Episode 48: Perception vs Perspective.

Is Your Brain Lying to You?

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Joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the basement studio.

got me, Joe,

Georgia: You

Joe: you got Nick. We’ve got Nick. We’ve got Georgia, and we actually have a special guest with us.

Nick: well, hello there. Hello.

Joe: yeah. Yeah.

Katie: My name’s Katie.

Joe: We got Katie. Hello. Katie.

Katie: Coming all the way from Dc

Joe: From DC to the basement studio.

We got a full house here. Yeah. Every Mike’s occupied, so

Nick: is it? Yeah,

Joe: There’s a, there’s a fifth mic,

Nick: I was like, I thought we had more

Joe: We There are more, but that this is all we have set up in the basement studio. People that’ve seen pictures

Nick: I mean, I thought the fifth mic was given to the ghost

Joe: Yeah.

Nick: we had summoned

Joe: That’s right. Last, last month. Yeah.

Nick: I

Joe: Whatcha talking about? I don’t know what Nick’s talking about the other day we’re

Nick: It’s okay

Joe: talk about perception and perspective.

Nick: Georgia got [00:01:00] that one,

Joe: So that’s what we’re talking about. So, yeah. Cool.

Nick: Do you, do you have a list here, Joe?

Katie: I,

Joe: you know, I have lists, but I like going in with the definition ’cause perception and perspective.

They’re kind of sound close. So maybe I, I’ll,

Nick: I’m pretty sure we also had the same discussion

between

you, me and Georgia

Joe: have been one of the few

Georgia: Well, because I think I had the one word, I think now I don’t remember which one. And then all of a sudden I’m like, wait, no, that’s not what we’re doing. We’re doing perception, not perspective.

And then Nick was like, yeah, well what’s the difference?

Katie: Yeah. Yeah.

Georgia: So here, Joe, tell us. Yes.

Joe: So I

Georgia: do,

Katie: Oh,

Georgia: should we have, Katie, do you wanna tell us where you like where?

Katie: don’t know.

Georgia: I don’t

Joe: Didn’t she do that already? I

Georgia: say Washington dcs. Nevermind. Sorry.

Katie: It’s all good.

Joe: don’t, I don’t know what’s happening.

Nick: I, I dunno,

Katie: Dunno, my

Joe: perspective of this is, no, it’s just your percept. Let me, lemme get some definitions here. [00:02:00] We’re already in the episode. Yeah, so perception I guess, is the process of interpreting sensory information. The immediate, often unconscious filtering of sensory data through which we view the world influenced by biology, attention, memory, and context. You can think of it as, what am I seeing or what am I aware of? 

Perspective is the interpretive framework or worldview applied to what we perceive influenced by beliefs, culture, experience, and ideology. Think, how do I understand or interpret what I see. 

Other ways to think about it. If you’re more computer literate, is that perception is the hardware, the senses gather data, but they are imperfect, easily tricked and biased and perspective is a software, your mental framework interpreting the sensory feed.

And a play between your perception and perspective is where tension and really good stories can lie .

Nick: How do you mean?

Joe: Well, I mean, so one of the easiest ways is just if you think about you have a shift in your perception, [00:03:00] so new data, oh, altered states, things like that, then that will start creating tension in the story as the protagonist is going through and us as readers or viewers going through that story with them and interpreting the data on our own versus how the characters, , 

Six sense.

That’s, we can go there. It’s a very easy one. I mean,

Georgia: don’t spoil it.

Nick: Wait, what’s this movie about Joe? I don’t think I’ve seen it. What

Georgia: not,

Joe: It’s about a kid that sees dead people. Yeah, that’s, that’s kind of it. But yeah, you had that in there where , we had the perception of what was happening and what we thought was happening, what the character thought was happening, and then you, you, and along we were making perceptive kind of judgments about the story, and that tension was building, trying to figure out what was going on.

And then you get at the end, you get that nice twist where, oh, everything

Georgia: more information.

Katie: right. You

Joe: that different information. So I think that’s one way that you could set it up. And there’s a number of movies that Yeah. That do not go. Yep.

Georgia: Oh. Speaking of writing and [00:04:00] books and how this is, falls into that is point of view, you know, and that’s your perspective, right?

So a book could have several point of views in the same book. How you look at and you’re looking at the same

Joe: situation. Yes. Yep.

Georgia: yeah, yeah. I can

Nick: Yeah, I can see that.

Joe: Mm-hmm.

Katie: My first thought was art, like maybe it’s ’cause I was staring at the Gallery of art as I was like doing research for this.

But yeah, I then I ended up pulling up a few books about like perception and art and I went too deep. So many notes

Joe: you went deep down a

Georgia: is good.

Katie: Mm-hmm. Mm-hmm. Yep. Pulled out some children’s books about perception, such as I Hear A Pickle. It’s a great book. If you haven’t read it. I don’t

Georgia: I don’t know if I’ve heard that

Nick: that

Georgia: one.

Nick: Where did you pull these out of? I’m sorry.

Katie: The public library. Okay. Mm-hmm. Of

Joe: public

Nick: to make sure

Katie: the thing I work at. Oh, okay.

Nick: okay. Yeah.

Joe: So this is the second episode. We’ve had two librarians on

Nick: I know. This is

Joe: this. Is it? Yeah. So,

Nick: It’s like

Joe: trying to think

Nick: to support librarians or something.

Georgia: the [00:05:00] best.

Nick: best.

Katie: We know what we’re doing.

Joe: what was the other episode that

Georgia: It was Mary. Yeah.

Joe: I know. What, what was the topic? Not who, right? Multiverse. Oh, multiverse, yeah. Perception

Nick: of them

Katie: them.

Nick: how?

Georgia: of very similar in that

Joe: Yeah. I, I was trying to remember. I, I knew who was on it was like, what, you know, I, I knew Mary’s name. It was

Georgia: what was the topic? Yeah, multi.

Joe: Yeah, because the board doesn’t go back that far. 

Georgia: Was season one wasn’t that. Season one.

Joe: it was the,

Nick: see my, wasn’t it Version of time does not add up

Georgia: that not, is that not what you perceived?

Joe: not, yeah. Right. You’re not your perception of,

Nick: I don’t know. When I am, apparently Georgia.

Katie: What year is it? 

Nick: Who am

I? What am

Mm-hmm.

am I,

Joe: What am I seeing? Yeah.

Georgia: What were some of the other books that you,

Nick: Hmm.

Katie: No Shade to the author of this book. [00:06:00] But I was reading something called Key to Perception, and it was a little like woo woowee for me. And it just like I’m, I will say like I scanned this book mostly and like they really got into the weeds of I don’t know, it’s like kind of like witch adjacent and I’m like, you go girl.

But this is not what I was expecting when I was, when it was like the

Georgia: It was like, it was

Katie: was Yeah. Key to perception. I’m like, oh, oh,

Georgia: a different rabbit hole altogether.

Katie: yeah, yeah. That of spiritual. At one point I was reading about

Nick: is that why you were telling, telling me

telling me that? 

Katie: Yeah. That’s why I texted you that the yeah, I got weird, weird thing.

At one point she was talking about end toning of E I OOs dunno if you’ve ever heard of that. Apparently it’s like a breathing technique that you’re supposed to like get, get your perception going and like into the spiritual world. I don’t know. I know too much about this now. Oh, wow. Yeah.

Joe: There you go.

Georgia: e

Nick: Where is the science in this one?

Joe: yeah, I know, I

Katie: I know. 

Nick: Can you bring science to this?

Katie: to

Joe: that in the show notes. No, I got nothing but no Eio os

Nick: it[00:07:00] 

Georgia: I actually,

Joe: like something else.

Georgia: actually, it reminds me of like, when I was an undergraduate, one of the first years, like it might have even been the first year and I was at A SU and it was a huge. Seminar class and it was like human sexuality 1 0 1. And the guy that taught it was like, I’m serious.

I think he was like 80 years old.

Katie: Same. I had someone,

Joe: fun

Georgia: And he’d been teaching it for many years, but he had the ooh, ah, yeah. Method. Mm-hmm. Yeah. Yeah, it was very

Nick: what is it specific, I,

Georgia: If you’re enjoying something, you wanna you know, let ’em know. So you say, Ooh, ah,

Joe: and that would, that would affect the,

Nick: What? That

Joe: would be the perception that you’re enjoying it and the perspective. Then the other person would’ve, their perspective, just so that, that would fit into your perception and perspective. 

Katie: Mm-hmm. 

Joe: Mm-hmm.

Georgia: It’s about communication. Communication. Unless

Joe: you’re faking, and then that’s a,

Nick: wait, so what are we talking about now? I’m sorry.

Joe: we’re [00:08:00] talking about perception and perspective and how easily your senses can be fooled.

Georgia: And very

Joe: by saying Ooh and ah,

Georgia: there’s some very scientific Ooh, ah, research.

Joe: ooh, ah, research.

Nick: need to get into this research.

Joe: Well,

Nick: How do I find this?

Do

get a suit at the end?

Joe: Yeah, you, you’ll get a suit. Yeah. You get, you get something. I don’t know.

Katie: No, at the end, you actually get feeling the presence of spirits and energies.

Georgia: Woo.

I

Nick: I mean,

Katie: ew on and you’ll get there. Always. Mm-hmm. Yeah. 

Joe: Don’t, did you got anybody do that? The dress thing? The dress challenge?

Georgia: Oh yeah. What color

Joe: and it was like one was blue or gold or was it something like that.

Katie: like that. White

Nick: gold, right? Or black and gold.

Katie: thought it was gold. I don’t know. I thought it was blue and gold.

Nick: Maybe. I don’t

Joe: perception that was the same idea. Your perception and perspective shifted what you are preloaded to think dictated what color you would see

Katie: [00:09:00] mm-hmm.

In the

Joe: dress.

And so, but then that led to all these debates over truth and identity, , generational divides. , it was really fascinating. That was like 2015

Katie: Mm-hmm.

Joe: when that was big. So one of the, not maybe one of the early kind of internet phenomenons

Nick: I kind of forgot about that. I feel like

Joe: Yeah, that

Nick: that happened so long

Joe: Yeah.

Georgia: Yeah.

Katie: I had a resurgence recently, but it was like something else similar. Yeah. Like in the last year. Yeah.

Joe: But the Harlem, 

Katie: globetrotters.

Joe: didn’t come out.

Georgia: The Harlem Shake. What does that have to do? What? I

Joe: I don’t know. It was like the same time.

Nick: talking about,

Katie: Oh my God. Yeah.

Georgia: Harlem

Nick: No.

Joe: never remember.

Nick: What’s the

Georgia: where they

Joe: to do one and it was

Georgia: You’re like video. And then,

Joe: and it was a perception and perspective. Yeah. Where you go and you’re doing one thing and then the music shifts and then all of a sudden Yeah.

Georgia: to you

Joe: know, yeah, there’s,

Georgia: everybody’s like dancing.

Joe: the beginning scene, there’s one person that’s kind of in frenetically in motion, and other people in the scene are like frozen in time.

And then as the song goes it, I think it drops the [00:10:00] beat or something like that. And then the screen blacks out and when it comes back on, the person who was in motion is still, and then everyone is just

Georgia: everybody’s

Joe: nuts around them.

Katie: Everybody,

Joe: It’s, they’re really fun. I mean, you never, you never,

Katie: you know, yeah. I don’t,

Georgia: you miss that.

Joe: it was, it was easily 10.

I mean, it was, you know, and then gun style was like, came right out. It was like all in this

Katie: I know, you know, some of these

Joe: of Yeah,

Nick: know Gunna style.

Joe: Yeah. Harlem Shakes was, yeah, it was the, it was like one early YouTube kind of, you know,

Nick: you have a video of you doing it, Joe?

Georgia: No, but he

Nick: I mean,

Joe: I really, really wanted to do one.

We could do one, like a Rabbit Hole of Research.

Georgia: I’m,

Nick: I am.

Joe: It’d be our first video. That’s it. We’re bringing it back. Oh yeah.

Nick: this something that needs to come

Joe: It was still like, I mean like a vine. I mean, remember Vine? I mean the Vines, like you would have those Yeah. No, that was in that same

Katie: see

Nick: was never in Vine.

Joe: Yeah.

Katie: I wasn’t, I watched the like YouTube.

Joe: Yeah.

Nick: compilations.

Katie: it. Yeah. I

Joe: was there at the original vibes though.[00:11:00] 

Georgia: I

Joe: I made a vine, a couple vines, I think at a coffee shop.

Nick: Oh

Georgia: yeah.

Joe: that’s,

Katie: what

Nick: Was that part of the oohs and ahs, I’m sorry,

Joe: No, there was no, not,

Nick: the guttal, right? Yeah. Groan. Oh.

Joe: I, I think easy, easy. Two easy move movies,

Georgia: You okay there?

Joe: His, his perception has changed. We’ve, I will, I’ll comment on this, that the basement studio is, is currently under some sort of renovation.

Georgia: All you did was shift the table a little.

Joe: That’s, that’s enough to change

Katie: threw Nick off.

Joe: right?

Nick: throwing me off

Joe: perspective is now shifted and so Nick and in a new spot and, and I think it’s all gonna change again ’cause we are really trying to get ready for video. So the, a little aside on this episode and then you can see our perspective and of

Georgia: no. Well, they would [00:12:00] see their perspective of us.

Of us,

Joe: this is

Georgia: right?

Joe: deep. Well

Nick: them see what we want

them,

see. Okay.

Joe: Your perspective will be controlled. , but I was thinking two. Examples came right to mind and we don’t have to spend, a lot of times, I think a lot of people have is the Matrix and the other one is, is Alice in Wonderland.

Mm-hmm. I think those are the two biggies where

Georgia: perception, the original rabbit

Joe: are. And Alice in Wonderland definitely, one of the originals there. 1865 Louis Carroll had that, so

Nick: was it really? 1865?

Joe: it was

Georgia: Yeah. I

Nick: why I thought it was like,

Katie: yeah.

Georgia: And I think the thing about Alice in Wonderland in general, is always associated with was there drugs involved?

And so that’s an interesting take on the Perce perception perspective because drugs can definitely that

Katie: Yeah.

That alter state.

Georgia: Yeah.

Joe: your state. And, and, and at some level, the matrix, he chose the red and blue pill.

Georgia: Right.

Joe: So it also had the [00:13:00] kind of drug, you’re un, you’re untapping some extra,

Nick: the full

Joe: That’s right.

Yes. Yeah. To become the one, the one not the,

Nick: be one. Oh, wait and wrong

Joe: That was That’s right. I was gonna say that

Nick: was

Georgia: There can only be one.

Joe: right.

Nick: No, that was the Highlander. Right?

Joe: That it also had a one. But in the one, the movie, the one by Jet Lee, he says that at the end, or I don’t know if he ever says that.

Georgia: think he does. There can only be one.

Joe: No, he says something else

Nick: I feel like we’re going off on a weird hole.

Joe: Well,

Katie: talking about.

Georgia: There is no such thing. Every, every hole is

Joe: but it

Nick: weird hole

Katie: it up.

Joe: I, I think it might be 1951 was the animated movie that came out, so that probably shifted your

Georgia: Oh yeah. Perspective. The Disney.

Nick: Yeah. Yeah. I thought that was the original.

No,

Joe: no. It was least don’t

Georgia: Very.

Nick: Oh my God.

Georgia: Went way back. Yeah.

Joe: about getting canceled. Yeah. Don’t do that.

Nick: With two 

Katie: library folks in the room. [00:14:00] What? What are you doing?

Nick: I thought it doesn’t become real until it’s a movie. Is that not

Joe: Oh boy. Disney movie. Disney

Nick: movie 

Katie: for the Alice in Wonderland. Like I had an actual, like in-person experience with this where I was a little drunk.

I was in London and we, it was like a experience where you’re like going through the Allison Wonderland story,

Joe: right.

Katie: right? And like an old, like underground, like I think it used to be the tube but it was empty, so they were doing like live performances and just like it. The way I was interpreting Allison Wonderland drunk while also like it being in front of my face Right.

Was like, it was honestly more scary. I

Joe: imagine. Right, right. 

Katie: Yeah, it was, I was not anticipating it to be scared

Joe: you drink things and eat things while you were going

Katie: Yeah. So did

Joe: they have little

Katie: Yeah, they had a little, yeah. At the same time

Nick: at the same

Katie: there, there were actual like perceptions like that, like how they actually did the scales of the room.

Yeah, yeah, yeah. [00:15:00] And at one point you’re like at a dining table, like with teacups and it was another alcoholic drink that changed colors. Yeah, it was, it was really cool if I really hope to do something like that again, but maybe

Georgia: cool.

Katie: That’s really

Joe: that made me think when you were talking about the rooms. Was the Museum of Illusion in Philadelphia and they’re, I think they’re around, they look like they’re kind of chain. Yeah. Right.

And so, but I think

Georgia: and we went to the Wonder Museum

Joe: Museum, but the Museum of Illusion had the rooms where you get in and all sorts of things where you get in and it really plays with your, per your perspective of everything.

Georgia: perception.

Katie: Hmm. 

Joe: Well, 

Katie: I think

Joe: it’s skewing your perception.

Georgia: how you perceive the room.

Right.

Joe: right. So it’s messing with both. I think they, they interplay with each other. Right. ’cause the perception of how you look at things is your interpretate your in input, and then you, you interpret that through your perspective and you go, oh, ’cause your brain is saying that I know that this, they’re not smaller.

You know, you know, the relatively, they [00:16:00] might not be shorter or that short. And then, you know, you’re trying to, you know, kind

Katie: like those carnival spinning wheels, like it’s fair season. But you’ve never been to, like at the fair, they have these houses that you have to make your way through.

And at one point there’s typically like this spinning tunnel that you have to just walk straight.

Georgia: Is that the like house of Mirrors kind of

Katie: Yeah, yeah, yeah. Mm-hmm.

Nick: had it spinning.

Katie: Yeah.

Georgia: I

Joe: Museum of Illusion, they had one, they had a, a little tunnel you could go through and it had that, and it was really

Katie: Yeah.

Joe: the ramp.

You’re not, you feel like you’re

Katie: you feel like you’re spinning, you feel like you’re spinning. It made me like car sick, almost

Joe: It’s really crazy. Like you go in and it, it feels like you’re just going, you know, in a dryer, tumbling around.

Nick: weird question. If you have bad eyesight, which I think at least two of us here have bad eyesight, does it affect the way you see the things in those illusion museums? Or what? I mean,

Joe: if

Katie: don’t have a current prescription, probably. Right?

Joe: Yeah. I [00:17:00] mean, if you got blurry vision, I mean, yes. You’re, you

Georgia: you,

Joe: real, I mean, I

Georgia: see double

Joe: it’s

Nick: listen, my eyesight’s great.

Katie: Mm-hmm.

Joe: You’re like, yes. No, that, I mean that that changes everything. Right? I mean, I think if you.

Nick: like, I mean the, the seeing things that are bigger and smaller is that

Joe: Right. Yeah. I don’t know if,

Georgia: I think bringing science into it, that’s a great point. Like. How we, we use our eyesight for, and how, how much do we compensate for like bad eyesight, you know what I mean? 

Joe: Well your brain does a lot of the heavy lifting. If it knows, it will try to fill in the gaps that they do have.

One where they have. They show pictures of like famous people that are really recognizable. And then when you, if you actually flip the image, you realize that they’ve, they’ve screwed the eyes up, but it’s upside down. And so because the face is upside down, your brain fixes it so you recognize it. It’s called the Thatcher effect. But then when you flip it to the right side [00:18:00] view, you see the eyes, nose and mouth were manipulated, but your brain will fix it. And actually, that’s probably one of the reasons why our perception

Katie: can

Joe: be, you can be tricked.

Our brains can easily tricked into believing things because they’re trying to present the world in the way you expect it to .

Nick: your brain is lying to you.

Joe: Your brain is lying to you.

Nick: Is is that gonna be the name of this episode? Your brain is lying to

Joe: Well, maybe it should be. Yes, it’s right. Yeah.

Nick: Is this the episode we go

Georgia: think that your brain is trying to help you out? I don’t think it’s being malicious.

Nick: I mean, I don’t know if it’s, if it’s not letting me see what’s wrong with the world. If there was something going wrong. And like I look at it and I’m like, what is is is, I mean, it could be saving me if I was, you know,

Joe: well, your, your brain has, you gotta think like humans from some evolutionary point of view. You were very, it was very advantageous to look at things and make very [00:19:00] quick decisions based on that quick look if it’s safe or if it’s dangerous.

And so your brain is making all these assumptions based on other patterns. And so our brains are really good at finding patterns, very good at organizing things in the categories, you know, safe to eat, not so safe to

Nick: eat.

Joe: you know, makes you,

Nick: by licking it,

Joe: yeah

Nick: at

Joe: don’t lick it.

Nick: No, that’s the way you do it. We’ve already been over this, this is why we

Joe: all that’s a different episode.

I just, that’s

Georgia: Do not lick it. Don’t lick it.

Joe: It’s really it’s really fascinating that, that how your brain, and there’s actually. While I was looking up different things was a predictive coating. And it’s this neuroscience theory that says your brain isn’t a passive recording instrument, kind of recording things that come in the sensory information.

It’s more like a predictive engine that constantly guesses what’s out there and only updates when it’s really surprised. So your brain is [00:20:00] actually trying to figure out what’s going on before you get there. So it’s giving, it’s delivering you information that says, well, this is what I think is happening.

And then when you get surprised, that’s when your brain, oh, we were fooled. And that’s why I think. Fun houses, things like that. You know, kind of, what do they call the at Halloween time, you go through the, the haunted houses. Mm-hmm. Right? I was trying to think. I was like, what is those things called?

Yeah. Haunted houses where you are, your perception as you go through has one thing, and then you get surprised and it, it, it freaks you out even though you think, oh, this is fake. And your brain is yeah, this is fake. And then you get boom. Like, why, why did that really surprise you? You knew going in there, what’s gonna happen, but you are caught off guard by those things.

So your brain is trying to predict the situation and how best to navigate it.

Nick: So doesn’t your brain try to predict a lot of things though too?

Like people with anxiety, they tend to be able to try to predict the next words coming outta someone’s mouth and then. Right? I don’t know. Is that that might just be me. I

Joe: it.

Nick: I know I do it,

Joe: I think we do [00:21:00] it. Yeah. Everybody

Nick: I’m constantly like trying to figure out what’s Joe gonna say next so I can have something funny to say back to him.

And then he just looks at me like, why are you saying that Nick?

Joe: and you’ve trained improv and you are trained, really trying to train the perceived signals how people are, are motioning their, they’re

Nick: their face, how, what’s exactly,

Joe: Yeah,

Nick: what’s the next look they’re gonna do.

Georgia: But then that gets into like stereotypes and That’s right. You know what I mean?

Katie: making right, starts

Joe: making bad assumptions and then they stick. Right. Because

Nick: wait, how? How so, I’m sorry. I was,

Georgia: Are you serious?

Nick: Yeah, no, I’ll, no, I’m

Georgia: saying that’s also what gets us into trouble because it’s that’s how stereotypes are,

Nick: Oh, I thought you were saying like people had an improv just stereotyping

We moved past

are

Georgia: No, no, no. I’m just saying,

Katie: I was like,

Joe: he’s about to

Katie: defend

Joe: improv community.

Nick: Oh no, I’m not gonna defend shit for that. No, I was just trying to figure out, oh

Georgia: no, I’m just

Nick: how

can be mad at them. No,

Georgia: No, I’m just saying. You understand what I mean?

Nick: Yep, yep. No, I do. Our brain[00:22:00] 

Georgia: jumps to conclusions or, or they fill, it fills in these things that maybe shouldn’t be filled in, you know?

Joe: and that, and that part, that’s your brain’s not processing ever been information that, that’s why it’s easy to gloss over things. You’re like, oh, the, you know, the, the cup is right there on the counter

Katie: Oh yeah. You’re like,

Joe: I don’t see the cup. What are you talking about? And you’re like, it’s right there.

And you go,

Nick: so is this why the Mandela effect comes in? Because people don’t pay attention to shit.

Joe: That’s probably, yes. That is and this is just a theory and this isn’t proven that this is why

Nick: no, this is a hard fact. These people can’t see shit.

Katie: was

Joe: that your, that your, the way your brain is processing information is a theory of how that works.

So this is kind of as predictive coding, it’s one, it’s one of the ways to explain a lot of these phenomenon.

Georgia: think it’s interesting ’cause we’ve talked about this before about AI compared to a human brain and how the human brain works versus how ai, but in, in this way, I think AI is doing that same thing.

I think this is what they wanna hear. So I’m just gonna throw all this crap

Nick: I do.

Katie: [00:23:00] ChatGPT Yeah. Yeah. The kid. Yeah. I worked with teenagers and they would always talk about oh, I gotta this paper and then go throw it into the ai. I’m like, no, no, no, no, no, no, no. Use your brain. 

Joe: That’s right. Yeah. So I, speaking of AI, did you guys see the story about how a chatbot’s conversation convinced a man he was a superhero?

Nick: No. What? That’s not what I thought you were gonna

Georgia: think

Joe: yeah, no, it was this

Georgia: this guy was very impressionable.

Katie: Yes.

Joe: No, it was interesting. So the New York Times, just this guy he was from Toronto Allen Brooks. He was 47. And he thought he had discovered with using chat, GPT, this kind of a novel mathematical formula. And it started out with this kid asking him to explain pie you know, the mathematical expression pie.

So he put in a chat, GPT, and then he got going on this conversation. And at the end, the Chachi bt was like, wow, you’re really, you’re really thinking about this in new ways. Here’s this idea. [00:24:00] And they kept going on and on and at some point it was like he could harness sound resonance to talk to animals and build a levitation machine.

And then the formula turned out that if anyone got this formula that he could take down the internet and, do all this weird stuff. People could make force field vests. And he was sending it to his friends Hey, is this crazy? What’s going on? He kept asking ChatGPT, Hey, is this, are you really pulling my leg?

Are you fooling me? This sounds a little, you know, I’m writing. He started writing experts and they were like, not, they were ghosting. I’m like, you know, ’cause this, you know, he is you know, this kind of crazy talk. And he was not getting speech. He’s no one’s writing me back. Oh, they’re, they’re, their minds are closed to innovation.

And it was this whole thing. And so chat, GPT just got him going and he was just going for about three weeks. He thought that he was trying to

Georgia: was he sleeping? Was he he eating? I mean, that, I think he had some,

Joe: He

Katie: He stopped just there. Yeah, yeah, yeah.

Georgia: going on.

Joe: he was smoking pot

Georgia: Well, there

Katie: down.

Yeah.

Joe: was just going, so he had over, there was like 2000 messages that were passed back and forth between him and chat, CPT.

So finally, and he was [00:25:00] asking friends, he was trying to invest money ’cause this, these ideas, he was like trying to get money and startup capital.

Georgia: gosh. And so,

Joe: he took the information from chat GPT and put that into another chat box, I think it was Claude, and said, Hey, what do you think about this idea? And it was like this is nothing 

And so the whole idea was that when he moved the chat, GPT had built up this conversation with them and they’re designed somewhat to be pleasing. Like they, they don’t wanna call the human an idiot. Mm-hmm. So they’re like, oh yeah, that was a great idea. Yeah. You’re, you’re doing great.

You’re thinking like, no one else has thought this before. And he went and club was like, nah, this is, this is all garbage. Like you shouldn’t invest any money. Because it was, it was a new conversation and it was coming at it. What do you think of this idea? And it was like, eh, this, this idea is dumb.

You know people

Katie: friends and family didn’t stop him or check on him. He was

Joe: yeah, they were like bought into it. ’cause

Georgia: I know. Did he live by himself?

Joe: he, I think it was him and his son. And so New York Times did a great piece where

Nick: and [00:26:00] he’s 47.

Joe: 47 and they, they analyzed the

Nick: fuck’s sake

Joe: and he, he was just fine.

And so I read through the me, it was kind of interesting. It was like, if you’re writing like a science fiction story, it was cool. But if you’re actually like, I think this is the way the

Georgia: living through that.

Joe: yeah. So you had this very limited science knowledge. You went to this chat, this predictive engine

Georgia: generating

Joe: kind of text for you that’s tailored to your conversation and you go down this, he went down this rabbit hole and he thought he was gonna save the world from this, you know, he figured out this mathematical formula if it fell into the wrong hands.

Bad things will happen. And he also could make a lot of money if he invested in it now, got on the ground in, he would be ahead of the curb. Yeah. His brain just got tricked, his perception and then his perspective went down and he started buying into it.

