonies came out. I don’t know when The Goonies,

came out. 

joe: that’s 

probably all in that. Yeah, probably that same. Okay. 

Chris G: And in Goonies,

there is a callback 

to Gremlins.

Love

that. 

Nick: Is there really

Chris G: Chunk is 

calling the police. It always goes back to the sheriff’s

office. 

not Sheriff, 

he’s

calling to say there’s these disgusting people, the Fratellis and the sheriff’s. Like last year

when

you told me there were green 

monsters running all over the 

city.

And you’re like, ah, you’re in the theater going, 

I know what he’s 

talking about. 

Nick: I 

never connected those two. I mean, I 

Chris G: oh, and he even says, and they multiply when you throw water on him. Like he, he hands it to you on a silver platter. You don’t have to really read into it, but yeah. Wow. 

Geo: Do you like Stranger Things 

Chris G: very much

Geo: love it.

Chris G: You can’t 

Geo: Doesn’t 

it have that

ET spirit?

Chris G: It covers so many of those early flicks 

for me. ET Gremlins, Goonies, Ghostbusters 

Nick: because [00:48:00] ET is a demi go

joe: Are you gonna call? 

Chris G: shut up. 

joe: That is ET I can’t.

have 

Chris G: I can’t have this.

I can’t have this folks.

joe: You gotta watch ET again 

Chris G: I’m gonna go home and pray for all y’all right. 

joe: With a new 

light shine knowing 

all these weapons.

Chris G: Joe, if I had known.

that

You 

did not like ET I, I might have had to stay 

home and do my hair tonight or 

something.

I don’t know. 

Geo: I know. You Gotta just look 

joe: I’m 

sorry. 

Chris G: might’ve been laundry 

Geo: You 

watched it later and you kinda 

joe: Yeah. I mean, I’m sorry. Later. I No, it was a good, no, it was 

a solid movie. I just didn’t, it didn’t catch me 

as a, like a nine or 10.

Where old I was at that time. 

Chris G: If you think saying It’s 

all right. Was it’s gonna

win me back.

joe: No, it’s 

Nick: Yeah. 

joe: No, 

Chris G: The 

sword plunged

deep 

I was, a 

joe: 7-year-old who appreciated The Thing I 

way ahead of time. So I’m

Chris G: to, I’m trying, to, see if I’m friends with that kid in that 

neighborhood, 

I would, but I’m, you’re 

Geo: kind of scared of him

joe: And Alien. I mean, I had 

seen both of those up at that [00:49:00] point. My dad, I was like, and I asked my dad more. I was like, it took me to see The Thing when I was like seven. He was like you kept bugging me about it. So I was 

like, let’s just go.

So we went to see it. I was like I actively 

Geo: you’re the one that, 

that that got him. take me. So 

Chris G: if I knew that kid in the old neighborhood, He’s coming over for lunch, 

but not 

joe: dinner.

Nick: He’s not staying over the night. He’s not 

Chris G: He’s getting Fritos and

Crosscut bologna sandwiches, but he’s 

not here for,

dinner.

I’m just, I’m scared of that kid. 

Geo: No, eating after 

midnight. that’s oh. Yeah. So that’s why we were, you know,

Chris G: tough

joe: that’s Gen X Philly boy, so Yeah. Yeah. You yeah. You live the life.

Nick: and Big Willie style.

joe: Big Willie. Yeah. No, 

Chris G: so

I’m told if you call it a Philly cheese steak, they just make you get outta line. 

joe: Oh, you can call the Philly cheese steak. 

Geo: No, you just have to order. Really?

quick

And 

know 

Chris G: I’ve been in at Pat’s, I’ve been in line at Gino’s and I don’t get up

to the line and say, can I have a Philly

cheese 

steak? 

Geo: no, You 

say I [00:50:00] have 

a one WHI cheese

Chris G: whiz 

with, 

joe: right. Yeah. 

You 

don’t have to announce it when you’re there. 

Chris G: You know? You don’t go to Giordano’s. I’d like, 

a Chicago deep 

dish, 

joe: I mean, your first mistake is where you went for your chief’s. That’s a 

different 

stories, so

Chris G: okay. 

joe: gotta nowhere to go, man.

Chris G: I liked ET the first damn time 

saw,

it,

so I think 

I

went 

joe: was a, you would’ve liked 

the original script though. Better if they left those horror elements in there. 

Chris G: Not. When I’m

nine, 

Geo: Yeah, 

joe: I 

Nick: I would’ve 

joe: kid. I needed, 

Nick: I’m there 

with No, that one, 

Chris G: I can’t. 

have Francis Lee McCain slaughtered and thrown down the 

stairs, 

Nick: like 

to have that cute element and then completely switch it at the end.

joe: Yeah.

Nick: Having that continue on with that original script would be hands down, top five for me.

Geo: Mm-hmm. Yeah. 

joe: I got it. 

Chris G: I’m not saying now

as an ancient

man

that I don’t want to see

that extra dark 

director’s cut ’cause I 

do,

I’m saying at nine, that’s not the

movie. I,

needed. 

Nick: I do have to say I [00:51:00] was a lot like Joe with watching horror movies at a

joe: My dad was like sci-fi horror. 

Geo: I didn’t watch horror till much like more recently. Yeah, like really like a horror movie to freak me out. Now it’s 

Chris G: I grew up with the shiny ones, 

joe: Yeah. Yeah, man. 

Geo: The 

shiny, is like my favorite. 

Chris G: I meant the shiny horror flicks. Oh, Freddy Jason. 

Geo: Oh, shiny, not shiny. Shining. 

joe: Shining. Yeah. 

Chris G: That is a one. And you’re done. You don’t

ever have

to do that movie again. 

joe: No, 

Chris G: Fantastic. 

Geo: so 

good. Oh 

my I thought you were saying like, you’ve only watched that once. I was gonna be like, whoa.

Chris G: Not what I said or meant.

No sir. 

joe: he’s not trying to get, he is not losing fans.

He’s you know,

Geo: He likes ET.

joe: ET. See now 

don’t, you know. Yeah.

Geo: I think more than likes. 

joe: Yeah, I know you, you’re 

Chris G: love it. love 

joe: I think it, as far as I love it, I haven’t seen it in a while. Maybe I’ll watch it as an adult and I’ll find some new childhood like thing I miss, like that 

little

Geo: No, you’re gonna just be stubborn about it. 

joe: have you seen 

my [00:52:00] childhood?

You know, maybe that 

would do it. Maybe that’s it. 

Chris G: that ET is a little darker than you pick

up when you’re seven and

eight. 

Nick: I mean, like I said, 

Chris G: the kid drinks beer in 

the middle of

the kitchen. 

joe: That’s the kind of thing you did in the 

Chris G: and then Goes to school 

That makes out with the 

blonde.

joe: Yeah. 

Nick: Was it 

the kind of thing you did in the eighties? 

That’s the

joe: kind of thing you did in the eighties,

Nick: what you do in the

joe: That what you do in the eighties. it was Like yeah, was the eighties, man 

Chris G: It what’s the 

joe: as long as 

you were on hard stuff. Like your brain on a, you know, the fried egg thing. I mean, that, 

that was it. A beer?

Yeah. You know, 

Chris G: do you know that reference?

Yes. Okay, good. All right. just checking 

Nick: that. That is one that I found to 

watch. 

Chris G: fantastic. 

yes. 

This 

Nick: is your brain 

on 

drugs. Ha. Yeah. 

Chris G: Bill Hicks does a great rendition

of that.

He, goes, the guy’s drunk

when he’s doing? The commercial. 

joe: Alright. All right. 

Chris G: Shut up.

This is your

brain. 

Okay.

Your 

brain on drugs.

joe: That’s the eighties. The early eighties.

Cool. 

What else you got? You got anything else, Chris? That’s,

Nick: see you have notes over there. 

Chris G: I

joe: know. Did we hit it. 

Chris G: I

kind of flew through these notes. 

joe: [00:53:00] Yeah. 

Chris G: I wanted to mention. 

Just off the top of my head. 

actually, By looking at this, yeah.

That the the word Wai is actually Cantonese. 

Oh, For devil or demon.

Geo: Ooh, Wow. 

Interesting. 

Chris G: The Maua word. Yeah.

And they actually pronounce it

Geo: Wai

Chris G: if I’m not killing that, but interesting. That’s the word they would choose for the cute monster. So it’s all about, it’s all about potential.

joe: Yeah. 

Chris G: still 

stuck on is the Wai just the

caterpillar? Yeah. 

No, 

joe: No, I think that is, I think it’s the, yeah, I 

think a great point. I’m sorry. I think it, there’s a three stage lifecycle that’s presented, and Lia is one. Then you have the pupil stage and that 

Geo: and you had the, what do we call it? the goo or the 

joe: They go down to, to actually go through the metamorphosis like a caterpillar.

You actually dissolve caterpillars themselves and then they reform out of that. If anyone’s heard any of the werewolf or vampire know, we [00:54:00] talk about the metamorphosis and then you have the third stage, which would be the gremlin stage. And so I think you have three distinct life cycles. The problem is there’s no connector that goes back to the bio weapon, that there’s nothing that goes 

back from 

the gremlin to the mwe. And so most life has, most life is cyclic. You would go back, caterpillars, butterflies in lay eggs, and they become caterpillars again. You do the cycle. There is no, 

Geo: are you saying because they’re asexual? 

joe: Yeah. 

You in really the only purpose of the mai is to produce gremlins and there’s no gremlin that produces, that we know of or have seen in any version that produces.

Mogwai. 

Chris G: So if a gremlin stubs this toe like a MAI pops out,

there, 

joe: then

we’ll get it. Yeah. 

If that’s 

it. If it needs physical pain or some 

Chris G: Joe, if it’s not there, we’ll make it we’ll put it yeah, I don’t know. It needs, or there needs to be, you know, you need to, you need or water

you need 

Geo: or water

joe: maybe asexuals that get you through to, gets you to the gremlin [00:55:00] and the water is the catalyst for genetic kind of change diversification.

And then at some point, gremlins do dive verge in their sexes so they actually can reproduce sexually to then get back to the mogwai. So they would have mogwai babies, 

Geo: I think, 

joe: then those babies then would, 

Geo: stretching it. Now 

joe: You need to complete the circle. If you don’t, then you got a weapon. So that’s why I went with weapon, because right now they have a linear development and it terminates at the gremlin.

You, you don’t circle back to the mogwai. So that’s why. So either A, we’re just missing that part of the reproductive cycle, which should be,

Nick: was actually in the 

X-rated script. 

Don’t say it,

Chris G: it.

joe: Don’t say it. That’s not 

the movie we want.

Nick: No, it’s okay 

Geo: Or need. 

Nick: all gonna be explained in the

Chris G: be the movie we need.

but we, it’s not necessarily what we 

want,

Joe, 

joe: need that movie written, then that’s hit us up. 

We’ll write it for you. We’ll write 

Geo: so they’re 

Chris G: Are [00:56:00] mywe warm-blooded?

joe: We don’t know. 

Geo: See that’s what I 

joe: what 

I that’s what Georgia thought they were mammals, 

Geo: like male, but 

Chris G: And then they magically become

cold-blooded as 

a, that’s a reptilian creature. 

joe: know if they’re, coldblooded. 

Geo: They do look very lizard like. 

joe: They could maintain 

and

Nick: the. Yeah.

Chris G: and

joe: allay could be coldblooded and just have fur like, dinosaurs now , half fur like I think that’s coming out that fur isn’t an or hair. We don’t know if it’s fur hair, actually. We’re assuming it was fur, but there are, there’s differences.

I believe I can put that in the show notes. 

Chris G: Between her and fur. Fur. Yeah. Okay. 

joe: Yeah, Like people have hair.

Chris G: Yeah. 

And on 

my shoulders I have fur.

joe: yeah. 

Chris G: So I get, 

joe: let me show my 

chest. No. 

Chris G: oh if only there was a camera. This Video. took, 

joe: This

is 

how the gremlins produced.

Geo: No,

It’s

Chris G: probably 

joe: something to do with Chuck Norris. A but, 

Chris G: I’ll show you some Hydra budding Right here. 

Geo: So 

I hear there’s rumors of [00:57:00] a gremlins 

joe: Three,

yeah. That’s what I’m hearing 

scripts written. 

Chris G: The only way

can

accept that as a super fan is if we’re gonna go back to practical effects. If we’re

not. 

If, 

you have to, 

if you 

promise.

to keep CGI off the table.

Geo: Good point. 

Chris G: I’ll go anyway. 

Nick: Yeah, 

Chris G: but I’ll 

enjoy myself. 

I’ll get the medium popcorn. Georgia 

joe: You’ve gotta get, you’ve gotta get Phoebe Kate’s back in, 

Chris G: What? now? I’m sorry. 

joe: In the th the third one. She’s gotta come outta retirement 

Chris G: Phoebe’s gotta

go straight. Ridgemont high. she’s gotta, come out. 

joe: We don’t gotta go home.

Geo: That’s been a 

Chris G: no. The movie we need versus the movie

we want

Geo: And 

joe: walks in 

on a couple gremlins, getting busy. I mean, this is 

Chris G: Nothing

crazy.

The line has to be

drawn somewhere and maybe it’s there. I’m not,

sure. 

Nick: I think it’s further 

down. Don’t she gets that script. That’s like I was 

joe: in until, oof. I don’t know. That’s the vision they’re having. I don’t know. Okay. We’re getting a little 

Chris G: off. 

It’s a mug wife for bikini. [00:58:00] That’s it.

Geo: That’s it.

Wow.

Chris G: I’m 

sorry. 

joe: No, Sorry we turned It up. Your you got lost away in there when I just saw it in your here it is.

Nick: yes, this,

Geo: So there

May be a Grims 

joe: There 

might be. I heard the scripts done as in Spielberg’s hands, that was the rumor mill.

Everybody, all the cast that’s alive has said they’ll do it except pme. She has not. It’s unconfirmed if she would jump back in. But I figure if everyone 

Geo: else.

Corey Cory’s in.

Chris G: in,

Corey is

in, 

let me, 

Nick: he’s sick

Geo: there 

Chris G: make this

abundantly.

clear. He is available. 

Sweet

Lord 

joe: Courtney 

Chris G: signed on 

10 years ago.

for this,

one,

and

Corey Feldman, I know you’re out there listening man. I love you. You have been nothing but awesome. to your fans.

I [00:59:00] met you two, three times. You are 

fantastic. 

Geo: No, I love and the

Coreys, I mean, that was a big thing for me. I love, Yeah.

Chris G: totally. 

Geo: The Lost Boys. I mean,

come 

on.

joe: The Lost Boys.

Mm-hmm. 

Yep. 

Geo: Yeah. 

joe: Yeah. Nick looks confused. 

Geo: You

know? 

Nick: who was in the wait? He was in the Lost Boys. 

Chris G: Oh, yeah.

He worked in the, he worked in the shop.

Geo: He was

one of the young Oh

Chris G: Cory 

Nick: Oh

Chris G: Yeah. Oh

joe: Oh 

Geo: Okay. yeah.

joe: Yeah. You’re just stuck on a guy playing the sax and oiling up his 

chest. 

Nick: Yeah. 

joe: you know, 

That’s, 

Nick: That’s what I do. 

That’s my nightly 

Geo: all 

you remember,

in 

that at home if you

Chris G: knew what you were missing,

without

the 

visuals.

joe: This is fun. Now I 

want to 

we’re getting to the close of the episode, but this was episode 50. Woo.

Geo: Woo. What?

joe: Yeah. Yeah. Yeah. So I didn’t, I meant to mention at the top, but it’s at the bottom here, so if you listen to the whole thing, that’s why we’re a little, and we’re having this candy cane, imperial stout.

We really haven’t talked about the beers 

Geo: Yeah, 

joe: we’ve been

Nick: Yeah, we haven’t talked about that in a minute. I thought that [01:00:00] 

Geo: It gives you, the holiday

spirit. yeah. Candy, gain.

Chris G: it was. 

Geo: It was. And it was a. Beautifully dark.

joe: here we go. 

Chris G: And Very 

Geo: Stout with a tan head. 

Chris G: She’s got 

the nighttime voice 

going. I dunno. 

joe: we’re about to turn to some you know, gremlins here.

Geo: stop. That’s as tasty

as it is.

inviting.

Come

on in

from the cold and slide into the holidays with cool notes of peppermint, roasty

malts, and deep

chocolate. 

joe: Deep chocolate.

Chris G: Phoebe

Kates herself.

could not have done it better.

No. 

joe: She’s 

signing on for gremlins three if you do that, like you got a little 

Chris G: you get. 

D claw actually endorsing.

joe: All right.

This was fun. Any final thoughts on the gremlins?

Nick: I’d still get one.

Chris G: Yeah. 

joe: I don’t know. We get a grim. All right. Let’s go around. You get a gremlin. How good.

Nick: yeah. I am

joe: A gizmo. You don’t want a gremlin. Do you want a gremlin or [01:01:00] the 

Geo: are you doing the 

caterpillar thing? You’re 

joe: gonna do both. You’re in there experimenting.

Nick: know me, I 

joe: know me. Oh my 

Nick: about the chaos. Midnight

Chris G: buffet, 

joe: Yeah. 

Nick: raw chicken. and this 

gremlin. 

Chris G: chicken 

is just, 

Geo: I did spike.

Nick: They’re like, 

Chris G: he had a sweet tooth. 

Nick: looks chill. he does.

joe: Yeah,

There’s a 

big gremlin that Chris brought along. A gremlin kind of a poster. What? Oh, these are, 

they have 

Chris G: that’s a cutout. 

Yeah, 

Yeah. 

joe: cut out. There it is. Yeah. Yeah. We’ll put down the, in the newsletter.

Chris G: There was supposed

to be a quote unquote life-size stripe,

and 

that’s one of the reasons I think you came to my table at the con And it sold that day. 

Oh, wow. And That was a dark. day. That was a dark day

at my house. 

joe: Was gone. 

Chris G: I put I put a ridiculously high price tag 

on it and the guy.

Didn’t care. 

He was like, I’m taking it home

today. I was like, 

joe: there’s fans, gremlin fans. 

Chris G: That’s, man. Yeah. 

joe: I missed that. Yeah. By the time I got there early, we got there 

Geo: Your artwork is 

joe: early. Yeah. I 

didn’t see that. 

Geo: We 

have to put links to 

Chris G: Oh,

definitely. 

Yeah. 

Oh, I appreciate that. 

joe: I mean, you [01:02:00] got, not nice segue you skipped over to question, 

Geo: oh, that’s, 

Chris G: let’s get 

joe: you getting a gremlin 

or a 

Mugi, where you got, where you at?

Chris G: I

Geo: don’t know. I do like

gizmo, 

joe: Can you follow the three rules? No. Strictly

Chris G: then

you’re also 

getting a gremlin. 

joe: Yeah. Maybe 

multiple 

Chris G: for the neighborhood. Yeah. 

Geo: I think for everybody’s

sake. I’m not gonna get one. 

joe: You’re not, 

Chris. What you got, you’re doing it.

Chris G: I wanna retire in

Florida

where it’s extremely

humid.

joe: There it is.

Chris G: is. For 

Earth’s 

For Earth’s 

wellbeing. I don’t need a mwe in Florida. I don’t need 

that. not.

no one needs that. 

joe: There’s a, beach right there. I mean, that’s the perfect place. That’s crazy. No, I mean, you’re gonna.

Chris G: get 

joe: I don’t even know what happens when you’re in that pot of water. 

Chris G: I don’t know. I know they do cook

their 

chicken thoroughly.

in Florida. 

joe: Speaking of the water, when they fell into the pool, it populated and it spun off new ones, but those new ones didn’t spin off New ones. 

Like 

it was, did they all pop out? 

Chris G: They kind of cut that scene.

joe: And I How many, but you should have had way more than that. They should have drained that pool down with just [01:03:00] keep 

like the things on the bottom trying to get out would 

keep like, spawning off.

Chris G: One of the Beautiful scenes

was 

that Claymation scene

of them all running 

outside. Which 

had

to be a real bear to 

film.

But yeah, 

joe: but I 

Chris G: I don’t know how many are in that scene. ’cause it’s poorly lit on purpose, 

Geo: Yeah. You’re not supposed to know.

Chris G: And the 

joe: they filled the movie theater 

Chris G: I was about to say Yeah. 

joe: But I would expect more than that.

I don’t know. There’s a 

lot of water. Is it

Geo: to the movie theater and there went somewhere else.

joe: Is it a water saturation point? But they all congregate in the movie theater. That’s how they allall 

got 

Geo: Joe, Are you gonna, get a, Are you gonna get a gremlin? Come on. 

joe: No, I don’t think I want to

Nick: you don’t want,

Chris G: to

My way. 

Geo: I 

was gonna say, if he said yes. I’d be mad because

I’ve been wanting a dog for

years. I’m not getting a m would get,

a gribble, 

joe: No, I’m not getting the gremlin. I’m sorry. I just don’t, I think the, I don’t know.

The rules are wrong. Don’t 

Chris G: even

Nick: No, the rules are trash, 

joe: Yeah. I, I think it’s a 

weapon. So I’m

gonna say no, We 

gotta 

Nick: much 

Geo: so Nick. [01:04:00] Nick, it’s all up to you. 

joe: the one that’s 

gonna bring, one person brings a weapon in and that’s it. We’re 

done.

Nick: We knew this. Yeah.

joe: Northwest

Indiana, Chicago land. We’re done.

And then other people will find a cute, oh, look at this. I know. I’m

Nick: I’m gonna sell 

them. 

joe: And see that’s the problem. 

Chris G: I’m 

Nick: gonna

make my

joe: look at that. No. Cool. Chris you got something, 

thought bubbling

Chris G: was 

going to say what was was 

Mr. Pelzer like your stepfather or 

something?

it, it runs in the 

family. I like that.

Yeah.

joe: Chris, do you have last thoughts things going on in the month of December 

or 

where to find your 

Chris G: art. yeah. I am on Instagram. I’m on the grams as

the kids 

say at

the boxing glove

artist

on Instagram. I’m

all over Facebook.

I’m all over. I’m all over.

I’m, they’re 

Nick: calling it the ham now. The

joe: The ham.

Chris G: The

Insta ham? 

Nick: No, just ham. I’m on the ham now. 

Chris G: On the ham.

It could 

joe: be on the lamb. I don’t know. 

Chris G: That’s, a, that’s an old [01:05:00] radio.

that 

the

neighbor’s creepy uncle

has. in 

joe: I know. What are we doing now? You know,

Nick: just 

joe: Hey, come in my garage. 

Geo: never know. You 

never,

joe: I and my ham. 

Chris G: ham.

I’m gonna Show you

A nice shiny

ham

Geo: We might all be on the ham radio pretty 

Chris G: soon 

Nick: And 

joe: undercooked chicken. Mrs.

Pelcher, 

Chris G: please 

cook 

your chicken. 

joe: Yes. She

Nick: a spy. She wasn’t a chef.

joe: No, she didn’t have to be. She 

Chris G: was making some banging Cookies though. Banging 

cookies. Those

Geo: Did look good 

joe: weird appliances. That didn’t work.

Geo: Bill.

joe: Yeah. Cool. 

Geo: All right. 

Chris G: I want to thank

you guys for 

having me. on. 

thank you Um, I, I did a bunch 

of research on what you guys do. And I’m a big fan.

And you. could

had anyone today and and you chose

me. and I Appreciate that. 

joe: You’re a Gremlin 

Chris G: Super very much. 

joe: you’re here. Thank you for coming down. Thank you for sharing. We gotta get 

Chris G: was a cinematic 

masterpiece. 

just wanted to end 

Geo: I agree. I 

agree. 

Chris G: sounds 

joe: like you’re might be get that 

call. 

Chris G: I’ll be right back.

I’ll be right back.

Nick: be 

Geo: Anytime.[01:06:00] 

Chris G: Thank you 

guys very much. 

joe: Thank you. We are gonna wrap it up here. Go out and watch Gremlins, maybe watch a New Batch, maybe watch the animated series or binge it all. 

Nick: All in 

joe: one all in one day. 

Chris G: That’s a 

joe: Don’t eat 

after midnight

Chris G: don’t eat. 

Geo: And especially

not raw chicken. 

joe: yeah, don’t eat raw chicken.

Please don’t. Yes. But 

Chris G: Whether gremlins is real or not. That’s right. 

That’s just a life policy. 

joe: Stay hydrated. I’m Joe.

Nick: You got 

joe: You got Nick. We got Nick Georgia. We got Georgia

Chris G: and 

Nick: and we went down some.

hole.

We 

joe: went down some holes. Stay safe, stay gremlin free out there. We love you. Cheers.

Nick: Bye-Bye.

Transcript Episode 49: Heart of a Superhero

SubstackAppleSpotifyYouTubeAmazon

Joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the basement studio. We’re all crewed up. Got a full house. You got me, Joe? You got Nick. We got Nick.

Georgia. We got Georgia. And we have a special guest with us.

Sai: I am. Rengasayee Veeraraghavan or Sai the easier version or doctor unpronounceable if I decide to go full evil.

nick: Wait, you said Dr. Unpronounceable? Is that what you just 

Sai: Yep. I’ve already decided that’s the super villain

name when the day comes. 

Joe: There it is.

nick: love that. 

Joe: that was in Unbreakable. When he goes, I knew I was gonna be a villain ’cause the kids all call me Mr. Glass. 

Sai: Yep. 

kind of 

I mean, Growing up, like one of my favorite moments from

any book was at the end of Watchman when

Adrian VI lays

out the whole plan and they get all,

flustered and he is I

did all this 35 minutes.

ago. It’s just,[00:01:00] 

Joe: And you, you are a professor 

Sai: oh, incidentally, Yes.

I should say I’m a professor of biomedical

engineering

at the Ohio State University. 

Yeah. I run

something called a nano cardiology lab where

we study the

nanoscale structure of the heart and how it affects

function. 

nick: Yeah. 

So you’re just a villain. Part-time.

Joe: part-time villain. Is that a song, like a

Sai: mean, what we do, we call it villainy.

That’s the affection at term for it.

Joe: he’s a part-time villain.

nick: He’s only trying to get control of the tri-state

Joe: right, yes. Only a little piece of the Midwest,

nick: don’t want the whole land, but I just want this little bit.

Joe: Yeah. And we’re gonna be talking about the heart of a superhero, maybe villains also 

so I, I got a little, I do a little opening, I guess, monologue now it’s been a while since 

I’ve been 

nick: You, you just go

Joe: I just go

for it now.

nick: You’re well, 

you got me monologue in.

Joe: you got me. 

geo: I, I, 

Joe: know, the human heart, it’s a fist size pump. Four chambers, valves opening and [00:02:00] closing with the precision of an ancient machine.

It contracts about a hundred thousand times a day, sending five liters of blood pulsing through 60,000 miles of vessels. A pump, yes, but also a drumbeat, our private metronome. But when we step into the world of superheroes, the anatomy of the heart is only the starting point, because the heart is never only a muscle in every origin story, every battle cry, every moral choice.

The true question is, what does this hero or a villain carry in their chest? A heart burden by guilt, broken by loss, widened by love, and an anatomy. A heart pushes blood and myth. It pushes meaning. In this episode, we’re gonna open the chest of the superhero, literally. And figuratively

nick: Wait. We’re literally gonna crack open a

Joe: Oh, we’re cracking. Open some

nick: chest.

geo: Oh, 

nick: I should have brought my gloves

geo: on 

today.

Joe: But, heroes

geo: have wore that lap coat.

Joe: Every heroic rhythm finds its counterpoint and a twisted pulse of a villain. And [00:03:00] who knows what evil lurks in the hearts of men.

geo: Ooh,

Joe: shadow 

knows. Are there

nick: and hearts

Joe: there?

Are there shadows in hearts?

Sai: I mean, shadows are produced when light hits something and your heart really shouldn’t be seeing any light

nick: If there 

Sai: unless you’re a zebra fish.

So yes, there are shadows in a 

nick: Oh, 

Sai: heart. Those things are transparent.

nick: there you go.

Joe: Yeah. There you go.

nick: Georgia, how did that line up with what you were reading?

Joe: Yeah. Did I get, did I get it right? All the, the, the experts. We got the 

book 

nick: of

geo: looked 

nick: like you just took that whole

monolo 

geo: It 

was right here. 

Joe: the, and Georgia has her reference materials.

geo: Stop

Joe: A 1958, what’s it called? The Illustrated?

No, the

nick: the Illustrated Encyclopedia of Modern 

Science. There it is. 

Yes. It has some nice diagrams. Nice

Joe: nice accurate diagrams. 

geo: Exterior

and anterior and, yeah. I, I, yeah.

Joe: I got it.[00:04:00] 

geo: Wow.

nick: was 

Joe: alright.

I do have a list also, but you guys don’t, you, we may not want my

nick: you usually introduce the list a little later.

Joe: I do, I have been, but we’ll see. Get talking.

nick: When it comes to different powers and stuff, in a hero or villain.

Do you think that would affect how the heart reacts or is?

Sai: yes. I mean, if quite simply,

we are a machine, our body

and whatever it is trying to do. is? driven by this pump. So

what we’re doing places different demands on the pump, just on the very basic,

level.

and

there’s the 

the psychological

aspect. You,

know, you, your heart rate doesn’t just go up when you start sprinting, it goes up when you know, so all Of a sudden

you open

your door in the morning,

if there’s a rattlesnake out

there, you’re gonna feel something It’s going to respond. right? So the emotional side

of

what?

a superhero or villain

is going through, when they’re using [00:05:00] towers and whatnot.

second layer of effect. And then there’s the

physics of whatever their

powers are.

that is going to do something directly to the system. 

geo: Mm-hmm.

Joe: I mean a lot of these we talk about and touch on the biology is that you must change , how metabolism works because the calorie load is so immense. But , if we just go by the lore of the comics, the movies, we never see 

that much consumption of car of calories.

And so I think the heart’s function and correct me , I’m not a cardiologist, but , it’s function is to pump blood that’s been oxygenated to the various parts of your body to keep you functioning and then keep separate oxygenated and unoxygenated blood and pump it and be the weigh station for that exchange , of blood there going through your lungs and , getting oxygen oxygenated coming back.

So this pump, ’cause you gotta pump the blood from. Your chest where it’s oxygenated down to your toes, back up to your head, your brain, and that takes some effort as you go. The heart is a muscle 

Sai: it, is One of the [00:06:00] three kinds of muscle in the body

and, you know, other muscle is

skeletal muscle We have

smooth muscle.

Both of those types of muscles can do

couple of different

things. Right.

We can

squeeze our fist and leave,

it squeeze so

it can stay contracted

or we can squeeze

quickly and let go

which is what

we call

a quick Twitch. The heart is a weird muscle It can only twitch. 

Joe: Yeah. 

Sai: It’s sort of a single Purpose. device, but It’s also a cool little system.

It looks like one,

pump. But the dirty truth

is it’s actually two pumps that are literally

smooshed together.

There’s

one 

pump. running

a circuit to the lungs and back and the other one running a circuit,

to the rest of the body

and back

with a

little connection. between those 

and not only is there a demand on the.

heart with all these things, your body, would be doing, especially, if you’re running at super speed or using super strength, et cetera.

your

demands are going to be weirdly different. I mean, it isn’t all of us,

right? You want lots of pressure to get the blood up a

foot and a half

[00:07:00] from just

the top of your head, whereas you want to put it into lungs at very low pressure ’cause it’s going into basically,

a porous bag where it can exchange oxygen and CO2, you don’t want to over pressurize it or you’re gonna drown in your own fluids. So it’s maintaining that balance from scary

in a normal person or an athlete. I don’t even wanna imagine.

what that would look like if

it were 

the 

Joe: I was thinking, you mentioned running fast and , we did a speedster episode. I don’t think we talked about the heart, but

I don’t think we did.

just while you’re talking there, delivering oxygen to

to

your limbs and muscles that need it without getting that lactic acid burn.

, once you start going 

Sai: so you bring up a really Interesting point.

particularly with respect to a speedster like the

Flash. They’re gonna have a big problem with

this, because

the, I mean, Peregrine Falcons have had to develop

a

solution, for this. those things dive at like 240 miles an [00:08:00] hour, Which is more than any of us ever, do.

And they’re going face down

and

how do you keep that

pressure.

of air going up

Your.

nose from bursting your lungs?

So Peregrine falcons actually have a little bone that occludes part of their

Nostrils

and it’s like the scoop on a jet fighter.

So that’s something you never see in the comic books.

There has to be some kind of nasal

adaptation for these guys to not. 

Joe: Yeah. , and then taking in oxygen because a peregrine falcon dives, but doesn’t continuously dive, , it will catch its prey 

Sai: Well, it’s, yeah, and it’s diving under gravity, right. It’s not exerting for that dive. 

Joe: So if you’re going fast now, you need to, either have some hemoglobin modifications also in there that you’re using your oxygen much more efficiently that 

Sai: you definitely need E 

every level,

because you’re going to be limited

on the top end

by the

physics,

of the lung.

Joe: Right.

Sai: And so you’re,

yeah, you

want better hemoglobin, you want

more red

blood cells in your blood but then you wanna modify

the [00:09:00] clotting system, so it doesn’t

clot. Like when people dope with epo?

there’s a whole slew of madness that has to happen to let this work.

Joe: just for everybody hemoglobin it’s a protein it blood that binds oxygen and then carries that through your body and 

delivers ‘

nick: cause I was gonna ask 

that.

Joe: I saw your face. I

nick: I was like, hold on, you said a few words and I’m like, I don’t know what those are.

Joe: just to

geo: the heart really 

Sai: if I say anything

that doesn’t make sense, just call me,

out. I’ll explain it.

nick: explain 

it to me like I’m five.

geo: So basically the heart aspect of superheroes and other characters really throws a wrench into the plausibility. A

Joe: lot lot of handwaving is happening. You know,

nick: I mean, would have to alter their heart as 

Sai: there are so many layers on which, Yeah.

like , for instance, like these speedsters again, they start, are

Approaching things like the speed of light, 

Joe: right? yeah.

Sai: That’s just not possible because at the end of the day, [00:10:00] tiny

parts of individual protein molecules have to move and they don’t move anywhere

Near the speed of 

light, 

Joe: right? Yes. Yeah. Yeah. I, I think the same thing with shrinking and things like that. Once you shrink to such a 

size, then oxygen, the molecule of oxygen itself is larger than you have shrunk to. You know,

nick: so could you just

hold onto that and suckle to it?

Joe: it? Why 

Sai: And even the reverse, right? When you blow something

Joe: Yes. a book called Life’s Ratchet where this author talks all about the

Sai: Sort of motor proteins in our cells.

And he imagines if you took

these little, you know, they’re

like little

Tubules that go up and down your cells. They’re like little highways that are constantly getting built

and Unbuilt and rebuilt. 

geo: he imagines. 

Sai: What if that

were blown up to the size of an actual street?

turns out?

those individual molecules

that are flying in

would be coming in at the velocity of a planet killing asteroid. The forces that work at the

nanoscale, the Physics there is very powerful.

You can’t just pull

[00:11:00] that out part and

say, now

you will do this at macro scale.

’cause you’ll Kind

of.

tear.

space time if you do some of these things at that kind of force.

geo: And

Joe: And I will say to, , the heart and other organisms is fairly, we’re talking about the human heart and then superheroes, but , you could scale the heart. That is whales, , they have huge 400 pound hearts and they power a large organism granted it’s in water.

So once again, they’re taking advantage of buoyancy so that aids them , in their propulsion and stuff. But still, they have to pump blood. 

nick: Is the heart essentially like the same in each creature, or no? Is it gonna be 

vastly 

Sai: asked An awesome

question.

nick: Thank you. 

Sai: So the, I’ll reframe the question. I’ll cheat a little bit.

I’m gonna reframe the question a little bit.

In

What way is the,

heart the,

same in all the animals that we know

of? And that’s actually quite interesting. If you look at

the Unit of

what is the single building block of [00:12:00] a heart? it is a

single heart muscle

cell. it’s

like a little

reverse rubber band that shortens when it turns on and

lets go

When it

turns off, and you take

you know,

two, 3

billion of those.

You make a human heart,

But the crazy thing is from mouse to human to blue whale, the individual cell

size is roughly the same. 

Joe: Mm-hmm.

Sai: They just have

More, of them in a whale heart by far.

And blue

whales will actually,

get their heart can get up to a couple of tons. these things

are, the size of a beetle. It’s, I mean, a Volkswagen Beetle.

It, it’s massive machine. And sperm whales have not only big hearts, but those things

dive to

Crazy

depths, so

their hearts are adapted to pump Against this massive water pressure. Yeah. Wa Whales have really,

cool hearts. They can slow Down,

the levels that if we slow down there we’re dead.

nick: Man, I actually never really thought about, other animals’, hearts. Like the idea that they’re all essentially

Joe: similar doing the same function. I mean, you, [00:13:00] and they’re only the opposite in their hummingbirds. So 

they’re really tiny hearts.

Sai: Super tiny. They beat it thousands of times a minute. It’s, yeah. 

geo: yeah, I was gonna say, it’s actually the, the heartbeat I, I just know that like dogs, when you talk about dog years, isn’t a lot of it has to do with

their

heartbeat.

Joe: You mean the number of times you get how the number of times your heart will beat before you die on average.

Yeah.

nick: so Yeah. The rate is very different.

Sai: There’s a loose

Correlation

, it’s pretty loose in certain,

species. It

goes,

way off,

but by and large

you tend

to see a correlation of.

if you have rapid metabolism, Fast heart rate

short lifespan,

and slow heart rates correlate, with longer lifespans. Particularly

you see this in things like tortoises that have

super slow heart rates and stick around a

few centuries. 

Joe: Yeah.

And you have the same number of beats across, . That’s the correlation across 

Sai: Yeah, that’s the little bit of a stretch, but it’s [00:14:00] roughly 

Joe: The same except humans. Humans are like two, three times that, that number across species so it’s really interesting. Humans are a little different, . 

Sai: Human hearts actually are kind

of

you know, they’re with amongst mammalian hearts. They have a couple of superpowers,

right? Like it, it’s

kind of funny,

like this is the superpower. You never see discussed in

the superhero characters. There’s nobody who’s I just run at normal speed, but I’m gonna run thousands of miles.

I’m just a monster 

geo: Right 

Sai: Fighter But

that’s Actually what we’re,

evolved to do. We are amazing distance runners. There are these

persistence hunters in

parts of Africa and like

uh, Arctic

Circle areas that

hunt animals for

days. Just

run them until

they’re metabolically overheated and shut down.

Joe: Yeah. That is an advantage. And, 

Sai: I was thinking.

it would be a.

scary power for a super villain, be kind of like one of those Doctor who monsters that it’s not coming at you fast, but they never stop.

They’re 

Joe: never

nick: There 

Sai: at you at [00:15:00] marathon pace. 

nick: There actually is. And

Mike Myers

Sai: Oh, 

nick: He is the epiphany of what you’re talking

a stalker. Yeah. Yeah.

Sai: mm-hmm. 

Joe: all the slashers. You, you have that all do the constant moving towards you. Yeah. Like they don’t stop. You don’t ever see them sleep.

It’s like a Terminator.

nick: Yeah.

Except

Joe: They, 

geo: So when we sleep, does the heart rate get lot lower? 

Sai: Yeah.

So our hearts are kind of funky in how they’re regulated. They

don’t normally sit,

at neutral. they normally sit with a little bit of a,

break pedal on.

We have something called a Vagus

nerve that tends to

slow down the heart. It’s

Normally

on a little bit

when

we’re sleeping, it’s on a whole lot more. Really Calms things down. And

then when we get excited

not only

does the gas go

on in terms of, you know,

adrenaline and stuff,

but

the break comes off.

So That’s why the heart,

can adapt so [00:16:00] quickly,

which again,

that’s another rate limiting or

performance limiting thing is what is called rate adaptation. Suddenly something happens, we need to speed up, slow down,

that is governed by, at the end of the day, some chemical reactions that will take a certain amount of time.

That’s another thing that.

Superheroes just flying around dodging, switching directions they’re gonna have a problem

with.

Joe: So almost I think I, I’ve, I don’t know if I’ve come to this conclusion, over a lot of episodes is that I feel that the, oops, I had licked the rock and got superpowers.

Are 

nick: you

trying to

Joe: take a alright. No, I’m not taking a jab

nick: I feel very 

Joe: There’s no shade.

No shade at you. I, I’m just making a general thing that I, I think the folks who have superpowers. That are genetically born that way, 

probably you can get closer to explaining the adaptations you would need from the heart, from circulation, from oxygen intake nasal structure, all these, you know, new layers of skin to ooze out [00:17:00] fluids or juice your

geo: Oh, 

nick: he wanted to bring that up, you know?

Joe: you, you know a jab. Now he says the Yeah. versus versus the

Sai: or anyone that like alters their physics fundamentally.

says They 

turn into a 

gas, or, right. right. yeah. They get bombarded by cosmic

nick: you’re saying like Spider-Man being bit by a spider, all these different things Well, Spider-Man, he had the idea was that he, he did have genetic change or whatever the spider injected in him

changed his He got mixed with the spider, so he took on.

Joe: Okay. I, spider genes. I don’t know. I, that’s the of, that’s a little, you know, maybe CRISPR. I don’t, so

Sai: the closest would be some kind of lentiviral

delivery so that it goes into your somatic and reproductive 

and, uh, it would be some kind of

Crispr type gene edit, but it? would be a massive gene 

Joe: It would be, yeah. He, it would’ve been, he would’ve been down, he went awake, waking up the next day with powers. He probably needed to sleep it [00:18:00] off for few, for some time for that to happen. , so you would have some delivery mechanism.

You could think of it in a number of ways. I mean, you could have , lipid body kind of delivery. So yeah, you could think of artificial ways to get it in, so that spider, whatever it was. Which once again , the animal facility probably have some issues with just rogue spiders breaking containment probably biosafety, level three spider there, just with recombinant DNA wandering the lab.

But yeah, let’s say that happened then. Yeah. , yoU would, it would be a genetic change for Spider-Man fits the theory,

nick: so you’re saying Spider-Man is possible and I can become Spider-Man.

Joe: not saying that.

nick: let’s 

Joe: I’m 

nick: let like a 

Joe: I’ll get Yes. 

nick: a bunch of different spiders to bite you.

While we’re on the subject of Spider-Man for his spider sense, would that be connected to this heart then? Like with how it like slows down a little bit?

Joe: The focus, you 

Sai: No, I mean I, so [00:19:00] honestly

that’s kind of a weird.

Like

nick: because 

Sai: misdirects kind of thing. It’s so you

don’t have to slow down, your heart to have high alertness. ’cause, you know,

nerve conduction happens. way Faster than the rate of the heart, whatever the rate is. 

nick: Or is it speeding up because isn’t si the spider sense connected to like anxiety, 

Sai: so that,

so there could be a coincidental

increase in heart rate If what

triggers his spider sense is That

hormonal trigger of anxiety. If he’s getting adrenaline noradrenaline

Released from,

his pituitary

and it’s going,

in all over the body. I might have said,

Joe: I’m

geo: sure.

Sai: it’s the pituitary that produces, that’s

the adrenal

glands.

Clearly I’m not a

neuro 

person. I just showed my clients hopefully we’ll put it in the show

nick: what, I can’t believe this. I thought you were,

Sai: No, it’s your adrenals.

Joe: you have another drink, you’ll be there.

Sai: My biology teachings are just accelerating the near late speed right

now anyway, so if, if

those

are the chemicals [00:20:00] doing the job

then yeah, his heart rate would Speed up. 

nick: because

I know in what the end of the Spider Verse people, they ended up doing a short film that they showed Miles having anxiety, being connected to a spider sense. Mm-hmm. And it, having that correlation there.

Sai: That’s actually cool. 

nick: yeah, and it’s always been like that,

geo: But then it’s one of those things like, which came first? His anxiety caused the heart. The heart, not necessarily the heart rate caused the, the sense, do you see what I’m saying?

Yeah. That 

Sai: that one. we can answer. There’s chemistry that’s going into the blood

that’s doing all of these things, the

chemistry of anxiety. So this is something that is kind of particular to mammals, but worse in humans.

Chemically, we use the,

same

SIGNALING systems to indicate things like,

anxiety

as a physical thing

like I’m running

or

I am being chased by

an,

actual tiger.

Those things get [00:21:00] conflated in the brain in the body chemically with, I’m worried

about somebody or I’ve, received bad news

of some type, that kind of thing. But

with the case of

Spiderman 

have 

Having this

correlation between anxiety and his

spidey sense now it actually brings up a weird long-term problem he might have to think about the more he

uses his spidey sense, the more you

expose yourself

to.

these stressors

like anxiety, the greater the risk of something called.

stress cardiomyopathy.

Now he’s a little bit, 

nick: what is that?

Sai: So it’s a thing where people who, so

there’s a version of it that’s literally called broken heart syndrome

or Takotsubo cardiomyopathy.

It is

people.

going through things like extreme grief will

abruptly

start going into heart failure in a matter of weeks. And if sort of the chemical cycles there can be, interrupted, they can also recover from it in a matter of weeks. And

one thing that

Spiderman has going for him, unfortunately

over [00:22:00] spider

women, is women are

five times more likely to develop

stress cardiomyopathy

and we don’t know why than men. 

Um. 

nick: one a person’s partner passes after being together for a long time, that other partner dies shortly after?

Sai: absolutely 

a contributor to that.

Yep. That is a huge element there. 

Joe: because I had a question. This was something that it related to heart attacks it, and I learned this while I was back in grad school, so my memory might be a little shaky, but premenopausal women that have heart attacks.

Usually the mortality rate is much higher than men. , and then postmenopausal

geo: Men roughly the same

Joe: The same age. So premenopausal women, same age as a man, both have a heart attack. The mortality rate is much higher in the premenopausal women postmenopausal, , the death rate evens out and it’s about the same.

And , I always thought that was fascinating. And this was back in grad school. I don’t. 

Sai: We still don’t. 

Joe: with me. And you know

geo: is that 

nick: hormonal 

Sai: And we [00:23:00] still don’t fully understand how some of these things

work. 

Honestly, women’s health, particularly when it comes to the heart, is far too much of

a Black box.

given the

Day

we live in. 

Joe: Interesting. Yeah. 

Sai: But Yeah, we’re only starting to scratch the surface 

Joe: Yeah. Same thing with you were mentioning distance running. There’s, there are studies now that women are actually better at extreme distances, like the a hundred mile races, they actually outperform their male counterparts.

Same physical fitness. So men in the short term , can outrun a woman. And, and this is this is what Sai was talking about kind this in the animal kingdom, the long, you know, kind this endurance, but women really have, between men and women, they actually can outdo. So it really be

was

nick: already a thing people knew because horror movies, it’s a final girl.

That’s 

true. 

Joe: There it is. 

There made

nick: just, it is this 

not what everyone knew that is that is

so 

true. 

Joe: why they can outlive

the, the, 

Jasons and Freddy’s

geo: and 

those crazy stalkers 

like [00:24:00] Myers. 

Joe: mean the, the real twist would be if the woman is the stalker, then you would’ve no chance as a man we’re done.

That’s right. 

Everyone, there’s no 

Sai: You can actually like, that actually made me think of a weird, like very slow over time version of an I am legend concept. Where she is going, one woman is going through all these movies, killing one monster after another,

Joe: that’s 

Sai: and the monsters are terrified. They’re like, she’s slow, but she’ll get

you

She gets there 

eventually. 

nick: it. 

Joe: decades later 

geo: And

and, if she’s 

Sai: And that’s the title of the, the graphic novel, right? Eventually,

nick: I love it. And the thing is, she’s really slow, like a tortoise. So she’ll probably live 

You’re right. Long 

Sai: yep. 

geo: just, 

Joe: you know, these ultra marathons, I think , that’s what they call ’em. Yeah. No, there you go. Alright, we gotta get on top of that. We got a couple stories you gotta write down here

nick: I hope you have them all bookmarked 

Joe: they’re there. You know, so

geo: Like Superman, he’s actually an alien.

Mm-hmm. has anyone ever [00:25:00] talked about, I’m sure people have, but I am not familiar with Superman’s Anatomy. And does he have a similar heart 

Sai: Oh, 

there’s a whole book. There’s a book on the Science of

Superman. I can’t remember the name of the author, but

if you want I could run downstairs.

and get it. It’s actually quite a fascinating book. and 

it tries to think gonna time me? We’re gonna go fast Yeah, I’ll be right

back with Sai running right now.

nick: Oh, he’s back. 

Joe: Oh, 

all right. 

That took seconds 

for Sai. I 

Sai: this is, 

Joe: I You gotta take a picture, Jordan, or send 

Sai: yeah. I’ll, I’ll, so 

it’s by Mark Wolverton.

I’ll send a picture.

to you. 

Joe: We’ll put 

Sai: Uh, it’s called a Science of Superman, and it’s this, it, it gets it to

Every part of

it. Like I’ll even

imagines

that

there’s some kind of bioelectric field around his body. 

Joe: Hmm.

Sai: Protecting him

From the air flows when he flies. Like 

Joe: Oh, there you 

Sai: really gets into some 

geo: Does it, so does it mention the heart?

Sai: Yeah. And it

[00:26:00] Basically.

I mean you get to cheat

because

evolved on

a different planet 

gets into the

Sort of,

gross scale mechanics of his heart, how like you know which animal heart it would’ve to be built like and so on. We learn a lot from comparing with

animals. 

geo: right. Mm-hmm.

Sai: But what it doesn’t get into is it would’ve to have fundamentally different chemistry.

Yeah, it would’ve to be radically different because there are chemical limits, which I mean ultimately, again, physics sets the limits on what US carbon-based beings can do on as evolved on Earth. he

had drastically different chemistry, like Some of the stuff

Superman does, either

he’d have to

do that or change the physics.

of his.

body.

in those moments.

Joe: Yeah. And probably the safer bed is that he evolved differently. Once again, a genetic factor that on Krypton, he grew, he developed

geo: so on,

Joe: they evolved to their planetary conditions.

geo: So on, Superman’s planet, everyone kind of has 

Joe: you similar,

and you know what they are, they [00:27:00] would be ex extremophiles.

nick: except a lot

Joe: That’s a lot. Is that that right? Sai? You can say it. Extremophiles, that’s the word of the 

Sai: Oh, absolutely. 

geo: Except they’d be a lot bigger.

Joe: I don’t, I mean yeah. Much, much 

Sai: I mean, 

yeah. 

Joe: extremophiles

Earth. Yes, 

yes. He would be, he would be a large multicellular, extremophiles,

geo: Yeah. There we go.

Sai: I mean, we, we have some of those on earth, even though they don’t strictly get called extremophiles. Some of these, little shrimp and

fish and stuff, they’ve found

Swimming around.

these deep sea

vents in near boiling water, or some of the crazy fish that live under the permanent ice in the Antarctic.

Joe: Yeah. So yeah, they have their chemistry, their biochemistry is radically different than ours to live at

extreme mm-hmm. Conditions.

So if you, if you had someone living in those conditions and come to Earth potentially, then they could take advantage of whatever changes in gravity, changes [00:28:00] in, oxygen content in the atmosphere. You could then go, 

Sai: this would be the ultimate

superpower

right? In terms of cardiovascular performance for a superhero.

If they

could switch

chemistries,

Joe: Hmm.

Sai: if they could be, you know, sort

of glucose

burning, oxygen,

driven, when that’s available and all of a sudden, boom, I can switch into some kind of sulfur chemistry based metabolism if I’m

swimming near,

a deep sea vent.

That kind that would be an altering superhero.

They could get to some places. 

Joe: Aquaman.

nick: Who?

Sai: Yeah. He, so he

might have to have some of those abilities.

nick: Was gonna say, isn’t it convenient that Superman looks just like humans on Earth,

Joe: earth.

nick: even though every other aspect of him is completely different, but that he looks just yeah, 

Sai: so it’s, it was initially left as a convenience and I think at some moments

there were some.

attempts to recon it and say that the Kryptonian sent

out these

sort of little, you know, DNA

[00:29:00] experiment boxes to various

planets and hence humans. 

Yeah. 

Joe: RA Radio 

Sai: Sort a, not hand sperm as much as Krypton sperm theory of human evolution.

Joe: an idea of Radio Genesis is that DNA from other places came and bombarded Earth and started everything. Yeah. or maybe 

nick: he’s just able to

geo: Shape shift

shapeshift and look like, you know what I him more powers

Joe: we got

nick: All I,

Ma that’s a, that’s Martian 

Joe: manhunt. outside of Cannon now. You’re like, he’s, you’re gonna get, 

no, you’ve turned him into 

John this is the first episode we’ve mentioned DC as much we

I know. and you’re gonna get us yelled at.

Sai: Hey, I’ll take credit for that arm DC note and that.

Joe: so I, you know, so I, I do have questions probably right in your wheelhouse. ’cause you didn’t, you didn’t talk a lot about what you study, but I, what about the superheroes with electric abilities that , are ascending surges through, you know, you know, black [00:30:00] Lightning.

geo: Yep.

Joe: And you know, who has these powers and the effect of that on the heart.

And you can, you can actually, I’m, I’m giving you an end to what you studied somewhat in, in looking at. 

Sai: Yeah, I obsess

over electrical

currents that flow.

through the heart. These are incredible little processes that, you know, the heart’s 3 billion dominoes

And

it has to go

in just the

same sequence

every heartbeat.

And it somehow does that

for a couple of billion

beats

on the

trot in most of us.

right? That is mind blowing, to me. that’s what I study. And these

people Yeah. That are directing huge amounts of electricity.

through their body in any capacity,

whether they’re producing it like an electric.

yield Or, you know, they’re just conducting what’s

available. The first thing?

they have to evolve is amazing insulation

somewhere within their body. For one thing, we should be seeing these people eating nothing but sticks of butter,

the amount of myelin they would’ve to put

around their nerves alone. 

nick: what? Big 

Sai: They would just need to

Joe: Yeah, [00:31:00] tons. Yeah. 

Sai: Bacon and butter

all the time. 

Joe: And myelin is a, a lipic wrapping around axons to help the transfer of signal across your body

geo: that means a fat.

Joe: Oh, lipids. Yes. 

Sai: Yeah. our 

brain is 60% fat. 

Joe: Yeah, That’s right. 

A big, some people go, you got a big lump of fat on your head. That’s probably true.

Yes. 

That’s a 

compliment actually. You know,

Sai: Yeah.

nick: someone told me the other day, I have a smooth brain, Joe. Is that good?

I, I hate,

Joe: I don’t know

what that 

nick: I hate to bring it to you. 

it to you. 

Sai: Oh,

that, that is an old school insult. That is early 20th century insult.

Joe: Yes.

But yeah, no, I thought it was just, it is interesting that you would have these surges, which then could cause arrhythmias and things like that in the heart,

Sai: at minimum,

they’re gonna have arrhythmias, Right,

they’re they’re basically defibrillating

themselves every time they do

this stuff, but past a certain voltage and amperage,

the bigger

problem is

[00:32:00] you’re just

gonna burn.

stuff. 

Joe: Yeah. Mm-hmm.

nick: Mm-hmm.

Sai: Bags of water,

nick: Like the com.

Sai: we’ll conduct up to a

point, but this conductor will burn.

It’s not

like platinum or

gold Or something. that can withstand a lot more. 

Joe: Yeah. Yeah. No. What you guys laughing about?

nick: Oh, about combustion. Oh. And just having our foot left here.

here. Just a foot, A foot.

Joe: The foot. Oh my gosh. Spontaneous combustion. Throwback to episode

nick: I did think of a reference to heart in a superhero type, although I was thinking of Iron Man. Mm-hmm. Yeah, because because 

Iron 

Man, of course, he’s not a superhero

in

a, I guess a traditional sense.

I don’t know if there is a traditional 

sense, I guess. 

Joe: in, you mean he doesn’t have, I mean, he, his biology hadn’t been altered,

geo: He’s basically a, a human, and then this happens. So how, how plausible is that scenario.

Joe: You mean artificial heart scenario [00:33:00] or

nick: keeping strep metal away from your heart scenario?

Joe: with the electromagnet,

nick: the whole, just the whole

just Ironman 

Sai: whole bunch of pieces here that are interesting, right? So literally, let’s start with the shrapnel in the original version in this part is extremely implausible.

They said,

it had started to

Penetrate his heart,

And it was

stopped by the electromagnet

just short of going

through the wall and making him bleed out.

But if that’s the case,

his heart is contracting

with shrapnel in the muscle. It’s injured, it is constantly being

injured. That’s okay.

Let’s assume it

didn’t hit the heart. It stayed

out. We stop it there. plausible. That could work

but

he would need some

kind of chemical.

augmentation or biochemical or gene editing, augmentation of

his heart,

to

withstand the,

crazy workloads he’s putting himself through.

just controlling

the suit, just the speed of

information he’s processing and even with all the cushioning, there’s the crazy forces that he’s getting [00:34:00] subjected to 

flying, being hit, getting knocked. The about.

Joe: Mm-hmm.

nick: Like the, the amount of padding he’d have to have in that to withstand the G-Force that he’s able to pull Yeah. Is revolutionary in and of

Joe: The other thing they don’t talk about is dissipating the heat load from the arc reactor that’s strapped to his chest. So to do all that work.

nick: I thought that was clean. 

Joe: need to. Even any energy like, so energy conversion, usually it’s not a hundred percent. And so there’s waste involved and that waste is usually heat. And so to power something like that, the energy input and output, you would generate a good bit of heat either way.

So having that 

Sai: Even if you assumed it was monstrously efficient, let’s assume some freakish, you know, violating thermodynamics, 99.9% efficiency. It’s still a bucket load of

heat 

Joe: yeah. 

Sai: like he’s gonna need to drag a server

farm worth of fans

behind him. 

geo: he needs that extremophile

Joe: he [00:35:00] needs to become 

an extremo fell. That’s right. And so 

he would, he would need to have some genetic modifications so , he might be a superhero in other way. I always talk about that, that we have the genotype and phenotype and sometimes you don’t know you have a particular genotype because you’re not challenged.

geo: And then it gets, and then it turned 

Sai: also with that much heat evolution, he would’ve to stop and refill coolant in his

suit, even if the fuel never ran

out. He’d have to stop every little bit and go, okay, I got, I need more liquid helium in here.

Joe: But he could have a adaptation. So in a world, you know, Tony Stark lives in a world where the X-Men live, so he could be a mutant and just not feel the heat load or is, has some sort of modifications in himself to actually process that. And 

Sai: possibility is if his

nano technologies developed advanced enough, you could assume he’s just re-upping himself with these, some kind of

nanotech way that’s constantly repairing his body.

Just eat the damage and [00:36:00] be

absorbing and repairing on a molecular

Joe: And you’re getting to the Gray Go Theory if that gets out. , And the Gray Go Theory is the one where nano particles machines break free and try to take over the world. 

Sai: But Michael Crichton Prey, I think what was it, Prey or different one?

Joe: It might have been prey. I, I think it 

Sai: I think it was Prey. Yeah. 

Joe: always think of blood music. That was one early one with Grey Guo theory. But yeah. , I’ll throw that in the show notes, or at least I hope and , better at the show notes. But the heart, you’re right, it’s iron Man is there.

Darth Vader also had a mechanical heart, his heart was replaced . 

Sai: An interesting parallel we could study to understand what these particular characters would go through, which is, you know, what we have from,

medieval sword manuals and such about fighting an armor

and what they said and, and, and, you know, historical.

records of what people could and could

Not do.

One of the things they could not do is run any real distance. All

the things in, like the Lord of the Rings and all those movies where there’s [00:37:00] people in armor just bolting across a field. would go there, be tired and not even need to be fought. They would just collapse.

nick: And no one wants to see that

Joe: no one Right. What a sad 

nick: just gonna slowly move to each

Sai: don’t even do anything

Joe: that’s

nick: get there. Don’t worry. That’s a long

Sai: and Tony would’ve a real problem in

his Hulk buster armor. ’cause the

scale of that thing 

Joe: I think he’s moving. Weird. that’s all the energy to move all those mechanical parts. And that’s why they switched it to the nano suits, right?

Because then you would free up, that would be a natural kind of flowing, fluent kind of suit. But the Mark one that he made in the cave, if we going

was,

yeah, I mean it was, that was made out iron. I mean, that was right. I mean, that

was,

that was just a heavy, piece of equipment, you know?

Sai: And, and it would also be

very susceptible to certain very easy attacks.

You wouldn’t need to

do anything serious to Tony, just screw up one of the major

joints on [00:38:00] his suit and run away. 

Joe: Yeah. That’s it. I mean, you gotta get close enough, but that’s, that’s it. I mean, that’s a,

geo: a 

Sai: an SUV into, into Iron Man’s knee. You’re good. You just walk away.

nick: so I do have a question about an episode that we had done earlier this year, or maybe last year. I don’t remember time, but

Joe: is that time travel question?

nick: No, it’s a Doctor Who question.

Would having two

Joe: Yeah. two hearts 

anything 

nick: to better a body or No

Joe: Who has the Two Hearts and it came up in a Doctor Who episode earlier with the Tara, and I, I touched on it and I had some ideas, but Yeah, you’re, you know, 

Sai: I mean, octopi have

three

hearts like it can, one

is

just distributed processing, right? You let each heart handle the load for a part of the body,

and therefore it doesn’t have to pump that heart.

And it would, it would

actually.

help explain some of the longevity that you see from the gala France,

the Time Lords, that if you had two hearts and neither one is actually red lining as [00:39:00] much at a given moment, you’re gonna actually extend your lifespan.

You’re gonna go tortoise mode.

Joe: Yeah. Interesting. 

Sai: Uh, 

nick: Yeah.

So if I go ahead and crack my chest open to put another heart in, I can 

live 

Joe: my gosh.

Sai: I would not necessarily recommend

nick: that’s right. After you 

get 

Joe: The Rabbit Hole of Research is not recommending you add a second heart a, there’s some question of where we

nick: are there animals with 

Sai: Yeah. And I’ll put it this way, 

Joe: not supposed said the octopus has three hearts, right?

Yep. So 

yeah.

nick: Okay. 

Sai: I mean, I, I, I’ll put it

This way,

right?

There’s another

game we could play here and I’ll talk about that ’cause it’s actually a therapeutic technology

called an LVAD or lift

ventricular assist,

device.

but in terms of adding a second

heart, we do do it in certain

patients, right?

There’s, that’s the LVAD thing

Where if their heart is so badly,

beat up,

but they need to.

wait to get a transplant. It’s gonna take some time. But we don’t think they could survive that window

Then they.

get this LVAD device and

conventionally it’s a larger pump, [00:40:00] it lives outside the body. You literally plum tubing from the pump

into the

left ventricle of the heart, which is the, the

side that pumps to the whole body handles the high load so That

the blood,

that goes into the left ventricle, this pump is pulling it and then pushing it back out

where it needs to go.

And that’s the other end of this pump.

geo: Wow.

Sai: that’s 

the smallest,

we’ve able to, we’ve been able to make

it until very recently

There is a smaller version of it that is now being implanted in

patients undergoing heart

attack and treatment for that. And the

reason there is also interesting,

a Heart.

attack is when a small piece of the heart dies and basically,

turns into scar.

And

something funny is,

these happens. I mean, the funny thing is, they happen, first of all, when blood flow

to a region of the heart is stopped or inadequate and it’s

working without supply.

it dies.

But the funny thing is when

we restore

flow we don’t fully understand how

but the damage gets worse.

A

larger chunk around

this region dies.[00:41:00] 

It’s called reperfusion injury. And One solution that looks

Interesting is there’s a

way of implanting a tiny pump inside there. A The

big blood vessel coming out of the left

side of the heart. That

sends a little snorkel

into the heart sucks the blood out

and ejects it. So in that vulnerable time, when you’re restoring flow to that piece of the heart,

if you unload the heart.

don’t make it work.

So,

hard in that vulnerable

moment, it seems to reduce the damage. So that’s the best augmentation we’ve been

able to do.

We could build a heart good enough that it would be worth adding to somebody’s chest, we’d already be doing it.

We just don’t have that kind of technology

Joe: right. Yeah. Nick,

Oh,

nick: don’t do it. Don’t

Joe: do it. Nick.

nick: Why? It sounds fun. Like he’s

Joe: gonna get dog No, wait a, wait a couple of centuries

Sai: for the technology to 

Joe: A couple centuries.

nick: I’ll wait like a decade. All right, let’s time do time travel maybe.

travel Now.

Joe: We’re close to some holiday season here. The holiday season.

nick: I don’t know what you’re 

Joe: Okay.

I wanna ask about the Grinch whose heart [00:42:00] grew two sizes.

Sai: Cardiomyopathy. Yeah. You would’ve been dead in a very brief window after that.

Joe: So he had a very small heart, which, you know, probably struggling to live. And,

Sai: Yeah.

Joe: and 

Sai: Three sizes, wasn’t it? 

Joe: three, was it three or two? Two or three sizes, yeah. It was two, it was two sizes 

too. It was two sizes too small and then it grew three sizes to go larger than, yeah. It was one size larger than after he got filled with the spirit, the Christmas spirit

nick: just 

Sai: I mean, that actually sounds like worse than hypertrophic. It’s what’s called dilated cardiomyopathy, where the heart has gone big and baggy and is struggling to pump anything

Joe: Yeah. He seemed 

Sai: Those are the people who usually end up needing the LVAD. That’s what we should have seen. The Grinch with an LVAD hanging out.

geo: Wow.

Joe: the Who, people taking care of him. They do the surgery and then he is very thankful. That’s the real,

nick: no. 

Then he goes back to being grumpy again.

Joe: Maybe that’s why he 

Sai: No, but then he Can’t

do anything about it. [00:43:00] ’cause it’s hard to move around with an LVAD hanging out of your chest and a battery pack on your back.

Joe: And that maybe that’s why he was grumpy at the beginning. He had this little heart. He, you know, he used deprived of oxygen. He is just, you know, just,

nick: is that why he’s green?

Joe: Maybe not.

geo: Maybe 

nick: that is 

why he is green

Or would

Joe: Wouldn’t you be blue? I think yeah, you’d be blue. Yeah.

So

nick: I don’t know. I’m not a doctor. Yeah.

So why do you think we are so romantic about the heart?

Like we have made 

Sai: Oh, that’s a great question. Right. It’s all over poetry

literature. It’s everywhere. We associated with emotion.

I think it’s one where we are led to think that way because the heart is one of the places we

feel it. 

nick: Mm-hmm. 

geo: Mm-hmm.

Sai: When you have emotion. You are having two things happening. One is your

autonomic nervous system, you get excited. There’s, this is the nervous system that connects the base of

your Brain involuntarily to your heart. So that,

it can adapt.

so the heart’s, I’m

gonna back up a little [00:44:00] bit

’cause I like the science here,

and I think the heart’s a cool little machine,

right?

This thing You can pull it outta the body.

It doesn’t.

need the brain.

to tell it what to do. It’ll keep on pumping. It’s self-sufficient. and It’s self

adapting. You.

In

transplant patients, we don’t know how to reconnect the nerves to their

heart. Their hearts. The new heart that the transplant patient gets.

is

beating away.

We

Think mostly without any input from the nerves in their body. but it will still adapt. when they get, when They start moving. The heart rate will go up. When they sit

down,

and really chill and you know, start dozing off, their heart rate will drop.

All of these things are

happening because

the heart

is

tuned by, the amount of blood getting into it. on a given beat. 

Joe: Yeah. 

Sai: It just has a simple thing of whatever comes in, I’m gonna pump it. out. And that is the mechanism by which it adapts. On top of this, we

all have another layer of control. actually, two more layers of control.

There’s chemicals coming in through the blood. You get excited.

If you

get really [00:45:00] excited

Or scared you might have

felt this bitter taste in your mouth. You’re literally, tasting the

effects of a

huge adrenaline jolt. That would also be a Moment where you’d feel it in your

Heart And so people talk about,

the

bitter taste of defeat. Yeah. They’re tasting not Just

Incidental,

and

the same way they’re feeling their heart,

respond

to their emotional,

tones because

of both these autonomic nerves coming

in and,

you know, electrically stimulating, or electrochemically stimulating it,

and.

the chemistry in the blood.

so when we feel emotion, we feel our heart do things. So I think we associate it with where the emotion is happening.

Joe: Interesting.

Yeah. And that it probably, I want to

maybe

think about it, the heart might have been the first organ we actually knew what it, what, what its function was in, in terms of biology. 

Sai: There is a brilliant book on this by a guy named Charles Singer.

It’s called A Short history of Anatomy and Physiology from the Greeks to Harvey.

And The title’s a misleading title in

that it starts way before the [00:46:00] Greeks even. He talks about cave

paintings from

35 to 50,000 years ago

Where there

are

these diagrams of

bison and deer and

And there’s precise diagrams from different perspectives.

marking with an X where the

Heart 

is. Because that’s how you’re gonna chuck a spear in the Right.

spot and get dinner instead of get trampled.

So people started studying the heart

very Early just to get food and

not die. And.

then they started studying human hearts

as well. And there were these

scientists back

In ancient Egypt that were

cracking open Chicken eggs at various.

points of development

figuring out

how the heart develops from embryo to you know,

Full

Chicken. 

Joe: Yeah. No, 

Sai: So yeah. we’ve been studying the heart a lot,

but there have also

been some silly ideas. ’cause if you read

William Harvey’s book,

the first chapter

is Comedy Gold. Just Comedy Gold. He

Talks about all the competing ideas of what people thought the heart might be doing in

certain parts.

of the world. They thought it was a chilling system for the blood, [00:47:00] which needed a

Refrigeration unit. They thought it was a supplemental

lung, that it could do extra breathing when your lungs weren’t enough. There were some hilariously

bad ideas around too. 

Joe: trying to explain superheroes, right? I mean, if , you’re flaming on, if you’re running at super speed, you need to have, your heart might take on some other function chemically and, and do it. 

nick: Alright, so where did the shape like that everyone, the iconic heart shape come from then?

It’s nothing like the actual heart.

Joe: Do

nick: you have that 

information too?

Joe: The actual, I, I 

Sai: I happen to not know this one. 

nick: guys, come on. This is why I’m doing this episode.

Joe: the, the, I

nick: I think we have to do some more

Joe: know we have to go and

nick: Because it looks nothing like it. And also another question. Why do people misremember where the heart is on a human? Because 

Sai: Wait, ask. say

that again, sorry.

nick: when, you know, we we’re, we’re here in America and people say, put your hand over your heart for the Pledge of 

Sai: Oh yeah. Everybody

puts their hand on their

[00:48:00] lung immediately,

nick: But

that’s not where the heart is. Like 

Sai: No, 

nick: why 

Sai: it’s it’s down 

here. 

nick: It

Joe: Yeah.

Sai: But it would look, it, it,

I mean, Conventionally

From a cultural perspective.

it would look like you have

indigestion,

rather than you’re, you know, showing respect. ’cause we associate the pectoral muscle because

that is sort of where you’re gonna feel the thump of the heartbeat. I think people disassociate that spot,

But the heart is,

first of all.

it’s, it’s a cool little thing. It’s hanging

like

in a sling inside the chest

So it can beat freely and it’s hanging, pointing slightly forward. And

to your left.

so it’s kind of diagonally sticking out, just

under your pectoral muscle

almost so if you wanted to really put your hand.

on.

your heart.

yeah, it would look like, you know, get me some intestine now, please.

Joe: Yeah. Interesting. I’m looking this up because this is a, a fun thing and a heart shape. It, it does have a rich history going back into the middle Ages, even before that and looking at it. But some of it’s just, it’s [00:49:00] fun. It’s based on plants. 

, in ancient times, based off the seed of the Silphium plant. And it was a , herbal contraceptive and stylized depictions of features of the human female body, such as breast, buttocks the public pubic mound. Was the shape that, that stylized into the shape of the heart 

so very botanical, botanical and female in nature. Then it got tethered to romantic love in about 1250s.

geo: I can see how, if you were just imagining you were, you had never seen a heart and you were just imagining, I don’t know, like the two sides, I think maybe you just imagine that’s what it looked like.

like.

Joe: Lot of it is like, it, it was really depicting foliage. That’s what, but then it got. Entangled into, , love .

nick: Sorry, I don’t know if that took us down 

a weird rabbit 

Sai: There’s also some conventions

of art history.

thing going 

on here 

Joe: Yeah. No, for sure. 

Sai: because that symbol has [00:50:00] been

depicted in sort of Greek VAEs and

stuff. 

And

the Greeks definitely had a very stylized way of

showing humans and different 

geo: Mm-hmm.

Joe: Yeah. But you’re right. It, it is not the heart, the actual physical heart doesn’t look like the symbol.

Yeah.

As 

Sai: and.

when I say Greeks, I really should be saying the Mediterranean peoples ’cause. This is something I’ve been st I I’m a bit of a history nut on the side, just for fun. And I’ve been learning about how much of what we think of as the Greek and Roman mitts

are really Mediterranean myths. The other half came from North Africa 

nick: Oh, wow. Exactly. Yeah. Mm-hmm.

Sai: people, boats have been going back and

forth for a long time along with stories. 

nick: Oh gosh, I just, I just read something where someone said like they were correcting the terminology and it was like, it made no sense what we say. Where we just get used to saying, we label something and it’s totally inaccurate.

But because we’ve said it so much, that’s what we,

Sai: Of the heart being on the left side, there’s a fine [00:51:00] example of that in the word we use in a very different way. That just means left sinister. Dexter and sinister were right and left, like right and left-handed.

And left-handed people were

considered so evil. The word sinister has

come to mean what it means.

Joe: Yeah. Wow. 

geo: Wow. 

nick: I mean, I get it. You don’t like the left-handed people.

Wow.

Joe: In storytelling you have the removed heart stories or missing heart, and so you see that a number of times Davy Jones and the Pirates of the 

Sai: There’s that. Yeah. That even the trope of the soul in or, preserved 

heart. Yeah. It goes back. There’s the, 

Joe: Yep, yep. Fairytales did the Telltale Heart kind of of guilt and things like that. 

Sai: In Arabian folk tales, there’s a wizard always whose

heart is in a box over 

the seas, over the seven seas. 

Joe: yep. You have the, it was a Norwegian fairytale, the giant with no heart in his body, and that was the hardest hidden to avoid death. That, so that story [00:52:00] comes up a lot in fairytales where you have it.

So I think that’s really, ’cause then , how does one live without this crucial pump in their chest? so I’m gonna take this out and. It. And then when you put it in a box and , you’re now immortal, this gets to the heart in a box isn’t necessarily beating. And so now you’re preserving the beats and you’ve now connected your physiology in some way that you are, , you’re maintaining life or , like you’re, some sort of magical handwavium rock is put in its place.

nick: I just said necromancy. I didn’t say a rock.

Joe: you know, but I, I thought that was kind, you always wanna lick a rock to get superpower. So I’m just going, I’m just you know,

nick: I want them. It’s not,

Joe: I thought that was another way , in the heart and it’s of, , its power. , and that tether even then to longevity , was at some kind of [00:53:00] fundamental level. Understood that this was,

Sai: back to sort of

paleolithic

practices of things like, you know, eating the hearts of enemies.

Joe: Mm-hmm.

Sai: There was

definitely an association.

between the heart

and somebody’s life force. Somebody

sort

of, even

psychological qualities like courage and their sort of force of character and things like this were considered to rec reside in the heart.

And 

Joe: yep. Yeah. The 

Sai: I think it started with

Hunters eating the

hearts of animals because they’re rich

in minerals. It’s very good for your body. Anybody who’s from the tropics knows if you’re sick, somebody’s gonna give you a bowl of chicken, heart

soup, and it will

Actually treat you well.

But I think they extended that to the level of saying, okay, now we’ve defeated. our enemies. We Wanna consume their power

We need their hearts. 

Joe: yes. 

And it’s one of the most, obvious recognizable organs, I think, in the human body , maybe besides intestines,

Sai: But also one of the safer ones to 

Joe: and the safer ones eat.

That’s right. Exactly. You, you can actually probably [00:54:00] pull it out, eat it, 

Sai: yeah, not that I recommend eating human hearts. 

Joe: No, do, do not. 

Sai: they, should be, 

nick: There’s a lot of with the 

a lot of disclaimers on this. 

Joe: Lot of disclaimers of this episode. Yes. Do not,

geo: do,

Joe: don’t do it.

Sai: I mean, okay, I’ll say from meat animals, it is a delicious cut. If you’ve

eaten you cow Heart or

sheep Heart, it’s delicious. 

nick: I mean, I prefer the brain to be honest,

Joe: Oh boy.

nick: What? You don’t like head cheese?

Joe: No.

geo: Oh, boy.

Sai: Head Cheese is not brain, mostly head Cheese,

is just cabeza. It’s the outer part of the head, but brain itself is also tasty. But again, you wanna source it,

right? 

nick: gotta do the mixture of the two. You gotta nix 

Sai: oh, I, there’s brain. Oh, 

Okay. So I, didn’t realize I was 

eating brains there as 

nick: this has gone down a really 

Joe: We’re in some other rabbit hole.

Rabbit. This is a zombie episode here. I mean, we’re, we’re getting some,

geo: I’m already,

nick: already halfway there.

Joe: I was gonna say as a history, you can correct, but the Egypt, the Egyptians, when they mummified, [00:55:00] they, the heart was preserved, but the brain wasn’t like, they didn’t actually, typically, , they, the brain had no function really.

Sai: There, there’s another argument. that the chemistry Is

easier.

to preserve a heart than to

preserve a

60% fat based brain.

Joe: , oh, they didn’t have 

they didn’t have, 

they didn’t have glutaraldehyde and osmium tetra oxide, obviously, because, , from electron microscopists, the brain is much easier to preserve. But yeah yeah,

Sai: Yeah. In fact, with that stuff,

the Heart.

is the harder target. 

’cause I have to cocktail the GL with p

param so it fixes

Joe: And, and 

Sai: quickly. 

Joe: A little behind occur in aldehydes will cross link proteins inside of cells and then osmium tetra oxide, which I mentioned actually fixes lipids. So unsaturated, double bonds, lipids, and so in, in the heart, the brain has a lot more lipid, and that’s, so the osmium will fix that and it’s easier to make sections and take high resolution images, whereas the heart [00:56:00] has less lipid content and 

Sai: the heart is so dense with protein. The fixative will hit the surface of your chunk 

of tissue, fix it,

Joe: Yeah. 

Sai: And then it will create So many crosslinks. it can’t go further and it gets traffic lot jammed

on the outside. 

Joe: Yeah. So it’s hard to actually fix the tissue reliably and, and to process it. So really from that point of view, the brain is easier, but yes.

And the, the Egyptians probably didn’t have, I don’t know what they had. I mean, maybe they had alde hides in some way, but, you 

Sai: I, I think, yeah, they, I think they had access to at least some impure

Alde 

heights. It’s pretty Easy Byproduct of a basic distillation.

And we know they were making beer.

The Egyptians made a lot of beer. 

Joe: That’s right. That’s 

Sai: So somebody put

some of it in a thing and. 

Joe: Yeah. And alcohol’s a a good fixative. Alcohol’s a good fixative. So they could’ve used that. Yeah. So it, there is lots of ways, whereas Osmium might’ve been what they didn’t have.

So the 

Sai: Yeah. 

Joe: be very difficult. Yes. There we go. Yeah. And Osmium is a mined mineral. So you actually, [00:57:00] it’s mind and extracted.

geo: not 

nick: mindd. Mindd

Joe: Mind as in you know, diggers like Minecraft, which is like,

geo: Yeah. No, I was think mine. 

nick: Minecraft. You are digging.

Joe: I always thought Minecraft was like mind.

’cause you are using your mind to craft

nick: that’s MIND. I know.

Joe: but I didn’t, I didn’t see the word spelled out for some time. So I always start, Minecraft was like, oh, the kid’s I wanna play some mind. Oh yeah, go. That’s great for your mind. And it’s no, 

Sai: Yeah, the the, the full 

version is, you know, through

telepathic 

Joe: That’s exactly right.

I’m like, this is gonna be cool. You’re learning some, you know, you’re using your mind, but yeah.

no, 

nick: they just want to dig.

geo: There’s

Joe: osmium in Minecraft.

nick: Sure. I don’t know.

We’ll take your word for it.

Joe: I don’t know.

nick: I, guess you played more than me. I don’t know.

Joe: I was just throwing it out there. I don’t, you know 

how many 

nick: like in that little box, like 

Joe: Yes. It’s in a little box. Yeah, so we’ve covered some ground

nick: You never actually went through your list.

Joe: Yeah, I mean, we, we did, [00:58:00] we 

went through the list.

We went through the list without going through the list because I just had the hearts and fiction and different motifs. We see extra multiple hearts. Cover Dr. Who missing or removed hearts. I kind of scooped that one up. Mechanical artificial hearts. We touched on that.

The symbolically warped heart. We, talked about the villain and haunted gothic hearts. We probably didn’t touch on that one as much mythic or cosmic hearts, and that had hearts of as power 

Sai: And the heart is also a symbol of good or evil, right?

You have the sort of golden heart of somebody who’s good and the dark heart of, 

you know, it’s a, 

Joe: had that as, as a, the hearts of power.

That’d be like Care Bears or Captain Planet. If you’re 

old

nick: didn’t Sailor Moon also have a heart?

Joe: Heart, yeah. Symbol or whatever. Yeah. Yeah. I think I

nick: think I sent it to you. Yeah.

Joe: to you. Yeah. Yeah. Yeah. 

Sai: And on the other side they can picture Melville’s, you know, Ahab

stabbing at the whale, screaming about

his, you know, from the black heart of hell, stab at

Joe: that’s a big, that’s a big heart there in that whale, 

Sai: yeah,[00:59:00] 

but also that’s a deep target. He’d need to be very good with that harpoon to

get anywhere near that thing.

Joe: He went crazy at the end. I think he was just going out

against better judgment, , he’s out there doing it, but I, I maybe you notice reference it came up. I was, especially the hearts, his power and culture, Kingdom Hearts as a video game. I

nick: love that game.

Joe: the hearts are tangible.

They could be stolen or they 

nick: they, you, you, get the heartless and Yeah. 

It, I mean it’s a super convoluted storyline. I don’t recommend anyone trying to go through it and understanding it,

Joe: but

nick: it was fun. I think I remember that being fun.

Joe: done.

nick: That 

Sai: I still don’t know what

genre of game this is. Is this an RPG is this?

puzzle? 

nick: kingdom Hearts is a final fantasy crossover with Disney. 

Sai: Oh wow. Oh wow. 

Okay. 

nick: That 

is the convoluted part. 

And then the storyline, you get [01:00:00] people from Final Fantasy Games and Disney, and then you get an original character, which is Sora. And you can just get lost in lore and then still don’t know what’s going

on,

on 

Sai: In my brain that turned into yeah, we have some bourbon in this glass and we’re gonna add heavy cream.

nick: Yeah. Yeah.

Sai: No, please

don’t 

Joe: do it.

nick: It

like, it’s cool to see the worlds that they go to, but there’s so much filler of trash that it’s so hard to get through. All of it

Joe: you can trade hearts. So that’s,

nick: no, you can’t trade hards. What are you

Joe: about or steal hearts?

nick: I mean, the, there’s a group that does that. Yes, 

but not you,

Joe: you don’t do it. All right. So

nick: No, you’re, you’re, you’re, working with Disney and,

Joe: okay. I don’t know who you’re working with.

nick: Mickey 

Joe: I didn’t play this game. The Mickey Mouse isn’t on a black market stealing hearts.

nick: No, but he’s, he, he’s in his

he’s

a dark hood at, I don’t know.

Joe: Yeah. I

think Mickey’s in a dark hood.

nick: he, he, he goes through his emo phase

Joe: There you go.

nick: Had no idea.

Joe: I had no idea. Yeah, no. And then, yeah, that was, those [01:01:00] were in there. That’s all I had. And gothic hearts vampires, but we did the Telltale Heart. 

Sai: I have one more piece. I’ll add healing factors when it comes to

Joe: healing factor. Yeah. 

Sai: Yeah. 

Joe: Mm-hmm.

Because 

Sai: when we run our heart ragged,

it

has to heal It literally takes damage.

right?

This is,

like athletes

will actually undergo remodeling of

their, heart. So when somebody starts running more and more, their heart will

get bigger and a little bit beefier and whatnot. But the

way That

happens is it is literally getting injured

on a subcellular scale here and there little tears, things are breaking and it releases chemical signals that brings in machinery to build more. And that’s how it’s getting bigger. So recovery times are super essential.

This is something that either the superheroes would’ve to be taking breaks after every big exertion,

Joe: Yeah.

Sai: they’ve all got a little bit of a healing factor

through one means or another.

Whether Wolverine style built in or you know, just

injecting something that treats stuff.

Joe: that’s like , all [01:02:00] their muscles though. That’s, every muscle, like if you’re the Hulk throwing cars or whatever, you’re getting a bunch of micro tears and you have to then recover , so the heart is just another example.

And , you had the real world example of athlete. When you weightlift, that’s what you’re doing. You’re actually causing micro tears and then your body rebuilds stronger and build more muscle. So it is it, and you’re right, if you go to that next extreme level, the athlete, , professional athlete, then you go beyond that to superhero.

You’re right that, and that’s that point that I think there’s a lot of characters in the fiction world that appear not to have super, powers in some way. , but I think that maybe they do, maybe they have some other innate powers. And this weren’t test genetically 

they 

Sai: the ones that. 

Joe: right?

Sai: The ones that fly around.

in space and spend extended

times there. Our hearts don’t like

absence of gravity.

Look at what happens to people that come back from the ISS.

They have to, they have some, you know, remodeling of their

hearts that have to [01:03:00] reverse. 

Joe: also have lack of oxygen. There’s a whole bunch of problems flying around in space. I

geo: when it gets really 

Sai: Here’s a simple 

thing, right? Let’s assume they trap

nick: and no 

one can hear 

Sai: bubble of gas around them,

Joe: Yes.

Sai: but if they do that, do

they Know how far they’re going. to know how much air to 

pack? 

some point does it get crazy? 

Joe: Yeah. Yeah. 

Sai: And also, 

Joe: yeah.

geo: Exing 

Sai: if you’re exerting inside

the Bubble. man, you better bring some nose clips or something.

It’s gonna re 

Joe: Yeah. No, I, that’s one of the things, I think we’ve touched on a few episodes with the force field model that , you start hand waving ’em away, these issues with the forest field, but then no one takes, how do you get oxygen transferred?

How do you scrub the air in there? You just fill it with CO2 and die. You will start to have other problems that you can’t just wave away. With that simple, we’ll put a force fuel around ’em and then they can do whatever. And it’s no, they, you really can’t. You’re, you’re in trouble.

Sai: In the heat evolution, right? You’re

driving yourself to do

all these

things, fly fast, lift stuff. 

Joe: Yeah, 

Sai: I mean, 

this came up, Randall Monroe [01:04:00] did a beautiful video on could you

use a Submarine.

as a spaceship? These things are built to be airtight. Could you just take one to space and would it work? And what he worked out was, no, it

Would absorb so much.

heat. It would cook the insides in no time. And every spacecraft we build, we build

half of it to deal with the amount of

heat that they’re dealing with. 

nick: Yeah.

Joe: Yep. Yeah. Cool.

nick: Were you gonna say something there? Yeah.

so I, I did forget for a second, but when your heart tears and rebuilds, does it tear every time that you’re doing that

or no.

Sai: It is tearing right now. It

sounds,

scary.

but it’s.

not. It’s just the

more we exert, the more these micro tears happen.

But the fact that it’s,

beating right now means there are some tears happening. And like I’m talking about tiny, if there’s a cell, there’s a little puncture in the cell membrane. There’s

a whole

bunch of things.

that

proteins and stuff that come out and

start [01:05:00] patching it.

It’s just constant. It’s like the Golden Gate Bridge. It’s always being painted.

It’s always being torn, always being repaired.

Sometimes the tempo is more.

Joe: Hmm.

That’s why working out and things, it’s helpful. Yeah.

nick: Yeah. I just didn’t know if like, all right, I did this exercise really hard today, but I’m gonna do it again two days from now, is it still gonna rip and everything? Or tear? Not rip. Tear. That’s why I was like, oh, is it just like, all right, that’s, it’s new norm now.

right?

Joe: This is it.

Sai: so that’s where a lot of

Exercise, physiology science gets into is how do you program your workouts and

recovery, periods, in what ways to achieve desired target performance for whatever you’re trying to do. And that’s different if you’re trying to say, you know, be a

power.

lifter versus a

distance Runner. and whatnot.

But that’s where a lot of this effort goes into is in various tissues, not just the heart

muscles. Your nerves are getting a little bit [01:06:00] beat up and have to

recover. That’s where if you play like a really hard tense game of something like basketball. You’re

not gonna be able to play another one of those.

immediately after that.

It’s not even if your muscles magically recovered, you won’t.

have the reflexes.

nick: Oh yeah, I totally get that. With playing Dark Soul.

Sai: Actually, I was gonna say video games. I have frayed my nerves while leaving my muscles untouched. Just overdoing it with video games.

nick: So often rate,

Joe: your anxiety, everything. You, you get it? 

Sai: Oh. yeah. 

nick: I can’t wait for the new resin evil. My heart’s gonna tear

Joe: Yeah. There, it’s,

nick: tear 

Joe: right

now. Cool. All right. We probably, we, we can, we’ve come to the end of the beats.

nick: what would be your ideal superhero? Heart? 

Sai: My absolute

ideal Superhero. Heart

Is something that

this is getting into full.

on handwavium, but that’s the

easiest out is 

saying that’s a trans dimensional heart. [01:07:00] It’s doing

all of its energetic business in another dimension where it’s got huge amounts of space to disperse with energy, like heat cleanup, chemistry, and then it’s just this

tiny Little chunk,

of whatever here, and it does

everything

I want.

geo: That’s, 

nick: there you go. There you go.

Sai: It’s tTARDIStar heart. That’s what I want.

Joe: no, that’s always my, my bailout is, is the dimensional kind of dumping ground.

Sai: I mean, it’s the same game we play in image analysis. If you have a problem here, just create an extra dimension and dump

Joe: There’s dump it in there. Yeah. Yeah. There’s no free lunches in physics

unless you, 

nick: I hate hate and all those, all those beings in that other dimensions oh 

Joe: but that, that was the premise, just a, a throwback about this kind of idea. The Gods Themselves by Isaac Mov. Where they went and they realized that energy was being, they, oh, we got free energy, but really they were taking it from this other [01:08:00] dimension that was gonna go supernova , kind of big buying theory.

And it was like, hold on, something’s taken from us now. Like it’s this whole little, you know, kind of a, a game. Yeah. It’s fun. It’s a good a, a good book. One of, one of Asmo, one of my favorite Asimov’s books. The Gods themselves. But yeah, there you go. Multidimensional, always energy dumps.

nick: Always good. 

geo: Cool.

Joe: All right, is that any last thoughts, words

nick: you wanna, do you have any things coming up? Anything you wanna plug?

Sai: I mean, other than some Research

papers,

from my lab,

nick: do

Sai: Yeah, I mean uh, we’re I’m trying to remember what just got but we actually something exciting. We just speaking of our hearts, we worked out

what

happens.

in

Patients with

COVID that started getting new cardiac?

arrhythmias because of

that

One of my former students.

was able to reproduce that effect in a mouse and figure out that it’s

literally your own

immune system

was doing the dirty work there. You didn’t even, like, when we looked at samples from patients in a [01:09:00] previous study, their hearts

showed

no sign

of the virus,

having made it there. In

some, of these,

patients the ones

with

myocarditis,

yeah, there’s virus in those hearts, but the ones with just arrhythmias,

it was just

spike protein

from the virus.

But that’s like a red flag to the

immune System. that says There’s

a foreign thing here

and the immune system

goes after it

and shreds the heart.

and we figured out exactly.

How

that happens and you know how that leads to AFib.

So that, that’s one good thing that’s coming out soon Now. 

Joe: Very cool. Yeah. We’ll put a link, to your web, your labs webpage. It’s got cool stuff on there and Yeah. Should check out with side us it really, you know, a bio engineer is what I, I like to call him. That’s a, yeah, so a tinker.

nick: Thank you so much for being here with us today.

geo: We

Joe: gotta have 

Sai: Thank you This was so much fun. 

geo: Yeah, 

Joe: yeah, a fan. So s always comments on episodes and things like that on LinkedIn, which is a professional page, but he is that’s where he hangs out.

nick: Wait, we have a LinkedIn.

Joe: No, we, the [01:10:00] podcast doesn’t have a LinkedIn. Maybe we should

geo: yeah. You didn’t know. that’s right.

nick: I wouldn’t have been surprised with Joe.

Joe: No. Maybe,

maybe it needs a LinkedIn page. I don’t know. We’ll see. But yeah, no, 

Sai: Shit. I think that’s absolutely a great forum on which

To connect with people. who’d listen to this kind of thing.

nick: a good 

point. 

Joe: So maybe I’ll break off from my own page, my own fandom. But 

Sai: because I don’t know there, There’s,

a lot of us.

geeks in academia.

Joe: There are no, yeah, we’ve, I mean, this season we’ve had, a ton of great guests from academia come in and yeah, hopefully you’ll join us again because I think Yeah. 

Sai: Yeah. 

Joe: you’re you.

I, I know you, you like heart and thinking about this episode, but , you’re also, we’ve had conversations over drinks at the bar at a conference about just comic book stuff. So not even science, it’s just,, did you read, this new indie comic? Did you read this one? And yeah, so that’s it was just fun.

So I thought, yeah, that’s what we want people to have fun with science, be curious, 

Sai: I can’t believe I made it to the end of the [01:11:00] episode and I didn’t bring up Batman. I feel like I

have 

betrayed 6-year-old me badly.

nick: Oh no.

Joe: There it is. All right. So you got, so

nick: Maybe we’ll have to do a

Joe: We gotta do another, a 

nick: Batman, episode

Joe: see 

Sai: Absolutely. 

Joe: what SI’s setting up. He’s like plugging for a new you know, you know what? I didn’t get to talk about my favoritest superhero ever, so you gotta have me back.

Cool. All right. I think we’re gonna leave it there and keep you hanging on the seat for. The heart of Batman episode.

nick: mean hanging on the ledge?

Joe: hanging on the ledge,

nick: Yeah. ’cause he’s always,

Sai: Off the gargoyle.

nick: yeah,

Joe: off the

nick: always something else. He’s never on his seat. Come on

He could be in his Batmobile

No, he’s just copter. Or the bat wing or the constantly.

Joe: He’s got a bunch of, he’s got a bunch of vehicles he can sit on. All right,

Sai: Yeah.

Joe: on that note, you have me, Joe.

you got Nick. got Nick, we’ve got Georgia, and

nick: and [01:12:00] we went down some.

some.

Joe: we love y’all. Stay curious. Be safe. Cheers.

Episode 48: Perception vs Perspective.

Is Your Brain Lying to You?

SubstackAppleSpotifyYouTubeAmazon


Joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the basement studio.

got me, Joe,

Georgia: You

Joe: you got Nick. We’ve got Nick. We’ve got Georgia, and we actually have a special guest with us.

Nick: well, hello there. Hello.

Joe: yeah. Yeah.

Katie: My name’s Katie.

Joe: We got Katie. Hello. Katie.

Katie: Coming all the way from Dc

Joe: From DC to the basement studio.

We got a full house here. Yeah. Every Mike’s occupied, so

Nick: is it? Yeah,

Joe: There’s a, there’s a fifth mic,

Nick: I was like, I thought we had more

Joe: We There are more, but that this is all we have set up in the basement studio. People that’ve seen pictures

Nick: I mean, I thought the fifth mic was given to the ghost

Joe: Yeah.

Nick: we had summoned

Joe: That’s right. Last, last month. Yeah.

Nick: I

Joe: Whatcha talking about? I don’t know what Nick’s talking about the other day we’re

Nick: It’s okay

Joe: talk about perception and perspective.

Nick: Georgia got [00:01:00] that one,

Joe: So that’s what we’re talking about. So, yeah. Cool.

Nick: Do you, do you have a list here, Joe?

Katie: I,

Joe: you know, I have lists, but I like going in with the definition ’cause perception and perspective.

They’re kind of sound close. So maybe I, I’ll,

Nick: I’m pretty sure we also had the same discussion

between

you, me and Georgia

Joe: have been one of the few

Georgia: Well, because I think I had the one word, I think now I don’t remember which one. And then all of a sudden I’m like, wait, no, that’s not what we’re doing. We’re doing perception, not perspective.

And then Nick was like, yeah, well what’s the difference?

Katie: Yeah. Yeah.

Georgia: So here, Joe, tell us. Yes.

Joe: So I

Georgia: do,

Katie: Oh,

Georgia: should we have, Katie, do you wanna tell us where you like where?

Katie: don’t know.

Georgia: I don’t

Joe: Didn’t she do that already? I

Georgia: say Washington dcs. Nevermind. Sorry.

Katie: It’s all good.

Joe: don’t, I don’t know what’s happening.

Nick: I, I dunno,

Katie: Dunno, my

Joe: perspective of this is, no, it’s just your percept. Let me, lemme get some definitions here. [00:02:00] We’re already in the episode. Yeah, so perception I guess, is the process of interpreting sensory information. The immediate, often unconscious filtering of sensory data through which we view the world influenced by biology, attention, memory, and context. You can think of it as, what am I seeing or what am I aware of? 

Perspective is the interpretive framework or worldview applied to what we perceive influenced by beliefs, culture, experience, and ideology. Think, how do I understand or interpret what I see. 

Other ways to think about it. If you’re more computer literate, is that perception is the hardware, the senses gather data, but they are imperfect, easily tricked and biased and perspective is a software, your mental framework interpreting the sensory feed.

And a play between your perception and perspective is where tension and really good stories can lie .

Nick: How do you mean?

Joe: Well, I mean, so one of the easiest ways is just if you think about you have a shift in your perception, [00:03:00] so new data, oh, altered states, things like that, then that will start creating tension in the story as the protagonist is going through and us as readers or viewers going through that story with them and interpreting the data on our own versus how the characters, , 

Six sense.

That’s, we can go there. It’s a very easy one. I mean,

Georgia: don’t spoil it.

Nick: Wait, what’s this movie about Joe? I don’t think I’ve seen it. What

Georgia: not,

Joe: It’s about a kid that sees dead people. Yeah, that’s, that’s kind of it. But yeah, you had that in there where , we had the perception of what was happening and what we thought was happening, what the character thought was happening, and then you, you, and along we were making perceptive kind of judgments about the story, and that tension was building, trying to figure out what was going on.

And then you get at the end, you get that nice twist where, oh, everything

Georgia: more information.

Katie: right. You

Joe: that different information. So I think that’s one way that you could set it up. And there’s a number of movies that Yeah. That do not go. Yep.

Georgia: Oh. Speaking of writing and [00:04:00] books and how this is, falls into that is point of view, you know, and that’s your perspective, right?

So a book could have several point of views in the same book. How you look at and you’re looking at the same

Joe: situation. Yes. Yep.

Georgia: yeah, yeah. I can

Nick: Yeah, I can see that.

Joe: Mm-hmm.

Katie: My first thought was art, like maybe it’s ’cause I was staring at the Gallery of art as I was like doing research for this.

But yeah, I then I ended up pulling up a few books about like perception and art and I went too deep. So many notes

Joe: you went deep down a

Georgia: is good.

Katie: Mm-hmm. Mm-hmm. Yep. Pulled out some children’s books about perception, such as I Hear A Pickle. It’s a great book. If you haven’t read it. I don’t

Georgia: I don’t know if I’ve heard that

Nick: that

Georgia: one.

Nick: Where did you pull these out of? I’m sorry.

Katie: The public library. Okay. Mm-hmm. Of

Joe: public

Nick: to make sure

Katie: the thing I work at. Oh, okay.

Nick: okay. Yeah.

Joe: So this is the second episode. We’ve had two librarians on

Nick: I know. This is

Joe: this. Is it? Yeah. So,

Nick: It’s like

Joe: trying to think

Nick: to support librarians or something.

Georgia: the [00:05:00] best.

Nick: best.

Katie: We know what we’re doing.

Joe: what was the other episode that

Georgia: It was Mary. Yeah.

Joe: I know. What, what was the topic? Not who, right? Multiverse. Oh, multiverse, yeah. Perception

Nick: of them

Katie: them.

Nick: how?

Georgia: of very similar in that

Joe: Yeah. I, I was trying to remember. I, I knew who was on it was like, what, you know, I, I knew Mary’s name. It was

Georgia: what was the topic? Yeah, multi.

Joe: Yeah, because the board doesn’t go back that far. 

Georgia: Was season one wasn’t that. Season one.

Joe: it was the,

Nick: see my, wasn’t it Version of time does not add up

Georgia: that not, is that not what you perceived?

Joe: not, yeah. Right. You’re not your perception of,

Nick: I don’t know. When I am, apparently Georgia.

Katie: What year is it? 

Nick: Who am

I? What am

Mm-hmm.

am I,

Joe: What am I seeing? Yeah.

Georgia: What were some of the other books that you,

Nick: Hmm.

Katie: No Shade to the author of this book. [00:06:00] But I was reading something called Key to Perception, and it was a little like woo woowee for me. And it just like I’m, I will say like I scanned this book mostly and like they really got into the weeds of I don’t know, it’s like kind of like witch adjacent and I’m like, you go girl.

But this is not what I was expecting when I was, when it was like the

Georgia: It was like, it was

Katie: was Yeah. Key to perception. I’m like, oh, oh,

Georgia: a different rabbit hole altogether.

Katie: yeah, yeah. That of spiritual. At one point I was reading about

Nick: is that why you were telling, telling me

telling me that? 

Katie: Yeah. That’s why I texted you that the yeah, I got weird, weird thing.

At one point she was talking about end toning of E I OOs dunno if you’ve ever heard of that. Apparently it’s like a breathing technique that you’re supposed to like get, get your perception going and like into the spiritual world. I don’t know. I know too much about this now. Oh, wow. Yeah.

Joe: There you go.

Georgia: e

Nick: Where is the science in this one?

Joe: yeah, I know, I

Katie: I know. 

Nick: Can you bring science to this?

Katie: to

Joe: that in the show notes. No, I got nothing but no Eio os

Nick: it[00:07:00] 

Georgia: I actually,

Joe: like something else.

Georgia: actually, it reminds me of like, when I was an undergraduate, one of the first years, like it might have even been the first year and I was at A SU and it was a huge. Seminar class and it was like human sexuality 1 0 1. And the guy that taught it was like, I’m serious.

I think he was like 80 years old.

Katie: Same. I had someone,

Joe: fun

Georgia: And he’d been teaching it for many years, but he had the ooh, ah, yeah. Method. Mm-hmm. Yeah. Yeah, it was very

Nick: what is it specific, I,

Georgia: If you’re enjoying something, you wanna you know, let ’em know. So you say, Ooh, ah,

Joe: and that would, that would affect the,

Nick: What? That

Joe: would be the perception that you’re enjoying it and the perspective. Then the other person would’ve, their perspective, just so that, that would fit into your perception and perspective. 

Katie: Mm-hmm. 

Joe: Mm-hmm.

Georgia: It’s about communication. Communication. Unless

Joe: you’re faking, and then that’s a,

Nick: wait, so what are we talking about now? I’m sorry.

Joe: we’re [00:08:00] talking about perception and perspective and how easily your senses can be fooled.

Georgia: And very

Joe: by saying Ooh and ah,

Georgia: there’s some very scientific Ooh, ah, research.

Joe: ooh, ah, research.

Nick: need to get into this research.

Joe: Well,

Nick: How do I find this?

Do

get a suit at the end?

Joe: Yeah, you, you’ll get a suit. Yeah. You get, you get something. I don’t know.

Katie: No, at the end, you actually get feeling the presence of spirits and energies.

Georgia: Woo.

I

Nick: I mean,

Katie: ew on and you’ll get there. Always. Mm-hmm. Yeah. 

Joe: Don’t, did you got anybody do that? The dress thing? The dress challenge?

Georgia: Oh yeah. What color

Joe: and it was like one was blue or gold or was it something like that.

Katie: like that. White

Nick: gold, right? Or black and gold.

Katie: thought it was gold. I don’t know. I thought it was blue and gold.

Nick: Maybe. I don’t

Joe: perception that was the same idea. Your perception and perspective shifted what you are preloaded to think dictated what color you would see

Katie: [00:09:00] mm-hmm.

In the

Joe: dress.

And so, but then that led to all these debates over truth and identity, , generational divides. , it was really fascinating. That was like 2015

Katie: Mm-hmm.

Joe: when that was big. So one of the, not maybe one of the early kind of internet phenomenons

Nick: I kind of forgot about that. I feel like

Joe: Yeah, that

Nick: that happened so long

Joe: Yeah.

Georgia: Yeah.

Katie: I had a resurgence recently, but it was like something else similar. Yeah. Like in the last year. Yeah.

Joe: But the Harlem, 

Katie: globetrotters.

Joe: didn’t come out.

Georgia: The Harlem Shake. What does that have to do? What? I

Joe: I don’t know. It was like the same time.

Nick: talking about,

Katie: Oh my God. Yeah.

Georgia: Harlem

Nick: No.

Joe: never remember.

Nick: What’s the

Georgia: where they

Joe: to do one and it was

Georgia: You’re like video. And then,

Joe: and it was a perception and perspective. Yeah. Where you go and you’re doing one thing and then the music shifts and then all of a sudden Yeah.

Georgia: to you

Joe: know, yeah, there’s,

Georgia: everybody’s like dancing.

Joe: the beginning scene, there’s one person that’s kind of in frenetically in motion, and other people in the scene are like frozen in time.

And then as the song goes it, I think it drops the [00:10:00] beat or something like that. And then the screen blacks out and when it comes back on, the person who was in motion is still, and then everyone is just

Georgia: everybody’s

Joe: nuts around them.

Katie: Everybody,

Joe: It’s, they’re really fun. I mean, you never, you never,

Katie: you know, yeah. I don’t,

Georgia: you miss that.

Joe: it was, it was easily 10.

I mean, it was, you know, and then gun style was like, came right out. It was like all in this

Katie: I know, you know, some of these

Joe: of Yeah,

Nick: know Gunna style.

Joe: Yeah. Harlem Shakes was, yeah, it was the, it was like one early YouTube kind of, you know,

Nick: you have a video of you doing it, Joe?

Georgia: No, but he

Nick: I mean,

Joe: I really, really wanted to do one.

We could do one, like a Rabbit Hole of Research.

Georgia: I’m,

Nick: I am.

Joe: It’d be our first video. That’s it. We’re bringing it back. Oh yeah.

Nick: this something that needs to come

Joe: It was still like, I mean like a vine. I mean, remember Vine? I mean the Vines, like you would have those Yeah. No, that was in that same

Katie: see

Nick: was never in Vine.

Joe: Yeah.

Katie: I wasn’t, I watched the like YouTube.

Joe: Yeah.

Nick: compilations.

Katie: it. Yeah. I

Joe: was there at the original vibes though.[00:11:00] 

Georgia: I

Joe: I made a vine, a couple vines, I think at a coffee shop.

Nick: Oh

Georgia: yeah.

Joe: that’s,

Katie: what

Nick: Was that part of the oohs and ahs, I’m sorry,

Joe: No, there was no, not,

Nick: the guttal, right? Yeah. Groan. Oh.

Joe: I, I think easy, easy. Two easy move movies,

Georgia: You okay there?

Joe: His, his perception has changed. We’ve, I will, I’ll comment on this, that the basement studio is, is currently under some sort of renovation.

Georgia: All you did was shift the table a little.

Joe: That’s, that’s enough to change

Katie: threw Nick off.

Joe: right?

Nick: throwing me off

Joe: perspective is now shifted and so Nick and in a new spot and, and I think it’s all gonna change again ’cause we are really trying to get ready for video. So the, a little aside on this episode and then you can see our perspective and of

Georgia: no. Well, they would [00:12:00] see their perspective of us.

Of us,

Joe: this is

Georgia: right?

Joe: deep. Well

Nick: them see what we want

them,

see. Okay.

Joe: Your perspective will be controlled. , but I was thinking two. Examples came right to mind and we don’t have to spend, a lot of times, I think a lot of people have is the Matrix and the other one is, is Alice in Wonderland.

Mm-hmm. I think those are the two biggies where

Georgia: perception, the original rabbit

Joe: are. And Alice in Wonderland definitely, one of the originals there. 1865 Louis Carroll had that, so

Nick: was it really? 1865?

Joe: it was

Georgia: Yeah. I

Nick: why I thought it was like,

Katie: yeah.

Georgia: And I think the thing about Alice in Wonderland in general, is always associated with was there drugs involved?

And so that’s an interesting take on the Perce perception perspective because drugs can definitely that

Katie: Yeah.

That alter state.

Georgia: Yeah.

Joe: your state. And, and, and at some level, the matrix, he chose the red and blue pill.

Georgia: Right.

Joe: So it also had the [00:13:00] kind of drug, you’re un, you’re untapping some extra,

Nick: the full

Joe: That’s right.

Yes. Yeah. To become the one, the one not the,

Nick: be one. Oh, wait and wrong

Joe: That was That’s right. I was gonna say that

Nick: was

Georgia: There can only be one.

Joe: right.

Nick: No, that was the Highlander. Right?

Joe: That it also had a one. But in the one, the movie, the one by Jet Lee, he says that at the end, or I don’t know if he ever says that.

Georgia: think he does. There can only be one.

Joe: No, he says something else

Nick: I feel like we’re going off on a weird hole.

Joe: Well,

Katie: talking about.

Georgia: There is no such thing. Every, every hole is

Joe: but it

Nick: weird hole

Katie: it up.

Joe: I, I think it might be 1951 was the animated movie that came out, so that probably shifted your

Georgia: Oh yeah. Perspective. The Disney.

Nick: Yeah. Yeah. I thought that was the original.

No,

Joe: no. It was least don’t

Georgia: Very.

Nick: Oh my God.

Georgia: Went way back. Yeah.

Joe: about getting canceled. Yeah. Don’t do that.

Nick: With two 

Katie: library folks in the room. [00:14:00] What? What are you doing?

Nick: I thought it doesn’t become real until it’s a movie. Is that not

Joe: Oh boy. Disney movie. Disney

Nick: movie 

Katie: for the Alice in Wonderland. Like I had an actual, like in-person experience with this where I was a little drunk.

I was in London and we, it was like a experience where you’re like going through the Allison Wonderland story,

Joe: right.

Katie: right? And like an old, like underground, like I think it used to be the tube but it was empty, so they were doing like live performances and just like it. The way I was interpreting Allison Wonderland drunk while also like it being in front of my face Right.

Was like, it was honestly more scary. I

Joe: imagine. Right, right. 

Katie: Yeah, it was, I was not anticipating it to be scared

Joe: you drink things and eat things while you were going

Katie: Yeah. So did

Joe: they have little

Katie: Yeah, they had a little, yeah. At the same time

Nick: at the same

Katie: there, there were actual like perceptions like that, like how they actually did the scales of the room.

Yeah, yeah, yeah. [00:15:00] And at one point you’re like at a dining table, like with teacups and it was another alcoholic drink that changed colors. Yeah, it was, it was really cool if I really hope to do something like that again, but maybe

Georgia: cool.

Katie: That’s really

Joe: that made me think when you were talking about the rooms. Was the Museum of Illusion in Philadelphia and they’re, I think they’re around, they look like they’re kind of chain. Yeah. Right.

And so, but I think

Georgia: and we went to the Wonder Museum

Joe: Museum, but the Museum of Illusion had the rooms where you get in and all sorts of things where you get in and it really plays with your, per your perspective of everything.

Georgia: perception.

Katie: Hmm. 

Joe: Well, 

Katie: I think

Joe: it’s skewing your perception.

Georgia: how you perceive the room.

Right.

Joe: right. So it’s messing with both. I think they, they interplay with each other. Right. ’cause the perception of how you look at things is your interpretate your in input, and then you, you interpret that through your perspective and you go, oh, ’cause your brain is saying that I know that this, they’re not smaller.

You know, you know, the relatively, they [00:16:00] might not be shorter or that short. And then, you know, you’re trying to, you know, kind

Katie: like those carnival spinning wheels, like it’s fair season. But you’ve never been to, like at the fair, they have these houses that you have to make your way through.

And at one point there’s typically like this spinning tunnel that you have to just walk straight.

Georgia: Is that the like house of Mirrors kind of

Katie: Yeah, yeah, yeah. Mm-hmm.

Nick: had it spinning.

Katie: Yeah.

Georgia: I

Joe: Museum of Illusion, they had one, they had a, a little tunnel you could go through and it had that, and it was really

Katie: Yeah.

Joe: the ramp.

You’re not, you feel like you’re

Katie: you feel like you’re spinning, you feel like you’re spinning. It made me like car sick, almost

Joe: It’s really crazy. Like you go in and it, it feels like you’re just going, you know, in a dryer, tumbling around.

Nick: weird question. If you have bad eyesight, which I think at least two of us here have bad eyesight, does it affect the way you see the things in those illusion museums? Or what? I mean,

Joe: if

Katie: don’t have a current prescription, probably. Right?

Joe: Yeah. I [00:17:00] mean, if you got blurry vision, I mean, yes. You’re, you

Georgia: you,

Joe: real, I mean, I

Georgia: see double

Joe: it’s

Nick: listen, my eyesight’s great.

Katie: Mm-hmm.

Joe: You’re like, yes. No, that, I mean that that changes everything. Right? I mean, I think if you.

Nick: like, I mean the, the seeing things that are bigger and smaller is that

Joe: Right. Yeah. I don’t know if,

Georgia: I think bringing science into it, that’s a great point. Like. How we, we use our eyesight for, and how, how much do we compensate for like bad eyesight, you know what I mean? 

Joe: Well your brain does a lot of the heavy lifting. If it knows, it will try to fill in the gaps that they do have.

One where they have. They show pictures of like famous people that are really recognizable. And then when you, if you actually flip the image, you realize that they’ve, they’ve screwed the eyes up, but it’s upside down. And so because the face is upside down, your brain fixes it so you recognize it. It’s called the Thatcher effect. But then when you flip it to the right side [00:18:00] view, you see the eyes, nose and mouth were manipulated, but your brain will fix it. And actually, that’s probably one of the reasons why our perception

Katie: can

Joe: be, you can be tricked.

Our brains can easily tricked into believing things because they’re trying to present the world in the way you expect it to .

Nick: your brain is lying to you.

Joe: Your brain is lying to you.

Nick: Is is that gonna be the name of this episode? Your brain is lying to

Joe: Well, maybe it should be. Yes, it’s right. Yeah.

Nick: Is this the episode we go

Georgia: think that your brain is trying to help you out? I don’t think it’s being malicious.

Nick: I mean, I don’t know if it’s, if it’s not letting me see what’s wrong with the world. If there was something going wrong. And like I look at it and I’m like, what is is is, I mean, it could be saving me if I was, you know,

Joe: well, your, your brain has, you gotta think like humans from some evolutionary point of view. You were very, it was very advantageous to look at things and make very [00:19:00] quick decisions based on that quick look if it’s safe or if it’s dangerous.

And so your brain is making all these assumptions based on other patterns. And so our brains are really good at finding patterns, very good at organizing things in the categories, you know, safe to eat, not so safe to

Nick: eat.

Joe: you know, makes you,

Nick: by licking it,

Joe: yeah

Nick: at

Joe: don’t lick it.

Nick: No, that’s the way you do it. We’ve already been over this, this is why we

Joe: all that’s a different episode.

I just, that’s

Georgia: Do not lick it. Don’t lick it.

Joe: It’s really it’s really fascinating that, that how your brain, and there’s actually. While I was looking up different things was a predictive coating. And it’s this neuroscience theory that says your brain isn’t a passive recording instrument, kind of recording things that come in the sensory information.

It’s more like a predictive engine that constantly guesses what’s out there and only updates when it’s really surprised. So your brain is [00:20:00] actually trying to figure out what’s going on before you get there. So it’s giving, it’s delivering you information that says, well, this is what I think is happening.

And then when you get surprised, that’s when your brain, oh, we were fooled. And that’s why I think. Fun houses, things like that. You know, kind of, what do they call the at Halloween time, you go through the, the haunted houses. Mm-hmm. Right? I was trying to think. I was like, what is those things called?

Yeah. Haunted houses where you are, your perception as you go through has one thing, and then you get surprised and it, it, it freaks you out even though you think, oh, this is fake. And your brain is yeah, this is fake. And then you get boom. Like, why, why did that really surprise you? You knew going in there, what’s gonna happen, but you are caught off guard by those things.

So your brain is trying to predict the situation and how best to navigate it.

Nick: So doesn’t your brain try to predict a lot of things though too?

Like people with anxiety, they tend to be able to try to predict the next words coming outta someone’s mouth and then. Right? I don’t know. Is that that might just be me. I

Joe: it.

Nick: I know I do it,

Joe: I think we do [00:21:00] it. Yeah. Everybody

Nick: I’m constantly like trying to figure out what’s Joe gonna say next so I can have something funny to say back to him.

And then he just looks at me like, why are you saying that Nick?

Joe: and you’ve trained improv and you are trained, really trying to train the perceived signals how people are, are motioning their, they’re

Nick: their face, how, what’s exactly,

Joe: Yeah,

Nick: what’s the next look they’re gonna do.

Georgia: But then that gets into like stereotypes and That’s right. You know what I mean?

Katie: making right, starts

Joe: making bad assumptions and then they stick. Right. Because

Nick: wait, how? How so, I’m sorry. I was,

Georgia: Are you serious?

Nick: Yeah, no, I’ll, no, I’m

Georgia: saying that’s also what gets us into trouble because it’s that’s how stereotypes are,

Nick: Oh, I thought you were saying like people had an improv just stereotyping

We moved past

are

Georgia: No, no, no. I’m just saying,

Katie: I was like,

Joe: he’s about to

Katie: defend

Joe: improv community.

Nick: Oh no, I’m not gonna defend shit for that. No, I was just trying to figure out, oh

Georgia: no, I’m just

Nick: how

can be mad at them. No,

Georgia: No, I’m just saying. You understand what I mean?

Nick: Yep, yep. No, I do. Our brain[00:22:00] 

Georgia: jumps to conclusions or, or they fill, it fills in these things that maybe shouldn’t be filled in, you know?

Joe: and that, and that part, that’s your brain’s not processing ever been information that, that’s why it’s easy to gloss over things. You’re like, oh, the, you know, the, the cup is right there on the counter

Katie: Oh yeah. You’re like,

Joe: I don’t see the cup. What are you talking about? And you’re like, it’s right there.

And you go,

Nick: so is this why the Mandela effect comes in? Because people don’t pay attention to shit.

Joe: That’s probably, yes. That is and this is just a theory and this isn’t proven that this is why

Nick: no, this is a hard fact. These people can’t see shit.

Katie: was

Joe: that your, that your, the way your brain is processing information is a theory of how that works.

So this is kind of as predictive coding, it’s one, it’s one of the ways to explain a lot of these phenomenon.

Georgia: think it’s interesting ’cause we’ve talked about this before about AI compared to a human brain and how the human brain works versus how ai, but in, in this way, I think AI is doing that same thing.

I think this is what they wanna hear. So I’m just gonna throw all this crap

Nick: I do.

Katie: [00:23:00] ChatGPT Yeah. Yeah. The kid. Yeah. I worked with teenagers and they would always talk about oh, I gotta this paper and then go throw it into the ai. I’m like, no, no, no, no, no, no, no. Use your brain. 

Joe: That’s right. Yeah. So I, speaking of AI, did you guys see the story about how a chatbot’s conversation convinced a man he was a superhero?

Nick: No. What? That’s not what I thought you were gonna

Georgia: think

Joe: yeah, no, it was this

Georgia: this guy was very impressionable.

Katie: Yes.

Joe: No, it was interesting. So the New York Times, just this guy he was from Toronto Allen Brooks. He was 47. And he thought he had discovered with using chat, GPT, this kind of a novel mathematical formula. And it started out with this kid asking him to explain pie you know, the mathematical expression pie.

So he put in a chat, GPT, and then he got going on this conversation. And at the end, the Chachi bt was like, wow, you’re really, you’re really thinking about this in new ways. Here’s this idea. [00:24:00] And they kept going on and on and at some point it was like he could harness sound resonance to talk to animals and build a levitation machine.

And then the formula turned out that if anyone got this formula that he could take down the internet and, do all this weird stuff. People could make force field vests. And he was sending it to his friends Hey, is this crazy? What’s going on? He kept asking ChatGPT, Hey, is this, are you really pulling my leg?

Are you fooling me? This sounds a little, you know, I’m writing. He started writing experts and they were like, not, they were ghosting. I’m like, you know, ’cause this, you know, he is you know, this kind of crazy talk. And he was not getting speech. He’s no one’s writing me back. Oh, they’re, they’re, their minds are closed to innovation.

And it was this whole thing. And so chat, GPT just got him going and he was just going for about three weeks. He thought that he was trying to

Georgia: was he sleeping? Was he he eating? I mean, that, I think he had some,

Joe: He

Katie: He stopped just there. Yeah, yeah, yeah.

Georgia: going on.

Joe: he was smoking pot

Georgia: Well, there

Katie: down.

Yeah.

Joe: was just going, so he had over, there was like 2000 messages that were passed back and forth between him and chat, CPT.

So finally, and he was [00:25:00] asking friends, he was trying to invest money ’cause this, these ideas, he was like trying to get money and startup capital.

Georgia: gosh. And so,

Joe: he took the information from chat GPT and put that into another chat box, I think it was Claude, and said, Hey, what do you think about this idea? And it was like this is nothing 

And so the whole idea was that when he moved the chat, GPT had built up this conversation with them and they’re designed somewhat to be pleasing. Like they, they don’t wanna call the human an idiot. Mm-hmm. So they’re like, oh yeah, that was a great idea. Yeah. You’re, you’re doing great.

You’re thinking like, no one else has thought this before. And he went and club was like, nah, this is, this is all garbage. Like you shouldn’t invest any money. Because it was, it was a new conversation and it was coming at it. What do you think of this idea? And it was like, eh, this, this idea is dumb.

You know people

Katie: friends and family didn’t stop him or check on him. He was

Joe: yeah, they were like bought into it. ’cause

Georgia: I know. Did he live by himself?

Joe: he, I think it was him and his son. And so New York Times did a great piece where

Nick: and [00:26:00] he’s 47.

Joe: 47 and they, they analyzed the

Nick: fuck’s sake

Joe: and he, he was just fine.

And so I read through the me, it was kind of interesting. It was like, if you’re writing like a science fiction story, it was cool. But if you’re actually like, I think this is the way the

Georgia: living through that.

Joe: yeah. So you had this very limited science knowledge. You went to this chat, this predictive engine

Georgia: generating

Joe: kind of text for you that’s tailored to your conversation and you go down this, he went down this rabbit hole and he thought he was gonna save the world from this, you know, he figured out this mathematical formula if it fell into the wrong hands.

Bad things will happen. And he also could make a lot of money if he invested in it now, got on the ground in, he would be ahead of the curb. Yeah. His brain just got tricked, his perception and then his perspective went down and he started buying into it.

And during to conversation, he had doubts. He was like, I don’t know about this. How come I’m the first to think about this? You know, I don’t have, I didn’t even finish. I barely finished high school. So how am I thinking of this great novel formula and no one else has?