And during to conversation, he had doubts. He was like, I don’t know about this. How come I’m the first to think about this? You know, I don’t have, I didn’t even finish. I barely finished high school. So how am I thinking of this great novel formula and no one else has?

And it was like, well, it’s ’cause you’re asking the right questions. You’re, you’re actually [00:27:00] challenging the, the paradigms and you’re going at it. So yeah, it’s like very it was interesting, but I, I thought that fit perfectly in what we’re talking about and how, a predictive engine could get you in trouble just like your brain and get you in trouble, you know, go down these rabbit holes.

Katie: so, right. I mean, honestly, that’s a better AI story than the one I read, which is like top 40 jobs that can be replaced by AI.

My job was on there archivist. I laughed very hard.

Georgia: Yeah,

Katie: and it was, it was biased though. It was like it was a Microsoft study, so I’m like, like that. One more.

Joe: yeah. You should ask it if you’re gonna be a superhero archivist.

Katie: That’s it. How can an

Joe: save the world?

Katie: Yes, that’s a

Joe: point. You’re awesome.

Katie: Yes.

Nick: Oh,

Joe: give you, what’s the, what’s that movie with Nick Cage?

Nick: Which one?

Joe: The one where they were going to artifacts,

Georgia: narrows it

Nick: National

Treasure. Thank you.

Joe: National Treasure. That’s it. Thank you. Yes, yes.

Nick: I

wait till the third one.

Katie: That’s a thing.

Nick: hopefully, oh my gosh.

Katie: There’s no way. There’s no way.

Georgia: Don’t get your hopes up.

Katie: Yeah,

Joe: I just [00:28:00] had to, I just had to mention Nicholas Cage. My,

Georgia: I was gonna say he had to be in mentioned at

Nick: I mean, I can pitch a third one if we want.

Joe: And he was in upper percept Face Off.

Georgia: Yeah,

Joe: That was like kind of a perception perspective. I

Katie: only watch that once.

Georgia: that’s been a really long time

Joe: it’s been a while.

Just came up and I was

Georgia: I’d like to see that again. Actually I couldn’t.

Katie: I couldn’t. It’s too Gru. What you

Nick: what do you mean it’s too

Joe: it wasn’t,

Georgia: It’s John Wu, right? John Wu. He, yeah, I’m pretty sure that

Nick: Is it

Georgia: John Wu,

Nick: the one who did

John Wick?

Joe: No, I don’t think

Georgia: I thought, no,

Joe: he did hard boiled.

Katie: Yeah, you’re right.

Georgia: Yeah. Hard boiled. He did he was from China and so there’s Likehow

Joe: who did John win?

Nick: did? John Wick. Katie, I see you’re on your phone.

Joe: We’re doing research as we go

Nick: as we go on the fly,

Joe: making sure your perspective stays intact

Georgia: because he did all the, the ones what

Katie: chapter one

Chad Alki.

Georgia: Oh yeah.[00:29:00] 

Joe: there it is.

Now another movie that involved hallucinations blending and we just wa is Jacob’s Ladder

Georgia: Tim Robbins,

Joe: this, this very 1990

Georgia: have, oh my gosh.

Joe: Messed

Georgia: That’s the movie that I saw it many, many, many years ago and it’s still just, it’s kind of haunts you after you see that

Katie: Yeah. See, that’s what I’ve heard. That’s why I haven’t watched it.

Georgia: It’s, it’s really good. But yeah. Intense. But it’s totally yeah, that idea of not knowing what’s really real. Mm-hmm. Real reality. And what’s the perception?

Katie: Yeah.

Georgia: Yeah, sleep

Joe: deprivation comes in that one.

I mean, he is

Katie: when

Joe: of going, he is dying. I mean, so

Georgia: post-traumatic stress because he was in Vietnam and then was there extra drugs given and that’s the whole idea that Yeah.

Nick: And this is Jacob’s Ladder.

Joe: Jacob’s Ladder. Really

Georgia: put that on your list. Yeah.

Katie: Yeah. Yeah.

Joe: I mean, think of, I mean, we’ve [00:30:00] centered a lot of our conversation around sight, but our other senses can also feed into this.

So hearing and , a lot of movies where you’re hearing sounds and they’re triggering kind of audio illusions of what’s going on. Or Nick got something to say, so I’m gonna stop right there. So,

Nick: Would it be all right? All right. So this happened the other day. Someone was talking to me and I don’t know what I was doing, but they were like right in front of me and I did not hear them until I heard like something drop. And I’m like, what? Is that under this whole perspec

Georgia: now do is, was that a matter of that you just tune them out or you

Nick: I

Georgia: couldn’t, or you just couldn’t

Joe: ’em? You were like,

Nick: I think

I think it was because

Georgia: I’ve done that before where all of a sudden I realized, oh, I’m not listening.

Nick: Like I didn’t know that. Like they started talking and then by the time I realized, they were like, oh, you didn’t hear a word I said, did you?

And I’m like,

you 

Katie: were 

Nick: talking.

Joe: Yeah. And your brain, I mean, right. You could be, if that’s, if we go by this predictive coding kind of [00:31:00] theory in your brain, could just be making assumptions that this is this person. They’re not doing whatever. You’re doing something else that might need more attention.

And you’re just kind of filling in the blanks of a person. Oh, this person’s there, but not really paying attention. What else were you doing? Were you doing something?

Nick: Nothing. I think I was just, I looked at my phone and then went off. I think I just walked

Georgia: It’s like, it’s like in iron Man. It was, it’s like in

Nick: Oh,

Georgia: which, which MCU movie.

Is that where he tells him the whole story and then he

Joe: oh, that was, that was

Georgia: he hadn’t listened at all

Katie: three.

Joe: I can’t remember which one. Yes, he was laying on the couch and

Banner was like, I’m not that kind of doctor.

Katie: Oh, oh yeah, yeah.

Georgia: he goes, you haven’t heard anything I’ve said, have you?

And he

Nick: I think that was the

Katie: Avengers movie.

Joe: that the Avengers movie? Yeah. Okay. Yeah. So, and he was like, I’m not that kind of doctor.

Katie: Well,

Joe: hearing is one where you can go and you can play around, you know, kind of false cues and

Katie: all.

Nick: of Tron

Katie: Hearing gets me in my house all the time. Yeah. My cat thumps and I think someone broke

Joe: right,

Nick: Oh. [00:32:00] Just like how you thought my old house was haunted.

Your old house was haunted. It

Joe: Oh

Georgia: She didn’t think it. She knows

Joe: knew

Katie: And my bones,

Joe: you feel a touch? ’cause that’s also

Katie: Oh, I left once in the middle of the night.

’cause I got two spooks

Joe: Oh, I think you got touched. And I was like, all right. This is, we need to edit that.

Georgia: You got some friendly ghosts?

Joe: right. Yeah.

Katie: I just kept hearing noises in the, the corner of the room and I’m like,

Nick: thought you said it was in the kitchen that you heard

noise. Maybe it was. It was both.

said it’s, didn’t you say there was something on the fridge?

Katie: Yeah. And I left

Joe: Get

Katie: out.

Nick: mean, that house was weird.

Katie: Yeah. Yeah. I would never go in that basement.

Nick: There was no basement. Katie,

Katie: thinking your current house. I’m thinking your current house.

Nick: Are you afraid of my current house?

Katie: I’m afraid of your current house. Yeah. Sorry. That’s why I only come back once a year.

Joe: get

Georgia: Aw.

Joe: But touch we, yeah, touch. I mean, that’s in VR takes advantage of [00:33:00] that haptic kind of signaling and things

Nick: like ready player one, where they have all

Joe: Player one.

Ready Player one. Yeah, that’s one. So yeah, so, smell and Taste. This came up another episode.

Nick: vision,

Joe: Oui. And the food memory. That was one night that came up. And that was in I think the, the time. Crimes and time

Nick: Oh yeah.

Joe: We did that right at two. Yeah. Yeah. But that’s, that’s one where your perception, your memory, all that’s being recalled,

Nick: The reviewer just,

Georgia: I think that’s why it’s, I think that’s

Joe: different hypothesis of what happened. Sorry.

Georgia: I think that’s why it’s so easy for us to. Imagine like the matrix or ’cause we have the sim simulation Hypothesis. Hypothesis. Hi Wes.

Nick: You know,

Georgia: and I think that’s why it’s so, it’s so easy for us to kind of, and even like conspiracy theories, I mean, it’s so easy for us because our brain is able to kind of imagine all these other,[00:34:00] 

Nick: make connections where there are none.

Georgia: Well, I didn’t say that.

Joe: No, that’s, I mean, I think you’re right.

Georgia: did we prove that simul, the simulation

Nick: Yeah. I’m pretty sure Joe and I did

Joe: Yeah, we did. It doesn’t

Georgia: doesn’t, it could exist.

Nick: there’s too much going on in anything to have enough memory space to do this.

Georgia: Alright, well

Joe: yeah.

Nick: sorry Wes,

Joe: Yeah, we’re, we’re out. I think he’s got some new evidence he sent.

So he is, he’s gonna come back

Nick: We’ll do a part two. We’ll

Joe: do a part two, we’re gonna do a part two. Next, third, third season. We’ll, we’ll try to find space

Georgia: And we’re gonna talk about,

Joe: I think severance is the, severance is what the, the one where severance does a great job.

Georgia: Yeah. Talk about perception and being able in your brain to switch something on and off, you know,

Katie: So mad at that series right now. Yep. I have opinions.

Nick: I haven’t seen it.

Georgia: Oh. Oh, you gotta

Nick: are you shocked? You knew this.

Georgia: I know what I forgot.

Katie: It’s so good.

Georgia: It’s [00:35:00] so good.

Joe: But speaking of that, a lot of shows we, we have these five senses. You know, they usually will remove a sense to kind of really build tension in the story.

So a quiet place is one that does that where you remove hearing. You know, and, and you kind of take that sense away and, and write. And so you kind of then has this, you know, the bird box with cite you know, Daredevil, you know, so you have this, did you say Bird Box? No.

Nick: I said Daredevil. I was just,

Joe: no, I was, I was amplifying Dar I mean, because I got, I was getting

Nick: I forgot about Bird, bird Box.

That was such a, what? That was, that was

Georgia: that was a while ago. Yeah.

Nick: 2020. That was early pandemic. Right? That’s why I was like, I

Joe: can’t, yeah,

Georgia: you can’t remember that far back. No.

Joe: No, you’re like,

Nick: have a very limited,

Georgia: very

Nick: limited memory space.

Joe: you have shows where they add.

Katie: you know,

Joe: a sense, so you get telepathy,

Nick: Mm.

Katie: Mm.

Joe: you know, and

Georgia: you got the We or John Waters, you got the Scratch and Sno.

Joe: Well scratch and that’s

Katie: Yes.[00:36:00] 

Joe: Scratch that

Georgia: That really changes your perspective

Joe: Yes. Not to go to the John Waters scratch and sniff movie. 

Georgia: If you could that, I mean, I don’t think they do that very often, so if that’s available, you should

Joe: I think he’s still an eBay can find some unscratched sniffers.

Georgia: that’s probably pricey.

Joe: I don’t know. I mean, it might be worth the smell of some dog poo and puke. I mean, I don’t know.

Katie: I’m good. Thank you.

Joe: Yeah,

Katie: It’s okay.

Joe: familiar with John Waters, right? So Yeah. His movies. Yeah. So you can imagine what was there. Yeah. But, but you know, you have that, or if you could see an ultraviolet or infrared, like you had different senses that would come in, new information now would be available to you.

And, and how would that affect

your. Perspective. Mm-hmm. Okay. 

Georgia: And I think it’s interesting talking about it from like a social, ’cause we talked about prejudice and stereotypes, like how willing are we to change those set ideas that we have when we do get new [00:37:00] information.

Do you know what I’m saying?

Nick: Yeah. It, it really depends on how you take it. Like not everyone’s gonna be able to take new information and be like, all right, I understand this and I will adapt.

Georgia: Right. Or you or, or, yeah. Or it’s that doesn’t fit my worldview, so

Katie: Or they’re just unwilling,

Georgia: so I’m just not gonna, even,

Nick: This is

different from what I grew up believing. Mm-hmm. I refuse to change.

Joe: I also think how’s that tie into empathy and things like that, these kind of emotions that you have, because that also your perspective perception skews and probably depending on your empathy and and how empathetic you are, that’s probably a little more accepting to

Georgia: much can I really relate to what you’re going through, even though I’m, I mean, it

Nick: on how much is in my bank account.

Joe: Yeah. Is that, that it

Georgia: well, you can empathize and not be able, you can empathize and not be able to help somebody. I [00:38:00] really feel bad, but I’m sorry. I

Nick: the 1% that have no empathy.

Georgia: Exactly. The ones that could really,

Joe: I mean,

Katie: they

Georgia: could spend a lot of money, right?

Joe: And then some, some probably do. That’s not fair to all. The one percenters. I mean, she’s

Georgia: There’s maybe 1% of the 1%.

Joe: Yeah. 1% of the 1%

Georgia: 1%. And if you are listening,

Joe: yes.

Katie: you’re the 1%

Joe: that cares, we are trying to get video here and redo the basement studios.

So step in. Thank you.

Georgia: So, 

Nick: I had a new suit

Joe: Yeah. And Nick’s willing to lick some sort of food item.

Georgia: Okay. That could get us

Nick: you be

Georgia: wrong kind of sponsorship.

Nick: No, no, no, no. We’ll, we’ll, we’ll leave it, we’ll run with that.

You

Georgia: all ideas.

Joe: Yeah.

Katie: I’m gonna go foraging when I go to Washington, I’ll bring you back some mushrooms to

Georgia: please. Ooh.

Katie: Mm-hmm.

Georgia: And then we’ll have,

Joe: we’ll have a mushroom

Katie: Mm-hmm.

Nick: We’ll have to get Molly back for that one.

Yes,

Joe: Molly. Or get a, or get a [00:39:00] mycologist. Not a

Georgia: Pedro Pascal if he’s a Wil.

Katie: mycologist.

Nick: Who’s that?

Joe: Somebody.

Oh my god.

Somebody who studies.

Nick: I know, I was joking. I was,

Joe: ’cause Mycology is better than urology.

Katie: couldn’t tell if you were joking or

Joe: I know. I couldn’t tell either. My, my

Nick: I couldn’t tell either. Lot of

Georgia: a lot of times we’re not able

Joe: my perception was he is not joking. But he’s such a fun guy.

Georgia: Ah,

Katie: You, you’re talking about Nick.

Georgia: so this is a little heavier,

Katie: Mm-hmm.

Georgia: but the movie The Voices and by Ryan Ryan Reynolds. Have you seen that? Oh yeah. And that movie really got me it. It’s such a well-made movie. Have you ever seen it?

Katie: No.

Georgia: And it stars Ryan Reynolds and it’s where he hears voices and one of the voices is from his cat and one is from his dog.

And the voices tell him to [00:40:00] do certain things. But that movie is I’ve never watched anything that I think really.

Katie: It

Georgia: Makes you feel what a mental illness would feel like. And I guess his, his diagnosis was schizophrenia

Nick: Mm-hmm.

Georgia: and I actually found that at this one conference, they did a whole study about it, the voices in schizophrenia, a critical multi-model modal analysis.

But it’s talking about how through movies we’re able to get a perspective of certain things, and this was getting a perspective of schizophrenia and. This will be in the show notes. ’cause I’m gonna send it to you, Joe.

Joe: No guarantee. But, but

Georgia: But it’s just really, it was very interesting and I don’t wanna talk too much about it because I don’t wanna spoil it at all because it’s one of those

Joe: really good. Yeah. The twist is really

Georgia: you just watch it, you [00:41:00] just go

Nick: but the twist,

Georgia: It’s intense. It’s intense. But, but I think getting the viewpoint right in a movie is difficult

Nick: definitely do think that is one of those that it’s oh, ’cause having that schizophrenia view, which is such a powerful thing to see, which I don’t know if Katie, you’ve played the game hell Blade as well. Mm-hmm. Where that’s a another, that’s a game where you’re going through and you’re hearing all these voices

tell 

Joe: you mm-hmm.

Nick: so many mean and hateful

Georgia: things. Mm-hmm. And

Nick: you’re the player who’s taking this

Georgia: game, I, I feel like I would never wanna play that game. Well, I

Nick: It’s such a good game. It’s like

Georgia: That’s entertainment

Nick: and the game lies to you.

Katie: like

Nick: straight up lies to you at the beginning saying, oh yeah. You can die so many times, but you don’t know how many times you can die before the game just deletes itself.

And it’s that’s a lie that it starts off telling you just ’cause you were in this mind space then.

Katie: Wow. And boy, do you believe it? 

Nick: [00:42:00] Oh yeah.

It took me five ever. ’cause ’cause I stopped playing ’cause I was like, Hmm, I don’t know how many more times I could die. And then I was like, you know what? I’m just gonna keep playing.

And I died a lot and I,

Joe: because now you’re spoiled it,

Nick: Honestly, I’m okay with that one.

Joe: Well, it

Nick: I want people to be able to finish this game because it’s that good.

Katie: Mm-hmm.

Georgia: Right. So a tip, keep playing.

Joe: playing. But you had mentioned you did a thought experiment where you had the headphones and the voices. Was that right? Yeah. I can’t remember what episode you talked

Nick: I don’t know. That was a

Georgia: I was a long

Joe: the listeners. They might, we had some new listeners maybe. 

Nick: Yeah. So I, I, I, I hung out in Chicago one day with headphones in. I had the schizophrenia like voices in your head. And that that definitely messes you up. I don’t suggest doing that.

Joe: Yeah. You were walking around downtown Chicago and there’s tons of people, Chicago’s

Nick: headphones in and

Joe: And voices. Yeah.

Nick: Voices talking in your ears and you’re just like, huh.

Joe: So your perception is being

Nick: this is really weird.

Georgia: Right? Wow.

Joe: No. [00:43:00] Yep.

Georgia: Something like

Nick: what Katie,

Katie: Oh, I just I, I’m thinking about like myself trying to do that and I, there’s no way, like I am so anxious as it is.

Georgia: last long. I’d be like,

Joe: now, do you have it loud or the voice is coming anywhere to the

Nick: loud enough to be able to hear the outside, but it’s not loud enough to block out everything.

Joe: But were the voices at different levels? Yes. In there.

Georgia: And is this, was this, somebody had a recording that would simulate Yes. Schizophrenia,

Nick: audible hallucinations.

Georgia: Okay.

Nick: Yeah.

Georgia: you just saw that and said, Hey, I think I

Nick: I think I looked it up for something.

Georgia: Okay.

Nick: And if I can find it again. Yeah. I’ll,

Georgia: we could put it in the

Nick: we’ll, we’ll make you

Joe: so I, yeah, we touched on it. Yeah. They aren’t Nick liquid jump on it, but

Nick: what did, what did I miss?

I miss paranormal?

Joe: How, how your perception,

Nick: already talking about paranormal.

We’ve definitely hit

We hit

Georgia: We had, yeah. We talked about ghosts

Nick: We were talking about my haunted house.

Mm-hmm.

Joe: oh, [00:44:00] that okay. Yeah. But you didn’t go any further, man.

I thought, okay,

Nick: I mean, we, I, what did you have?

Georgia: Okay.

Joe: We, we’ll

Nick: And we talked about how we have a ghost in the studio now.

Joe: Was it ghosts in his studio?

Nick: Yeah. ’cause we, we summoned it.

Joe: I don’t remember that.

Nick: That was the last month. Joe, how did you already forget?

Georgia: you know, Halloween we, we did

Nick: that Ouija board, you know, we, you know.

Georgia: He, he’s time traveling right now.

Joe: I know. Don’t time travel. That’s not good. By the, we went the perspective to

Georgia: We may be lying to you.

Joe: I mean, yeah. Now go back and listen to the other episodes that happened last month and then

Katie: and

Georgia: then another movie that I’ve seen a couple, I don’t think I’ve seen the trailer, but I’ve just seen like poster ads for it. It’s called The Good, the Good Dog or the Good one.

And it’s a point of view of, it’s like a horror movie, but the

Nick: Oh yeah.

That

Georgia: from the dogs

Nick: a

Georgia: of it’s a, yeah. That seemed like I

Nick: The Good Boy, right?

Georgia: The good boy. That’s it. Yeah.

Katie: Does the dog died at [00:45:00] the end? It,

Nick: It had, it’s not

Katie: on yet.

Georgia: We hope not.

Nick: I’ve not seen it. No, but I want to,

Georgia: I think it comes out like in a week or two.

Right? It hasn’t come out yet,

Nick: later this year.

Georgia: Okay.

Nick: I think, but yeah,

that, that, that one, I cannot wait to see what, what other horror things were you talking about, Joe? What, what did you have?

Georgia: I

Joe: mean, nothing. I, well, we can move on.

Nick: No, I need to know Now you,

Joe: Oh, no, it’s all

Nick: you’re gonna skew my perception of

Joe: Well, that’s fine. You know, your perspective can be skewed. Sorry. No, you’re right. No, I had nothing, those polar geist, things like that. So,

Katie: love some Poltergeist.

Nick: I mean, I’m always down for a Poltergeist

Joe: classics. So

Katie: I mean, Nick is gonna call his trash. But while my husband was out at Jen Conn I just watched all of the Conjuring movies and that definitely, they were good. Yeah. Not all of them. Not all of them, but I still wanna watch all of them. Many. Are they

Georgia: many, how many were there?

Nick: Three

Katie: the Annabel’s? 

Nick: [00:46:00] Bels Plus the Nun. There is two of those. And LA

Katie: Yeah. Talk about 

Nick: so there’s eight movies in total. Nine, yeah. Plus the new one coming out

Georgia: and you binge watched them like one right after the

Katie: Uhhuh. Mm-hmm.

Georgia: See that right there messes with your

Katie: Yep. Perception

Georgia: when you binge watch something really intense.

Katie: And when I, yeah, when I say I could not sleep, I was up every single hour, like listening, like deep into my house. I’d have to get up, go down all three floors. I’m like, is there anything here?

Georgia: Well that guy, that guy died. The guy Oh

Nick: yeah, the

Georgia: the Annabelle doll died.

Katie: Yep.

Georgia: Yep. And he was like 40 something,

Katie: Yeah.

Nick: Yeah. Heart attack.

Georgia: Oh my gosh. That’s

Katie: He should have known better.

Georgia: That’s just, yeah.

Katie: Yeah. But that that just changed my whole, like my house felt safe until that point where I’m like, oh God, now haunted. And it is built in like the thirties, so. Who knows?

Georgia: Yeah. Probably don’t binge

Nick: say about them.

Katie: movies,

Georgia: poor movies. [00:47:00] Our ghost horror movies When you’re

Katie: it’s just me and my cats.

Nick: Just listen to horror podcast. Yeah.

Katie: So Nick has suggested so many horror podcasts to me, and I can’t because I will listen to them like at night when I’m trying to fall asleep.

Georgia: And then you do fall asleep and they’re

Katie: and it’s still going. Yeah.

Nick: That’s actually what I fall asleep to half the

Katie: I know.

Yeah. Or like when I was like home alone, because I’ll listen to ’em when I’m home alone mostly. ’cause Alex is like, ghost start real demons are real, blah, blah, blah. 

Nick: Which is correct.

Katie: And yeah, I can’t, I can’t do it. I just I’ve listened to some of the ones you wanted me to no. Was it no sleep?

Oh yeah. Yeah. And I just 

Nick: mm-hmm.

Katie: Creepy. Yeah. Creepy. Very creepy. Like I slept on my couch Creepy.

Nick: Because

Katie: I was like central.

Nick: so you can run out of the front door. Yeah. Or a serial killer can come in and That’s right.

Katie: Yeah. Actually, fun fact, none of my doors in my house lock, so 

Nick: Katie,

say that on the air.

Joe: world.

Katie: Oh no. It, no, it, it’s an old house.

Yeah. Like the, the [00:48:00] front and the back

Joe: be in the show notes.

Katie: You need an antique key. And we don’t have the antique key. So key. Yeah, we need to

Nick: you need one?

Katie: Wow. Apparently. Yeah.

Nick: I can find one.

Katie: I can find one. Okay. And the

Nick: have one at my

Georgia: but will it be the

Joe: door is a skeleton key.

Katie: No, it’s all the doors in my house. Other within the front door.

Joe: Other than the front

Katie: Mm-hmm.

Joe: Mm-hmm. Okay.

Katie: So like bedroom, bathroom you can’t

Joe: it sounded like that. The

Katie: oh, no, no, no. The front door locked. Oh God. I wouldn’t live there. Are you kidding me?

Joe: like, what

Nick: what

Katie: I live in a city.

Joe: you said.

Nick: say your front door

Katie: sorry. Did I? Okay. Yeah. No, no,

Joe: We can go back and, and listen again, but yeah, it’s like

Katie: Back door’s

Joe: are you living in? like

Nick: I just locked the bedroom doors.

Joe: you know,

Nick: You know.

You can come into the front door, but don’t dare try to find the

door.

Joe: I’m guessing you’re the serial killer.

Katie: That’s it.

Joe: Like it’s how come you got your door’s always open? Come on in and find out.

Nick: on 

Katie: in and find out. I mean, it’s okay. I will say I have an ax next to my bed. Not gonna lie, you know. There you go.

Joe: well there. It,

Katie: that’s [00:49:00] leave person

Nick: We’re gonna have to edit that out later, Joe.

Katie: Mm-hmm.

Joe: I sleep with one eye open and the Ax

Nick: I listen to enough horror podcasts and movies.

Katie: I’m ready. Come at me.

Joe: That’s right. Come on, Abby. I’m ready. I’ll get the door unlocked for you.

Katie: Come

Joe: Come on. That’s crazy. Yeah. See, that’s my perspective of you. It changed greatly. I was like,

Katie: mm-hmm. You sleep

Joe: the house, you scared of Nick’s creepy house

Katie: Yeah. I run out of there.

Joe: I sleep with the doors

Katie: the doors open.

Joe: Just wide open

Georgia: Wide.

Katie: My husband would, if he could, quite frankly. 

Nick: Yeah. Joan,

that how you guys used to live back in the day? Just

Joe: never, I grew up in Philadelphia.

We ain’t never left a door unlocked. Yeah, no, that’s,

Katie: yeah, I live in the city. I don’t do that.

Joe: Not in Philly. And the doors, they lock

Georgia: my day.

Nick: day.

Katie: I have three locks. I, I promise I have three locks on my front door.

Joe: What about the back door? Also

Katie: Also? Three locks. And one of them is like a wrought iron screen

Joe: [00:50:00] Oh, wow. Someone those big, yeah.

Katie: Yeah. Those are, you’re not

Georgia: no one’s getting, no one’s getting in.

Katie: No, no.

Georgia: You

Joe: as well break a window. Yeah.

Georgia: Yeah.

Katie: And then that’d wake me up and then I’d, then I’d go.

Joe: But yeah. Cool. Anything else in this

Nick: best

Katie: perspective?

Nick: Katie, did you threw your notes?

Katie: Mm-hmm.

Joe: I know.

Katie: oh, I know, that’s what I’m checking out. Hold on.

Nick: Oh, okay.

Katie: So the last like bit was, have we read this? Yes. Oh yeah. Okay. See, this was my first time.

Nick: so we don’t have video,

Joe: have

Katie: oh,

Nick: can you go ahead and tell

Katie: Sorry. The Sirens are Titan.

Georgia: I don’t think I, I don’t think I’ve went. I’ve read it.

Katie: am really, I own

Nick: That’s like high school reading.

Georgia: No,

Joe: know if it’s high school, but yeah. I didn’t read it in high school. I read it on my own. Yes,

Katie: I would like to say the condition of this book is not mine. Is my spouse’s the low.

Joe: good condition. Whoa.

Georgia: We

Katie: see that? Yeah. We have a coffee. We mysterious stain in the bottom.

Georgia: would not be happy if you [00:51:00] returned this book to the public library.

Nick: Tell me about it. I’ve tried a few times.

Joe: What happened? Do you guys, they have to buy a new one,

Nick: You just have to pay a fine. I’ve done this at

Georgia: Well, you

Joe: you cane ’em or something?

Georgia: You

Joe: a

Georgia: could have to pay for pay for

Katie: pay for 

Joe: the book.

Georgia: pay for a replacement. Yeah.

Katie: Yeah. Listen.

Joe: if he did that, like he did physical like. You know, public displays a

Georgia: Right,

Katie: Right.