And it was like, well, it’s ’cause you’re asking the right questions. You’re, you’re actually [00:27:00] challenging the, the paradigms and you’re going at it. So yeah, it’s like very it was interesting, but I, I thought that fit perfectly in what we’re talking about and how, a predictive engine could get you in trouble just like your brain and get you in trouble, you know, go down these rabbit holes.

Katie: so, right. I mean, honestly, that’s a better AI story than the one I read, which is like top 40 jobs that can be replaced by AI.

My job was on there archivist. I laughed very hard.

Georgia: Yeah,

Katie: and it was, it was biased though. It was like it was a Microsoft study, so I’m like, like that. One more.

Joe: yeah. You should ask it if you’re gonna be a superhero archivist.

Katie: That’s it. How can an

Joe: save the world?

Katie: Yes, that’s a

Joe: point. You’re awesome.

Katie: Yes.

Nick: Oh,

Joe: give you, what’s the, what’s that movie with Nick Cage?

Nick: Which one?

Joe: The one where they were going to artifacts,

Georgia: narrows it

Nick: National

Treasure. Thank you.

Joe: National Treasure. That’s it. Thank you. Yes, yes.

Nick: I

wait till the third one.

Katie: That’s a thing.

Nick: hopefully, oh my gosh.

Katie: There’s no way. There’s no way.

Georgia: Don’t get your hopes up.

Katie: Yeah,

Joe: I just [00:28:00] had to, I just had to mention Nicholas Cage. My,

Georgia: I was gonna say he had to be in mentioned at

Nick: I mean, I can pitch a third one if we want.

Joe: And he was in upper percept Face Off.

Georgia: Yeah,

Joe: That was like kind of a perception perspective. I

Katie: only watch that once.

Georgia: that’s been a really long time

Joe: it’s been a while.

Just came up and I was

Georgia: I’d like to see that again. Actually I couldn’t.

Katie: I couldn’t. It’s too Gru. What you

Nick: what do you mean it’s too

Joe: it wasn’t,

Georgia: It’s John Wu, right? John Wu. He, yeah, I’m pretty sure that

Nick: Is it

Georgia: John Wu,

Nick: the one who did

John Wick?

Joe: No, I don’t think

Georgia: I thought, no,

Joe: he did hard boiled.

Katie: Yeah, you’re right.

Georgia: Yeah. Hard boiled. He did he was from China and so there’s Likehow

Joe: who did John win?

Nick: did? John Wick. Katie, I see you’re on your phone.

Joe: We’re doing research as we go

Nick: as we go on the fly,

Joe: making sure your perspective stays intact

Georgia: because he did all the, the ones what

Katie: chapter one

Chad Alki.

Georgia: Oh yeah.[00:29:00] 

Joe: there it is.

Now another movie that involved hallucinations blending and we just wa is Jacob’s Ladder

Georgia: Tim Robbins,

Joe: this, this very 1990

Georgia: have, oh my gosh.

Joe: Messed

Georgia: That’s the movie that I saw it many, many, many years ago and it’s still just, it’s kind of haunts you after you see that

Katie: Yeah. See, that’s what I’ve heard. That’s why I haven’t watched it.

Georgia: It’s, it’s really good. But yeah. Intense. But it’s totally yeah, that idea of not knowing what’s really real. Mm-hmm. Real reality. And what’s the perception?

Katie: Yeah.

Georgia: Yeah, sleep

Joe: deprivation comes in that one.

I mean, he is

Katie: when

Joe: of going, he is dying. I mean, so

Georgia: post-traumatic stress because he was in Vietnam and then was there extra drugs given and that’s the whole idea that Yeah.

Nick: And this is Jacob’s Ladder.

Joe: Jacob’s Ladder. Really

Georgia: put that on your list. Yeah.

Katie: Yeah. Yeah.

Joe: I mean, think of, I mean, we’ve [00:30:00] centered a lot of our conversation around sight, but our other senses can also feed into this.

So hearing and , a lot of movies where you’re hearing sounds and they’re triggering kind of audio illusions of what’s going on. Or Nick got something to say, so I’m gonna stop right there. So,

Nick: Would it be all right? All right. So this happened the other day. Someone was talking to me and I don’t know what I was doing, but they were like right in front of me and I did not hear them until I heard like something drop. And I’m like, what? Is that under this whole perspec

Georgia: now do is, was that a matter of that you just tune them out or you

Nick: I

Georgia: couldn’t, or you just couldn’t

Joe: ’em? You were like,

Nick: I think

I think it was because

Georgia: I’ve done that before where all of a sudden I realized, oh, I’m not listening.

Nick: Like I didn’t know that. Like they started talking and then by the time I realized, they were like, oh, you didn’t hear a word I said, did you?

And I’m like,

you 

Katie: were 

Nick: talking.

Joe: Yeah. And your brain, I mean, right. You could be, if that’s, if we go by this predictive coding kind of [00:31:00] theory in your brain, could just be making assumptions that this is this person. They’re not doing whatever. You’re doing something else that might need more attention.

And you’re just kind of filling in the blanks of a person. Oh, this person’s there, but not really paying attention. What else were you doing? Were you doing something?

Nick: Nothing. I think I was just, I looked at my phone and then went off. I think I just walked

Georgia: It’s like, it’s like in iron Man. It was, it’s like in

Nick: Oh,

Georgia: which, which MCU movie.

Is that where he tells him the whole story and then he

Joe: oh, that was, that was

Georgia: he hadn’t listened at all

Katie: three.

Joe: I can’t remember which one. Yes, he was laying on the couch and

Banner was like, I’m not that kind of doctor.

Katie: Oh, oh yeah, yeah.

Georgia: he goes, you haven’t heard anything I’ve said, have you?

And he

Nick: I think that was the

Katie: Avengers movie.

Joe: that the Avengers movie? Yeah. Okay. Yeah. So, and he was like, I’m not that kind of doctor.

Katie: Well,

Joe: hearing is one where you can go and you can play around, you know, kind of false cues and

Katie: all.

Nick: of Tron

Katie: Hearing gets me in my house all the time. Yeah. My cat thumps and I think someone broke

Joe: right,

Nick: Oh. [00:32:00] Just like how you thought my old house was haunted.

Your old house was haunted. It

Joe: Oh

Georgia: She didn’t think it. She knows

Joe: knew

Katie: And my bones,

Joe: you feel a touch? ’cause that’s also

Katie: Oh, I left once in the middle of the night.

’cause I got two spooks

Joe: Oh, I think you got touched. And I was like, all right. This is, we need to edit that.

Georgia: You got some friendly ghosts?

Joe: right. Yeah.

Katie: I just kept hearing noises in the, the corner of the room and I’m like,

Nick: thought you said it was in the kitchen that you heard

noise. Maybe it was. It was both.

said it’s, didn’t you say there was something on the fridge?

Katie: Yeah. And I left

Joe: Get

Katie: out.

Nick: mean, that house was weird.

Katie: Yeah. Yeah. I would never go in that basement.

Nick: There was no basement. Katie,

Katie: thinking your current house. I’m thinking your current house.

Nick: Are you afraid of my current house?

Katie: I’m afraid of your current house. Yeah. Sorry. That’s why I only come back once a year.

Joe: get

Georgia: Aw.

Joe: But touch we, yeah, touch. I mean, that’s in VR takes advantage of [00:33:00] that haptic kind of signaling and things

Nick: like ready player one, where they have all

Joe: Player one.

Ready Player one. Yeah, that’s one. So yeah, so, smell and Taste. This came up another episode.

Nick: vision,

Joe: Oui. And the food memory. That was one night that came up. And that was in I think the, the time. Crimes and time

Nick: Oh yeah.

Joe: We did that right at two. Yeah. Yeah. But that’s, that’s one where your perception, your memory, all that’s being recalled,

Nick: The reviewer just,

Georgia: I think that’s why it’s, I think that’s

Joe: different hypothesis of what happened. Sorry.

Georgia: I think that’s why it’s so easy for us to. Imagine like the matrix or ’cause we have the sim simulation Hypothesis. Hypothesis. Hi Wes.

Nick: You know,

Georgia: and I think that’s why it’s so, it’s so easy for us to kind of, and even like conspiracy theories, I mean, it’s so easy for us because our brain is able to kind of imagine all these other,[00:34:00] 

Nick: make connections where there are none.

Georgia: Well, I didn’t say that.

Joe: No, that’s, I mean, I think you’re right.

Georgia: did we prove that simul, the simulation

Nick: Yeah. I’m pretty sure Joe and I did

Joe: Yeah, we did. It doesn’t

Georgia: doesn’t, it could exist.

Nick: there’s too much going on in anything to have enough memory space to do this.

Georgia: Alright, well

Joe: yeah.

Nick: sorry Wes,

Joe: Yeah, we’re, we’re out. I think he’s got some new evidence he sent.

So he is, he’s gonna come back

Nick: We’ll do a part two. We’ll

Joe: do a part two, we’re gonna do a part two. Next, third, third season. We’ll, we’ll try to find space

Georgia: And we’re gonna talk about,

Joe: I think severance is the, severance is what the, the one where severance does a great job.

Georgia: Yeah. Talk about perception and being able in your brain to switch something on and off, you know,

Katie: So mad at that series right now. Yep. I have opinions.

Nick: I haven’t seen it.

Georgia: Oh. Oh, you gotta

Nick: are you shocked? You knew this.

Georgia: I know what I forgot.

Katie: It’s so good.

Georgia: It’s [00:35:00] so good.

Joe: But speaking of that, a lot of shows we, we have these five senses. You know, they usually will remove a sense to kind of really build tension in the story.

So a quiet place is one that does that where you remove hearing. You know, and, and you kind of take that sense away and, and write. And so you kind of then has this, you know, the bird box with cite you know, Daredevil, you know, so you have this, did you say Bird Box? No.

Nick: I said Daredevil. I was just,

Joe: no, I was, I was amplifying Dar I mean, because I got, I was getting

Nick: I forgot about Bird, bird Box.

That was such a, what? That was, that was

Georgia: that was a while ago. Yeah.

Nick: 2020. That was early pandemic. Right? That’s why I was like, I

Joe: can’t, yeah,

Georgia: you can’t remember that far back. No.

Joe: No, you’re like,

Nick: have a very limited,

Georgia: very

Nick: limited memory space.

Joe: you have shows where they add.

Katie: you know,

Joe: a sense, so you get telepathy,

Nick: Mm.

Katie: Mm.

Joe: you know, and

Georgia: you got the We or John Waters, you got the Scratch and Sno.

Joe: Well scratch and that’s

Katie: Yes.[00:36:00] 

Joe: Scratch that

Georgia: That really changes your perspective

Joe: Yes. Not to go to the John Waters scratch and sniff movie. 

Georgia: If you could that, I mean, I don’t think they do that very often, so if that’s available, you should

Joe: I think he’s still an eBay can find some unscratched sniffers.

Georgia: that’s probably pricey.

Joe: I don’t know. I mean, it might be worth the smell of some dog poo and puke. I mean, I don’t know.

Katie: I’m good. Thank you.

Joe: Yeah,

Katie: It’s okay.

Joe: familiar with John Waters, right? So Yeah. His movies. Yeah. So you can imagine what was there. Yeah. But, but you know, you have that, or if you could see an ultraviolet or infrared, like you had different senses that would come in, new information now would be available to you.

And, and how would that affect

your. Perspective. Mm-hmm. Okay. 

Georgia: And I think it’s interesting talking about it from like a social, ’cause we talked about prejudice and stereotypes, like how willing are we to change those set ideas that we have when we do get new [00:37:00] information.

Do you know what I’m saying?

Nick: Yeah. It, it really depends on how you take it. Like not everyone’s gonna be able to take new information and be like, all right, I understand this and I will adapt.

Georgia: Right. Or you or, or, yeah. Or it’s that doesn’t fit my worldview, so

Katie: Or they’re just unwilling,

Georgia: so I’m just not gonna, even,

Nick: This is

different from what I grew up believing. Mm-hmm. I refuse to change.

Joe: I also think how’s that tie into empathy and things like that, these kind of emotions that you have, because that also your perspective perception skews and probably depending on your empathy and and how empathetic you are, that’s probably a little more accepting to

Georgia: much can I really relate to what you’re going through, even though I’m, I mean, it

Nick: on how much is in my bank account.

Joe: Yeah. Is that, that it

Georgia: well, you can empathize and not be able, you can empathize and not be able to help somebody. I [00:38:00] really feel bad, but I’m sorry. I

Nick: the 1% that have no empathy.

Georgia: Exactly. The ones that could really,

Joe: I mean,

Katie: they

Georgia: could spend a lot of money, right?

Joe: And then some, some probably do. That’s not fair to all. The one percenters. I mean, she’s

Georgia: There’s maybe 1% of the 1%.

Joe: Yeah. 1% of the 1%

Georgia: 1%. And if you are listening,

Joe: yes.

Katie: you’re the 1%

Joe: that cares, we are trying to get video here and redo the basement studios.

So step in. Thank you.

Georgia: So, 

Nick: I had a new suit

Joe: Yeah. And Nick’s willing to lick some sort of food item.

Georgia: Okay. That could get us

Nick: you be

Georgia: wrong kind of sponsorship.

Nick: No, no, no, no. We’ll, we’ll, we’ll leave it, we’ll run with that.

You

Georgia: all ideas.

Joe: Yeah.

Katie: I’m gonna go foraging when I go to Washington, I’ll bring you back some mushrooms to

Georgia: please. Ooh.

Katie: Mm-hmm.

Georgia: And then we’ll have,

Joe: we’ll have a mushroom

Katie: Mm-hmm.

Nick: We’ll have to get Molly back for that one.

Yes,

Joe: Molly. Or get a, or get a [00:39:00] mycologist. Not a

Georgia: Pedro Pascal if he’s a Wil.

Katie: mycologist.

Nick: Who’s that?

Joe: Somebody.

Oh my god.

Somebody who studies.

Nick: I know, I was joking. I was,

Joe: ’cause Mycology is better than urology.

Katie: couldn’t tell if you were joking or

Joe: I know. I couldn’t tell either. My, my

Nick: I couldn’t tell either. Lot of

Georgia: a lot of times we’re not able

Joe: my perception was he is not joking. But he’s such a fun guy.

Georgia: Ah,

Katie: You, you’re talking about Nick.

Georgia: so this is a little heavier,

Katie: Mm-hmm.

Georgia: but the movie The Voices and by Ryan Ryan Reynolds. Have you seen that? Oh yeah. And that movie really got me it. It’s such a well-made movie. Have you ever seen it?

Katie: No.

Georgia: And it stars Ryan Reynolds and it’s where he hears voices and one of the voices is from his cat and one is from his dog.

And the voices tell him to [00:40:00] do certain things. But that movie is I’ve never watched anything that I think really.

Katie: It

Georgia: Makes you feel what a mental illness would feel like. And I guess his, his diagnosis was schizophrenia

Nick: Mm-hmm.

Georgia: and I actually found that at this one conference, they did a whole study about it, the voices in schizophrenia, a critical multi-model modal analysis.

But it’s talking about how through movies we’re able to get a perspective of certain things, and this was getting a perspective of schizophrenia and. This will be in the show notes. ’cause I’m gonna send it to you, Joe.

Joe: No guarantee. But, but

Georgia: But it’s just really, it was very interesting and I don’t wanna talk too much about it because I don’t wanna spoil it at all because it’s one of those

Joe: really good. Yeah. The twist is really

Georgia: you just watch it, you [00:41:00] just go

Nick: but the twist,

Georgia: It’s intense. It’s intense. But, but I think getting the viewpoint right in a movie is difficult

Nick: definitely do think that is one of those that it’s oh, ’cause having that schizophrenia view, which is such a powerful thing to see, which I don’t know if Katie, you’ve played the game hell Blade as well. Mm-hmm. Where that’s a another, that’s a game where you’re going through and you’re hearing all these voices

tell 

Joe: you mm-hmm.

Nick: so many mean and hateful

Georgia: things. Mm-hmm. And

Nick: you’re the player who’s taking this

Georgia: game, I, I feel like I would never wanna play that game. Well, I

Nick: It’s such a good game. It’s like

Georgia: That’s entertainment

Nick: and the game lies to you.

Katie: like

Nick: straight up lies to you at the beginning saying, oh yeah. You can die so many times, but you don’t know how many times you can die before the game just deletes itself.

And it’s that’s a lie that it starts off telling you just ’cause you were in this mind space then.

Katie: Wow. And boy, do you believe it? 

Nick: [00:42:00] Oh yeah.

It took me five ever. ’cause ’cause I stopped playing ’cause I was like, Hmm, I don’t know how many more times I could die. And then I was like, you know what? I’m just gonna keep playing.

And I died a lot and I,

Joe: because now you’re spoiled it,

Nick: Honestly, I’m okay with that one.

Joe: Well, it

Nick: I want people to be able to finish this game because it’s that good.

Katie: Mm-hmm.

Georgia: Right. So a tip, keep playing.

Joe: playing. But you had mentioned you did a thought experiment where you had the headphones and the voices. Was that right? Yeah. I can’t remember what episode you talked

Nick: I don’t know. That was a

Georgia: I was a long

Joe: the listeners. They might, we had some new listeners maybe. 

Nick: Yeah. So I, I, I, I hung out in Chicago one day with headphones in. I had the schizophrenia like voices in your head. And that that definitely messes you up. I don’t suggest doing that.

Joe: Yeah. You were walking around downtown Chicago and there’s tons of people, Chicago’s

Nick: headphones in and

Joe: And voices. Yeah.

Nick: Voices talking in your ears and you’re just like, huh.

Joe: So your perception is being

Nick: this is really weird.

Georgia: Right? Wow.

Joe: No. [00:43:00] Yep.

Georgia: Something like

Nick: what Katie,

Katie: Oh, I just I, I’m thinking about like myself trying to do that and I, there’s no way, like I am so anxious as it is.

Georgia: last long. I’d be like,

Joe: now, do you have it loud or the voice is coming anywhere to the

Nick: loud enough to be able to hear the outside, but it’s not loud enough to block out everything.

Joe: But were the voices at different levels? Yes. In there.

Georgia: And is this, was this, somebody had a recording that would simulate Yes. Schizophrenia,

Nick: audible hallucinations.

Georgia: Okay.

Nick: Yeah.

Georgia: you just saw that and said, Hey, I think I

Nick: I think I looked it up for something.

Georgia: Okay.

Nick: And if I can find it again. Yeah. I’ll,

Georgia: we could put it in the

Nick: we’ll, we’ll make you

Joe: so I, yeah, we touched on it. Yeah. They aren’t Nick liquid jump on it, but

Nick: what did, what did I miss?

I miss paranormal?

Joe: How, how your perception,

Nick: already talking about paranormal.

We’ve definitely hit

We hit

Georgia: We had, yeah. We talked about ghosts

Nick: We were talking about my haunted house.

Mm-hmm.

Joe: oh, [00:44:00] that okay. Yeah. But you didn’t go any further, man.

I thought, okay,

Nick: I mean, we, I, what did you have?

Georgia: Okay.

Joe: We, we’ll

Nick: And we talked about how we have a ghost in the studio now.

Joe: Was it ghosts in his studio?

Nick: Yeah. ’cause we, we summoned it.

Joe: I don’t remember that.

Nick: That was the last month. Joe, how did you already forget?

Georgia: you know, Halloween we, we did

Nick: that Ouija board, you know, we, you know.

Georgia: He, he’s time traveling right now.

Joe: I know. Don’t time travel. That’s not good. By the, we went the perspective to

Georgia: We may be lying to you.

Joe: I mean, yeah. Now go back and listen to the other episodes that happened last month and then

Katie: and

Georgia: then another movie that I’ve seen a couple, I don’t think I’ve seen the trailer, but I’ve just seen like poster ads for it. It’s called The Good, the Good Dog or the Good one.

And it’s a point of view of, it’s like a horror movie, but the

Nick: Oh yeah.

That

Georgia: from the dogs

Nick: a

Georgia: of it’s a, yeah. That seemed like I

Nick: The Good Boy, right?

Georgia: The good boy. That’s it. Yeah.

Katie: Does the dog died at [00:45:00] the end? It,

Nick: It had, it’s not

Katie: on yet.

Georgia: We hope not.

Nick: I’ve not seen it. No, but I want to,

Georgia: I think it comes out like in a week or two.

Right? It hasn’t come out yet,

Nick: later this year.

Georgia: Okay.

Nick: I think, but yeah,

that, that, that one, I cannot wait to see what, what other horror things were you talking about, Joe? What, what did you have?

Georgia: I

Joe: mean, nothing. I, well, we can move on.

Nick: No, I need to know Now you,

Joe: Oh, no, it’s all

Nick: you’re gonna skew my perception of

Joe: Well, that’s fine. You know, your perspective can be skewed. Sorry. No, you’re right. No, I had nothing, those polar geist, things like that. So,

Katie: love some Poltergeist.

Nick: I mean, I’m always down for a Poltergeist

Joe: classics. So

Katie: I mean, Nick is gonna call his trash. But while my husband was out at Jen Conn I just watched all of the Conjuring movies and that definitely, they were good. Yeah. Not all of them. Not all of them, but I still wanna watch all of them. Many. Are they

Georgia: many, how many were there?

Nick: Three

Katie: the Annabel’s? 

Nick: [00:46:00] Bels Plus the Nun. There is two of those. And LA

Katie: Yeah. Talk about 

Nick: so there’s eight movies in total. Nine, yeah. Plus the new one coming out

Georgia: and you binge watched them like one right after the

Katie: Uhhuh. Mm-hmm.

Georgia: See that right there messes with your

Katie: Yep. Perception

Georgia: when you binge watch something really intense.

Katie: And when I, yeah, when I say I could not sleep, I was up every single hour, like listening, like deep into my house. I’d have to get up, go down all three floors. I’m like, is there anything here?

Georgia: Well that guy, that guy died. The guy Oh

Nick: yeah, the

Georgia: the Annabelle doll died.

Katie: Yep.

Georgia: Yep. And he was like 40 something,

Katie: Yeah.

Nick: Yeah. Heart attack.

Georgia: Oh my gosh. That’s

Katie: He should have known better.

Georgia: That’s just, yeah.

Katie: Yeah. But that that just changed my whole, like my house felt safe until that point where I’m like, oh God, now haunted. And it is built in like the thirties, so. Who knows?

Georgia: Yeah. Probably don’t binge

Nick: say about them.

Katie: movies,

Georgia: poor movies. [00:47:00] Our ghost horror movies When you’re

Katie: it’s just me and my cats.

Nick: Just listen to horror podcast. Yeah.

Katie: So Nick has suggested so many horror podcasts to me, and I can’t because I will listen to them like at night when I’m trying to fall asleep.

Georgia: And then you do fall asleep and they’re

Katie: and it’s still going. Yeah.

Nick: That’s actually what I fall asleep to half the

Katie: I know.

Yeah. Or like when I was like home alone, because I’ll listen to ’em when I’m home alone mostly. ’cause Alex is like, ghost start real demons are real, blah, blah, blah. 

Nick: Which is correct.

Katie: And yeah, I can’t, I can’t do it. I just I’ve listened to some of the ones you wanted me to no. Was it no sleep?

Oh yeah. Yeah. And I just 

Nick: mm-hmm.

Katie: Creepy. Yeah. Creepy. Very creepy. Like I slept on my couch Creepy.

Nick: Because

Katie: I was like central.

Nick: so you can run out of the front door. Yeah. Or a serial killer can come in and That’s right.

Katie: Yeah. Actually, fun fact, none of my doors in my house lock, so 

Nick: Katie,

say that on the air.

Joe: world.

Katie: Oh no. It, no, it, it’s an old house.

Yeah. Like the, the [00:48:00] front and the back

Joe: be in the show notes.

Katie: You need an antique key. And we don’t have the antique key. So key. Yeah, we need to

Nick: you need one?

Katie: Wow. Apparently. Yeah.

Nick: I can find one.

Katie: I can find one. Okay. And the

Nick: have one at my

Georgia: but will it be the

Joe: door is a skeleton key.

Katie: No, it’s all the doors in my house. Other within the front door.

Joe: Other than the front

Katie: Mm-hmm.

Joe: Mm-hmm. Okay.

Katie: So like bedroom, bathroom you can’t

Joe: it sounded like that. The

Katie: oh, no, no, no. The front door locked. Oh God. I wouldn’t live there. Are you kidding me?

Joe: like, what

Nick: what

Katie: I live in a city.

Joe: you said.

Nick: say your front door

Katie: sorry. Did I? Okay. Yeah. No, no,

Joe: We can go back and, and listen again, but yeah, it’s like

Katie: Back door’s

Joe: are you living in? like

Nick: I just locked the bedroom doors.

Joe: you know,

Nick: You know.

You can come into the front door, but don’t dare try to find the

door.

Joe: I’m guessing you’re the serial killer.

Katie: That’s it.

Joe: Like it’s how come you got your door’s always open? Come on in and find out.

Nick: on 

Katie: in and find out. I mean, it’s okay. I will say I have an ax next to my bed. Not gonna lie, you know. There you go.

Joe: well there. It,

Katie: that’s [00:49:00] leave person

Nick: We’re gonna have to edit that out later, Joe.

Katie: Mm-hmm.

Joe: I sleep with one eye open and the Ax

Nick: I listen to enough horror podcasts and movies.

Katie: I’m ready. Come at me.

Joe: That’s right. Come on, Abby. I’m ready. I’ll get the door unlocked for you.

Katie: Come

Joe: Come on. That’s crazy. Yeah. See, that’s my perspective of you. It changed greatly. I was like,

Katie: mm-hmm. You sleep

Joe: the house, you scared of Nick’s creepy house

Katie: Yeah. I run out of there.

Joe: I sleep with the doors

Katie: the doors open.

Joe: Just wide open

Georgia: Wide.

Katie: My husband would, if he could, quite frankly. 

Nick: Yeah. Joan,

that how you guys used to live back in the day? Just

Joe: never, I grew up in Philadelphia.

We ain’t never left a door unlocked. Yeah, no, that’s,

Katie: yeah, I live in the city. I don’t do that.

Joe: Not in Philly. And the doors, they lock

Georgia: my day.

Nick: day.

Katie: I have three locks. I, I promise I have three locks on my front door.

Joe: What about the back door? Also

Katie: Also? Three locks. And one of them is like a wrought iron screen

Joe: [00:50:00] Oh, wow. Someone those big, yeah.

Katie: Yeah. Those are, you’re not

Georgia: no one’s getting, no one’s getting in.

Katie: No, no.

Georgia: You

Joe: as well break a window. Yeah.

Georgia: Yeah.

Katie: And then that’d wake me up and then I’d, then I’d go.

Joe: But yeah. Cool. Anything else in this

Nick: best

Katie: perspective?

Nick: Katie, did you threw your notes?

Katie: Mm-hmm.

Joe: I know.

Katie: oh, I know, that’s what I’m checking out. Hold on.

Nick: Oh, okay.

Katie: So the last like bit was, have we read this? Yes. Oh yeah. Okay. See, this was my first time.

Nick: so we don’t have video,

Joe: have

Katie: oh,

Nick: can you go ahead and tell

Katie: Sorry. The Sirens are Titan.

Georgia: I don’t think I, I don’t think I’ve went. I’ve read it.

Katie: am really, I own

Nick: That’s like high school reading.

Georgia: No,

Joe: know if it’s high school, but yeah. I didn’t read it in high school. I read it on my own. Yes,

Katie: I would like to say the condition of this book is not mine. Is my spouse’s the low.

Joe: good condition. Whoa.

Georgia: We

Katie: see that? Yeah. We have a coffee. We mysterious stain in the bottom.

Georgia: would not be happy if you [00:51:00] returned this book to the public library.

Nick: Tell me about it. I’ve tried a few times.

Joe: What happened? Do you guys, they have to buy a new one,

Nick: You just have to pay a fine. I’ve done this at

Georgia: Well, you

Joe: you cane ’em or something?

Georgia: You

Joe: a

Georgia: could have to pay for pay for

Katie: pay for 

Joe: the book.

Georgia: pay for a replacement. Yeah.

Katie: Yeah. Listen.

Joe: if he did that, like he did physical like. You know, public displays a

Georgia: Right,

Katie: Right.

Joe: You would, you would not have

Georgia: You’ll, you’ll

Joe: a public shaming.

Georgia: We do have public shaming

Joe: perspective would change.

Nick: no shame.

Joe: No shame.

Katie: that is true. That is true.

Nick: We have the one person that

Georgia: Anyway, let’s get back to the sirens

Joe: anyways,

Georgia: of Titan.

Katie: Yes. I only made a quarter of the way through. I want to, like Vonnegut get so bad. I, it’s not that I don’t like him, it just takes so much focus for me on the, I don’t know.

I was talking to Alex about it. I’m just like, why am I not understanding the perspective of this book? ’cause it like, it feel like it bounces too much for me. Maybe. I don’t know.

Georgia: I’m gonna, I’m gonna try,

Katie: I mean, I’m reading [00:52:00] romantic right now, so I think my, that’s

Joe: Cradle is I mean, V Cat’s, cradle Slaughterhouse Five, those were, I mean, you know, classic those were, yeah. Right,

Nick: Classics.

Georgia: But I get

Joe: I wonder what he had his rating at

Georgia: that are just really hard to

Nick: do you mean rating?

What?

So 

Katie: yeah, I just really think I’m in my like, romantic era, like my Easy Ya romantic. Oh

Nick: Oh,

Katie: what? I work at a public library. Leave me alone.

Nick: What is it?

Katie: Anybody can read ya. It’s for everybody. 

Nick: Right? 

Katie: That wasn’t,

Nick: that wasn’t, that wasn’t the

Katie: what the face you gave me.

Nick: that wasn’t the,

Georgia: It was the romance part of it.

Nick: Yes.

Katie: Yes.

Georgia: Okay. Yes. That’s what you’re saying.

Katie: to be fair, I thought it was just a gothic academia book and then it got real s muddy real fast and I’m like, well, I’m in it now.

You

Georgia: just gonna go with

Nick: on the Train, right?

Joe: What?

Nick: I don’t 

Katie: think

Nick: the book you recommended to that old lady?

Joe: Ohoh.

Oh. Oh, it was Joyce car os it was which book was that?

It

Georgia: The

Joe: Gothic, 

Georgia: I love [00:53:00] YA though.

Katie: Thank you.

Georgia: You like ya too. Yeah. You read ya

Katie: I just, I really felt like you were judging me for that. No, you used to all the time. It

Georgia: a Total romance thing. Yeah.

Katie: Yeah.

Georgia: don’t read romance, Nick

Joe: No

Nick: romance. No. I read children’s books.

Katie: See, but often I’m reading law horror books and there’s romance in

Georgia: You read other

Nick: stuff. I do. I, I mean,

Georgia: but you know what, to be honest, it

Nick: takes a hell of a lot longer for me to get through any book.

Georgia: To be honest. I don’t, I don’t like romance books and I don’t know why

Katie: Straight Romance.

I do not. I can’t. It’s gotta have something else like a horror. I read a horror book, I can’t remember the title right now, but it also had like lesbian romance in it. I’m like, hell yeah. This is great.

Georgia: Right. I, yeah,

Katie: it has to have, if it’s a side bit

Georgia: right. I can’t go and 

Nick: which is fine. I, I just don’t like having like fool on rom

Katie: No, me neither. Yeah.

Nick: If it’s a rom horror, huh?

Joe: You don’t like romcom?

Nick: That’s a romcom.

Katie: that’s different. Oh, [00:54:00] okay. Yeah. That’s different.

Joe: That different. All right.

Georgia: That’s Joe’s favorite.

Joe: I do go, I enjoy, I get

Nick: are great.

Georgia: It’s one I, I’m not a big romcom

Joe: I do

Georgia: and I have to watch ’em sometimes, and then I like them. Yeah, yeah. And then I’m surprised

Joe: I just wanna swing back. So I was looking it up, but Kurt, I was making sure right. Kurt Vonnegut did rate all of his books from a. You know, a plus 2D

Katie: in a order.

Joe: And so he, he actually gave the Sirens of Titan a in his own category. But here’s the,

Katie: Oh.

Georgia: what, what did he, what, what did he base that on

Joe: it was his own

Georgia: assessment on? And so did he

Nick: he rated his,

Joe: rated his own books

Georgia: he give himself a D?

Joe: He did. Yeah, he

Katie: He did.

Joe: he did. Yeah.

Nick: what book did he give

Katie: A B minus.

Joe: he gave himself plus and minuses.

Georgia: Oh, wow. What,

Joe: it was interesting. Yeah. Yeah. I

Georgia: Cat. I gotta say I haven’t even heard of the Happy Birthday. Wanda Jones Slapstick that got the D.

Joe: that’s probably why you haven’t heard of

Georgia: There’s a [00:55:00] plus is Cat’s Cradle. Cat’s Cradle

Joe: is prob is one of,

Georgia: Slaughterhouse five A plus. Welcome to the Monkey House, B minus. Happy

I have to read more. 

Nick: Bon

Joe: yeah, I have a bit up there. I got on a big vate roll and I started reading through his books there

Katie: Okay. See, I should have, I lived in Bloomington and like they used to have a Vate

Joe: right. Yeah. He’s from, yeah. And he, he did his think he wrote Cat’s Cradle as this master’s thesis. I U Chicago, so, yeah.

Nick: that’s a good one.

Katie: Yeah. 

Nick: He only

it Breakfast of, of Champions. A C. What?

Joe: Well, there it is Kurt Money. Yeah. No, he did.

Nick: I

Georgia: that he that he did that. That’s kind of cool.

Nick: I didn’t know people did that. I, when you said that, I was just like,

Joe: people, I mean, but it’s 

Georgia: I don’t think a lot of people do that. No.

Nick: No.

Joe, how would you rank all yearbooks

Joe: A.

Georgia: plus

Joe: A, the exactly. Well, you still tell me if becomes someone else. My only novel, I got nothing to compare it to. So it isn’t a A plus. after I have a couple more [00:56:00] out there that, that, that grade could go,

Katie: That’s

Joe: way to go. So maybe I should put it at an A and that could, you know, I was gonna say the Joyce Car Road story on the train was the Accursed. And that’s because it’s a, it’s a gothic fiction. And I didn’t real, I mean, I didn’t, I didn’t look at the genre, but, you know, Gothic has a blend between horror and, and that romance that you get

Georgia: and can get pretty.

Joe: and it gets, it can get fairly raunchy

Katie: Pretty fast.

Joe: And

Katie: So

Joe: there was a older woman who rode our train and, she was older in her sixties.

I mean, this was something, so I was, she was probably 20 years older than me and she saw me read all of the time and she asked me what book was I reading? And I said, oh, I’m reading Joyce Scott Oates, one of my favorite novelists. And so she was like, great.

She was like, getting a knee replacement, surgery is gonna be out recovering. So she was gonna get some books to read and I was like, great. And so. [00:57:00] Some weeks go by and then I see her on a train. I go, Hey, how’d your procedure go? And I said, oh, great. And then she goes to tell me, oh, I read that book. And she was like, I’m no prude, but I really struggled with that.

And I was like, oh, yeah. I was like, you know what? I hadn’t gotten to that part yet. Or I would, I would’ve.

Katie: she was

Joe: she was like, oh, it’s okay. Then she never asked me for another book recommendation. So I guess that’s yeah. So,

Georgia: yeah. So,

Katie: But yeah,

Joe: so that’s my, that story there that Nick was referring to.

Mm-hmm. 

My perspective’s.

Georgia: And I think that’s a great point. Like you kind of, this almost bookends you brought up how this topic is so good for writing stories and storytelling in novels, but also the reading books is so good.

It’s like one of the best ways to get other perspectives.

Katie: right. Mm-hmm. You know? Mm-hmm.

Joe: Yeah. Yeah.

And off, I mean, we talked about that in lot episodes where stories offer safe spaces to [00:58:00] explore trauma, to explore future outcomes to

Georgia: Jonathan

Nick: Mayberry with the Thing

Joe: the Mayberry and the Thing, right?

Nick: the Black Panther.

Joe: Panther, yeah. He’s told that story. And the the thing,

Katie: marvels the thing. Mm-hmm. Fantastic

Joe: Florida thing. because ’cause we,

Katie: That’s, that was the

Nick: episode he was on.

Joe: the episode he was

Nick: what I

Katie: what I was, yes.

Georgia: Right. Right. And I think that is so important and that that is why you have the book. Bands that’s people are trying to, you know,

Joe: you wanna stop that perspective from

Georgia: but if you really wanna get lots of different perspectives, you need to read

Joe: you can understand other people’s worldviews and ones you agree with and disagree with. I think it’s important to go. The other thing is just be curious.

Katie: Mm-hmm. And

Joe: And yeah, kind of what we do in our episodes and, and shows is, you know, ask, ask questions critically.

Think about topics and what goes on. So that’s

Nick: doesn’t matter if your question’s stupid, someone’s gonna answer it.

Joe: no

Georgia: No. Yeah. No stupid

Joe: question.

Georgia: Right.

Nick: No, there are[00:59:00] 

Georgia: some, some stupid

Nick: stupid questions. I ask

Georgia: I think there, I think there

Nick: I ask them all the time. Question. Yeah.

Katie: Yeah. Some

Georgia: Yeah. Some stupid answers.

Joe: especially if

Georgia: if you’re using AI

Joe: AI admit yourself. You’re a superhero. Yeah. Once again, ask. Yeah. I mean, right.

Nick: Ask an adult.

Joe: Yeah. They’d be, be if the experts aren’t writing you back to your great greatest idea ever, maybe it’s not so great. And I, I’m surprised and I will say that those experts should have wrote back and at least commented and said,

Georgia: and then said, maybe, maybe you need to, can

Katie: help him.

Georgia: Yeah. Maybe you need to take a break from the,

Joe: I mean, I know personally I get, I get really whack ideas that come and people really pull lot of effort. And sometimes you write back and be like,

Nick: but how, again, hold on. How, how long of a timeframe was this? Like maybe they just didn’t have time

Joe: three weeks. Okay. Three weeks.

Georgia: I mean, no, no. What he’s saying is the expert did they get it and then didn’t write [01:00:00] back, and it was just a few days that they didn’t

Joe: mean, I think he, he wrote a number of experts over this three week period,

Georgia: So there was a little bit

Joe: There should have been time, right?

Georgia: email or text

Joe: his was like emails. So he should have, I mean, you could easily write back no, I think

Nick: the amount of times I don’t answer emails.

Joe: Yeah. I mean, that’s said that is true.

Same.

Nick: I

part of my job. Everything. 

Katie: Yeah.

Joe: Yeah.

Katie: But,

Joe: but it is, it was an, I thought it was fascinating how easily your perspective can be skewed.

Mm-hmm. Your perception of things, perception, that you now have discovered something great. And you can feel very empowered by that feeling. And then that really skews your perspective, is you wanna believe, then you wanna believe that you are awesome, you are great. And it’s, it’s a fine line between hyping someone up and then believe in the hype.

Katie: right?

Mm-hmm. I think that’s always, you know,

Georgia: There’s a great children’s book called, it Could have Been Worse. do you know that one? Mm-hmm. And it’s I think it’s a mouse, and he is going along and like [01:01:00] all these things that he perceives as being kind of negative happens.

But if you look at it from the bigger picture, he he almost gets eaten by some other animal, but he doesn’t, something

Nick: good happens and then

Georgia: He doesn’t even realize that he actually almost got eaten. You know what I mean? It was like, and so the name could have been worse. Yeah.

Joe: His perspective was, yeah.

Georgia: So

Joe: Yeah. Well, cool.

Nick: Yeah. I, I,

Katie thank you for being on this episode. Katie

Joe: got anything?

Nick: Yeah, 

Katie: thank you for inviting me. I do, so I am the, I guess, the official archivist now for the DC punk archive. Please follow us on Instagram at, I think it’s DC Punk Archive.

Nick: We’ll have that in the show notes. Joe. Joe, will this actually make it to the show notes?

Cool.

Katie: Yes, it is DC Punk Archive. I was right.

That was,

Georgia: the best choice for that.

Katie: Trying to post some more like fun things from our collection. If you’re, for some odd reason, the DC area, we do [01:02:00] volunteer stuff. Come see us. Yeah.

Georgia: Very

Joe: cool. Yeah, that is very cool.

Katie: Yeah.

Joe: So yeah, I think that’s, that’s it.

Katie: Mm-hmm. Yeah.

Nick: Yeah.

Georgia: You did, you, you had something else to say, Nick,

Joe: know, I don’t know. You look like

Georgia: like

Nick: waiting for you to

Georgia: are you listening to those voices on the headphones right

Joe: I know, right?

Katie: Oh my God,

Joe: happening. That’s,

Nick: I am.

Joe: is looking at me.

Nick: I actually have a little

Katie: have a little well

Joe: I think this is Joe. Maybe this is Joe. Is this

Georgia: Nick?

Nick: Nick?

Joe: maybe Nick and Georgia?

Nick: Was that Katie?

Joe: maybe not Katie. I don’t know.

Nick: I think we went,

Joe: who’s here

Nick: down some hole? Maybe.

Katie: Mm-hmm.

Joe: Depends on your perspective of a hole. It might be a, might be a tunnel or a tube.

Nick: Bye-bye. Bye bye.

Katie: bye. Stay.

Joe: Definitely stay safe, stay curious.

Georgia: Read a book. Read a book

Joe: book 

Katie: questions,

Nick: Read them

Joe: everything.[01:03:00] 

Nick: Love y’all. Bye.

Joe: Except rabbit hole research. We really do love y’all.

Episode 47 Transcript: Who Goes There?: The Thing and The Shape of Paranoia

SubstackAppleSpotifyYouTubeAmazon

Joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the Basement Studio for another fun episode, part of our October, month of horror. So

Bill_H: yes, I finally

Nick: I mean,

Joe: tasty episodes for you. So this one

Nick: here we are known for our horror. 

Joe: we

are, . And the Breaking News.

Nick: Breaking news. 

Joe: news. Maybe we’ll get another Breaking News this year. I don’t know

Nick: if something big happens. We’ll find out here first.

Joe: This episode has been a long time in the making, probably for me, since 1982. And we’re gonna be, you know, Who Goes There, The Thing and the shape of paranoia.

So all things creature related there. So we should have some fun. We have actually, not only the full crew, we have a full house, every mic in the studio,

Nick: is hot

Joe: plus zoom. So we have five folks. 

Nick: I’m sorry, who are you?

Bill_H: And how many of you are actually human? That’s

Nick: right. Am I sure you are who I think you are. Maybe none of us are who we are,

Joe: we [00:01:00] are, but I am Joe

Nick: You got Nick. 

Joe: got Nick. we’ve got Georgia and guest number one.

Bill_H: Hi, I am Bill Haller. I’m a artist and designer, work in television and film and comic books.

And I’m here for the horror 

Joe: here for the horror.

Here

Bill_H: here for the, I’m here for the horror. Yeah.

Nick: Oh

Joe: Yep. Here for the horror and our other guests.

Todd_T: Hi, 

I am Todd Thyer, and I’m a designer artist letterpress printer.

And I make books with my letter presses, I work in fiction predominantly,

but then I also do a lot of social justice, work as well. But who goes there?

and The Thing are like my favorite story. And they’re a big part of Who I am today.

Joe: awesome. Yes,

Bill_H: Yeah. You know what I’d like to say? Just at the top here. Thank you for giving me any excuse to rewatch The Thing. Reread Who Goes There. Go through my comic bin thinking, I know, I read a comic about this. I don’t care if [00:02:00] the internet says it doesn’t exist. Yeah. And I found it.

Yeah.

Nick: damn. 

Joe: There’s a few,

Bill_H: Yeah.

Joe: Horse? Dark Horse Did

Bill_H: I found a straight up adaptation that I read. When I was a kid, I’m pretty sure it’s the first time I came across any of this material was a 17 page adaptation that was published in like 73 or 74. Okay. Company called Whitman Comics. They had a magazine 

Todd_T: think I have 

Bill_H: yeah.

Georgia: All right. That’s awesome. I was gonna say edit, bring it for show and tell

Bill_H: own it. I couldn’t find it. I tracked it down on the

Georgia: Oh, I gotcha. You verified.

Bill_H: I do have CBRI can send you guys if you guys read Digital Comics, but I went through that because there’s a piece in there that I always remember when I read the books or watch the movies that.

Aren’t, it’s not anywhere else. And it’s like, where am I getting 

Joe: that 

Bill_H: from? And it’s from this comic. Yeah. Yeah.

Georgia: And I wanna mention too, that this is a second episode for you, Bill. Yeah.

Joe: it says [00:03:00] Yes,

Bill_H: Coming

Georgia: You’re only the second person to come for a second time, really. So it’s pretty, that’s pretty big. That

Bill_H: is, I feel.

Thanks

Joe: But

all

it all depends on the order of these episode releases in

Georgia: that’s true.

Bill_H: I guess I didn’t do so badly last time.

Joe: No, yeah, that’s right. So

Nick: were you able to find it? 

Joe: Oh,

Todd_T: So I’ve, I picked this up at a

comic show recently? It’s Quest Star?

Bill_H: yeah. That collects all those, yes. Yeah,

Todd_T: It’s like by Golden Press, but it’s got Who Goes There in it.

Bill_H: that’s the one.

Todd_T: this is the One. You read as a 

Bill_H: the, that’s a collection of the ones that I read as a 

Todd_T: oh, gotcha. Gotcha.

Bill_H: the one from the, apparently the magazine at the time was called Star Stream or Slipstream, I believe, and they only did three issues and then they co, somebody other company years later bought those issues and collected it into that graphic novel there.

So that has. That

Nick: oh damn

Georgia: ah, that’s so cool.

Joe: we’ll put that in the show 

Bill_H: But yeah, that one really, you know, I stumbled across it at a [00:04:00] Goodwill when I was probably 11, you know, and it was

cost me costing me a quarter or 

Todd_T: here’s the title. 

Bill_H: Yeah.

Nick: Oh damn.

Bill_H: And

Joe: nice

Bill_H: that

one Blair falls asleep on the block of ice that they just cut out and they’re transporting back to their base and he’s so tired that he falls asleep on the block of ice and has nightmares maybe psychically transmitted by the alien within.

And I always think of that and it never comes up again in the movies, and it’s not in the book. They just made that up from, you know, inferences and stuff in the story, but. My mind is wait, where is that

Georgia: You’re like, I know.

Bill_H: fall asleep on that thing?

Joe: Yeah,

Nick: Yeah. Hasn’t anyone taken a nap yet? Yeah.

Bill_H: Not enough naps in John Carpenter’s movie.

That’s where it falls down for

Joe: You need naps.

Bill_H: I’m gonna,

Joe: I’m gonna take a step back because

Georgia: because we probably need a list or some sort of you know, very. We’re just,

Joe: I wanna give my definition

Or my grounding and I have a list.[00:05:00] 

Georgia: We’re just really excited to talk about this. If you

Bill_H: so exciting.

Joe: Humor me a little bit, and then I do have a list and we can add and argue, but actually this has been a while since I’ve given a list right off the top.

But I’m gonna do this thing here, because 

Nick: I

Joe: I wrote something special because The Thing is special to me. I think as Todd said. I saw in 82, I was like seven. My dad took me to see it. Probably not advised to take your 7-year-old to see The Thing, but it did. It truly did.

Nick: But a 4-year-old is cool for this right

Bill_H: I can imagine.

Joe: Take a 4-year-old. So I have, The Thing is a self replicating polymorphic organism composed of functionally autonomous units capable of simulating and replicate, replicating the form and behavior of other organisms at a molecular and cognitive level. The Thing is, a horror made flesh, an unknowable, uncontainable intruder that weaponizes biology and identity by undermining the metaphysical distinction between self and other, revealing the fragility of human [00:06:00] perception, trust and cohesion who goes there.

And on this episode, we’re gonna find out who’s who.

Georgia: Ooh, Ooh.

Joe: And then, you know, just to ground everything I

Nick: there’s grounding in this

Joe: all, there’s gr, there’s grounding in the handwavium soup. We will, we’ll try to ground it and get someplace safe. I as rules and assumptions, watching the movies, the stories you know, the Carpenter Watts just going Campbell.

And so I have these kind of eight, I only had seven and I ran a list, actually passed my youngest son

and he added the

eighth Nice.

So I’m gonna give, I’m gonna give him credit for the eighth one because I was like, oh, what do you think it is? And didn.

Georgia: He loved the movie. He did love movie. We went What? What anniversary? It’s

Joe: The 40th

Georgia: Was it the 40th? I think like we recently went to the movie theater, you know, whenever it was re released. And we took Xavier and he’s oh yeah, I think we need to watch that again.

Like the next day. Yeah.

Bill_H: is

Joe: [00:07:00] he is like

Bill_H: a dream come true. That’s so cool.

Joe: I’m gonna figure out who’s who. He was like, really? He is I, you know, he’s mapping it.

Bill_H: I’m like,

Joe: wow, you should focus on your schoolwork like this man you know. 

Todd_T: How young did you expose

him to it?

show him at seven as 

well? 

Joe: was not seven. No, he was, it

Georgia: he was,

Joe: it was a few years. Either it was 12 or 13. Something in that 

Bill_H: ballpark. Well, Perfect. Is 

Joe: that right? Yeah.

Georgia: Yeah. If it’s even been that long, but like

Yeah. No,

in the last couple of years it hasn’t even been that long, has it? Yeah. So he’s 15 right now,

Joe: right now. Yeah. So we can do the math

Nick: later. 12 or 13 sounds

Joe: yeah.

Georgia: yeah.

Joe: I

Bill_H: that’s the kind of stuff that’ll stick with you.

Joe: right after, it was like right after the pandemic. It was a good time to go see The Thing. 

Bill_H: Oh man.

Joe: it of we can go to a movie theater with a mask on. So I have these eight kind of rules and assumptions that I, and we can add to ’em or you can, you guys can scratch some of ’em if you like.

One, I have any biomass can be assimilated, not just humans. Two. Each assimilated host becomes an independent replicator. [00:08:00] Three replication is cellular. No need for the full organism to act. So it’s, it really happens at the cellular level. It can spread via blood aerosol or tissue. Contact detection is difficult, especially early on and.

Assimilation time ranges from 10 minutes to a few hours. Depending on proximity and complexity. One fragment can start over like a viral pandemic with perfect self replication and the one that Xavier added, it can survive extreme cold temperatures for extended periods of time and heat fire.

Those 

Georgia: an extremophiles.

Nick: extreme. Oh, you’re bringing this one back,

Joe: we’re ringing it back from the Fantastic Four series, if you haven’t checked that out though. But yeah,

Nick: months ago, Georgia, months ago, as

Georgia: As many times as I could say that

Joe: did.

Nick: Yes.

Georgia: I like to say it. Thing

Joe: foul. Yes.

Bill_H: Now I have this unholy union of The Thing and a water bear like in my head right now.[00:09:00] 

Joe: Yes. That, so we The tardigrade We were like, oh, it doesn’t come up that often. And now 

Bill_H: no, it’s everywhere.

Joe: everywhere you go, the tardigrade. Yeah. So that’s what I had for the assumption, the assumptions of the thing and maybe rules. I don’t know. So I don’t know if I missed something or you guys, the one I held on after I read it was the actually, I don’t know now.

Nevermind. Detection is difficult. Especially early. I think at

Georgia: think detection is difficult, even not early on.

Wasn’t that the whole point 

Joe: Right. Yeah. Well, I 

Nick: I mean, there are certain ways, it’s just depending on what scientist is figuring it out. Yeah. Because what, in the prequel, the 2011, The Thing they were looking in everyone’s mouth. Let me see your fillers.

Joe: For the

Bill_H: that’s right. Yeah. For the fillers,

the fillings, right? Yeah, that’s

Joe: Or you have the clothes rip open, like that was the theory that you shred your clothes, like you lose ’em. But no one’s running around naked.

So I don’t know if 

Bill_H: a lot of that.

Nick: that was,

Joe: that’s not it. They got 

Todd_T: [00:10:00] Despite, Yeah,

despite the different deaths, like

everybody always seemed to, their shirts 

Joe: That’s right. They had pants on you know.

Bill_H: That 

Todd_T: They were no longer bloodied 

Bill_H: In Watt’s story. That he addressed a little bit that I thought was very interesting. His take on that the longer that it’s been in you and how much of it you’ve been exposed to. It may just be in there hanging out, learning things, you know, and not really affecting anything else. Yeah. Until maybe it’s all you and then,

Georgia: so it’s almost like it’s dormant a little bit, or not dormant, but

Bill_H: It was sneaky in his

Joe: Or which percentage.

Because I think the one thing that no one talks about is that not only is The Thing mimicking human cells

And function, but also we have a lot of other organisms that live in US, bacteria, fungal, and on us. So there, there are these other species. That’s why that any almost biomass can be converted then technically, because if your gut is still filled with [00:11:00] bacteria that, you might just have a lot of intestinal kind of 

Bill_H: mm-hmm. down 

Joe: as the thing comes in. So it is it’s fascinating. 

Bill_H: some, you,

Todd_T: yeah. If you can

subsume any sort of creature that you on the planets you land on, like you can

certainly do their microbes as well. 

Bill_H: That’s

Joe: Yeah. 

Yeah.

Bill_H: I basically watch The Thing once a year at least it is a part of my DNA. 

Joe: trying

to find a 

Nick: h Oh, wait, all the way down to your DNA?

Bill_H: Yes. All the way down.

Nick: man.

I gotta in you

Georgia: yeah. Is there a certain time of year you find yourself going over more in the winter times, you know, or maybe winter, like it’s really cold yeah,

Bill_H: I usually get a call to watch all like his unofficial apocalypse trilogy Carpenter’s Apocalypse, Trilogy with the the thing. And then what’s it? 

Todd_T: From New York.

Bill_H: no 

Todd_T: Oh. 

Bill_H: the lemme say I wrote this down

Nick: because

Bill_H: knew what would go outta my head the second I needed to remember

darkness. the one in the middle is

Joe: yeah, I’m trying to,

Bill_H: the one I always

Joe: you said darkness, and now I’m [00:12:00] like,

Bill_H: yeah. Now 

Georgia: now you’re stumping us. So it’s

Bill_H: The Thing, and it’s Prince of darkness. Prince of, and it’s

Georgia: it’s

Bill_H: of madness. Okay. And if you extend a little bit, there’s Cigarette Burns years later that like sh short film he did.

Georgia: So do you watch ’em like boom,

Bill_H: Yeah. Like one sort of initiates the other in my memory and I’m like I

Nick: gotta watch

Bill_H: other one. And they all have, they all harken up to the, end of the world in some way in different ways, but Right. They’re really interesting together, which I like sort of the ideas that they bring up and then play off of each other.

But so I’ve, I watch The Thing all the time, but I haven’t read the original story. Who goes there in ages? I’d forgotten quite a bit of

Georgia: there, there’s a really nice letter press copy that you could, it’s beautiful.

Joe: Yeah,

Bill_H: I will be getting one.

That’s what this is all about. It’s selling you a bunch of these books, isn’t it?

It worked damnit

Joe: That’s why we have people [00:13:00] on the podcast. So that’s

Bill_H: so there was quite a few things I forgot about the story. I was pleasantly surprised how much of even dialogue I recognized, you know, that Carpenter used in the film. But there was a bit in there where they’re talking about the cows that they have

and they go to check on the cows and then they’d come back and say, the cows are all dead. We killed them. They were all. Things. And one of the guys sitting there freaks out and rushes out into the Antarctic, apparently, to die. ’cause he just drank a bunch of the cow’s milk. Cow. That wasn’t a cow.

Nick: Oh, 

Bill_H: and then they test the milk and they say, it is. It is. As cow’s milk.

As cow’s milk is cow’s milk. And I thought that was a really interesting thing that the cow wasn’t a cow anymore, but it was such a perfect. Adaptation, you know,

Joe: and it made milk

Bill_H: that it made milk and the milk was okay. 

Nick: So that guy pretty much doomed the world though.

Joe: But I don’t

I don’t understand [00:14:00] why in that scenario that the milk wouldn’t have Thing

Bill_H: Things in it.

Georgia: That you could de

Joe: like it’s a convenient

Georgia: about detection. You should be able to detect something. This was

Bill_H: the fifties. They didn’t have, you know, quite as high levels Exactly.

Georgia: analysis of their milk and 

Joe: who’s you know, who’s

Georgia: and then at what point does the cow stop being the cow and become The Thing?

Joe: Yeah. And I was gonna ask,

Georgia: and I think that’s like your point, like at what point, do you know what I mean? Is the host.

Todd_T: I’ve always thought it’s more, almost like viral or it needs to reach a tipping

point before you’re like, especially in the original story of Who Goes There, he talks

Or no, I guess.

it’s more in the things because

You’re hearing through Peter Watts. you’re hearing the viewpoint of the alien,

but he’s trying to you know,

gain control. and how sometimes he’s just I just feel like I’m

wearing this

skin.

And then, you know, so it’s, so maybe it is that up

until a certain point.

like so many [00:15:00] hours or

whatever where it can multiply and Take over

The cells,

but yeah. You think the milk would go bad?

Bill_H: I 

Joe: wonder

Georgia: Or it tastes funny.

Joe: that kind of to play on that idea a little bit. If, does it matter how The Thing gains entry? So if it actually takes over the brain cells 

Bill_H: first. mm-hmm. 

Joe: Does it have now cognitive control versus if you you know, get a cut on your foot or something like that?

And it takes some time for it because it has now to assimilate all the foot cells, come up to leg cells, you know, you have this whole process. I mean, once it gets to the bloodstream, potentially, then you would have this kind of movement. But it, it’s then would you be as a human cognizant of it?

Oh, something’s wrong with me. You know, 

Georgia: I can feel it coming. 

Todd_T: It burns. 

Joe: is being disconnected from my body. All the neurons and everything aren’t firing correctly. I got a dead leg now. Why you gotta limp there all of a sudden?

Georgia: I’m trying to remember, I’m trying to, is there a clear way that The Thing [00:16:00] infects someone that’s not really, that’s not really,

Joe: it’s fast and loose. It’s it’s kinda like zombie biology you know, it’s like sometimes one little particle can do it. Sometimes you got your hands, you know, arm deep into a carcass and like pulling out organs and everyone’s watching.

It’s like everyone, there’s infected now. Just, I just wanna say the scientists there, they have no they’re,

Bill_H: every time it’s

Joe: and fast with you know, 

Georgia: not a, Not a good representation of the scientist.

It’s like a 

Joe: videos every year for training about biosafety, like what to do with needles and how to do this and how to take gloves off.

Nick: Is it bad that caught my attention too. I was like, this is definitely gonna be a Joe thing, where he’s they shouldn’t do that. Like they should be wearing some kind of sleeves going in and

Georgia: protective, yeah. You’ve got

Bill_H: Wilford Brimley, Blair walking around pointing out this still steaming carcass on the table. It looks hot and I know people say if you look really closely, his pencil doesn’t touch it, but he like [00:17:00] taps at it. He points at it and then almost immediately puts the pencil against his mouth and I’m screaming inside the whole time, oh my God,

Joe: Do not do that.

Bill_H: stop that. It

Joe: Hmm. It

tastes like raspberry.

Bill_H: I’d

Nick: would rather him just start licking at, I love just being like let’s see what this tastes like.

Joe: The one with the dogs, they go, they burn the dogs all up, but then they go in and he’s just cracking stuff. Look at this. There’s a, I mean, there’s particles

Bill_H: nitrile gloves.

Joe: It’s yeah. And he’s little, the thinnest gloves. One could get.

It’s for your pleasure. It was like, God

Nick: I’m not

Joe: there. Know. It’s like just,

Nick: they might as well just

Joe: yeah. It was like

Bill_H: Brimley 

Todd_T: don’t have to guess. When they lock him up, you’re like, oh

yeah, right. Yeah. 

the 

Joe: he was done. Really, I’m looking at everyone that’s around who gets close oh, let me see that second intestine that you pulled out there.

You know, it’s as he is going through the whole, you know, just really digging in there.

Bill_H: He’s really getting his hands

Joe: was just like 

Bill_H: I read that, I think that might have been something to do with the effects guy Rob Botin, who was like, originally they had this gonna be this creature.

We, we don’t know what it is yet. [00:18:00] We haven’t made it yet, but there’ll be this creature stalking around and he being like young and crazy was like. How about it’s like different every time we see it to partially in between changes and this and that and so it’s never the same creature. It’s always a different one.

And I can make, I can drive myself to the point of exhaustion making, you know, multiple different versions of these things every time it’s a new horror, you know? And that might’ve been where that sort of came from. And that does, it is nice, it does leave open

Georgia: think that

Bill_H: I don’t

Georgia: works perfectly with the story.

Yeah. The fact that it, that. It does shape shift and goes to all these things so it makes sense that the creature itself would be do you know what I mean?

Joe: but it was also that thing. If Blair, let’s say Blair got

Nick: that thing pretty

Joe: on

Bill_H: Kind of Thing.

Joe: and then he goes, lock this, lock the body up in a little coat closet with, you know, then you have the next couple people in there with it.[00:19:00] 

I mean, is it now, you know, like really thinking and strategizing, how do I spread myself to others? Because it, yeah, because The Thing does a great job at hiding itself, and it does a really poor job at hiding itself. And it usually breaks out at the most inopportune time. It’s you should really just stay quiet.

This is the time you stay

Nick: quiet. How are you making it through the galaxy like this, like you are going gungho. It’s just what? Why

Joe: Here I am now. Like when he went in the dog kennel, he could just chilled out. Yeah. But then it was like, oh, there’s four other dogs in there.