Joe: You would, you would not have

Georgia: You’ll, you’ll

Joe: a public shaming.

Georgia: We do have public shaming

Joe: perspective would change.

Nick: no shame.

Joe: No shame.

Katie: that is true. That is true.

Nick: We have the one person that

Georgia: Anyway, let’s get back to the sirens

Joe: anyways,

Georgia: of Titan.

Katie: Yes. I only made a quarter of the way through. I want to, like Vonnegut get so bad. I, it’s not that I don’t like him, it just takes so much focus for me on the, I don’t know.

I was talking to Alex about it. I’m just like, why am I not understanding the perspective of this book? ’cause it like, it feel like it bounces too much for me. Maybe. I don’t know.

Georgia: I’m gonna, I’m gonna try,

Katie: I mean, I’m reading [00:52:00] romantic right now, so I think my, that’s

Joe: Cradle is I mean, V Cat’s, cradle Slaughterhouse Five, those were, I mean, you know, classic those were, yeah. Right,

Nick: Classics.

Georgia: But I get

Joe: I wonder what he had his rating at

Georgia: that are just really hard to

Nick: do you mean rating?

What?

So 

Katie: yeah, I just really think I’m in my like, romantic era, like my Easy Ya romantic. Oh

Nick: Oh,

Katie: what? I work at a public library. Leave me alone.

Nick: What is it?

Katie: Anybody can read ya. It’s for everybody. 

Nick: Right? 

Katie: That wasn’t,

Nick: that wasn’t, that wasn’t the

Katie: what the face you gave me.

Nick: that wasn’t the,

Georgia: It was the romance part of it.

Nick: Yes.

Katie: Yes.

Georgia: Okay. Yes. That’s what you’re saying.

Katie: to be fair, I thought it was just a gothic academia book and then it got real s muddy real fast and I’m like, well, I’m in it now.

You

Georgia: just gonna go with

Nick: on the Train, right?

Joe: What?

Nick: I don’t 

Katie: think

Nick: the book you recommended to that old lady?

Joe: Ohoh.

Oh. Oh, it was Joyce car os it was which book was that?

It

Georgia: The

Joe: Gothic, 

Georgia: I love [00:53:00] YA though.

Katie: Thank you.

Georgia: You like ya too. Yeah. You read ya

Katie: I just, I really felt like you were judging me for that. No, you used to all the time. It

Georgia: a Total romance thing. Yeah.

Katie: Yeah.

Georgia: don’t read romance, Nick

Joe: No

Nick: romance. No. I read children’s books.

Katie: See, but often I’m reading law horror books and there’s romance in

Georgia: You read other

Nick: stuff. I do. I, I mean,

Georgia: but you know what, to be honest, it

Nick: takes a hell of a lot longer for me to get through any book.

Georgia: To be honest. I don’t, I don’t like romance books and I don’t know why

Katie: Straight Romance.

I do not. I can’t. It’s gotta have something else like a horror. I read a horror book, I can’t remember the title right now, but it also had like lesbian romance in it. I’m like, hell yeah. This is great.

Georgia: Right. I, yeah,

Katie: it has to have, if it’s a side bit

Georgia: right. I can’t go and 

Nick: which is fine. I, I just don’t like having like fool on rom

Katie: No, me neither. Yeah.

Nick: If it’s a rom horror, huh?

Joe: You don’t like romcom?

Nick: That’s a romcom.

Katie: that’s different. Oh, [00:54:00] okay. Yeah. That’s different.

Joe: That different. All right.

Georgia: That’s Joe’s favorite.

Joe: I do go, I enjoy, I get

Nick: are great.

Georgia: It’s one I, I’m not a big romcom

Joe: I do

Georgia: and I have to watch ’em sometimes, and then I like them. Yeah, yeah. And then I’m surprised

Joe: I just wanna swing back. So I was looking it up, but Kurt, I was making sure right. Kurt Vonnegut did rate all of his books from a. You know, a plus 2D

Katie: in a order.

Joe: And so he, he actually gave the Sirens of Titan a in his own category. But here’s the,

Katie: Oh.

Georgia: what, what did he, what, what did he base that on

Joe: it was his own

Georgia: assessment on? And so did he

Nick: he rated his,

Joe: rated his own books

Georgia: he give himself a D?

Joe: He did. Yeah, he

Katie: He did.

Joe: he did. Yeah.

Nick: what book did he give

Katie: A B minus.

Joe: he gave himself plus and minuses.

Georgia: Oh, wow. What,

Joe: it was interesting. Yeah. Yeah. I

Georgia: Cat. I gotta say I haven’t even heard of the Happy Birthday. Wanda Jones Slapstick that got the D.

Joe: that’s probably why you haven’t heard of

Georgia: There’s a [00:55:00] plus is Cat’s Cradle. Cat’s Cradle

Joe: is prob is one of,

Georgia: Slaughterhouse five A plus. Welcome to the Monkey House, B minus. Happy

I have to read more. 

Nick: Bon

Joe: yeah, I have a bit up there. I got on a big vate roll and I started reading through his books there

Katie: Okay. See, I should have, I lived in Bloomington and like they used to have a Vate

Joe: right. Yeah. He’s from, yeah. And he, he did his think he wrote Cat’s Cradle as this master’s thesis. I U Chicago, so, yeah.

Nick: that’s a good one.

Katie: Yeah. 

Nick: He only

it Breakfast of, of Champions. A C. What?

Joe: Well, there it is Kurt Money. Yeah. No, he did.

Nick: I

Georgia: that he that he did that. That’s kind of cool.

Nick: I didn’t know people did that. I, when you said that, I was just like,

Joe: people, I mean, but it’s 

Georgia: I don’t think a lot of people do that. No.

Nick: No.

Joe, how would you rank all yearbooks

Joe: A.

Georgia: plus

Joe: A, the exactly. Well, you still tell me if becomes someone else. My only novel, I got nothing to compare it to. So it isn’t a A plus. after I have a couple more [00:56:00] out there that, that, that grade could go,

Katie: That’s

Joe: way to go. So maybe I should put it at an A and that could, you know, I was gonna say the Joyce Car Road story on the train was the Accursed. And that’s because it’s a, it’s a gothic fiction. And I didn’t real, I mean, I didn’t, I didn’t look at the genre, but, you know, Gothic has a blend between horror and, and that romance that you get

Georgia: and can get pretty.

Joe: and it gets, it can get fairly raunchy

Katie: Pretty fast.

Joe: And

Katie: So

Joe: there was a older woman who rode our train and, she was older in her sixties.

I mean, this was something, so I was, she was probably 20 years older than me and she saw me read all of the time and she asked me what book was I reading? And I said, oh, I’m reading Joyce Scott Oates, one of my favorite novelists. And so she was like, great.

She was like, getting a knee replacement, surgery is gonna be out recovering. So she was gonna get some books to read and I was like, great. And so. [00:57:00] Some weeks go by and then I see her on a train. I go, Hey, how’d your procedure go? And I said, oh, great. And then she goes to tell me, oh, I read that book. And she was like, I’m no prude, but I really struggled with that.

And I was like, oh, yeah. I was like, you know what? I hadn’t gotten to that part yet. Or I would, I would’ve.

Katie: she was

Joe: she was like, oh, it’s okay. Then she never asked me for another book recommendation. So I guess that’s yeah. So,

Georgia: yeah. So,

Katie: But yeah,

Joe: so that’s my, that story there that Nick was referring to.

Mm-hmm. 

My perspective’s.

Georgia: And I think that’s a great point. Like you kind of, this almost bookends you brought up how this topic is so good for writing stories and storytelling in novels, but also the reading books is so good.

It’s like one of the best ways to get other perspectives.

Katie: right. Mm-hmm. You know? Mm-hmm.

Joe: Yeah. Yeah.

And off, I mean, we talked about that in lot episodes where stories offer safe spaces to [00:58:00] explore trauma, to explore future outcomes to

Georgia: Jonathan

Nick: Mayberry with the Thing

Joe: the Mayberry and the Thing, right?

Nick: the Black Panther.

Joe: Panther, yeah. He’s told that story. And the the thing,

Katie: marvels the thing. Mm-hmm. Fantastic

Joe: Florida thing. because ’cause we,

Katie: That’s, that was the

Nick: episode he was on.

Joe: the episode he was

Nick: what I

Katie: what I was, yes.

Georgia: Right. Right. And I think that is so important and that that is why you have the book. Bands that’s people are trying to, you know,

Joe: you wanna stop that perspective from

Georgia: but if you really wanna get lots of different perspectives, you need to read

Joe: you can understand other people’s worldviews and ones you agree with and disagree with. I think it’s important to go. The other thing is just be curious.

Katie: Mm-hmm. And

Joe: And yeah, kind of what we do in our episodes and, and shows is, you know, ask, ask questions critically.

Think about topics and what goes on. So that’s

Nick: doesn’t matter if your question’s stupid, someone’s gonna answer it.

Joe: no

Georgia: No. Yeah. No stupid

Joe: question.

Georgia: Right.

Nick: No, there are[00:59:00] 

Georgia: some, some stupid

Nick: stupid questions. I ask

Georgia: I think there, I think there

Nick: I ask them all the time. Question. Yeah.

Katie: Yeah. Some

Georgia: Yeah. Some stupid answers.

Joe: especially if

Georgia: if you’re using AI

Joe: AI admit yourself. You’re a superhero. Yeah. Once again, ask. Yeah. I mean, right.

Nick: Ask an adult.

Joe: Yeah. They’d be, be if the experts aren’t writing you back to your great greatest idea ever, maybe it’s not so great. And I, I’m surprised and I will say that those experts should have wrote back and at least commented and said,

Georgia: and then said, maybe, maybe you need to, can

Katie: help him.

Georgia: Yeah. Maybe you need to take a break from the,

Joe: I mean, I know personally I get, I get really whack ideas that come and people really pull lot of effort. And sometimes you write back and be like,

Nick: but how, again, hold on. How, how long of a timeframe was this? Like maybe they just didn’t have time

Joe: three weeks. Okay. Three weeks.

Georgia: I mean, no, no. What he’s saying is the expert did they get it and then didn’t write [01:00:00] back, and it was just a few days that they didn’t

Joe: mean, I think he, he wrote a number of experts over this three week period,

Georgia: So there was a little bit

Joe: There should have been time, right?

Georgia: email or text

Joe: his was like emails. So he should have, I mean, you could easily write back no, I think

Nick: the amount of times I don’t answer emails.

Joe: Yeah. I mean, that’s said that is true.

Same.

Nick: I

part of my job. Everything. 

Katie: Yeah.

Joe: Yeah.

Katie: But,

Joe: but it is, it was an, I thought it was fascinating how easily your perspective can be skewed.

Mm-hmm. Your perception of things, perception, that you now have discovered something great. And you can feel very empowered by that feeling. And then that really skews your perspective, is you wanna believe, then you wanna believe that you are awesome, you are great. And it’s, it’s a fine line between hyping someone up and then believe in the hype.

Katie: right?

Mm-hmm. I think that’s always, you know,

Georgia: There’s a great children’s book called, it Could have Been Worse. do you know that one? Mm-hmm. And it’s I think it’s a mouse, and he is going along and like [01:01:00] all these things that he perceives as being kind of negative happens.

But if you look at it from the bigger picture, he he almost gets eaten by some other animal, but he doesn’t, something

Nick: good happens and then

Georgia: He doesn’t even realize that he actually almost got eaten. You know what I mean? It was like, and so the name could have been worse. Yeah.

Joe: His perspective was, yeah.

Georgia: So

Joe: Yeah. Well, cool.

Nick: Yeah. I, I,

Katie thank you for being on this episode. Katie

Joe: got anything?

Nick: Yeah, 

Katie: thank you for inviting me. I do, so I am the, I guess, the official archivist now for the DC punk archive. Please follow us on Instagram at, I think it’s DC Punk Archive.

Nick: We’ll have that in the show notes. Joe. Joe, will this actually make it to the show notes?

Cool.

Katie: Yes, it is DC Punk Archive. I was right.

That was,

Georgia: the best choice for that.

Katie: Trying to post some more like fun things from our collection. If you’re, for some odd reason, the DC area, we do [01:02:00] volunteer stuff. Come see us. Yeah.

Georgia: Very

Joe: cool. Yeah, that is very cool.

Katie: Yeah.

Joe: So yeah, I think that’s, that’s it.

Katie: Mm-hmm. Yeah.

Nick: Yeah.

Georgia: You did, you, you had something else to say, Nick,

Joe: know, I don’t know. You look like

Georgia: like

Nick: waiting for you to

Georgia: are you listening to those voices on the headphones right

Joe: I know, right?

Katie: Oh my God,

Joe: happening. That’s,

Nick: I am.

Joe: is looking at me.

Nick: I actually have a little

Katie: have a little well

Joe: I think this is Joe. Maybe this is Joe. Is this

Georgia: Nick?

Nick: Nick?

Joe: maybe Nick and Georgia?

Nick: Was that Katie?

Joe: maybe not Katie. I don’t know.

Nick: I think we went,

Joe: who’s here

Nick: down some hole? Maybe.

Katie: Mm-hmm.

Joe: Depends on your perspective of a hole. It might be a, might be a tunnel or a tube.

Nick: Bye-bye. Bye bye.

Katie: bye. Stay.

Joe: Definitely stay safe, stay curious.

Georgia: Read a book. Read a book

Joe: book 

Katie: questions,

Nick: Read them

Joe: everything.[01:03:00] 

Nick: Love y’all. Bye.

Joe: Except rabbit hole research. We really do love y’all.

Episode 47 Transcript: Who Goes There?: The Thing and The Shape of Paranoia

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Joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the Basement Studio for another fun episode, part of our October, month of horror. So

Bill_H: yes, I finally

Nick: I mean,

Joe: tasty episodes for you. So this one

Nick: here we are known for our horror. 

Joe: we

are, . And the Breaking News.

Nick: Breaking news. 

Joe: news. Maybe we’ll get another Breaking News this year. I don’t know

Nick: if something big happens. We’ll find out here first.

Joe: This episode has been a long time in the making, probably for me, since 1982. And we’re gonna be, you know, Who Goes There, The Thing and the shape of paranoia.

So all things creature related there. So we should have some fun. We have actually, not only the full crew, we have a full house, every mic in the studio,

Nick: is hot

Joe: plus zoom. So we have five folks. 

Nick: I’m sorry, who are you?

Bill_H: And how many of you are actually human? That’s

Nick: right. Am I sure you are who I think you are. Maybe none of us are who we are,

Joe: we [00:01:00] are, but I am Joe

Nick: You got Nick. 

Joe: got Nick. we’ve got Georgia and guest number one.

Bill_H: Hi, I am Bill Haller. I’m a artist and designer, work in television and film and comic books.

And I’m here for the horror 

Joe: here for the horror.

Here

Bill_H: here for the, I’m here for the horror. Yeah.

Nick: Oh

Joe: Yep. Here for the horror and our other guests.

Todd_T: Hi, 

I am Todd Thyer, and I’m a designer artist letterpress printer.

And I make books with my letter presses, I work in fiction predominantly,

but then I also do a lot of social justice, work as well. But who goes there?

and The Thing are like my favorite story. And they’re a big part of Who I am today.

Joe: awesome. Yes,

Bill_H: Yeah. You know what I’d like to say? Just at the top here. Thank you for giving me any excuse to rewatch The Thing. Reread Who Goes There. Go through my comic bin thinking, I know, I read a comic about this. I don’t care if [00:02:00] the internet says it doesn’t exist. Yeah. And I found it.

Yeah.

Nick: damn. 

Joe: There’s a few,

Bill_H: Yeah.

Joe: Horse? Dark Horse Did

Bill_H: I found a straight up adaptation that I read. When I was a kid, I’m pretty sure it’s the first time I came across any of this material was a 17 page adaptation that was published in like 73 or 74. Okay. Company called Whitman Comics. They had a magazine 

Todd_T: think I have 

Bill_H: yeah.

Georgia: All right. That’s awesome. I was gonna say edit, bring it for show and tell

Bill_H: own it. I couldn’t find it. I tracked it down on the

Georgia: Oh, I gotcha. You verified.

Bill_H: I do have CBRI can send you guys if you guys read Digital Comics, but I went through that because there’s a piece in there that I always remember when I read the books or watch the movies that.

Aren’t, it’s not anywhere else. And it’s like, where am I getting 

Joe: that 

Bill_H: from? And it’s from this comic. Yeah. Yeah.

Georgia: And I wanna mention too, that this is a second episode for you, Bill. Yeah.

Joe: it says [00:03:00] Yes,

Bill_H: Coming

Georgia: You’re only the second person to come for a second time, really. So it’s pretty, that’s pretty big. That

Bill_H: is, I feel.

Thanks

Joe: But

all

it all depends on the order of these episode releases in

Georgia: that’s true.

Bill_H: I guess I didn’t do so badly last time.

Joe: No, yeah, that’s right. So

Nick: were you able to find it? 

Joe: Oh,

Todd_T: So I’ve, I picked this up at a

comic show recently? It’s Quest Star?

Bill_H: yeah. That collects all those, yes. Yeah,

Todd_T: It’s like by Golden Press, but it’s got Who Goes There in it.

Bill_H: that’s the one.

Todd_T: this is the One. You read as a 

Bill_H: the, that’s a collection of the ones that I read as a 

Todd_T: oh, gotcha. Gotcha.

Bill_H: the one from the, apparently the magazine at the time was called Star Stream or Slipstream, I believe, and they only did three issues and then they co, somebody other company years later bought those issues and collected it into that graphic novel there.

So that has. That

Nick: oh damn

Georgia: ah, that’s so cool.

Joe: we’ll put that in the show 

Bill_H: But yeah, that one really, you know, I stumbled across it at a [00:04:00] Goodwill when I was probably 11, you know, and it was

cost me costing me a quarter or 

Todd_T: here’s the title. 

Bill_H: Yeah.

Nick: Oh damn.

Bill_H: And

Joe: nice

Bill_H: that

one Blair falls asleep on the block of ice that they just cut out and they’re transporting back to their base and he’s so tired that he falls asleep on the block of ice and has nightmares maybe psychically transmitted by the alien within.

And I always think of that and it never comes up again in the movies, and it’s not in the book. They just made that up from, you know, inferences and stuff in the story, but. My mind is wait, where is that

Georgia: You’re like, I know.

Bill_H: fall asleep on that thing?

Joe: Yeah,

Nick: Yeah. Hasn’t anyone taken a nap yet? Yeah.

Bill_H: Not enough naps in John Carpenter’s movie.

That’s where it falls down for

Joe: You need naps.

Bill_H: I’m gonna,

Joe: I’m gonna take a step back because

Georgia: because we probably need a list or some sort of you know, very. We’re just,

Joe: I wanna give my definition

Or my grounding and I have a list.[00:05:00] 

Georgia: We’re just really excited to talk about this. If you

Bill_H: so exciting.

Joe: Humor me a little bit, and then I do have a list and we can add and argue, but actually this has been a while since I’ve given a list right off the top.

But I’m gonna do this thing here, because 

Nick: I

Joe: I wrote something special because The Thing is special to me. I think as Todd said. I saw in 82, I was like seven. My dad took me to see it. Probably not advised to take your 7-year-old to see The Thing, but it did. It truly did.

Nick: But a 4-year-old is cool for this right

Bill_H: I can imagine.

Joe: Take a 4-year-old. So I have, The Thing is a self replicating polymorphic organism composed of functionally autonomous units capable of simulating and replicate, replicating the form and behavior of other organisms at a molecular and cognitive level. The Thing is, a horror made flesh, an unknowable, uncontainable intruder that weaponizes biology and identity by undermining the metaphysical distinction between self and other, revealing the fragility of human [00:06:00] perception, trust and cohesion who goes there.

And on this episode, we’re gonna find out who’s who.

Georgia: Ooh, Ooh.

Joe: And then, you know, just to ground everything I

Nick: there’s grounding in this

Joe: all, there’s gr, there’s grounding in the handwavium soup. We will, we’ll try to ground it and get someplace safe. I as rules and assumptions, watching the movies, the stories you know, the Carpenter Watts just going Campbell.

And so I have these kind of eight, I only had seven and I ran a list, actually passed my youngest son

and he added the

eighth Nice.

So I’m gonna give, I’m gonna give him credit for the eighth one because I was like, oh, what do you think it is? And didn.

Georgia: He loved the movie. He did love movie. We went What? What anniversary? It’s

Joe: The 40th

Georgia: Was it the 40th? I think like we recently went to the movie theater, you know, whenever it was re released. And we took Xavier and he’s oh yeah, I think we need to watch that again.

Like the next day. Yeah.

Bill_H: is

Joe: [00:07:00] he is like

Bill_H: a dream come true. That’s so cool.

Joe: I’m gonna figure out who’s who. He was like, really? He is I, you know, he’s mapping it.

Bill_H: I’m like,

Joe: wow, you should focus on your schoolwork like this man you know. 

Todd_T: How young did you expose

him to it?

show him at seven as 

well? 

Joe: was not seven. No, he was, it

Georgia: he was,

Joe: it was a few years. Either it was 12 or 13. Something in that 

Bill_H: ballpark. Well, Perfect. Is 

Joe: that right? Yeah.

Georgia: Yeah. If it’s even been that long, but like

Yeah. No,

in the last couple of years it hasn’t even been that long, has it? Yeah. So he’s 15 right now,

Joe: right now. Yeah. So we can do the math

Nick: later. 12 or 13 sounds

Joe: yeah.

Georgia: yeah.

Joe: I

Bill_H: that’s the kind of stuff that’ll stick with you.

Joe: right after, it was like right after the pandemic. It was a good time to go see The Thing. 

Bill_H: Oh man.

Joe: it of we can go to a movie theater with a mask on. So I have these eight kind of rules and assumptions that I, and we can add to ’em or you can, you guys can scratch some of ’em if you like.

One, I have any biomass can be assimilated, not just humans. Two. Each assimilated host becomes an independent replicator. [00:08:00] Three replication is cellular. No need for the full organism to act. So it’s, it really happens at the cellular level. It can spread via blood aerosol or tissue. Contact detection is difficult, especially early on and.

Assimilation time ranges from 10 minutes to a few hours. Depending on proximity and complexity. One fragment can start over like a viral pandemic with perfect self replication and the one that Xavier added, it can survive extreme cold temperatures for extended periods of time and heat fire.

Those 

Georgia: an extremophiles.

Nick: extreme. Oh, you’re bringing this one back,

Joe: we’re ringing it back from the Fantastic Four series, if you haven’t checked that out though. But yeah,

Nick: months ago, Georgia, months ago, as

Georgia: As many times as I could say that

Joe: did.

Nick: Yes.

Georgia: I like to say it. Thing

Joe: foul. Yes.

Bill_H: Now I have this unholy union of The Thing and a water bear like in my head right now.[00:09:00] 

Joe: Yes. That, so we The tardigrade We were like, oh, it doesn’t come up that often. And now 

Bill_H: no, it’s everywhere.

Joe: everywhere you go, the tardigrade. Yeah. So that’s what I had for the assumption, the assumptions of the thing and maybe rules. I don’t know. So I don’t know if I missed something or you guys, the one I held on after I read it was the actually, I don’t know now.

Nevermind. Detection is difficult. Especially early. I think at

Georgia: think detection is difficult, even not early on.

Wasn’t that the whole point 

Joe: Right. Yeah. Well, I 

Nick: I mean, there are certain ways, it’s just depending on what scientist is figuring it out. Yeah. Because what, in the prequel, the 2011, The Thing they were looking in everyone’s mouth. Let me see your fillers.

Joe: For the

Bill_H: that’s right. Yeah. For the fillers,

the fillings, right? Yeah, that’s

Joe: Or you have the clothes rip open, like that was the theory that you shred your clothes, like you lose ’em. But no one’s running around naked.

So I don’t know if 

Bill_H: a lot of that.

Nick: that was,

Joe: that’s not it. They got 

Todd_T: [00:10:00] Despite, Yeah,

despite the different deaths, like

everybody always seemed to, their shirts 

Joe: That’s right. They had pants on you know.

Bill_H: That 

Todd_T: They were no longer bloodied 

Bill_H: In Watt’s story. That he addressed a little bit that I thought was very interesting. His take on that the longer that it’s been in you and how much of it you’ve been exposed to. It may just be in there hanging out, learning things, you know, and not really affecting anything else. Yeah. Until maybe it’s all you and then,

Georgia: so it’s almost like it’s dormant a little bit, or not dormant, but

Bill_H: It was sneaky in his

Joe: Or which percentage.

Because I think the one thing that no one talks about is that not only is The Thing mimicking human cells

And function, but also we have a lot of other organisms that live in US, bacteria, fungal, and on us. So there, there are these other species. That’s why that any almost biomass can be converted then technically, because if your gut is still filled with [00:11:00] bacteria that, you might just have a lot of intestinal kind of 

Bill_H: mm-hmm. down 

Joe: as the thing comes in. So it is it’s fascinating. 

Bill_H: some, you,

Todd_T: yeah. If you can

subsume any sort of creature that you on the planets you land on, like you can

certainly do their microbes as well. 

Bill_H: That’s

Joe: Yeah. 

Yeah.

Bill_H: I basically watch The Thing once a year at least it is a part of my DNA. 

Joe: trying

to find a 

Nick: h Oh, wait, all the way down to your DNA?

Bill_H: Yes. All the way down.

Nick: man.

I gotta in you

Georgia: yeah. Is there a certain time of year you find yourself going over more in the winter times, you know, or maybe winter, like it’s really cold yeah,

Bill_H: I usually get a call to watch all like his unofficial apocalypse trilogy Carpenter’s Apocalypse, Trilogy with the the thing. And then what’s it? 

Todd_T: From New York.

Bill_H: no 

Todd_T: Oh. 

Bill_H: the lemme say I wrote this down

Nick: because

Bill_H: knew what would go outta my head the second I needed to remember

darkness. the one in the middle is

Joe: yeah, I’m trying to,

Bill_H: the one I always

Joe: you said darkness, and now I’m [00:12:00] like,

Bill_H: yeah. Now 

Georgia: now you’re stumping us. So it’s

Bill_H: The Thing, and it’s Prince of darkness. Prince of, and it’s

Georgia: it’s

Bill_H: of madness. Okay. And if you extend a little bit, there’s Cigarette Burns years later that like sh short film he did.

Georgia: So do you watch ’em like boom,

Bill_H: Yeah. Like one sort of initiates the other in my memory and I’m like I

Nick: gotta watch

Bill_H: other one. And they all have, they all harken up to the, end of the world in some way in different ways, but Right. They’re really interesting together, which I like sort of the ideas that they bring up and then play off of each other.

But so I’ve, I watch The Thing all the time, but I haven’t read the original story. Who goes there in ages? I’d forgotten quite a bit of

Georgia: there, there’s a really nice letter press copy that you could, it’s beautiful.

Joe: Yeah,

Bill_H: I will be getting one.

That’s what this is all about. It’s selling you a bunch of these books, isn’t it?

It worked damnit

Joe: That’s why we have people [00:13:00] on the podcast. So that’s

Bill_H: so there was quite a few things I forgot about the story. I was pleasantly surprised how much of even dialogue I recognized, you know, that Carpenter used in the film. But there was a bit in there where they’re talking about the cows that they have

and they go to check on the cows and then they’d come back and say, the cows are all dead. We killed them. They were all. Things. And one of the guys sitting there freaks out and rushes out into the Antarctic, apparently, to die. ’cause he just drank a bunch of the cow’s milk. Cow. That wasn’t a cow.

Nick: Oh, 

Bill_H: and then they test the milk and they say, it is. It is. As cow’s milk.

As cow’s milk is cow’s milk. And I thought that was a really interesting thing that the cow wasn’t a cow anymore, but it was such a perfect. Adaptation, you know,

Joe: and it made milk

Bill_H: that it made milk and the milk was okay. 

Nick: So that guy pretty much doomed the world though.

Joe: But I don’t

I don’t understand [00:14:00] why in that scenario that the milk wouldn’t have Thing

Bill_H: Things in it.

Georgia: That you could de

Joe: like it’s a convenient

Georgia: about detection. You should be able to detect something. This was

Bill_H: the fifties. They didn’t have, you know, quite as high levels Exactly.

Georgia: analysis of their milk and 

Joe: who’s you know, who’s

Georgia: and then at what point does the cow stop being the cow and become The Thing?

Joe: Yeah. And I was gonna ask,

Georgia: and I think that’s like your point, like at what point, do you know what I mean? Is the host.

Todd_T: I’ve always thought it’s more, almost like viral or it needs to reach a tipping

point before you’re like, especially in the original story of Who Goes There, he talks

Or no, I guess.

it’s more in the things because

You’re hearing through Peter Watts. you’re hearing the viewpoint of the alien,

but he’s trying to you know,

gain control. and how sometimes he’s just I just feel like I’m

wearing this

skin.

And then, you know, so it’s, so maybe it is that up

until a certain point.

like so many [00:15:00] hours or

whatever where it can multiply and Take over

The cells,

but yeah. You think the milk would go bad?

Bill_H: I 

Joe: wonder

Georgia: Or it tastes funny.

Joe: that kind of to play on that idea a little bit. If, does it matter how The Thing gains entry? So if it actually takes over the brain cells 

Bill_H: first. mm-hmm. 

Joe: Does it have now cognitive control versus if you you know, get a cut on your foot or something like that?

And it takes some time for it because it has now to assimilate all the foot cells, come up to leg cells, you know, you have this whole process. I mean, once it gets to the bloodstream, potentially, then you would have this kind of movement. But it, it’s then would you be as a human cognizant of it?

Oh, something’s wrong with me. You know, 

Georgia: I can feel it coming. 

Todd_T: It burns. 

Joe: is being disconnected from my body. All the neurons and everything aren’t firing correctly. I got a dead leg now. Why you gotta limp there all of a sudden?

Georgia: I’m trying to remember, I’m trying to, is there a clear way that The Thing [00:16:00] infects someone that’s not really, that’s not really,

Joe: it’s fast and loose. It’s it’s kinda like zombie biology you know, it’s like sometimes one little particle can do it. Sometimes you got your hands, you know, arm deep into a carcass and like pulling out organs and everyone’s watching.

It’s like everyone, there’s infected now. Just, I just wanna say the scientists there, they have no they’re,

Bill_H: every time it’s

Joe: and fast with you know, 

Georgia: not a, Not a good representation of the scientist.

It’s like a 

Joe: videos every year for training about biosafety, like what to do with needles and how to do this and how to take gloves off.

Nick: Is it bad that caught my attention too. I was like, this is definitely gonna be a Joe thing, where he’s they shouldn’t do that. Like they should be wearing some kind of sleeves going in and

Georgia: protective, yeah. You’ve got

Bill_H: Wilford Brimley, Blair walking around pointing out this still steaming carcass on the table. It looks hot and I know people say if you look really closely, his pencil doesn’t touch it, but he like [00:17:00] taps at it. He points at it and then almost immediately puts the pencil against his mouth and I’m screaming inside the whole time, oh my God,

Joe: Do not do that.

Bill_H: stop that. It

Joe: Hmm. It

tastes like raspberry.

Bill_H: I’d

Nick: would rather him just start licking at, I love just being like let’s see what this tastes like.

Joe: The one with the dogs, they go, they burn the dogs all up, but then they go in and he’s just cracking stuff. Look at this. There’s a, I mean, there’s particles

Bill_H: nitrile gloves.

Joe: It’s yeah. And he’s little, the thinnest gloves. One could get.

It’s for your pleasure. It was like, God

Nick: I’m not

Joe: there. Know. It’s like just,

Nick: they might as well just

Joe: yeah. It was like

Bill_H: Brimley 

Todd_T: don’t have to guess. When they lock him up, you’re like, oh

yeah, right. Yeah. 

the 

Joe: he was done. Really, I’m looking at everyone that’s around who gets close oh, let me see that second intestine that you pulled out there.

You know, it’s as he is going through the whole, you know, just really digging in there.

Bill_H: He’s really getting his hands

Joe: was just like 

Bill_H: I read that, I think that might have been something to do with the effects guy Rob Botin, who was like, originally they had this gonna be this creature.

We, we don’t know what it is yet. [00:18:00] We haven’t made it yet, but there’ll be this creature stalking around and he being like young and crazy was like. How about it’s like different every time we see it to partially in between changes and this and that and so it’s never the same creature. It’s always a different one.

And I can make, I can drive myself to the point of exhaustion making, you know, multiple different versions of these things every time it’s a new horror, you know? And that might’ve been where that sort of came from. And that does, it is nice, it does leave open

Georgia: think that

Bill_H: I don’t

Georgia: works perfectly with the story.

Yeah. The fact that it, that. It does shape shift and goes to all these things so it makes sense that the creature itself would be do you know what I mean?

Joe: but it was also that thing. If Blair, let’s say Blair got

Nick: that thing pretty

Joe: on

Bill_H: Kind of Thing.

Joe: and then he goes, lock this, lock the body up in a little coat closet with, you know, then you have the next couple people in there with it.[00:19:00] 

I mean, is it now, you know, like really thinking and strategizing, how do I spread myself to others? Because it, yeah, because The Thing does a great job at hiding itself, and it does a really poor job at hiding itself. And it usually breaks out at the most inopportune time. It’s you should really just stay quiet.

This is the time you stay

Nick: quiet. How are you making it through the galaxy like this, like you are going gungho. It’s just what? Why

Joe: Here I am now. Like when he went in the dog kennel, he could just chilled out. Yeah. But then it was like, oh, there’s four other dogs in there.

I’m gonna get ’em. This is my time. Like there you go now. And it’s and he obviously, or I’m saying he, it obviously had dealt with dogs before and understand that once you rope the dog with your coily, stringy stuff and juices, that they’re gonna freak out and then humans will come. And it, is that a strategy, I mean, is that the strategy? Once the humans come, then I can spray them and it was an interesting thing. Like what [00:20:00] was the strategy with the dog kennel? ’cause he could have just laid back and then went and bit people and licked them and really just, it could have, I keep saying he, I don’t know. 

Todd_T: I think it’s I think that the theme is

like universal bad decisions. Like just

later when you see like people going out into the dark by

themselves or you know, don’t go up

there, there’s a killer in the basement or whatever.

It’s yep. Even brilliant space creatures are like

Joe: Yeah.

Georgia: right,

Nick: That makes me feel good about the

Georgia: That’s right. We all have

Nick: can just do it. 

Todd_T: you’ve got a chance. Yeah.

Bill_H: I don’t know, for the listener, we are drawing from three, like major texts here, right? Yeah. Like you got the, who goes there

so 

Joe: I can, who goes there by John W.

Campbell, 1938, right? We have The Thing From Another World, 1951. That was the

Georgia: Okay. And that was the movie. Yeah.

Joe: we 

Todd_T: the Howard 

Joe: Howard

Hawkes. We have The Thing 1982 by John Carpenter. And then we have The Thing, the prequel 2011 there,

Nick: but it’s also just called The Thing,

Joe: called The [00:21:00] 

Nick: It’s 

Bill_H: A Little Confusing

Joe: the Things by Peter Watts in 2010.

That was a short short fiction.

Bill_H: which

was fantastic

Joe: from the perspective of The Thing. I

did 

Bill_H: not read

that one and it knocked my socks off. I seriously, the last sentence knocked some wind out of me. I ver I was like, oof. When I read the final sentence of that story, 

Todd_T: it hits like a punch. 

Bill_H: it was a physical punch into my guts.

But there he deals with a lot of some of these ideas in a very interesting way. And the original story does too, that you can’t quite get across in, you know, action horror film. But there are some interesting things in there about in Watt’s specifically that the things he the creature is letting those things happen as, you know, sometimes as distractions, right?

So that, you know, it can continue to do other things while everyone is rushing around trying to track down a monster. It’s still a dog somewhere or one [00:22:00] of these other guys, and it’s doing things, you know, many Blair in the movie is in that hut for days building a spaceship.

Joe: so

Bill_H: you know,

Joe: I mean, at the dog scene, and I’m gonna go back

Georgia: dog scene in

Joe: thing 82 Carpenter, the dog actually splits off

Bill_H: So

Joe: then goes out somewhere to either assimilate into another dog.

Or do something out in the wild. And so you had that scene. So not only was Blair out there, but there was another fully formed thing that was out there running around and running off somewhere. You’re right. It was one of these things where it actually, it never really, no one ever said, where’d that thing go?

Like it was just gone. Like they flame thrower. Childs came up with the flame thrower. They flame

Georgia: That’s probably a good thing to ask. No one

Joe: let’s go out and find it.

Georgia: Either that or just let’s not worry about that. Let’s pretend that didn’t happen.

Joe: But this gets to, to a point that it’s [00:23:00] not just assimilation either because that dog it developed a lot of biomass that it just is.

So there’s some, you know, rapid growth factors that’s happening. I mean, it was, it had arms. I mean, it really reached 10, 12 feet. I don’t know how tall it was, but it reached up with strength pulled itself out. So you had all these scenes where it wasn’t just, I’m making another Bill. It’s like I can actually do other stuff on the fly.

And is that’s probably pulling from some historical DNA, is it, does it have like many copies of species DNA that it can pull from in some conscious. Way. I mean, it really I started thinking about that as a, as an organism.

Bill_H: that’s always what I imagined like the things we were seeing, especially in that scene. Yeah. Where we get that at the end we get that like flesh flower that blooms that’s right from the head of the

Joe: that. Yep. Yeah. 

Bill_H: Oh my, this is some sort of alien creature that it is assimilated eons ago and is just referencing from, its [00:24:00] like memory banks of anything it’s ever been and if it’s got enough.

Biomass, it can just recreate whatever that is. 

Joe: I mean that dog wasn’t, didn’t have a lot of biomass. No. I mean, it, I think if we did

Bill_H: technically he was also attached by its tendrils and

Joe: stuff. Yeah. But he wasn’t, I mean,

Bill_H: and could have been drawing in.

Joe: That was a lot. I mean

Bill_H: a lot. It was

Joe: that was

like 10 dogs worth

Todd_T: But that’s where in The Things like, so when I talked to Peter Watts about this, he was just like, that was one of the things that he was, try he tries to,

fix some 

of those little errors. 

Like he was in, in,

the Things he refers to it, like eating all their food

In the background.

and then not knowing it.

But yeah, it does certainly grow

exponentially.

Joe: Because you not only have the biomass, but you also need the energy to calories. So even though you’re eating all the food, and we can,

Nick: how many calories does a human have, Joe?

Joe: how many calories does a human have? Yeah.

Nick: If you were to eat a human body.

Georgia: we’ve talked about this I feel like we have, but I don’t remember.

Joe: think it was like, was it like a hundred thousand?

I mean, it was

Georgia: it was a lot.

Joe: Yeah. It was enough [00:25:00] for someone to turn into a werewolf.

Nick: Oh, that was last Halloween episode. Episode last h geez.

Joe: That’s right. 

Georgia: I’m just thinking about in nature. Like creatures that are para parasites. And that can and then also there’s creatures that can change.

Like I, I don’t know. I’m not, I don’t have anything specific, but it just seems like something in nature is similar to that.

Bill_H: Yeah. Like a butterfly over its lifespan does completely physically transform at some point. 

Joe: And actually will it juices itself down and then it reforms out of that, , so it uses that biomass, it converts it down to basic, like a soup and then

Bill_H: which is amazing forms

Joe: out of it. Yeah. So that was something there, but yeah, there’s no real,

there’s nothing

on earth that we can directly compare to the thing.

Georgia: that we know of.

Joe: unless we are right. No, we’re there. But there are, there were a lot of things, and I I mean, just thinking about it , we’ve formed , relationships or with things over [00:26:00] time at the cellular level . So mitochondria and chloroplast, those are organelles.

And you carry our cells. So our cells have mitochondria, plants have chloroplast or those photosynthesis, but those organelles used to be free living organisms that were eating, eaten by something else and then incorporated to do work for the cells. And then they became larger, more multi complex organisms.

You know, that type of thing happens in nature. We have mind controlling organisms.

So we have, you know, corti opus is all of age right now you know, the parasitic fungus, you know, you know, the wasp, 

Bill_H: that can,

Joe: as they get infected, they do things. Toxoplasma Gondii.

That one’s really cool that can actually infect mammal brains.

It’s

Georgia: It’s cool unless it happens to you

Joe: particular, it, if people don’t know it, infects rod. So lifecycle is multi organism, so it infects rodents and then the rodents can become infected and then they become attracted to cats, which will kill the, and eat

Nick: what kind of attracted to cats? What 

Joe: [00:27:00] it aggressively goes after the cat.

Bill_H: Not sensually.

Nick: Oh, okay. It’s not,

Joe: I mean, 

Nick: I was like, is it like, Hey cat?

Todd_T: seen that? You 

don’t 

Nick: that’s right. The rat 

Joe: doesn’t live long enough to really get his

Bill_H: I’m not a scientist. I’m not a sexy scientist. I shouldn’t have, I’ve, I’m

Nick: Hey kitty cat whatcha you up to

Joe: Toxoplasma will, it actually can infect human brains. It actually will.

So if you have a cat on, like an indoor outdoor cat and you change litter, you probably are infected with Toxoplasma

Nick: Oh, Joe, you didn’t tell me

Georgia: they weren’t, they warn a lot about Yeah, if you’re pregnant, you really are not supposed to change

Joe: and that’s why yeah, if it’s an indoor cat, you probably don’t have a lot to, you probably don’t have to worry unless you got a, you know, a rodent problem, then you probably do.

Especially if they’re playing with the cat. I think like in Tom and Jerry, I think Jerry was infected with Toxoplasma.

Bill_H: Definitely. That makes really

Joe: challenged Tom a lot. I mean, he was in his face

Bill_H: just left him alone. It

Joe: right. It wasn’t, it was like The Thing, it was like, what are you doing there, guy?

Come on let’s back off of him. Yeah. So Toxoplasma is [00:28:00] one there we have organisms that do gene transfer, horizontal gene transfer, so different species, so agrobacterium. So Agrobacterium is really well known in the molecular genetics community, especially with plants. It’s a bacterium that can transfer.

DNA from itself to a plant. So it’s used for a lot of modifications. So gene modification of plants, GMOs. That was the kind of breakthrough technology understanding and hijacking that for our purposes. But in the wild, it does it all the time. So it will have these kind of transfers like that. So we have things like that where you can move DNA

Bill_H: Between

Joe: different species.

You know, we have cell mimics, so there’s things that will digest other organisms and use their bits. So there’s , the sea slugs that will eat algae and then use the chloroplast to do photosynthesis in itself. And so we you know, so we have all these things. We have bits, we have all the makings of it, so we just get some funding, get in the lab, and we can do

Bill_H: it, stick ’em

Joe: you [00:29:00] know,

Nick: in the 51 film. They said something about the material of it being plant-like.

Bill_H: Yeah.

Joe: Yeah.

Nick: so they said that it could pretty much be a intelligent carrot.

you go. So is the thing a carrot?

It’s it’s a carrot.

Joe: That’s what they had. It’s eight feet tall. It had arms and legs.

Nick: I just wanted to be 

Joe: It came out. It was like, I am Groot. It’s it.

Nick: Oh,

man. Gro has a lot of, that’s

Joe: Gr fruit is a thing.

Bill_H: That was an interesting take. It was an interesting take. They really did make, they changed a lot of the story.

Nick: It was just like, why, what?

It’s coming.

Bill_H: which is funny because really I, for me, I lo I love the special effects and the thing visual guy, I draw that kind of thing all the time. Tentacles, , twisting veins and things like that. But the real scare of the story for me is the like. You know, that whole who you can’t trust anybody

Joe: Yeah. That

Georgia: It definitely

Bill_H: who is who, and that story [00:30:00] doesn’t need any special

Georgia: effects. None to be told.

Exactly. In the fifties, That’s they still could have made a very convincing version of that story without, with very few special effects. You know, they didn’t need a big monster rampaging through the hallways. They could have just, you know, hinted at a couple of things here and there, and then let your imagination go with, now who

Joe: was gonna say that in, I’m, I’ll have to look it up and put it in show notes, but Invasion of body 

Bill_H: Mm-hmm. 

Joe: That was the fifties, right? That was all in that time. Paranoia. It wasn’t the fifties. It was in the sixties, but yeah, you had that, , if it quacks like a duck, it looks like a duck, then it’s a duck. You know, you had that same idea. That’s, and then they remade it in the seventies, the Donald Sutherland movie where it had, you know, but the special effects wasn’t I think in that one, the Donald Sutherland Spock and Jeff Goldblum, they were all young.

A very young Jeff Goldblum, I believe. I don’t know if he was young. I don’t know

Georgia: They all were

Nick: than you.

Georgia: They all were pretty young. Yeah.

Joe: was the idea, the paranoia, because you work your way through that movie, who to trust, who [00:31:00] can’t you trust? And the special effects wasn’t besides the big green pods with some, you know, vines hanging off of ’em.

It wasn’t, and no big monsters 

Georgia: really. 

Joe: at the end when he opened his,

That, like you said, that gut punch of an ending that was yes. Yeah. But

Todd_T: In, in doing all the

research for these books and just knowing what was.

what had come before and not wanting to do the same.

Like I just learned a lot about him and that apparently it’s

really supposed to be about

communism. Like they’re, you know, 

Joe: Yeah. The book one, that’s right.

Todd_T: and 

Georgia: right.

Todd_T: Make it an alien 

Bill_H: Yeah. That makes 

Georgia: It was really like that post World War II kind of, and this whole idea about the Atomic Age and not understanding, the atomic bomb and all the, I think that had a big influence on that.

That’s But

Joe: it was the 51 movie was set in Alaska.

To

go with that same, that paranoia from world the post-war kind of paranoia and communism that was very different than the other ones were set in

Georgia: And [00:32:00] I love that. John Carpenter was a young boy and watched Yeah. That watched the 1951 movie, and that had such an effect on him.

He loved it. Yeah. Yeah. 

Bill_H: Yeah. Not

so much the monster, but 

Georgia: And then when he did his movie, we had Reagan. And we had the kind of, you know, and also the Cold War kind of thing. So in some ways, those. Those themes were repeated, you know? Yeah. I wanna

Bill_H: muddy the waters with one more extra story.

Georgia: Oh, please.

Bill_H: in looking back into this stuff, digging through it, right? I started checking out was it Campbell? My, my brain is shot. Yeah. 

Joe: Campbell wrote the story. 

Bill_H: He wrote a story a couple years before who goes there. He wrote a whole bunch of stories.

He’s a very prolific author before he became an editor. And there was apparently a very famous author who he either died or he quit, and the magazines asked Campbell to fill the hole by writing a similar kind of story, sort of like upbeat, humorous [00:33:00] stories about a couple of like scientists who like, you know, go out doing things.

And so he came up with these guys named Preston and Penton and Blake, and he wrote a couple of Penton and Blake Adventures, and one of them was called Brain Steelers of Mars.

and in that one it’s it is a great read. It’s pretty

Georgia: that one needs to be made into, it’s very,

Bill_H: It’s pen. Penton and Blake are these like, seriously two fisted atomic scientists who are, they’re on the run from earth.

Because it’s illegal to do atomic experiments on Earth. And they did it anyway man, because they know what they’re doing.

and they,

not only did they do it at the beginning of the store, they’ve done it, they’ve cracked it and they’ve used it to power their spaceship. So now they can get to planets that no one have been able, hadn’t been able to get to.

And they, which is good ’cause they have to get away from Earth. ’cause they’re 

on the lamb, and they land on Mars and they start seeing trees that look like trees from [00:34:00] Earth. And it’s weird. Until they go look at the trees and then the trees are different than they were when they saw them at first.

And then they run into centar. The, these are the creatures that live on Mars, these centaurs. And it turns out that those trees are another creature that lives on the planet. A shape shifting creature that, eats their children and takes their pl the place of their children. And

Joe: Wow.

Bill_H: they used to have a problem with it, obviously, but since they can’t tell the difference between the children that were real and the children that are the reproductions, they’ve stopped worrying about it.

And for generations have just lived alongside these other creatures, these mimics. And they’re just like,

Georgia: do?

Bill_H: Alright. And, but our American boys, that’s where the

Georgia: how I stopped worrying it. They’re

No,

Bill_H: we are leaving now. And it [00:35:00] becomes this huge deal where suddenly copies of Penton and Blake start showing up and they’ve gotta get away from the planet and get back to earth without these mimics coming back to earth.

And there are sections in that story. I don’t think they make it into the published version of who goes there, but there’s that, Frozen 

Todd_T: Frozen hail. 

Bill_H: There are passages in there that are almost word for word where they’re like if a thing got stranded in the desert, it could just make itself a cactus and get along just fine.

If a snake tried to bite it, it could turn itself into something that couldn’t be bitten by a snake. And, you know, he rattles off these great things that this creature could do to avoid, you know, dying and live basically anywhere. And I was like, I recognize that. I just read that.

Georgia: Oh my gosh.

Bill_H: But that was definitely where that like where he

first had that idea and was playing with it in a much more comical, but still really right, freaky way.

And then a couple years later, he dusted that off and went at it [00:36:00] from a different angle for who goes there. But I’m interested in what you think about this idea that like, all right, the things here, some of us are things. 

Georgia: Let’s just deal with it. I can’t prove you’re not, you’re

Bill_H: the thing. And if even if you are you’re just as good a Georgia as you were before,

Georgia: maybe better.

Bill_H: you know? In the Watts story, it’s that the creature is going for advancing species. It’s like taking things over and bringing in its mind, bringing the worlds together and bringing them to a higher, you know, more perfect organism. And in this story, it’s it’s perfect Camouflage in, in a, like a really disturbing way to me that I, coming to terms with that was super

Georgia: That’s the feeling you got at the end of body snatchers. You know what I mean? I don’t know,

Joe: almost, you start talking like a Ship, of Theseus kind of thing where you’re going like after some point almost doesn’t matter.

Bill_H: right?

Joe: It’s, are you still the same or have [00:37:00] you changed enough to be something different? Are you really a different Joe

Georgia: And I think 

Joe: or Bill,

Georgia: idea that we’re losing our humanity and we, you know what I mean? We don’t wanna lose our humanity,

Joe: Yeah. And you have that. I mean, that was the anime Parasite

that you had that, so that was the same thing.

Alien species comes and it infects people. If it goes through like the nose, mouth, ear, it gets to the brain and then they become. A parasite, whatever the, this alien creature, but the protagonist of the story, the alien goes into the arm ’cause it was like dying or sick, I can’t remember that. But it went into the arm and then just the arm was the alien, but the rest of the body and the brain was human.

You, you get some mixing and stuff and the episodes go through and that, that’s really it. What is humanity? What are you struggling for? And that’s that same kind of idea looking at where does, where do you draw the line between humanity and other, you know, the thing like, you know, so at some level, [00:38:00] but if you are cognitively making copies and assimilating, are you assimilating?

And then using that and maintaining that level of humanity in, in yourself Or are you know, bringing other things to the table that you have.

Todd_T: Just the themes of that

Just

were

so

reminiscent of,

colonialism, of just Oh you’re an uneducated,

heathen, 

let me introduce you to the ways of the universe.

Bill_H: Yeah. Wa that story, man, that final line in Watt’s story just blew me away. And I, he did a beautiful thing there. And that, the paragraph leading up to that, the creature is musing and sort of like contemplative and things sort of ease off and chill out a little bit. Oh, okay, this creature’s okay it’s I see.

And then bam, it’s all,

Georgia: can you see that story being adapted to a film or something visual?

Like

Bill_H: It’s all internal. And I don’t know how you would [00:39:00] do 

Georgia: so

Bill_H: Somebody could do it. Maybe somebody great or

Georgia: something. It’d have

You know? 

Bill_H: But it would be really hard to do, I feel visually, I don’t know.

What do you think?

Joe: yeah.

Todd_T: I haven’t

thought about that, but now that, yeah.

It’s it’s all it is. I mean, that’s what the, that’s

what my Illustration. challenge was with my 

additions. How, you know, it’s the alien talking and thinking and trying to understand why these people are so bad to you know,

you Woke me up.

and now you want to kill me.

What? I just wanna sh I just wanna show you what I know. Don’t know. 

I’d love to see it in a film.

Bill_H: Yeah.

one 

Joe: one of the interesting things is after The Thing assimilated somebody, let’s say Blair, ’cause he probably was the fir or to, I think Blair probably was the first fully assim assimilated. If, let’s go with that. Let’s say one of them. But why the thing. Could have spoke through Blair and communicated with the humans in some way because you would have

Nick: but humans are brash and they’ll

Joe: But [00:40:00] you could have pulled I think you, it probably could have chatted with somebody and be like, Hey, guess what? Or given, be

Bill_H: aside,

Joe: tipped off with the

Georgia: what? Instead of going crazy. Because

Joe: that’s, that was the thing about Blair and I pick on Blair because I think he was digging in and he should have been assimilated if he wasn’t.

So when he destroyed the 

Bill_H: mm-hmm. 

Joe: and went crazy and they locked him in the shed, I guess the assumption was he had not fully assimilated maybe. So he might’ve been struggling. His humanity versus a Thing in his mind, maybe he was this, his intelligence, he could actually parse that, was thinking about it and knew, oh crap, I’m infected, I’m going down.

And then when he got to the shack and was like, Hey, I’m okay, you can let me back in. Was that now the thing like, Hey, you can really trust me again. 

Bill_H: I love that

Joe: I was just

Bill_H: that part

Joe: really one of those things. It was like, Hey I hear noises and

Bill_H: I’m really much better

Joe: right. Yeah. I’m really,

Nick: oh,

Bill_H: I’m

Georgia: ao

Joe: a okay

Georgia: now buddy. 

Joe: You know. Yeah, you’re a hundred percent thing. Now. Maybe back then you were 50 50 and you were really [00:41:00] struggling against you know, this entity in you and couldn’t communicate that you just raged up because you were with the lizard brain. Might have been all that was left of the human the humanity was reduced to the lizard brain, and that was, let me protect, you know, he had all those numbers in his head, which

Bill_H: I always thought that was inter, that was possible. I don’t know. Oops. I always thought it was possible. They, because in the book they make a, they kinda make a big point about not destroying.

The radio equipment and even go so far as to talk about creating fake broadcasts back so that everyone thinks that they’re okay and nobody sends out a search party because a search party, until they deal with it one way or another, even if that means death until they deal with it,

A

search party would mean infection for the world.

So they were, there was a bunch of stuff

Georgia: So like the reporter was wanting to get out there, the

Joe: the word out.

But you, but you also had, which was really clever in a narrative device [00:42:00] in that story, was that you had the paranoia still of the Cold War and keeping secrets. So really it was like,

Georgia: you

mean of the

Joe: Yeah. In there. And so

Georgia: of the,

Joe: were they thinking of this as a weapon? Can we weaponize this?

Because you always you know, like the alien, we need to weaponize it, right? Let’s you know 

Todd_T: Go.

Bill_H: You know, we,

Joe: you know, t rexes weaponize it. You know, that’s

Nick: can I put a machine gun on it?

Write the

Joe: weapons. Can we make a weapon out of this thing? Then let’s go your green light.

Nick: Can we put a laser on a head and have it attack

Bill_H: Like 

Joe: anything. It’s man, this thing’s gonna eat everybody in the world. How can we turn into a weapon?

Bill_H: It already is like, It just, we need

Georgia: That sounds like a good weapon.

Joe: I think we can control this uncontrollable weapon. Okay. Eh, yeah. Let’s do it.

Okay. Yeah. No I wonder if that was part of that and a really nice narrative kind of setup that you had, whereas you’re in Antarctic, you know, Antarctica.

You know, you, you have people coming in probably to check on your supply drops and things like that. I had friends when I was in grad school that would go down and [00:43:00] stay at the science center there studying an Antarctica plant life.

And so they would go and stay down there for months at a time and then come back and they would talk about the supply drops and things like that. Did

Georgia: Did they ever watch The Thing while they were there?

Joe: I don’t, I didn’t

Georgia: ask

Joe: but the other thing is that alcohol was banned. So you, you weren’t allowed, I mean, people smuggled it in, I mean, like anything.

But you weren’t supposed to, it wasn’t actively encouraged. So I always think when I watch The Thing and he’s got his JB and he’s just I’m gonna go to my shack and get drunk. It’s just with his sombrero you know, it’s this kind of,

Nick: I actually do have a problem with one of the first scenes in the thing, the John Carpenter one chess, no. So when they were doing the that was funny too.

But when the Norwegian guy came in, the guy inside busted open the window to shoot him,

Joe: Oh, yeah.

Nick: Windows aren’t easy to come by out there, right? 

Joe: Yes. Yeah they

Nick: I’m assuming they would be thicker than that. You

Joe: mean they’re Swedish?

Nick: I thought it was Norwegian.

you. I was like, wait.