I’m gonna get ’em. This is my time. Like there you go now. And it’s and he obviously, or I’m saying he, it obviously had dealt with dogs before and understand that once you rope the dog with your coily, stringy stuff and juices, that they’re gonna freak out and then humans will come. And it, is that a strategy, I mean, is that the strategy? Once the humans come, then I can spray them and it was an interesting thing. Like what [00:20:00] was the strategy with the dog kennel? ’cause he could have just laid back and then went and bit people and licked them and really just, it could have, I keep saying he, I don’t know. 

Todd_T: I think it’s I think that the theme is

like universal bad decisions. Like just

later when you see like people going out into the dark by

themselves or you know, don’t go up

there, there’s a killer in the basement or whatever.

It’s yep. Even brilliant space creatures are like

Joe: Yeah.

Georgia: right,

Nick: That makes me feel good about the

Georgia: That’s right. We all have

Nick: can just do it. 

Todd_T: you’ve got a chance. Yeah.

Bill_H: I don’t know, for the listener, we are drawing from three, like major texts here, right? Yeah. Like you got the, who goes there

so 

Joe: I can, who goes there by John W.

Campbell, 1938, right? We have The Thing From Another World, 1951. That was the

Georgia: Okay. And that was the movie. Yeah.

Joe: we 

Todd_T: the Howard 

Joe: Howard

Hawkes. We have The Thing 1982 by John Carpenter. And then we have The Thing, the prequel 2011 there,

Nick: but it’s also just called The Thing,

Joe: called The [00:21:00] 

Nick: It’s 

Bill_H: A Little Confusing

Joe: the Things by Peter Watts in 2010.

That was a short short fiction.

Bill_H: which

was fantastic

Joe: from the perspective of The Thing. I

did 

Bill_H: not read

that one and it knocked my socks off. I seriously, the last sentence knocked some wind out of me. I ver I was like, oof. When I read the final sentence of that story, 

Todd_T: it hits like a punch. 

Bill_H: it was a physical punch into my guts.

But there he deals with a lot of some of these ideas in a very interesting way. And the original story does too, that you can’t quite get across in, you know, action horror film. But there are some interesting things in there about in Watt’s specifically that the things he the creature is letting those things happen as, you know, sometimes as distractions, right?

So that, you know, it can continue to do other things while everyone is rushing around trying to track down a monster. It’s still a dog somewhere or one [00:22:00] of these other guys, and it’s doing things, you know, many Blair in the movie is in that hut for days building a spaceship.

Joe: so

Bill_H: you know,

Joe: I mean, at the dog scene, and I’m gonna go back

Georgia: dog scene in

Joe: thing 82 Carpenter, the dog actually splits off

Bill_H: So

Joe: then goes out somewhere to either assimilate into another dog.

Or do something out in the wild. And so you had that scene. So not only was Blair out there, but there was another fully formed thing that was out there running around and running off somewhere. You’re right. It was one of these things where it actually, it never really, no one ever said, where’d that thing go?

Like it was just gone. Like they flame thrower. Childs came up with the flame thrower. They flame

Georgia: That’s probably a good thing to ask. No one

Joe: let’s go out and find it.

Georgia: Either that or just let’s not worry about that. Let’s pretend that didn’t happen.

Joe: But this gets to, to a point that it’s [00:23:00] not just assimilation either because that dog it developed a lot of biomass that it just is.

So there’s some, you know, rapid growth factors that’s happening. I mean, it was, it had arms. I mean, it really reached 10, 12 feet. I don’t know how tall it was, but it reached up with strength pulled itself out. So you had all these scenes where it wasn’t just, I’m making another Bill. It’s like I can actually do other stuff on the fly.

And is that’s probably pulling from some historical DNA, is it, does it have like many copies of species DNA that it can pull from in some conscious. Way. I mean, it really I started thinking about that as a, as an organism.

Bill_H: that’s always what I imagined like the things we were seeing, especially in that scene. Yeah. Where we get that at the end we get that like flesh flower that blooms that’s right from the head of the

Joe: that. Yep. Yeah. 

Bill_H: Oh my, this is some sort of alien creature that it is assimilated eons ago and is just referencing from, its [00:24:00] like memory banks of anything it’s ever been and if it’s got enough.

Biomass, it can just recreate whatever that is. 

Joe: I mean that dog wasn’t, didn’t have a lot of biomass. No. I mean, it, I think if we did

Bill_H: technically he was also attached by its tendrils and

Joe: stuff. Yeah. But he wasn’t, I mean,

Bill_H: and could have been drawing in.

Joe: That was a lot. I mean

Bill_H: a lot. It was

Joe: that was

like 10 dogs worth

Todd_T: But that’s where in The Things like, so when I talked to Peter Watts about this, he was just like, that was one of the things that he was, try he tries to,

fix some 

of those little errors. 

Like he was in, in,

the Things he refers to it, like eating all their food

In the background.

and then not knowing it.

But yeah, it does certainly grow

exponentially.

Joe: Because you not only have the biomass, but you also need the energy to calories. So even though you’re eating all the food, and we can,

Nick: how many calories does a human have, Joe?

Joe: how many calories does a human have? Yeah.

Nick: If you were to eat a human body.

Georgia: we’ve talked about this I feel like we have, but I don’t remember.

Joe: think it was like, was it like a hundred thousand?

I mean, it was

Georgia: it was a lot.

Joe: Yeah. It was enough [00:25:00] for someone to turn into a werewolf.

Nick: Oh, that was last Halloween episode. Episode last h geez.

Joe: That’s right. 

Georgia: I’m just thinking about in nature. Like creatures that are para parasites. And that can and then also there’s creatures that can change.

Like I, I don’t know. I’m not, I don’t have anything specific, but it just seems like something in nature is similar to that.

Bill_H: Yeah. Like a butterfly over its lifespan does completely physically transform at some point. 

Joe: And actually will it juices itself down and then it reforms out of that, , so it uses that biomass, it converts it down to basic, like a soup and then

Bill_H: which is amazing forms

Joe: out of it. Yeah. So that was something there, but yeah, there’s no real,

there’s nothing

on earth that we can directly compare to the thing.

Georgia: that we know of.

Joe: unless we are right. No, we’re there. But there are, there were a lot of things, and I I mean, just thinking about it , we’ve formed , relationships or with things over [00:26:00] time at the cellular level . So mitochondria and chloroplast, those are organelles.

And you carry our cells. So our cells have mitochondria, plants have chloroplast or those photosynthesis, but those organelles used to be free living organisms that were eating, eaten by something else and then incorporated to do work for the cells. And then they became larger, more multi complex organisms.

You know, that type of thing happens in nature. We have mind controlling organisms.

So we have, you know, corti opus is all of age right now you know, the parasitic fungus, you know, you know, the wasp, 

Bill_H: that can,

Joe: as they get infected, they do things. Toxoplasma Gondii.

That one’s really cool that can actually infect mammal brains.

It’s

Georgia: It’s cool unless it happens to you

Joe: particular, it, if people don’t know it, infects rod. So lifecycle is multi organism, so it infects rodents and then the rodents can become infected and then they become attracted to cats, which will kill the, and eat

Nick: what kind of attracted to cats? What 

Joe: [00:27:00] it aggressively goes after the cat.

Bill_H: Not sensually.

Nick: Oh, okay. It’s not,

Joe: I mean, 

Nick: I was like, is it like, Hey cat?

Todd_T: seen that? You 

don’t 

Nick: that’s right. The rat 

Joe: doesn’t live long enough to really get his

Bill_H: I’m not a scientist. I’m not a sexy scientist. I shouldn’t have, I’ve, I’m

Nick: Hey kitty cat whatcha you up to

Joe: Toxoplasma will, it actually can infect human brains. It actually will.

So if you have a cat on, like an indoor outdoor cat and you change litter, you probably are infected with Toxoplasma

Nick: Oh, Joe, you didn’t tell me

Georgia: they weren’t, they warn a lot about Yeah, if you’re pregnant, you really are not supposed to change

Joe: and that’s why yeah, if it’s an indoor cat, you probably don’t have a lot to, you probably don’t have to worry unless you got a, you know, a rodent problem, then you probably do.

Especially if they’re playing with the cat. I think like in Tom and Jerry, I think Jerry was infected with Toxoplasma.

Bill_H: Definitely. That makes really

Joe: challenged Tom a lot. I mean, he was in his face

Bill_H: just left him alone. It

Joe: right. It wasn’t, it was like The Thing, it was like, what are you doing there, guy?

Come on let’s back off of him. Yeah. So Toxoplasma is [00:28:00] one there we have organisms that do gene transfer, horizontal gene transfer, so different species, so agrobacterium. So Agrobacterium is really well known in the molecular genetics community, especially with plants. It’s a bacterium that can transfer.

DNA from itself to a plant. So it’s used for a lot of modifications. So gene modification of plants, GMOs. That was the kind of breakthrough technology understanding and hijacking that for our purposes. But in the wild, it does it all the time. So it will have these kind of transfers like that. So we have things like that where you can move DNA

Bill_H: Between

Joe: different species.

You know, we have cell mimics, so there’s things that will digest other organisms and use their bits. So there’s , the sea slugs that will eat algae and then use the chloroplast to do photosynthesis in itself. And so we you know, so we have all these things. We have bits, we have all the makings of it, so we just get some funding, get in the lab, and we can do

Bill_H: it, stick ’em

Joe: you [00:29:00] know,

Nick: in the 51 film. They said something about the material of it being plant-like.

Bill_H: Yeah.

Joe: Yeah.

Nick: so they said that it could pretty much be a intelligent carrot.

you go. So is the thing a carrot?

It’s it’s a carrot.

Joe: That’s what they had. It’s eight feet tall. It had arms and legs.

Nick: I just wanted to be 

Joe: It came out. It was like, I am Groot. It’s it.

Nick: Oh,

man. Gro has a lot of, that’s

Joe: Gr fruit is a thing.

Bill_H: That was an interesting take. It was an interesting take. They really did make, they changed a lot of the story.

Nick: It was just like, why, what?

It’s coming.

Bill_H: which is funny because really I, for me, I lo I love the special effects and the thing visual guy, I draw that kind of thing all the time. Tentacles, , twisting veins and things like that. But the real scare of the story for me is the like. You know, that whole who you can’t trust anybody

Joe: Yeah. That

Georgia: It definitely

Bill_H: who is who, and that story [00:30:00] doesn’t need any special

Georgia: effects. None to be told.

Exactly. In the fifties, That’s they still could have made a very convincing version of that story without, with very few special effects. You know, they didn’t need a big monster rampaging through the hallways. They could have just, you know, hinted at a couple of things here and there, and then let your imagination go with, now who

Joe: was gonna say that in, I’m, I’ll have to look it up and put it in show notes, but Invasion of body 

Bill_H: Mm-hmm. 

Joe: That was the fifties, right? That was all in that time. Paranoia. It wasn’t the fifties. It was in the sixties, but yeah, you had that, , if it quacks like a duck, it looks like a duck, then it’s a duck. You know, you had that same idea. That’s, and then they remade it in the seventies, the Donald Sutherland movie where it had, you know, but the special effects wasn’t I think in that one, the Donald Sutherland Spock and Jeff Goldblum, they were all young.

A very young Jeff Goldblum, I believe. I don’t know if he was young. I don’t know

Georgia: They all were

Nick: than you.

Georgia: They all were pretty young. Yeah.

Joe: was the idea, the paranoia, because you work your way through that movie, who to trust, who [00:31:00] can’t you trust? And the special effects wasn’t besides the big green pods with some, you know, vines hanging off of ’em.

It wasn’t, and no big monsters 

Georgia: really. 

Joe: at the end when he opened his,

That, like you said, that gut punch of an ending that was yes. Yeah. But

Todd_T: In, in doing all the

research for these books and just knowing what was.

what had come before and not wanting to do the same.

Like I just learned a lot about him and that apparently it’s

really supposed to be about

communism. Like they’re, you know, 

Joe: Yeah. The book one, that’s right.

Todd_T: and 

Georgia: right.

Todd_T: Make it an alien 

Bill_H: Yeah. That makes 

Georgia: It was really like that post World War II kind of, and this whole idea about the Atomic Age and not understanding, the atomic bomb and all the, I think that had a big influence on that.

That’s But

Joe: it was the 51 movie was set in Alaska.

To

go with that same, that paranoia from world the post-war kind of paranoia and communism that was very different than the other ones were set in

Georgia: And [00:32:00] I love that. John Carpenter was a young boy and watched Yeah. That watched the 1951 movie, and that had such an effect on him.

He loved it. Yeah. Yeah. 

Bill_H: Yeah. Not

so much the monster, but 

Georgia: And then when he did his movie, we had Reagan. And we had the kind of, you know, and also the Cold War kind of thing. So in some ways, those. Those themes were repeated, you know? Yeah. I wanna

Bill_H: muddy the waters with one more extra story.

Georgia: Oh, please.

Bill_H: in looking back into this stuff, digging through it, right? I started checking out was it Campbell? My, my brain is shot. Yeah. 

Joe: Campbell wrote the story. 

Bill_H: He wrote a story a couple years before who goes there. He wrote a whole bunch of stories.

He’s a very prolific author before he became an editor. And there was apparently a very famous author who he either died or he quit, and the magazines asked Campbell to fill the hole by writing a similar kind of story, sort of like upbeat, humorous [00:33:00] stories about a couple of like scientists who like, you know, go out doing things.

And so he came up with these guys named Preston and Penton and Blake, and he wrote a couple of Penton and Blake Adventures, and one of them was called Brain Steelers of Mars.

and in that one it’s it is a great read. It’s pretty

Georgia: that one needs to be made into, it’s very,

Bill_H: It’s pen. Penton and Blake are these like, seriously two fisted atomic scientists who are, they’re on the run from earth.

Because it’s illegal to do atomic experiments on Earth. And they did it anyway man, because they know what they’re doing.

and they,

not only did they do it at the beginning of the store, they’ve done it, they’ve cracked it and they’ve used it to power their spaceship. So now they can get to planets that no one have been able, hadn’t been able to get to.

And they, which is good ’cause they have to get away from Earth. ’cause they’re 

on the lamb, and they land on Mars and they start seeing trees that look like trees from [00:34:00] Earth. And it’s weird. Until they go look at the trees and then the trees are different than they were when they saw them at first.

And then they run into centar. The, these are the creatures that live on Mars, these centaurs. And it turns out that those trees are another creature that lives on the planet. A shape shifting creature that, eats their children and takes their pl the place of their children. And

Joe: Wow.

Bill_H: they used to have a problem with it, obviously, but since they can’t tell the difference between the children that were real and the children that are the reproductions, they’ve stopped worrying about it.

And for generations have just lived alongside these other creatures, these mimics. And they’re just like,

Georgia: do?

Bill_H: Alright. And, but our American boys, that’s where the

Georgia: how I stopped worrying it. They’re

No,

Bill_H: we are leaving now. And it [00:35:00] becomes this huge deal where suddenly copies of Penton and Blake start showing up and they’ve gotta get away from the planet and get back to earth without these mimics coming back to earth.

And there are sections in that story. I don’t think they make it into the published version of who goes there, but there’s that, Frozen 

Todd_T: Frozen hail. 

Bill_H: There are passages in there that are almost word for word where they’re like if a thing got stranded in the desert, it could just make itself a cactus and get along just fine.

If a snake tried to bite it, it could turn itself into something that couldn’t be bitten by a snake. And, you know, he rattles off these great things that this creature could do to avoid, you know, dying and live basically anywhere. And I was like, I recognize that. I just read that.

Georgia: Oh my gosh.

Bill_H: But that was definitely where that like where he

first had that idea and was playing with it in a much more comical, but still really right, freaky way.

And then a couple years later, he dusted that off and went at it [00:36:00] from a different angle for who goes there. But I’m interested in what you think about this idea that like, all right, the things here, some of us are things. 

Georgia: Let’s just deal with it. I can’t prove you’re not, you’re

Bill_H: the thing. And if even if you are you’re just as good a Georgia as you were before,

Georgia: maybe better.

Bill_H: you know? In the Watts story, it’s that the creature is going for advancing species. It’s like taking things over and bringing in its mind, bringing the worlds together and bringing them to a higher, you know, more perfect organism. And in this story, it’s it’s perfect Camouflage in, in a, like a really disturbing way to me that I, coming to terms with that was super

Georgia: That’s the feeling you got at the end of body snatchers. You know what I mean? I don’t know,

Joe: almost, you start talking like a Ship, of Theseus kind of thing where you’re going like after some point almost doesn’t matter.

Bill_H: right?

Joe: It’s, are you still the same or have [00:37:00] you changed enough to be something different? Are you really a different Joe

Georgia: And I think 

Joe: or Bill,

Georgia: idea that we’re losing our humanity and we, you know what I mean? We don’t wanna lose our humanity,

Joe: Yeah. And you have that. I mean, that was the anime Parasite

that you had that, so that was the same thing.

Alien species comes and it infects people. If it goes through like the nose, mouth, ear, it gets to the brain and then they become. A parasite, whatever the, this alien creature, but the protagonist of the story, the alien goes into the arm ’cause it was like dying or sick, I can’t remember that. But it went into the arm and then just the arm was the alien, but the rest of the body and the brain was human.

You, you get some mixing and stuff and the episodes go through and that, that’s really it. What is humanity? What are you struggling for? And that’s that same kind of idea looking at where does, where do you draw the line between humanity and other, you know, the thing like, you know, so at some level, [00:38:00] but if you are cognitively making copies and assimilating, are you assimilating?

And then using that and maintaining that level of humanity in, in yourself Or are you know, bringing other things to the table that you have.

Todd_T: Just the themes of that

Just

were

so

reminiscent of,

colonialism, of just Oh you’re an uneducated,

heathen, 

let me introduce you to the ways of the universe.

Bill_H: Yeah. Wa that story, man, that final line in Watt’s story just blew me away. And I, he did a beautiful thing there. And that, the paragraph leading up to that, the creature is musing and sort of like contemplative and things sort of ease off and chill out a little bit. Oh, okay, this creature’s okay it’s I see.

And then bam, it’s all,

Georgia: can you see that story being adapted to a film or something visual?

Like

Bill_H: It’s all internal. And I don’t know how you would [00:39:00] do 

Georgia: so

Bill_H: Somebody could do it. Maybe somebody great or

Georgia: something. It’d have

You know? 

Bill_H: But it would be really hard to do, I feel visually, I don’t know.

What do you think?

Joe: yeah.

Todd_T: I haven’t

thought about that, but now that, yeah.

It’s it’s all it is. I mean, that’s what the, that’s

what my Illustration. challenge was with my 

additions. How, you know, it’s the alien talking and thinking and trying to understand why these people are so bad to you know,

you Woke me up.

and now you want to kill me.

What? I just wanna sh I just wanna show you what I know. Don’t know. 

I’d love to see it in a film.

Bill_H: Yeah.

one 

Joe: one of the interesting things is after The Thing assimilated somebody, let’s say Blair, ’cause he probably was the fir or to, I think Blair probably was the first fully assim assimilated. If, let’s go with that. Let’s say one of them. But why the thing. Could have spoke through Blair and communicated with the humans in some way because you would have

Nick: but humans are brash and they’ll

Joe: But [00:40:00] you could have pulled I think you, it probably could have chatted with somebody and be like, Hey, guess what? Or given, be

Bill_H: aside,

Joe: tipped off with the

Georgia: what? Instead of going crazy. Because

Joe: that’s, that was the thing about Blair and I pick on Blair because I think he was digging in and he should have been assimilated if he wasn’t.

So when he destroyed the 

Bill_H: mm-hmm. 

Joe: and went crazy and they locked him in the shed, I guess the assumption was he had not fully assimilated maybe. So he might’ve been struggling. His humanity versus a Thing in his mind, maybe he was this, his intelligence, he could actually parse that, was thinking about it and knew, oh crap, I’m infected, I’m going down.

And then when he got to the shack and was like, Hey, I’m okay, you can let me back in. Was that now the thing like, Hey, you can really trust me again. 

Bill_H: I love that

Joe: I was just

Bill_H: that part

Joe: really one of those things. It was like, Hey I hear noises and

Bill_H: I’m really much better

Joe: right. Yeah. I’m really,

Nick: oh,

Bill_H: I’m

Georgia: ao

Joe: a okay

Georgia: now buddy. 

Joe: You know. Yeah, you’re a hundred percent thing. Now. Maybe back then you were 50 50 and you were really [00:41:00] struggling against you know, this entity in you and couldn’t communicate that you just raged up because you were with the lizard brain. Might have been all that was left of the human the humanity was reduced to the lizard brain, and that was, let me protect, you know, he had all those numbers in his head, which

Bill_H: I always thought that was inter, that was possible. I don’t know. Oops. I always thought it was possible. They, because in the book they make a, they kinda make a big point about not destroying.

The radio equipment and even go so far as to talk about creating fake broadcasts back so that everyone thinks that they’re okay and nobody sends out a search party because a search party, until they deal with it one way or another, even if that means death until they deal with it,

A

search party would mean infection for the world.

So they were, there was a bunch of stuff

Georgia: So like the reporter was wanting to get out there, the

Joe: the word out.

But you, but you also had, which was really clever in a narrative device [00:42:00] in that story, was that you had the paranoia still of the Cold War and keeping secrets. So really it was like,

Georgia: you

mean of the

Joe: Yeah. In there. And so

Georgia: of the,

Joe: were they thinking of this as a weapon? Can we weaponize this?

Because you always you know, like the alien, we need to weaponize it, right? Let’s you know 

Todd_T: Go.

Bill_H: You know, we,

Joe: you know, t rexes weaponize it. You know, that’s

Nick: can I put a machine gun on it?

Write the

Joe: weapons. Can we make a weapon out of this thing? Then let’s go your green light.

Nick: Can we put a laser on a head and have it attack

Bill_H: Like 

Joe: anything. It’s man, this thing’s gonna eat everybody in the world. How can we turn into a weapon?

Bill_H: It already is like, It just, we need

Georgia: That sounds like a good weapon.

Joe: I think we can control this uncontrollable weapon. Okay. Eh, yeah. Let’s do it.

Okay. Yeah. No I wonder if that was part of that and a really nice narrative kind of setup that you had, whereas you’re in Antarctic, you know, Antarctica.

You know, you, you have people coming in probably to check on your supply drops and things like that. I had friends when I was in grad school that would go down and [00:43:00] stay at the science center there studying an Antarctica plant life.

And so they would go and stay down there for months at a time and then come back and they would talk about the supply drops and things like that. Did

Georgia: Did they ever watch The Thing while they were there?

Joe: I don’t, I didn’t

Georgia: ask

Joe: but the other thing is that alcohol was banned. So you, you weren’t allowed, I mean, people smuggled it in, I mean, like anything.

But you weren’t supposed to, it wasn’t actively encouraged. So I always think when I watch The Thing and he’s got his JB and he’s just I’m gonna go to my shack and get drunk. It’s just with his sombrero you know, it’s this kind of,

Nick: I actually do have a problem with one of the first scenes in the thing, the John Carpenter one chess, no. So when they were doing the that was funny too.

But when the Norwegian guy came in, the guy inside busted open the window to shoot him,

Joe: Oh, yeah.

Nick: Windows aren’t easy to come by out there, right? 

Joe: Yes. Yeah they

Nick: I’m assuming they would be thicker than that. You

Joe: mean they’re Swedish?

Nick: I thought it was Norwegian.

you. I was like, wait.

Joe: [00:44:00] that’s what

Nick: I was like, I watched the movie.

I know the film.

Joe: I was hoping I got the do that. But yeah. So thank you. Thank you very much.

Nick: But yeah, I’m assuming

Georgia: been that easy to

Nick: He just busts it over him with his hand and it’s 

Joe: and quick shot too. Yeah. I mean that was,

Nick: very little aiming.

Joe: Oh, aim. I mean, you know, he didn’t even do

Bill_H: you

Joe: twist, neck twist and side it up. It was just go for it. Yeah.

Bill_H: I don’t know. I would imagine they would have thicker

Joe: glass. Yes.

Georgia: Yeah. But,

also 

Nick: frowned upon to just break open a window

Joe: not open it and go out and this Yeah. I don’t 

Nick: he walks out the door, the very next scene like. Seconds later, he’s out the door.

He’s

Bill_H: He’s gotta, he’s gotta protect his men, you 

Todd_T: But there was an active shooter

situation. You don’t know what you 

Bill_H: already shot in the

Georgia: lake. Shot in the lake. The dog’s

Joe: A dog’s licking him. 

Todd_T: Yeah. 

Joe: It’s right there. You can, you get student, the count right there, like pop, all these folks are infected, but then they’re really not, like when they did the [00:45:00] blood test, which once again, can a thing, if it’s a conscious organism, can it choose to display pain or not?

Like you were saying, and you know, Watts version that it was doing these things to be a distraction. Was it really reacting to the fire or was it just putting on a display? Because now it set people up, they’re all tied to a couch and things like that. They got ’em lined up in a row and this is it, you know, distract here.

Palmer can split his head open and juice blood flies all over an aerosol. But, you know, the 

Bill_H: original story, they talk about the possibility of it leaving them sort of. As food for later, like having taken over a couple guys, it knew that they’re in the middle of nowhere and it knew that it might not see any more people for a little while.

So it could just not, it didn’t have to take over everybody. It would just take over people when it needed to eat or when it needed to do something.

Joe: eating?

It wasn’t eating, it [00:46:00] wasn’t feeding off people.

Bill_H: It’s that was their conjecture. They were still talking about it at the

Joe: Oh, I see.

Okay. How it worked.

Bill_H: yeah.

Joe: yeah. So I was like, that’s not it. It would just eat regular food. I would imagine like a can of beans, like whatever they had in the pantry,

Bill_H: or It could, we could, I mean, as you know, we use our stores of fat. Maybe, you know, it could use our stores of fat as well to,

Joe: or did it use the store as a fat to assimilate?

Fat cells are human cells. So are they now? Thing. Sell and Thing. Fan. Yeah, the thing fan, it’s the new,

it’s the new weight loss plan.

Georgia: the whole idea about the com, this communist scare and who’s a communist and who’s not. And there’s those scenes, where there’s those posters about venereal disease and who could have it.

And they’re official, like from the government do you know you know, so it like completely feeds on that home, like paranoia and that.

Joe: I love it too, that they have those [00:47:00] signs up in the base where it’s all men.

What does that say?

I mean, so little progressive there. It’s like 

I was 

gonna, I was gonna add something because we had the, the Campbell story, I was 38 in, in there. But DNA as a hereditary agent wasn’t really known until 44. So when that story was written, it still wasn’t quite, how does DNA,

How does that, how’s that functioning?

How does it act? I think people had idea, but the actual DNA molecule, and that’s a thing in the cell that’s doing the job. That was round then and I’ll put that in the show notes that date and make sure that’s right. And another movie from the nineties and The Stuff

The stuff a little bee a bee movie. And it was these guys are out mining and then they discover something’s bubbling and then they eat it for whatever reason.

Bill_H: I remember. Really? I remember very

Joe: ice cream. Yeah. It’s 

Bill_H: a homeless

Joe: no, that’s

Bill_H: stumbling around and there’s just [00:48:00] white stuff bubbling up and you Yeah. He makes that sound like, eh,

Joe: Just

Bill_H: a bite, loves it.

Starts digging it out of the ground.

Joe: They go, yeah. It’s like the whole thing. They start mining it and it’s just this random stuff coming out the ground. And it’s similar. It takes over the, it’s a parasitic kind of organism that takes over and does that. So I, that came to mind as we were talking, that you have this and then who’s who who’s infected with the stuff and who’s not.

And then it’s just out in the store. It’s like the grocery store. It’s gotta get The Stuff. There’s like a jingle in my head. I can almost hear it still if you haven’t seen The Stuff.

Georgia: It’s a cautionary tale.

Todd_T: I 

have not. 

Joe: fun watch. Like it’s just, if you’re gonna take over people, The Thing needs to do that.

Just getting ice cream, man. That’s you’re

Bill_H: and you’re in

Joe: milk, the cow’s milk. It added

Bill_H: Just

a little sugar, a little vanilla. That’s

Joe: right.

You’ve got it. You’ve got it there. 

Georgia: This

totally doesn’t have to do with The Thing, like the science of the thing or anything, but I didn’t even realize it was Howard Hawks that made

Bill_H: [00:49:00] Oh, yeah.

Georgia: And the 1951 version. And when I read that, he’s one of my favorite, I mean, he made so many movies, but Bringing Up Baby is like all time favorites. And I think to myself, how did that same person make bringing a baby? And, 

Bill_H: he was like the producer of it, but there’s a lot of talk about, he did a lot of, A lot of directing of the film. He was on set and making decisions and

Georgia: And The Big Sleep,

Bill_H: it feels like a lot, all that, like people talking over each other, you know, moving around as they talk and, you know, the even a little bit of sexual tension between the secretary and

Was the captain, you know, like that’s all very hawk and,

Georgia: Yeah. It totally, once I like it came to me, I was like, oh my gosh. And I didn’t know, but Howard Hawks was born in Goshen, Indiana. go.

I didn’t know that. So anyway, I just thought I’d throw that off. You should

Bill_H: have known it. Yeah. Hoosier you all along.

Joe: out. I mean, I really, I enjoyed a movie 51 because there’s just like [00:50:00] two botanists in there on the team.

I mean, botanists were very revered scientists back in the day. And if people don’t know, I, my PhD in botany. So that’s we’re that’s it. So

Bill_H: they’re the real smarties

Joe: when it’s there. You know,

Bill_H: I had a real question for you. The head scientist sort of makes a turn, like in the story the 

Joe: or Who Goes which story?

Bill_H: in Hawks’,

Joe: Okay. Yeah. Okay.

Bill_H: The thing with

Nick: The guy with the turtleneck, right?

Georgia: the

Bill_H: with the turtleneck, he starts off okay, he’s a scientist. You know, and the government rushes in and just starts taking over. And so you’re a little bit on his side, you know, Hey, he’s out here doing his job, trying to figure things out.

These guys come and just start telling him what to do. But then he slowly, he’s his he’s the quintessential sort of crazed scientist where like the science gets in the way of everything else till at the end he’s like telling everyone that they should all, we should all die. It’s more important for this thing to continue living so that it can be studied.

By, but my, [00:51:00] I, there was a real disconnect for me. Eh,

Joe: If

Bill_H: if you are all dead.

Nothing’s going to stop the next group of people from also being dead. Somebody’s gotta survive so the information can serve. The science is great. I love it, you know, but if you don’t have someone to pass that science on, this thing’s just gonna kill everybody, you know?

Joe: I think also in that generation of movies, the scientists, A, they knew a whole lot about the alien

With very little information. And B, they always wanted to communicate, be friendly, you know, the idea that if you travel, light years, you have the technology to travel light years away, arrive on earth, that you’ll have transcended the follies of mankind.

You must

Bill_H: be an advanced species of some kind, except, 

Joe: you know, if we humanize them then and we go, they’re gonna act just like any other advanced species. When they go somewhere new, they [00:52:00] usually go with guns a blazing. Like they don’t show up like, you know, peaceful usually. I mean, we haven’t, so I don’t know why we would expect, like what is this expectation now?

Oh, they’re gonna be so much more different out there, have seen so much more and traveled. Why are they traveling all this way to get here? You know? I mean some, there’s this exploration, so you have this thing where, and I think a lot of the scientists were like that in those movies where they were like, Hey, let’s give ’em the benefit of the doubt.

Maybe they have something they can teach us and you know, yeah, they can teach the takeover. You know, it’s I dunno if that’s like it. So I do think it’s funny that’s. You still see it and I think Mars attacks poked fun of that. Yeah, that was a very

Fun, because that was like that whole hum homage to that genre of sci-fi movies and stories that the scientists were always Hey, let’s let’s be friends.

You know, they can teach us something about something that we don’t know, but I know everything about their anatomy. Got it.

but Yeah.

Todd_T: Is an interesting Contrast

between the two, the Hawks version and the

[00:53:00] Carpenter version.

I mean, not like the original had so Many people.

I mean, it was just like this big

military base versus what, like 12 or 

Bill_H: mm-hmm. That’s

Joe: right. 

Todd_T: Carpenter’s, which just

makes it feel So much tighter,

and more

paranoid ridden.

Bill_H: Yeah. Isolated claustrophobia really 

Todd_T: Yep. 

Georgia: and also all men.

Joe: All men. Yeah. Yeah. The original the 51 movie had at least one

Bill_H: I think there

Nick: were two, and the prequel had, yeah. Two. 

Bill_H: The

pre

Joe: had the couple. Yeah. So yeah, I think they could have used a couple women there that probably would’ve, Hey, you knew you should wear different gloves, bud.

You know, 

Nick: Are you sure you wanna be looking that? What are you doing? That’s right.

Bill_H: It’s fine. It’s imitation.

Todd_T: The eraser, Ugh.

Bill_H: Yeah.

Nick: You just lick your eraser 

Todd_T: no. I was just like

making the motion

Nick: Oh, I thought you went ahead and did it anyways. I was like, you shouldn’t do that. Yeah.

Joe: Todd, we need some blood for the Petri dish test. Come on, flame. Throw it up. That’s an official test we do at the lab. That was in the videos [00:54:00] I watch. It’s if you got questions, just do the Petri dish test.

Go ahead. And so Todd as a question, as you went through and you put together these stories, I mean, did you find, what was the connection or threads and things like that? Bet you know, between the thing as a creature because they, it’s presented different in so many stories. I mean, were there threads?

, I gave my list of what it can do, maybe from a cell point of view, but from a, narrative point of view. I think that’s

Todd_T: of, was a pretty comprehensive list. Like for in doing The Things I wanted to,

I spent some time

In a phone call.

or

I asked Peter Watts a bunch of

questions and,

I. To hear a zu I think he’s a zuo biologist.

Like I, I love the the amount of science that he’s bringing to

his science fiction, like Adrian

Tchaikovsky, you know, like his living creatures just feel so

realistic. You know, it’s like my take from the stories is just like this Thing

Seems it’s like the pinnacle

of evolution even though it’s not [00:55:00] evolution. It’s you know, something different. But

you know, talking about the the distributed 

intelligence and

how would that work?

If the beast gets too big now, you’ve

got latency issues with communicating and just,

I don’t know, as an artist

like hearing, like just

learning so much about this about biology was just, I don’t know.

I found like pretty amazing. 

Joe: Yeah, no I think, I always think of fungal slime molds. 

Bill_H: I was thinking a lot about fungus this time ever. I didn’t know about it much as a kid, but since then I’ve learned a lot more and it is very fascinating and. Yeah. The,

Joe: Except from your beer drinking

Bill_H: Thing?

Joe: a lot

Bill_H: No, it’s just, it’s growing in the corner of my

Georgia: studio.

Bill_H: and don’t look at it and no one will worry.

Joe: Yeast is a a fungus for people out there in the world 

Bill_H: But I thought Watts really brought some really cool things to the table. Yeah, definitely to think about. And talking about,

The way he embodied this intelligence it seemed to have come across [00:56:00] obviously vast distances. It’s come across who knows how many planets and assimilated them or gone through them in some way.

And a big surprise for it was how different this planet was and the creatures on it. And it seems like hundreds of planets that it’s been on. It hasn’t come across that. And I was trying to wrap my head around what that other Thing was. Obviously, you know, it’s marveling at the idea of a brain, a centralized brain kept up in a inside of a skull and like being protected.

And it’s that is a weak failure point. That’s, anything’s gotta just attack that head and the whole rest of that body is done What terrible design, you know? So what’s, what is the opposite of that? What has it come across? I mean, it obviously has some way to think in every cell right? In some way.

So each cell is its own thing. Each cell has its own brain of some [00:57:00] kind. And then when they link up, they commune and share what they’ve learned when they were apart and they grow and you know, their knowledge grows that way. What does a planet of creatures. That look like. You know, what does a planet of creatures look like where there aren’t things with heads or brains where things change shape as needed for?

Joe: and do you have to be? Do you have to be multicellular? Like you could just

Bill_H: just be one big cell,

Joe: a biomass, right?

We think about bacterial mats

Interactions. There’s cheats in there. There are suppliers, they have communities, there are,

Nick: or are they just nomads?

Joe: right? And they just go around. So maybe on their planet they could be the microbes and the high, you know, the hu the quote unquote evolutionary higher organisms.

You know,

the humans 

octopuses, whatever you want. They have evolved that they maybe are gut bacteria they just live in. And it’s so they’re a gut bacteria. So they went to some planet, someone pooped, and then now they’ve infected, and now [00:58:00] it’s oh, hey, we’re free.

We can do all this stuff. That’s, if humans go to other planets, exoplanets, and we do that we’re not careful with our waste, then we would release organisms that may become you know, symbiotic like chloroplast and mitochondria so they could then go in and now co-op cells and become part of the organism.

And do that. And so these Things had to come across other intelligent species that knew how to fly spaceships and travel across the galaxy.

Nick: Didn’t you have a theory about it being connected to a

Joe: Predator? Yeah. Yeah. I had the Predator. I think any of these creatures that come to Earth, they have, was this ship that crashed, could have been, you know, a Predator ship potentially.

So you have your predators going to all these planets hopping around. Would it not hop it, it went, found the Alien. Why couldn’t it hop to a planet that had been completely assimilated by The Thing in this way? And then it became itself. So we got back in a ship, it’s going to this next They go crazy like [00:59:00] in Antarctica. You know, now it’s 13 predators in a ship that’s you know, killing each other in a crash land. They’re eight feet tall, they’re ugly looking and

Bill_H: You know,

Joe: one of ’em thaws and there you go. You got it. You know, a hundred thousand years ago, they’re whatever that, that timestamp,

Bill_H: man, you gotta think that is a heck of a trophy for a Predator

Joe: That’s right.

Bill_H: Planet size, intelligence. You know,

something 

Georgia: yeah.

Joe: yeah. Didn’t, it didn’t work out so well. Probably it’s like they’re coming back. Hey, we got it. We did it. 

Todd_T: So you’re saying there’s essentially one portal to Earth and like all these aliens, like ET went through

it 

Nick: right.

Georgia: Yeah.

Todd_T: of 

Joe: right. 

Todd_T: So they’re all, you know, they might run into each other. We could. have 

Predator against ET and that’s just gonna be 

Joe: You know, planet a

Nick: ET is gonna destroy predator. That thing is a predator in of

Joe: What’s the mini chlorine of The Thing, I mean, I mean,

Nick: Is

Joe: is there a Thing Jedi you know, out there it’s are you, I dunno, are you the are you master Jedi?

Or, you know? Yeah, no, you have that no, I think you could see the thing. I mean, if it’s out there, if [01:00:00] doesn’t take a lot, so that means if, you know, if the, let’s say The Thing ship luckily crashed into the Antarctica, but if it crashed into, 

Nick: Nebraska 

Joe: else, right? Yeah. I’m trying to think a hundred thousand years ago.

Yeah. Nebraska or some

Bill_H: would be dug up

Joe: America, or near the equator where it wasn’t frozen. It might not have died. I mean, you then you have all the biomass. So every plant, all this biomass would convert. So that means anything that came across as biomass would all of a sudden be infected. Yeah. So I mean that’s, you know, so if it just landed in an isolated jungle, all that biomass is converted.

So when you go through exploring, so all these explorers that went out looking for gold or whatever, and they didn’t come back

Bill_H: disappear

Joe: Maybe they became The Thing, they just slaughtered each

Nick: So

Joe: So you can start really spinning that off,

Bill_H: But yeah,

Joe: it crashed, landed in Antarctica, which was smart because then it froze and, you know, was resilient enough to actually be thought and then come back.

And speaking of that, I [01:01:00] had thought about some numbers.

Bill_H: of

Joe: I like thinking the

Nick: He just likes numbers.

Joe: Blair had 27,000 hours. I dunno why he doesn’t say approximately three years, but that’s about three years to infect all life. On, on Earth. And so that, you know, sounds like a lot of time, but I think just looking at it, that started going through different scenarios, the pandemics we’ve lived through now, and ones that have happened in the past.

Kind of a few different models, maybe like the one in Antarctica, you would have this infection, probably containment would happen pretty quick. It would burn itself out kinda like the Ebola. So Ebola is one of these that viruses that you get, you bleed out, you see people bleeding out, and you go, whoa, let’s get, you know, contain.

And you can actually isolate it relatively quickly.

Bill_H: Keep your pencil away from him.

Joe: It unlike, you know, a very successful virus like HIV or , chicken pox, I mean, they hang out and you get shingles later in life. I mean, right? They’re very good [01:02:00] viruses.

Sexually transmitted viruses are extremely good in humans ’cause they just hang out and do their thing.

Nick: Wait. What? Good. Why do you think Good?

I’m

Joe: they’re good at what they do.

Bill_H: doing what they

Georgia: They’re good at being viruses.

Joe: at being viruses.

Nick: I was like, they’re good virus. You know, I enjoy having

Georgia: because if the

Joe: presents itself too fast and actually then, you know,

Georgia: kills everybody and then it can spread and

Joe: and within hours, you know, someone has it, then

Georgia: it can be

Joe: to isolate.

Georgia: isolate. So

if you have 

Joe: something like COVID where it COVID was perfect ’cause it was like, I don’t know if you’re sick or not. You might be a carrier, you might be infected it, you know, have this latency period where it was like you just could have it for, you know, a week and spreading around

Bill_H: moving all over the place, dropping it

Georgia: so

Bill_H: and there and

Georgia: good means it can stick around and spread perspective easily

Joe: the human’s

Georgia: Yeah.

Joe: not from the infected.

So I had 

Todd_T: And then you’ve got, oh, and then you’ve got half of the

Population.

who’s just [01:03:00] oh, I don’t,

Joe: That’s right. 

Todd_T: not worried about that. 

Joe: Yeah. I know they’re not,

Bill_H: let’s have a party.

Joe: so I, I had, you know, there that if the outbreak is misidentified as some sort of neurological viral in this, instead of being truly The Thing that’s assimilating you start doubling every 1224 hours based on some of those assumptions earlier.

Governments are slow to respond, which we’ve seen on an action. Due to human mimicry, right? We could have it to higher top so that The Thing might infiltrate way up. Po politicians. And next thing you know, we’ve got you probably

Nick: wait, they aren’t already.

Joe: there might be mad cow. That’s the mad cow’s conspiracy, right 

Todd_T: would think they’d be better than this.

Joe: Have 50% of Earth’s population, probably 50, 60 days. And in total global assimilation, maybe nine to a hundred to 20 days, you know, a few months, you know, six months.

Bill_H: that’s not a lot.

Joe: You know, and then you would, society would collapse, you know, people would be in bunkers you would start.

But yeah, once, if biomass can be converted, [01:04:00] then the minute you start, like everything then goes all the trees. Like you’re,

Once you do that,

Nick: but what about with those all the toilet paper, tape paper people are stocking up on? I mean,

Joe: I don’t know. I’ll still be there. I don’t, I think the things would eat and still poop.

I mean, I, if they assimilate completely, I think they would use our, if, are they using our biology or are they now? You know, like you said, it’s a, I feel like in a skin suit.

Bill_H: You know,

Joe: and so that’s it. So they have a different internal structure maybe, but I’m sure everything poops. There was a book about it and everything.

Yeah. Yeah. That’s a,

Georgia: I don’t know where this is going, but 

Bill_H: Yeah,

Todd_T: Quoted Everybody Poops.

Bill_H: I

Joe: to eat. That’s right.

Georgia: the

thing to Everybody Poops though and accelerated, you would, if you get to a major city. So you land Chicago, New York, LA, Tokyo, Shanghai, some huge city doubling every four, six hours and you’re really just spreading this around.

Joe: You know, probably a billion infected you, you start getting the numbers, you know, 15, 20 days maybe total assimilation, [01:05:00] maybe 45 days. And the total biosphere collapse. You know, so you would have just complete Thing. This would be a thing, planet, know, it’s a bug planet. It’s a dead planet.

Bill_H: Like that last scene in society where

Joe: That’s right. Yeah. 

Bill_H: Flesh. A waves of flesh.

Joe: it very similar to we, we had an episode, we the grey goo model

Of, of nanoparticle kind of assimilation where you would wash over you know, and just once you have self-replicating uncontrolled assimilation of some, , very small, microscopic particle it would just take over. You wouldn’t be

Georgia: Like you said, it’s a, it’s apocalyptic.

Bill_H: But

that is also

Georgia: a vision

Bill_H: it’s not intelligent. If it is, if it’s intelligent enough to stop and just Yeah.

Joe: I

Bill_H: then that can change Things

Joe: Two things. One could be your scenario that it’s intelligent and it doesn’t really want to be all.

But the other one is maybe it is intelligent and it does want to be all right. 

Bill_H: [01:06:00] Absolutely.

Joe: Or it could be just unintelligent and just mm-hmm. 

it, you know, the thing does what the thing do, I mean, it’s 

Bill_H: That’s

Joe: you probably have three. That’s right. And you

Nick: The Thing does what the thing do love that.

Todd_T: It is I know I should stop. Just like we know we

probably shouldn’t, 

drive so much, but we do. 

Bill_H: I shouldn’t have another cookie. But you know what,

Nick: It looks so damn tasty.

Joe: down this forest, but we need a few more cows. I mean, that’s a, so that’s a that’s you have that. So I think those are but would you be able to tell the difference if you’re.

If it’s happening, Bill, would you be able to go, I think the thing’s really, so you’ll be that scientist, like I think The Thing’s intelligent I can reason with it.

Bill_H: to it. I think it likes me. Hey

Joe: Hey buddy. Hey Joe. What’s going on down there? Hey Bill. I’m doing really fine now. Let me

Nick: Let me out buddy. I’m good

Joe: maybe it’s time for me.

Todd_T: all good.

Joe: Yeah,

no. Yeah, and we, we come to the end the how the horror episodes always go a little longer, so it’s all right.

Bill_H: There’s a lot to dig into.

Joe: I know I, you know, I have a question and maybe [01:07:00] Todd you might lead us off or maybe you’ll pass it. I don’t know. But I

Nick: I’ll

Joe: the 

Nick: No, I don’t wanna answer that.

I’m good. The

Joe: Carpenter Stro Cat, and I think that’s the last scene of the 82 movie.

We’ve got childs, we got MacReady ready there, we got Max sitting there. And, you know, it’s you know, why don’t we just wait here a while and see what happens. So we have the three maybe you can say four, but pretty much three. Everyone thinks Mac is human. Right? We can argue that maybe he’s not.

And I have, so three theories. One is, Childs is a thing and there’s different reasons, and I can mention some of those if you want. Both are human, they’re just there doing their thing, or they’re both The Thing. I think those are the three scenarios that I guess you could say Childs is human and Mac is the thing, but that never, no one ever says that.

I don’t know why, but we could throw four in there

Just for fun. And if there I’m missing one, just go and throw it in there. But yeah, I mean, [01:08:00] what do we think there? 

Todd_T: I’ve

always thought

that Childs was the

thing and that Mac wasn’t you know, just, he’s the protagonist He’s the man of bronze essentially but I

know, Yeah.

I know. There’s all sorts of. theories.

and 

Joe: Yep. Yeah. Bill, what do you got? You not thought you 

Bill_H: Over the years I’ve vacillated back and forth, , I’ve even thought about Mac being The Thing, ? Yeah. But I like the questions. I like the possibility, , the ambiguity is great for me. It’s taken me a while to come to that when I was a kid.

Ambiguity really got on my nerves, but as I got older I started to see how great. The ambiguity makes it stick.

Georgia: I think that’s the beauty of that ending. Yeah.

Bill_H: You keep questioning it. You can’t because it’s

Georgia: and everybody can have a different Yeah. You know what I mean? You could talk about it. It’s,

Bill_H: and you can trot out why you think McCready’s not the thing or why Childs is and you know, and Yeah, 

Georgia: And [01:09:00] I think you can, and you all, you all get the feeling no matter who you think The Thing is, we’re screwed.

Bill_H: I still, there

Joe: that, I just gave

Georgia: numbers there. 50 days, man.

Bill_H: Yeah.

Joe: Because, you know, some scientists are gonna bring it back you know, bring these people.

That’s, you know what, yeah. I think we can make a weapon. Georgia, do you have an opinion or are you’re

Georgia: No I really don’t know, but I actually agree. I like the fact that you don’t

Joe: you wanna keep it ambiguous, Nick, you got something, you

Nick: I think they both are.

both

I really do. But it’s like still dormant enough to where they’re fighting. But they’re like, oh,

Joe: the Blair? He the early Blair.

Nick: Early Blair right now

know exactly you know, where? it’s dormant, but yeah. It’s there. They’re gonna go and, know, we got 50 days, let’s figure out what we’re doing with that. Yeah.

Georgia: Get out that survival guide.

Bill_H: I read that there was a couple different endings filmed. Yeah. And that they tried them out [01:10:00] in a couple test audiences too. They filmed one where it jumps ahead and a plane shows up and McCready’s there, and it was like, thanks guys. I’m real hungry.

You know, let’s get outta here.

Joe: Need to eat

there it is. The response wasn’t enough to the good endings, the happy endings to like. Say, this is definitely the one we should go with. So they were like, let’s stick with the ambiguous one, because

Bill_H: A little more fun. People can mull over it, you But studios are not cool with things

Nick: like,

Joe: they 

Bill_H: not today.

Joe: No. You gotta,

Bill_H: When you spend,

Joe: want tighten it up, this

Bill_H: spend millions of dollars on it, you definitely have to, you know, stick it. And

Joe: unless you got part two coming 

Bill_H: yeah. Then 

Joe: Then you can do

Bill_H: you can do whatever you

Joe: It’s like, all right.

You know,

Georgia: what about you?

Joe: Yeah, so I’m almost think that they’re both human, 

Nick: really. 

Joe: come out and I set this up earlier, there’s a thing running around out there. I don’t think he killed it. I don’t, I think he killed the Big Blair thing.

But I think there [01:11:00] was still some other Thing out there.

So I, I do think there’s two humans and one Thing still out, out in the wild. And I think Mac. I think m knew, knows that. And he’s sitting there and I think Childs, also has his suspicions and they’re just gonna go and they know it’s the end. And those two protagonists, the heroes that was, you know, Todd mentioned that they’re there already.

You know, neither one wants to really go down,

Bill_H: They know

Joe: they’re going down. Yeah. And so it’s can they stay long enough to warn somebody? Can they stay long enough to go there’s something still out here and you should leave it alone.

Bill_H: That’s a good question. How do you do that? 

Joe: Yeah. You’ve 

Bill_H: You’ve got two men in this situation. Everything is destroyed.

Everything’s

Joe: gonna die. I mean, it’s

Georgia: and

Nick: what did you guys

Georgia: they’re in and

Bill_H: Anna at best, a couple of hours before they freeze to death. How do you warn the people that are coming

Joe: right. That’s right. That’s right.

Bill_H: to 

Todd_T: You pee your message in the 

snow. 

Joe: right.

Bill_H: That’s right.

Todd_T: Do not.[01:12:00] 

Joe: Yeah. That’s in English and in Swedish

Todd_T: Yes. 

Georgia: it was 

Bill_H: the thing.

Joe: in a region. 

Nick: Alright.

I do have one more thing before we wrap up.

Joe: You wanna how many Big Macs it takes? No,

Nick: Yeah 

Joe: I do, I did have that. But

Bill_H: Oh boy.

Nick: don’t. The dude who at the Norwegian base who slid his wrist and the blood froze. Is that possible for it to freeze going down like that?

Joe: Depending on how cold Yeah. No, you can, yeah. It will freeze. You can do it, but yeah. So

Bill_H: what I, okay. What I didn’t think is possible. His throat is 

Nick: cut.

Exactly.

Bill_H: That’s okay.

That’s 

Joe: Hey you potentially could cut your 

Nick: both wrist and

Joe: your throat. Yeah, I think you could.

Bill_H: That is dedication.

Joe: That is a lot of

Nick: it’s 

Joe: Yeah,

Nick: I wanna be dead. Yeah.

Joe: yeah.

Georgia: wanna make sure.

Todd_T: is, there’s no

hesitation marks

Nick: no, the problem 

Bill_H: is 

Joe: that they, the, [01:13:00] this Norwegian base, they didn’t get as far along in their science as Blair did

Bill_H: And was it? Yeah. That, that oh, every particle can do this because then you would know blood letting isn’t the way to

go, isn’t gonna help you.

Joe: That you don’t need, you know, you’re still gonna be there pretty much freeze the death. And, you know, that was interesting that they had it

Bill_H: I know we’re running along

Joe: Or I think the other thing, did he kill himself not to become the thing?

Bill_H: That makes

Joe: That was probably

Bill_H: I’ve seen what’s happening and I want to be out of

That’s something that the movie doesn’t really do a lot with, but I was really interesting in the book is this sort of how does the cells communicate so that it, if it’s gonna become McCready, it’s got to very quickly. Know what McCready knows to pass itself off, right? It’s not just a dog or a lion.

Someone’s gonna say something to it and it’s gotta answer back.

Joe: But I think that’s that whole thing about time that it needs to

Georgia: at what point? At what point it may. And is

Joe: the brain or is it just the body? Because if your body is just being converted and not your head, 

Bill_H: taking [01:14:00] over 

Joe: thinking you, and you can still answer questions about your life and everything.

But once The Thing takes over, you’re right. What amount of memories does it get? What command of memories does it have? Things like that. Which some, someone say it, it has

Bill_H: It’s got everything. 

Joe: Yep. Okay. You were saying what was your 

Bill_H: so in the book, there’s a lot of talk, there’s talks about nightmares, people before they’re infected,

Just being in proximity to it are having, starting to have nightmares and have weird feelings and images in their heads and stuff. There’s this. Possible psychic

Joe: Yeah, that’s right.

Bill_H: Yeah, that’s right. You know, that is a very interesting piece that is really hard to do in a film, , but does show up.

The idea is in that a Prince of Darkness Carpenter’s next apocalypse movie, you know, where they’re like getting the dreams from the future, this idea that it’s psychic and even when it’s frozen there, it’s still active mentally in some way. Even if it’s not doing it, it’s it could be [01:15:00] dreaming and we are receiving it’s alien dreams and just driving everybody a little crazy, you know?

Joe: Yeah. That some psychic kind of ability. Yeah. I also think at that time, like ESP was like huge. I mean, that was like, it was like, we’re gonna weaponize what’s

Todd_T: Oh, 

Bill_H: Gonna

Todd_T: yep. 

Joe: I think

That was the talk like that they’re gonna do LSD 

Todd_T: Randys. 

Joe: Yeah. LSD and you know, and ESP that, that was it. That was like the, that was the rage. We’re gonna develop all these new age weapons, but yeah, no, that’s yeah, but you’re right. The book and the 51 movie both had that kind of psychological telepathy. Yeah.

That you have this higher organism that can manipulate across mental distance and, you know, have this kind of control. But yeah.

Bill_H: it was great in this story how like this, all these guys, these scientists were just like. If it’s anything like the look in its face, it’s evil, then we must destroy it. Yes. Look at that face. It’s the face of pure Evil. they were so [01:16:00] quick to judge that thing. Look at those eyes.

The look in his eyes. If I’d known that was in those eyes, I would’ve just destroyed it.

Joe: Yeah.

we would’ve blew it up.

Bill_H: Wow. Okay guys. Yikes.

Joe: Yeah. I mean it is The Thing evil, right?

That’s it. Exactly.

Bill_H: all judgment.

Todd_T: You know,

Joe: Cool. Yeah, so probably wind down a little bit here. You guys wanna get anything cool coming out or anything? Folks, you know, they’re all hyper excited. 

Todd_T: I’m 

Georgia: Around 

Todd_T: yeah, so I just I just sailed to Antarctica in

February and so I’m working on some books from that. And

one of them is basically a, I have a goal to now that I’ve made an,

addition of Who Goes There and The Things I’m writing and gonna illustrate essentially like my own story

in that 

universe. 

And it’s going to take place in the early 19 hundreds. So it’s sailing ships

and people crashing on shore and stumbling into [01:17:00] things weird.

Georgia: Oh wow. 

That’s awesome. Yeah, you guys have to

Joe: out and your website is,

Todd_T: Angel bomb.com.

Joe: It is. So yeah, go check it out. Check out

Georgia: that’s amazing.

Joe: Really fabulous. Work the, you know, letter press work and things like that. You know.

Nick: Yeah. You absolutely have to check out these books.

They are, they’re phenomenal. So fricking cool.

Bill_H: There are pieces of art and awesome stories on your shelf.

Joe: Bill

when you got anything coming up

Bill_H: have anything particularly interesting going on. I’m sorry. Just your average, you know. No. We’ve got some talk about the new cryptic closet coming up, but that’s not for another, that’ll be out next October,

Joe: gotta have a, we gotta have a thing s story in there, right?

Bill_H: that would be great. You know, I missed my chance when we did the 3D story. In, in, in one of these books here, The Thing is revealed by some UV light, right? Yeah. Is it in the thing? 

Joe: yep. The Things, yep. 

Bill_H: It’s awesome.

It’s invisible to the naked eye. You black, [01:18:00] you put the UV light on it and you can see it.

Joe: Yeah.

Georgia: Yeah.

Bill_H: We did a 3D issue Yeah. That I wrote a story for, but I just didn’t have the time to work on, and me thinking was like, how can I do this differently than just.

And a 3D story I gotta always make it harder on myself for no particular

Joe: You gotta do

that. That’s what artist 

Bill_H: so I, I wrote a story ab about a interdimensional infection where a character becomes infected by something that he can’t perceive.

And the idea was 

Todd_T: Ooh. 

Bill_H: When you, the red and blue would be printed on the page, you know? Yeah. But you wouldn’t be able to like, suss out what was going on there with the naked eye. And when you put on the glasses, it would like, you know,

If you look through one lens, you could see things normally and through the other lens you could see that he’s actually covered in invisible interdimensional parasites.

Georgia: I love that.

Bill_H: And I’m working on

Georgia: put on the damn glasses. Yeah, another

Joe: Carpenter [01:19:00] favorite. They Live, yeah.

Georgia: Yeah, exactly.

Joe: Put on the

Bill_H: Fantastic.

Joe: You are gonna wear these glasses. Yeah. Cool.

Nick: Thank you again guys, for joining us.

Bill_H: Thanks so much for having me 

Todd_T: you. Thanks for having me. 

Joe: Yeah.

Bill_H: reason to rewatch these movies definitely. I mean, any final thoughts, Todd? Bill, as we come, we’re gonna wrap up on anything we missed or you wanted to really say about The Thing and The Thing universe.

I’m much better now. I’m fine. I can come back in.

Todd_T: Clark.

Clark. 

Bill_H: right. Yeah.

Georgia: It’s

Joe: Sweeds. Cool. You have, we have me, Joe, you got Nick.

We got Nick Georgia. We got Georgia, we got Bill, we got Todd and

Nick: we went down some hole. Are you sure we went the hole? Wait, I think we went the 

Georgia: hole. Which hole? Which hole?

Joe: Who? Who Goes There

Bill_H: Is that next week?

The witch [01:20:00] hole

Nick: That’s next year’s witch hole.

Bill_H: Oh, I want to be on that one. Yeah.

Joe: We love y’all. Stay safe, stay curious.

Nick: Bye-bye. Cheers.

Transcript for Rabbit Hole of Research Episode 46: Slashers

Recorded at Reed’s Local


Joe: [00:00:00] Hey. Welcome back to the Rabbit Hole of Research down here in the not so basement studio.

Nick: we’re away today.

Joe: above ground today

Geo: are we?

Joe: we’re here at Reed’s Local. If people remember last year during our month of horror, we were hosted here at the Reeds Local in Avondale, Chicago, Illinois to record our fabulous episode, and we are back today to talk about Slashers here.

We’re all crewed up. You got me, Joe,

Nick: you got Nick.

Joe: got Nick. From

Geo: Georgia,

Joe: and we have Georgia here. We have our 

Melissa: Melissa. Melissa, 

Joe: Melissa. Melissa’s here. Do you

Nick: you for having

us.

Melissa: course.

Nick: hey, we got some new people down at the end of the table.

Jesse/Alana: I am Jesse. 

And I’m Alana.

Joe: and Alana from

Jesse/Alana: oh yeah. We are the from slasher sauces, the hot boutique, Chicago [00:01:00] boutique hot sauce company,

Joe: Nice. There you go. All things slasher all the time here on this episode. So yeah. I

Nick: I don’t even have to bring up Robert the dah this episode. It’s great.

Joe: gosh.

Oh,

Jesse/Alana: Oh,

How

dare you.

Is it 

still recording? Did 

Geo: oh my

Joe: We’re still recording. A little flashback

Nick: It’s ’cause I don’t have

Geo: No. Yeah, thanks. Last

Joe: year’s horror

episode. it. I knew

We we mentioned that particular doll and then we had recording difficulties. Our recording cut. So if you remember, you go back, you can listen to you to five minutes that did get recorded and then.

The noise that happened. Yeah, it was a whole thing. So I say go back if you wanna get freaked out. yeah, today we’re here to talk about slashers. So I do have, I have my open and I have a list. I’m gonna do 

Nick: You have lists today, one. 

Joe: It’s it’s been a while since I’ve done both the open and the list, but

Oh boy. 

Geo: We’re in for a treat.

feel

Joe: I would like to give the list right up the top and then

Nick: I mean, list it up.

Joe: And

then we got a lot of people. So let me, lemme do my open about slasher. A slasher [00:02:00] film is a sub genre of horror centered on a relentless killer, usually human, sometimes superhuman or supernatural who stalks and murders a sequence of victims, often with a bladed weapon or other intimate means of killing.

Unlike supernatural horror, slashers thrive on physical pursuit, vulnerability, and the illusion of in inevitability, no matter how fast you run, the killer is just behind you. But it’s slasher isn’t just a horror film, it’s a ritual of fear. A mass predator, a string of victims, a final survivor death delivered up close, not by fate or monster, but by a human hand that refuses to stop.