Joe: [00:44:00] that’s what

Nick: I was like, I watched the movie.

I know the film.

Joe: I was hoping I got the do that. But yeah. So thank you. Thank you very much.

Nick: But yeah, I’m assuming

Georgia: been that easy to

Nick: He just busts it over him with his hand and it’s 

Joe: and quick shot too. Yeah. I mean that was,

Nick: very little aiming.

Joe: Oh, aim. I mean, you know, he didn’t even do

Bill_H: you

Joe: twist, neck twist and side it up. It was just go for it. Yeah.

Bill_H: I don’t know. I would imagine they would have thicker

Joe: glass. Yes.

Georgia: Yeah. But,

also 

Nick: frowned upon to just break open a window

Joe: not open it and go out and this Yeah. I don’t 

Nick: he walks out the door, the very next scene like. Seconds later, he’s out the door.

He’s

Bill_H: He’s gotta, he’s gotta protect his men, you 

Todd_T: But there was an active shooter

situation. You don’t know what you 

Bill_H: already shot in the

Georgia: lake. Shot in the lake. The dog’s

Joe: A dog’s licking him. 

Todd_T: Yeah. 

Joe: It’s right there. You can, you get student, the count right there, like pop, all these folks are infected, but then they’re really not, like when they did the [00:45:00] blood test, which once again, can a thing, if it’s a conscious organism, can it choose to display pain or not?

Like you were saying, and you know, Watts version that it was doing these things to be a distraction. Was it really reacting to the fire or was it just putting on a display? Because now it set people up, they’re all tied to a couch and things like that. They got ’em lined up in a row and this is it, you know, distract here.

Palmer can split his head open and juice blood flies all over an aerosol. But, you know, the 

Bill_H: original story, they talk about the possibility of it leaving them sort of. As food for later, like having taken over a couple guys, it knew that they’re in the middle of nowhere and it knew that it might not see any more people for a little while.

So it could just not, it didn’t have to take over everybody. It would just take over people when it needed to eat or when it needed to do something.

Joe: eating?

It wasn’t eating, it [00:46:00] wasn’t feeding off people.

Bill_H: It’s that was their conjecture. They were still talking about it at the

Joe: Oh, I see.

Okay. How it worked.

Bill_H: yeah.

Joe: yeah. So I was like, that’s not it. It would just eat regular food. I would imagine like a can of beans, like whatever they had in the pantry,

Bill_H: or It could, we could, I mean, as you know, we use our stores of fat. Maybe, you know, it could use our stores of fat as well to,

Joe: or did it use the store as a fat to assimilate?

Fat cells are human cells. So are they now? Thing. Sell and Thing. Fan. Yeah, the thing fan, it’s the new,

it’s the new weight loss plan.

Georgia: the whole idea about the com, this communist scare and who’s a communist and who’s not. And there’s those scenes, where there’s those posters about venereal disease and who could have it.

And they’re official, like from the government do you know you know, so it like completely feeds on that home, like paranoia and that.

Joe: I love it too, that they have those [00:47:00] signs up in the base where it’s all men.

What does that say?

I mean, so little progressive there. It’s like 

I was 

gonna, I was gonna add something because we had the, the Campbell story, I was 38 in, in there. But DNA as a hereditary agent wasn’t really known until 44. So when that story was written, it still wasn’t quite, how does DNA,

How does that, how’s that functioning?

How does it act? I think people had idea, but the actual DNA molecule, and that’s a thing in the cell that’s doing the job. That was round then and I’ll put that in the show notes that date and make sure that’s right. And another movie from the nineties and The Stuff

The stuff a little bee a bee movie. And it was these guys are out mining and then they discover something’s bubbling and then they eat it for whatever reason.

Bill_H: I remember. Really? I remember very

Joe: ice cream. Yeah. It’s 

Bill_H: a homeless

Joe: no, that’s

Bill_H: stumbling around and there’s just [00:48:00] white stuff bubbling up and you Yeah. He makes that sound like, eh,

Joe: Just

Bill_H: a bite, loves it.

Starts digging it out of the ground.

Joe: They go, yeah. It’s like the whole thing. They start mining it and it’s just this random stuff coming out the ground. And it’s similar. It takes over the, it’s a parasitic kind of organism that takes over and does that. So I, that came to mind as we were talking, that you have this and then who’s who who’s infected with the stuff and who’s not.

And then it’s just out in the store. It’s like the grocery store. It’s gotta get The Stuff. There’s like a jingle in my head. I can almost hear it still if you haven’t seen The Stuff.

Georgia: It’s a cautionary tale.

Todd_T: I 

have not. 

Joe: fun watch. Like it’s just, if you’re gonna take over people, The Thing needs to do that.

Just getting ice cream, man. That’s you’re

Bill_H: and you’re in

Joe: milk, the cow’s milk. It added

Bill_H: Just

a little sugar, a little vanilla. That’s

Joe: right.

You’ve got it. You’ve got it there. 

Georgia: This

totally doesn’t have to do with The Thing, like the science of the thing or anything, but I didn’t even realize it was Howard Hawks that made

Bill_H: [00:49:00] Oh, yeah.

Georgia: And the 1951 version. And when I read that, he’s one of my favorite, I mean, he made so many movies, but Bringing Up Baby is like all time favorites. And I think to myself, how did that same person make bringing a baby? And, 

Bill_H: he was like the producer of it, but there’s a lot of talk about, he did a lot of, A lot of directing of the film. He was on set and making decisions and

Georgia: And The Big Sleep,

Bill_H: it feels like a lot, all that, like people talking over each other, you know, moving around as they talk and, you know, the even a little bit of sexual tension between the secretary and

Was the captain, you know, like that’s all very hawk and,

Georgia: Yeah. It totally, once I like it came to me, I was like, oh my gosh. And I didn’t know, but Howard Hawks was born in Goshen, Indiana. go.

I didn’t know that. So anyway, I just thought I’d throw that off. You should

Bill_H: have known it. Yeah. Hoosier you all along.

Joe: out. I mean, I really, I enjoyed a movie 51 because there’s just like [00:50:00] two botanists in there on the team.

I mean, botanists were very revered scientists back in the day. And if people don’t know, I, my PhD in botany. So that’s we’re that’s it. So

Bill_H: they’re the real smarties

Joe: when it’s there. You know,

Bill_H: I had a real question for you. The head scientist sort of makes a turn, like in the story the 

Joe: or Who Goes which story?

Bill_H: in Hawks’,

Joe: Okay. Yeah. Okay.

Bill_H: The thing with

Nick: The guy with the turtleneck, right?

Georgia: the

Bill_H: with the turtleneck, he starts off okay, he’s a scientist. You know, and the government rushes in and just starts taking over. And so you’re a little bit on his side, you know, Hey, he’s out here doing his job, trying to figure things out.

These guys come and just start telling him what to do. But then he slowly, he’s his he’s the quintessential sort of crazed scientist where like the science gets in the way of everything else till at the end he’s like telling everyone that they should all, we should all die. It’s more important for this thing to continue living so that it can be studied.

By, but my, [00:51:00] I, there was a real disconnect for me. Eh,

Joe: If

Bill_H: if you are all dead.

Nothing’s going to stop the next group of people from also being dead. Somebody’s gotta survive so the information can serve. The science is great. I love it, you know, but if you don’t have someone to pass that science on, this thing’s just gonna kill everybody, you know?

Joe: I think also in that generation of movies, the scientists, A, they knew a whole lot about the alien

With very little information. And B, they always wanted to communicate, be friendly, you know, the idea that if you travel, light years, you have the technology to travel light years away, arrive on earth, that you’ll have transcended the follies of mankind.

You must

Bill_H: be an advanced species of some kind, except, 

Joe: you know, if we humanize them then and we go, they’re gonna act just like any other advanced species. When they go somewhere new, they [00:52:00] usually go with guns a blazing. Like they don’t show up like, you know, peaceful usually. I mean, we haven’t, so I don’t know why we would expect, like what is this expectation now?

Oh, they’re gonna be so much more different out there, have seen so much more and traveled. Why are they traveling all this way to get here? You know? I mean some, there’s this exploration, so you have this thing where, and I think a lot of the scientists were like that in those movies where they were like, Hey, let’s give ’em the benefit of the doubt.

Maybe they have something they can teach us and you know, yeah, they can teach the takeover. You know, it’s I dunno if that’s like it. So I do think it’s funny that’s. You still see it and I think Mars attacks poked fun of that. Yeah, that was a very

Fun, because that was like that whole hum homage to that genre of sci-fi movies and stories that the scientists were always Hey, let’s let’s be friends.

You know, they can teach us something about something that we don’t know, but I know everything about their anatomy. Got it.

but Yeah.

Todd_T: Is an interesting Contrast

between the two, the Hawks version and the

[00:53:00] Carpenter version.

I mean, not like the original had so Many people.

I mean, it was just like this big

military base versus what, like 12 or 

Bill_H: mm-hmm. That’s

Joe: right. 

Todd_T: Carpenter’s, which just

makes it feel So much tighter,

and more

paranoid ridden.

Bill_H: Yeah. Isolated claustrophobia really 

Todd_T: Yep. 

Georgia: and also all men.

Joe: All men. Yeah. Yeah. The original the 51 movie had at least one

Bill_H: I think there

Nick: were two, and the prequel had, yeah. Two. 

Bill_H: The

pre

Joe: had the couple. Yeah. So yeah, I think they could have used a couple women there that probably would’ve, Hey, you knew you should wear different gloves, bud.

You know, 

Nick: Are you sure you wanna be looking that? What are you doing? That’s right.

Bill_H: It’s fine. It’s imitation.

Todd_T: The eraser, Ugh.

Bill_H: Yeah.

Nick: You just lick your eraser 

Todd_T: no. I was just like

making the motion

Nick: Oh, I thought you went ahead and did it anyways. I was like, you shouldn’t do that. Yeah.

Joe: Todd, we need some blood for the Petri dish test. Come on, flame. Throw it up. That’s an official test we do at the lab. That was in the videos [00:54:00] I watch. It’s if you got questions, just do the Petri dish test.

Go ahead. And so Todd as a question, as you went through and you put together these stories, I mean, did you find, what was the connection or threads and things like that? Bet you know, between the thing as a creature because they, it’s presented different in so many stories. I mean, were there threads?

, I gave my list of what it can do, maybe from a cell point of view, but from a, narrative point of view. I think that’s

Todd_T: of, was a pretty comprehensive list. Like for in doing The Things I wanted to,

I spent some time

In a phone call.

or

I asked Peter Watts a bunch of

questions and,

I. To hear a zu I think he’s a zuo biologist.

Like I, I love the the amount of science that he’s bringing to

his science fiction, like Adrian

Tchaikovsky, you know, like his living creatures just feel so

realistic. You know, it’s like my take from the stories is just like this Thing

Seems it’s like the pinnacle

of evolution even though it’s not [00:55:00] evolution. It’s you know, something different. But

you know, talking about the the distributed 

intelligence and

how would that work?

If the beast gets too big now, you’ve

got latency issues with communicating and just,

I don’t know, as an artist

like hearing, like just

learning so much about this about biology was just, I don’t know.

I found like pretty amazing. 

Joe: Yeah, no I think, I always think of fungal slime molds. 

Bill_H: I was thinking a lot about fungus this time ever. I didn’t know about it much as a kid, but since then I’ve learned a lot more and it is very fascinating and. Yeah. The,

Joe: Except from your beer drinking

Bill_H: Thing?

Joe: a lot

Bill_H: No, it’s just, it’s growing in the corner of my

Georgia: studio.

Bill_H: and don’t look at it and no one will worry.

Joe: Yeast is a a fungus for people out there in the world 

Bill_H: But I thought Watts really brought some really cool things to the table. Yeah, definitely to think about. And talking about,

The way he embodied this intelligence it seemed to have come across [00:56:00] obviously vast distances. It’s come across who knows how many planets and assimilated them or gone through them in some way.

And a big surprise for it was how different this planet was and the creatures on it. And it seems like hundreds of planets that it’s been on. It hasn’t come across that. And I was trying to wrap my head around what that other Thing was. Obviously, you know, it’s marveling at the idea of a brain, a centralized brain kept up in a inside of a skull and like being protected.

And it’s that is a weak failure point. That’s, anything’s gotta just attack that head and the whole rest of that body is done What terrible design, you know? So what’s, what is the opposite of that? What has it come across? I mean, it obviously has some way to think in every cell right? In some way.

So each cell is its own thing. Each cell has its own brain of some [00:57:00] kind. And then when they link up, they commune and share what they’ve learned when they were apart and they grow and you know, their knowledge grows that way. What does a planet of creatures. That look like. You know, what does a planet of creatures look like where there aren’t things with heads or brains where things change shape as needed for?

Joe: and do you have to be? Do you have to be multicellular? Like you could just

Bill_H: just be one big cell,

Joe: a biomass, right?

We think about bacterial mats

Interactions. There’s cheats in there. There are suppliers, they have communities, there are,

Nick: or are they just nomads?

Joe: right? And they just go around. So maybe on their planet they could be the microbes and the high, you know, the hu the quote unquote evolutionary higher organisms.

You know,

the humans 

octopuses, whatever you want. They have evolved that they maybe are gut bacteria they just live in. And it’s so they’re a gut bacteria. So they went to some planet, someone pooped, and then now they’ve infected, and now [00:58:00] it’s oh, hey, we’re free.

We can do all this stuff. That’s, if humans go to other planets, exoplanets, and we do that we’re not careful with our waste, then we would release organisms that may become you know, symbiotic like chloroplast and mitochondria so they could then go in and now co-op cells and become part of the organism.

And do that. And so these Things had to come across other intelligent species that knew how to fly spaceships and travel across the galaxy.

Nick: Didn’t you have a theory about it being connected to a

Joe: Predator? Yeah. Yeah. I had the Predator. I think any of these creatures that come to Earth, they have, was this ship that crashed, could have been, you know, a Predator ship potentially.

So you have your predators going to all these planets hopping around. Would it not hop it, it went, found the Alien. Why couldn’t it hop to a planet that had been completely assimilated by The Thing in this way? And then it became itself. So we got back in a ship, it’s going to this next They go crazy like [00:59:00] in Antarctica. You know, now it’s 13 predators in a ship that’s you know, killing each other in a crash land. They’re eight feet tall, they’re ugly looking and

Bill_H: You know,

Joe: one of ’em thaws and there you go. You got it. You know, a hundred thousand years ago, they’re whatever that, that timestamp,

Bill_H: man, you gotta think that is a heck of a trophy for a Predator

Joe: That’s right.

Bill_H: Planet size, intelligence. You know,

something 

Georgia: yeah.

Joe: yeah. Didn’t, it didn’t work out so well. Probably it’s like they’re coming back. Hey, we got it. We did it. 

Todd_T: So you’re saying there’s essentially one portal to Earth and like all these aliens, like ET went through

it 

Nick: right.

Georgia: Yeah.

Todd_T: of 

Joe: right. 

Todd_T: So they’re all, you know, they might run into each other. We could. have 

Predator against ET and that’s just gonna be 

Joe: You know, planet a

Nick: ET is gonna destroy predator. That thing is a predator in of

Joe: What’s the mini chlorine of The Thing, I mean, I mean,

Nick: Is

Joe: is there a Thing Jedi you know, out there it’s are you, I dunno, are you the are you master Jedi?

Or, you know? Yeah, no, you have that no, I think you could see the thing. I mean, if it’s out there, if [01:00:00] doesn’t take a lot, so that means if, you know, if the, let’s say The Thing ship luckily crashed into the Antarctica, but if it crashed into, 

Nick: Nebraska 

Joe: else, right? Yeah. I’m trying to think a hundred thousand years ago.

Yeah. Nebraska or some

Bill_H: would be dug up

Joe: America, or near the equator where it wasn’t frozen. It might not have died. I mean, you then you have all the biomass. So every plant, all this biomass would convert. So that means anything that came across as biomass would all of a sudden be infected. Yeah. So I mean that’s, you know, so if it just landed in an isolated jungle, all that biomass is converted.

So when you go through exploring, so all these explorers that went out looking for gold or whatever, and they didn’t come back

Bill_H: disappear

Joe: Maybe they became The Thing, they just slaughtered each

Nick: So

Joe: So you can start really spinning that off,

Bill_H: But yeah,

Joe: it crashed, landed in Antarctica, which was smart because then it froze and, you know, was resilient enough to actually be thought and then come back.

And speaking of that, I [01:01:00] had thought about some numbers.

Bill_H: of

Joe: I like thinking the

Nick: He just likes numbers.

Joe: Blair had 27,000 hours. I dunno why he doesn’t say approximately three years, but that’s about three years to infect all life. On, on Earth. And so that, you know, sounds like a lot of time, but I think just looking at it, that started going through different scenarios, the pandemics we’ve lived through now, and ones that have happened in the past.

Kind of a few different models, maybe like the one in Antarctica, you would have this infection, probably containment would happen pretty quick. It would burn itself out kinda like the Ebola. So Ebola is one of these that viruses that you get, you bleed out, you see people bleeding out, and you go, whoa, let’s get, you know, contain.

And you can actually isolate it relatively quickly.

Bill_H: Keep your pencil away from him.

Joe: It unlike, you know, a very successful virus like HIV or , chicken pox, I mean, they hang out and you get shingles later in life. I mean, right? They’re very good [01:02:00] viruses.

Sexually transmitted viruses are extremely good in humans ’cause they just hang out and do their thing.

Nick: Wait. What? Good. Why do you think Good?

I’m

Joe: they’re good at what they do.

Bill_H: doing what they

Georgia: They’re good at being viruses.

Joe: at being viruses.

Nick: I was like, they’re good virus. You know, I enjoy having

Georgia: because if the

Joe: presents itself too fast and actually then, you know,

Georgia: kills everybody and then it can spread and

Joe: and within hours, you know, someone has it, then

Georgia: it can be

Joe: to isolate.

Georgia: isolate. So

if you have 

Joe: something like COVID where it COVID was perfect ’cause it was like, I don’t know if you’re sick or not. You might be a carrier, you might be infected it, you know, have this latency period where it was like you just could have it for, you know, a week and spreading around

Bill_H: moving all over the place, dropping it

Georgia: so

Bill_H: and there and

Georgia: good means it can stick around and spread perspective easily

Joe: the human’s

Georgia: Yeah.

Joe: not from the infected.

So I had 

Todd_T: And then you’ve got, oh, and then you’ve got half of the

Population.

who’s just [01:03:00] oh, I don’t,

Joe: That’s right. 

Todd_T: not worried about that. 

Joe: Yeah. I know they’re not,

Bill_H: let’s have a party.

Joe: so I, I had, you know, there that if the outbreak is misidentified as some sort of neurological viral in this, instead of being truly The Thing that’s assimilating you start doubling every 1224 hours based on some of those assumptions earlier.

Governments are slow to respond, which we’ve seen on an action. Due to human mimicry, right? We could have it to higher top so that The Thing might infiltrate way up. Po politicians. And next thing you know, we’ve got you probably

Nick: wait, they aren’t already.

Joe: there might be mad cow. That’s the mad cow’s conspiracy, right 

Todd_T: would think they’d be better than this.

Joe: Have 50% of Earth’s population, probably 50, 60 days. And in total global assimilation, maybe nine to a hundred to 20 days, you know, a few months, you know, six months.

Bill_H: that’s not a lot.

Joe: You know, and then you would, society would collapse, you know, people would be in bunkers you would start.

But yeah, once, if biomass can be converted, [01:04:00] then the minute you start, like everything then goes all the trees. Like you’re,

Once you do that,

Nick: but what about with those all the toilet paper, tape paper people are stocking up on? I mean,

Joe: I don’t know. I’ll still be there. I don’t, I think the things would eat and still poop.

I mean, I, if they assimilate completely, I think they would use our, if, are they using our biology or are they now? You know, like you said, it’s a, I feel like in a skin suit.

Bill_H: You know,

Joe: and so that’s it. So they have a different internal structure maybe, but I’m sure everything poops. There was a book about it and everything.

Yeah. Yeah. That’s a,

Georgia: I don’t know where this is going, but 

Bill_H: Yeah,

Todd_T: Quoted Everybody Poops.

Bill_H: I

Joe: to eat. That’s right.

Georgia: the

thing to Everybody Poops though and accelerated, you would, if you get to a major city. So you land Chicago, New York, LA, Tokyo, Shanghai, some huge city doubling every four, six hours and you’re really just spreading this around.

Joe: You know, probably a billion infected you, you start getting the numbers, you know, 15, 20 days maybe total assimilation, [01:05:00] maybe 45 days. And the total biosphere collapse. You know, so you would have just complete Thing. This would be a thing, planet, know, it’s a bug planet. It’s a dead planet.

Bill_H: Like that last scene in society where

Joe: That’s right. Yeah. 

Bill_H: Flesh. A waves of flesh.

Joe: it very similar to we, we had an episode, we the grey goo model

Of, of nanoparticle kind of assimilation where you would wash over you know, and just once you have self-replicating uncontrolled assimilation of some, , very small, microscopic particle it would just take over. You wouldn’t be

Georgia: Like you said, it’s a, it’s apocalyptic.

Bill_H: But

that is also

Georgia: a vision

Bill_H: it’s not intelligent. If it is, if it’s intelligent enough to stop and just Yeah.

Joe: I

Bill_H: then that can change Things

Joe: Two things. One could be your scenario that it’s intelligent and it doesn’t really want to be all.

But the other one is maybe it is intelligent and it does want to be all right. 

Bill_H: [01:06:00] Absolutely.

Joe: Or it could be just unintelligent and just mm-hmm. 

it, you know, the thing does what the thing do, I mean, it’s 

Bill_H: That’s

Joe: you probably have three. That’s right. And you

Nick: The Thing does what the thing do love that.

Todd_T: It is I know I should stop. Just like we know we

probably shouldn’t, 

drive so much, but we do. 

Bill_H: I shouldn’t have another cookie. But you know what,

Nick: It looks so damn tasty.

Joe: down this forest, but we need a few more cows. I mean, that’s a, so that’s a that’s you have that. So I think those are but would you be able to tell the difference if you’re.

If it’s happening, Bill, would you be able to go, I think the thing’s really, so you’ll be that scientist, like I think The Thing’s intelligent I can reason with it.

Bill_H: to it. I think it likes me. Hey

Joe: Hey buddy. Hey Joe. What’s going on down there? Hey Bill. I’m doing really fine now. Let me

Nick: Let me out buddy. I’m good

Joe: maybe it’s time for me.

Todd_T: all good.

Joe: Yeah,

no. Yeah, and we, we come to the end the how the horror episodes always go a little longer, so it’s all right.

Bill_H: There’s a lot to dig into.

Joe: I know I, you know, I have a question and maybe [01:07:00] Todd you might lead us off or maybe you’ll pass it. I don’t know. But I

Nick: I’ll

Joe: the 

Nick: No, I don’t wanna answer that.

I’m good. The

Joe: Carpenter Stro Cat, and I think that’s the last scene of the 82 movie.

We’ve got childs, we got MacReady ready there, we got Max sitting there. And, you know, it’s you know, why don’t we just wait here a while and see what happens. So we have the three maybe you can say four, but pretty much three. Everyone thinks Mac is human. Right? We can argue that maybe he’s not.

And I have, so three theories. One is, Childs is a thing and there’s different reasons, and I can mention some of those if you want. Both are human, they’re just there doing their thing, or they’re both The Thing. I think those are the three scenarios that I guess you could say Childs is human and Mac is the thing, but that never, no one ever says that.

I don’t know why, but we could throw four in there

Just for fun. And if there I’m missing one, just go and throw it in there. But yeah, I mean, [01:08:00] what do we think there? 

Todd_T: I’ve

always thought

that Childs was the

thing and that Mac wasn’t you know, just, he’s the protagonist He’s the man of bronze essentially but I

know, Yeah.

I know. There’s all sorts of. theories.

and 

Joe: Yep. Yeah. Bill, what do you got? You not thought you 

Bill_H: Over the years I’ve vacillated back and forth, , I’ve even thought about Mac being The Thing, ? Yeah. But I like the questions. I like the possibility, , the ambiguity is great for me. It’s taken me a while to come to that when I was a kid.

Ambiguity really got on my nerves, but as I got older I started to see how great. The ambiguity makes it stick.

Georgia: I think that’s the beauty of that ending. Yeah.

Bill_H: You keep questioning it. You can’t because it’s

Georgia: and everybody can have a different Yeah. You know what I mean? You could talk about it. It’s,

Bill_H: and you can trot out why you think McCready’s not the thing or why Childs is and you know, and Yeah, 

Georgia: And [01:09:00] I think you can, and you all, you all get the feeling no matter who you think The Thing is, we’re screwed.

Bill_H: I still, there

Joe: that, I just gave

Georgia: numbers there. 50 days, man.

Bill_H: Yeah.

Joe: Because, you know, some scientists are gonna bring it back you know, bring these people.

That’s, you know what, yeah. I think we can make a weapon. Georgia, do you have an opinion or are you’re

Georgia: No I really don’t know, but I actually agree. I like the fact that you don’t

Joe: you wanna keep it ambiguous, Nick, you got something, you

Nick: I think they both are.

both

I really do. But it’s like still dormant enough to where they’re fighting. But they’re like, oh,

Joe: the Blair? He the early Blair.

Nick: Early Blair right now

know exactly you know, where? it’s dormant, but yeah. It’s there. They’re gonna go and, know, we got 50 days, let’s figure out what we’re doing with that. Yeah.

Georgia: Get out that survival guide.

Bill_H: I read that there was a couple different endings filmed. Yeah. And that they tried them out [01:10:00] in a couple test audiences too. They filmed one where it jumps ahead and a plane shows up and McCready’s there, and it was like, thanks guys. I’m real hungry.

You know, let’s get outta here.

Joe: Need to eat

there it is. The response wasn’t enough to the good endings, the happy endings to like. Say, this is definitely the one we should go with. So they were like, let’s stick with the ambiguous one, because

Bill_H: A little more fun. People can mull over it, you But studios are not cool with things

Nick: like,

Joe: they 

Bill_H: not today.

Joe: No. You gotta,

Bill_H: When you spend,

Joe: want tighten it up, this

Bill_H: spend millions of dollars on it, you definitely have to, you know, stick it. And

Joe: unless you got part two coming 

Bill_H: yeah. Then 

Joe: Then you can do

Bill_H: you can do whatever you

Joe: It’s like, all right.

You know,

Georgia: what about you?

Joe: Yeah, so I’m almost think that they’re both human, 

Nick: really. 

Joe: come out and I set this up earlier, there’s a thing running around out there. I don’t think he killed it. I don’t, I think he killed the Big Blair thing.

But I think there [01:11:00] was still some other Thing out there.

So I, I do think there’s two humans and one Thing still out, out in the wild. And I think Mac. I think m knew, knows that. And he’s sitting there and I think Childs, also has his suspicions and they’re just gonna go and they know it’s the end. And those two protagonists, the heroes that was, you know, Todd mentioned that they’re there already.

You know, neither one wants to really go down,

Bill_H: They know

Joe: they’re going down. Yeah. And so it’s can they stay long enough to warn somebody? Can they stay long enough to go there’s something still out here and you should leave it alone.

Bill_H: That’s a good question. How do you do that? 

Joe: Yeah. You’ve 

Bill_H: You’ve got two men in this situation. Everything is destroyed.

Everything’s

Joe: gonna die. I mean, it’s

Georgia: and

Nick: what did you guys

Georgia: they’re in and

Bill_H: Anna at best, a couple of hours before they freeze to death. How do you warn the people that are coming

Joe: right. That’s right. That’s right.

Bill_H: to 

Todd_T: You pee your message in the 

snow. 

Joe: right.

Bill_H: That’s right.

Todd_T: Do not.[01:12:00] 

Joe: Yeah. That’s in English and in Swedish

Todd_T: Yes. 

Georgia: it was 

Bill_H: the thing.

Joe: in a region. 

Nick: Alright.

I do have one more thing before we wrap up.

Joe: You wanna how many Big Macs it takes? No,

Nick: Yeah 

Joe: I do, I did have that. But

Bill_H: Oh boy.

Nick: don’t. The dude who at the Norwegian base who slid his wrist and the blood froze. Is that possible for it to freeze going down like that?

Joe: Depending on how cold Yeah. No, you can, yeah. It will freeze. You can do it, but yeah. So

Bill_H: what I, okay. What I didn’t think is possible. His throat is 

Nick: cut.

Exactly.

Bill_H: That’s okay.

That’s 

Joe: Hey you potentially could cut your 

Nick: both wrist and

Joe: your throat. Yeah, I think you could.

Bill_H: That is dedication.

Joe: That is a lot of

Nick: it’s 

Joe: Yeah,

Nick: I wanna be dead. Yeah.

Joe: yeah.

Georgia: wanna make sure.

Todd_T: is, there’s no

hesitation marks

Nick: no, the problem 

Bill_H: is 

Joe: that they, the, [01:13:00] this Norwegian base, they didn’t get as far along in their science as Blair did

Bill_H: And was it? Yeah. That, that oh, every particle can do this because then you would know blood letting isn’t the way to

go, isn’t gonna help you.

Joe: That you don’t need, you know, you’re still gonna be there pretty much freeze the death. And, you know, that was interesting that they had it

Bill_H: I know we’re running along

Joe: Or I think the other thing, did he kill himself not to become the thing?

Bill_H: That makes

Joe: That was probably

Bill_H: I’ve seen what’s happening and I want to be out of

That’s something that the movie doesn’t really do a lot with, but I was really interesting in the book is this sort of how does the cells communicate so that it, if it’s gonna become McCready, it’s got to very quickly. Know what McCready knows to pass itself off, right? It’s not just a dog or a lion.

Someone’s gonna say something to it and it’s gotta answer back.

Joe: But I think that’s that whole thing about time that it needs to

Georgia: at what point? At what point it may. And is

Joe: the brain or is it just the body? Because if your body is just being converted and not your head, 

Bill_H: taking [01:14:00] over 

Joe: thinking you, and you can still answer questions about your life and everything.

But once The Thing takes over, you’re right. What amount of memories does it get? What command of memories does it have? Things like that. Which some, someone say it, it has

Bill_H: It’s got everything. 

Joe: Yep. Okay. You were saying what was your 

Bill_H: so in the book, there’s a lot of talk, there’s talks about nightmares, people before they’re infected,

Just being in proximity to it are having, starting to have nightmares and have weird feelings and images in their heads and stuff. There’s this. Possible psychic

Joe: Yeah, that’s right.

Bill_H: Yeah, that’s right. You know, that is a very interesting piece that is really hard to do in a film, , but does show up.

The idea is in that a Prince of Darkness Carpenter’s next apocalypse movie, you know, where they’re like getting the dreams from the future, this idea that it’s psychic and even when it’s frozen there, it’s still active mentally in some way. Even if it’s not doing it, it’s it could be [01:15:00] dreaming and we are receiving it’s alien dreams and just driving everybody a little crazy, you know?

Joe: Yeah. That some psychic kind of ability. Yeah. I also think at that time, like ESP was like huge. I mean, that was like, it was like, we’re gonna weaponize what’s

Todd_T: Oh, 

Bill_H: Gonna

Todd_T: yep. 

Joe: I think

That was the talk like that they’re gonna do LSD 

Todd_T: Randys. 

Joe: Yeah. LSD and you know, and ESP that, that was it. That was like the, that was the rage. We’re gonna develop all these new age weapons, but yeah, no, that’s yeah, but you’re right. The book and the 51 movie both had that kind of psychological telepathy. Yeah.

That you have this higher organism that can manipulate across mental distance and, you know, have this kind of control. But yeah.

Bill_H: it was great in this story how like this, all these guys, these scientists were just like. If it’s anything like the look in its face, it’s evil, then we must destroy it. Yes. Look at that face. It’s the face of pure Evil. they were so [01:16:00] quick to judge that thing. Look at those eyes.

The look in his eyes. If I’d known that was in those eyes, I would’ve just destroyed it.

Joe: Yeah.

we would’ve blew it up.

Bill_H: Wow. Okay guys. Yikes.

Joe: Yeah. I mean it is The Thing evil, right?

That’s it. Exactly.

Bill_H: all judgment.

Todd_T: You know,

Joe: Cool. Yeah, so probably wind down a little bit here. You guys wanna get anything cool coming out or anything? Folks, you know, they’re all hyper excited. 

Todd_T: I’m 

Georgia: Around 

Todd_T: yeah, so I just I just sailed to Antarctica in

February and so I’m working on some books from that. And

one of them is basically a, I have a goal to now that I’ve made an,

addition of Who Goes There and The Things I’m writing and gonna illustrate essentially like my own story

in that 

universe. 

And it’s going to take place in the early 19 hundreds. So it’s sailing ships

and people crashing on shore and stumbling into [01:17:00] things weird.

Georgia: Oh wow. 

That’s awesome. Yeah, you guys have to

Joe: out and your website is,

Todd_T: Angel bomb.com.

Joe: It is. So yeah, go check it out. Check out

Georgia: that’s amazing.

Joe: Really fabulous. Work the, you know, letter press work and things like that. You know.

Nick: Yeah. You absolutely have to check out these books.

They are, they’re phenomenal. So fricking cool.

Bill_H: There are pieces of art and awesome stories on your shelf.

Joe: Bill

when you got anything coming up

Bill_H: have anything particularly interesting going on. I’m sorry. Just your average, you know. No. We’ve got some talk about the new cryptic closet coming up, but that’s not for another, that’ll be out next October,

Joe: gotta have a, we gotta have a thing s story in there, right?

Bill_H: that would be great. You know, I missed my chance when we did the 3D story. In, in, in one of these books here, The Thing is revealed by some UV light, right? Yeah. Is it in the thing? 

Joe: yep. The Things, yep. 

Bill_H: It’s awesome.

It’s invisible to the naked eye. You black, [01:18:00] you put the UV light on it and you can see it.

Joe: Yeah.

Georgia: Yeah.

Bill_H: We did a 3D issue Yeah. That I wrote a story for, but I just didn’t have the time to work on, and me thinking was like, how can I do this differently than just.

And a 3D story I gotta always make it harder on myself for no particular

Joe: You gotta do

that. That’s what artist 

Bill_H: so I, I wrote a story ab about a interdimensional infection where a character becomes infected by something that he can’t perceive.

And the idea was 

Todd_T: Ooh. 

Bill_H: When you, the red and blue would be printed on the page, you know? Yeah. But you wouldn’t be able to like, suss out what was going on there with the naked eye. And when you put on the glasses, it would like, you know,

If you look through one lens, you could see things normally and through the other lens you could see that he’s actually covered in invisible interdimensional parasites.

Georgia: I love that.

Bill_H: And I’m working on

Georgia: put on the damn glasses. Yeah, another

Joe: Carpenter [01:19:00] favorite. They Live, yeah.

Georgia: Yeah, exactly.

Joe: Put on the

Bill_H: Fantastic.

Joe: You are gonna wear these glasses. Yeah. Cool.

Nick: Thank you again guys, for joining us.

Bill_H: Thanks so much for having me 

Todd_T: you. Thanks for having me. 

Joe: Yeah.

Bill_H: reason to rewatch these movies definitely. I mean, any final thoughts, Todd? Bill, as we come, we’re gonna wrap up on anything we missed or you wanted to really say about The Thing and The Thing universe.

I’m much better now. I’m fine. I can come back in.

Todd_T: Clark.

Clark. 

Bill_H: right. Yeah.

Georgia: It’s

Joe: Sweeds. Cool. You have, we have me, Joe, you got Nick.

We got Nick Georgia. We got Georgia, we got Bill, we got Todd and

Nick: we went down some hole. Are you sure we went the hole? Wait, I think we went the 

Georgia: hole. Which hole? Which hole?

Joe: Who? Who Goes There

Bill_H: Is that next week?

The witch [01:20:00] hole

Nick: That’s next year’s witch hole.

Bill_H: Oh, I want to be on that one. Yeah.

Joe: We love y’all. Stay safe, stay curious.

Nick: Bye-bye. Cheers.

Transcript for Rabbit Hole of Research Episode 46: Slashers

Recorded at Reed’s Local


Joe: [00:00:00] Hey. Welcome back to the Rabbit Hole of Research down here in the not so basement studio.

Nick: we’re away today.

Joe: above ground today

Geo: are we?

Joe: we’re here at Reed’s Local. If people remember last year during our month of horror, we were hosted here at the Reeds Local in Avondale, Chicago, Illinois to record our fabulous episode, and we are back today to talk about Slashers here.

We’re all crewed up. You got me, Joe,

Nick: you got Nick.

Joe: got Nick. From

Geo: Georgia,

Joe: and we have Georgia here. We have our 

Melissa: Melissa. Melissa, 

Joe: Melissa. Melissa’s here. Do you

Nick: you for having

us.

Melissa: course.

Nick: hey, we got some new people down at the end of the table.

Jesse/Alana: I am Jesse. 

And I’m Alana.

Joe: and Alana from

Jesse/Alana: oh yeah. We are the from slasher sauces, the hot boutique, Chicago [00:01:00] boutique hot sauce company,

Joe: Nice. There you go. All things slasher all the time here on this episode. So yeah. I

Nick: I don’t even have to bring up Robert the dah this episode. It’s great.

Joe: gosh.

Oh,

Jesse/Alana: Oh,

How

dare you.

Is it 

still recording? Did 

Geo: oh my

Joe: We’re still recording. A little flashback

Nick: It’s ’cause I don’t have

Geo: No. Yeah, thanks. Last

Joe: year’s horror

episode. it. I knew

We we mentioned that particular doll and then we had recording difficulties. Our recording cut. So if you remember, you go back, you can listen to you to five minutes that did get recorded and then.

The noise that happened. Yeah, it was a whole thing. So I say go back if you wanna get freaked out. yeah, today we’re here to talk about slashers. So I do have, I have my open and I have a list. I’m gonna do 

Nick: You have lists today, one. 

Joe: It’s it’s been a while since I’ve done both the open and the list, but

Oh boy. 

Geo: We’re in for a treat.

feel

Joe: I would like to give the list right up the top and then

Nick: I mean, list it up.

Joe: And

then we got a lot of people. So let me, lemme do my open about slasher. A slasher [00:02:00] film is a sub genre of horror centered on a relentless killer, usually human, sometimes superhuman or supernatural who stalks and murders a sequence of victims, often with a bladed weapon or other intimate means of killing.

Unlike supernatural horror, slashers thrive on physical pursuit, vulnerability, and the illusion of in inevitability, no matter how fast you run, the killer is just behind you. But it’s slasher isn’t just a horror film, it’s a ritual of fear. A mass predator, a string of victims, a final survivor death delivered up close, not by fate or monster, but by a human hand that refuses to stop.

That’s what makes Slashers different. They aren’t about what lurks in the shadows, but about what’s chasing us in the open. The slasher isn’t just a genre, it’s a mirror each, every decade we watch as it kills who we used to be and warns us about who we are becoming.

So that’s a

Jesse/Alana: spooky. Spooky.

Joe: Whoa.

get us [00:03:00] grounded a little bit further. I kind almost give the brief history of slashers, get that

Nick: have a history of slashers slasher,

Joe: a

Come on, Joe.

Nick: Oh, we aren’t gonna slash this.

Joe: I come, I’m slashing

we’re slashing this

of time. 

Jesse/Alana: I wanna know 

Joe: So I went back and I tried to find what’s the, like the oldest, you know, like I do here. And it is, it’s not the Giles or.

you know, 

Nick: I’m shocked. I thought you were gonna 

Joe: no, but the oldest proto slash year that iconic Could Source and Vine. 1846 Sweeney Todd. And these are novels here. We’re gonna start in novels before we get the film. The string of pearl novels series. They were the first kind of human serial killer archetype.

Then we had Dr. Jekyll and Mr. Hyde Robert Lewis Stevenson in 1886. Kind of a 

Nick: Wait, so 

Sweeney Todd was before Dr. Jekyll, Mr. Hyde.

Joe: It was by 40 years, according to my

Nick: Wow. I did not realize that.

Jesse/Alana: I didn’t know Johnny Depp was that

old. 

Nick: Yeah.

Joe: He

Nick: just like Nick 

Cage, he’s a

Joe: looked damn good for that age, you know.

You know? You live [00:04:00] forever.

No. Okay. And then we had the, No, you’re fine. Yeah. Yeah. And then we had the lodger Marie Ock Landis in 1913. And that was based on Jack de Rip. And it followed like a mysterious lodger suspected of murdering women in London. Those are the novels that probably set the kind of the proto slasher.

And then we go into film Proto Slashers,

and we start with the lodger, A story of London Fog, 1927

Nick: I love that drink. Yeah.

Joe: Now that’s often called the first slasher film prototype. And then we have M 1931 by Fritz

German, A masterpiece about a child murderer, hunted by police and criminals. Introduced a concept of a sym sympathetic killer in psychological realism.

And then kind of the oldest slasher movie. Georgia was quizzing me like yesterday about this, and I couldn’t think of it, but it’s Psycho in 1959. Once again, Albert Hitchcock. And it was adapted from a novel Robert Blanc Blanche 1959 novel. And it was [00:05:00] inspired by the real murderer of Ed Gein.

You got something.

Nick: I love that

Geo: that, I don’t know if that date’s right,

Joe: Not 1959.

Geo: I’m not sure.

Joe: I’m not sure. Okay. We’ll check. We’ll fact check here. 

Nick: It’ll 

be in the footnotes. Don’t worry guys. 

Joe: show notes.

And then there’s some debate on what with the oldest modern slasher film be. And there were kind of two. One was black Christmas in 1974 Bob Clark with anonymous killer terrorizing women in sorority house.

And then you had the Texas Chainsaw Massacre in 74. Also Toby Hooper. And it replaces a suburban voyeurism with rural kind of brutality and murder. So kind of switching that flipped there switch there. And then we have in 78 probably the master, the standardized, the genre, and that’s Halloween by the Great John Carpenter.

Yeah, so that’s that, that’s my list there to

you know what, it was 

Geo: actually 1960. Oh,

Joe: it 1960? Not 1959.

Geo: Sorry that’s splitting hairs. I’m sorry, [00:06:00] but I knew for sure it came out in the decade of the sixties,

Joe: in the sixties. Oh boy. Did I get that? How did I get that

Geo: but 1960, you’re only a year

Joe: all my dates 

Geo: I’m sorry.

Melissa: And

Joe: know the theme while you’re fact checking I did do, like I do a hundred word movie review every month in the zine.

Melissa: And this month was Halloween.

Oh.

It is like a trite thing to review. However, I was like, I did it because we just got the Halloween pinball machine and I think we might be the only bar in the city with Halloween pinball right now. It’s from spooky pinball and it is so fun. I’m not doing this to advertise pinball, I’m doing this to advertise that after this, we’re all gonna have to play each

Geo: Oh I am totally down for that. Yes. Oh my gosh.

Joe: the novel was 1959, so I had my, sorry. That

Nick: I can’t believe you got this wrong,

Joe: out. I did, I got it.

Nick: Joe. I don’t know if I could trust your words anymore.

Joe: I gotta redo

Geo: in my head. I thought it was later in the sixties to be fair.

But

Nick: surprised you aren’t blaming Robert the doll right now.

Joe: Steve, [00:07:00] stop talking about Robert. Ow. This 

Melissa: is the

this is the contest to

Geo: Why are you gonna keep doing

Melissa: or librarians.

Nick: It’s like Beetlejuice. You have to keep bringing it

Geo: No. Stop it. Stop.

Joe: that. Yeah.

But

cool. Yeah, so that’s the list. Now I gotta, now I’m like, I gotta check my other dates now, but there’s a book and a movie and I had the 1959.

Okay. Nevermind.

Geo: I would say Halloween never gets old. The movie Halloween. Yeah. 

Melissa: No, But

so which is your favorite Halloween movie of the 19? No, there’s 13. There’s 13 of them I think.

Geo: Yeah, 

Jesse/Alana: there’s

so many, there’s so many different cats. Cats. You can go down to, God one’s amazing.

No, I’m just

kidding. I

hate the 

Melissa: unpopular opinion. Halloween three,

Geo: really? I

Jesse/Alana: I am, 

we are actually very big fans of Halloween three. We are working on a Halloween three hot sauce for sure.

Very nice. I to be the model with the pumpkin on

Melissa: Oh,

Wow.

Nick: You wanna go a little closer to the

Joe: Ain’t the mic?

Jesse/Alana: Oh, for the reference picture.

Joe: Yeah. 

Just,

Geo: You don’t really I’m

Jesse/Alana: learning microphones over here.

Joe: Yeah, you’re [00:08:00] fine.

Jesse/Alana: Yeah,

I get to be the Halloween head for the. Hot sauce Image,

Melissa: Ference. That’s Yeah. She smelled like a child, so it’s perfect.

Jesse/Alana: Put me in front of a TV and I’m good to go.

Nick: Hell yeah.

That you,

Geo: tell,

Melissa: Is it gonna be a pumpkin based one

Jesse/Alana: We haven’t decided the recipe yet.

Sure.

Joe: Pumpkin

Geo: Now it’s decided right now.

Jesse/Alana: I like that. That a really good idea. We’re just like, we’re tweaking some stuff, but Yeah.

Geo: so tell me more about slasher sauce and when did it start And

Jesse/Alana: so it started loosely back in 2015 in North Carolina, but then we picked it back up during the pandemic.

Al and I. It’s, we’re like a Chicago, like boutique horse, so like we company, so so we kinda make ’em like small batch and stuff, like from, you know, just a try and trend as, as small as we possibly can and just like we do markets and stuff like that. But it’s started out like small.

We just like finding it different recipes and like building stuff. Like we’re all new. I’m a terrible cook, Alana, we’re all terrible cooks in our family. 

I set off the [00:09:00] fire alarm when I make a grilled cheese. It’s awesome. 

Yeah so we, we just we’re like,

okay, why don’t we just make like sauce that is. That we can cover up our mistakes and our food, you know, kind of deal. So we started really like working on that and trying to come up with some stuff and like trying to like, challenge ourselves to get hot and hot. But we focus mostly on more flavor overheat kind of deal, you know?

So it’s like we’re not trying to like, murder you or anything, even though like our hottest sauce is classified as murder.

Um, Soon

it’s gonna be open casket or closed casket as our as our hottest sauce. Hottest. Hottest,

yeah. But they’re, yeah. 

Geo: you’re out front about it, you know? 

Jesse/Alana: Yeah, for sure.

Yeah, it’s mostly it’s mostly like medium based, so it’s good for grandma’s is good for anyone, but like the hot heads and stuff are gonna have trouble with kind of like dying for it, but like the flavor is absolutely where it is.

So 

yeah, more focused on flavor than heat. 

Yeah.

Joe: I think that’s good. No,

Jesse/Alana: No, and then 

Geo: every flavor is based on a slasher movie. Yeah. So 

Jesse/Alana: every bottle has its own little lore to it. So like we have, our first sauce we did is a called Green Inferno. It’s based on cannibal Holocaust, which are most mild hot [00:10:00] sauce, but we tried to make the most brutal possible, you know, so so we did that one.

We’ve got a Texas Chainsaw Massacre one. We’ve got the Shining it’s called like Overlook Orange Sawyer Family Brew for Texas Chainsaw Massacre the Forbidden that is our Candyman hot sauce. We’ve got FCIs Fire, which is our zombie hot sauce, zombie jerk sauce, and then fruit Cellar, which is our evil Dead.

Okay.

my personal favorite. 

Oh yeah. That’s fantastic.

Melissa: so good. I was, my two favorites are the fruit cellar because I love hot sauce, but I also wanted to have flavor and that was awesome. And then they told me a pro trick for the F juice fire one, which I couldn’t figure out what to put it on.

And then they said, Thanksgiving dinner. And I’m like, so anything that is could be Thanksgiving dinner. It’s amazing. On

Geo: Wow.

Jesse/Alana: oh, it’s so good. Yeah.

Joe: Is that just a, you think about Thanksgiving dinner and you put it on so you could be

Melissa: I mean, yeah,

Jesse/Alana: You envision

Thanksgiving and then you’ve got it. Yeah.

good.

Just drink some hot sauce and think about Turkey.

Yeah,

Nick: got it, of course there is the [00:11:00] Thanksgiving movie.

Jesse/Alana: Yeah,

That’s

right.

Geo: you go. So there

Jesse/Alana: then than killing. And then there’s, you know,

Joe: Yes. That’s

Jesse/Alana: poultry

Melissa: met them because of the hot sauces. ’cause some friends of mine, the friends you met at the last PO podcast, Steven from Killer Pinata, I saw that they had posted that they had gotten some of these hot sauces. I’m like, wait, there’s horror movie Hot Sauces in Chicago and

I don’t have them

yet in my collection.

So I put in an order and then Jesse and Alana were like, oh, we know Reed’s. And then we became 

Jesse/Alana: We literally

lived right around the corner at the time. So we’re like, we’ll walk by and bring you some hot

sauce. 

Joe: And I think you know, hot Sauce is interesting because like a good slasher movie when you try it, there is some anticipation mm-hmm. of the heat. And that fear and that moment before you 

Jesse/Alana: is great. 

Joe: you know, to try it. You do have

this, and 

Geo: then you have the chasing you afterwards, if we all know what you mean.

Joe: that’s not I talking 

Jesse/Alana: to the bathroom. Yeah. Got that little heat that sticks with you for a while. You keep looking at the

hot sauce is you 

Joe: [00:12:00] one drop or do I put like the whole bottle on? Like where do I need 

Jesse/Alana: It’s always lingering over your shoulder

Melissa: Wait until they come out with that neon green when they’re working 

Jesse/Alana: Oh yeah. Good point. Yeah. Mm-hmm.

Joe: I do think that’s a, go ahead. No, I was just saying that’s a, it’s a cool

a good tie in. Yeah. 

Jesse/Alana: it. 

Joe: Yeah.

where you’re going and

Geo: and I was gonna say, I we went down a rabbit hole, but but to answer your question, I think just the traditional Halloween one, I just, that’s mine.

Yeah. What about you?

Nick: Oh. 

You to come back to me ’cause I have to think about this still. It’s a hard Is it H2O and you just don’t wanna

Joe: I know. Yeah.

Melissa: Yes. 

Nick: It’s trying to justify it.

Jesse/Alana: Okay. Wait, I have to, yeah,

Joe: you’re good.

Good. There’s no 

Geo: judgment. No judgment. 

Nick: So what about you guys? What’s your go-to?

Jesse/Alana: I mean, I think one still for me, like it’s classic, you can’t beat it. What we do every year is a spooky, we, it’s every, you know, 31 movies and in Halloween to, to Halloween, but you can always repeat Halloween.

On Halloween. It’s it’s a super important film. Like it really broke the mold for [00:13:00] a ton of films after that. So you gotta pay Hom much to where you can, 

I’m still torn between one and three ’cause one is classic so good. And my first time seeing it was at the music box, so that’s hard to beat.

But then I love the season of the witch. It’s so good and it’s just different and I love it.

Joe: Yeah,

Jesse/Alana: That’s me.

Geo: You didn’t answer Joe.

Joe: Yeah I, once again probably the, and I would go with the classic probably more that I remember it. It is like in ingrained it was early on, you know, so I was probably a young, I’m not sure if I saw the thing or Halloween first, 

Jesse/Alana: Oh yeah 

Joe: I probably was in, in between those.

But yeah, no I saw it when I was young and so that’s just stuck with me and probably just carried on. And all the other ones were good. The first three I think were good, but I, my memories all come back to Halloween and that’s the one I probably have seen the most. So you always kind of gravitate to that.

And none of them, [00:14:00] I don’t think, in my mind, as in people on the podcast have heard us have this discussion. I don’t think any of the other ones were better than the first one as good maybe, but not better. So in that, I’ll go with the first. But

Jesse/Alana: I 

agree. 

Joe: Okay. that, 

Nick: pretty good. Like I’m looking through them and I’m like, I can’t say I don’t like any of them. Like they aren’t as good as some others, but yeah,

Joe: Yeah,

Nick: it’s they’re all watchable and I’m gonna enjoy the hell out of it.

’cause it’s

Jesse/Alana: The original’s hard to beat though.

I fell off when Rob Zombie made the second one. I was like, okay, I’m done. I think the white horse running through everything. This is far from Haddenfield.

Geo: I might have missed that. It must have met, I haven’t seen

Joe: the last 

Nick: Halloween. end. 

Joe: Halloween

Jesse/Alana: Don’t waste your time

Joe: okay. There

Jesse/Alana: personally.

Nick: it was just a, it was something

Jesse/Alana: The first in the series was great. Like Di Debbie Gordon Green’s fantastic. But yeah, it just, ah, it fell off hard. Yeah. So hard.

Joe: Yeah. I mean, and then this swing back a little bit, like [00:15:00] why we enjoy I figure everyone here enjoy is a good slasher. Movie. And so kind of that get to that core and what’s it actually doing for people when you watch it? And so there’s a lot of psychological cues that we get out of it.

We talked a little about anticipation. We talked a little bit about kind of suspense and going through it and somewhat as we go through and you think about our favorite movies and putting us that as you go through that really your brain is testing scenarios.

And

as you go through the best of the slasher movies, you have some testing of the scenarios as you go through until you get to the final, usually the final girl 

Geo: Wouldn’t you say that’s true of pretty much all horror movies? Or are you saying that there’s something specific about slasher horror movies? I 

Joe: think puts the spotlight on it more than maybe other horror movies. Because I mean, a slasher movie, ’cause it’s a, yeah, it’s a sub genre in a slasher movie.

Usually it’s more intimate in the [00:16:00] killing,

Nick: and it’s more of a humanoid

being coming after you. So it kind of grounds it a little bit closer to your own reality, 

Jesse/Alana: Closer to home. 

Nick: Yeah. Like the anxiety of that person walking a block behind you, but you can still see them staring at you, even when you turn the corner and they turn that same corner.

You’re like are they following me? Are they gonna kill me? But it’s that more human aspect that Slashers have,

Joe: yeah. 

Jesse/Alana: And I think the incapability just the kind of no matter how fast you go or loud, you yell at them or anything. They’re just going to keep coming. And you can’t reason with it. And it’s terrifying.

Joe: Yeah. And you have usually have a start where. Everyone’s unaware, right? So you go in, in a scenario and even your own self, you put yourself in that spot. The first maybe one or two people that get it get killed. They really had no plan. ’cause they weren’t planning it before anything like that.

So they went, I mean, there’s some slashers where they do something like, we’re gonna go to [00:17:00] this place that’s haunted, do a Ouija board in the haunted basement. And then you know, and then

so you know,

someone becomes they,

Nick: I don’t know why you guys have not let me,

Joe: because

gonna happen. We see that movie. But other than that, most time you go, you’re unaware, just doing your life or whatever, your event, and then the first couple people get killed, and then you have that next phase where , it’s a, the fight flight, 

so you have the unaware, the surprise, and then you have, are you going to run or you gonna fight, right? And you have that stage and it’s really clear.

I think 

Geo: The odds go up if you are a teenager having sex,

Joe: of getting Send, send Sin dies first.

Nick: oh yeah,

Joe: Yep. I

was gonna say somewhat, that’s that’s could be the decade, 

right? Because I think that’s 

got played upon more than other decades where we have it.

And now it’s just become a trope that we expect that, early on you gotta see some boobies and a blade and that’s it. That’s a yeah.

Jesse/Alana: Yeah. You gotta look what’s going on like in America during the time For sure. Like the moral police and stuff during you know, all that [00:18:00] stuff. Yeah.

Joe: So yeah.

But,

Nick: so I do have a thing where I believe that everyone knows the song. Every breath you take, like by

Jesse/Alana: Yeah. Yes.

Nick: It’s about a serial killer. 

Jesse/Alana: Yeah, yeah, for sure.

Nick: Okay. ’cause 

Jesse/Alana: stalking people.

Yeah, exactly.

Nick: like that song I think does wrap up the slasher genre. Like this being is watching you in every position, every time that you’re doing whatever.

It’s oh, cool. That’s the exact feeling that you get when you’re in a movie.

Jesse/Alana: I mean, he’s got a name like Sting. Yeah. So

Melissa: it’s a 

Jesse/Alana: he’s already made for it.

Joe: I mean, if we’re,

Nick: a good name for it. 

Joe: You’re talking about stalker songs, I think Lionel Richie 

Melissa: Hello,

Joe: you know, that’s he’s essentially, 

She’s blind and then she makes a model

talking about the, of you’re 

Geo: talking about the music video. So

Joe: model of his face and she’s blind.

So that means she’s not making it outta admiration. She’s this is my stalker. This is [00:19:00] like calling me up, breathing on the phone, like hanging up with me. It was like kind of a weird video. If you think about,

Nick: were the 

eighties, just the time for,

Joe: I

he was a serial killer and she was gonna be the next victim.