That’s what makes Slashers different. They aren’t about what lurks in the shadows, but about what’s chasing us in the open. The slasher isn’t just a genre, it’s a mirror each, every decade we watch as it kills who we used to be and warns us about who we are becoming.

So that’s a

Jesse/Alana: spooky. Spooky.

Joe: Whoa.

get us [00:03:00] grounded a little bit further. I kind almost give the brief history of slashers, get that

Nick: have a history of slashers slasher,

Joe: a

Come on, Joe.

Nick: Oh, we aren’t gonna slash this.

Joe: I come, I’m slashing

we’re slashing this

of time. 

Jesse/Alana: I wanna know 

Joe: So I went back and I tried to find what’s the, like the oldest, you know, like I do here. And it is, it’s not the Giles or.

you know, 

Nick: I’m shocked. I thought you were gonna 

Joe: no, but the oldest proto slash year that iconic Could Source and Vine. 1846 Sweeney Todd. And these are novels here. We’re gonna start in novels before we get the film. The string of pearl novels series. They were the first kind of human serial killer archetype.

Then we had Dr. Jekyll and Mr. Hyde Robert Lewis Stevenson in 1886. Kind of a 

Nick: Wait, so 

Sweeney Todd was before Dr. Jekyll, Mr. Hyde.

Joe: It was by 40 years, according to my

Nick: Wow. I did not realize that.

Jesse/Alana: I didn’t know Johnny Depp was that

old. 

Nick: Yeah.

Joe: He

Nick: just like Nick 

Cage, he’s a

Joe: looked damn good for that age, you know.

You know? You live [00:04:00] forever.

No. Okay. And then we had the, No, you’re fine. Yeah. Yeah. And then we had the lodger Marie Ock Landis in 1913. And that was based on Jack de Rip. And it followed like a mysterious lodger suspected of murdering women in London. Those are the novels that probably set the kind of the proto slasher.

And then we go into film Proto Slashers,

and we start with the lodger, A story of London Fog, 1927

Nick: I love that drink. Yeah.

Joe: Now that’s often called the first slasher film prototype. And then we have M 1931 by Fritz

German, A masterpiece about a child murderer, hunted by police and criminals. Introduced a concept of a sym sympathetic killer in psychological realism.

And then kind of the oldest slasher movie. Georgia was quizzing me like yesterday about this, and I couldn’t think of it, but it’s Psycho in 1959. Once again, Albert Hitchcock. And it was adapted from a novel Robert Blanc Blanche 1959 novel. And it was [00:05:00] inspired by the real murderer of Ed Gein.

You got something.

Nick: I love that

Geo: that, I don’t know if that date’s right,

Joe: Not 1959.

Geo: I’m not sure.

Joe: I’m not sure. Okay. We’ll check. We’ll fact check here. 

Nick: It’ll 

be in the footnotes. Don’t worry guys. 

Joe: show notes.

And then there’s some debate on what with the oldest modern slasher film be. And there were kind of two. One was black Christmas in 1974 Bob Clark with anonymous killer terrorizing women in sorority house.

And then you had the Texas Chainsaw Massacre in 74. Also Toby Hooper. And it replaces a suburban voyeurism with rural kind of brutality and murder. So kind of switching that flipped there switch there. And then we have in 78 probably the master, the standardized, the genre, and that’s Halloween by the Great John Carpenter.

Yeah, so that’s that, that’s my list there to

you know what, it was 

Geo: actually 1960. Oh,

Joe: it 1960? Not 1959.

Geo: Sorry that’s splitting hairs. I’m sorry, [00:06:00] but I knew for sure it came out in the decade of the sixties,

Joe: in the sixties. Oh boy. Did I get that? How did I get that

Geo: but 1960, you’re only a year

Joe: all my dates 

Geo: I’m sorry.

Melissa: And

Joe: know the theme while you’re fact checking I did do, like I do a hundred word movie review every month in the zine.

Melissa: And this month was Halloween.

Oh.

It is like a trite thing to review. However, I was like, I did it because we just got the Halloween pinball machine and I think we might be the only bar in the city with Halloween pinball right now. It’s from spooky pinball and it is so fun. I’m not doing this to advertise pinball, I’m doing this to advertise that after this, we’re all gonna have to play each

Geo: Oh I am totally down for that. Yes. Oh my gosh.

Joe: the novel was 1959, so I had my, sorry. That

Nick: I can’t believe you got this wrong,

Joe: out. I did, I got it.

Nick: Joe. I don’t know if I could trust your words anymore.

Joe: I gotta redo

Geo: in my head. I thought it was later in the sixties to be fair.

But

Nick: surprised you aren’t blaming Robert the doll right now.

Joe: Steve, [00:07:00] stop talking about Robert. Ow. This 

Melissa: is the

this is the contest to

Geo: Why are you gonna keep doing

Melissa: or librarians.

Nick: It’s like Beetlejuice. You have to keep bringing it

Geo: No. Stop it. Stop.

Joe: that. Yeah.

But

cool. Yeah, so that’s the list. Now I gotta, now I’m like, I gotta check my other dates now, but there’s a book and a movie and I had the 1959.

Okay. Nevermind.

Geo: I would say Halloween never gets old. The movie Halloween. Yeah. 

Melissa: No, But

so which is your favorite Halloween movie of the 19? No, there’s 13. There’s 13 of them I think.

Geo: Yeah, 

Jesse/Alana: there’s

so many, there’s so many different cats. Cats. You can go down to, God one’s amazing.

No, I’m just

kidding. I

hate the 

Melissa: unpopular opinion. Halloween three,

Geo: really? I

Jesse/Alana: I am, 

we are actually very big fans of Halloween three. We are working on a Halloween three hot sauce for sure.

Very nice. I to be the model with the pumpkin on

Melissa: Oh,

Wow.

Nick: You wanna go a little closer to the

Joe: Ain’t the mic?

Jesse/Alana: Oh, for the reference picture.

Joe: Yeah. 

Just,

Geo: You don’t really I’m

Jesse/Alana: learning microphones over here.

Joe: Yeah, you’re [00:08:00] fine.

Jesse/Alana: Yeah,

I get to be the Halloween head for the. Hot sauce Image,

Melissa: Ference. That’s Yeah. She smelled like a child, so it’s perfect.

Jesse/Alana: Put me in front of a TV and I’m good to go.

Nick: Hell yeah.

That you,

Geo: tell,

Melissa: Is it gonna be a pumpkin based one

Jesse/Alana: We haven’t decided the recipe yet.

Sure.

Joe: Pumpkin

Geo: Now it’s decided right now.

Jesse/Alana: I like that. That a really good idea. We’re just like, we’re tweaking some stuff, but Yeah.

Geo: so tell me more about slasher sauce and when did it start And

Jesse/Alana: so it started loosely back in 2015 in North Carolina, but then we picked it back up during the pandemic.

Al and I. It’s, we’re like a Chicago, like boutique horse, so like we company, so so we kinda make ’em like small batch and stuff, like from, you know, just a try and trend as, as small as we possibly can and just like we do markets and stuff like that. But it’s started out like small.

We just like finding it different recipes and like building stuff. Like we’re all new. I’m a terrible cook, Alana, we’re all terrible cooks in our family. 

I set off the [00:09:00] fire alarm when I make a grilled cheese. It’s awesome. 

Yeah so we, we just we’re like,

okay, why don’t we just make like sauce that is. That we can cover up our mistakes and our food, you know, kind of deal. So we started really like working on that and trying to come up with some stuff and like trying to like, challenge ourselves to get hot and hot. But we focus mostly on more flavor overheat kind of deal, you know?

So it’s like we’re not trying to like, murder you or anything, even though like our hottest sauce is classified as murder.

Um, Soon

it’s gonna be open casket or closed casket as our as our hottest sauce. Hottest. Hottest,

yeah. But they’re, yeah. 

Geo: you’re out front about it, you know? 

Jesse/Alana: Yeah, for sure.

Yeah, it’s mostly it’s mostly like medium based, so it’s good for grandma’s is good for anyone, but like the hot heads and stuff are gonna have trouble with kind of like dying for it, but like the flavor is absolutely where it is.

So 

yeah, more focused on flavor than heat. 

Yeah.

Joe: I think that’s good. No,

Jesse/Alana: No, and then 

Geo: every flavor is based on a slasher movie. Yeah. So 

Jesse/Alana: every bottle has its own little lore to it. So like we have, our first sauce we did is a called Green Inferno. It’s based on cannibal Holocaust, which are most mild hot [00:10:00] sauce, but we tried to make the most brutal possible, you know, so so we did that one.

We’ve got a Texas Chainsaw Massacre one. We’ve got the Shining it’s called like Overlook Orange Sawyer Family Brew for Texas Chainsaw Massacre the Forbidden that is our Candyman hot sauce. We’ve got FCIs Fire, which is our zombie hot sauce, zombie jerk sauce, and then fruit Cellar, which is our evil Dead.

Okay.

my personal favorite. 

Oh yeah. That’s fantastic.

Melissa: so good. I was, my two favorites are the fruit cellar because I love hot sauce, but I also wanted to have flavor and that was awesome. And then they told me a pro trick for the F juice fire one, which I couldn’t figure out what to put it on.

And then they said, Thanksgiving dinner. And I’m like, so anything that is could be Thanksgiving dinner. It’s amazing. On

Geo: Wow.

Jesse/Alana: oh, it’s so good. Yeah.

Joe: Is that just a, you think about Thanksgiving dinner and you put it on so you could be

Melissa: I mean, yeah,

Jesse/Alana: You envision

Thanksgiving and then you’ve got it. Yeah.

good.

Just drink some hot sauce and think about Turkey.

Yeah,

Nick: got it, of course there is the [00:11:00] Thanksgiving movie.

Jesse/Alana: Yeah,

That’s

right.

Geo: you go. So there

Jesse/Alana: then than killing. And then there’s, you know,

Joe: Yes. That’s

Jesse/Alana: poultry

Melissa: met them because of the hot sauces. ’cause some friends of mine, the friends you met at the last PO podcast, Steven from Killer Pinata, I saw that they had posted that they had gotten some of these hot sauces. I’m like, wait, there’s horror movie Hot Sauces in Chicago and

I don’t have them

yet in my collection.

So I put in an order and then Jesse and Alana were like, oh, we know Reed’s. And then we became 

Jesse/Alana: We literally

lived right around the corner at the time. So we’re like, we’ll walk by and bring you some hot

sauce. 

Joe: And I think you know, hot Sauce is interesting because like a good slasher movie when you try it, there is some anticipation mm-hmm. of the heat. And that fear and that moment before you 

Jesse/Alana: is great. 

Joe: you know, to try it. You do have

this, and 

Geo: then you have the chasing you afterwards, if we all know what you mean.

Joe: that’s not I talking 

Jesse/Alana: to the bathroom. Yeah. Got that little heat that sticks with you for a while. You keep looking at the

hot sauce is you 

Joe: [00:12:00] one drop or do I put like the whole bottle on? Like where do I need 

Jesse/Alana: It’s always lingering over your shoulder

Melissa: Wait until they come out with that neon green when they’re working 

Jesse/Alana: Oh yeah. Good point. Yeah. Mm-hmm.

Joe: I do think that’s a, go ahead. No, I was just saying that’s a, it’s a cool

a good tie in. Yeah. 

Jesse/Alana: it. 

Joe: Yeah.

where you’re going and

Geo: and I was gonna say, I we went down a rabbit hole, but but to answer your question, I think just the traditional Halloween one, I just, that’s mine.

Yeah. What about you?

Nick: Oh. 

You to come back to me ’cause I have to think about this still. It’s a hard Is it H2O and you just don’t wanna

Joe: I know. Yeah.

Melissa: Yes. 

Nick: It’s trying to justify it.

Jesse/Alana: Okay. Wait, I have to, yeah,

Joe: you’re good.

Good. There’s no 

Geo: judgment. No judgment. 

Nick: So what about you guys? What’s your go-to?

Jesse/Alana: I mean, I think one still for me, like it’s classic, you can’t beat it. What we do every year is a spooky, we, it’s every, you know, 31 movies and in Halloween to, to Halloween, but you can always repeat Halloween.

On Halloween. It’s it’s a super important film. Like it really broke the mold for [00:13:00] a ton of films after that. So you gotta pay Hom much to where you can, 

I’m still torn between one and three ’cause one is classic so good. And my first time seeing it was at the music box, so that’s hard to beat.

But then I love the season of the witch. It’s so good and it’s just different and I love it.

Joe: Yeah,

Jesse/Alana: That’s me.

Geo: You didn’t answer Joe.

Joe: Yeah I, once again probably the, and I would go with the classic probably more that I remember it. It is like in ingrained it was early on, you know, so I was probably a young, I’m not sure if I saw the thing or Halloween first, 

Jesse/Alana: Oh yeah 

Joe: I probably was in, in between those.

But yeah, no I saw it when I was young and so that’s just stuck with me and probably just carried on. And all the other ones were good. The first three I think were good, but I, my memories all come back to Halloween and that’s the one I probably have seen the most. So you always kind of gravitate to that.

And none of them, [00:14:00] I don’t think, in my mind, as in people on the podcast have heard us have this discussion. I don’t think any of the other ones were better than the first one as good maybe, but not better. So in that, I’ll go with the first. But

Jesse/Alana: I 

agree. 

Joe: Okay. that, 

Nick: pretty good. Like I’m looking through them and I’m like, I can’t say I don’t like any of them. Like they aren’t as good as some others, but yeah,

Joe: Yeah,

Nick: it’s they’re all watchable and I’m gonna enjoy the hell out of it.

’cause it’s

Jesse/Alana: The original’s hard to beat though.

I fell off when Rob Zombie made the second one. I was like, okay, I’m done. I think the white horse running through everything. This is far from Haddenfield.

Geo: I might have missed that. It must have met, I haven’t seen

Joe: the last 

Nick: Halloween. end. 

Joe: Halloween

Jesse/Alana: Don’t waste your time

Joe: okay. There

Jesse/Alana: personally.

Nick: it was just a, it was something

Jesse/Alana: The first in the series was great. Like Di Debbie Gordon Green’s fantastic. But yeah, it just, ah, it fell off hard. Yeah. So hard.

Joe: Yeah. I mean, and then this swing back a little bit, like [00:15:00] why we enjoy I figure everyone here enjoy is a good slasher. Movie. And so kind of that get to that core and what’s it actually doing for people when you watch it? And so there’s a lot of psychological cues that we get out of it.

We talked a little about anticipation. We talked a little bit about kind of suspense and going through it and somewhat as we go through and you think about our favorite movies and putting us that as you go through that really your brain is testing scenarios.

And

as you go through the best of the slasher movies, you have some testing of the scenarios as you go through until you get to the final, usually the final girl 

Geo: Wouldn’t you say that’s true of pretty much all horror movies? Or are you saying that there’s something specific about slasher horror movies? I 

Joe: think puts the spotlight on it more than maybe other horror movies. Because I mean, a slasher movie, ’cause it’s a, yeah, it’s a sub genre in a slasher movie.

Usually it’s more intimate in the [00:16:00] killing,

Nick: and it’s more of a humanoid

being coming after you. So it kind of grounds it a little bit closer to your own reality, 

Jesse/Alana: Closer to home. 

Nick: Yeah. Like the anxiety of that person walking a block behind you, but you can still see them staring at you, even when you turn the corner and they turn that same corner.

You’re like are they following me? Are they gonna kill me? But it’s that more human aspect that Slashers have,

Joe: yeah. 

Jesse/Alana: And I think the incapability just the kind of no matter how fast you go or loud, you yell at them or anything. They’re just going to keep coming. And you can’t reason with it. And it’s terrifying.

Joe: Yeah. And you have usually have a start where. Everyone’s unaware, right? So you go in, in a scenario and even your own self, you put yourself in that spot. The first maybe one or two people that get it get killed. They really had no plan. ’cause they weren’t planning it before anything like that.

So they went, I mean, there’s some slashers where they do something like, we’re gonna go to [00:17:00] this place that’s haunted, do a Ouija board in the haunted basement. And then you know, and then

so you know,

someone becomes they,

Nick: I don’t know why you guys have not let me,

Joe: because

gonna happen. We see that movie. But other than that, most time you go, you’re unaware, just doing your life or whatever, your event, and then the first couple people get killed, and then you have that next phase where , it’s a, the fight flight, 

so you have the unaware, the surprise, and then you have, are you going to run or you gonna fight, right? And you have that stage and it’s really clear.

I think 

Geo: The odds go up if you are a teenager having sex,

Joe: of getting Send, send Sin dies first.

Nick: oh yeah,

Joe: Yep. I

was gonna say somewhat, that’s that’s could be the decade, 

right? Because I think that’s 

got played upon more than other decades where we have it.

And now it’s just become a trope that we expect that, early on you gotta see some boobies and a blade and that’s it. That’s a yeah.

Jesse/Alana: Yeah. You gotta look what’s going on like in America during the time For sure. Like the moral police and stuff during you know, all that [00:18:00] stuff. Yeah.

Joe: So yeah.

But,

Nick: so I do have a thing where I believe that everyone knows the song. Every breath you take, like by

Jesse/Alana: Yeah. Yes.

Nick: It’s about a serial killer. 

Jesse/Alana: Yeah, yeah, for sure.

Nick: Okay. ’cause 

Jesse/Alana: stalking people.

Yeah, exactly.

Nick: like that song I think does wrap up the slasher genre. Like this being is watching you in every position, every time that you’re doing whatever.

It’s oh, cool. That’s the exact feeling that you get when you’re in a movie.

Jesse/Alana: I mean, he’s got a name like Sting. Yeah. So

Melissa: it’s a 

Jesse/Alana: he’s already made for it.

Joe: I mean, if we’re,

Nick: a good name for it. 

Joe: You’re talking about stalker songs, I think Lionel Richie 

Melissa: Hello,

Joe: you know, that’s he’s essentially, 

She’s blind and then she makes a model

talking about the, of you’re 

Geo: talking about the music video. So

Joe: model of his face and she’s blind.

So that means she’s not making it outta admiration. She’s this is my stalker. This is [00:19:00] like calling me up, breathing on the phone, like hanging up with me. It was like kind of a weird video. If you think about,

Nick: were the 

eighties, just the time for,

Joe: I

he was a serial killer and she was gonna be the next victim.

I think it was just lining up and she’s trying to warn people, like she’s the one making a model. She’s the final girl. This is it. 

Jesse/Alana: And this is who did it?

Yeah. 

Nick: believe you. We blind.

Joe: is a great love story. No, this is gonna end.

Jesse/Alana: police sketch. Yeah.

Joe: Yeah. 

Jesse/Alana: Have you seen this leprechaun?

Joe: no, it’s so yeah, that one there is low key kind of slash air.

Like he was, you know, he didn’t do, he didn’t do thriller, so he had to come up with his own kind of low key slash air video. Lionel Richie, I love Lionel Richie, so don’t take this. We’ll get him

Nick: get ’em on the show and have ’em,

Joe: You’re welcome to come on, defend that video. 

Melissa: I think to backtrack too, another reason why slasher films stand out in the horror genre, like you were saying. There’s so much to it. There’s so much more intimate and my favorite genre of horror movies is actually creature features. My second one is really [00:20:00] bad.

Oh, the Conjuring series. I love to hate watch it so much. Oh yeah. I love ultra serious bad ghost movies, but slasher

Nick: that super religious overhanging of

Melissa: they’re so bad. I love them.

Jesse/Alana: So

Melissa: Love watching that shit. But slasher films are the ones that like, they’re the only ones that actually terrify me because it’s like, you can reason with ghosts or get an exorcist, you know, creature features, I mean,

Joe: hold on. You can reason with the ghosts?

Melissa: Troll

two kills you.

Like you go to nil bog, you’re like, these things are kind of 

Jesse/Alana: Wouldn’t be the worst way to go

Melissa: a plant and eat you. But like slashers they’re terrifying because some of them can be so realistic. There is no compromising with the killer. They have one mission and that’s just stab stab.

And that’s,

Nick: See, but

The part that makes me laugh so much.

Jesse/Alana: step

Melissa: how it’s

Joe: And I think that’s what separates like the predator.

Yeah.

From Being

a slasher. Because he does com if you’re [00:21:00] pregnant or you don’t have a weapon or you’re not engaging in, he, there’s some moral

Geo: also he doesn’t use, he doesn’t use a knife.

Joe: he does. I mean, yeah, he does a lot of times. 

Geo: Okay. I was, I guess, I think I can picture everybody holding guns in that. I guess that’s where the people against the predator. Yeah.

Joe: I think there’s like some, from his point of view, there’s some honor in kind of the hand to hand going in, just killing, and he is stalking, he is almost unstoppable. And so that is fits almost.

But then you go, as Melissa was

Jesse/Alana: like a career. A career breaks it, you know, if you’re like a hunter or like a assassin, like that’s, those aren’t slashes, they’re still killing people. Like brutal ways.

Yeah, exactly. Yeah.

Joe: And intimate. Usually you’re very, you’ve been tracking, you’ve been following, you’ve been, you know, stalking in that way.

But the real horror is that you can’t reason. So you are being chased. You can’t reason, and you don’t really, at some point you don’t know why you’re being hunted. Like usually in all these other scenarios, you know why at some point you go, oh yeah, you know, I’m a mercenary. I see why someone’s coming after me, or I used to do this, I know why.

But [00:22:00] here you’re just kind of at the camp trying to get your freak on, and then you get a pitchfork through the chest, right? 

Jesse/Alana: There’s no reason, there’s no rhyme. It’s just random, but it’s you and you’re gonna die.

Joe: Yeah. 

Melissa: And I think also, it’s also probably, ’cause I’m reading it right now, finally after years, I picked up Helter skelter to 

Jesse/Alana: Oh wow. Yep. And

Melissa: and you know, I, oh it’s so good. I’ve listened to podcasts about the Manson murders and all this, but you know, like you were talking like about a moral code.

And I’m like, that’s why I think slasher films are so terrifying because it’s like they had no moral code. It was, you know, it’s disgusting. It’s horrifying. But I still do love slasher films even though they scare the shit outta me.

Disgusting.

and I do love reading about horrible things that happened out of like a anthropological perspective and historical perspective.

Geo: And I think body count, there’s usually a lot.

Yeah. A high body count.

Jesse/Alana: That’s a reason for

sure. Yeah, two Because like psycho, that’s why Psycho

Geo: is

more of a pre [00:23:00] slasher. ’cause 

Joe: they’re, I mean,

Nick: have sequels. I’m pretty sure he ups his body

Geo: I’m just considering the first psycho,

Joe: guess you don’t, I mean, do you need a high body count to be, I mean, if you kill four people

I think that’s a 

Geo: characteristic of slasher movies. Go is a higher body count.

Joe: yeah.

I think you need a higher body count to go through those phases. Kind of the unaware, the, flight and then the fight. And so I think you have that. And I think in psycho, I mean, I guess you did have the fight at the end. I don’t know if you went through all the stages, you only, you didn’t have enough characters to make your way through that psychological kind of climb.

So Yeah. So I agree. You need numbers, but 

Jesse/Alana: He did have a two body count, didn’t he? Did he kill his mom? I thought he killed his mom.

I think it’s just kind of open-ended and we’re not told. Yeah, but so it’s potential two body count two, which is better than one for a slasher, I guess

Joe: three.

Nick: See the having just one for a body count, that’s just you’re kind of a lazy slasher, you 

Melissa: That’s just a mistake.

Nick: It’s

Jesse/Alana: we’re gonna 

gate

Geo: You need to [00:24:00] get out more.

Jesse/Alana: that’s not enough to be a

Nick: those are rookie numbers. You

Jesse/Alana: Yeah. You gotta bump those numbers away. Way

up 

a candyman, I mean, it wasn’t particularly high body count in that movie. We just watched it. 

Nick: I assume that he has a higher body count that you don’t 

Jesse/Alana: From previous. 

Joe: I know,

maybe, But 

Nick: that’s not 

Joe: the murders they were talking about, they, it was very limited and it was, and there was some,

Nick: wait, what movie are we talking

Joe: Candyman.

Nick: Candyman. 

Jesse/Alana: Candyman.

Melissa: in front of a mirror

Jesse/Alana: Oh no.

Melissa: in

Joe: Ow. 

Nick: a mirror right there. I was hoping it would work.

Jesse/Alana: Stop it. Five.

times I still don’t do

it.

I don’t do

Melissa: Me neither. I don’t do that. I 

Jesse/Alana: I do 

Melissa: bloody Mary,

Jesse/Alana: Buddy Mary do that in

the Caprini Green, like target. Yeah, 

Melissa: oh, I’ll do Beetlejuice any day. That’s fun.

Jesse/Alana: I don’t

do Bloody

I don’t do that. chaotic gifts. I do all of it. I just, you know,

Geo: Do you do Helen something? 

Jesse/Alana: They never Do 

Geo: Helen? 

Jesse/Alana: do. something. Never.

Joe: I think the other thing with the slasher kind of the other unique thing is the point of view. ’cause [00:25:00] oftentimes you get both the point of view of the actual killer. And then you also get the point of view, which in movies usually don’t switch to the protagonist and antagonist.

Usually you follow one through. But in a lot of, in most slashers, you do get the other viewpoint of the person being slashed and doing the slashing or the actual hunt like your, the prey, 

Nick: so would sleepaway camp be considered a slasher then? Like sleepaway camp?

Joe: away 

camp?

Melissa: Yeah. 

Nick: Yeah.

Really 

Jesse/Alana: it would, yeah, she could, she got high body count, I’d say. So

Nick: like it. It does fill most of the, I didn’t see the sequels. I know there’s. 

Jesse/Alana: I didn’t know there was a sequel. Oh, there’s a 

Melissa: of ’em.

Nick: Yeah.

Joe: Sequels and slashers usually fall off like there’s a steep cliff. Like you have the first one you build

Nick: It really depends

Joe: You throw in everything

Nick: heard good.

I haven’t seen the second or third Terrifier, but I’ve heard great things.

Jesse/Alana: Mm. Yeah.

Melissa: Listen, you guys are dissing Scream for, and I’m not gonna stand for that.

Nick: I didn’t think anyone did Scream. We haven’t even

Melissa: broad.

Nick: Scream up. 

Melissa: Yeah.

Jesse/Alana: I know 

Nick: [00:26:00] does that one count? ’cause isn’t it a different killer?

Jesse/Alana: I think that

Joe: Well, you can be a different

Jesse/Alana: Oh, that’s 1000% clashes. 

Joe: Scream. Definitely. I didn’t see Scream four. I didn’t see

I didn’t see screen four. Like I said

Melissa: four is the bad one. I still have a soft spot for it.

Jesse/Alana: I was wondering, does It Follows count as a slasher or 

is that more supernatural? 

Yeah. Or is that more of a supernatural horror?

Nick: I’d consider that supernatural.

Jesse/Alana: Yeah, like a supernatural

slasher because you can’t stop it. It’s ans TD that

Geo: That’s that’s kind of like Freddie Kruger. Is he? Because

Jesse/Alana: he’s a dream.

Geo: he visits you in your dreams.

No, but the way he kill you. Yeah. I dunno if that would count. I mean,

Melissa: I 

Jesse/Alana: oh spoiler. Oops. Fred Cougar, die movies,

Nick: slash concert. Yeah. I 

Melissa: think they are supernatural horror. They’re more psychological

and they’re also better than the Friday, the 13th series.

Jesse/Alana: I do agree there. Yeah. Same. But going back to your like the perspective of the killer and stuff, I think it’s super important film. When I like opened my eyes a little bit was Behind the [00:27:00] Mask Rise of Leslie Vernon. Have you seen that one where it explains like you follow, it’s a kind of a mockumentary kinda thing where you follow the slasher and it talks about oh, this is what I gotta do.

Oh, I like, I have to cut the branch a little bit because I don’t wanna fall down. Like I don’t wanna break my leg and I gotta like still, I gotta get my pacing down. I have to run. Cardio is hard to make yourself look like while you’re walking, but you’re actually running kind of thing.

And that’s like a, you get the whole behind the scenes of why they do it and what makes the Final girl like I always thought it was a super important film with that. It’s really good deep look.

Joe: Yeah, we’ll put that in the show notes. I was gonna say too, that. I mean, thinking fast forward, I had this generational thing, I’d had some notes on that going through the decades and made mention.

But even as we come out, you’ve seen a lot of more movies now with the slasher, much more digitally based artificial intelligence, Megan, which I haven’t seen, but I know the premise of it. And so when you mentioned it follows, that was one also that came like in this other category of its, decade where you are looking at this kind of self as the monster and the likes and the social [00:28:00] aspect, but still fits our definition of slasher or have to modify a little bit.

And I mentioned Supernatural and Freddie Kruger was part of that because people usually throw that in as a slasher, 

Nick: do feel like a lot of the slashers do have a supernatural ability. 

Joe: Yes. I mean, the Candyman we was 

Nick: yes. Uh, they all have something that is like. Mike Myers should not be able to move as fast as he does, like he is, as you said, sprinting across these fields and just walking

Joe: teleportation.

Nick: like Exactly. He’s essentially teleporting. He’s got these supernatural abilities where he’s what died a few, handful

Joe: Also he must have healing fact, right?

I mean, so we start going through it because the 

Jesse/Alana: Yeah, he shot Yeah. stuff. Yeah. 

Joe: it. It is one of these levels where you go and you’re right, we have to keep it at human because then you start to, other things can, you know, I was thinking like The Crazies,

Jesse/Alana: Oh yeah. Yep.

Joe: it’s not necessarily [00:29:00] a singular person killing, but in some ways, especially the remake, it was much more you were following just a couple people killing and, but really the community was degrading there.

So you had That’s

Nick: the Strangers Too, not the number two, but TOO.

Joe: I didn’t

Nick: they, no, they go into a house, they kill people. It’s just it’s a repeat

Joe: Okay. I see. Yeah.

Nick: that one 

Jesse/Alana: Is that like funny games?

Joe: Yeah.

Melissa: Yeah.

Nick: Yeah.

Jesse/Alana: es 

Joe: Yeah.

Melissa: Yeah. Would that be a slasher though, because it’s all targeted at one location? They’re not.

Nick: they do move around.

Melissa: I mean, I haven’t seen that in a while and I didn’t like that, and I was like, I guess most of them are like stalking at a teenage house and stuff.

I just, maybe it’s because I don’t like The Strangers that I just blocked it outta my head as a slasher 

Jesse/Alana: yeah,

yeah.

Nick: Like it definitely has. I, from what I remember, it’s been five ever since I’ve seen it.

But they were going to different houses and doing this

Melissa: Oh, okay.

Jesse/Alana: oh, that’s [00:30:00] right. 

Joe: Okay.

Nick: Like I could be wrong. Someone can fact check me, but

Joe: we’re fact 

Jesse/Alana: it’s been a while.

Nick: is there what Yeah it’s one of those movies where it’s oh, I seen that. I know what the hell goes on, and

I don’t care to go back to

Jesse/Alana: it. Yeah.

Joe: Yeah. I

Jesse/Alana: I feel like the only one that doesn’t necessarily have some kind of supernatural ness to it is probably psycho.

’cause that’s just Ed Geen based, and that’s just almost even scarier that there’s not a supernatural aspect to, it’s like just human Texas

Oh yeah, that too.

Yep. So that’s a whole family. Yeah, you’re right. 

Melissa: Christmas, which I think is like one of the first slasher films. And I love all three versions of it. I think it was the latest one where there’s, it’s not really supernatural. They’re more just like in a cult. 

Joe: Black Christmas was the one where you really, you didn’t know the killer at all. I mean, it was still at when that ended, you didn’t know who, like usually there’s some resolution of that aha, that’s, this is the person that’s chasing.

But there was, it was very anonymous. [00:31:00] Had a, an idea, but it, you weren’t sure 

Melissa: and

Joe: I didn’t see any other one.

Melissa: The other great Christmas slashers. Oh God, why am I blanking on?

Jesse/Alana: Night.

Deadly night. Oh, my silent night. Deadly night.

Nick: The second one. Oh yeah. Oh, for sure. Yeah.

Jesse/Alana: Oh my God. That’s my favorite Christmas sweater. yeah, super garbage Day.

Yeah, we should do a Silent Night Hot sauce. That’d be fun. Oh yeah. 

It’ll just be called Punish.

Nick: punish. 

Melissa: Good 

Jesse/Alana: I think Lan 

Melissa: I mean, Lya, Quigley’s death. And then 

Jesse/Alana: oh 

oh. So good. I think 

wherever Lan Quigley lives is my wife equals a slasher film. He’s my wife. Yeah.

Joe: and I think the other thing in the slash movie I had in is the the, that predator prey kind of response. That you have. And we look at this real life, you know that predators usually are they’re camouflaged, they go slow, they hunt, they stalk.

Then you have the prey who you have. Once again, I keep going these stages because I think that sets, that helps that, that can help us distinguish between some of these horror [00:32:00] films that kind of are on the edge between the kind of sub genres and, you have the prey, you have the startled, freeze response.

Then you do have a run response, and then you do have at some level a fight response and you have this kind of situation that you go through in, in, in these kind of phases. So you can also start filtering and maybe through some evolutionary. I have a few other thoughts about evolution,

Nick: What’s the thing in the brain that makes people make terrible decisions during these things?

Jesse/Alana: stupidity.

Joe: no, 

Nick: I mean, most of the time they’re sober. Like in more recent ones they’re pretty sober. Yeah. They’re just, every character is just so 

Jesse/Alana: I mean, if they all listen to me, they survive the movies, but they don’t,

and that’s just rude. I

Joe: I think you gotta blame the writer the writing of convenience.

’cause even in Halloween if you just lock a door, right? I tell like the, my boys is lock the door because if you lock the door, you probably would stop most they would just move along. Or they break it down, you hear it, you get some [00:33:00] audio , cue that something’s happened at your, , your secure entry and maybe you should be on alert.

But usually the door’s just left open. It’s I’m just gonna walk in there and sneak in there, you know?

Jesse/Alana: Yeah. Michael’s got the mind of a child. You can just lock a door.

You’re fine. He doesn’t know how to use it. 

No open. No go

Joe: Yeah. They don’t have pick locking skills. That’s not it. You know, they’re not

Nick: stop it.

Joe: you know, picking a lock. But yeah, no, I think you’re right.

There’s some plot convenience that has to happen in a lot of these that people have to go into a particular room or a particular place. And it might not be logical, but that’s also, as viewers watching that, are we learning about these situations? Are we learning about 

Jesse/Alana: I was gonna say, like I, I look at slasher movies as like a learning experience. What would I do in this situa, not that, but like

Melissa: yeah, 

definitely don’t separate,

Jesse/Alana: never hide for the whole movie. Hide till they walk away. Then run the opposite direction.

Like 

Nick: you can see them, they can probably see you.

Jesse/Alana: That’s

Joe: right. 

Jesse/Alana: That’s usually the life. Yeah. Always run. Yeah, that’s 

the [00:34:00] thing. Never hide because they have all the time in the world you don’t 

And you don’t, yeah,

just run 

Joe: on you, you’re kind of locked. They’re gonna keep, you know, once they identify this group of people, then it feels like that’s 

Jesse/Alana: they’re locked in.

Joe: once again. That’s also written that way. Maybe in the real world they’ll see some other group and then wander off that way.

’cause is it just a killing? That’s the motivation, right? So we’d say they’re unmotivated, but maybe there is some motivation to the killing. And usually sometimes there is some moral thing. A parent was abusive or a mom didn’t love them or they didn’t get hugs or a girlfriend dumped ’em. And so you have this whole thing where there is some thing where they would specifically, they’re just hunting out women, let’s say or men for let’s say.

And then you have this thing, but you just got in way, you were just a casualty of kind of the hunt.

Jesse/Alana: I mean like In a Violent Nature, I think. Was that the movie?

I think it’s like the one that’s a POV behind the slasher. Where Oh, 

that’s one of my favorites. 

Yeah. That’s fun. And it’s

Where someone else would make a noise and get in the way and it’s okay, I’m going over here now. So like [00:35:00] it’s just on this full brutality force.

Yeah. No rhyme or reason. Yeah.

Joe: Yeah. Once you start, then are you just down

Jesse/Alana: Yeah. You cut my eye and now you dead. And then That’s it. until something else

Yeah, Oh, my March two awards, my ultimate goal, right? It’s you’re hiding in that. Oh, 

cool. Sounds good.

Joe: You’re done. So you have that.

So I,

Jesse/Alana: found you I have to say, Kevin Bacon was one of the first

Dreamboat

Geo: first people victim of a Yeah, he was, Yeah, that’s right. 

And anytime I can mention Kevin Bacon, I do. That

I know 

Joe: there

Jesse/Alana: that was my second Kevin Bacon movie ever. And it was

Joe: yeah.

Jesse/Alana: well worth it. I loved it.

Joe: Good old Kevin Bacon.

And Friday the 13th, if people are wondering. Yeah. Do you got the dates on that?

The

the 

Geo: first Friday the 13th,

Joe: anything which didn’t have a, Jason,

Jesse/Alana: Was that 19 80, 81

said 

Joe: something in there. Yeah, that sounds

Geo: I’d have to look. Yeah. I could look

Joe: my year? So I

Geo: I could look.

Jesse/Alana: shorts on. That’s all I know.

Nick: But [00:36:00] yeah I do feel like even in like horror video games, they have started to make it

harder for you to think rationally. Okay.

Love the what resident evil games. They’ve been doing some fantastic games where it’s like, what was seven was absolutely terrifying. And you’re stuck in this what swamp house?

Louisiana. Where you are trying to get outta this house and find Mia, which is his fiance

that was kidnapped and then, yeah. I don’t know. Story. It’s taking a minute to remember, but yeah it’s definitely giving you more of a, okay, you can’t just do exactly what you would in real life, so we’re gonna make sure that you have to do this puzzle to get through this door so you can get this

Jesse/Alana: Can’t progress the story. Yeah, for sure.

Joe: yeah.

Nick: you can’t just go that’s all terrible. I’m just gonna walk outside and leave.

Joe: I 

Jesse/Alana: scream the whole time 

Joe: door or whatever. Usually the movie will be over relatively quickly. If you could, if you sealed off these things, you would kind of end it. If the [00:37:00] campers listen about the haunted story and go, you know what, maybe we’ll go the other way to the other lake and 

Jesse/Alana: but then there’d be no movie.

Joe: you know? That’d be a very teenagers 

Geo: listening. I don’t know if that’d be 

Joe: it’d be a very different movie.

Jesse/Alana: Then also overkill.

Whenever you catch the slash air, they always just hit ’em once and run

like no. Like we’re always like, overkill. Overkill. You need to overkill.

Nick: Make sure they’re 

Jesse/Alana: Please. I’ll take the jail time. I’m doing overkill. 

Nick: I think you would avoid jail 

Jesse/Alana: it. 

Yeah.

it’s self defense. 

Nick: I’m

Jesse/Alana: I’m not playing with

that. dismembered 

Self-defense. 

Joe: have to you probably need to cut a hand off or ankle. I mean some feet, I mean something. I mean you really, you, but

Nick: burn the body,

Joe: then is 

Jesse/Alana: let the body stay in one piece

Joe: If you do that, what should be a, I don’t know if there’s a movie like this where you go and you actually have this real thought of dismembering the slasher and you become the next slasher.

Melissa: Yeah, so if they thought about it though and actually killed the killer at the end of the [00:38:00] movie, there wouldn’t be sequels. 

Joe: Wait,

what? The, so what The person who killed them

Melissa: Oh, they

Joe: become the new slasher.

They all, they’ll become psychologically. Now I need to write this. I’m just gonna go, you 

Melissa: You should write that. I

Nick: You should write that because this is gonna 

Jesse/Alana: they got the taste for blood now and it. 

Joe: yeah.

I wanna write this story. 

Melissa: I like that.

Jesse/Alana: Do it. I’d watch it. That’s a fun one. That sounds like fun.

Joe: Yeah. I don’t know any story where they do that, 

Jesse/Alana: I know there’s like bloodlines like there’s like bloodline ones are for sure ones where they continue, but not like where you kill it and you become

Joe: Because to ultimately kill the, hunter that the actual 

Nick: killing the hunter. You become the hunter, like

Joe: almost dismember.

You really have to go crazy. And you’re right, people usually stop short of that, and then they get up and the hunt keeps going on for the sequels. But if you actually go and you’re that psychotic then you become the slasher.

is that what happened in Grady Hendrix’s Final Girl?

Melissa: Oh yeah, that did happen.

Joe: It didn’t happen there.

Melissa: I love that

Joe: I love that book. Yeah, that was a good book. But I’m trying to think, is that the,

Yeah, God, 

Geo: I love [00:39:00] that too. But

Melissa: killer is, you give away the,

Joe: I no, I’m

Geo: not, I’m trying.

Joe: but I’m like,

Geo: Yeah, no spoilers.

Joe: okay. All right. But yeah, 

Jesse/Alana: then I feel like that killer would have to, You should 

Melissa: write it 

though.

You should write it.

Jesse/Alana: That killer. The killer Who killed the killer then.

Would already have to be psychologically like predisposed to pick

it up or unless that 

was, a 

Melissa: of us are going

Geo: I was gonna say the possibility of becoming a slasher at this point is really

Jesse/Alana: and closer every day. 

Geo: It really 

Jesse/Alana: I mean They

framed Sidney Prescott and and scream too of you’re the killer because you did that.

Yeah.

but it wasn’t true. thing to tip you over.

That

sound you become

were they already crazy or did that make them I How many times on this show have I said that if I had superpowers, I’d become a villain? It’s

Joe: most people would. I think you

Jesse/Alana: Yeah, you have to be. 

But growing up is learning that the villains weren’t necessarily wrong. Like Magneto.

Melissa: You a villain or are you

Nick: mentally

Geo: right. Mentally challenged. The people that people say are the, I’m

Nick: beat up this [00:40:00] poor person.

Geo: The people that they say are heroes are actually no villains.

Jesse/Alana: immediately. Thought of Batman. I’m like going around, beating

up

Ill and

Joe: but that’s the thing about the slasher is that there is no moral, you watch it, you, there’s no redeemable qualities generally. I’m trying to think, is there any, but no, I think usually you go, no, I know who’s good in this situation and who’s bad.

And even it could be marginal, right? Because the people that are being killed, you might not think they’re the most redeemable humans. But then you some of them are kinda dicks,

Nick: I mean, what about Dexter? Is he considered a slasher then? Like he’s constantly,

Joe: constantly,

Geo: a well, yeah. Yeah. But he, I think

He definitely,

Melissa: a moral

Nick: He

Geo: was gonna say he makes those decisions. 

Joe: And he cleans it up. I mean, he has a whole process like slashers. They don’t, they go in

Nick: I’m just gonna,

Joe: and there’s gonna leave the scene buddy and then walk off 

Jesse/Alana: there’s a clear divide between serial killers and slashers, it sounds yeah. Like it’s brains basically.

Geo: I don’t know. We’re splitting here into this

Joe: else.

I mean, that’s what I’ve been given some kind of thing. But the other [00:41:00] thing that was interesting and looked at the ecology of fear, and it’s this concept that, you know, based on this prey predator kind of thing, where the prey modified their behavior because a predator exists nearby. And so you have this whole kind of situation so that the setting, the campsite, the house, the high school, wherever you have this predator, and then that changes the whole dynamic.

It, it increases. Now the fear, some space that wasn’t necessarily you should be fearful of or have fear to be in now becomes this very heightened. And so the psychology of fear kind of cooks in. And so most all slasher movies have that. In there versus a serial killer movie.

Geo: I think a lot of times, I mean I guess if nobody knows there’s a serial killer, then they wouldn’t be.

But that goes back to, but for a lot of communities, if there is a serial killer that hasn’t been caught, that’s exactly what it’s like.

Joe: right. You get that kind of mode. 

Jesse/Alana: Yeah. Somewhere that should [00:42:00] be safe is not anymore. Yeah.

Nick: Now do you guys think technology will start to affect. You know, we the new serial killers,

Jesse/Alana: Oh, I,

Nick: everyone has a cell phone I have a fun fact on

on that. Oh, what you got?

Jesse/Alana: There’s actually more serial killers today. Then there were in like the sixties, seventies where we get all of our serial killers, like from 

Nick: it ’cause 

Jesse/Alana: the night stalker and everything, because

Nick: we’re able to know about it 

Jesse/Alana: Yeah. It’s kind of like they, we have the knowledge and the technology. Now. So there are actually way more serial killers in the United States now than there were like, where we get all the famous serial killers from. We just 

catch ’em faster. Is that it? 

No, they just don’t tell us. 

Oh my God.

One in Chicago right now, actually.

Nick: Are they just not were the old ones not known about

Jesse/Alana: I think so. Or it was like

known more ’cause it was a newer thing. Like I just keep going back to the night stalker and how he terrorized [00:43:00] LA and everything. And everybody knew that it was happening, but they didn’t know who it was.

But now I think it’s just more like on the down low and people can cover tracks easier. I don’t have all the science or the facts

behind it, but a, I mean, we live in a surveillance state

Yeah. You’d think it’d be harder,

but like there’s more right let us know. Let us

know how you’re doing it. 

Use an email at Yeah.

Nick: rabbit hole of research.com.

Melissa: another like tangent or rabbit hole of that you can get down to is technology creating more serial killers or can it, and then also will that change. Slasher films like you had said, Megan, is it gonna be more technological based?

Is it gonna be like an AI 

Jesse/Alana: or like, like Scream and

stuff?

Yeah. Yeah. 

Melissa: yes. Are we gonna have an actual Terminator wasn’t a slasher though. 

Nick: A, he

Joe: He had one 

Jesse/Alana: he had a job. That’s the thing. He had a career and that was, yeah.

He’s a man. Yeah. 

Joe: with the house, like they have the AI house and they [00:44:00] kill the family. 

Melissa: Killed the

Jesse/Alana: Yeah. Yeah.

Nick: t2. I mean that

Joe: why it’s doing it.

It is 

Melissa: Chopping Mall was a good one.

Jesse/Alana: Yeah. That is that is actually one of our hot sauces, I forgot to mention, bought blood. It’s called Bot Blood. It’s Chopping Mall. That’s 

Melissa: slasher, but I mean maybe, I mean, it was, it had a single purpose and that was just to kill.

Joe: I wonder if you’ll have these crossovers where you have like now, like a bio horror will that come back and people out for vengeance or something’s been affected.

They now go through and kill targeted, applications. 

Jesse/Alana: You can say The invisible man. Remember that movie that was like 20 pre pandemic, was it? Or it was The one where he used like the skin suit

the yeah. Technology to go kill.

Yeah. 

Joe: Yep.

Which, that’s what you do if you’re invisible. 

Jesse/Alana: Heather doing it now. Yeah.

That’s it. So I think 

Joe: you would have

this. Didn’t Kevin 

Geo: Bacon play a role like that?

Joe: Kevin Bacon was in Hollow Man.

Geo: Hollow man. That was it. 

Jesse/Alana: Man.

Man. 

Joe: and yeah, 

Geo: Oh, and it was 1980,

Joe: Yeah.

Geo: Friday.

the 13th, 1980. I was like,

Joe: no, Hollow Man didn’t

Jesse/Alana: Nailed it. I was like Hollow man.

I saw that in

theaters. [00:45:00] Whoa. I’m not that old.

Joe: Yeah. But I mean, and so you, you have this and you know these kind of points where you go. Then I had the final girl when the really maybe think about that and why it is a final girl and had some kind of an evolutionary terms that you have this person that at the end of this journey have now shown resilience have shown sexual selection in terms of evolution, that you have this person now that there would be a good mate.

And so you have this kind of thing where especially for a woman to have survived this very traumatic thing and come out on top, they are now then even extra , they stand out in a community of women like, oh, this is a person we need to. Reproduce with and get some good genes resilient genes to pass on’

Jesse/Alana: There’s

so much growth with a final girl. Yeah. They’re normally super meek and then like they become That’s right. Yeah. A lot. By the 

end of

it, there’s no holds bar. 

Joe: about we, that’s [00:46:00] calling back to our very primal, 

Geo: and I know that you watch a movie, so you see the whole story, but in a way you gotta have a final girl. To tell the story. To tell, you know what I mean? 

Joe: Yeah.

You never have afin, I mean, there’s few movies with the final 

Jesse/Alana: Do. maybe.

it’s, I don’t

know 

Joe: because 

Jesse/Alana: Final I’m the final boy. The, 

Joe: gonna,

keep the, we got Girl and I’m gonna go with boy. Not,

I’m not gonna

Jesse/Alana: No, it’s an, it’s a yeah. You can’t just jump to Final Man.

That’s disrespectful. That’s 

just rude.

Joe: They’re the final man.

Jesse/Alana: Tell me, tell me what happened. I’m the final boy.

Melissa: What do we

Joe: that’s a different movie.

Melissa: makes the final girl? Like I, I always joke, I’m like, I’d like to think I have final girl energy because I’m not dumb enough to run up the stairs where there’s no exit. And you know, I’ve trained for marathons and stuff, but I’m like, I liked that the guy had final ground energy.

But I also know me and I know I’m crazy and I’d probably go try to be like, everyone get the hell outta here, I’ll fight him. And 

Jesse/Alana: I [00:47:00] feel like that 

Joe: on 

Melissa: end 

Jesse/Alana: Yeah.

Joe: it depends on I, I brought

Jesse/Alana: probably

not 

Joe: depends on where you’re at in the scenario, right?

Melissa: I mean, I’m also crazy enough, maybe I could be,

Joe: if you’re in the cooler looking for a beer, and then someone comes out the bushes, you’re the first of the first good

Jesse/Alana: Oh, good

point. 

Joe: you’re not, 

Jesse/Alana: the mercy 

Joe: this, you don’t have the opportunity to

There’s these phases of the slasher.

Nick: I’m pretty sure you’ve also been killed already, 

Melissa: yeah.

Jesse/Alana: yeah.

You’ve been killed in Kili pinata.

Melissa: Oh yes I have. And I did come 

Jesse/Alana: back,

That’s right. Yeah, that’s right. You did come back in too. And part of the chain gang, you and I are in the chain gang.

Yeah, really 

Joe: a slasher. You’re on the wrong side of the fence. You keep talking about how you’re the

Jesse/Alana: ooh,

Mel. 

Nick: the slasher? 

Joe: The

I, 

Jesse/Alana: Okay, so

Melissa died and then she came back in the second one. So maybe you are the final girl. No, we’re talking about how you’ve gotten the energy of talk to Steven. I had

Melissa: I had a different idea for the third movie for Killer Pinata that I told him about, but I’m like, I think we need to evolve it.

Geo: And the third

pinata. the third killer Pinata was supposed to feature our podcast. Yeah, [00:48:00] too. 

Joe: We’re gonna

have a chest busting scene with the

Melissa: And then

Joe: bursting

out during an interview about

Melissa: And then the pinata’s 

Jesse/Alana: amazing. Amazing, amazing.

Joe: gonna be, we’re gonna be talking about the Handwavium of the Killer Pinata and it’s gonna yeah.

We had we’re in it. We wrote ourselves into that. So we do that course. This whole

Melissa: this whole thing works and ties in because if the pinata is part of it and I am the slasher, like kind of the working with the pinatas

Jesse/Alana: the Wait, is the pinata a slasher real talk? Oh,

Nick: Oh,

Joe: yeah. I say so.

Interesting.

Yeah. 

Jesse/Alana: pinata. Can’t 

stop it. 

Angry. Angry Mule Productions Killer. Pinata Is the pinata. Slasher

Joe: all the elements there. I think that we’ve talked

Nick: can we get ’em on the phone?

Joe: Let’s call him 

Jesse/Alana: Let’s call. Yeah. It’s like 

Geo: wasn’t there 

Jesse/Alana: humanoid. 

Geo: I was gonna say there’s kind of super, I mean, we’ve determined that Supernatural gets into there 

Jesse/Alana: I do feel like Jason too. I mean Jason Boy in the lake.

Joe: Yeah. 

Yeah.

Jesse/Alana: I

do feel like for Final Girl, there has to be like some kind of. Like she, she [00:49:00] was meek and all this stuff, but she like kind of finds herself through the terror. That’s like what makes the final girl.

Joe: That’s why Melissa’s out already. She’s coming in too confident. 

Jesse/Alana: I don’t think you and I are the final girls. I think we’re, I think we’re the ones who died because we’re like, let’s get ’em like 

Joe: you’re in the middle, you’re in that fight phase or you’re gonna be caught off guard

Jesse/Alana: Don’t worry. It’s gonna I’ll be with you. We’ll fight ’em

off. yeah, fine. 

Melissa: little flight in me.

Joe: fi. We’ll find a final 

Jesse/Alana: Oh, I’m a big, I’m a 

big

throw what’s ever in my hand and I book it. That’s my 

Joe: We have the final girl and or final boy will reveal themselves when Melissa wants to go fight. And it’s say, you know what? Why don’t you go do that?

I’m gonna go 

Jesse/Alana: yeah. I 

think I’m gonna go call 9 1 1 really quick.

Joe: aren’t you supposed to be a man? No, I’m the final 

Jesse/Alana: Listen, I’m a boy. I’m just a boy.

So what a boy. Just a

final boy. 

Melissa: of this later.

Joe: later,

down.

Yeah, I’m done.

Yeah.

All 

Nick: right.

You guys have any plugs you wanna hit up? That was a weird way of putting that

Joe: say [00:50:00] final, like can you ask the question again?

Jesse/Alana: Like, my favorite Uh, well, yeah. He

comes on Saturdays. Mark

Nick: You got any plugs you want stab in?

Jesse/Alana: Yeah, we I think what we have, we mostly just kind of do markets now.

We’ve kind of died down a little bit. We used to have a web store for slasher sauces but DM us on Instagram and stuff. But the only thing we have, I think coming up is the Krampus market which is December 7th at old Irving Brewing Company. And I think we’ll be selling markets so you can test all the hot sauces.

Everything’s, all of our bottles are $8 regardless. We try and keep it low so 

you don’t have to choose between price and flavor. You can, and you can taste them all before you buy ’em. We provide the chips

Nick: and you’re not even murdering us with the price.

Jesse/Alana: No, not today. not today happening 

Geo: With the sauce. With

Melissa: isn’t it? If you buy all of them, you slash the 

Jesse/Alana: price. 

my

god. My god. You’re right. 

Yeah. If you buy a full run of all eight, seven, 

Six now I think, 

sorry, six of the hot sauces. Sure. Then you we cut you a deal. We’ll slash you a deal. [00:51:00] Yeah.

Joe: Lemme put all those links in the show notes and so

Jesse/Alana: Yeah. And we deliver to anywhere in a 6 0 6 area code for free, so 

If you’re Chicago land, we’ll drop it off at your doorstep.

Land Chicago area, not land. 6 0 6 only. We’ll drop it off at your doorstep.

Melissa: it is.

Geo: we’re out. We’re out.

Jesse/Alana: Work if you’re 

Melissa: in Burwin,

Jesse/Alana: we don’t drop to Berwyn anymore. 

No more Berwin.

Joe: No more. Cool.

Geo: How about Melissa? Melissa?

Melissa: We’ve got October is like our biggest month, so we’ve got a few things, but ones I would love to highlight some of the shows coming up. We have Black Mariah Theater and they are definitely like spooky awesome. And they’re playing here on October 23rd. They’re a touring band. We have Cartoon Graveyard with Chicken Happen and Homicidal October 17th.

And then we have some other fun stuff coming up. We have a cycling club the day before Halloween where we’re gonna ride out and look at all the haunted houses in Avondale. And that night there’s a show [00:52:00] where bands play other bands. So we have King Sands as the White Stripes, a band as the Hives, a band as Ween.

And then I’m doing a vinyl DJ night where I’m doing like spooky dance party in between the sets and afterwards. So that’s gonna be really fun. And then actual Halloween, we’re just doing karaoke. 

Jesse/Alana: I’ll see you on actual Halloween. We’ll be here.

Melissa: Heck yeah. 

Costume party with cash prize for best costumes.

Geo: Nice. 

Jesse/Alana: We’re We’re

going as a Peewee Herman Munster and 

Gorilla,

Melissa: I love 

Geo: that

because

Jesse/Alana: got a Gorilla costume from Spirit Halloween.

Joe: Very good.

so

yeah. So then we can go around, maybe get everyone’s, and the one thing I was gonna say is that the horror slasher genre, it had some, but has become an international kind of 

Jesse/Alana: Mm-hmm. 

Joe: And so you have slasher movies, this genre, you know, which probably started out mostly American and rooted in our.[00:53:00] 

Ultraviolent, culture has now spread out into others. Yeah. Really cool. 

Jesse/Alana: Infiltrated 

Joe: show notes, but yeah, if we have wanna go around favorite slasher movie or one you’ll recommend to the listeners out there, like what they should check out and we mention a lot, so we, if we repeat, that’s okay.

But yeah. Wanna start to kick us off, 

Jesse/Alana: Yeah.

I said it before. I really recommend Behind The Mask, The Rise Of Leslie Vernon. It’s everything that we were talking about, they discussed, they explain like what makes a final girl, how it works, all that stuff.

It’s kind of like a deep dive into the slasher genre. So I recommend that one. I like it a lot and I have the mask.

Joe: And you’ve got the mask.

Jesse/Alana: Ooh, I’m still torn. that. Yeah. I think I might have to go with Creep actually, ’cause I like how it’s, yeah. I feel like

that works. And it’s dulo. I gotta go with the Dubo bro. Dubo brothers, Dubo whatever. Mark 

Dubois 

Dub Dubo. That’s a good one. No, yeah. I like how it’s also kind of like behind the scenes you get to see into the [00:54:00] killer’s mind and see how it happens.

Also, it’s kind of just, it’s ridiculous and funny and stupid and I love it so much. So that’s probably one of my, one of my toughest Creep. Yeah.

Joe: Yeah. Yeah.

Melissa? 

Melissa: This is a tough one. It’s kind of, I do love Scream. So Scream will probably be my number one. 

Jesse/Alana: That’s what I was torn between. Yeah.

Melissa: scream is more of a parody. So if we’re going for like traditional, I would go with Black Christmas.

I

Joe: oh yeah.

Melissa: absolutely love that movie. It gets back to the basic slashing. And then also at the end of this, I forgot to plug the Midnight Movie Trivia. So I’ll send you the link for that

Joe: definitely. We’ll put it all in the show notes there. Have that for folks. Nick, you’ve been studying hards.

Jesse/Alana: Sorry, but you took my Creep and I’m thrown off,

so many movies out there

that’s I’m like, oh yeah, I want to say something else then.

Nick: Because you know, there are so many good horror films that are just I

Georgia

go ahead and I’m gonna go, I’m gonna go in a

Joe: You’ve been bouncing.

Oh,

Nick: I’ve been bouncing all 

Geo: Yeah.

[00:55:00] You know what, I was actually gonna say. Black Christmas.

Melissa: It’s a good one.

Geo: It’s really good.

Yeah, it’s,

Yeah. And of course Psycho. I mean Psycho. 

Joe: Yeah.

Go check it out. See what you think about that body

Geo: But I think it was so fascinating that you said Alfred Hitchcock made the first Yeah.

Proto

Joe: That’s

Geo: Slasher the Lodge, which I don’t think I’ve seen it, and I’m even know when

Joe: When I saw

Geo: I’m huge Alfred Hitchcock fan, so I’m gonna go watch that. 

Joe: Yeah.

Nick: Joe, what about you?

Joe: How’d it come to me? I’m like last, I’m no one.

Nick: Yeah, go for

Geo: it. You’re the final boy.

Joe: I’m the FI

Jesse/Alana: are you the final

boy? The final boy? 

Nick: the final boy 

Jesse/Alana: is the final boy right

here, 

Nick: the,

final boy. So

Joe: right. So there, it’s no surprise to listeners of this podcast that I’m a John Carpenter fan.

so Halloween,

of course, but I’m gonna throw one out The Fog

Jesse/Alana: Oh,

It

is, 

Joe: It is one of my, I think it’s just such a fun movie. And they did have, they were actually after something, but they, the way they just went through that town,

Jesse/Alana: it was slash

Joe: [00:56:00] it was very

Geo: I don’t know if that

Joe: It was, yeah. No, they came, they were the pirates, you know, it was, yeah.

They back. 

Jesse/Alana: I

could see it. I agree.

Joe: what I’m saying. And the

not the first 

Geo: movie that would come to my mind. Flash. I

Joe: Halloween already. John Carpenter, he has,

Geo: I’m just giving you a hard time.

The other one 

Joe: was Hellraiser. Oh yeah.

oh.

Jesse/Alana: Oh yeah.

Nick: oh, I

Joe: I think that was the other one I really love. Yeah, that’s right.

Clive 

Melissa: Barker. 

Joe: And yeah, I think you have that. And both of those, you watch Clive Barker movies or John Carpenter movies in their horror you’re gonna have a good time. They, they know how to make a good movie. So I,

Nick: I, I think I am gonna end with Sleepaway Camp though, so I know it’s a little bit of a problematic, like the, if you go through and watch it again right now, you’re like, ah, that ending yeah. But I hope they’re they’re remaking it right now and I hope that they tweak the ending a little bit.

Jesse/Alana: like it was maybe needed for the 

Nick: Yeah. 

Jesse/Alana: So it’d be like, Hey, there’s, everybody’s body’s different, you know, 

Nick: but I feel like it nowadays it

Jesse/Alana: maybe didn’t roll over [00:57:00] so well to

2025. 

Nick: why I’m like,

yeah,

Jesse/Alana: it did have some really good kills.

Nick: Like I, it was just a fun,

Jesse/Alana: that’s all that counts.

Nick: it was a fun 

Jesse/Alana: a Yeah.

Nick: it’s weird to say.

Yeah. 

Jesse/Alana: Yeah. So it came, it was funny.

Yeah, it was fun. 

I think all slasher movies are fun. I think that’s, we all agree on

that. Yeah. 

I’d say, I’d say they’re fun. 

Joe: Yeah.

I mean, I didn’t mention, but like someone watching that it’s almost like microdosing fear. 

Jesse/Alana: Yes. 

Joe: start watching it. Yeah. And you get kind of desensitized and you do have to amp it up.

And I mentioned this 

Jesse/Alana: No, I agree. 

Joe: watching like horror, The Thing when I was six, seven. And so like now for a horror movie to really do it, it not only has to have all the kills, but it also has to be written really well, filmed really well. It has to be a really good 

Jesse/Alana: I need a Hereditary to scare me now.

Like 

Joe: you

Geo: oh,

Jesse/Alana: Yeah. oh,

he got me.

Geo: I the ending. 

Joe: Yeah, 

Geo: know 

Jesse/Alana: ending.

didn’t get me, but The but the leading, but 

Geo: move. Oh yeah. [00:58:00] Oh my 

Jesse/Alana: didn’t,

realize my shoulders were up to my ears till the credits

rolled and I, was like, oh, relax.

Geo: I have to agree. Yeah. Yeah. And Tony Collette is,

Joe: I know you’re a huge Tony Colette. George

Melissa: I love her.

Joe: Tony Collette all the time yeah. So another fun month of horror. We have this episode here you’re listening to, and then after this we are gonna do the thing, John carpenter’s a thing.

We have Bill Haliar or Todd Berg going as guests with 

Nick: Hopefully we’ll get that Ouija board done.

Joe: We’re not doing Ouija board,

Jesse/Alana: I have one you can borrow.

Joe: so No, we’re done

Melissa: They’re looking for a spot to do it. And I said, absolutely 

freaking 

Jesse/Alana: go to the Labile Woods. You can

do it there. Before 

Joe: cut off though, in our last episode, we wanted to know you, you had mentioned, Melissa, that the ghost of Reed’s Local likes gin.

How did that come about?

Oh,

Melissa: okay. So we had some ghost hunters here and they this is part of the reason I refuse to do a Ouija board is every time I’ve gone ghost hunting, they’re always like, oh, it’s [00:59:00] you.

You’re the conduit. We never see as much activity as we do as when you’re here. I’ve had my hair pulled out of my head and like the radio frequency thing, it goes, I like her. And I’m like, I’m getting the fuck outta here. Absolutely

Jesse/Alana: like you. No

thank 

Melissa: I’ve heard like an Oculus box, one of those things where it like spits out words and like I was holding it.

There was no activity, so they turned everything off. This wasn’t here, this was at another location. They turned everything off and then, I said, okay, I guess there’s nothing happening. And it says, no wait. And then all the lights started to flicker in the room after they turned off 

Jesse/Alana: Oh, that’s cute. 

Melissa: And then I threw the Oculus and it said, sorry. And I’m like, are you kidding me? And they’re like, oh, that’s ’cause of you. So here at the bar, there was no activity. And I said, okay, there’s nothing happening, but you know, thanks Ghost for letting us like bother you. I’m gonna pour you some whiskey.

And the Oculus box said, no gin. And I said,

Jesse/Alana: oh geez.

Melissa: Okay. So this ghost is a 1920s ghost. Got it. Because I think I told you like this has been a [01:00:00] bar since the thirties, but it was a mortuary before that. And that’s something we found out a few years Right.

Nick: I just thought 

Jesse/Alana: at the height of gangster 

Nick: other are living here.

Thank you again, Melissa for 

Melissa: Thank you

Nick: hosting

us 

Jesse/Alana: and thank you for having

Joe: Yeah. I can’t wait. I can’t wait to try. 

Geo: I can’t.

Melissa: I have some here. You guys can sample

Joe: Oh, definitely. 

Jesse/Alana: Oh, no, they’re all getting bottles, so I brought some.

Yeah. 

Joe: Oh, thank you. Thank you. You got me 

Nick: you got Nick?

Joe: got Nick? We got Nick. 

Geo: Georgia. 

Joe: got Georgia.

Melissa: Oh, 

Jesse/Alana: Melissa,

Jesse and you got Alana.

Joe: got Al, and we got Alana.

Nick: And we cut down through some holes, down

and we slash some holes.

Joe: All right, y’all stay Curious.

Stay safe out there,

Nick: Goodbye.

Joe: and we love y’all.

Transcript EP: 43: Animal Swarms with Josh Fisher


In this episode, researcher Josh Fisher joins the Rabbit Hole of Research to explore the eerie, fascinating world of animal swarms—from locust plagues and angry crows to science, folklore, and cinema.

In this episode of Rabbit Hole of Research, we’re joined by researcher Josh Fisher to explore the captivating, creepy, and sometimes comical world of animal swarms. From biblical plagues and Hitchcock’s The Birds to surprisingly vindictive crows, we dive deep into the science, psychology, and symbolism behind swarming behavior. We look at how swarms have appeared across history, religion, fiction, and film, uncovering the patterns that unite everything from buzzing bees to coordinated chaos in horror cinema. It’s a mix of science, storytelling, and a touch of speculation, all flying at you in this episode’s swirling dive into the natural world.

Listen Here: SubstackAppleSpotifyYouTubeAmazon


Joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the

basement studio for another fun, exciting episode. You just have me, Joe. We’ve got

Nick over here. Georgia is taking the night off.

she

Nick: doing tonight?

Joe: I don’t know. And I’m

Nick: Do are we, wait, are we allowed to talk about what she’s currently doing or

is she gonna be, I feel like if I do, she’s gonna throw something at me.

Joe: maybe she’s watching Twilight Zone to catch up on some of those episodes.

So she

Nick: has her timely references. Yeah,

Joe: timely references, that’s right. For the mini episodes. She is always, she’ll be

back on the mini episode. Tell us what we did wrong and what we did right?

Nick: Hey Joe, I think we have a guest

Joe: We do have a guest. We’re talking animal swarms. I wanna say shwarma,

every time I say like animal

swarm.

Nick: Yeah. We’re all going for animal

Joe: we’re gonna get some, we’re gonna get some chicken shawarma. We should

be, we should have like chicken shawarma sandwiches or

3something

Nick: that was invented [00:01:00] in Marvel Avengers. That was the first time any-

one’s ever heard of

Joe: the first time anyone’s heard of it. Okay. There you go. You heard it here

on a rabbit hole of research. A hundred percent hand

Josh: I don’t know. know about Sharma, but I’m here to talk about animal swarms.

My name’s Josh. Thank you for having me on. I actually am a coworker of Joe’s, but in

past life I worked for a wildlife control company for about five to five or so years. I was

working in the field for a while and then worked in the office got a lot of fun experi-

ence working with animals.

Not so many swarms in that job,

Joe: but,

Nick: I mean, that

Josh: animals have always been an interest of.

Joe: Yeah.

Luckily you didn’t have a lot of swarms because they’re pretty

Nick: never. Great.

Joe: No.

I do have my definition to get started and a list.

Oh, you have a definition

Definition. I got definition list. Yeah, it’s it’s not an episode if I don’t two dot I think

it’s you know,

I

Nick: thought that was a new thing to this episode.

Joe: No, it’s not.

Nick: Oh, man.

4Joe: So I just wanted to give a general [00:02:00] definition and Josh correct me,

tell me if I’m wrong or whatever it’s happened before with guests. Animal swarm is, I

keep saying it’s swarm. I swarm. It’s like funny. An animal. Animal

Josh: You’re hungry, Joe.

Joe: is a large organized group of animals that move or act collectively.

Often in response to environmental clues, survival strategies or social behaviors.

Swarming typically involves self-organizing patterns where individuals follow simple

local rules that lead to complex group dynamics without centralized control.

Josh: That sounds about right to me. You know, the biggest thing that stands out

about swarm behavior to me is that it’s almost like an emergent phenomenon. You

know, it’s not just a large group of individuals acting chaotically you know, humans are

a very social, gregarious species, but we don’t really have swarm behavior in most cas-

es.

That might be something we could bring up later on, but, you know, groups

[00:03:00] of people normally act somewhat randomly and chaotically with respect to

each other, whereas. When we’re talking about animals exhibiting like a swarming be-

havior they are responding to the cues of the other individuals around them.

And so you get this kind of emergent behavior that you know is greater than the

sum of its parts in a lot of cases.

Joe: You brought up humans right off the bat, and I was just thinking about it

’cause you’re like, oh, humans don’t typically, but the one time they do is a mob kind

of mentality. If a

Josh: Yeah. Crowd dynamics get really

interesting.

Joe: Yeah. Yep.

Nick: They’re a witch. They’re a witch.

5Joe: you don’t,

Nick: yeah.

Joe: you either join the mob or you get out the way of the mob as it’s coming to-

wards you because you’re, you can’t stop it. Like it is very, it’s, it is one of those inter-

esting dynamic entities that go, that it fits more probably into, like you said, crowd dy-

namics that concerts or shows.

There was just folks doing studies on that about trying to mathematically predict

crowd dynamics [00:04:00] to make, events safer at, , ’cause you have this event, you

have, , like Lollapalooza, all these big events, all these people, and there is some, once

the nucleus starts, you can then pattern.

And so if you can have a drone or something overhead, you can catch what are

you

making

nothing.

Just

for?

Nick: the idea of trying to study a bunch of drunk people and just

Josh: I mean that just

Nick: let’s see how this works.

Josh: at a festival and, when the main act gets on stage, then you feel that crush of

the crowd as

Joe: That’s right.

Josh: push forward,

Nick: Oh,

Josh: even though there’s no space to get any

closer. go any closer. Yeah.

6Joe: just need to get as close as you possibly can. That’s where the best seat is.

Josh: yeah. and God held The person in front of you.

Yeah,

Nick: But yeah the idea of just studying all these drunk people is hilarious. I love

Joe: they don’t have to be drunk. I mean, it could be the,

Nick: if you’re at Lollapalooza, tell me how many people are not drinking heavily.

There’s all day.

Joe: There’s a few in there that, that’s

Nick: or high [00:05:00] as all get up.

Joe: I don’t know. I don’t

Josh: just a few bad actors.

Joe: yeah. Exactly. They run a very tight ship down

Nick: Yeah. I’ve never done that.

Josh: Have you been down to Grant Park when it’s around, like you’re not getting

anything in there?

Joe: That’s right. It’s, they lock it

Nick: You can’t get over the fence at

Josh: Tight security. No way.

Joe: No one’s looking the other way. It’s

Nick: think they only caught a guy with a broken leg.

Joe: I

Josh: buddy of mine, minute up.

Buddy and I went to Riot Fest when we when he turned 30 and we were laughing

that the second day the drugs we were smuggling in was ibuprofen because we were

so sore from the first day of the festival.

Joe: Yeah.

7Josh: Joys of getting older.

Nick: oh

Joe: yeah, it happens. We don’t, we have to do an aging episode or something

like that. Yeah,

I had a few characteristics. We already touched on some of ’em. It always is large

numbers. The swarms usually consist of dozens to millions of [00:06:00] individuals.

Collective movement talked about that these kind of, they become synchronized co-

hesive movements in response to these stimuli.

Predator threats, food sources, your favorite band getting on stage. You started

having this movement self-organization. The swarms behavior emerges from local in-

teractions between individuals. And so since we

Josh: emerge

Joe: that’s an emergent phenomenon, right? Adaptive some

of these can be adaptive evolutionary advantages to predatory avoidance, forging

efficiency, environmental adaptation.

So swarming isn’t just, , always a chaotic, , there’s some threat, but it could actually

have some purpose. And then dynamic structure those swarms can change shape,

density, direction, very fluid and responding to the internal and external pressures of

push and pull of the group.

So it is very yeah, very.

Josh: very varied. You know, I think as you’re listing off all those characteristics, it

covers a wide variety of

[00:07:00] And you have a lot of different reasons, a lot of different environmental

cues and stuff driving that swarming behavior. So depending on what species you’re

talking about it, it gets really fascinating.

8I mean, I had a number of things come off the top of my head when you men-

tioned animal swarms, and when I did some just kind of brief diving into it. It’s really

interesting once you start comparing all the different types of swarm behavior and,

you know, reasons behind it and types of species that it occurs in, you know, every-

thing from invertebrates like jellyfish to, you know, we’re talking about humans, you

know, the highest order by some measures of vertebrate.

Joe: No, you’re right. And even microbial populations like that. I was looking up

slime molds have this kind of behavior that they were searching for food or response

to threats. But I was

Josh: A bloom.

Joe: algal blooms.

Yeah, that was, I was gonna, that kind of leads us into, I think if you I mean maybe

let’s, we can do a game, everyone listening, but when someone says [00:08:00] animal

swarm swarms in fiction, what your mind goes to probably one movie.

Josh: I, think we’re probably thinking of the same

Joe: Probably. Yes. Whatcha thinking over there?

Nick: as always go with the Marvel comic.

Joe: Oh, you’re going, you went warm. Which one? Oh,

Nick: He is a you

Joe: your you mean, spider-Man villain. Okay. Yeah. That’s your go-to.

Nick: Yeah. I don’t know why it’s, I mean,

Joe: at that, the

insects

Josh: you’re thinking, Hitchcock,

Joe: I am thinking Hitchcock, the birds.

Yes. Oh yes.

9Nick: didn’t even think of that one.

Josh: Yeah, that’s like the classic swarm movie.

Nick: And I’ve even read so many things that were like, birds are swarms. And I’m

like, are they though?

Joe: No the

Josh: interestingly, the bird behavior in that movie doesn’t fit some of the swarm

characteristics because the birds are acting very individually.

Joe: right. They

Josh: Like they, they have a concerted [00:09:00] purpose, you know, destroy all

humans. But they’re not, they’re, you know, they’re not acting in this way where they’re

influenced by the neighbors

working They’re, you know, they are somewhat more individual and

random.

Joe: Yep. And they give the background For those who might not know or have

heard of the Birds, it was an Albert Hitchcock classic horror, masterpiece. 1963. When

it came out, it was actually based on a short story by Daphne Du Mare in 1952.

That was its literary foundation. In the short story. It was the birds were an allegory

to Nazi Germany and being invaded and being taking over. So it was this,

Nick: so it’s time for a remake,

Joe: it’s time for remake and yeah. And so very Cold War theme thematic at that

time.

If you think about, in, in the fifties [00:10:00] early fifties, that was one the minds of

a lot of folks. The movie, it takes place at a fictional coastal town. Like the main charac-

ters, there’s a guy in his love interest. They go to a small house.

And then these birds are just flocking around and then start attacking them in this

kind of way. And it’s, in these movies where you do have swarm somewhat, they repre-

10sent symbols of, societal fears the. Uncontrollable. And, dangerous coming at you in a

way that you can’t get away.

Sporadic you have all this. So that is, that was there and it probably led

Nick: was a horror movie,

Josh: Or.

Joe: Or phobia. There it is.

Nick: so you classify this as a horror movie, right? Horror movie,

Joe: Horror movie? Yeah. I don’t hold on time.

I mean, that’s what it’s classified as. I didn’t

Josh: Yeah.

Joe: give it mean.

official.

Josh: not going rogue on us. It’s definitely, it’s a horror classic.

Nick: Oh, I, okay. I

Joe: might make it a romance. I don’t know. It’s a, you know,

Nick: I didn’t know [00:11:00] if it had to do with what age you were when you

first, not making an old joke, of course, but

Josh: the birds the birds murder people

Joe: they do. Yeah,

Josh: uh, the, this, this island that they’re on, this little town gets slowly invaded by

birds and there’s all these looming intense shots of birds lining, you know, the

power

Joe: The playground, when she goes to get, they get the kids come out and they

get in the car and all the birds, there’s one there and then they look back, there’s five

and they look back and they’re, it is just then just the whole playground is covered

with birds.

11and her

Nick: the movie, but I just don’t remember feeling fear from that one.

Joe: I I mean personally,

that’s

Nick: why I was like, wait, I don’t actually like it’s been a minute since I’ve seen it.

Joe: Yeah.

Nick: But Yeah. That’s

why I was like I don’t remember if it was like an

Joe: I think it’s very I think it’s, I think you have, the horror genre, you have that

element of fear and that’s part of it there, that you have this kind of looming threat.

That’s always there. And you think of horror movies, from, Jason Freddy, classics,

but [00:12:00] the birds, they were just looming threat that was there. And you have

this kind of presence,

Josh: all about building up

Joe: yeah, there’s sharp beaks and they’re erratic movements just pecking at you

and just really

Nick: I mean, crows can take people down

Joe: no,

I don’t, I’m not messing with no crows. I mean, they’re

Josh: wouldn’t.

Joe: I

do want a

do not. Birds they hold grudges, like crows, I think mag pies,

Josh: Yeah.

Joe: they actually, they will re, they remember your face

and your family line.

12They

Josh: Every single species you just mentioned are all members of the Corvid

Nick: Yep.

Joe: Oh, okay. and the Corvids are all some of the smartest birds in the

Nick: They will either love you or

Josh: you’re right, they will definitely recognize people and they will hold a

grudge.

I think there’s even been stories of pros basically telling other pros

Josh: To watch out for.

Joe: yep. Yeah. It almost seems like it’s passed through lineage, like so that their

progeny has the same grudge. Like it’s a, it’s generational.

Like it takes

I

Nick: love that. It is such a [00:13:00] pettiness that I

Joe: Yeah.

Nick: I thrive to. It’s if I hate you, yeah. My whole bloodline’s

Joe: we’re all,

Josh: it’s also the people that are good to They’ll also pass down like the people

that, that feed them and leave stuff out for them. Like they’ll pass along that informa-

tion also. So it’s not entirely negative. You just don’t want to get on their bad

Joe: No, you don’t.

Nick: accidentally run one

Joe: the the, I think the crow that would bring the one guy that left bread and stuff

out for it or food out. It would bring them money, rolled up little, it would go, it would

scour the city for ball. Lost money and then bring it back. And then drop it off.

13Yeah. Yeah. And just drop it off. It was like a value and that the per the person left

the food was excited to get, some money, but I just figured this bird now is attacking

people and has taking their money. It’s like

Didn’t

Nick: he use that money to buy better food for that one

Joe: maybe. Yeah, that would be nice.

Nick: Just pocket this one.

And

Josh: buys better food for himself. Yeah. Screw that bird.

Joe: and you might notice too, but like in, in the birds there were many different

[00:14:00] bird species, and usually birds don’t flock together, that saying comes from

that. So it, it was a very, that also made it ominous that you had all these different birds

Josh: Yeah, like why did all

Against humans all of a sudden,

Joe: Yeah.

Josh: And the isolated nature of the movie as well, because you didn’t know what

was happening in the rest of the world.

kept it?

really isolated on just those characters. So is it this island? Is it everywhere? And at

the end of the movie, they just the murderous birds just fly off into

the

Joe: right. Yeah. They stop, they break apart and it was a whole

maternal,

I don’t know, there was like some other weird. Storylines in there. But yeah, the

birds, they fought ’em off and then they just walk out the house and the birds are like,

just chilling. And they go off and it’s like, all right, it’s everyone’s happy.

14Go off

Josh: But did they go out to attack somebody else,

Nick: I hope so.

Josh: Like you don’t know, like they leave everything unexplained.

Nick: I hope they did. You know, it’s just Hey, another day, all right, we got this

town done. Let’s go to the next one tomorrow. [00:15:00] Yeah. Same time. Yeah. And

Joe: so the

Josh: Yeah. I mean, as a species, humans do have it coming.

Joe: me too, I mean, and it was there’s some historical evidence that that Hitch-

cock got the idea from a real. Bird attack in North Monterey Bay in 1961. So thousands

of like sea birds exhibited disorientated aggressive behavior. And they came to find

out it was a omic acid.

Nick: Oh, I was gonna guess moldy bread

Joe: it that you get poison from diatoms and you were mentioning the microbial

blooms.

Algal blooms, the red tide. That’s what this is. And it’s a neurotoxin that’s that’s

produced by a certain marine algae that actually disrupts the nervous system by mim-

icking the neurotransmitter glutamate leading to kind of overstimulation, neuronal

damage and symptoms like seizures, memory loss, and confusion.

And so you had all these birds like kind of swarm into Monterey, right? That’s

right. Yeah. And they go And [00:16:00] so he had at that story, at this event occurred

near his residence. And maybe gave that final inspiration.

Josh: Hitchcock’s

residence.

Joe: Yep.

Josh: Oh, wow.

15Joe: So that was interesting there, that it did have this kind of real world connec-

tion that you could have a bunch of birds just go crazy, a bunch of angry birds you

know, so

Nick: he was the one that passed them all off.

Joe: off. He’s the one that did it.

Nick: He was like, you know what? This would be a great story. Let’s see how that

would turn out.

Joe: The other thing is. Is the groups of bird names. I just always get a kick out of

looking those up. Like a wake of buzzards, a murder of crows. The most famous, prob-

ably a convocation of eagles, a mob of emus , an asylum of loons, the squadron of

pelicans.

They just have these really cool names, you know, it’s

Josh: of starlings.

Joe: It’s I just love it. It’s who is naming these per what was the motivation there?

It’s

Josh: Oh yeah.

Joe: they don’t

Josh: I just imagine It was some old English guy [00:17:00] in the edu Edwardian

period, like sitting back, smoking a pipe, just like coming up with names for random

groups of

Joe: at that wake of

Nick: Like,

why did fish get the short end of the stick here? It’s just a school of fish,

Joe: a school of fish.

Nick: Not any specific kind.

Joe: you know, a herd of cows. We don’t get anything like, you know, not a.

16Josh: I mean, in the Christian conception of the world fish don’t even count as

meat. So they’ve always been getting the short end of the stick.

Nick: They aren’t animals, they’re

Joe: But birds also have that. I think they’re, I think they’re easy to fear. They can

fly. They have the high ground. If we’ve learned anything from Star Wars,

Nick: I have the high ground kin.

Joe: But they do, and they have talons. They have beaks. They’re ready to go.

, humans really aren’t

Josh: no one wants to get attacked by

Joe: it’s you

Nick: They’re pretty much flying dinosaurs, wil mor de kin say about

Josh: Oh yeah.

I mean, have you ever been attacked by a red wing blackbird? We’ve got them

around this area,

uh, all over

Uh, Have you been attacked? What is the.

I have, [00:18:00] yeah. They’re about the size of a robin and they get really ag-

gressive when they defend their nests in the summer when they’re laying their eggs

and raising their yu.

And so if you pass too close to their nest, they will dive bomb. You. yeah. I’ve total-

ly been attacked. They’ve nest in the parks around here.

Joe: yeah, there it is. So I didn’t know if you were out

Josh: You laugh, but you just wait.

Joe: Antagon. No I’ve had my fair share of dive bombs. So when I was a grad stu-

dent at Arizona State University, they have the palm trees and there were crows, or

some blackbird that lived up in these palms.

17And during probably nesting season, they would swoop down as you walk

through campus. So there were certain, walkways that if you went down, they were go-

ing to swoop down the top of your head. And it always freaked me out. Just one step

to the birds, man.

That was it. They just get together you know what? Let’s just mess that dude up

right there. Let’s make an example out of that one human. And I bet you the rest of hu-

mans aren’t gonna come this way. I mean,

it’s

Nick: a good way, it’s a good method. I agree. [00:19:00] If I saw someone get hit

in the head with a bird, I’d be like,

Joe: that’s right.

Yeah, I’m done. I mean, out of all of the animal swarms. I think birds I think birds

are up there. I think the next one, and maybe might take it as wasps, I think just a, a

swarm of

Josh: Yeah. I wouldn’t wanna, I wouldn’t want a swarm of any kind of stinging

Joe: right? Yes. Yes.

Nick: I

Josh: bees or wasps

or Hornets.

Joe: i mean, like honeybees. I don’t know why

you want a swarm of honeybees around you. I want

but they’re usually not violent. So is it just a lot of honeybees that you agitate?

Josh: Honeybees were actually one of the things that we dealt with pretty often as

part of my wildlife control. We did bees, wasp, and hornets and some other insect

species. Honeybees swarm regularly is part of their normal lifecycle, the greater lifecy-

cle of the colony. When they reach a certain size, usually in the spring or later in the

18end of the summer, they’ll produce a new queen and half the hive, half the colony will

split off with the [00:20:00] old queen and they’ll swarm out into the environment

somewhere and look for a new place to establish a new hive.

And so this swarm will be like a basketball sized ball of bees that will just kinda

hang in a tree or maybe off the gutter of your house or something like that. And they

are not aggressive in that

They’re just balled up, protecting the queen in the center of that ball and sending

out scouts in the surrounding area to try to find a good place that they can move into

basically.

Nick: oh damn.

Josh: And so we would get calls periodically about that type of behavior and, you

know, have to try to explain to people sometimes with more success than others. That

no, really don’t do anything with it. Don’t spray them with a hose. Don’t, you know, just

leave them alone and they will go away and at most, a day or two,

Joe: Yeah. Out of all the flying stinging animals, honeybees are like the sweetest,

no pun intended.

Josh: least the ones that we have around here,[00:21:00]

Joe: Yeah. Oh, are they, are there

Josh: one of, one of the things I, one of the things I had in my note to talk about

was Africanized

Joe: Okay. All right. Yes.

Josh: Because I remember as a kid, killer Bees being such a huge news story and

this big sensational thing and like even watching you know, made for TV movies about

towns getting attacked by giant swarms

with killer bees. Yeah. So that, that, like when I was a kid, killer Bees were up there

with like

19Joe: Now, I was gonna say quicksand

Josh: that I thought I really

Joe: we talked

about, we talk about quicksand quite a bit, not being the threat that we thought it

was.

Nick: and the murder

Josh: I thought it was gonna be

Nick: episode or two ago.

Joe: Yeah.

things did we

Nick: where you were just like expecting to run into ’em.

Yeah. Just.

Josh: Yeah. Hey, one day I’m gonna need to know what to do about quicksand

because it’s gonna happen inevitably.

Joe: gotta have your belt and a stick and flatten out. I mean, yeah. You had a

whole

Yeah.

All the time.

interacted with no quicksand yet. I’m a little disappointed.

Nick: I’m very

Joe: Yeah.

Nick: This life has let me

Joe: change and no murder bees either. Luckily, I’m, I’ve been I’ve been

[00:22:00] lucky on that

Josh: seemed to have gotten stopped by the winter, which is always

had heard, is

20They’re not adapted for overwintering European honeybees are. And so they

would only get so far. But I guess that’s another thing that we can look forward to with

global warming is killer bees will continue their march to conquer North America.

Nick: Yes.

Josh: But they’re like, end em to the southwest and southeast now.

Joe: Wow.

Josh: As far as I know they’ve got them. I don’t know how common they are com-

pared to other species, but there’s definitely reports I saw even up to Georgia and

Tennessee. So they’re out there, man, you gotta watch out for killer

bees. More, more likely than quicksand.

Joe: Yeah, that’s for now, just wait until the killer quicksand. Just when you

thought it was safe

Josh: that turns into killer bees

Joe: Quicksand filled with killer bees at the

Wait,

you get sucked in, they’re

oh, I was

Josh: as, as you’re down, the killer bees are

coming out and stinging you as you’re sinking into the quicksand.

Nick: they’re eating [00:23:00] your feet alive first. You’re just like, oh

Josh: you can get the,

Joe: What’s

Josh: the overly dramatic Nicholas Cage death like

Nick: The

Joe: bees,

Josh: The bees, they’re in my mouth.

21Nick: the bear.

Joe: So after the birds and the bees,

Nick: what happens

next? Joe,

Joe: How we go? Locus

Like locus is probably up there, like for a story. Like it’s just, I mean, it’s biblical,

right?

Josh: One of the

Joe: that’s a if you’re thinking

Josh: Yeah, locusts are really interesting

Uh, like actually

Joe: ants.

Nick: yeah. Over locus.

Joe: I think,

I think locusts are

Josh: are also really

Nick: I don’t know. I just thinking like between ants and locusts, that would go

next. Ants I feel would be the next one

Joe: Locusts are biblical, right? I maybe there’s a ant but able story, but

Nick: I don’t know. I don’t

Joe: Locus are.

Fairly destructive too. They actually destroy millions and billions of dollars worth of

crops like every year. Like it’s, they [00:24:00] are a real,

Nick: don’t they have those ants that like torture people for whenever they swarm

up on people, torture people like they’ve,

Joe: You mean like fire

22Nick: ants? No, the bullet ants.

Joe: the bullet bulletins. I mean,

Nick: Oh, am I mixing

Josh: think you’re thinking about

Nick: army ants?

Josh: which don’t really attack people swarm them. Animals that have reputations

like that, like you have to really mess with them. You have to earn it to get attacked by

a lot of animals

like that. Uh,

Joe: ants.

I can’t.

Those ants are doing nothing to you. They’re just

chilling.

Josh: videos of army ants, like they move in these giant swarms they actually don’t

have permanent hive spaces like ants do. Like they don’t dig tunnel systems in the

earth and stuff. They move in these giant constant swarms through the forest. So you

gotta really put yourself in danger’s way to get attacked by these army ants or, I don’t

know, maybe be like, tied up by a snidely whiplash style villain

and left it in their, I guess didn’t they have that in the, one of those Indiana Jones

Joe: What they like [00:25:00] Uh, honey or something, or they do

Josh: Yeah. And then, then

For the army ants. Yeah.

Nick: See that one I,

Josh: maybe if you do

Joe: was it. But locusts are like, I think a real threat.

23Josh: Well, locusts have two different types of life cycles if they’re, if food is plenti-

ful, they’re fairly solitary and they’re basically just a species of brass hopper. And when

conditions occur that force them to congregate together once they start rubbing up

against each other, if that happens too frequently in a certain amount of time, they’ll

actually start.

Changing their physiology, they’ll get like bigger and the spines on their ex-

oskeleton get bigger and they actually undergo this whole physiological change and

behavioral change, and they’ll start that swarming And so you get those, the biblical

swarms

Joe: Yeah.

Josh: And when they’re in that form, yeah, you can have swarms of millions that

just spread across the countryside for miles devastating

Joe: Yeah. They go any plant life I mean,

Josh: yeah. [00:26:00]

Joe: not localized to just like a neighborhood.

They travel

Josh: And that often happens in like drought conditions and times where food is

scarce. And so that makes them even more dangerous because then they, you know,

the stories of swarms, of locusts destroying people’s crops are really true. And like that

kind of stuff does and can happen,

Nick: Alright. I, given the, I’ll put.

Locust above

Joe: That’s like Exodus, man, one of the 10 plagues of Egypt sent by God to pun-

ish the

pharaohs for refusing to free to Israelites.

Josh: The wrath of God right

24Joe: I mean, they’re,

Listen, if they’re

around.

You know,

Nick: if someone’s gonna swarm me with Locus, I’ll just get my murder of crows

on ’em.

Okay.

Joe: I don’t know. I think the locust could take down the

Nick: I don’t think so.

listen.

Josh: of crows.

You got millions of locusts,

Joe: yeah, they just got the numbers on

Josh: but maybe it would be a smorgasbord for the right

Joe: That’s true. I guess locusts aren’t at the top of the food chain, so they

would have to bow [00:27:00] down.

Like we, we talked about

Josh: about a swarm we had locally here the cicadas, the

periodical,

Joe: CRCs, right?

Josh: Just last year in Illinois in this area, we had a brood of 13 year cicadas and a

brood of 17 year cicadas,

which are different subs.

Joe: Crc.

Josh: subspecies of cicadas that only hatch every so often. They don’t come

out every year.

25Joe: person in the region that didn’t go out and find some

Nick: I don’t think I’ve seen a single,

Josh: news

stories all

Joe: was like everything.

I don’t

Nick: think there was a single cicada in my neighborhood.

Josh: Mean had to go, I mean right. It’s, there’s in in really heavily urban areas.

They didn’t show up that much because the, their eggs have been underground for

13 or 17 years. So if you’ve had a lot of development in your area, then, you know,

they dug up all those eggs along with whatever earth they tilled, you know, to make

development.

So there were a lot of areas around here, like where I live in Chicago, there

[00:28:00] wasn’t really. Much, although there was some down in our park down by

the lake. But we really didn’t have those huge numbers that they had in other areas of

Illinois especially where these two broods overlapped. Which was something that

happens only every 221 years when the 13 and 17 years cicadas line up so that both

broods are hatching at the same time.

And if you’ve never been somewhere where that was occurring, they’re literally

everywhere. They’re all over the trees, like end to end covering the trees and all litter-

ing all over the ground. It’s unreal. And local animals love it. Everything eats cicadas,

basically. Even even things like squirrels eat cicadas during those times.

Joe: poor cicadas. They’re just there chilling, brooding, and

Nick: you woke up to get

Joe: That’s right.

26Josh: 13 years underground just to come up and serve as a smorgasbord buffet

for everything around you.

Nick: So they’re at like the [00:29:00] bottom of the list on swarms that we

Joe: right? Yeah. They’re probably

Josh: Cs are the very bottom of the

Joe: Those are No danger to

Josh: And they’re just food.

Joe: just go out, you want to seek that swarm out. You’re like, let’s go see the

CRCs at the park. I mean, it was fun. We went down to the cab ar, and they were all

over the place.

Mean, you were just, you walk a few feet and you’re getting hit by CRCs. They

were,

Nick: yeah. I don’t think I’ve seen any of them this, whenever that happened last,

Josh: Oh, you missed out

Joe: didn’t

Yeah, I didn’t see any,

gotta, wait, you said 220 years,

Nick: Hopefully I’ll be dead in at least half that

Josh: for both of those 13 and 17

years 13 years or 17 years, you’ll have another brood happening, right? Is that the

cycle? 13

in this area. And there’s multiple broods in our region of the US.

Joe: Okay.

Josh: So there’s other areas that will have 13 or 17

year cicadas match at different times. So if you’re really missing it, there’ll be

something next year or this year

27you can chase ’em down.

Nick: I’m pretty sure I’m good. [00:30:00] I don’t need to go see all these flying

bugs.

Joe: It’s moving down

Josh: saw people online doing recipes with the

Joe: That’s right. Yeah. They were talking the

Josh: Try to, you know, fry ’em up, make little cicada tacos or

Joe: And it was like the younger ones, that hadn’t multi was at the,

Josh: Yeah. You wanna get ’em right when they come out of the ground apparent-

ly, because they’re still kind of soft shell, you want the soft

shell

Joe: don’t want the

Josh: not the uh,

Joe: ones the crunchy ones Throw back. It’s got the crunch. You don’t want ’em

Munch.

You go. That’s it.

Josh: are big.

Joe: They are, I don’t know. I’ve been, have you eaten a lot? I mean, I’ve had meal-

worms.

Nick: How many cicadas have you eaten, Joe?

Joe: Zero.

Josh: mealworms and I’ve had some grasshoppers that were pretty small

grasshoppers as, as far as those things go,

Joe: I haven’t had any other insects. There’s a place they make

Josh: not bad, you know, prime up, a little Cajun seasoning.

Just try not to think about what you’re eating.

28Joe: yeah.

Josh: They’re not bad.

Joe: Like spiders they probably taste tastes a lot like, you know,

Josh: I don’t know. That might be too far for

me.

Joe: They’re like land shrimp, right?

Nick: I thought that would be [00:31:00] cockroaches.

Joe: no, cockroaches are insects. Yeah. No, that’s a whole different line. That’s a,

that’s some hard times there.

That’s,

cockroaches

Nick: were the land shrimp. No. Is that not true?

Joe: No.

Nick: Or is that land crabs?

Joe: I don’t know what you’re talking about. Let’s move along. Now it’s kind. I’m

talking about ticks or something over there.

Nick: What

Joe: land crafts. That’s, yeah.

Nick: all

Josh: You mentioned ticks. I had a couple of movies that I was gonna bring up

and I dunno if you guys have ever heard of the movie Ticks.

It was an older movie definitely like a b or C tier horror movie about giant

mutated

In the mountains, attacking some coeds. But the best part of it is Howard’s broth-

er, Clint Howard noted, excellent character actor Clint Howard who plays one of the

hillbilly criminals who’s growing weed in the mountains that is also defending their

29weed fields against the giant mutated ticks. And he of course, [00:32:00] gets at-

tacked and then there’s lots of great practical special effects if you like, those kinds of

beats here, horror movies. But it does involve, the movie does involve a giant swarm

of giant mutated ticks attacking people in the mountains.

Joe: Those are their best. That’s like Piranha. That was also

Josh: Yeah. Yeah. that’s kind A swarm movie.

You Ana,

Joe: Yes. did

Nick: I’m gonna throw this one out there.

Joe: oh. He’s been, see, he’s been sitting on this

Josh: can’t even say it.

Joe: Yeah,

Nick: I need a minute.

Joe: All right.

Why don’t we do that. I was gonna say my next, the next swarm that I think of are

rats,

Like rats are like, you know, and just the Pied Piper, of Hemel Hamlin. You had, dis-

eases, a lot of things have corresponded to.

Rat infestations in civilization, especially urban civilization of, , black plague, black

death. I mean, you had, things like that. So it is

Josh: Although that was more due to the fleas than

just gotta [00:33:00] they were the the rat’s, Reputation

on,

Joe: I am. They were the conduit though,

Now we’re gonna

had the fleas that actually then were moving, they were

30Josh: It’s a two way street, you know? I mean, the people weren’t all that clean

themselves either. The fleas were going back and forth pretty readily. don’t think we

can totally blame the

Joe: That’s why you have, women who had cats who didn’t, at that time, didn’t die

or get catch the plague. They were considered, , witches. But really they, because the

cats kept the rats away from spreading the f fleas da that they live, but then they got

persecuted as, you know, set of oh, that’s a smart idea.

We all should have a dozen cats. And

that’s,

Nick: where the mob mentality comes in.

Joe: the mob mentality

Josh: You’re right.

Joe: So you were, and when you were talking about the locusts rubbing up

against each other, and then all of a sudden you get this kind of angry mob I thought

of a concert venue , someone rubs up against someone the wrong way and then all of

a sudden you gotta, you got something happening.

Nick: So would shark NATO be considered a swarm?

Joe: know what, [00:34:00] you stop it as I, my youngest son, we were talking my

age, 14, I’ll be 15 a little bit. And we were, we, I said what the episode was gonna be

and he was like, are you gonna talk about Sharknato? I was like,

Nick: You know,

Joe: it. They just had a few sharks. It wasn’t a lot of sharks. Sharknato.

Josh: Hey. I’m happy to talk about

Sharknato though. That’s just good fun.

Nick: this is like the fifth episode in a

Joe: We’ve talked about Sharknato and other

31Josh: Have you, have, you talked about Steve Sanders from Beverly Hills 9 0 2 1

oh. Leaping through a shark with a chainsaw

like chainsaw. First he leaps through the shark.

Joe: Was that the first shark nato or one of the subsequent shark NATOs?

Josh: Not sure they all blend together.

Joe: work together?

I mean,

it was like four. I mean, that’s where people like, they, they’re like, I got this idea.

But it’s dumb.

Josh: were definitely too

Joe: yeah you just go, you just, you always look at shark NATO and go, that’s, if

they went into some room and [00:35:00] pitch that movie, you can pitch any idea you

got.

Just take faith and go,

Josh: Sharknado five, we’re still milking

Joe: right. Yeah.

It’s

Nick: Oh, and then they’re just milking a shirt.

Joe: Okay. That’s not how that works, but all

Nick: for this one it does because

Joe: made genetically engineered sharks with little tets.

Josh: They’re getting really creative

Nick: I think we’re gonna be able to pitch this one. Guys.

Joe: be I’m, there’s a, we’ve had a lot of movie ideas on these episodes.

This is one I’m not gonna be behind. I’m gonna leave this to Nick. He is. Got it.

Hold.

32What else you got? Anything?

Nick: Yeah, so that,

Joe: I mean, that’s, that was on my, and then Ants, I did have ants on my list, but

we touched upon them. Everything else is in there. I mean, the fictionalized, spiders

there was movies about that, like ACH phobia.

Josh: Arag phobia.

Joe: The nineties. That was one

Josh: There was one in the early two thousands I think called, just called Big Ass

Spiders.

Joe: Yep.

Eight. Yeah,

Josh: giant spiders there, eight legged, eight legged freaks, I

Joe: Eight legged free. But those are, but see, [00:36:00] that’s, those are giant

spiders. There’s a lot of ’em

Josh: They’re like fifties sci-fi

throwback

Joe: Yeah. Like them and those types of movies, but just you have a movie where

normal size it, there was, you know what, there was one also B Horror kind of The

frogs.

Nick: Oh, yes.

Joe: And it was like that the seventies

Josh: I’ve seen that VHS cover, but I don’t know if I’ve ever seen the

Joe: and they had a bunch in the seventies. People can go and look, but that was

the environmental kind of movies of animals attacking, you know, humans encroach-

ing on their land. So developers are coming in, they bought the cheap land, and then

the animals kind of rally and then go.

33But the frogs was exactly that, where they were there, and then the frogs started

killing. People one by one,

Nick: do zombies fall under swarms?

Joe: I was gonna say that I had that.

Nick: I had that written down as a note.

Joe: I think they

Josh: That was my thought first for human swarms in fiction. The first thought I had

was zombies

Joe: [00:37:00] I think would fit.

they bunched together And it was interesting because I think in movies or books

you have that idea of zombies. If you, you have the initial outbreak the demise of hu-

manity and the rise of the zombie. And then they appear that they do follow then a

swarm like mentality and behavior

I think z Nation that was at TV show.

Josh: Oh, I love Z

Joe: Yeah. And they had, but they had the swarms. They would go, oh, a swarm of

zombies are headed our way. And they had to get inside. And this whole, this herd, it

was like almost a herd of zombies would go through looking for almost like locusts,

looking for

Josh: Definitely. Following swarm behavior.

Joe: Yeah. So it is really, I think it would be interesting, I would say yes. That they

would find it and yeah, if there’s a food, like if you, there’s a bunch of zombies that are

disorganized and then there’s a stimulus event, they all then converge and actually fol-

low that [00:38:00] behavior to get at that that,

Josh: Yeah. I mean, that basic setup is in pretty much every zombie movie.

Joe: So I

34Josh: You think you’re hidden and then a noise attracts

Joe: that’s right. Yeah. And then one, and then

Josh: then they all swarm.

Joe: They’re all triangulate on that position and you got trouble. Yeah. Especially if

they’re fast moving zombies, which I have issues with, but, okay, we’ll move on. ’cause

that’s not, this is not

oh

Josh: That just seems unfair to the

Joe: Yes, it

Nick: does.

Joe: I, my whole gripe with that people know, is that I don’t know how you gain

ability after you go into a decay state. Okay. That’s all I’m gonna mention with

Nick: See Joe with science,

Joe: it’s just hand waving. I know, but it’s my job to call it out. But it is

Josh: You gotta draw the line somewhere.

I’m, I’m with you. How do you get faster and a limitless supply of energy as a zom-

bie when you didn’t have that as a human shambling? I understand. You know, you’re

barely

Joe: Yeah. They’re all right. But there’s folks that, it’s [00:39:00] like you weren’t

running that fast. When you were alive. Okay. So why are we running

Josh: We’re running for that long. I don’t know if you guys are runners, but you

know, if you are not out there running regularly, you can’t maintain a fast pace for very

long.

Nick: it’s all about the lung capacity though.

Joe: No lung capacity. They’re

Josh: is the lung capacity of an average

35Nick: I’d say none. So like

Josh: the, zombie virus negate the

Nick: drops down to zero and then it just goes infinite. That’s not

Josh: with no lungs? You don’t have to breathe. You could run forever,

solve it.

Nick: Boom

Joe: that was the idea that in,

Nick: was it Walking

Joe: Dead or which movie was that? Or was it Walking Dead where he had, they

had him exhale.

But he was a zombie. Like it was like a cold day when they did the shot and you

saw like a little breath of air you know, the kind of

Josh: I’m

Joe: Yeah, it

I don’t remember

Dead. It was like a mistake. It was one of the episodes where they shot it and one

of the [00:40:00] characters were supposed to be a zombie, but then they were clearly

breathing like a living human.

It was just

Josh: Oh, like they weren’t supposed to.

That wasn’t supposed to

Joe: I always do this ’cause I think it’s fun, but the earliest fictional

yeah. Right there.

Nick: Example.

Joe: I, yeah, I’m married. Yes. I’m a

Nick: This is tearing you up now with

36Joe: It is, I’m feeling very emotional about those zombies.

Nick: Yeah. You got a earliest, lemme guess it’s the Bible or

Josh: locus

Nick: Or, there was some Egyptian hieroglyphics that was found on the wall and it

predated back to a hundred bc

Joe: It’s, our favorite here. It’s the epic of

that story.

has like everything.

Nick: No, this is not acceptable.

Joe: has swarming lions.

And the Bulls of heaven. I mean, that’s

Nick: No, that doesn’t, no,

Josh: knew how to.

Joe: [00:41:00] But every episode it’s that is, that’s just what,

Nick: what’s, I’m gonna call BS on this one.

Joe: it’s there. Then the Iliad, they’re battling swarming bees, birds, locusts all the

kind of ancient swarming of animals in there. Yeah. The Bible, of course, that’s proba-

bly close to the age of the epic of Gilgamesh. Yeah,

you had, divine comedy, Dante , 1320 ce swarm hell has swarming like insects.

And then the Pied Piper, that was 14th, 16th century ce. So there’s a bunch. that’s idea.

That swarming animals coming at you is like the ultimate fear. I mean, as a solo, like

one rat isn’t an issue. 10 rats. Okay. You got a small

Nick: Wait, it depends on what size the rat is.

Joe: I mean,

Nick: is it like a New York rat where it’s like a

Josh: I don’t think they exist.

37Joe: You don’t like a [00:42:00] nice muskrat or Right. I mean a sewer rat they get

big

Josh: princess bride quote,

Joe: Oh,

Josh: rodent of unusual size. I don’t think they exist.

Joe: I was like, what are you talking about? I’ve seen it.

Nick: I’ve lived

Josh: Yeah. Something like a, that’s like A rat the size of a pig or a rodent.

Nick: Or what about when a bunch of rats get all tangled up together and they re-

form the rat king?

Josh: The rat kings,

yes.

Joe: What do you do? You need a bunch of rat kings to swarm. You know, can you

have swarming rat kings?

Josh: I think the idea is the rat King controls the rat swarm

Joe: see. Yeah.

Nick: It’s the nest of it that all gets bunched up with their tails and then they just

start like

Yeah,

Josh: moving as one entity.

Joe: But yeah, those were

Josh: You have to imagine, you know, animal swarms are gonna hold just as much

fascination for our ancestors as they do for us, if not more because people used to live

in a much more [00:43:00] intimate relationship with nature. You know, they were out

amongst animals and the wild much more of their day.

38Whereas we’re fairly separated from the natural world. Most of us, certainly if we

live in cities or urban environments, it makes sense that they were including this kind

of stuff in their stories and in their storytelling. For as long as we’ve had stories in sto-

rytelling,

Joe: Yes. No, I agree. And there, there’s a certain themes you can think of, you

know, the kind of, the fear of being overwhelmed, losing control against this kind of

overwhelming force that we have. The nature retaliation. We touched on that kind of

the seventies was really popular, but through history probably had that push and pull.

Have we gone too far? Are we encroaching too much on the natural world? Intelli-

gence and coordination. You just have these kind of, like you, you were saying earlier,

the birds, that’s, it’s not quite a traditional swarm of just chaotic. They were plotting

and planning and really guiding the [00:44:00] humans where they wanted it.

They were almost boxing ’em , wouldn’t let ’em leave the island. I mean, it was this

whole coordinated effort to keep ’em there. And then you just have the overall sym-

bolism as an allegory to societal breakdown, chaos or pre fears. And that’s almost

magnified when we get to the zombie, right?

Because that is our ultimate not even an animal that’s coming or is chaotic. It’s us

that has become the uncontrolled.

and

the ultimate breakdown, like the breakdown of self. I think that’s

Josh: We become our own worst nightmare.

Joe: So you giving me the look over

there? Give me the looks. What’s happening?

Nick: Nothing

Josh: matter, zombies are humans reduced to nothing but instinct.

Joe: Instinct. That’s right. Yeah.

39Josh: the zombie, The zombie swarm is humans without any of our intellect or in-

dividuality.

Joe: Reduced to the lizard brain, right? Is

Nick: yeah. They’re just Out to feed.

But like only on other people.

Joe: should be like a movie

Nick: out to feed.

I mean, that’s the next [00:45:00] zombie movie.

Joe: It is. We gotta do it.

You’ve heard it here out the feed.

Josh: can pitch that after Sharknado

five. right.

Nick: milking it.

Joe: Zombie nato.

Nick: Oh. Oh no.

Josh: Yeah.

Joe: just when you thought it was safe. The zombie twister.

Nick: Only if we can get that one guy back from the last twisters.

Joe: All right. Josh, do you have any advice to give folks if a swarm is approach-

ing?

Josh: Most part, try to get out of the way and relax. They probably aren’t interest-

ed in you.

Joe: oh, there you heard it there.

Crack open

Nick: know if I can

Joe: off.

40Nick: that. gonna panic and then away in a different

Joe: Get the flame You gotta remember the, the first the first commandment of

Douglas Adams. Don’t panic.

Don’t

Josh: Hitchhiker’s Guide to the Galaxy.

Joe: Yeah.

Nick: Oh man, I thought I was, grab the gasoline.

Joe: have your towel

Josh: Yep.

Joe: a towel

Josh: towel.

Joe: and do it.

Cool. Do you have a favorite [00:46:00] swarm? If you had to be in a swarm sce-

nario which animal which you want. I like a

Josh: Like for my own personal safety or

Joe: what? Whatever you

Josh: oh, no, I, I do, I say I have a favorite swarm. One of the things I didn’t quite

get a chance to bring up, but I guess I’ll bring it up

now, is, Dragonfly. Swarms. So there’s a species of dragonfly that migrates from

the Northern North America area down to the Gulf Coast of America and Mexico the

coast of the Gulf of Mexico.

And they passed through the Great Lakes area. And I live pretty close to a park

that’s right on the lakefront here in Chicago. And so every year around like late July,

August, September, we’ll have hundreds of dragonflies passed through the area. And

when I go down to the beach, you can watch the dragonflies coming in and pre on all

the smaller insects [00:47:00] that are flying around the dune grass and then above

41the dragonflies, all of the swifts and birds that are preying on the dragonflies as they

come through.

And it’s just this really cool display of nature that I love getting to see. And it’s

these huge. Swarms of animals, both the dragonflies and the birds that you know, you

can watch without any fear for yourself like I said, none of them are interested in

you.

Joe: doing their business

until they are, until it’s like that’s the guy over there.

Josh: Yeah. So if you’re lucky enough look out for the dragonfly

Joe: And when’s that about? Like just a

Josh: like late summer, I would say August,

September.

That’s when they’re coming through my area. So coming through Chicago and

then eventually they’re going down to, you know, the southern states, the Gulf Coast.

Joe: then it’s go straight. It’s a straight shot. That is so like through Illinois,

Josh: I, I’ve seen them, I’ve seen them around here for a long [00:48:00] time. I

was trying to figure out a little bit more about them. And they follow a similar migra-

tion pattern to Monarch butterflies. They’re actually a lot harder to track, so they don’t

know nearly as much about the dragonflies migration patterns as they do about

monarch butterflies, but they know that they’re in similar areas, similar timeframes.

They’re seeing them migrate along similar paths at similar times, but they just

don’t know as much about the dragonflies.

Joe: Yeah,

I was like I was gonna say monarchs is probably one also insect. And I just hap-

pened to be at like a conference in, was it Monterey or Sylmar, California. And there

was like some huge tree .

42And they were like, oh, this is a place they’re migrating right now. If you go, it’ll be

thousands of ’em. You know, tens of thousands just hanging around. And so we went

and we didn’t see tens of thousands, but they were like more like hundreds and they

were like, oh, we’re off by. It’s not an exact science like they’re gonna be, but it was like

they had a range of dates and we were just there come back [00:49:00] tomorrow.

And we were like we need to leave. We gotta, you know, it’s not like we, this is it,

this is our shop. But it was, they were there. I mean, you could see I mean, it was prob-

ably the most butterflies that

Josh: still pretty

impressive even

Joe: It was really cool. Yeah, it was really neat and fun. So I did enjoy that.

Nick, you got a favorite swarm?

Nick: Yeah, my murder.

Joe: Your murder.

Crows. You’re

Josh: murder of crows?

Nick: Why would, what’s not to love about them?

Joe: The crow army.

Nick: Yeah. I think befriending them and creating an army to do my bidding

would be the best idea

Joe: There it is.

Josh: Nick’s getting ready to be the villain in birds

Joe: know that’s right.

Nick: Hovering above with my crows

Joe: yeah. There. I can see it now. Feeding them bagels. Yeah. You’re like, here

you go.

43Nick: Anything they want

Joe: you go, yeah, I don’t

Nick: feed my birds. What about you, Joe? What’s your go-to swarm?

Joe: I just said Monterey. I I mean, I like the

motto. You didn’t say

Nick: that [00:50:00] was your

Joe: No. I piggybacked off of that one, but I mean, you know what? I’m a zombie

guy, so I’m just gonna go with, I’m gonna go with zombies. I like it. I threw ’em in there.

They’re animals, you know? Yeah,

Josh: Yeah.

Joe: So

Nick: I’m down for that.

Joe: We’re down for it. And I got my country wisdom, so I’m ready to go. I think I

can make it out.

Nick: I feel like I keep sending you more stuff to add to your country wisdom.

Joe: I know you gave me like the Guide to Survival or something like Yeah. I’m just

adding, I’m there.

Nick: I’m slowly just being like, all right, Joe’s gonna have everything I need.

Joe: just need somebody to be prepared. You, I know you’re your game.

You’re gonna be

Nick: out.

Joe: there dingdong.

Cool. Josh, anything else? Did we, we hit everything we can. Any other bits of wis-

dom you’d like to share

Josh: know, I

44I love animals. I’ll talk about ’em for as long as you want. But that’s, I think we’ve hit

most everything that I wanted to touch on.

Joe: Yeah. The now you were, do you have any fun on our way out, like [00:51:00]

a fun story in your. Career as a pest management. Engineer.

Josh: Yeah.

Joe: Sorry, I put you on the spot now you’re like, they were all

Josh: no, I mean, I was coming in as your, as the animal guy, so I should have had

a story ready. A lot of my stories are just like smaller quick anecdotes. A woman who

called in complaining that she could hear a goose somewhere on the pond that she

lived on, that sounded for forlorn.

Those were her words, and she wanted us to come out and do something about

it. She wasn’t even sure what she wanted us to do about it. She just didn’t like that this

goose sounded sad. I learned a lot about how little people, some people know about

nature in the natural

Joe: It’s a sad are just totally unprepared to deal with living next to animals.

Josh: you know, even if you’re, even if you’re living in the city you’ve got animals

all around you. You know, I saw a coyote in one of the cemeteries just the other day

from the train while I was going to work. I’ve seen raccoons pass me on [00:52:00] the

fire escape at, on my building.

Just walking up past the fire escape, just kinda Hey, how’s it going?

Alright. And I just let ’em go, you know, because they’re just trying to make a living

too.

Nick: Oh, so you don’t trap every animal now, like

Joe: Yeah.

Nick: that’s not like your daily thing

45Josh: no, I, I left my trapping days behind. Me and the animals have a much more

peaceful coexistence now which I’m much happier with.

Joe: And you were just personifying the raccoon. It didn’t really speak to you.

it did. It was, were

you out there? Because that’s

Josh: no I can I can make mental contact with the animals now. No. I literally had a

person tell me one time that, that she like psychically communicated with the rac-

coons living in her house and told them to and that’s how she got rid of her own rac-

coon

Joe: Wow. That’s yeah. So what happened with the sad goose?

Nick: can you tell us what it sounded like?

Josh: I always imagined it sounded like, oh. Just like a really sounding goose.

Once we told her we were a private company and if we came out to do anything for

her, we would have to charge her money for that. [00:53:00] She changed her mind

pretty

quickly.

Joe: okay. There it is. You put money in it. Yeah. The good old capitalism there.

The yep.

Go.

Josh: people care a lot less about the animals around them once you tell them

that, no, your city doesn’t pay for this. We’re a private company, you have to pay for it.

Oh, okay. I guess they’ll be fine.

Joe: Yeah. They’ll ha they’ll spruce up on their own, but

Josh: Yeah.

Nick: the spruce, goose.

46Joe: yeah. Yeah. All right. On that note, I think we should go ahead and wrap up. I

know everyone’s all sad out there. A bunch of sad goose. We gotta go. We’ll be back.

We’ll be back again, I promise.

But

Josh: for having me on, guys.

Joe: thanks

Thank you for coming

on and sharing your knowledge about animal swarms and sad goose.

Nick: Someday we’ll have to go get some shwarma.

Joe: We’ll have to get swarm. That’s right. You know,

Josh: Celebrate the animal swarms

with swar

Joe: And on that note, you’ve got me, Joe.

You got Nick. You got

got Nick. You’ve

Nick: And that was

Joe: And that

Nick: [00:54:00] We went down

some animal hole. So

Joe: Some animal holes, don’t we? We didn’t talk about rabbit swarms. We’re

here. We got a rabbit hole of research

Nick: that just seems like part war.

Josh: don’t rabbits don’t swarm as far as I know. But they can get really overpopu-

lated

so their population’s kind of boom and bust.

Joe: or

47there

Josh: But I don’t know if rabbits really having a lot of swarming behavior, it would

be a very adorable swarm.

Joe: If it would be, I ain’t could see that. Yeah. Except when the hawks come and

the owls and the eagles and then it becomes something

Josh: becomes a very grizzly swarm.

Joe: I write on that note. Y’all stay safe out there. Love you.

Nick: Bye-bye.

Transcript EP 42:Broken Futures with Ben Tanzer

SubstackAppleSpotifyYouTubeAmazon


Joe: [00:00:00] Hey,

welcome back to the Rabbit Hole of

nick: Research.

Joe: We’re down here in the basement studio. You have me, Joe,

nick: you got Nick again.

Georgia: Georgia,

Joe: we’ve got Georgia, and we have a special guest. Take it away,

Ben

_

Tanzer: Hey,

it’s

Ben.

Good to be back

or good to be here.

You’ll tell me in the middle of our time. Travel travails. Anyway, Ben Tanzer here

from Chicago

Author, fellow

podcaster,

college professor, Low key consultant. Dude, honored

to be a guest tonight and talk about one of my own books

’cause what could be more

self-serving than that? So thank you all

for having

6me and

I am gonna repeat this in case we lost it

before, but

I am

so jealous of that basement vibe.

and we

don’t have a

vibe, so I’m excited about

that. Appreciate it.

nick: So when was the last time he read your own book? Do you read your own

book?

Ben

_

Tanzer: I will read them after they come out,

but I’m really, not someone, it’s funny, if I was an actor, I would absolutely watch

my own movies.

For sure.

My

ego

[00:01:00] is both fragile and strong enough.

at the same breath.

But

no, I don’t necessarily go back and read my own books. So one of

the tensions

is there’s

so many books to

read.

I feel like you’re

7gonna waste time on your own book.

dude. No,

I,

haven’t,

I don’t read them often.

and I definitely haven’t read this one in a while.

so it’s fun to revisit it.

with the Three of you.

nick: Oh yeah. Yeah.

Joe: We’re

Joking a little bit ’cause we’ve had a few technical difficulties getting this episode

started all, all on

nick: the production

man, that still, I still whatever role I played in it. Lemme tell

Joe: No,

no

need to apologize. It’s

Georgia: a,

No. It’s all Joe’s fault. it’s a

nick: field.

I was blaming the imaginary sound deck.

You

Georgia: yes, fire

nick: Our production

Georgia: production manager

now.

8Joe: If anyone knows a good production manager, let us know.

Georgia: That

nick: so Joe, do you have any lists that you want to go

over?

Georgia: Yeah,

Joe: do have,

Georgia: Why don’t you introduce us to what

is this? episode? Yeah, so we be

Joe: talking about

broken futures, trauma and the human condition. And this is framed as Ben had

[00:02:00] mentioned around his novel orphans.

And so I just wanted to lay. The groundwork for kind of these words, broken fu-

tures, trauma, human condition, just so we’re all grounded, and then we can get into

our discussion again.

Future,

I put together this kind of definition as a future where progress technology, sci-

ence, economics, paradoxically degrades human dignity, e exacerbates trauma and

disintegrates social structure rather than uplifting humanity.

So I mentioned trauma. Traumas is emotional, physiological, psychological re-

sponse to an event or series of events that overwhelms an individual’s ability to cope,

leaving lasting effects on mental, emotional, and sometimes physical health and trau-

mas when something happens to you. And a part of you stays stuck there. And the hu-

man condition refers to the essential experiences, struggles, emotions, and existential

realities [00:03:00] that define human life, including birth growth, conflict, love, work,

suffering, and mortality. It’s not just our biology or culture, is a total experience of be-

9ing human across time and place. The human condition is the beautiful, terrifying, and

endless attempt to find meaning between birth and death.

Georgia: Hold on. This could be a long episode

Joe: Yes.

Georgia: Yes.

Joe: And we’re recording

now. But

yeah, I’m

gonna pause here ’cause I do have a list, but I wanna

Georgia: Oh, you have also have

a

Joe: I have a list too.

Georgia: Oh. Oh, wow. I think

Joe: prepared.

Georgia: Oh my gosh.

Joe: once

nick: Georgia,

Georgia: button,

nick: I have the

Georgia: analyst, but I think maybe we should,

Hear a little backstory

About Yeah.

You talk

Joe: orphans and how I came to this episode and getting Ben to talk about an old

book, like he knows

Georgia: not very old

10Ben

_

Tanzer: No, not so old. Anyway, yeah. There’s like,

backstory and then

nick: yeah,

Ben

Tanzer: I feel like

_

a young man. though. I don’t know what that says about,

the young men I’m raising. They’re really young men,[00:04:00]

but.

there

is Backstory and then a little extra backstory. The Backstory to the backstory

and I don’t know what you call that, backstory squared is something I was talking

briefly to

you guys about.