I think it was just lining up and she’s trying to warn people, like she’s the one making a model. She’s the final girl. This is it. 

Jesse/Alana: And this is who did it?

Yeah. 

Nick: believe you. We blind.

Joe: is a great love story. No, this is gonna end.

Jesse/Alana: police sketch. Yeah.

Joe: Yeah. 

Jesse/Alana: Have you seen this leprechaun?

Joe: no, it’s so yeah, that one there is low key kind of slash air.

Like he was, you know, he didn’t do, he didn’t do thriller, so he had to come up with his own kind of low key slash air video. Lionel Richie, I love Lionel Richie, so don’t take this. We’ll get him

Nick: get ’em on the show and have ’em,

Joe: You’re welcome to come on, defend that video. 

Melissa: I think to backtrack too, another reason why slasher films stand out in the horror genre, like you were saying. There’s so much to it. There’s so much more intimate and my favorite genre of horror movies is actually creature features. My second one is really [00:20:00] bad.

Oh, the Conjuring series. I love to hate watch it so much. Oh yeah. I love ultra serious bad ghost movies, but slasher

Nick: that super religious overhanging of

Melissa: they’re so bad. I love them.

Jesse/Alana: So

Melissa: Love watching that shit. But slasher films are the ones that like, they’re the only ones that actually terrify me because it’s like, you can reason with ghosts or get an exorcist, you know, creature features, I mean,

Joe: hold on. You can reason with the ghosts?

Melissa: Troll

two kills you.

Like you go to nil bog, you’re like, these things are kind of 

Jesse/Alana: Wouldn’t be the worst way to go

Melissa: a plant and eat you. But like slashers they’re terrifying because some of them can be so realistic. There is no compromising with the killer. They have one mission and that’s just stab stab.

And that’s,

Nick: See, but

The part that makes me laugh so much.

Jesse/Alana: step

Melissa: how it’s

Joe: And I think that’s what separates like the predator.

Yeah.

From Being

a slasher. Because he does com if you’re [00:21:00] pregnant or you don’t have a weapon or you’re not engaging in, he, there’s some moral

Geo: also he doesn’t use, he doesn’t use a knife.

Joe: he does. I mean, yeah, he does a lot of times. 

Geo: Okay. I was, I guess, I think I can picture everybody holding guns in that. I guess that’s where the people against the predator. Yeah.

Joe: I think there’s like some, from his point of view, there’s some honor in kind of the hand to hand going in, just killing, and he is stalking, he is almost unstoppable. And so that is fits almost.

But then you go, as Melissa was

Jesse/Alana: like a career. A career breaks it, you know, if you’re like a hunter or like a assassin, like that’s, those aren’t slashes, they’re still killing people. Like brutal ways.

Yeah, exactly. Yeah.

Joe: And intimate. Usually you’re very, you’ve been tracking, you’ve been following, you’ve been, you know, stalking in that way.

But the real horror is that you can’t reason. So you are being chased. You can’t reason, and you don’t really, at some point you don’t know why you’re being hunted. Like usually in all these other scenarios, you know why at some point you go, oh yeah, you know, I’m a mercenary. I see why someone’s coming after me, or I used to do this, I know why.

But [00:22:00] here you’re just kind of at the camp trying to get your freak on, and then you get a pitchfork through the chest, right? 

Jesse/Alana: There’s no reason, there’s no rhyme. It’s just random, but it’s you and you’re gonna die.

Joe: Yeah. 

Melissa: And I think also, it’s also probably, ’cause I’m reading it right now, finally after years, I picked up Helter skelter to 

Jesse/Alana: Oh wow. Yep. And

Melissa: and you know, I, oh it’s so good. I’ve listened to podcasts about the Manson murders and all this, but you know, like you were talking like about a moral code.

And I’m like, that’s why I think slasher films are so terrifying because it’s like they had no moral code. It was, you know, it’s disgusting. It’s horrifying. But I still do love slasher films even though they scare the shit outta me.

Disgusting.

and I do love reading about horrible things that happened out of like a anthropological perspective and historical perspective.

Geo: And I think body count, there’s usually a lot.

Yeah. A high body count.

Jesse/Alana: That’s a reason for

sure. Yeah, two Because like psycho, that’s why Psycho

Geo: is

more of a pre [00:23:00] slasher. ’cause 

Joe: they’re, I mean,

Nick: have sequels. I’m pretty sure he ups his body

Geo: I’m just considering the first psycho,

Joe: guess you don’t, I mean, do you need a high body count to be, I mean, if you kill four people

I think that’s a 

Geo: characteristic of slasher movies. Go is a higher body count.

Joe: yeah.

I think you need a higher body count to go through those phases. Kind of the unaware, the, flight and then the fight. And so I think you have that. And I think in psycho, I mean, I guess you did have the fight at the end. I don’t know if you went through all the stages, you only, you didn’t have enough characters to make your way through that psychological kind of climb.

So Yeah. So I agree. You need numbers, but 

Jesse/Alana: He did have a two body count, didn’t he? Did he kill his mom? I thought he killed his mom.

I think it’s just kind of open-ended and we’re not told. Yeah, but so it’s potential two body count two, which is better than one for a slasher, I guess

Joe: three.

Nick: See the having just one for a body count, that’s just you’re kind of a lazy slasher, you 

Melissa: That’s just a mistake.

Nick: It’s

Jesse/Alana: we’re gonna 

gate

Geo: You need to [00:24:00] get out more.

Jesse/Alana: that’s not enough to be a

Nick: those are rookie numbers. You

Jesse/Alana: Yeah. You gotta bump those numbers away. Way

up 

a candyman, I mean, it wasn’t particularly high body count in that movie. We just watched it. 

Nick: I assume that he has a higher body count that you don’t 

Jesse/Alana: From previous. 

Joe: I know,

maybe, But 

Nick: that’s not 

Joe: the murders they were talking about, they, it was very limited and it was, and there was some,

Nick: wait, what movie are we talking

Joe: Candyman.

Nick: Candyman. 

Jesse/Alana: Candyman.

Melissa: in front of a mirror

Jesse/Alana: Oh no.

Melissa: in

Joe: Ow. 

Nick: a mirror right there. I was hoping it would work.

Jesse/Alana: Stop it. Five.

times I still don’t do

it.

I don’t do

Melissa: Me neither. I don’t do that. I 

Jesse/Alana: I do 

Melissa: bloody Mary,

Jesse/Alana: Buddy Mary do that in

the Caprini Green, like target. Yeah, 

Melissa: oh, I’ll do Beetlejuice any day. That’s fun.

Jesse/Alana: I don’t

do Bloody

I don’t do that. chaotic gifts. I do all of it. I just, you know,

Geo: Do you do Helen something? 

Jesse/Alana: They never Do 

Geo: Helen? 

Jesse/Alana: do. something. Never.

Joe: I think the other thing with the slasher kind of the other unique thing is the point of view. ’cause [00:25:00] oftentimes you get both the point of view of the actual killer. And then you also get the point of view, which in movies usually don’t switch to the protagonist and antagonist.

Usually you follow one through. But in a lot of, in most slashers, you do get the other viewpoint of the person being slashed and doing the slashing or the actual hunt like your, the prey, 

Nick: so would sleepaway camp be considered a slasher then? Like sleepaway camp?

Joe: away 

camp?

Melissa: Yeah. 

Nick: Yeah.

Really 

Jesse/Alana: it would, yeah, she could, she got high body count, I’d say. So

Nick: like it. It does fill most of the, I didn’t see the sequels. I know there’s. 

Jesse/Alana: I didn’t know there was a sequel. Oh, there’s a 

Melissa: of ’em.

Nick: Yeah.

Joe: Sequels and slashers usually fall off like there’s a steep cliff. Like you have the first one you build

Nick: It really depends

Joe: You throw in everything

Nick: heard good.

I haven’t seen the second or third Terrifier, but I’ve heard great things.

Jesse/Alana: Mm. Yeah.

Melissa: Listen, you guys are dissing Scream for, and I’m not gonna stand for that.

Nick: I didn’t think anyone did Scream. We haven’t even

Melissa: broad.

Nick: Scream up. 

Melissa: Yeah.

Jesse/Alana: I know 

Nick: [00:26:00] does that one count? ’cause isn’t it a different killer?

Jesse/Alana: I think that

Joe: Well, you can be a different

Jesse/Alana: Oh, that’s 1000% clashes. 

Joe: Scream. Definitely. I didn’t see Scream four. I didn’t see

I didn’t see screen four. Like I said

Melissa: four is the bad one. I still have a soft spot for it.

Jesse/Alana: I was wondering, does It Follows count as a slasher or 

is that more supernatural? 

Yeah. Or is that more of a supernatural horror?

Nick: I’d consider that supernatural.

Jesse/Alana: Yeah, like a supernatural

slasher because you can’t stop it. It’s ans TD that

Geo: That’s that’s kind of like Freddie Kruger. Is he? Because

Jesse/Alana: he’s a dream.

Geo: he visits you in your dreams.

No, but the way he kill you. Yeah. I dunno if that would count. I mean,

Melissa: I 

Jesse/Alana: oh spoiler. Oops. Fred Cougar, die movies,

Nick: slash concert. Yeah. I 

Melissa: think they are supernatural horror. They’re more psychological

and they’re also better than the Friday, the 13th series.

Jesse/Alana: I do agree there. Yeah. Same. But going back to your like the perspective of the killer and stuff, I think it’s super important film. When I like opened my eyes a little bit was Behind the [00:27:00] Mask Rise of Leslie Vernon. Have you seen that one where it explains like you follow, it’s a kind of a mockumentary kinda thing where you follow the slasher and it talks about oh, this is what I gotta do.

Oh, I like, I have to cut the branch a little bit because I don’t wanna fall down. Like I don’t wanna break my leg and I gotta like still, I gotta get my pacing down. I have to run. Cardio is hard to make yourself look like while you’re walking, but you’re actually running kind of thing.

And that’s like a, you get the whole behind the scenes of why they do it and what makes the Final girl like I always thought it was a super important film with that. It’s really good deep look.

Joe: Yeah, we’ll put that in the show notes. I was gonna say too, that. I mean, thinking fast forward, I had this generational thing, I’d had some notes on that going through the decades and made mention.

But even as we come out, you’ve seen a lot of more movies now with the slasher, much more digitally based artificial intelligence, Megan, which I haven’t seen, but I know the premise of it. And so when you mentioned it follows, that was one also that came like in this other category of its, decade where you are looking at this kind of self as the monster and the likes and the social [00:28:00] aspect, but still fits our definition of slasher or have to modify a little bit.

And I mentioned Supernatural and Freddie Kruger was part of that because people usually throw that in as a slasher, 

Nick: do feel like a lot of the slashers do have a supernatural ability. 

Joe: Yes. I mean, the Candyman we was 

Nick: yes. Uh, they all have something that is like. Mike Myers should not be able to move as fast as he does, like he is, as you said, sprinting across these fields and just walking

Joe: teleportation.

Nick: like Exactly. He’s essentially teleporting. He’s got these supernatural abilities where he’s what died a few, handful

Joe: Also he must have healing fact, right?

I mean, so we start going through it because the 

Jesse/Alana: Yeah, he shot Yeah. stuff. Yeah. 

Joe: it. It is one of these levels where you go and you’re right, we have to keep it at human because then you start to, other things can, you know, I was thinking like The Crazies,

Jesse/Alana: Oh yeah. Yep.

Joe: it’s not necessarily [00:29:00] a singular person killing, but in some ways, especially the remake, it was much more you were following just a couple people killing and, but really the community was degrading there.

So you had That’s

Nick: the Strangers Too, not the number two, but TOO.

Joe: I didn’t

Nick: they, no, they go into a house, they kill people. It’s just it’s a repeat

Joe: Okay. I see. Yeah.

Nick: that one 

Jesse/Alana: Is that like funny games?

Joe: Yeah.

Melissa: Yeah.

Nick: Yeah.

Jesse/Alana: es 

Joe: Yeah.

Melissa: Yeah. Would that be a slasher though, because it’s all targeted at one location? They’re not.

Nick: they do move around.

Melissa: I mean, I haven’t seen that in a while and I didn’t like that, and I was like, I guess most of them are like stalking at a teenage house and stuff.

I just, maybe it’s because I don’t like The Strangers that I just blocked it outta my head as a slasher 

Jesse/Alana: yeah,

yeah.

Nick: Like it definitely has. I, from what I remember, it’s been five ever since I’ve seen it.

But they were going to different houses and doing this

Melissa: Oh, okay.

Jesse/Alana: oh, that’s [00:30:00] right. 

Joe: Okay.

Nick: Like I could be wrong. Someone can fact check me, but

Joe: we’re fact 

Jesse/Alana: it’s been a while.

Nick: is there what Yeah it’s one of those movies where it’s oh, I seen that. I know what the hell goes on, and

I don’t care to go back to

Jesse/Alana: it. Yeah.

Joe: Yeah. I

Jesse/Alana: I feel like the only one that doesn’t necessarily have some kind of supernatural ness to it is probably psycho.

’cause that’s just Ed Geen based, and that’s just almost even scarier that there’s not a supernatural aspect to, it’s like just human Texas

Oh yeah, that too.

Yep. So that’s a whole family. Yeah, you’re right. 

Melissa: Christmas, which I think is like one of the first slasher films. And I love all three versions of it. I think it was the latest one where there’s, it’s not really supernatural. They’re more just like in a cult. 

Joe: Black Christmas was the one where you really, you didn’t know the killer at all. I mean, it was still at when that ended, you didn’t know who, like usually there’s some resolution of that aha, that’s, this is the person that’s chasing.

But there was, it was very anonymous. [00:31:00] Had a, an idea, but it, you weren’t sure 

Melissa: and

Joe: I didn’t see any other one.

Melissa: The other great Christmas slashers. Oh God, why am I blanking on?

Jesse/Alana: Night.

Deadly night. Oh, my silent night. Deadly night.

Nick: The second one. Oh yeah. Oh, for sure. Yeah.

Jesse/Alana: Oh my God. That’s my favorite Christmas sweater. yeah, super garbage Day.

Yeah, we should do a Silent Night Hot sauce. That’d be fun. Oh yeah. 

It’ll just be called Punish.

Nick: punish. 

Melissa: Good 

Jesse/Alana: I think Lan 

Melissa: I mean, Lya, Quigley’s death. And then 

Jesse/Alana: oh 

oh. So good. I think 

wherever Lan Quigley lives is my wife equals a slasher film. He’s my wife. Yeah.

Joe: and I think the other thing in the slash movie I had in is the the, that predator prey kind of response. That you have. And we look at this real life, you know that predators usually are they’re camouflaged, they go slow, they hunt, they stalk.

Then you have the prey who you have. Once again, I keep going these stages because I think that sets, that helps that, that can help us distinguish between some of these horror [00:32:00] films that kind of are on the edge between the kind of sub genres and, you have the prey, you have the startled, freeze response.

Then you do have a run response, and then you do have at some level a fight response and you have this kind of situation that you go through in, in, in these kind of phases. So you can also start filtering and maybe through some evolutionary. I have a few other thoughts about evolution,

Nick: What’s the thing in the brain that makes people make terrible decisions during these things?

Jesse/Alana: stupidity.

Joe: no, 

Nick: I mean, most of the time they’re sober. Like in more recent ones they’re pretty sober. Yeah. They’re just, every character is just so 

Jesse/Alana: I mean, if they all listen to me, they survive the movies, but they don’t,

and that’s just rude. I

Joe: I think you gotta blame the writer the writing of convenience.

’cause even in Halloween if you just lock a door, right? I tell like the, my boys is lock the door because if you lock the door, you probably would stop most they would just move along. Or they break it down, you hear it, you get some [00:33:00] audio , cue that something’s happened at your, , your secure entry and maybe you should be on alert.

But usually the door’s just left open. It’s I’m just gonna walk in there and sneak in there, you know?

Jesse/Alana: Yeah. Michael’s got the mind of a child. You can just lock a door.

You’re fine. He doesn’t know how to use it. 

No open. No go

Joe: Yeah. They don’t have pick locking skills. That’s not it. You know, they’re not

Nick: stop it.

Joe: you know, picking a lock. But yeah, no, I think you’re right.

There’s some plot convenience that has to happen in a lot of these that people have to go into a particular room or a particular place. And it might not be logical, but that’s also, as viewers watching that, are we learning about these situations? Are we learning about 

Jesse/Alana: I was gonna say, like I, I look at slasher movies as like a learning experience. What would I do in this situa, not that, but like

Melissa: yeah, 

definitely don’t separate,

Jesse/Alana: never hide for the whole movie. Hide till they walk away. Then run the opposite direction.

Like 

Nick: you can see them, they can probably see you.

Jesse/Alana: That’s

Joe: right. 

Jesse/Alana: That’s usually the life. Yeah. Always run. Yeah, that’s 

the [00:34:00] thing. Never hide because they have all the time in the world you don’t 

And you don’t, yeah,

just run 

Joe: on you, you’re kind of locked. They’re gonna keep, you know, once they identify this group of people, then it feels like that’s 

Jesse/Alana: they’re locked in.

Joe: once again. That’s also written that way. Maybe in the real world they’ll see some other group and then wander off that way.

’cause is it just a killing? That’s the motivation, right? So we’d say they’re unmotivated, but maybe there is some motivation to the killing. And usually sometimes there is some moral thing. A parent was abusive or a mom didn’t love them or they didn’t get hugs or a girlfriend dumped ’em. And so you have this whole thing where there is some thing where they would specifically, they’re just hunting out women, let’s say or men for let’s say.

And then you have this thing, but you just got in way, you were just a casualty of kind of the hunt.

Jesse/Alana: I mean like In a Violent Nature, I think. Was that the movie?

I think it’s like the one that’s a POV behind the slasher. Where Oh, 

that’s one of my favorites. 

Yeah. That’s fun. And it’s

Where someone else would make a noise and get in the way and it’s okay, I’m going over here now. So like [00:35:00] it’s just on this full brutality force.

Yeah. No rhyme or reason. Yeah.

Joe: Yeah. Once you start, then are you just down

Jesse/Alana: Yeah. You cut my eye and now you dead. And then That’s it. until something else

Yeah, Oh, my March two awards, my ultimate goal, right? It’s you’re hiding in that. Oh, 

cool. Sounds good.

Joe: You’re done. So you have that.

So I,

Jesse/Alana: found you I have to say, Kevin Bacon was one of the first

Dreamboat

Geo: first people victim of a Yeah, he was, Yeah, that’s right. 

And anytime I can mention Kevin Bacon, I do. That

I know 

Joe: there

Jesse/Alana: that was my second Kevin Bacon movie ever. And it was

Joe: yeah.

Jesse/Alana: well worth it. I loved it.

Joe: Good old Kevin Bacon.

And Friday the 13th, if people are wondering. Yeah. Do you got the dates on that?

The

the 

Geo: first Friday the 13th,

Joe: anything which didn’t have a, Jason,

Jesse/Alana: Was that 19 80, 81

said 

Joe: something in there. Yeah, that sounds

Geo: I’d have to look. Yeah. I could look

Joe: my year? So I

Geo: I could look.

Jesse/Alana: shorts on. That’s all I know.

Nick: But [00:36:00] yeah I do feel like even in like horror video games, they have started to make it

harder for you to think rationally. Okay.

Love the what resident evil games. They’ve been doing some fantastic games where it’s like, what was seven was absolutely terrifying. And you’re stuck in this what swamp house?

Louisiana. Where you are trying to get outta this house and find Mia, which is his fiance

that was kidnapped and then, yeah. I don’t know. Story. It’s taking a minute to remember, but yeah it’s definitely giving you more of a, okay, you can’t just do exactly what you would in real life, so we’re gonna make sure that you have to do this puzzle to get through this door so you can get this

Jesse/Alana: Can’t progress the story. Yeah, for sure.

Joe: yeah.

Nick: you can’t just go that’s all terrible. I’m just gonna walk outside and leave.

Joe: I 

Jesse/Alana: scream the whole time 

Joe: door or whatever. Usually the movie will be over relatively quickly. If you could, if you sealed off these things, you would kind of end it. If the [00:37:00] campers listen about the haunted story and go, you know what, maybe we’ll go the other way to the other lake and 

Jesse/Alana: but then there’d be no movie.

Joe: you know? That’d be a very teenagers 

Geo: listening. I don’t know if that’d be 

Joe: it’d be a very different movie.

Jesse/Alana: Then also overkill.

Whenever you catch the slash air, they always just hit ’em once and run

like no. Like we’re always like, overkill. Overkill. You need to overkill.

Nick: Make sure they’re 

Jesse/Alana: Please. I’ll take the jail time. I’m doing overkill. 

Nick: I think you would avoid jail 

Jesse/Alana: it. 

Yeah.

it’s self defense. 

Nick: I’m

Jesse/Alana: I’m not playing with

that. dismembered 

Self-defense. 

Joe: have to you probably need to cut a hand off or ankle. I mean some feet, I mean something. I mean you really, you, but

Nick: burn the body,

Joe: then is 

Jesse/Alana: let the body stay in one piece

Joe: If you do that, what should be a, I don’t know if there’s a movie like this where you go and you actually have this real thought of dismembering the slasher and you become the next slasher.

Melissa: Yeah, so if they thought about it though and actually killed the killer at the end of the [00:38:00] movie, there wouldn’t be sequels. 

Joe: Wait,

what? The, so what The person who killed them

Melissa: Oh, they

Joe: become the new slasher.

They all, they’ll become psychologically. Now I need to write this. I’m just gonna go, you 

Melissa: You should write that. I

Nick: You should write that because this is gonna 

Jesse/Alana: they got the taste for blood now and it. 

Joe: yeah.

I wanna write this story. 

Melissa: I like that.

Jesse/Alana: Do it. I’d watch it. That’s a fun one. That sounds like fun.

Joe: Yeah. I don’t know any story where they do that, 

Jesse/Alana: I know there’s like bloodlines like there’s like bloodline ones are for sure ones where they continue, but not like where you kill it and you become

Joe: Because to ultimately kill the, hunter that the actual 

Nick: killing the hunter. You become the hunter, like

Joe: almost dismember.

You really have to go crazy. And you’re right, people usually stop short of that, and then they get up and the hunt keeps going on for the sequels. But if you actually go and you’re that psychotic then you become the slasher.

is that what happened in Grady Hendrix’s Final Girl?

Melissa: Oh yeah, that did happen.

Joe: It didn’t happen there.

Melissa: I love that

Joe: I love that book. Yeah, that was a good book. But I’m trying to think, is that the,

Yeah, God, 

Geo: I love [00:39:00] that too. But

Melissa: killer is, you give away the,

Joe: I no, I’m

Geo: not, I’m trying.

Joe: but I’m like,

Geo: Yeah, no spoilers.

Joe: okay. All right. But yeah, 

Jesse/Alana: then I feel like that killer would have to, You should 

Melissa: write it 

though.

You should write it.

Jesse/Alana: That killer. The killer Who killed the killer then.

Would already have to be psychologically like predisposed to pick

it up or unless that 

was, a 

Melissa: of us are going

Geo: I was gonna say the possibility of becoming a slasher at this point is really

Jesse/Alana: and closer every day. 

Geo: It really 

Jesse/Alana: I mean They

framed Sidney Prescott and and scream too of you’re the killer because you did that.

Yeah.

but it wasn’t true. thing to tip you over.

That

sound you become

were they already crazy or did that make them I How many times on this show have I said that if I had superpowers, I’d become a villain? It’s

Joe: most people would. I think you

Jesse/Alana: Yeah, you have to be. 

But growing up is learning that the villains weren’t necessarily wrong. Like Magneto.

Melissa: You a villain or are you

Nick: mentally

Geo: right. Mentally challenged. The people that people say are the, I’m

Nick: beat up this [00:40:00] poor person.

Geo: The people that they say are heroes are actually no villains.

Jesse/Alana: immediately. Thought of Batman. I’m like going around, beating

up

Ill and

Joe: but that’s the thing about the slasher is that there is no moral, you watch it, you, there’s no redeemable qualities generally. I’m trying to think, is there any, but no, I think usually you go, no, I know who’s good in this situation and who’s bad.

And even it could be marginal, right? Because the people that are being killed, you might not think they’re the most redeemable humans. But then you some of them are kinda dicks,

Nick: I mean, what about Dexter? Is he considered a slasher then? Like he’s constantly,

Joe: constantly,

Geo: a well, yeah. Yeah. But he, I think

He definitely,

Melissa: a moral

Nick: He

Geo: was gonna say he makes those decisions. 

Joe: And he cleans it up. I mean, he has a whole process like slashers. They don’t, they go in

Nick: I’m just gonna,

Joe: and there’s gonna leave the scene buddy and then walk off 

Jesse/Alana: there’s a clear divide between serial killers and slashers, it sounds yeah. Like it’s brains basically.

Geo: I don’t know. We’re splitting here into this

Joe: else.

I mean, that’s what I’ve been given some kind of thing. But the other [00:41:00] thing that was interesting and looked at the ecology of fear, and it’s this concept that, you know, based on this prey predator kind of thing, where the prey modified their behavior because a predator exists nearby. And so you have this whole kind of situation so that the setting, the campsite, the house, the high school, wherever you have this predator, and then that changes the whole dynamic.

It, it increases. Now the fear, some space that wasn’t necessarily you should be fearful of or have fear to be in now becomes this very heightened. And so the psychology of fear kind of cooks in. And so most all slasher movies have that. In there versus a serial killer movie.

Geo: I think a lot of times, I mean I guess if nobody knows there’s a serial killer, then they wouldn’t be.

But that goes back to, but for a lot of communities, if there is a serial killer that hasn’t been caught, that’s exactly what it’s like.

Joe: right. You get that kind of mode. 

Jesse/Alana: Yeah. Somewhere that should [00:42:00] be safe is not anymore. Yeah.

Nick: Now do you guys think technology will start to affect. You know, we the new serial killers,

Jesse/Alana: Oh, I,

Nick: everyone has a cell phone I have a fun fact on

on that. Oh, what you got?

Jesse/Alana: There’s actually more serial killers today. Then there were in like the sixties, seventies where we get all of our serial killers, like from 

Nick: it ’cause 

Jesse/Alana: the night stalker and everything, because

Nick: we’re able to know about it 

Jesse/Alana: Yeah. It’s kind of like they, we have the knowledge and the technology. Now. So there are actually way more serial killers in the United States now than there were like, where we get all the famous serial killers from. We just 

catch ’em faster. Is that it? 

No, they just don’t tell us. 

Oh my God.

One in Chicago right now, actually.

Nick: Are they just not were the old ones not known about

Jesse/Alana: I think so. Or it was like

known more ’cause it was a newer thing. Like I just keep going back to the night stalker and how he terrorized [00:43:00] LA and everything. And everybody knew that it was happening, but they didn’t know who it was.

But now I think it’s just more like on the down low and people can cover tracks easier. I don’t have all the science or the facts

behind it, but a, I mean, we live in a surveillance state

Yeah. You’d think it’d be harder,

but like there’s more right let us know. Let us

know how you’re doing it. 

Use an email at Yeah.

Nick: rabbit hole of research.com.

Melissa: another like tangent or rabbit hole of that you can get down to is technology creating more serial killers or can it, and then also will that change. Slasher films like you had said, Megan, is it gonna be more technological based?

Is it gonna be like an AI 

Jesse/Alana: or like, like Scream and

stuff?

Yeah. Yeah. 

Melissa: yes. Are we gonna have an actual Terminator wasn’t a slasher though. 

Nick: A, he

Joe: He had one 

Jesse/Alana: he had a job. That’s the thing. He had a career and that was, yeah.

He’s a man. Yeah. 

Joe: with the house, like they have the AI house and they [00:44:00] kill the family. 

Melissa: Killed the

Jesse/Alana: Yeah. Yeah.

Nick: t2. I mean that

Joe: why it’s doing it.

It is 

Melissa: Chopping Mall was a good one.

Jesse/Alana: Yeah. That is that is actually one of our hot sauces, I forgot to mention, bought blood. It’s called Bot Blood. It’s Chopping Mall. That’s 

Melissa: slasher, but I mean maybe, I mean, it was, it had a single purpose and that was just to kill.

Joe: I wonder if you’ll have these crossovers where you have like now, like a bio horror will that come back and people out for vengeance or something’s been affected.

They now go through and kill targeted, applications. 