I

was,

I had to go on a work trip.

It was a big opportunity. but It was also something that was very important to my

boss. And at the time, one of my kids was going through a

hard time and really it was a terrible time to go away. Not that, I

didn’t think my wife could handle it.

Not that she can’t, couldn’t handle it, the idea of

leaving her to handle this by herself

and she’s go man. You’re cool.

Okay,

so I’m flying cross country

and I have a layover

out West and I call home

11just to check in and things were not going

well, and I felt sick.

Honestly felt physically sick.

It’s funny, Joe, you talk about

trauma and being stuck

on something that was traumatizing.

that phone

call and

I’m gonna use all your

key words here,

know, my wife was like, just, yeah,

Right on. And my

wife

was just like, Just go

And so there was this moment where I

thought,

should I have told my boss this isn’t something I can go do?

But [00:05:00] I also

realized I didn’t feel

like

I could do that, but that was

balanced out

by what I recognized was my own ego and my own need to go do this thing I was

asked

to do which was a big deal.

and I

12realized it

wasn’t one or the

other. It was a

both and I was embarrassed

by that. I was embarrassed

that I couldn’t talk to my boss.

and I was embarrassed that I still

wanted this. So I was thinking a lot about that and I was thinking this

would

make for an

interesting sort of

book, right? What does it mean

to need to

work, to want to work,

to have work

dictate decisions for you?

And I’ve always been

very work

oriented

and focused

and striving. So I was

carrying that idea around in my head, what does it mean to be someone who

goes away to

travel, to leave your family, to prioritize work? And then I was

out running

one night

13And I was

running along the lake and

I looked up and I don’t know what planet or star I saw because this is where I’m

very

derelict in

my larger

[00:06:00] education,

But I looked up in the sky and I thought,

wouldn’t

it be interesting if this guy who’s got this job?

that involves travel?

What

if

he had to travel to

Mars? Like what if it was really

A.

thing, not just fly to California

like I did back

and forth in

72 hours. What if it was a whole journey? And then I started thinking, wow, what if

this was like

death of a

salesman meets the Martian Chronicles. What

if you could somehow take these ideas,

It’s about work, but it’s also

about building a new universe or a new world. Could someone be,

14Speaking about the

human condition,

could someone be

caught somewhere in the middle of those things? And by the time I got home, I

could really visualize a book that I had

just been slowly

noodling on for several weeks.

Right? A guy.

who puts work before his family, but he doesn’t just go away for say, 72 hours.

Right? It’s gonna take

months

to go back.

and forth to Mars,

Even if I’m of

Joe: about nine months to get there, right?

That’s

Ben

_

Tanzer: right. Thank you. So even if [00:07:00] I’m messing

with what reality is like it’s nine months.

that seems crazy.

Stay I shortened it ’cause it’s the

future. it still has

to be

six months.

or three months, whatever it

has to be,

it’s not

15a short thing. And then I thought,

wow, there’s a whole

book here. What would that look like? And why are we going to Mars? And it’s

funny,

I don’t consider myself any more prescient than anyone else, but

authors sometimes

have those moments. And One of my ideas, which is funny

Now

and

I think it’ll seem more clear

why it’s funny

is I thought,

oh, this is rich.

People deciding to colonize,

Mars

’cause They’re done

with the Earth, right? That seemed very real to me. Now, of course, rich people,

Elon Musk,

in particular talk about that all the time. so I’m sure I heard that Somewhere,

I doubt it was an original idea, but it wasn’t like a normal part of the of conversa-

tion, and I thought this would be really

interesting.

This guy who’s never going to be rich, who’s barely keeping it together, is helping

sell this property on a planet that’s not developed yet, for rich people

so they can

abandon [00:08:00] people

16like him and his family.

Then I thought that’s a fun conflict to mess with, right?

So now you’ve got the conflict of

how do we live on

this

earth?

That gets into the dystopia.

Joe

was referring

to how, why do we have to

Cater

to the rich and how do we support

our families? Like this guy does need to support his family.

Could he do it back on earth? not clear. And then I just started playing that out. So

whatever point you all are in the book, that’s the sort of

that’s the

path I wanted to follow. The torture the human condition

of,

I need to do this, but do I really need to do this? ’cause that was my feeling.

Did I really need

to go do

what I did? So this guy’s a lot more extreme. He is going to Mars, but he is also,

the situation’s a lot more dire

for him in

terms of

cash

17flow

and he owes people money

and so there’s another dynamic. There’s a sense of violence.

and dread Over his shoulder all the time as well.

nick: he’s doing, what he, yeah, he just needs to do what he needs to do to sup-

port his way of living. And

Ben

_

Tanzer: love about that,

Nick, sorry. not [00:09:00] to cut you

off, but what I love about That

is that’s absolutely true.

And it still raises the question.

Is he

absolutely. doing? Is this The only thing

he could do, like

I frame it

like,

that’s how it feels

for him, and I

think that’s important,

but

Right. He’s doing what he has to do, but he is also choosing the most extreme way

to do,

it.

But we don’t

Georgia: I’m

sure he thinks

18Going to Mars. That’s pretty, cool. yeah

Joe: and

nick: when I was reading it I was picturing like, yeah, there could be other options,

but for him, this is the option. Like this is gonna help get as much of his debt paid so

he can keep surviving.

I don’t know if that was where you were going with it and

clearly now I can

Ben

_

Tanzer: No, I really wanted it to feel, yeah,

I wanted it

to

feel desperate

also,

It’s interesting to me

as a writer

as a thinker, as a fellow podcast or like desperation takes on so many shapes and

forms and

there’s so many layers, right? Like I had,

a gig

again, that’s what [00:10:00] prompted this.

I

was desperate for

it to go well,

but my family’s livelihood didn’t depend on it.

on the other hand,

I didn’t wanna deal with my, boss, so

I felt slightly desperate, but I also

19felt desperate with the feeling of, man, are you deserting your family and I

really didn’t want that feeling, but that’s also my own guilt and

shame.

And again, my family was fine. That’s the other

thing. Right?

My family was fine. I just thought

nick: Everyone survived.

Ben

_

Tanzer: Everyone

survived.

Not only did

Everyone survive, But they’re still all in the same apartment. I left them in all

those years everybody lives

at home again, so I know it

worked out

Joe: and I wanted to frame it a little bit and, if your story kind of takes a bent, but

the little sci-fi kind of thing, especially as we barrel towards ai,

robot automation and then maybe future thinking and getting the realm of hand

avium, cloning and replacements.

And that was where, I had the list of things to talk, in this world. Because not only

[00:11:00] maybe, in this future world, you have to do what’s best for your family, and

maybe that’s off world. But, like when, during World War ii, when the men went to the

front lines, people had to backfill in and take jobs.

So what if the backfill

or

The

20reason you can’t get a good paying job here on earth is because machines have

taken those and, or clones, can replace, you also,

Ben

_

Tanzer: Yeah, that’s that, Oh, sorry.

go ahead.

Joe: go ahead. No. Go forward it. That’s

Ben

_

Tanzer: I was definitely playing with that as well.

right? They have, even though they’re,

borderline,

I don’t think

they’re poverty stricken. they’re working

class

Their apartments

still automated. There’s still a Robot

vibe that takes

care of things and

there are robots

all

over town, because again,

you get to cut down on the workforce. The other thing I was really Interested

in around class issues,

and work.

was that there, it’s

not just, there’s no middle class,

there’s almost no

jobs that exist in the middle.

Right.

21You’re either [00:12:00] rich

and

running

Joe: you just poor.

Ben

_

Tanzer: Or you’re poor.

And I thought

that is where the country this felt

like,

this 10 years ago

to me, that’s where the country’s

heading. Last night

I got

home really late from

class and

I almost

got run down by some mechanized

delivery. thing. I don’t even know what you call those. It was zipping down the

sidewalk,

Georgia: Did it

Ben

Tanzer: 25 miles an hour.

_

Georgia: Oh, did it look? Were you walking? And then it went by you?

Joe: looked like a little rover,

Georgia: Yeah.

nick: it

Georgia: it look like a ice box or a cooler

Joe: on wheels.

22Georgia: Yeah. Like a robot Cooler.

Joe: Yeah. So our

Ben

_

Tanzer: that means Somewhere in my neighborhood.

some Delivery person did not get that gig. So it struck me that this is an interest-

ing

disparity

to explore and

then I don’t know if

you were alluding to this, Joe,

but the other thing that adds a level of tension for me in

the book

is that the guy.

When they send you away, they

Clone you

temporarily.

So not only

are,

you know

your family

not

missing and

this plays into my sitting in this airport, [00:13:00]

they not only don’t

miss you on a personal level, anything you would’ve.

done,

to

23support the family.

You’re

Someone,

some version of you is doing

Joe: And that was a was that Twilight Zone episode?

Georgia: No Remember we was that Black

mirror,

Joe: was that a Black Mirror

Georgia: Yeah,

Like more Recently there was the one where did you see the episode? Where

they’re in space together, but then it was a, was it a robot?

Yeah. They had It was a robotic. Version of themselves still at home,

I home

Joe: doing all the home stuff. And then they could download themselves

Georgia: into

the robot.

Joe: then

nick: like that

just makes it all more expensive. No.

Joe: I

guess it

nick: on the

Georgia: instead, right?

Joe: Or what, like

Georgia: that was a really good Black Mirror episode. that was,

24They’re They have that future technology bent to ’em and but you have that that

feeling there because you get into some interesting questions that in this. Zone. What

does it, if we think about that human condition, what’s it mean to love right now?

Joe: If you go off and you now have a clone, take your [00:14:00] spot or in this

black mirror where that happened. Also do you become,

Georgia: well

Joe: do you, can you fall in

love

with the clone and does the clone have

Georgia: Well, Okay.

I need to make some sort of distinction.

Now, a

clone. Is an actual human being that just has the exact same genetic

makeup.

Joe: True. Yes.

Georgia: how

I’m not, I guess I’m

trying to picture

how that works, because,

Joe: so

I don’t

know

How Ben or let’s not pick on Ben, but the, on the

nick: story,

Ben, let’s pick

on

25you

Ben

Tanzer: Oh no. Pick on

_

Ben.

Ben’s totally

Joe: yeah,

nick: I guess you’re here

yeah.

Joe: But

how was the cloning performed?

Because there George’s so a clone in particular is just a genetic copy of the origi-

nal. The problem with cloning in a way, it’s usually portrayed, and we did the cloning

episode last season. Is that the base memories of the original. Aren’t also necessarily

uploaded. So you have nature versus nurture kind of thing.

So the clone And how do you get an

Georgia: And also the clone has to

[00:15:00] then go from they’re a baby and they have to, go to be an adult.

So obviously In this situation, that’s not

plausible probably. Right.

to wait till that

Joe: waving. So

Georgia: the clone actually is like a copy that just happens at the time.

They

need it.

nick: I’m so lost on this

Ben

_

Tanzer: They, they, yeah. So my, my, I,

Joe: all the science and

26Georgia: full detail.

Ben

_

Tanzer: I did I did I mention to you guys that I was an English major and then

I went to social work school or grad school. So yeah, my science skills

Are slim,

but the way I, envisioned it was certainly

that they

bring you into the lab and

they’re creating a version of

you that’s good.

for six months or more.

And actually to your point, I’m glad you

brought this up ’cause I remember being conscious about it whether I pulled it off,

I’m gonna leave to the experts in the

room, but it’s a, g they’re using your DNA to create a copy, that’s a Genetic similar

similarity, that’s not the word I want.

But

to g [00:16:00] genetically similar and not, e not able necessarily to tell apart

though I

think

part

of the vibe is that

It’s a clone because there’s something missing, in terms of the sort of Energy or

heat or

whatever your significant other, whatever vibe they give off,

you can tell the

difference. But in

27my case, I thought it was important

that they also downloaded your memories so that the clone.

Is it necessarily looking to literally, but this is an interesting question.

Replace the person, but they can

be available

to offer solace and Conversation and nostalgia.

The question about

love is fascinating

’cause what I thought would be interesting is less that the significant

other might fall in love with the clone, but that at

a certain point, things

just start to blur that

it was less

about, falling in

love and Forgetting. that there’s a difference that I thought seemed Possible. To

me, If

you felt abandoned if you

were isolated.

And then this identical version is just

Why. think about them. We, you, we were thinking about the spouse or the part-

ner, [00:17:00] but if you have children that are younger they may not know the origi-

nal at all and become totally, in love with this replacement parent

nick: And then when you come back, like you don’t have those memories with

your child, right? You’re

like, oh, I’m sorry.

Joe: the memories back

28nick: uploaded? Do they go all right from,

Joe: January,

20, 28 when you left for Mars, you’re clone. Now we’re gonna give you all the

memories that they had and when you

came

Georgia: we don’t wanna ask every specific question about the book ’cause we

gotta read

Joe: I don’t know. Maybe this isn’t in the book. I don’t Well, but I,

he

nick: can say no spoilers

Joe: and let’s move along. Like I answered this in the

book.

Ben

_

Tanzer: spoil spoilers is good, but I

honestly, I

say this

with affection.

you all are going as far as I thought about

it but there’s definitely steps beyond.

It’s interesting, like with the children,

one

thing I

thought about, which I

just, I love

that you,

brought up children is that

one of the strengths

29of the clone, and clearly I was

projecting here

is

that the clone actually can be calmer and more patient. than [00:18:00] Maybe we

can be as a parent. That

one of the things

you’re building in

is the.

importance Of a clone bringing

sort of peace and equanimity to the house. Because again, you’ve already had this

person.

stripped away. So the

goal

And the goal of

the corporation who, the,

protagonist goes to work for, they need to keep people happy. And they need to

keep the people

at home happy. So,

part of my sense was, and again,

my own projection, right?

I was a parent of small kids

and I was terrible parent that

these people would

also have

more patience,

which is

30also nice for a significant

other. They can

be calmer. So I had this idea they would be better versions of us.

Georgia: And

then also.

Okay, so the person’s away

at Mars doing their job

and this clone

is at home. They don’t need to go to work

because, that’s right.

Because the That’s right. Other per, so then are they just at home all the time? Like

being

like almost like

a stay at home dad or whatever or mom or, however, this I’m just saying dad, be-

cause we were talking about it being a man, But but then that makes a [00:19:00]

huge difference if all of a sudden your only thing

is

to replace that person and be at home all the time.

And not

nick: they actually just hide

out in the closet.

I’m just curious

Georgia: oh, and then I don’t

expect you to an yeah.

Ben

_

Tanzer: Whatever the in-between place

is. Not quite hiding out, but yeah, no, not going to work either cleaning the

31house, chilling out,

nick: You go hang out at the

cafe.

Ben

_

Tanzer: Development.

Georgia: was gonna and I still have one more question about the clone. I’m sorry,

This

is just like, fascinating to me.

Joe: Let’s, figure it

Georgia: Is the clone a human being? It’s the clone

like

then after

the,

nick: different right

Georgia: after these six months, Do they

just like

disintegrate or, That’s what I’m saying. What’s their

Joe: agency

Georgia: and is it a human, right?

nick: The old yeller him and just take ’em out back.

Joe: Have,

nick: you

Georgia: can they be killed? If you clone

a

Joe: sheep,

right? It’s still a sheep.

Or if you have a pet and you go to

32clone it and it’s a dog, it’s still, we consider

a

Georgia: still a dog.

So

Joe: take a human. And you clone it. This becomes the ethics, and this is bioethics

1 0 1 here, [00:20:00] is that if you clone a human, then that human should have the

agency and the rights of its fellow people, right?

Georgia: Gosh. that’s

Joe: What

you would do. So yes, it

is a human,

and then you would have to make the parameters.

So if you had a disposable human, then that would be everyone agreed upon that.

In an in ben scenario, if you had a rich class. And a poor, and they just want the poor

people to go do their bidding. Then they might either a, give the clone some rights

that they can then go off and be a poor person and join a poor people group.

Or they just go, you know what, this clone, it’ll die. And it’s, it

has

Georgia: it’s like a self.

That totally is

ringing these bells which

Joe: Ding. You can ring my bell. Can’t,

Georgia: I

can’t bring it. Actually, into my

nick: for that. Don’t,

Georgia: But there’s a story I

33watched, we

watched where they

made a clone because the person was gonna have like terminal illness and die.

and then they made like a clone. But then that person ended up [00:21:00] living

But then everybody liked the clone. The clone better, Yeah yeah.

nick: That has to be harsh. Like

I don’t, have to be, I don’t,

Joe: that’s in Ben’s kind of scenario, the clone is actually much more likable.

Maybe if you’re

A-hole and you go off

and the clones like

lovable and,

a joy to be around, you

might go, you know

what?

You can stay on Mars and keep sending a paycheck because we got the sugar

daddy in the closet over here, and.

Georgia: We’re just

Ben

_

Tanzer: So now I’m gonna be very interested when one of you reaches the

end of the book and

you can tell me.

what you think Because this does play

into the ending of the book

for sure.

It also raises this question, you guys are all both saying

34it and dancing around it not dancing around it like in a cryptic way, but not know-

ing the

answer. And so I

don’t know the answer

either, but one of the things I was so intrigued by is

how

ultimately

replaceable is

everyone. And again, when you Filter it through the lens

of work.

And

I spend a ton of time thinking about work,

[00:22:00] Anyway,

In

a way

if you’re not the

boss, you’re not the

owner,

then everybody’s expendable.

And

One of the things, I’ll do my own callback, which is very self-serving.

This particular boss I

had, who I really liked. I wanna add that, if that may be unnecessary. He is not

gonna listen to this probably, but other people will,

He won’t, He won’t

for sure. I’m sure he is. Never heard a podcast, we’re

35all

expendable and there is a part Where you want to turn

down a job. And again,

this was a pretty

big job

I had at the time.

I worked in

the nonprofit universe. Let’s not confuse it with working at like CocaCola, or some-

thing.

There

was always this sense, of I could be replaced anytime. It doesn’t

matter that I, have a certain knowledge base now, or

institutional memory or there are people around the.

country who consider me

To be the expert in this area

or that area.

If the boss decides, you’re

done. And so I also

wanted to play with that

sense that

we’re all expendable. So

in this story, certainly the replacements for the people traveling

are considered expendable

until, Meaning[00:23:00]

we don’t know how long they’re going to go necessarily.

but

36the idea is when the person comes home.

The

clone

is done. and they will move the clone

Into some other,

job.

Joe: say

also if the person that goes to the Mars,

it

nick: cheaper for the company to just not send them back and,

Have it crash

Joe: Or Right. You don’t

have to

even deal with it. You go, oh, they died on Mars and, sorry. And they can just keep

working on Mars.

And I think this gets into, as we’re talking, thinking about you, you start to blurt a

line of, into slavery, right? You start you go from poor with agency to

no

agency and almost like the clones and the person sent to Mars,

I guess they’re getting a paycheck at some level, but you begin to, if you don’t

have rights to

nick: Even the company could own that spot that so it they’re not paying anyone.

They’re right. That’s right. Paying themselves. All right, cool.

Joe: It’s

Like when you go, oh,

you, you

37get $10, but you gotta [00:24:00] pay. Nine

50 to rent the apartment you live

nick: in the company, man.

So Really?

And then it’s

Joe: cents to get your feet eh, and then it’s, another

20 cents for clothes.

So you’re actually owe me,

Another hour of work.

So I think you do get

into these really

interesting a class,

nick: based outta history that you know, has already human

Joe: history. That humans aren’t

good stewards of labor and money and economics.

Georgia: or pretty much anything. But anyway

nick: let’s go with your trauma, Georgia. What trauma do you have with this one?

Georgia: But I wanna ask how are most of the

stories that you write

science fiction or

was

this something different for

you?

Do you know what I

Ben

_

Tanzer: That’s a great question. no, this is definitely

something.

38different.

I

had a moment this, when I was on this run. I wasn’t planning on writing something

science fiction, but

when I looked up and saw, and I was a voracious science fiction reader all

Georgia: All

Ben

Tanzer: All

_

through childhood, high

school, college, maybe I’ve slowed down

in adulthood.

But it was a genre I was [00:25:00] completely wrapped up in.

But this is also the first thing that I thought, let’s

try to double down and make this

science fiction.

Like

what? And

Again and again, we have authors here, I’m not the only one. You

start thinking about your own

work.

I know I was at

the time and I thought, okay, how do I do a thing?

I believe

I do well but bring some new

wrinkle to

it, Right, Or wrap it.

in a new layer. And

39maybe,

and again, some of this was excitement and some of this is the desire

to create cool stuff, which I’m always trying to do.

Things

people enjoy and react to.

And we can have conversations like this.

To me, this is very, a very

peak reason. I would try to write that kind of

book.

’cause then I,

get to talk to the three of you and I don’t have all those answers. Right. I

thought about them and took copious notes whatever.

But no. So that was

the first time I tried that.

I felt like in that case,

And I

don’t usually

traffic very much an

inspiration.

I think about the

writing, like

work, like

today we sit down, we get back to work,

We’re on this thing. But that time it [00:26:00] really,

hit me

like,

40let’s make

this feel

not feel science fiction. Let’s

remove ourselves from

this planet. and start building something else. And

so it became science fiction. And I’m thrilled because again, I

nick: and it feels so human too. Like it

Ben

_

Tanzer: good. like it is

to hear that. like a, as I said, it was the entire time I’ve been reading, I’m like, oh,

this story doesn’t have to take place here.

nick: It could take place anywhere.

Joe: Yeah.

Georgia: So the univers, The universal human. Yeah,

nick: exactly. It’s a human story that’s made sci-fi.

Georgia: And I think a lot of times people think, oh, I’m not into sci-fi ’cause

it’s This or that. And I think, no, I think it can be a very approachable Yeah.

Like relatable thing.

It’s

nick: covering something that

Is

very social forward, being like, okay, we’re gonna make this easily digestible. Not

saying that it’s, but it’s

Ben_Tanzer: dude. I

think actually to create [00:27:00] something interesting that’s digestible would

be awesome to me. I think,

that’s

41Joe: yep. just didn’t know if I was gonna be like, oh, man, I’m just insulting you.

Georgia: too. I

Joe: when a lot

of people say, because I I write in a speculative sci-fi genre mostly.

But I think when people go, I don’t like sci-fi, I think they’re thinking of hard sci-fi

and that gets bogged down. It’s like fantasy. There are fantasy novels. I get bogged

down into explaining. And I don’t wanna get in any trouble, different classes fairies

and trolls and,

And

there’s pages and pages of that, and the story kind of seems to slow down.

There’s people that really enjoy that.

nick: with all the lore

Georgia: Science, but

Joe: fiction that moves, it’s character driven, plot driven in a science that sprinkled

in there either

in a very loose way, very handwaving way, where it’s just a lab, DNA

clone, boom, I’m done. Or, myself, I

try to go a little bit more into it, but very, like the, conversational, very, bring it

down and fit it in, weave it into that.

The dialogue and through the narrative to have the world building happen. And I

[00:28:00] think that’s, I think someone who had

nick: big ideas

Joe: and it was interesting, Ben, you said you were a reader of sci-fi back in the

day and talking, I just thought about Isaac Mov and his robot series,

which really, that was the

crux of it.

42These big ideas

and the science was in there, but the big idea was that, it besides the detective, da

and their adventures and,

But it was more the society was

This kind of place where we had the classes and machines had taken over a lot of

jobs. And so people were very anti, had this luddite kind

of

attitude towards the robots that were replacing them.

And

then the robots

seemed to gain sentience, right? At some level. And it was like, how do we control

this thing? And that’s gonna replace us potentially.

And our homes and our lives. And so

that, that was ve interesting there, this kind of

the classic

example of this kind of dynamic that you are exploring.

So I tethered back

fast [00:29:00] forward a little bit, maybe early eighties Blade Runner, the dispos-

able kind of worker

disposable, when I was thinking, what

if your story reversed that you got cloned and then your clone

went off with no agency, so you got paid maybe some

sum. Oh, Ben, he’s really good at X, Y, and Z.

Georgia: Hey

Joe: can we clone you for,

A hundred k and then we’re

43sic,

gonna send your

clone off

and then your clone now has this eight no one’s written this story, I’m gonna

write it.

Ben

_

Tanzer: say, yo, this story needs

to be

Joe: you know what? Nevermind,

Ben

_

Tanzer: you are really, you are these whole series of

Comments, speak to what

I

tend to circle back to.

whether it’s conscious or not. You mentioned the human condition. The most ba-

thing

in

anything I write,

is trying to understand.

how

we, any of us

Exist day to day,

how we cope.

That somehow to me, the quotidian stuff, going to buy groceries or fighting

with your

Or, taking your

significant other to the doctor.

that Those are equally important.

44They’re important. If you can figure out how to talk,

about them, that how we work

[00:30:00] and how we’re denied

work and how we deny

ourselves things.

and that this

all plays out. And

then in this story, I just thought, there’s this sci-fi

element, right.

I’m gonna still try to do

what if Hopefully,

well, but

Can

you tell it through this different

lens? So that was really conscious and

It’s only recently that I had

another idea that is in that lens, and so I’ve

been pursuing that.

And it’s interesting early

on

And I’d never had this

reaction, before. I thought,

oh, I’ve got a sequel for

this book. And it looked like it was

going to go forward

And then

45that fell

apart for a variety

of

reasons. so I shelved it and then over the pandemic, I pulled it off the shelf.

Though Obviously

it’s a metaphorical shelf it was sitting in a file

Joe: Yeah we get

Ben

_

Tanzer: But I started thinking, okay,

That sequel thing is not going to happen, but there’s some interesting ideas. here.

So it’s only After 10 years, that I’m, working in that potentially

We’ll have to see if somebody wants the book, like in that

genre again.

But I always do come back to work and coping and,

thinking. and Yeah. sorry.

Georgia: Oh, I was gonna ask,

so as far

as bringing in the [00:31:00] science of the science fiction, how did you approach

that, since that’s not something that you typically write in, is that, did you have to do a

lot of research or?

Ben

Tanzer: So

_

that’s an

awesome question. ’cause I probably should have done More research

what I did, and in essence,

cheated a

little bit.

nick: your

46Joe: now, like at the rabbit hole of research and we

Ben

_

Tanzer: So it’s funny. Yes, I’ll be, trust me, I’ll be leveraging this relationship

next. You all are stuck with me indefinitely,

Georgia: And I think by that, Joe means himself. Okay.

Ben

Tanzer: then

_

Georgia: I

nick: don’t think they

Georgia: and I can, help you. can we?

nick: I got my take advantage of Yeah.

Ben

_

Tanzer: big brain

going

nick: part.

Georgia: We can

help you in the human condition. part. The human

nick: trauma. I got you.

Joe: Nick’s got you with coffee. It’ll keep you coffee

enough.

Ben

_

Tanzer: All right,

Joe, You,

are now officially a consultant. But what I

did Do

you know, and again, I’m always doing low key research, if I

have an

idea

especially

like

47with a scifi book or you’re thinking forward,

I’ll

look something like, I’ll have the idea first, then I’ll look it up.

[00:32:00] and see how

reasonable Has

anyone ever talked about that?

If

I had to back it up.

Could I do it’s like

You said

It’s gonna take nine months to get to Mars. So

I looked that

up at the time. I don’t remember what I looked up, but I

thought, okay, but what I

really

did which is such a cheat, is that when

I was,

excited about an early draft,

I sent it

to a friend.

of mine who’s a science

fiction And I

was like, just tell me where I’ve got it wrong.

And

that was a,

really,

48interesting He was also

at the

time

working

for a scifi, publisher. And so I was semi pitching. him, semi

picking his brain. but I really wanted

him to react.

to things and it’s funny. ‘

cause

He did react.

to whatever I had written down for how quickly you could get to Mars and he’s

just f no, whatever I said at the time. And then he gave me a number, like nine

months and I thought,

okay.

is this future enough where I can cheat and make it, three to six

months? So I was playing with all that, but

I

really had him

run.

me through The

ringer.

do you think is,

As a published guy, human, what,

Where am I

so far [00:33:00] off?

base,

49Because I was really interested in that.

Joe: Yeah. It’s really interesting when you George,

Georgia: oh, no, I’m sorry.

Joe: and I was gonna say, it is interesting when you get into.

sci-fi

and you start going down I think it’s anything if you get too far away, you’ll pull

people out of the story and they’ll go, hold on.

That doesn’t make sense. I even,

nick: like, how much of the world building do you have to add in?

Joe: I also

think like any expert topic, if I wrote in my story about coffee roasting and I was off,

I didn’t consult Nick over here and he reads the book, he would get pulled out if I

make some reference about that or something in the story.

And I think that’s always, writers have to be careful not just science, but in any top-

ic. If I’m talking about a nonprofit organization and this is what we’re gonna do. I

should talk to Ben or Georgia here who have dealt with nonprofits or organizations to

make sure that I’m not just saying something.

Totally. Because if you read it, you’ll just pull you, you’ll get pulled outta that story

and go, hold on, that’s not,

lemme look that up on Google. And [00:34:00] then,

if it’s wrong, you go forget this story. If

that’s

Georgia: And I think

nick: it’s interesting.

Georgia: yeah, people

nick: out

50Joe: listening

who write,

Talk to,

Georgia: I, that’s actually

exactly what I was gonna ask you, Joe, like, how important is it to get the science

right?

nick: See, but I don’t know, like I, if, all right, so using that is an example of you

have a coffee roaster stuff and you didn’t consult, right?

But I feel like that’s such a small percentage of people,

Georgia: right?

They’re

Joe: you, you’ll be surprised how many folks

would go back and go, I think that’s wrong. I think

it’s gonna be small.

Like

nick: a lot of that stuff is it isn’t science. Like I have all my notes and stuff, but

there’s so much human error and each person is gonna be doing it differently That.

You can make an argument for damn near anything to be able to write it down.

Joe: Yeah.

nick: Yeah. Just saying like on an argument basis, you can be like, alright, I can, I

think this is exactly how [00:35:00] I do it. I have it at a low temp and I drop it all the

way up. Or bring it all the way up, not drop

Joe: Yeah. See,

You’re already but I

nick: think

Joe: but also

51just saying that you have to have a little domain knowledge about it. Because

if you

don’t, then it,

Georgia: I guess it depends, I think it depends on how central it is to the story. If

it’s, you know what I’m saying? It’s, but

Joe: yeah, in, in terms of

like science stuff pet peeve of some shows, they get in the lab and they get like

DNA results in 10 minutes or whatever, and they solve the whole case that I go, that’s,

no, you’ve never worked in a lab.

Obviously you, you didn’t consult someone who works in a lab. It, I understand TV

time and all that,

but

it also just gives this air of did they actually consult somebody? Did they just make

this up? And I think that can pull you out of a story. That’s the only thing. Be cautious

of that will it pull you out?

Because if you’re writing a sci-fi story, the people reading it are probably into sci-fi

and they’ve

read,

As Ben said you [00:36:00] read

a

nick: on the sci-fi. So

Joe: you know, either a, you did it

wrong,

nick: or the other

Joe: authors who wrote about this did it wrong. Because under

nick: these are

52Ben

_

Tanzer: Right, right. Yeah. And and I’m like,

you

You’ve referenced Twilight Zone,

Georgia: Yay.

Ben_Tanzer: Asimov, Black Mirror. Those are all

So On some level

you’ve got, it’s like prep work, Yeah, I

think it’s prep, but You’re also

drawing on something, which

is funny.

And I’m funny. It’s just interesting, like it’s a craft tip and you all touched on it. and I

get to talk to a lot

of

authors. I’m sure you do too, and

I

also get to coach people and One thing I always say is

if you think the person’s

going to get

stuck or I’m telling you, I

feel Stuck here and distracted. If you can’t fix

it, you gotta get rid of it. And so

with science,

fiction or that this kind of, Anything,

sci-fi, the

risk is higher, but to me it applies

to

53almost anything. If there’s something that someone’s

going

to get

stuck on because

they don’t believe or agree with how you explained it. Like that TV show,

that’s something that has to be fixed and it

seems like a minor comment,

when people are trying to get novels [00:37:00] published and get

things written, but it’s not minor.

To lose people over something

small. Like when Someone

says to me, I really, I’m really sorry I read the draft, and that

paragraph

on page

12, I can’t get

through it I really enjoy The book so far. Then I need to go fix that

paragraph. It may only be one person,

but.

Off,

I don’t have that many,

readers, so

I

can’t risk losing even one. If

that person is a sample size of anything. Then, you

know, I’ve done, I’ve made a mistake,

and I’ve worked

54with authors. It’s like the flip

side of this, but it’s still interesting.

They say something they don’t realize is provocative in some way, and then I’ll

say

to them

as a coach or as a consultant

do you

wanna keep that in?

And they’ll say, why?

And I’ll say, do you understand how that reads?

they’ll say no. And I’ll say, so it’s an important point, but you either need to go

deeper, or get rid of it. ’cause leaving it like

all someone’s gonna be,

thinking are gonna,

20 pages.

Georgia: they’re gonna call you out on it. Like John, Liko recently saying, oh, I

didn’t know it’d be any big deal that I’m gonna

Ben

_

Tanzer: [00:38:00] my God, I was, I literally texted back to my son.

This is very upsetting.

He sent me the clip. I just thought, come on man.

nick: Oh, isn’t he gonna

be in Harry

Georgia: Be he’s gonna be Dumbledore. And he was

Oh, I Didn’t know anyone. Why would anyone have a problem with, that?

nick: don’t know if it’s true or not, but I heard that Pedro Pascal might be in it too.

Georgia: No, that can’t

55be

Ben

_

Tanzer: Well,

nick: And he

Ben

Tanzer: That

_

seems impossible.

nick: already talking shit about JK Rowlings too.

Ben

_

Tanzer: is probably looking for work

again.

No spoiler

alerts

Georgia: No he,

nick: I heard he is gonna be a.

Georgia: He,

The been very,

nick: Father,

Georgia: I don’t, I

nick: I

Joe: Oh, really?

Georgia: Nick, we need to do some verifying here because

Ben

_

Tanzer: Was gonna say I, need a fact

checker

nick: I don’t know.

Joe: With, put that in the show notes.

We gotta,

nick: He’s gonna look, he can

Georgia: been very vocal about

56his opinion. Anyway. We could go

on

Joe: up that I wanted to, but

Georgia: But

Joe: I

I like to explore early examples and I’ve, I found too, which is interesting about this

kind of human replacement and because I [00:39:00] thought that was just an interest

and we went down that path.

one

was in Greek, Greek myth Pygmalion,

Sculptor disillusioned with real women, sculpts a, another version

and

that the Pygmalion is, a Shaw’s play and

You have that.

But that was, that’s eight ce, so very early on.

And the other one I

had was the Goum in Jewish folklore. And that, you have this kind of replacement

of the, the humanoid and replacing the human equivalent and taking over function.

So that’s, we, and that was 16th century like Prague esque in that timeframe.

These stories of human replacement. We

think about technology and cloning and robots and

all this stuff

we’re bringing

up, but really we’ve been struggling with

Our, the almost a, a fragile sense of the human condition and our place in the nat-

ural world and our mortality that brought that up.

57Because you can extrapolate out that if you can start cloning yourself. The ultimate

goal when you think about it is that, as I get closer to death, can I clone myself and

then, re-up

[00:40:00] Get a redo

And have all of

Georgia: my base

Joe: memories and, and that,

that’s the show.

Ben

_

Tanzer: it’s interesting ’cause maybe.

Sorry, go ahead.

Joe.

got excited about

nick: Yeah, no,

Joe: I, and I was just gonna bring up that the show where we started

watching that animated one Pathon.

And,

nick: how is, that’s, it’s

Georgia: it’s really good. It’s really Good.

Joe: Good. And we started

Georgia: and don’t talk too much about that.

’cause that’s gonna lead into a different episode.

Remember?

Joe: Oh, sorry. What is there?

Okay. Nevermind. I dunno.

nick: Oh,

Georgia: remember we

58talked about the idea for another one?

Joe: okay.

I guess we did,

Georgia: actually, if

Ben

_

Tanzer: I will not allow you, if I can help it for you to ruin future episodes, but

I will say, you Keep

talking about

I

keep talking about like prep work. or, I’m, I,

grew up immersed in the golem.

of,

my dad talked the golem

All the, time. So even if I didn’t know exactly.

what’s

Georgia: Mm-hmm.

Ben

_

Tanzer: Joe, To your point,

I know what the

point is. Which is

building new versions of

ourselves, building replacement versions. Then I gotta say

for a moment

when you said you did

research also.

that I thought,

Is he gonna

name [00:41:00] drop the movie?

59Weird Science. ’cause that would be a

magical,

Georgia: You’re

Joe: science. You’re

right. That

Georgia: is,

nick: and

Georgia: and we

nick: how

Georgia: accurate weird science was. That had the science down to a t

Joe: If you’re gonna clone

people out of a Barbie doll, a bra and some underwear on your head, that’s the

way to go,

nick: That

Ben

Tanzer: I worked for them and

_

Joe: so

nick: I, I did have

Joe: thinking of, I went way

back, but early sci-fi, probably the first

people

all

agree at some level that the first sci-fi kind of story was Frankenstein, and

so

nick: that

sci-fi or is it horror?

usually considered

60Georgia: I think. I think both.

Joe: I mean I, all right, I’m, that’s

Georgia: I do

think it’s both, but I think it’s the science because you’re reanimating, like the

wasn’t, like

nick: the

Joe: horror. So I think this is considered the first sci-fi. So let’s say that, so in there,

right?

nick: Yeah.

Ben

_

Tanzer: it’s funny ’cause I was joking about

weird science, but I was wondering

if you were gonna mention Frankenstein ’cause

of course You’re [00:42:00] building

I mean it’s

a monster.

I’m

doing that with air quotes.

Joe: thunder.

Usually,

Ben

Tanzer: No. I’m thrilled. I

_

actually tracking. you

nick: got something older.

Joe: Nick

has

Ben

_

Tanzer: No, but I was tracking. Was tracking

where your brain was going. I

61Joe: I have

nick: a list of

Joe: kind of,

this historical list of kind of stories that have human replacements.

I, I

Pride myself

Georgia: I think it is really fascinating because. I don’t know. Anyway, someone

else say something ’cause I’ve lost my thought.

nick: I can say

that.

Joe: I’ll go with Irwin by Samuel Butler. And that was 1872. And the whole theme

there was that machines might evolve and surpass humans. So that’s how long ago

we’ve been thinking about a machine replacing us there and society. Then

Ben

Tanzer: in the

_

Terminator,

right?

Joe: begin, they banned the machines. So we, we, at this point in time, we kinda

have the industrial revolution working its way and, you ban you then go, let’s just ban

machines.

That way

then they’ll never replace us. They’ll never [00:43:00] overtake

us. You, we cut

it. So go back in time. And that’s, unlike the Terminator who goes back and tries to

stop John Conner from being conceived, what if the humans went back and they said,

you know what?

Let’s just forget all these machines.

62They caused us all the trouble. And so you would have this whole thing. So now

I thought it, that’s a early

example of machines. We think about these stories being relatively new. And real-

ly we’ve been, the minute machines seem to replace humans and, I, and my

list of stories

to talk about with John Henry and our struggle against the machine.

I, I do,

Georgia: And I think it’s just so important to look at how science fiction can help

us, even help us in science. You know what I’m

saying? Like we bring up these things through science fiction that and different

possibilities that maybe we haven’t thought about in our everyday life.

Do You know what I’m saying?

Yeah. I do think it’s.

it Important to like, look at these [00:44:00] things in that

sense

Joe: Yeah. No, I yes.

Georgia: And I, but I always would thought Jetsons, and having the robots and

stuff would help you and

nick: don’t care enough about robots anymore. I want flying cars. If we’re talking

about the Jetsons,

Ben

_

Tanzer: I know the Jetsons is a bummer because everything they predicted,

if you’re around

my age.

Joe: Yeah, that’s right. Yeah. So you’re,

we.

Ben

_

Tanzer: That’s 40, 50 years ago. We got none of it.

63Georgia: I know And then

Joe: we’re probably,

nick: not, they’re

Georgia: have the robot robots doing the dishes or doing

the stuff that you

don’t wanna do. that’s

my whole or making things easier

Joe: AI and all that

And it’s like,

nick: we’re

stealing the fun jobs. Why don’t

Joe: write art

and no, why they do taxes and dishes and, laundry.

That’s what I want the

machine to do that I don’t have time to actually work on, work

Georgia: need to write

Joe: stuff. Yeah, no, they don’t. Yeah.

Georgia: Yeah. No, there’s

Joe: nothing

about the human condition except what we teach ’em. And that’s,

nick: and the people that are teaching them are,

Ben

_

Tanzer: but Joe, to your point, I’m not gonna elevate orphans [00:45:00]

above. Its

Primarily

pedestrian

level on that continuum.

64But what’s

fascinating is

just how long the continuum is

of people

thinking

about

what does it mean to

build replacements? What does it mean to be replaced even

when you don’t even have a

sense of technology. Going back to,

Pygmalion, you still have

this idea

we can be

replaced, And for me.

but I think you’re also touching on this to Go

sort of full circle. How

often

it doesn’t, not only intersect with domestic life, but it intersects with,

Capitalism.

and the sense that

On the good side, hey, it could do my taxes.

so

I can write.

That’s a positive if we could figure that out.

But so often it’s really abused and leveraged so that most

of us are not going to get to do the work we

65wanna do

or live

the

lives

nick: Oh a hundred percent.

Ben

Tanzer: And

_

so I

think that’s it always. One of the other

inspirations for this book, which is very not scifi. Is bartleby

The Scrivener. and I dunno if you all know

that by Melville and

when I read that

book

in

college, I don’t know a, story, it’s a story,

but it’s about a [00:46:00] guy who

decides not

to work.

A

real question

of what’s any worker’s obligation to the boss.

The first time I read it I remember thinking, there’s no debate here.

A person

got a job. They

applied for a

job, they got hired.

66The teacher, the

professor at the time was like why do we assume

you’re just supposed to

do

whatever

you’re told? to do, even when you’ve been Hired, for a job. And I don’t think I’d

ever

conceived that there was

another side to that

equation.

To me, the other side was

then you just don’t

take

that job, or

you don’t stay on that job or you find another job or you suffer.

And I still don’t think I understand

fully in my

own head where that fits, but it also fits on this continuum of things we’re talking

about, which is what are any of our obligations,

and what are our obligations

to work and bosses and the larger corporations we all feed into, and, I’ll always be

fascinated by

Joe: On that line, the maybe. ’cause it’s all, this always leads to dystopia but it

does have a contrarian kind of view. And I had some points here. I thought of

[00:47:00] maybe pluses and on to this point, Ben,

Work has historically been a source of trauma,

67For the

most part.

You can go

nick: so much trauma, alienation,

Joe: Soul sucking

death, it is just all these things we hear. So in some ways would

we

mourn its collapse, if,

Would we actually embrace

forced

leisure?

Would that bring us some sort

of

Georgia: Did you say forced leisure?

That’s

Joe: Yeah. Because all these stories,

Georgia: better start having some leisure there.

nick: Like,

I would kill for

some leisure,

Joe: Henry. I brought that up because he actually is

struggling against a machine saying that humans shouldn’t be replaced and hu-

mans can do a better job than the machine.

And he worked

harder

Georgia: and he worked himself. to

68Joe: You’re right. Some versions of the legend he killed himself defeating the ma-

chine.

So when I say forced leisure, it’s, is it something about the human condition, the

human experience that

we fall into,

as Ben was saying, we fall into line, [00:48:00] that work is part of

our

Georgia: then human condition.

There’s, but there’s so many different things that you have to tease apart in that,

because if you’re working, let’s say you’re working at.

A fast food

place

And you’re barely surviving. That’s different work than, I’m a brain surgeon and I’m

making this big difference

in the world.

Like, how much purpose are you

getting out of your work?

Joe: But if you, if with the.

person at the fast food place who now you say, okay, you’re forced into leisure.

They might be more accepting of it. So you’re saying they’ll be more accepting of

the leisure than a brain surgeon that goes, oh, the machine can do it now, so now I

can go off and play golf

Georgia: off. I think

nick: but wouldn’t that

Georgia: how much,

69nick: exercise more with art? If you have the leisure, you’re more accepting to do

the stuff that you didn’t think you would like. That’s when great things could be writ-

ten. Great. Paintings can be painted. Video games can be made.

But, or

you

Georgia: [00:49:00] or it’s

Joe: is a counter argument that.

Because you’re now not suffering. You won’t have the inspiration. You won’t be

like,

Ben,

nick: there’s other things to suffer

about. With Ben. You get the love life of suffering. You get the, there’s plenty of

suffer your

sunburn from the golf course. You know what I was

Georgia: so I’m saying like, how much of your identity is in

that work, right?

Yeah, that’s it’s like the people

that, find, they get to retire and then all of a sudden they go, wait, I don’t really

wanna do anything else.

nick: There’s so many other things I’d rather

Georgia: That’s not, how I would

feel

I would be very happy.

No, I

nick: hell, I can just sit around here and chat with you guys all

day.

70Joe: of

a sudden

this is the case

do you embrace it?

Do you and

I at forced leisure? I think, ‘

cause here example if you’re that brain surgeon, you’re gonna be forced in a

leisure, even though you might enjoy. Your profession, right? So we’re talking about

the people that might not

like

Georgia: it’s also

Joe: off the

bottom of the fry pan, but

Georgia: But it’s also

[00:50:00] totally tied

to capitalism and money, right. Yep. Yep. So there’s so many different.

Joe: Yeah.

yeah.

nick: And hell I can’t think of a job I’ve done that can’t be replaced by like a com-

puter or a robot.

It’s like everything I’ve done I know can,

so if the,

Joe: To your

point, Nick, if the machine or clones or whatever are better at the job than us hu-

mans, should we just let ’em re replace us?

Why are we stopping them, right? Or is that, is

71that

Georgia: Part of it.

nick: think

Joe: Ben has some comment. I think I saw he made

nick: a

Joe: We don’t have

video

Ben

_

Tanzer: it made me, it made me smile. The question right becomes

If they’re

better.

if we can let them replace us. If they ought to replace us.

It’s interesting

’cause you’ve taken the sort

of

positive

tack on this Joe, but Of course

there’s some

universe, everyone’s

I guess

we don’t need you at all.

And you don’t get forced leisure either. funny is

Georgia: base

nick: material.

Joe: Because

Ben_Tanzer: Yes. It’s an

interesting.

72thing and maybe it’s particularly

American [00:51:00] society.

which I think it is. When you talk about forced leisure, I was just reading some arti-

cle.

People love to always

talk about the European countries France in particular, how much the focus is on.

Yes. Work

hard, but don’t work like

they do in America.

Like we’re just not going to do that. But what’s

interesting to

me

is that this is a country where work is so completely valued And as Georgia was

talking

and overvalued,

arguably, I was thinking too,

whatever you do, whatever you aspire to, to Nick’s

point, if you could be

replaced on everything.

I

don’t know, but it’s also an interesting

discussion to me

about opportunity, certainly the character in this book

feels

that his opportunities are limited. And

You talked about trauma

73Joe, you’ve referred to

it, During this conversation. I’d

also see the characters, the protagonist

in the story

as growing up rough and

without, lacking certain

fundamental things, certain

support.

And so they’re

hustling.

And that’s another thing. right? When you’re hustling, you’re that much, [00:52:00]

you’re that

much, more

desperate to not. be. hustling. And I

thought if I, could capture some of that vibe, they

found each other, they’re holding on they have a kid, like, it’s not that they’re not

without hope,

but they’re absolutely without the possibility that they’re going

to be

able to easily take care of themselves or maybe even take care of themselves at

all.

And that I thought is fascinating.

The universe of,

forced leisure, which by

the way,

I’m totally picturing the Black Mirror episode the three of you have to write.

74I find that really

fascinating.

A.

lot of people couldn’t do

it. They wouldn’t, they wouldn’t Know what

to

do.

We haven’t

been conditioned by Society to embrace.

It reminds me of that Twilight Zone

where the guy’s a bank robbery

he gets shot.

and then he

is clearly dead.

Joe: a resident Twilight zone expert.

nick: She know, this episode, Georgia. So he goes, he turns out, he’s

Ben

Tanzer: dead

_

Joe: you’re the first

guest to point out a Twilight Zone

Ben

_

Tanzer: Oh my God.

I am obsessed. And I should say, I went to the, I went to the same high school

much later.

Rod

Serling went to my [00:53:00] high

Georgia: Wow.

Wow.

75Ben

Tanzer: I feel a level

_

of

ownership relationship. There’s this

episode where the guy gets shot?

and

Georgia: Is it set like in Old West Time or

Ben_Tanzer: No, No, no.

So This feels like,

it’s in the fifties,

but the

catch is he is

dead

And

everything is gold.

Like he he wants whatever

he wants.

he’s getting

and.

he’s

like, how did I

end up

in heaven.

This is crazy. I’m this bank robber, horrific, whatever guy.

And then he says to,

he has

A guide or a guardian angel,

76and he says, the guardian angel. Look man,

Like,

this is all too easy.

Everything’s

fun, everything’s cool, everything’s leisure. I win every hand of blackjack. All the

money’s coming my way. I gotta

get a little action. He goes, I wanna go

rob something. And the guardian

angel’s perfect, I’ll

set

that

up for you.

He’s so

when are you gonna get there? And do you need a gun? And what should the po-

lice do? And the guy’s no.

I don’t want it. Stage managed. This is a nightmare.

And then finally the guardian angel says, that’s how it works [00:54:00] here.

And then he, says, you know what? If That’s, how it works here. then I prefer to go

to hell.

And then the

angel’s like, where do you think you are?

Georgia: yeah,

Ben_Tanzer: is hell. This is your

version of hell.

There’s no excitement.

Joe: So just a quick lookup, a nice place to visit.

77nick: Hell,

Ben

Tanzer: that

_

sounds correct.

And you know you don’t know

nick: nice place to visit.

Joe: Yeah, no,

nick: that’s the

Joe: episode there used to Google machines while Ben

Ben

_

Tanzer: There you go. So, yeah, I can make Twilight Zone references

endlessly. My brother and I, not only did my brother and I

Watch every episode.

nick: seen that.

Joe: I looked at

the little picture of the episode.

And

Georgia: it’s ringing bells.

Joe: I do remember this one yet.

nick: So Georgia, when are you guys gonna start your Twilight Zone recap pod-

cast?

Georgia: Right. I love that. I will come back and be happy to stupidly talk about

Ben

_

Tanzer: every episode

I’m

Georgia: I have said that we should do an episode just on the Twilight Zone.

Joe: Yes.

nick: I think that’s just a whole new show.

Georgia: That’s true.

78nick: That’s true. But honestly, like I, it, I absolutely loved when the pandemic had

us [00:55:00] closed down. Everything was at a halt. I was thriving. It was great. De-

spite everything else around in the world, having that time of leisure, right?

Like not being able to experience like an actual vacation before that.

I loved

it. It was,

Joe: yeah.

nick: it’s like having that forced leisure. I think that would be the closest thing.

Georgia: That’s a great example. of that. We

nick: had two of that, yeah, you weren’t able to do absolutely everything you

wanted to, but you had that time off to do stuff.

Joe: Yeah, no I think you could put a positive spin on it, but

nick: Joe, would you be able to deal with that? Like a forced leisure?

Yeah. I

Joe: have

a million hobbies,

nick: Oh yeah, you do. I

forgot about

that. That probably, I, the

Joe: limitation would be, alright, the supplies I need free or do I need, they’ll keep

working for

Georgia: See that.

it always goes back to the money. You have

Joe: just if you’re saying money is of no

object, psen, you [00:56:00] would hit

the

79Georgia: you’re

talking about like science fiction and like Just totally going out. That is science fic-

tion. A world where you don’t need money.

Joe: Yeah.

We touched

nick: about, we touched on

Georgia: even,

Joe: in the economics episode. We had this, in, in that episode and we talked

about the economics of star Trek. Because that was the idea. It was a post scarcity kind

of economic kind of model, which our guests on that episode, Omron said that was,

nick: he had a lot of lot,

Joe: a

lot of hand waving problems yeah.

nick: that

was the show that pulled him out. He was like, Nope, I can’t deal with this.

Yeah,

Joe: you’re

right because you get to that point where then the economics and we talked

about on there about, usually economics is boring and you spikes it up. But it was in-

teresting because you get into that, that if you take away these things like what are,

what’s the friction in society?

What’s this economic friction? What is the movement of goods and things like

that. Because at the end of the day,

humans

80do that. That’s what we do. And, [00:57:00] time in and time out through our histo-

ry, we found a way to. Make things, commodities and some way to trade and ex-

change these things.

That could be goods. That could be products. And I think we would enjoy our

force leisure, and then we would kill all the robots and clones and that would start

some sort of war between the clones and the robots. And then we get into a termina-

tor situation or matrix

and it just won’t,

we fall.

nick: Maybe

that’s how the

Joe: started.

Maybe it, it was like forcely, Hey, you guys can leisurely do what you do. And then

the humans were like,

no we actually don’t want

that. And then the machine said we don’t need you. We’ll use it as batteries, which

is

Georgia: So would you call that a broken future?

call

Joe: a very broken

nick: future.

Joe: future.

Yeah. That’s as broken as the future can get where, the stupid machines uses as

batteries. ’cause that’s, we’re a poor energy source. Nonetheless, that’s a different

nick: radical. Wait, you’re saying I’m not a [00:58:00] good energy source?

Joe: you’re not,

81nick: Damn

Joe: pretty wasteful.

nick: Thanks, Joe.

Now my trauma’s maybe that remains unproven in the be in the

Ben

Tanzer: best

_

nick: That’s

right.

Joe: No, but yeah, ‘

you, cause you get, we’re gonna kind come to the end here, but you do have this

thing, and I just, last point and the story is that, that trauma, between, being useful, ob-

solescence and, and poverty like, which is worse, right?

That you’re now replaced in some society. So we could take Ben’s story here and

the clone can replace the human completely, or the machine can replace the human.

So you go from poor,

you

go from poor, this poverty

situation and desperate to now being replaced. So the, the trauma and all that,

amplifies.

Can we just, can you

nick: edit

Joe: out the

human trauma, right? Can you create the clone and teach them to enjoy it? Or

force [00:59:00] leisure? And then get rid of the human the next point. And that’s,

Georgia: and also there’s also a Ray Bradbury episode. Remember

the one where he made a clone and then

his wife fell in love with the clone and they put him in a box or something.

82that

Joe: Ray Bradbury or

Georgia: was

Yeah, it was a ray.

Joe: that maybe you’re right.

Georgia: Yeah.

Ben

Tanzer: I remember that.

_

episode. Right. guy’s,

Joe: go ahead. And Ben.

Ben

_

Tanzer: I may be wrong about this, but of course I, you’re talking about Twi-

light Zone again.

Georgia: It was actually Ray

Bradbury’s presents or whatever

his

Ben_Tanzer: Oh, okay. Sorry.

Joe: that presents,

Ben

_

Tanzer: thinking about a particular Twilight Zone where this guy, this very

slumpy

guy. He,

Georgia: for it.

Joe: it.

Ben

_

Tanzer: Oh,

okay. Sorry. I did what?

nick: time.

Joe: she usually

brings

83Ben

_

Tanzer: Oh, no.

Okay.

nick: though.

Joe: So

Georgia: Ben, you’re like still in the thunder here. No,

Ben

_

Tanzer: Sorry, I do not

nick: go for it. Go for it. That is beautiful. You

Joe: You can steal as much thunder as you like as a guest

Ben

_

Tanzer: This like Very schlubby dude his

wife [01:00:00] goes away

to I don’t know what we call them anymore.

She goes away to lose weight.

And while she’s

away, he

buys a robot not quite a

blowup doll or a sex doll, but like a robot.

And she’s young

and attractive

and he gets to spend this like week or two with her. And he is got someone young

who’s

Fun to look at, but also

waits on him and treats him like he’s

a hero and he is not used to any of this.

And

Then he starts thinking,

do I even need my wife to come back?

84So this

Picks up this whole,

thread tonight,

and you are like, do

I even need

her to come back. And then she

comes back and, she’s, again, this feels so, antiquated, now, I apologize. But She

comes back and she’s lost all

this weight and

or

we don’t see her,

Maybe we see her

beforehand, she’s really attractive.

And he’s

oh, maybe I overthought this.

The

robot

thing is great, but look

at my wife now.

Now I

appreciate

her.

So then he

Starts getting into some weird,

exchange with Her and he is I was gonna

replace you.

85but now I don’t need to.

And Then she’s you’re gonna replace me.

And then she reaches behind his neck and she [01:01:00] turns off his switch

He had once been a young, attractive

robot,

and he had grown into this slovenly, middle aged dude, robot and she replaces

him. And then she pulls a younger robot out of a box,

and now she’s gonna live her best life. She was always the only human in the mix.

Georgia: That

is awesome.

And I can’t say I even recall that episode, I know. It’s, crazy.

Joe: Ray Bradberry Marionette Inc.

Georgia: Which one?

Nette? The one that he no, Ray Brad. The one I was

Joe: you’re talking

about it’s from Illustrated man. Marionettes Inc.

And that was that one. And it was that was a story where they get the

clone

and then the wife has it, and then it’s on.

If he has the wife, the clones, more affectionate, da. And then he wants to like, he

realizes that the clone is like falling in love ’cause the wife never gets him to do what

he wants to do. So he gets to clone to do all the stuff the wife wants to do. And then

he realizes that the clone. Is falling in love with his wife not doing the job,

nick: And I’m pretty sure this was a [01:02:00] Futurama episode too. I’m

Joe: Yeah, that’s right.

nick: the amount of times that it’s oh yeah, you can just build off

86this locked in a box

Joe: like the clone eight. They like a struggle. And then he gets locked in the box

in the basement, and then it’s like that’s,

Georgia: Yeah. you

Joe: really know,

like they’re in the bedroom and you think it’s the clone kissing the wife, but you’re

unsure who actually got locked in the box.

So is that little double take

Georgia: Wow. I’m actually,

I gotta find out. That was but I have to find out what the episode is that he’s talking

about for Twilight.

Zone. Oh yeah. No, ’cause

Joe: what To look

Georgia: I gotta do Some more Twilight Zone reason. You gotta have that

Joe: the mini the mini episode that we do.

Ben

_

Tanzer: You’re gonna find out later.

I completely,

made Up and I somehow combined,

you know, Ray Bradberry with weird science with my own book,

Georgia: And it

was awesome. weird science

Joe: reference. Wow. That’s a good

Ben

_

Tanzer: sorry, one of my longtime obsessions.

nick: haven’t seen that movie in a minute. I haven’t

Joe: either. No, I

Georgia: I have to say

87this

Ben

_

Tanzer: I’m guessing it hasn’t

aged very

Joe: very well. No,

Ben

_

Tanzer: seemed appropriate.

Joe: Yeah.

It was, yeah, I know.

I doubt it aged any of those movies in that timeframe. Probably [01:03:00] not. No.

Yeah,

Ben

_

Tanzer: Maybe not. Unfortunately only unfortunate that

we grew up. At least I grew up watching

them

and caused all kinds of long-term

damage.

Joe: going

to

the theater to see where it’s iron, so Yeah. That’s Yeah. I done.

Georgia: And

Nick’s gosh, you guys are old.

Joe: No, I, I don’t, I think we’re around the same age fan.

Ben

_

Tanzer: We are I might be a little older. If I didn’t see it in the theater, that’s

only ’cause I was seeing some

other crap test. A

eighties

nick: You

gotta

88Joe: mannequin

weird science. There was a whole generation of those movies.

If people don’t know what we’re talking about.

Proceed with

Ben

_

Tanzer: Apologies. Anyone who

was born after the seventies and possibly the eighties.

Joe: Cool. What were you saying, Georgia?

Georgia: No, I was just gonna say. Actually this episode, it really wasn’t quite as

depressing as I thought it might.

be.

Joe: We made this future of

clones and robots replacing humans. Very fun.

nick: Yeah.

I’m down for it. Yeah.

Ben

Tanzer: It can be

_

fun.

Joe: leisure.

nick: and forced

Georgia: leisure.

nick: Sign

me up. I just have a

feeling that the company’s gonna end up killing me, [01:04:00] as soon as they re-

placed me,

that would

Joe: be the

Ben

_

Tanzer: it shakes out, Nick is gonna be very

89happy. And Joe, you’re gonna expect to be killed. And that’s gonna be the, that’s

where things are going to land.

George Is gonna be,

fine. The rest

nick: I’ll be watching Twilight Zone in my

Ben

_

Tanzer: There you go.

nick: Inc.

Ben

Tanzer: It.

_

Georgia: All

right.

Joe: I think

nick: Ben, where, what plugs you got?

Joe: let’s go. You got a new book coming out

or

has come do so May 6th,

Ben

_

Tanzer: so May 6th, this new book after.

Hours Scorsese Grief

and the grammar of Cinema

drops. It’s Again, it’s a partially a grief memoir

partially

film

commentary

I’m not gonna call

it film criticism again, but it’s really

a Deep

dive into sort of, into the movie after hours.

90and

how I connected to my father,

in particular, who died fairly young. But both my parents, their love of Scorsese,

but trying to use,

the movie as a lens

to

think about both

grief, but also

how we become creative people. So my father was

an [01:05:00] Artist,

fine artist, And he never. Quite got the success he wanted.

though he was acclaimed. he loved him and he’s a

wonderful artist.

This whole idea of how

did he get

in his own way, But also

when you don’t get to live a full life, who

knows what opportunities are lost, and so I thought

if I could somehow write a

book

about all that that would be cool.

And I, I threw all

kinds of.

things in just, Joe, I didn’t even know you in yet there’s lists and

there’s interviews. I

Joe: God have lists

91Ben

_

Tanzer: It’s funny to do a whole callback and pull our episode together

here. One of the first interviews,

I did for the book

it was with an

author actually, also at the

Chicago Writers Association conference, Let’s just

write Jeremy.

T.

Wilson is a good friend of mine,

And he said, this is a Frankenstein

of a book.

And I thought, okay there. it is. that’s gonna be the theme apparently. And so you

all brought that

back. I appreciate it. Apparently I’m

dabbling in

Frankenstein.

if that’s a thing.

but

Yeah.

the book’s Coming out. I’m really, I’m excited when [01:06:00] anything comes

out. I’m excited when

anyone says, oh yeah, we’d love to publish this.

That always feels like a small miracle, right?

Joe: yes.

Quick question.

nick: Do you have any pictures of your father’s art in your book or no,

92Ben

Tanzer: Not in this book. That’s an

_

awesome

question.

No, ’cause we just didn’t

Shake out like that. So now of course when I get it

reissued down the road, we’ll have to incorporate some Mike Tanzer art. Yeah.

Now that’s

seeming Like

a big problem. So Yeah. no, Not necessarily.

though. It was

funny,

I have this fantasy

where I’m

gonna do

A podcast.

where I’m gonna interview my brother. and my mom, both.

of whom I interviewed for the book, And

that we’ll talk about the influence of movies on the family

but I’ll record it.

And so I did, a, we did

a Test

run. It wasn’t intended as

a test run, but We had some technical, difficulties. but there was a moment.

where I was looking at, I was

looking at them on Zoom and

looking at my own reflection and all three of us had artwork.

93of my father’s behind us. And

that was not planned.

So

we’re in three different homes

And

we each had something over

our [01:07:00] That’s awesome.

Yeah. Can’t escape, the shadow. don’t Wanna escape. shadow, and definitely can’t

escape which great.

Don’t, so

Georgia: that makes me think of my other question.

What is your

podcast?

Ben

Tanzer: So

_

I do a podcast called

this

Podcast, Will change Your Life.

And

It is Long, it has become, it was

always

intended, but I don’t think I had any of this language.

It’s long form interviews with authors.

Certainly. I hope you all will come on and join me.

But yeah, just talk to different authors I’ve been, what I’m

proud of lately, I hadn’t really noticed it until.

My

94previous

book came.

out and this started

coming up, but the show is now in

its 16th year.

so it’s got some longit longevity long

longevity.

So, said longevity. That doesn’t sound right. Longevity,

Joe: I

Ben

_

Tanzer: doesn’t sound right. Longevity.

Joe: Yeah. I

nick: I dunno

what you’re talking

Joe: about.

Ben

_

Tanzer: you know what’s great about that? tell,

I,

could see the word in my brain,

but I could not

get my to match

nick: that’s like the microwave. I

immediately thought, [01:08:00]

yeah, this

is a word. I’m just not that bright. I

get this. No,

Georgia: but I,

Ben

_

Tanzer: I used a word in a different interview recently,

95and as soon as I said it, I thought that’s

not a word. Then I got really embarrassed

because I was speaking

to someone.

much more erudite than me. Again, I

grew up in upstate New York in the seventies.

So

my public School education.

is a little

shaky, and I

paused and

I went. I apologized. There’s no way That’s a word.

Another person said, that’s okay.

You’re on a Podcast.

You can Make up any,

words you

nick: Anywhere if you want.

Georgia: I was gonna,

Ben

Tanzer: but

_

Georgia: I like that word too. And I think may.

Ben

Tanzer: feel free to use it. You don’t even have to

_

Reference me.

It’d probably be more embarrassing if you

Joe: Yeah.

You should reference. No. Yeah. No,

Ben

_

Tanzer: then people will know how dumb your

96guests are and let’s not, add

to that or at least how dumb guest

is.

Joe: guess. And yeah, I definitely, I’d speak for myself and maybe the, my other

cohost love to be on your podcast sometime and talk about,

Ben

Tanzer: Let’s

_

make happen. ’cause I like to, you know, the other thing I do is

that I love talking to authors

especially as they have New things coming out not required. But then

I also like to filter in just getting

podcasters on.

and talking

Why They

do

what they [01:09:00] do. Like I know

what I do.

I know why I do what I do. Maybe we’ll talk

about making, get

the Three of

you. on simultaneously. That would be a

nick: yeah. absolutely.

Ben

Tanzer: we do that?

_

engineer

nick: whenever you want.

Joe: whenever you want.

97Ben_Tanzer: Okay. This summer. How about let’s just commit to it this summer.

We’ll make this

Joe: We’re

nick: A hundred percent we’re

Joe: it here

first on a rabbit hole of research.

We’re gonna

all appear

on Ben’s podcast title, the,

Ben

_

Tanzer: podcast will change your

life.

nick: will change your

life. I

thought you were forgot

first. Actually,

Georgia: especially the episode, we’re on

That’s

really gonna change. things. We won’t

Joe: talking about broken futures, trauma and human condition,

nick: Oh, I thought we were gonna dive into the trauma. We didn’t get

to dive into

Ben

_

Tanzer: I, I it’s gonna have to be trauma focused

for sure. But then we’ll find other things like forced leisure to

Joe: Yeah.

nick: Are you pro force leisure or against force leisure before we

Ben

_

Tanzer: Oh, I am, as Soon as you,

98add the phrase forced leisure, I’m in whatever it is, whether it’s forced

unforced offered.

Again, as long

as

it’s

not some larger nefarious.

plot to replace all of us.

if it’s [01:10:00] really just an option to be,

I could handle leisure.

My wife always jokes

about this, given especially how much I

work.

She’s Always oh my God,

Nobody was born

for leisure more than you.

You’ll be fine. have so much

stuff You wanna do that? Doesn’t evolve going to work.

So

yeah, Nick, you and I, man, we’re simpatico here. I’ll be fine. I will be fine.

nick: Joe pro or con force leisure.

Joe: I’m pro force. I

don’t like

forced to anything. I’m just leisure. I just love leisure. But

yeah, so if you’re gonna force me to do le

99stop doing what you do and do leisure and then Yeah. No I got things to, to fill my

time with and I’ve got country wisdom, so I’m ready for any robot apocalypse, mete-

orite, apocalypse

nick: meteorite,

Ben

_

Tanzer: All the we, we embrace all the apocalypses.

Joe: Yeah. I’m there. So yes. I’m Pro Force Leisure,

nick: Georgia.

Georgia: Yeah. You don’t even have to

ask.

me.

And I’ll say I really enjoyed the, I really enjoyed COVID.

myself.

See

Joe: the problem with COVID. I was like the, I had

this, I had the letter from the governor or whatever. I still had to [01:11:00] go in.

I was, I forget what they call

Georgia: it. Essential maybe essential

Joe: Yeah. I had to go to the lab and keep microscopes up and pivotal research,

and then I got sick with COVID.

nick: Yeah.

Georgia: What?

Joe: I didn’t have a

good COVID experience. But that’s a different story for a different podcast. But

nick: all right then. So I think

Thank you so much

Ben. Free.

100Joe: thank

Ben

_

Tanzer: man. Thanks for having

me. What a blast. You guys are awesome.

Joe: And so yeah,

you have me,

Joe here.

nick: You got Nick.

Joe: You got Nick. We’ve got Nick, we’ve got Georgia

and

we’ve got our guest Ben here who joined us

nick: and we went down some traumatic

Joe: We went

down some traumatic ho with

nick: with

Georgia: little forced leisure thrown in, forced

Joe: leisure on the other end.

Yeah. You guys stay safe out there.

nick: Bye-Bye.

Joe: We love ya.

Transcript: EP 41: Crimes in Time

Can a murder be solved across timelines? Author Lee Matthew Goldberg joins the Rabbit Hole crew to explore time travel, paradoxes, time machines, and mind-bending memory loops.

Listen to this episode now: SubstackAppleSpotifyYouTubeAmazon

Joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the basement studio for episode 41. We’ll be talking about crimes through time. You have the crew. You have me, Joe, you got

nick: Yeah. Got Nick. You’ve

Joe: got Nick. We’ve got Georgia, how you there?

geo: Hi there.

Joe: And we have a special guest joining us please.

Lee: Hi, I am Lee Matthew Goldberg. I’m an author. I have two young adult sci-fi books that just came out. And I’m so happy to be here.

Joe: Definitely. And

your books, they revolve around time. One of them miles in time, is that right? That’s the awesome,

Lee: Yes. Yeah.

the title definitely,

Joe: we played off of that Crimes in Time.

Lee: traveling. Yes.

Joe: Yeah. And with that I’ll go ahead and give my little opening definition. We’ll save the list for later. I don’t know. I’m not gonna break my.

My

nick: Can you actually do the [00:01:00] list first?

Joe: I don’t

geo: Yeah. Come on. I wanna hear list.

Joe: No. You guys gotta wait. I want build a tension for the list. Yeah. That’s

geo: what

all.

Joe: like, that’s the fans like.

Time is an absolute universal parameter that flows at a constant rate for all observers.

It provides the backdrop against which all events occur, a cosmic metronome. Indifferent to space or motion, and it’s perceived to flow forward a straight arrow, a line that moves from cause to effect or from crime to consequence. But what if it doesn’t? What if time bends loops, fractures? What happens to justice when yesterday can be edited and tomorrow can reach back to pull the trigger.

What if the criminal disappears into the past? So worse is the past. What about murders that haven’t happened yet? Alibis that exist in parallel timelines, evidence that loops forever. And a terrifying idea that some crimes have no beginning at all.

nick: Is it just me or have your what, your descriptions gotten a lot more wordy. I don’t know. I don’t know.

Joe: I don’t know. And are you giving me, are [00:02:00] you upset about these? No, I’m just Okay.

geo: I think I agree. Yeah.

Joe: Yeah.

geo: I think it probably depends on the

topic. Yeah.

Joe: It

geo: like time.

Time is very romantic,

nick: Romantic.

geo: Yeah. Like that concept of time.

No,

but I think you can real, I can think you can wax poetic about time and I

Joe: Yeah,

geo: that’s,

Lee: I agree. I was with it the whole time, Joe. Yeah, I was, I.

Joe: thank you. Thank you. I get a lot of shade here from my cohost. I feel like

Lee: Good though. It No, it keeps you working for Yeah.

geo: I feel like there’s a little bit of pressure though, ’cause you’ve you’ve said what we’re gonna talk about.

Joe: Maybe I don’t actually. I, that’s what I wanna talk about, but I as listeners, our listeners know that is not usually I don’t get my way. So that’s

geo: you just

nick: by

Joe: so I’m trying to prompt everyone to talk about what I want, but No, it’s

okay.

nick: I felt like. Yeah he’s really trying, that’s

geo: That’s

what I felt like. It was more like,

nick: he knows he can’t script me, so he [00:03:00] tries to,

Joe: maybe what I’ve done is I can actually time travel and I’ve gone back and I’ve created

geo: oh, so we’ve already done this episode and now you’ve gone back and

Joe: right.

I’ve already done it like,

Lee: it’s edited perfectly to fit the narrative. Yeah.

Joe: And every time someone messes up, then I gotta go many times have you done this, Joe?

right. This is so boring.

geo: Those

Joe: Wow. Those jokes are perfectly timed. Yep. That’s it. I ran on top of it.

geo: So I wanna say something really exciting. I did read your book

Lee: Awesome. I love that.

geo: and I

Lee: I love that.

geo: I really enjoyed it. But you will know, you can ask Nick and Joe I haven’t really read a lot of the other, you usually get more done than I do.

And I actually read the whole book. Yeah. So there,

Joe: I

nick: I had to

Lee: I really appreciate that. That means a lot.

Joe: I’ve read, I read the first three chapters, so I’m not gonna, I’m not gonna try to lie my way out of it. I no time travel. I’ll have to go back and catch it.

nick: I had to [00:04:00] restart recently. ’cause I, I started reading yours for a different episode and I’m like, wait, where am I?

geo: It was like time traveling. Yeah.

Lee: Right. It got you again.

It got you again.

nick: I’m just like, wait, what parts do I remember?

geo: So

yeah, I really enjoyed it. And so there’s a part one which I read, but then you said there’s a second one. So when did the first one come out?

Lee: So the first one came out about two months ago, I think May 6th, and then the second one came out about a month ago.

the publishers wanted ’em. Yeah, they wanted both out. Which great. But it’s also like a lot of PR that you have to do for a book.

geo: right,

Lee: Have to do double the amount of pr.

But yeah, no. And will there be a third one? Probably not, but you never know. But probably, yeah, I think the loop has closed

geo: But you never know.

Joe: You never know.

Lee: You [00:05:00] never know. And if it became like a, a franchise of movies, sure. I would write another I would

geo: because I was, I read it and then I looked and I was like, wait, there’s a second one. And so I was surprised. Yeah.

Lee: Yeah. I think it, it’s good marketing. I think a lot of times with indie publishers, they really have the ability to try different things out and see what works, what doesn’t. So yeah, no, it’s great. They’re both out.

nick: And how long have you been write writing for

Lee: Wait,

geo: the,

Lee: been writing, so my first book came out about 10 years ago. My first book slowed down. But I’ve been writing since I was like a little kid. It’s always been what I’ve wanted to do with my life. I think I was saying, I used to write books about my dog getting in like a jam. I was always prepping to be a thriller author.

And then now I have these sci-fi books.

Joe: Yeah,

nick: So did your first book have anything to do with time too? ’cause it sounds like it might

Lee: Slowdown, no slowdown was just set in the present time. But books I’ve been working on for a long time, [00:06:00] so a lot of times, like a book is in the back of my mind while I’m working on another one. And both of these books were I

was figuring them out while I was writing other things. They just took a little longer to marinate.

nick: Oh yeah.

geo: And then I was looking, I think I was looking at some of your other books. Don’t you have something that’s a time travel, but it was like during the Gold Rush or

Lee: Yeah. So my book, the Ancestor it’s my favorite, it’s set in the present time, but it’s about a man who wakes up in the Alaskan wilderness with amnesia and he thinks he’s been stuck in time since the Alaskan Gold Rush. And he sees a man that looks just like him. Follows him home and it brings him like a rush of memories of his wife, his child, but all from back in the late 18 hundreds.

And so he becomes obsessed with this man more and more. The more time he spends with him, the more he remembers about his family. And then he remembers he left like a massive amount of gold somewhere in the wilderness, so he has to [00:07:00] go find it. So it plays with time travel and whether you could really be, stuck in time for a hundred something years.

geo: Okay.

Joe: This brings up some of the paradoxes in time travel. So you get your first of many lists, I

geo: was gonna say that sounds like a list.

Joe: No. And so you have the kind of classic ones is the, like the grandfather paradox where you travel back and you prevent Yeah. Preventing your grandfather’s existence, prevent your own or grandmother or anyone in your

nick: wait, so this isn’t the one where you become your own grandfather?

Joe: No, that’s, this isn’t,

geo: oh,

Joe: is that Futurama?

Wasn’t that a

Futurama episode?

nick: Yes, it is.

Joe: It’s been a while since we had a Futurama reference

nick: I know, right? I couldn’t really shove Tama in all the fantastic four

Joe: well maybe.

Then we have the Bootstrap Paradox. It’s an object or information exists without or origin. And so that one, it raises issues of intellectual property. This is the same [00:08:00] as a gin principle, which is a theoretical that an object’s introduced that doesn’t really have a start origin.

So you don’t know. And the classic was the Christopher

geo: I was gonna say the penny. No, I thought I was

Joe: exists.

And so who actually, when was the watch created? Was it created in his time or in the pastime? And you just have this loop where now an object has

geo: Oh, okay.

Origin. So because there was that penny. This is actually a spoiler.

Joe: It’s older than

20 years.

So,

geo: But they see, he sees the penny from the modern times. And that kind of throws everything off.

but that penny, you know where it came from, right? So it, doesn’t, that’s right.

Joe: It’s not it would not be the a bootstrap paradox or the gin particle kind of paradox. I was gonna say the other one, the other classic bootstrap para bootstrap paradox is in Back to the Future with Johnny B. Good and Chuck Berry, and he [00:09:00] goes, oh, listen, this is the sound you’re listening for.

So now the origin of, that music is, it really doesn’t have an origin because it’ll now be in this loop of just being created.

nick: stop me if we’ve had this conversation before. I don’t know if it was on air or off air, but didn’t it have to start somewhere? Because the start of that loop was when Marty McFly had heard it originally,

Joe: right?

Yes.

nick: And that was pre him going back in

Joe: right? Yes. But

now,

nick: it’s, we saw the start of it.

Joe: You know the start because, that’s the fun of it. You actually know Chuck Berry and his music, and you, we know he created it. But in that. Back

to the future world, it would be now just looped like, where did this music come from?

Because Chuck Berry technically didn’t create it now ’cause he just listened to the sound that some kid was playing on stage and

has reproduced it. So

geo: the question

Joe: so now you have this kind of weird loop because now the origin of it, and now you go in time, he now is, becomes famous [00:10:00] Chuck Berry. And then that loops back.

And

geo: I think it would depend on how much music he had done before that moment.

Joe: it didn’t look like he had done a lot. He was like in, in like his mom’s basement or something. I don’t know.

nick: Also, wouldn’t it make him like stealing IP at that point? That’s

Joe: what I said. You have an intellectual property thing and then Marty consume for, oh, okay. That’s,

geo: know there’s

enough

Joe: problems with Back to the future. I was gonna say that the one that kind of went to Penny and even the, your other story is the temporal identity conflicts where you meet past future selves. And, it raises questions about memory continuity, legal personhood and identity.

And so you have this whole, these moments in time. And then we have the pedestrian paradox. Attempting to change the past actually causes the event you’re trying to avoid. And probably one of the famous examples is 12 Monkeys.

Lee: I love,

Joe: think that one that’s, yeah, that’s a good one. So yeah, just some [00:11:00] paradoxes that you have to, so when you were writing your story, did you think about a paradox or did you just dive in and let the story, just take it where it goes without

spoiling it,

Lee: He, the in, in the Y book, he finds a, almost like in Beetlejuice or they find like about the other side, a book about it. He finds a book about what to do and what not to do in time travel. And his brother’s a genius inventor, so he like leaves it for him. So like one of the things is you should never run into your past self.

And my character is like f that like my past self maybe help me out

Joe: So Lee, I don’t want to cut you off, but maybe for listeners, could you give

Lee: Oh, I’m

Joe: synopsis of the story so that every, we all, I think we all know what it’s

about, but

I realize we’ve been talking

for a while. Oh, there’s miles in time travel and ta

geo: da.

Lee: Totally my bad. Um, So

Joe: just a bad host.

Sorry.

Lee: in, in Miles in time it’s set [00:12:00] in present time in Iowa and it’s about a 14-year-old kid named Miles. His older brother is a genius inventor. He may be working on a time machine and his older brother is murdered. And through kind of a code that the brother shared, he’s giving clues to where the time machine is.

Told to go back in time for a week, figure out who murdered him and save his life. So hence the book, the do’s and don’ts of time travel that the brother leaves for miles. So one of the things I said was to not meet your past self, but Miles is like an amateur sleuth. He’s a detective and he feels like he could use his past self.

So the two of them actually worked together to solve a lot of the mystery together. So I threw out a lot of the rules that I had seen before and other things, but, it’s like, it’s a kid’s book, it’s fun. I didn’t want to get fired too much in a complete believability, so yeah,

geo: Yeah.

That was one of the things that I was gonna bring up. But then I was like, I don’t know if I don’t think this a spoiler. And anyway, he did

Lee: no, you can say it. Yeah.[00:13:00]

Joe: But

geo: But yeah. I thought that was interesting that he did team up with his past self, because that is, I think that’s just so drilled into you Yeah.

That you

Lee: Yeah.

Joe: not, you’re gonna explode

Lee: And like who Who made that rule? Who really knows if that’s an actual thing

Joe: It’s a very convenient plot device. Not to

Lee: Exactly. So I don’t know, I just wanted to flip the script on time. Travel has been done so much in books and TV movies. So a lot of me was just trying to figure out like what kind of new could I do with it?

What kind of new things could I say about it? Also like being a real mystery at heart. ’cause he is an amateur Sherlock Holmes and I wanted it to be like a, who done it first and foremost.

Joe: You, it have to be a nice kind of. Having your own self in the time or the past time that you can consult with, because that kind of prevents your own memories from being corrupted during the time travel. So we have all this, like we were just [00:14:00] talking about the jinn particle, and things can now have a non origin.

And so it is, it would be useful to have someone that knows, oh, this is truly the origin of this thing, or this truly is a piece of evidence, not something that we’ve created. Because I guess through time travel, one could disrupt a change in time and then create another outcome or an event that then would have consequences in that

geo: Yeah. I think the other thing about this story is the fact that he only goes back a week.

Do

you know what I mean? I think that you mentioned that, so

Joe: back to when he is like a

geo: so it’s like you look pretty much the same and Yeah. And yeah.

Lee: But they also are so different

Them has experienced the loss of his brother with that week and around that plus also going back in time. The other one is naive than miles from a week ago. So even though they’re only a week apart, like they couldn’t be more different. And I think they’re able to play off each [00:15:00] other like one’s innocence helps the other kind of almost grizzled, hardened detective even a week later from what he’s experienced.

Joe: Now could the past miles swap and go into the future or does that happen in the story? Sorry, I don’t want to spoil it.

geo: You have to read it and find out,

Lee: you’ll have to read it. Yeah, that’s a spoil there.

Joe: I hit on

geo: I do think that it made my mind went a little bit like when I’m thinking about time travel and then Okay. So, dark matter.

Joe: Blake Crouch? Yeah.

geo: that show, I really I read the book and saw the show, but that one really freaks me out. ’cause have you read it or seen it?

Lee: Yeah. Both. Both.

geo: because then all of a sudden, because there are all these other timelines, now all of a sudden there is like tons of, there’s a lot more of him. You know what I

mean? Yeah.

But that,

Lee: think they

want like a second [00:16:00] season and a third season and

Joe: I don’t think they were traveling through time, per se.

geo: Okay. I, they were,

Joe: They were all at the, they were all at present time. They were just, they were manipulating the multiverse idea. Not a time. They weren’t going back in time. So the split and you got all the hundreds of

geo: Oh, so

didn’t travel in different times at all. It was all in that same moment.

Joe: And the kind of, the idea they were, the hypothesis idea that they were playing off of was that when you make a conscious decision, then you would split that reality because now they’re, like stroger’s cat, is it alive or dead?

But when you make the observation, it then picks a path, but the other path also could create in a different dimension.

And so in

nick: in a different time where you actually chose

Joe: right. Yep. Exactly. Exactly. And so you would get all these hundreds of people because as you’re making decisions. You would keep splitting yourself and create another dimension.

But a lot of those would still try to come back to the same, so you had all these, I forget his name, trying to [00:17:00] find home. And so every time he made a decision that one and it, their dimension was trying to find home and they just all wound up in his home at some point in time. And so that’s why you had this whole thing, at that they didn’t, they rushed that, in the episodes, I think they really I think it was like eight episodes and it was like, boom, now we have hundreds of people and they’re taking a vote and things like that.

Yep. I don’t wanna spoil that either ’cause that’s,

geo: yeah, that’s fairly new. Sorry.

nick: I honestly don’t think I’d be able to work with myself if I went back in time. I forget everything already, like,

Joe: That would be good though, because you But maybe two of you.

Lee: Yeah, two of you could help each other. Remember what you forget.

nick: The two of us would just be like, what happened? I have no clue what happened.

Joe: the George’s point, you could actually think about it this way. What if you started going back at intervals of a day and picking up your past selves? And let’s keep going

geo: I know. I was gonna say then what if you,

Joe: Nicks

geo: If you didn’t travel back to your [00:18:00] present day, right? And you just kept living in that time, you are only a week behind and then there’s two of you,

Joe: And if you go another week, you got three of you and four, or you can fractionate it even more. So in a week you would have seven. Like I don’t know. We’re now getting crazy.

Your time machine’s gotta be pretty big or however you’re traveling.

nick: lot of handwaving going on with

Joe: A lot of folks in that DeLorean. Time travel is, yeah, a lot of hand wave. And at DeLorean, pack ’em in. You gotta have

geo: so there’s

Joe: a Yukon

geo: are you saying the plausibility of time Travel is very low.

Joe: Yes. We’ve discussed this in a

geo: I actually was not on the time travel episode and I was Yeah. And I wasn’t on the Doctor who episode either.

go.

Joe: So Lee should feel very special that Georgia chose the dress. No, I the book

Lee: read the book. Yeah.

nick: you got fully prepared. Right. That’s a,

Lee: fully

Joe: beat out Nick and I on the reading part and here No, I was gonna say,

Lee: right after this you’re [00:19:00] gonna want to pick it up. the, that’s the

geo: right. that’s right.

Joe: Or finish it. I guess I gotta keep. Plowing through it. Yeah. Yeah, I was gonna say the one show, and it came out in 2019, a movie spike Lee, I don’t know if he was the director or producer, but see you yesterday.

And that had a very similar vibe.

about

that. And that’s the

one

geo: good. Yeah. Where

Joe: her brother is killed through, I think, was it police violence or crime, like some

geo: I know he’s shot,

Joe: incident. He got shot wrongfully it felt like it was this wrong place, wrong time. And so she was an inventor was going back to try to correct that.

And so you had that whole, paradox there that it was almost like everything she was trying would lead to the event or just miss it. And it was a very,

geo: well, it made other horrible things happen.

Joe: So that kind of, that pedestrian

nick: does that also fall under the butterfly effect then?

Joe: a small thing that leads to other changes? I guess you could, yes. [00:20:00] Because if you go, that’s one interesting things about the time travel in my mind that when you go back you almost can’t leave the environment unchanged

nick: you being there.

Joe: That’s right. Yep. Yep. So you would definitely have that happen as

nick: you being there already

Joe: All right. Changes everything.

You’ve introduced just breathing, you’ve introduced stuff contaminate to that timeline, so let’s use that. Contaminant, yes.

You contaminate

geo: you’re bringing back like some weird

Joe: No, you’ve introduced, right?

So you’ve just going there and you’re dander off your skin, breathing your breath into the air, or breathing in.

You’ve now contaminated the timeline

nick: and then whatever pollution that’s different and blah, blah, blah, blah,

Joe: Yeah.

nick: You don’t Well, oh

geo: I don’t know. He’s weird this

nick: I agree with him on this one.

This is a

geo: particular story, he goes back to the same place that he was. So it’s not like he’s going to some foreign land.

Joe: Yeah, [00:21:00] but you yourself, the minute that you step, like in any environment, like when the minute you come into the room, like just like present time, let’s keep it there. You come into the room, you’ve changed the environment

geo: At least you didn’t say I contaminated it.

Joe: Sec, if it was a clean room, you did. So if you come, go into a clean room, you’ve contaminated. So you have contaminated with yourself. We all have as you come in and leave and go and be in the world. So that same principle exists if you time travel and you go back, even go back minutes.

That timeline has been contaminated by a new, similar, but different Georgia that came into that

timeline. That make sense? Yeah. Lee, what do you guys say? Are you,

Lee: Also that’s what creates a good story. If there was a way to go back in time and nothing was altered, there’d be no stories about time travel. In every story something gets affected, which causes something else to get effective, et cetera. I think in my [00:22:00] books. It’s like they try to do as little as possible with affecting the most change for them and not for a global atmosphere.

But they’re not successful at that either. Like, like of course they’re gonna do something that’s gonna create a bigger kind of effect and change.

Joe: a ripple effect

Lee: Yeah. And in the

second book, they go back in the second book, they go back into the nineties

to fix their family, so their family has issues.

So they go back in time when the issues began for the parents. And then it was just a fun way to go back to 1999. So

Did it.

geo: So did you think a lot about the plausibility or the science or was that something Yeah,

Lee: I definitely read a lot of time travel books. I watched a lot of movies that connected to it. Some of the ones that you mentioned, Joe, like 12 Monkeys. But also because the books are, adults have been reading them and honestly probably more than kids, but I really wanted to keep the the age, like 12 and up.

[00:23:00] So I didn’t wanna do too much, like I didn’t wanna overload 12 year olds with any kind of mathematics or anything that would bore me.

I kinda left out it. yeah.

Yeah. I think there’s nods to certain things here and there. He reads I might be mispronouncing it, but Godell, who is like a philosopher or scientist about time travel.

So that’s the passcode that he uses. So little things here and there, I kinda added into the books. But I’m not so smart in, in terms of science, math, but I didn’t wanna yeah, I didn’t wanna bite off more than I could chew in terms of

nick: You didn’t want a 14-year-old scrolling on the floor. All the mathematics of. The

Lee: Didn’t wanna. Yeah. Yeah. I didn’t want a 14-year-old being like, this guy doesn’t know what he is talking about.

geo: But it, kind of as simple as possible,

In general there, the sciences, there isn’t a lot of science.

Lee: Yeah. We have not traveled back in

Joe: No one’s done it.

nick: that we know of.

Joe: Yeah.

Lee: that we know of. That’s true.

Joe: Yes. No, that’s,

Lee: for the most part it’s speculation and, that’s good for a fictional author. [00:24:00] Like when there’s stuff that’s only been speculated, you could make things up as you go. It’s why writing sci-fi is fun.

nick: Just to be able to have that freedom of the unknown and

Lee: Yeah. Yeah. I’m creating worlds and like I said, most of my books are thrillers, but I’m more interested in moving towards. Sci-fi, the one I’m working on now has a little kind of like horror bent to it, but a little

supernatural. Yeah. Yeah. I wanna play around with it. I might do it under a pen name though, and then have separate.

Joe: from your, yeah.

nick: Is

that gonna be a ya a book as well or is it gonna be

Lee: No I don’t think I’m doing Y again. I think this is it. Yeah, you’re limited, there’s certain things you can’t do and I mostly write more disturbing thrillers. So I had to play a little, almost too nice for these where I want to go back to what I like to do.

geo: And I do think this had a lot more edge and it was the, but one of my favorite books when I was little and this [00:25:00] I’m somewhat dating myself, but also it was a really old book even then.

But have you ever heard of Homer Price?

Lee: That sounds familiar.

Joe: Yes.

geo: And I love those books, Homer Price and they’re illustrated by the guy that, that wrote that book Make Way for Ducklings.

Do you know that?

Lee: Okay.

nick: No.

geo: favorite make Way for Ducklings. No.

we might, we probably have that back there. No, but anyway,

Joe: It’s a time travel book.

geo: Anyways, I love the illustrations, but it’s like this kid, and he lives in a pretty rural area, but then it, like, all the little stories in it are things that happen and he has to solve these little mysteries and stuff.

So it really, it, I don’t know why it, it brought that to mind when I read ’cause there was something of a, there was an innocence to it,

Lee: yeah. Yeah, I wanted also, thank you. I wanted like a nostalgia factor and especially with the sequel the sequel kind of was when I was in high school, so like they go back to. At the [00:26:00] time that I remembered really well in terms of when I was that age. So yeah, I think anytime, a book connects you to nostalgia.

My favorite books as a kid were ULA and the Celery Stocks at Midnight by Deborah and James Howe about the kind of vampire bunny.

geo: oh yes. Okay.

Lee: those are my favorite

Joe: Very neat. I was gonna say,

Lee: adventure

Joe: Go ahead Lee. What was that

Lee: I’m saying and all the choose your own adventure

Joe: Yeah.

geo: Oh yeah,

definitely bump.

nick: Goosebump C Cho adventures were so good.

Joe: Yeah,

Lee: so I just was on a panel that I moderated last week at Thriller Fest and RL Stein was on the panel from

geo: Oh, that’s so fun.

Lee: was the best. He was like, we’re just gonna treat it like a standup comedy routine. And I was like, all

geo: that’s so fun.

Lee: Yeah, no, he was really funny. And he is very sweet. Yeah.

Joe: Yeah.

That’s cool. Your second guest that was on that.

was

in conversation

with Oh yeah,

Earl Stein. Yeah.

Lee: Oh yeah.

nick: about

that. Yeah.

Yeah. Jonathan Mayberry was had to [00:27:00] reschedule one of our recordings to go do an interview with

Joe: a

geo: he was doing An event.

Yeah. In

Joe: In conversation with,

geo: Stein.

Joe: or Earl Stein. Yeah. No, look at that.

He is

geo: I think we need

to get Stein on

Joe: Yeah. The universe is speaking to us. Our time travel from the future. I was gonna say we were talking about research and things and one that came to mind was the, I guess a mockumentary the history of time

geo: Oh, that was really good. Is

nick: that what mark du plus,

Joe: don’t, I don’t know who was in it. Yeah. It was the whole thing was about the creation of the time machine. And so this group, a group of or scientists makes a time machine and uses it, and then every time they use it. You see all these changes.

So like the Russians get to the moon first, or in technology, like the first

geo: it was really, it was a very clever

Joe: because the background,

Lee: was the name again?

Joe: The history of time travel.

Lee: History of

Joe: Time travel. it was

like, I think it was like 20 14, 20 15. Somewhere in that

ballpark.

geo: little [00:28:00] Easter eggs that were subtle, but like the pictures on the wall would then change when they’re like

Joe: or like the video game consoles that they use to build the time machine with to control it.

You start and you keep seeing it modify and yeah, it was, and then they go back to destroy the plans ’cause it’s ruining everything. So you have this whole

geo: yeah, it was really good

Joe: And then it, yeah, I don’t wanna spoil

geo: Yeah. Don’t spoil it.

nick: I think the one I was thinking of was safety not guaranteed with Mark

Lee: Oh, that’s a good one.

nick: And Rey Plaza,

Lee: I’ll be pause it. Yeah.

Joe: Yeah.

nick: Guy puts an ad in was gonna say about the ad. Yeah, Okay. Yeah.

Joe: Yep.

nick: yeah.

Was was definitely one of those time travel movies where I’m like, oh, that’s really good. Fun little adventure, trying to build a time machine as well. And everyone thinks he’s crazy.

He might be right. Mm-hmm.

Joe: We could just

Lee: That I love primer. It’s about

nick: Yes.

Lee: 20 years ago, I wanna say. Yeah, it was a small movie. I’m forgetting the director’s name. [00:29:00] Shane. Shane something. But it’s really good if you’re able I don’t even know if you could find it like beyond, probably like on DVD or something. But it’s great.

Joe: Yeah.

We’ll put

it in

nick: watch it on YouTube and

it’s

$3.

Lee: true.

nick: Oh,

geo: nice.

nick: Uh, Shane Cirth. Kth.

Lee: Yeah, with a C. Yeah.

nick: Is

Lee: then he did another movie that was like just as weird, not as good, but also interesting. And then that was it.

nick: Yeah. Primer was definitely one of those that were like, whoa. And

Joe: didn’t see

Lee: And probably made for $200,000. Like it was

really well made for how cheap it was.

nick: And still underrated,

Lee: Yeah, no, completely. Completely.

nick: my train of thought for a second. ’cause I kept thinking of primer.

Joe: Let’s go back.

Lee: That’s fair.

That’s

nick: like,

Joe: We got time travel back.

A couple

nick: all [00:30:00] brought me back on that movie and I’m like, Ooh.

Joe: I was gonna, I was gonna mention, ’cause we it came up in the conversation but just time travel the mind.

And how that can be a form of time travel where you don’t, it’s all just a construct. ’cause your brain can fa fast forward and imagine events, but also in the past you know it, which is somewhat corruptible. And so just in your own head, you could have a whole time travel esque story where you’re, in this loop, this mental loop of time travel.

And you have that. I don’t know if, I don’t think there’s any stories like that where you’re

nick: 51st Dates

Joe: That’s a,

I guess it would

nick: yep. 51st states

falls into that

geo: now what are you saying that you keep reliving something in your right.

Joe: not necessarily reliving it, but that the time travel component is more mental than almost in your brain than being [00:31:00] a physical manifestation of you traveling back into the past or into the future.

nick: which I.

I would think that 51st dates is Drew Barry Moore’s character is time traveling every day. She wakes up then.

geo: is that like Groundhogs Day?

nick: No.

What

she gets hit in the

Joe: Groundhog’s Day is a form of time travel.

he is time traveling back to the beginning of the day. but just keeps repeating and repeating. Keeps

it. He just keeps repeating

one day. Just over and over.

nick: Yeah.

Joe: And maintaining the knowledge of

nick: The previous day. 24 hours. Yeah.

Yeah. Previous experience.

Joe: Previous experience. There’s another one where they were stuck in a hotel. There’s been a few like that.

Lee: Oh

Joe: They were in, in a

Lee: yeah, with Andy Sandberg.

nick: palms.

No. Was

Lee: That one was great. Yeah. Palm Springs was that.

nick: was that it? I wanted to say that, but I was

Lee: was, it was like at the pandemic when it

came.

So like, it was

But I don’t have a memory around it.

Joe: It was like, oh, it was like time travel the

Lee: it was [00:32:00] really good. It

was,

Joe: right? Yeah. That was good. I’ll look it up and get that in the show notes too. A lot of good movies for time travel.

nick: Oh, a hundred percent. Like it’s such a

Lee: fun one to an argument, you could make an argument that every time you have a memory, technically it’s time travel.

nick: Yeah, I And that, that was the case of the

geo: the, and

Lee: Every memory you’re going back in, in time.

Joe: You are.

Lee: Even if the memory changed,

Joe: you do you will corrupt memories. So as you access memories, you can rewrite ’em. They’re not fixed in time. So it’s every time you pull a file out, you can make an edit, then put it back, and then when you pull it out again you go, oh, it was blue.

We, it was, we were driving a blue car Right,

it was red. So did you, to that point, did you time travel in a blue car? But now you’re in this, now in this

other timeline.

nick: E even sense can help can take you back in time.

Lee: Oh, yeah.

nick: Oui where the critic,

He had the oui and he was like,

And he

Joe: I think OU [00:33:00] has put a little bit of crack in his food.

Lee: they have said

that like.

nick: poison.

Joe: I think he was like, oh yeah,

ahead.

nick: say, Lee? I’m sorry.

Lee: Say, I can’t remember if what they say about deja vu is that deja vu. Oh, I not, this connects to dark matter. The deja vu could be a memory almost of a different slight multiverse of where you’ve Just the same, but something’s like a little off.

nick: So it’s that split in, thought process then. All right, one of us is doing this, but the other one is doing this.

Joe: Or, we’re in the matrix.

nick: Yes. Or it’s a glitch.

geo: could, it.

could be a simulation, say

Joe: deja vu,

Lee: Yeah. Look, it could be everything. We could be in a simulation that’s time traveling

Joe: Time travel, yes.

Lee: It itself, in a black hole again and again. Yeah. You don’t know?

geo: And then when you were talking about memories, it made me think of [00:34:00] the mento because in a way, he time traveled because he forgot everything and then had to go back and figure

Joe: 51st dates? Yes.

nick: Barrymore,

Joe: Yeah.

geo: I think I saw, I think I saw that.

Joe: And you keep going back to that Same. I can’t remember if I’ve seen that movie or not. I don’t think I’ve

nick: It’s been years and a half, but for some reason that movie popped movie mind. It stuck

geo: with It Stuck with you?

Lee: It’s a well-known movie. Yeah. It’s a beloved

movie.

nick: don’t know if it popped up on

Joe: they don’t describe it as a time travel movie, but I think they should. It probably would be more popular.

dunno. Adam Sandler? I don’t know how popular his movies are nowadays.

shoot. What? Laying a Shade down on,

nick: Sand, it’s not his nineties films where it was like, oh, every one of those was a hit. Yeah. Barrymore.

Lee: 50. First date was probably like the beginning of the end, yeah. Then he got a Netflix deal and he just started cranking him out

nick: oh yeah he’s

Lee: and like more power [00:35:00] to him, like I’m sure they paid him $50 million to do nothing.

nick: I would you get to hang out with your friends all day and Yeah,

Lee: Happy Gilmore too is coming out. I don’t have high hopes,

geo: that’s probably it.

Joe: with? Chris Rock and

nick: oh, grownups.

Joe: Grownups.

yeah. Then grownups

Lee: grownups. Yeah. Billy Madison is a classic. That was great. The weddings,

nick: the wedding

Joe: Wedding singer,

nick: Now we’re just time traveling through

Joe: The water boy. Yeah. There it

geo: we’re all reminiscing.

Joe: oh, remember when?

geo: I,

Lee: He and Chris Farley used to do this sketch on Saturday Night Live where they were like an old married, like couple, and they would read the GATS reviews and then just like shit on all the reviews. And it might be my favorite thing

nick: But

Lee: Chris Farley played the wife

she was like the positive one, and Adam Sandler was like the cranky, like old man.

geo: awesome.

nick: Oh, those were fun [00:36:00] ones. I miss those. But for I honestly think that there can be some kind of. Mental time travel though. Like I feel like out of all of them, that one might be the one that I can Get behind and being like,

go.

This is in the realm of plausibility

Joe: except I think it, when you start going down that road it’s your memory versus everyone else’s memory, right?

Yes. And so that becomes,

nick: because what was that movie with Jim Carrey?

He was a erasing Memories.

geo: Oh

Joe: Sunshine of a Spotless Mind.

nick: Would that be considered a time travel movie then?

Joe: I don’t

know if it’s time you,

nick: going back in his mind and

Joe: in his mind,

the way the movie was filmed and the story was told, you do have a lot of flashbacks where you’re going and you at some points in that movie, and it’s been a little bit since I watched it, but you were you were questioning where you’re in present.

’cause they almost fell back in love again. Because all their members are erased. Then they went back, so they reset and then they [00:37:00] fell in love. So you really didn’t have, you’re right, it was more mental. ’cause they didn’t chronologically go back, six months to the beginning of the relationship.

They just met each other and it was that kind of chemistry re-sparked and they had, they moved forward from there. So in some ways, yes, they reset. It’s

geo: It’s more of the talking about it like, like memories. Obviously

was saying yeah.

nick: of all of them, I think the memory one is in the realm of possibility.

Joe: That’s not a true chronological, you’re not really. Going back. I, in some ways you are, but you’re not really

nick: but trying to relive those memories in your head, that other person isn’t there.

So it’s changing your history.

Lee: Yeah,

nick: It’s just on a more

Lee: time travel element. There’s definitely time travel elements

nick: It’s just a personal time travel where no one else in your life is affected by it.

Other

Lee: There’s also the butterfly effect as well in that one [00:38:00] because their relationship changes due to the memories being erased as well.

geo: Yeah.

nick: Yeah. That’s the one where I’m like, it’s one of those not classified as a time travel, but probably is a time travel film. Like there, there’s so many of those that.

Fall into that category, like 51st dates and momentum. Is Momento considered a time travel movie?

geo: Momento.

Joe: Momento? No. It’s not a

time

geo: No, it’s a more It is his, he has that short term memory loss,

Joe: right?

nick: Which

Going by

geo: oh,

Joe: uhoh.

nick: I’m waving my hands around here and just,

Joe: a lot of hand waving ’em

nick: Yeah.

full hands tonight.

Joe: I was gonna say that we’re talking about.

Going in back into the past, but really that theoretically the math suggests you’ll actually be able to go forward

In time,[00:39:00]

nick: I think going forward is a better idea than going to the past. Like personally, I don’t think there’s anything in the past that I’m like, yes, I need to go to that.

Joe: There’s a lot of bad stuff in the past. Yeah. That I’d wanna

geo: And so you are hopeful that you are hopeful that the future may be better?

nick: Or I’m just dead in space. I don’t know.

Space.

Joe: in space.

nick: Yeah. If you go for

Joe: Hopefully you’ve done the math and you calculated Yeah. Where you need to land. Because you’re right If you miscalculate, then you’re are moving. Yes. You’ll be in a wall. Like you’re off a little bit. You’re just in a wall now can someone get me outta the drywall please?

nick: I’ve been splitting two.

Joe: Yeah. Why is someone, why is our walls talking all of a sudden? Sounds like Nick. No, I, so I think forward time travel, but it’s maybe not as interesting.

I don’t know. Maybe that’s why. ’cause usually either you’re forward time traveling, you learn something, oh man, [00:40:00] this meteorites gonna smash into the earth. And then you go back to convince people that you’re not, crazy and

you

geo: a Terminator,

Lee: Yeah.

Joe: Like Terminator. But they, when the machine is trying to kill you, I don’t know if you need a lot of convincing, not.

There’s a sophisticated AI machine hell bent to kill humans. Or

Sarah Kana

Lee: two.

Joe: particular.

Lee: Terminator two is still one of the greatest movies ever

nick: Yes,

geo: I think so. I love

Lee: just perfect. It looks fantastic. It like,

Joe: Yeah.

Lee: tens across the board.

Joe: when I was, this goes to, we’ve had this discussion about movies where the sequel is as good or better than the original. The first movie in the series. And I think the consensus we

Lee: one is great, but Terminator

Joe: two is, yep. Alien Aliens.

nick: Nope, we disagree with that one.

Joe: Superman.

Lee: Those are both good in their own

Joe: as good, [00:41:00] and I was going to say the discussion, Nick and I, we’ve come to some agreement I think, is that usually when you have that.

Is that the style of the movie changes,

it

off. So you have, alien was a horror, aliens was action. I think you can say the same thing about Terminator and Terminator two. Terminator one was more almost a horror thriller. And two was as action. It was, so you have that, the split between the movies and I think it is, it’s really, it’s well done.

I think if you’re writing a sequel, that’s a good way to go is to

Lee: Yeah. And then smart because it keeps enough of it the same, but also takes it in a different direction. So I think the audience wants something a little bit new from a sequel. So I feel like whenever they do that and do that right, it tends to be

Joe: Yeah. Yeah.

Lee: A lot of times they do it wrong though.

Like in the sequel, like I just saw yesterday, I saw that the Megan

sequel

Joe: yeah, I heard it.

Lee: That was an terrible movie.

Yeah.

nick: I forgot. That was already,

Joe: right. Yeah. [00:42:00] Yeah,

nick: I liked the first one. I just have not

Lee: one was fun and dumb, and then second one is like a full action movie and it’s just doesn’t work.

It’s

Joe: I think you, you have that with Slashers genre in general. You know that the second one is usually he just goes all

geo: or do you mean the 10th one

Joe: or to Yes.

Depending on the But I wanted it camper. Like I wanted,

Lee: Feel like that movie worked the best. It was leaning into its stupidity. Yeah.

But this one would have moments and then it would like veer from

Joe: Start taking yourself serious. Then you

Lee: A little bit. Like it had something to say about ai. It was like, I really need that from you, Megan.

Joe: Yeah.

Don’t need it.

Lee: we’re good. Just Yeah.

geo: we already know we’re

screwed.

Lee: Yes, it was. It was a Megan Ted talk. That was the vibe.

Joe: it is. They should lead with that. And that probably would get ’em some more fans.

Lee: Yeah.

Yeah.

Joe: No. Yeah. I think, yeah, forward time travel’s interesting. But yeah, the [00:43:00] storylines

nick: yeah.

geo: Yeah. So if you had to pick one, you would pick forward.

nick: Yeah. I have zero reason to go to the past. There’s nothing good back

Joe: Yeah. Yeah. Lee, how about yourself?

Where you

Lee: don’t know. I don’t know if I want to like to know the future and then have to deal with it. I don’t know.

nick: I just know going forward in time, you’re gonna either a die because of whatever kind of diseases are there now, or B, bring diseases that you already have now in the present

Lee: You’ll contaminate. You’ll fully

geo: go

Joe: contaminate to the

nick: the, you’re the,

Joe: so I, the question, and we will come, I’ll ask Lee and we can, George and I can answer, but how far are you going?

nick: Oh

Lee: If we’re already doing it, let me go like far, like I don’t want to go like 20 years. Let me really see 500 years

Joe: You are like time machine, like you’re going 10,000

Lee: yeah. Like

Joe: You’re

nick: I want 1000 years in the future. Thank you. Go full Futurama.

Lee: about right.

Joe: And hope your bank is still exists,

like, you know

nick: exactly.

geo: Like in Futurama, right?

Joe: Yeah.[00:44:00]

nick: We’re Fry going fu

Joe: I’m a billionaire.

nick: The full Futurama. How much is my interest now?

Joe: Yeah, so you’re going forward a thousand years, Georgia you did, you

geo: I don’t

nick: Lee’s going 5,000. Lee.

Joe: Lee, you said 500 or 5,000.

Lee: Yeah. That 5,000 might be,

yeah, like

Joe: forward, you’re

Lee: 500 and a thousand enough where it’s different. But I don’t want like Sea

Joe: Yeah,

Lee: Earth or any, yeah.

Joe: but so you’re going forward not backwards. Is your

Lee: For me.

Yeah,

I don’t know. I’ve written historical books, so Sure. I think it’d be cool to, like we were talking before about the Alaskan gold rush, like to go to an or. I’ve spent so much time researching. I feel like that would be really interesting. But yeah, sure. Let me go a thousand years in the

Joe: Future.

Okay. So we’re there. Yeah. ’cause going back to the gold rush, it seems like a hard life, even if you’re just

Lee: Really cold, like

Joe: like the vacation you don’t really want, like you

Lee: It’s not so much a vacation, like killing bear and eating bear and

Joe: [00:45:00] a, yeah. That’s a rough, that’s a

Lee: Let me go to a spot in the future if that.

Joe: There it is.

geo: gosh, I don’t know. That’s really tough because I feel like you’re really like just totally

no

control.

nick: Hopefully in the future.

they’ll have a Westworld type thing going

geo: No, It’s called Future world.

Joe: Future world

nick: Yeah. No, but I, in the future, I want a Westworld type.

Joe: Oh, I see. Yeah. You want to go to the future for the Yeah.

nick: That way I don’t have to deal with all the stuff of the past

geo: But you can experience it.

Joe: All right.

geo: Interesting. But you do know some of the complications that happened?

nick: bad happens. I don’t know what, I’d never, I didn’t finish the show, don’t worry. I can guarantee nothing it was a movie I’m actually going back to the 19th, whatever. Was it seventies?

Joe: You were going back to the seventies?

geo: No, not in the time. Travel. In the, talking about Westworld. Whenever the Westworld movie

Lee: Oh.

Joe: So you want, [00:46:00] so you, instead of Westworld, you want to go back to seventies?

geo: No, I, no.

Joe: Seventies world.

Lee: You want there to be a seventies world to go back

Joe: right. Yeah. So you go in the future to go back to the an

geo: I think that you guys

Lee: their version of the seventies, be a skewed version. It would be, real, but not fully real.

geo: I

dunno. I think I’d have fun. And it’d be more like if you could just go to different times. Yeah. Do you know what I mean? Not,

and just

hang out a little

Lee: you don’t have to

pick

geo: what I’m saying,

like I, I think there’s some moments in history I would love to go to and just hang out, it’d be really cool.

But if it’s only one thing, one way I don’t know. Because you’re really like putting up so much to chance about going,

Forward. I don’t know.

Joe: Yeah,

geo: I don’t know if I can decide.

Joe: You don’t Dunno if you Boo.

that’s a lot of hand waving on there. I don’t know.

nick: Joe, what about you? Where are you going?

Joe: I’m [00:47:00] with Nick. I don’t really, I a

A person of color going back into the past, there’s not a lot of super great stops. So I, some it might be interesting for a little bit, but then you gotta deal with everything else. So yeah, probably I would punch my ticket to the future and I don’t know, I dunno if I would go super far. Like I see the point let’s just go hundreds and

nick: Like I want the future with flying cars. Like

Lee: Yeah.

nick: just we were promised this future and we do not

Joe: We have, there’s, there’s cars that can get you up in the air. That, that exists now.

nick: we’re,

geo: but it’s not like the Jetsons.

Joe: I don’t know if I want

Lee: Element. Yeah,

Joe: yeah. The fifth element I, and we drive with people with four wheels on the ground and they have trouble. So do you really wanna be in the air with people like zipping around like that? So if AI is controlling the flying cars and we just sit back and chill, then I’m for that.

But if people being, people are flying around in , 1500 pounds of metal[00:48:00]

and jet fuel, I’m gonna pass on that.

Lee: Disaster. More like minority report.

nick: I’m okay with that. Like that cyberpunk

Joe: Yeah. Thought police. I don’t know. I feel this going 10 years. 10 years up. 10

years.

’cause what can happen then? See, I’m still 10 years younger, but I’ll meet my 10 year older and then we can do stuff. We can like,

nick: wait, what kind of stuff are you trying to do with

Joe: into it? I

nick: get into it.

Joe: Why? Take over the world

nick: Oh. Oh, okay.

Lee: Oh

Joe: Not what are you guys talking about?

Stop it.

nick: drama. The way you were talking about it, I’m like,

Joe: No, we were talking about earlier about having your, yourself as your partner in crime or in Ah,

nick: Ah, trying to y you Yeah. Time looped it back around.

geo: wants to ti he wants to team up with

Joe: that’s

right. Yeah. Yeah. Yeah. I guess I can go back 10 years. I go plus and minus 10. Just [00:49:00] this wheel of that the spinny and go the price is right.

I

geo: exactly when I would go back to,

Joe: yeah.

See now I’ve opened up a whole nother thing.

You get to go back and actually team up with yourself, like maybe your 25-year-old self, just go back and be like let’s get this done.

Let’s

do,

geo: are you, your, you 50-year-old

self?

Joe: The only reason I don’t wanna go back was because I was like, either I’m stopping at poor postdoc, poor grad student, poor undergrad, and none of that is there’s no capital to do anything.

So I figured if I go 10 years forward, hopefully I’ve, I have some capital. I’m not paying tuition anymore for kids or anything like that, and I’ve stockpiled some money and then now I come with my still youthful. Excitement about the future. I show up and we make it happen. I guess I could be a poor older also

nick: because

then you’re just changing the whole future for yourself.

Yeah. So then the you that exist now

Joe: I would, I, if we have time to prepare, if we have time to [00:50:00] prepare, I’m gonna get my country wisdom. And

nick: you’re gonna go live in the woods

Joe: no,

I would do things like if I, if you go you gotta go live and you can’t come back, then I would take things of value, so I would probably go get gold wire and things like that.

That would be a commodity to trade and sell. Very fixed things, but still light. So thin it up and then go, and then you have,

geo: Or would you get all the sports stats and then,

Joe: Oh, okay. Back to the future.

Lee: Sure. Yeah.

Joe: I don’t think, you’re going into the future. You’re, if you’re going in

geo: I’m saying if you’re going

Joe: are you getting?

geo: No, I’m saying you, I’ll never

nick: for you, you would end up going with sports stats, so you can

Joe: Yeah, but I’m going into the future. They’re no good. I got

nothing. One, I’m

like past too.

I said if I, if you go in the past, maybe, but you,

geo: yeah.

Obviously in the future people would be like, who cares? Who won the World

Joe: right. 30 years ago?

In 2025, the winner’s gonna be what? What do you mean it happened already? Oh

nick: wait. When am I

geo: like [00:51:00] this. I like this. A story of the time travel going wrong. Kinda.

Joe: You go, you show up, you’re like, oh, I’m going, I’m gonna go 10 years in the past with all these facts and figures you spent years memorizing and then you get in and you show up and you’re 10 years.

Plus just like

nick: who am I? What am I? Where am I?

Joe: Yeah, that would be

nick: I That would be the luck too. I’m going to the past. When am I the future?

Joe: you just spent all this time memorizing. Yeah, that would really suck. I’d feel bad for this person.

nick: I think it’d be really funny. Like I can’t wait to see that movie.

Joe: There it is, Lee, do you have any events or anything you wanna plug? You got your book, the two books you

Lee: yeah, I’ll be at Voucher Con, which is like the mystery thriller writer convention. The first week of September in New Orleans. Yeah.

Joe: cool.

geo: Very cool.

nick: What

Lee: I’m coming off like the second book?

is called Time Fixtures.

’cause they go back in [00:52:00] Time to Fix Time.

nick: Sorry. I, it’s been bugging me. I’m like, I don’t think you’ve said it. And I don’t know the name of it. Two points.

geo: Let’s fix that

Joe: miles

Lee: Oh, there you

nick: We’ll go back. Don’t worry.

Joe: Yes. Post edit.

It’s like

Lee: And yeah, it takes place in, in 1999. Like I said.

Joe: Nice.

geo: That’s awesome. ’cause then everyone’s worried about Y

Lee: Yeah, there’s a little bit of kind of Y2K paranoia and disc man, there’s a lot of kind of the music from that era.

geo: That’s really cool.

Joe: Yeah. But VH one is still, they had the, remember they showed they played party like 1999 by Prince On Loop

geo: for 24 hours.

24

Joe: hours. Yeah. It was like that. They still showed music videos, but they just had it on a loop. And

so,

nick: Wait. Hold on. What. VH one shows music videos.

Joe: They did? Yes.

geo: Can you

believe

Lee: that way.

Same tv.

Yeah.

Joe: Yeah. No,

Lee: One, it was [00:53:00] It was not just for teen

moms. I feel like they should bring it back music videos

Joe: you do.

like on, on Apple Music, music videos For songs like that, people still make

music videos. Yeah, but they’re not, yeah, they’re not as, there’s not TV for it, but They do it.

Yeah. They still make, but you’re right. Yeah. That was a heyday because people, they would try to outdo each other with their music videos and

Lee: I, yeah, I definitely grew up where I would watch MTV

Joe: Yep.

Lee: I forget the name of the show. It was the Request Quest. Yeah.

Joe: No, yeah. That was the life I was in.

geo: See, you can go back.

Joe: you can go, I

geo: You can go back,

Joe: be

creeping on

Lee: to,

Joe: creeping at college. Some the who’s this strange old man in the lobby watching

geo: TVI

nick: remember,

these days this song’s gonna be a hit in 15 years. I

Joe: I bet you this one’s gonna hit the top billboard. Come on, let’s get those bets.

I

geo: feel like something really bad’s [00:54:00] gonna happen if you’re older. Self goes, visits your young self. Actually, there was that movie that was really good. My old butt or

Joe: Oh, my, yeah.

The

Lee: my old

ass.

Joe: old

geo: my old ass.

My old

Lee: Yeah,

geo: I dunno.

Joe: The young adult version.

geo: But

That was really good.

I really liked

Lee: right where she’s on mushrooms

and yeah,

Joe: it was like mental

Lee: No, another Aubrey Plaza movie. Yeah

nick: Aubrey Plaza for the Win. she gonna be our time travel queen?

Joe: There we go.

Maybe.

Lee: But it’s,

geo: we’ll give award.

Lee: movies. There might be another one.

Joe: Yeah.

geo: But there was like, obviously Demi Moore being with her, like there could be some really bad consequences.

You’re like the nevermind.

Joe: Oh, you mean like substance? Yeah.

Lee: Wow.

Joe: But I think in that one it was more mental time travel, and I got back to that.

That’s another one

probably I would throw in, because you’re right, she was tripping on the shrooms and then she would have, she would see her older self.

nick: Is this the second episode this year? [00:55:00] We’ve talked about drugs and doing things with science.

Joe: I don’t know.

geo: Oh, I think there’s a lot more we could talk about.

Joe: There’s a lot

more we can

talk about.

nick: We’re gonna have It’s a lot that go hand in.

drugs, could do a whole

Joe: A whole

geo: episode

Joe: there. You heard in Air Force

nick: prepare for season three of the drug episode.

geo: Oh, what was the other show we watched? That was a series. Oh shoot. The, and they’re newspaper delivery and it’s based on the graphic novels

Joe: Paper Girl,

geo: Is that what it’s called? Paper?

Joe: Girl.

Yeah.

nick: What

Joe: it was four Girls

on Bicycles

geo: oh, and then that was a really good

Joe: Yeah, that was had some time travel. I was gonna say, for all of mankind, the Apple plus one, did they

geo: Did they time travel?

Joe: It’s an alternate. Reality.

geo: It’s an alternate reality. But nobody time travel.

Joe: mean it is time travel.

Okay, nevermind. That’s a whole different but I But it is ’cause there’s an alternate reality. But you’re right, it’s not time travel. Nevermind. I’ll scratch that. I’ll edit it [00:56:00] out

nick: No, leave it in.

Joe: I’m taking it out.

it’s Like

the Brussels sprouts. It’s gone. Yeah. Cool. I think that’s we’ve gone in and out around a lot of different

nick: We loop de looped it,

Joe: looped, de looped it, we wormhole it.

nick: Thank you so much, Lee, for coming on the show today.

Lee: Thank you so much for having me. Yeah, no, it’s a pleasure.

Joe: definitely. So

geo: and I’m looking forward to reading the second one. Yeah. Yeah. Let me know what, you, let me know what you think and yes, let me know what you think about the first one

Joe: Yeah, will do.

nick: I

actually didn’t realize that it was a young adult’s book until you said it.

I’m like, oh man. This is just an easy read. I like it.

Lee: I’ll take

it. a easy read.

nick: I just oh,

geo: my favorite books are young adult

nick: They’re just a nice breeze to oh, it’s an enjoyable read and.

Lee: Yeah, that was why I wanted to write them. I, like I said, I write more disturbing thrillers and I wanted a break from that. Yeah. The second one I think I wrote in like a [00:57:00] couple weeks. Like it

bad. Yeah. Yeah.

geo: Yeah, no, I, and I think that the character really for being that short time period, I think that character really matured and there was some more heavy things that came out later in the book. You know what I mean?

Lee: You’re dealing with the mom’s mental health, which becomes a big part of the second book and why they go back in time to fix her. Yeah the, with all young adult books, you need like issues to

geo: right. Definitely.

nick: Hell yeah. All right.

Joe: Yeah, you have me, Joe,

nick: You got Nick.

Joe: We’ve got Nick

Lee: Ali. And thank you again, Lee, and

Joe: and

nick: we went down some timey time

Joe: again and

again and

again.

nick: we went down some ttimeyhole

Joe: And again.

Stay safe out there when you time travel.

Love y’all.