Jesse/Alana: You can say The invisible man. Remember that movie that was like 20 pre pandemic, was it? Or it was The one where he used like the skin suit

the yeah. Technology to go kill.

Yeah. 

Joe: Yep.

Which, that’s what you do if you’re invisible. 

Jesse/Alana: Heather doing it now. Yeah.

That’s it. So I think 

Joe: you would have

this. Didn’t Kevin 

Geo: Bacon play a role like that?

Joe: Kevin Bacon was in Hollow Man.

Geo: Hollow man. That was it. 

Jesse/Alana: Man.

Man. 

Joe: and yeah, 

Geo: Oh, and it was 1980,

Joe: Yeah.

Geo: Friday.

the 13th, 1980. I was like,

Joe: no, Hollow Man didn’t

Jesse/Alana: Nailed it. I was like Hollow man.

I saw that in

theaters. [00:45:00] Whoa. I’m not that old.

Joe: Yeah. But I mean, and so you, you have this and you know these kind of points where you go. Then I had the final girl when the really maybe think about that and why it is a final girl and had some kind of an evolutionary terms that you have this person that at the end of this journey have now shown resilience have shown sexual selection in terms of evolution, that you have this person now that there would be a good mate.

And so you have this kind of thing where especially for a woman to have survived this very traumatic thing and come out on top, they are now then even extra , they stand out in a community of women like, oh, this is a person we need to. Reproduce with and get some good genes resilient genes to pass on’

Jesse/Alana: There’s

so much growth with a final girl. Yeah. They’re normally super meek and then like they become That’s right. Yeah. A lot. By the 

end of

it, there’s no holds bar. 

Joe: about we, that’s [00:46:00] calling back to our very primal, 

Geo: and I know that you watch a movie, so you see the whole story, but in a way you gotta have a final girl. To tell the story. To tell, you know what I mean? 

Joe: Yeah.

You never have afin, I mean, there’s few movies with the final 

Jesse/Alana: Do. maybe.

it’s, I don’t

know 

Joe: because 

Jesse/Alana: Final I’m the final boy. The, 

Joe: gonna,

keep the, we got Girl and I’m gonna go with boy. Not,

I’m not gonna

Jesse/Alana: No, it’s an, it’s a yeah. You can’t just jump to Final Man.

That’s disrespectful. That’s 

just rude.

Joe: They’re the final man.

Jesse/Alana: Tell me, tell me what happened. I’m the final boy.

Melissa: What do we

Joe: that’s a different movie.

Melissa: makes the final girl? Like I, I always joke, I’m like, I’d like to think I have final girl energy because I’m not dumb enough to run up the stairs where there’s no exit. And you know, I’ve trained for marathons and stuff, but I’m like, I liked that the guy had final ground energy.

But I also know me and I know I’m crazy and I’d probably go try to be like, everyone get the hell outta here, I’ll fight him. And 

Jesse/Alana: I [00:47:00] feel like that 

Joe: on 

Melissa: end 

Jesse/Alana: Yeah.

Joe: it depends on I, I brought

Jesse/Alana: probably

not 

Joe: depends on where you’re at in the scenario, right?

Melissa: I mean, I’m also crazy enough, maybe I could be,

Joe: if you’re in the cooler looking for a beer, and then someone comes out the bushes, you’re the first of the first good

Jesse/Alana: Oh, good

point. 

Joe: you’re not, 

Jesse/Alana: the mercy 

Joe: this, you don’t have the opportunity to

There’s these phases of the slasher.

Nick: I’m pretty sure you’ve also been killed already, 

Melissa: yeah.

Jesse/Alana: yeah.

You’ve been killed in Kili pinata.

Melissa: Oh yes I have. And I did come 

Jesse/Alana: back,

That’s right. Yeah, that’s right. You did come back in too. And part of the chain gang, you and I are in the chain gang.

Yeah, really 

Joe: a slasher. You’re on the wrong side of the fence. You keep talking about how you’re the

Jesse/Alana: ooh,

Mel. 

Nick: the slasher? 

Joe: The

I, 

Jesse/Alana: Okay, so

Melissa died and then she came back in the second one. So maybe you are the final girl. No, we’re talking about how you’ve gotten the energy of talk to Steven. I had

Melissa: I had a different idea for the third movie for Killer Pinata that I told him about, but I’m like, I think we need to evolve it.

Geo: And the third

pinata. the third killer Pinata was supposed to feature our podcast. Yeah, [00:48:00] too. 

Joe: We’re gonna

have a chest busting scene with the

Melissa: And then

Joe: bursting

out during an interview about

Melissa: And then the pinata’s 

Jesse/Alana: amazing. Amazing, amazing.

Joe: gonna be, we’re gonna be talking about the Handwavium of the Killer Pinata and it’s gonna yeah.

We had we’re in it. We wrote ourselves into that. So we do that course. This whole

Melissa: this whole thing works and ties in because if the pinata is part of it and I am the slasher, like kind of the working with the pinatas

Jesse/Alana: the Wait, is the pinata a slasher real talk? Oh,

Nick: Oh,

Joe: yeah. I say so.

Interesting.

Yeah. 

Jesse/Alana: pinata. Can’t 

stop it. 

Angry. Angry Mule Productions Killer. Pinata Is the pinata. Slasher

Joe: all the elements there. I think that we’ve talked

Nick: can we get ’em on the phone?

Joe: Let’s call him 

Jesse/Alana: Let’s call. Yeah. It’s like 

Geo: wasn’t there 

Jesse/Alana: humanoid. 

Geo: I was gonna say there’s kind of super, I mean, we’ve determined that Supernatural gets into there 

Jesse/Alana: I do feel like Jason too. I mean Jason Boy in the lake.

Joe: Yeah. 

Yeah.

Jesse/Alana: I

do feel like for Final Girl, there has to be like some kind of. Like she, she [00:49:00] was meek and all this stuff, but she like kind of finds herself through the terror. That’s like what makes the final girl.

Joe: That’s why Melissa’s out already. She’s coming in too confident. 

Jesse/Alana: I don’t think you and I are the final girls. I think we’re, I think we’re the ones who died because we’re like, let’s get ’em like 

Joe: you’re in the middle, you’re in that fight phase or you’re gonna be caught off guard

Jesse/Alana: Don’t worry. It’s gonna I’ll be with you. We’ll fight ’em

off. yeah, fine. 

Melissa: little flight in me.

Joe: fi. We’ll find a final 

Jesse/Alana: Oh, I’m a big, I’m a 

big

throw what’s ever in my hand and I book it. That’s my 

Joe: We have the final girl and or final boy will reveal themselves when Melissa wants to go fight. And it’s say, you know what? Why don’t you go do that?

I’m gonna go 

Jesse/Alana: yeah. I 

think I’m gonna go call 9 1 1 really quick.

Joe: aren’t you supposed to be a man? No, I’m the final 

Jesse/Alana: Listen, I’m a boy. I’m just a boy.

So what a boy. Just a

final boy. 

Melissa: of this later.

Joe: later,

down.

Yeah, I’m done.

Yeah.

All 

Nick: right.

You guys have any plugs you wanna hit up? That was a weird way of putting that

Joe: say [00:50:00] final, like can you ask the question again?

Jesse/Alana: Like, my favorite Uh, well, yeah. He

comes on Saturdays. Mark

Nick: You got any plugs you want stab in?

Jesse/Alana: Yeah, we I think what we have, we mostly just kind of do markets now.

We’ve kind of died down a little bit. We used to have a web store for slasher sauces but DM us on Instagram and stuff. But the only thing we have, I think coming up is the Krampus market which is December 7th at old Irving Brewing Company. And I think we’ll be selling markets so you can test all the hot sauces.

Everything’s, all of our bottles are $8 regardless. We try and keep it low so 

you don’t have to choose between price and flavor. You can, and you can taste them all before you buy ’em. We provide the chips

Nick: and you’re not even murdering us with the price.

Jesse/Alana: No, not today. not today happening 

Geo: With the sauce. With

Melissa: isn’t it? If you buy all of them, you slash the 

Jesse/Alana: price. 

my

god. My god. You’re right. 

Yeah. If you buy a full run of all eight, seven, 

Six now I think, 

sorry, six of the hot sauces. Sure. Then you we cut you a deal. We’ll slash you a deal. [00:51:00] Yeah.

Joe: Lemme put all those links in the show notes and so

Jesse/Alana: Yeah. And we deliver to anywhere in a 6 0 6 area code for free, so 

If you’re Chicago land, we’ll drop it off at your doorstep.

Land Chicago area, not land. 6 0 6 only. We’ll drop it off at your doorstep.

Melissa: it is.

Geo: we’re out. We’re out.

Jesse/Alana: Work if you’re 

Melissa: in Burwin,

Jesse/Alana: we don’t drop to Berwyn anymore. 

No more Berwin.

Joe: No more. Cool.

Geo: How about Melissa? Melissa?

Melissa: We’ve got October is like our biggest month, so we’ve got a few things, but ones I would love to highlight some of the shows coming up. We have Black Mariah Theater and they are definitely like spooky awesome. And they’re playing here on October 23rd. They’re a touring band. We have Cartoon Graveyard with Chicken Happen and Homicidal October 17th.

And then we have some other fun stuff coming up. We have a cycling club the day before Halloween where we’re gonna ride out and look at all the haunted houses in Avondale. And that night there’s a show [00:52:00] where bands play other bands. So we have King Sands as the White Stripes, a band as the Hives, a band as Ween.

And then I’m doing a vinyl DJ night where I’m doing like spooky dance party in between the sets and afterwards. So that’s gonna be really fun. And then actual Halloween, we’re just doing karaoke. 

Jesse/Alana: I’ll see you on actual Halloween. We’ll be here.

Melissa: Heck yeah. 

Costume party with cash prize for best costumes.

Geo: Nice. 

Jesse/Alana: We’re We’re

going as a Peewee Herman Munster and 

Gorilla,

Melissa: I love 

Geo: that

because

Jesse/Alana: got a Gorilla costume from Spirit Halloween.

Joe: Very good.

so

yeah. So then we can go around, maybe get everyone’s, and the one thing I was gonna say is that the horror slasher genre, it had some, but has become an international kind of 

Jesse/Alana: Mm-hmm. 

Joe: And so you have slasher movies, this genre, you know, which probably started out mostly American and rooted in our.[00:53:00] 

Ultraviolent, culture has now spread out into others. Yeah. Really cool. 

Jesse/Alana: Infiltrated 

Joe: show notes, but yeah, if we have wanna go around favorite slasher movie or one you’ll recommend to the listeners out there, like what they should check out and we mention a lot, so we, if we repeat, that’s okay.

But yeah. Wanna start to kick us off, 

Jesse/Alana: Yeah.

I said it before. I really recommend Behind The Mask, The Rise Of Leslie Vernon. It’s everything that we were talking about, they discussed, they explain like what makes a final girl, how it works, all that stuff.

It’s kind of like a deep dive into the slasher genre. So I recommend that one. I like it a lot and I have the mask.

Joe: And you’ve got the mask.

Jesse/Alana: Ooh, I’m still torn. that. Yeah. I think I might have to go with Creep actually, ’cause I like how it’s, yeah. I feel like

that works. And it’s dulo. I gotta go with the Dubo bro. Dubo brothers, Dubo whatever. Mark 

Dubois 

Dub Dubo. That’s a good one. No, yeah. I like how it’s also kind of like behind the scenes you get to see into the [00:54:00] killer’s mind and see how it happens.

Also, it’s kind of just, it’s ridiculous and funny and stupid and I love it so much. So that’s probably one of my, one of my toughest Creep. Yeah.

Joe: Yeah. Yeah.

Melissa? 

Melissa: This is a tough one. It’s kind of, I do love Scream. So Scream will probably be my number one. 

Jesse/Alana: That’s what I was torn between. Yeah.

Melissa: scream is more of a parody. So if we’re going for like traditional, I would go with Black Christmas.

I

Joe: oh yeah.

Melissa: absolutely love that movie. It gets back to the basic slashing. And then also at the end of this, I forgot to plug the Midnight Movie Trivia. So I’ll send you the link for that

Joe: definitely. We’ll put it all in the show notes there. Have that for folks. Nick, you’ve been studying hards.

Jesse/Alana: Sorry, but you took my Creep and I’m thrown off,

so many movies out there

that’s I’m like, oh yeah, I want to say something else then.

Nick: Because you know, there are so many good horror films that are just I

Georgia

go ahead and I’m gonna go, I’m gonna go in a

Joe: You’ve been bouncing.

Oh,

Nick: I’ve been bouncing all 

Geo: Yeah.

[00:55:00] You know what, I was actually gonna say. Black Christmas.

Melissa: It’s a good one.

Geo: It’s really good.

Yeah, it’s,

Yeah. And of course Psycho. I mean Psycho. 

Joe: Yeah.

Go check it out. See what you think about that body

Geo: But I think it was so fascinating that you said Alfred Hitchcock made the first Yeah.

Proto

Joe: That’s

Geo: Slasher the Lodge, which I don’t think I’ve seen it, and I’m even know when

Joe: When I saw

Geo: I’m huge Alfred Hitchcock fan, so I’m gonna go watch that. 

Joe: Yeah.

Nick: Joe, what about you?

Joe: How’d it come to me? I’m like last, I’m no one.

Nick: Yeah, go for

Geo: it. You’re the final boy.

Joe: I’m the FI

Jesse/Alana: are you the final

boy? The final boy? 

Nick: the final boy 

Jesse/Alana: is the final boy right

here, 

Nick: the,

final boy. So

Joe: right. So there, it’s no surprise to listeners of this podcast that I’m a John Carpenter fan.

so Halloween,

of course, but I’m gonna throw one out The Fog

Jesse/Alana: Oh,

It

is, 

Joe: It is one of my, I think it’s just such a fun movie. And they did have, they were actually after something, but they, the way they just went through that town,

Jesse/Alana: it was slash

Joe: [00:56:00] it was very

Geo: I don’t know if that

Joe: It was, yeah. No, they came, they were the pirates, you know, it was, yeah.

They back. 

Jesse/Alana: I

could see it. I agree.

Joe: what I’m saying. And the

not the first 

Geo: movie that would come to my mind. Flash. I

Joe: Halloween already. John Carpenter, he has,

Geo: I’m just giving you a hard time.

The other one 

Joe: was Hellraiser. Oh yeah.

oh.

Jesse/Alana: Oh yeah.

Nick: oh, I

Joe: I think that was the other one I really love. Yeah, that’s right.

Clive 

Melissa: Barker. 

Joe: And yeah, I think you have that. And both of those, you watch Clive Barker movies or John Carpenter movies in their horror you’re gonna have a good time. They, they know how to make a good movie. So I,

Nick: I, I think I am gonna end with Sleepaway Camp though, so I know it’s a little bit of a problematic, like the, if you go through and watch it again right now, you’re like, ah, that ending yeah. But I hope they’re they’re remaking it right now and I hope that they tweak the ending a little bit.

Jesse/Alana: like it was maybe needed for the 

Nick: Yeah. 

Jesse/Alana: So it’d be like, Hey, there’s, everybody’s body’s different, you know, 

Nick: but I feel like it nowadays it

Jesse/Alana: maybe didn’t roll over [00:57:00] so well to

2025. 

Nick: why I’m like,

yeah,

Jesse/Alana: it did have some really good kills.

Nick: Like I, it was just a fun,

Jesse/Alana: that’s all that counts.

Nick: it was a fun 

Jesse/Alana: a Yeah.

Nick: it’s weird to say.

Yeah. 

Jesse/Alana: Yeah. So it came, it was funny.

Yeah, it was fun. 

I think all slasher movies are fun. I think that’s, we all agree on

that. Yeah. 

I’d say, I’d say they’re fun. 

Joe: Yeah.

I mean, I didn’t mention, but like someone watching that it’s almost like microdosing fear. 

Jesse/Alana: Yes. 

Joe: start watching it. Yeah. And you get kind of desensitized and you do have to amp it up.

And I mentioned this 

Jesse/Alana: No, I agree. 

Joe: watching like horror, The Thing when I was six, seven. And so like now for a horror movie to really do it, it not only has to have all the kills, but it also has to be written really well, filmed really well. It has to be a really good 

Jesse/Alana: I need a Hereditary to scare me now.

Like 

Joe: you

Geo: oh,

Jesse/Alana: Yeah. oh,

he got me.

Geo: I the ending. 

Joe: Yeah, 

Geo: know 

Jesse/Alana: ending.

didn’t get me, but The but the leading, but 

Geo: move. Oh yeah. [00:58:00] Oh my 

Jesse/Alana: didn’t,

realize my shoulders were up to my ears till the credits

rolled and I, was like, oh, relax.

Geo: I have to agree. Yeah. Yeah. And Tony Collette is,

Joe: I know you’re a huge Tony Colette. George

Melissa: I love her.

Joe: Tony Collette all the time yeah. So another fun month of horror. We have this episode here you’re listening to, and then after this we are gonna do the thing, John carpenter’s a thing.

We have Bill Haliar or Todd Berg going as guests with 

Nick: Hopefully we’ll get that Ouija board done.

Joe: We’re not doing Ouija board,

Jesse/Alana: I have one you can borrow.

Joe: so No, we’re done

Melissa: They’re looking for a spot to do it. And I said, absolutely 

freaking 

Jesse/Alana: go to the Labile Woods. You can

do it there. Before 

Joe: cut off though, in our last episode, we wanted to know you, you had mentioned, Melissa, that the ghost of Reed’s Local likes gin.

How did that come about?

Oh,

Melissa: okay. So we had some ghost hunters here and they this is part of the reason I refuse to do a Ouija board is every time I’ve gone ghost hunting, they’re always like, oh, it’s [00:59:00] you.

You’re the conduit. We never see as much activity as we do as when you’re here. I’ve had my hair pulled out of my head and like the radio frequency thing, it goes, I like her. And I’m like, I’m getting the fuck outta here. Absolutely

Jesse/Alana: like you. No

thank 

Melissa: I’ve heard like an Oculus box, one of those things where it like spits out words and like I was holding it.

There was no activity, so they turned everything off. This wasn’t here, this was at another location. They turned everything off and then, I said, okay, I guess there’s nothing happening. And it says, no wait. And then all the lights started to flicker in the room after they turned off 

Jesse/Alana: Oh, that’s cute. 

Melissa: And then I threw the Oculus and it said, sorry. And I’m like, are you kidding me? And they’re like, oh, that’s ’cause of you. So here at the bar, there was no activity. And I said, okay, there’s nothing happening, but you know, thanks Ghost for letting us like bother you. I’m gonna pour you some whiskey.

And the Oculus box said, no gin. And I said,

Jesse/Alana: oh geez.

Melissa: Okay. So this ghost is a 1920s ghost. Got it. Because I think I told you like this has been a [01:00:00] bar since the thirties, but it was a mortuary before that. And that’s something we found out a few years Right.

Nick: I just thought 

Jesse/Alana: at the height of gangster 

Nick: other are living here.

Thank you again, Melissa for 

Melissa: Thank you

Nick: hosting

us 

Jesse/Alana: and thank you for having

Joe: Yeah. I can’t wait. I can’t wait to try. 

Geo: I can’t.

Melissa: I have some here. You guys can sample

Joe: Oh, definitely. 

Jesse/Alana: Oh, no, they’re all getting bottles, so I brought some.

Yeah. 

Joe: Oh, thank you. Thank you. You got me 

Nick: you got Nick?

Joe: got Nick? We got Nick. 

Geo: Georgia. 

Joe: got Georgia.

Melissa: Oh, 

Jesse/Alana: Melissa,

Jesse and you got Alana.

Joe: got Al, and we got Alana.

Nick: And we cut down through some holes, down

and we slash some holes.

Joe: All right, y’all stay Curious.

Stay safe out there,

Nick: Goodbye.

Joe: and we love y’all.

Transcript EP: 43: Animal Swarms with Josh Fisher


In this episode, researcher Josh Fisher joins the Rabbit Hole of Research to explore the eerie, fascinating world of animal swarms—from locust plagues and angry crows to science, folklore, and cinema.

In this episode of Rabbit Hole of Research, we’re joined by researcher Josh Fisher to explore the captivating, creepy, and sometimes comical world of animal swarms. From biblical plagues and Hitchcock’s The Birds to surprisingly vindictive crows, we dive deep into the science, psychology, and symbolism behind swarming behavior. We look at how swarms have appeared across history, religion, fiction, and film, uncovering the patterns that unite everything from buzzing bees to coordinated chaos in horror cinema. It’s a mix of science, storytelling, and a touch of speculation, all flying at you in this episode’s swirling dive into the natural world.

Listen Here: SubstackAppleSpotifyYouTubeAmazon


Joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the

basement studio for another fun, exciting episode. You just have me, Joe. We’ve got

Nick over here. Georgia is taking the night off.

she

Nick: doing tonight?

Joe: I don’t know. And I’m

Nick: Do are we, wait, are we allowed to talk about what she’s currently doing or

is she gonna be, I feel like if I do, she’s gonna throw something at me.

Joe: maybe she’s watching Twilight Zone to catch up on some of those episodes.

So she

Nick: has her timely references. Yeah,

Joe: timely references, that’s right. For the mini episodes. She is always, she’ll be

back on the mini episode. Tell us what we did wrong and what we did right?

Nick: Hey Joe, I think we have a guest

Joe: We do have a guest. We’re talking animal swarms. I wanna say shwarma,

every time I say like animal

swarm.

Nick: Yeah. We’re all going for animal

Joe: we’re gonna get some, we’re gonna get some chicken shawarma. We should

be, we should have like chicken shawarma sandwiches or

3something

Nick: that was invented [00:01:00] in Marvel Avengers. That was the first time any-

one’s ever heard of

Joe: the first time anyone’s heard of it. Okay. There you go. You heard it here

on a rabbit hole of research. A hundred percent hand

Josh: I don’t know. know about Sharma, but I’m here to talk about animal swarms.

My name’s Josh. Thank you for having me on. I actually am a coworker of Joe’s, but in

past life I worked for a wildlife control company for about five to five or so years. I was

working in the field for a while and then worked in the office got a lot of fun experi-

ence working with animals.

Not so many swarms in that job,

Joe: but,

Nick: I mean, that

Josh: animals have always been an interest of.

Joe: Yeah.

Luckily you didn’t have a lot of swarms because they’re pretty

Nick: never. Great.

Joe: No.

I do have my definition to get started and a list.

Oh, you have a definition

Definition. I got definition list. Yeah, it’s it’s not an episode if I don’t two dot I think

it’s you know,

I

Nick: thought that was a new thing to this episode.

Joe: No, it’s not.

Nick: Oh, man.

4Joe: So I just wanted to give a general [00:02:00] definition and Josh correct me,

tell me if I’m wrong or whatever it’s happened before with guests. Animal swarm is, I

keep saying it’s swarm. I swarm. It’s like funny. An animal. Animal

Josh: You’re hungry, Joe.

Joe: is a large organized group of animals that move or act collectively.

Often in response to environmental clues, survival strategies or social behaviors.

Swarming typically involves self-organizing patterns where individuals follow simple

local rules that lead to complex group dynamics without centralized control.

Josh: That sounds about right to me. You know, the biggest thing that stands out

about swarm behavior to me is that it’s almost like an emergent phenomenon. You

know, it’s not just a large group of individuals acting chaotically you know, humans are

a very social, gregarious species, but we don’t really have swarm behavior in most cas-

es.

That might be something we could bring up later on, but, you know, groups

[00:03:00] of people normally act somewhat randomly and chaotically with respect to

each other, whereas. When we’re talking about animals exhibiting like a swarming be-

havior they are responding to the cues of the other individuals around them.

And so you get this kind of emergent behavior that you know is greater than the

sum of its parts in a lot of cases.

Joe: You brought up humans right off the bat, and I was just thinking about it

’cause you’re like, oh, humans don’t typically, but the one time they do is a mob kind

of mentality. If a

Josh: Yeah. Crowd dynamics get really

interesting.

Joe: Yeah. Yep.

Nick: They’re a witch. They’re a witch.

5Joe: you don’t,

Nick: yeah.

Joe: you either join the mob or you get out the way of the mob as it’s coming to-

wards you because you’re, you can’t stop it. Like it is very, it’s, it is one of those inter-

esting dynamic entities that go, that it fits more probably into, like you said, crowd dy-

namics that concerts or shows.

There was just folks doing studies on that about trying to mathematically predict

crowd dynamics [00:04:00] to make, events safer at, , ’cause you have this event, you

have, , like Lollapalooza, all these big events, all these people, and there is some, once

the nucleus starts, you can then pattern.

And so if you can have a drone or something overhead, you can catch what are

you

making

nothing.

Just

for?

Nick: the idea of trying to study a bunch of drunk people and just

Josh: I mean that just

Nick: let’s see how this works.

Josh: at a festival and, when the main act gets on stage, then you feel that crush of

the crowd as

Joe: That’s right.

Josh: push forward,

Nick: Oh,

Josh: even though there’s no space to get any

closer. go any closer. Yeah.

6Joe: just need to get as close as you possibly can. That’s where the best seat is.

Josh: yeah. and God held The person in front of you.

Yeah,

Nick: But yeah the idea of just studying all these drunk people is hilarious. I love

Joe: they don’t have to be drunk. I mean, it could be the,

Nick: if you’re at Lollapalooza, tell me how many people are not drinking heavily.

There’s all day.

Joe: There’s a few in there that, that’s

Nick: or high [00:05:00] as all get up.

Joe: I don’t know. I don’t

Josh: just a few bad actors.

Joe: yeah. Exactly. They run a very tight ship down

Nick: Yeah. I’ve never done that.

Josh: Have you been down to Grant Park when it’s around, like you’re not getting

anything in there?

Joe: That’s right. It’s, they lock it

Nick: You can’t get over the fence at

Josh: Tight security. No way.

Joe: No one’s looking the other way. It’s

Nick: think they only caught a guy with a broken leg.

Joe: I

Josh: buddy of mine, minute up.

Buddy and I went to Riot Fest when we when he turned 30 and we were laughing

that the second day the drugs we were smuggling in was ibuprofen because we were

so sore from the first day of the festival.

Joe: Yeah.

7Josh: Joys of getting older.

Nick: oh

Joe: yeah, it happens. We don’t, we have to do an aging episode or something

like that. Yeah,

I had a few characteristics. We already touched on some of ’em. It always is large

numbers. The swarms usually consist of dozens to millions of [00:06:00] individuals.

Collective movement talked about that these kind of, they become synchronized co-

hesive movements in response to these stimuli.

Predator threats, food sources, your favorite band getting on stage. You started

having this movement self-organization. The swarms behavior emerges from local in-

teractions between individuals. And so since we

Josh: emerge

Joe: that’s an emergent phenomenon, right? Adaptive some

of these can be adaptive evolutionary advantages to predatory avoidance, forging

efficiency, environmental adaptation.

So swarming isn’t just, , always a chaotic, , there’s some threat, but it could actually

have some purpose. And then dynamic structure those swarms can change shape,

density, direction, very fluid and responding to the internal and external pressures of

push and pull of the group.

So it is very yeah, very.

Josh: very varied. You know, I think as you’re listing off all those characteristics, it

covers a wide variety of

[00:07:00] And you have a lot of different reasons, a lot of different environmental

cues and stuff driving that swarming behavior. So depending on what species you’re

talking about it, it gets really fascinating.

8I mean, I had a number of things come off the top of my head when you men-

tioned animal swarms, and when I did some just kind of brief diving into it. It’s really

interesting once you start comparing all the different types of swarm behavior and,

you know, reasons behind it and types of species that it occurs in, you know, every-

thing from invertebrates like jellyfish to, you know, we’re talking about humans, you

know, the highest order by some measures of vertebrate.

Joe: No, you’re right. And even microbial populations like that. I was looking up

slime molds have this kind of behavior that they were searching for food or response

to threats. But I was

Josh: A bloom.

Joe: algal blooms.

Yeah, that was, I was gonna, that kind of leads us into, I think if you I mean maybe

let’s, we can do a game, everyone listening, but when someone says [00:08:00] animal

swarm swarms in fiction, what your mind goes to probably one movie.

Josh: I, think we’re probably thinking of the same

Joe: Probably. Yes. Whatcha thinking over there?

Nick: as always go with the Marvel comic.

Joe: Oh, you’re going, you went warm. Which one? Oh,

Nick: He is a you

Joe: your you mean, spider-Man villain. Okay. Yeah. That’s your go-to.

Nick: Yeah. I don’t know why it’s, I mean,

Joe: at that, the

insects

Josh: you’re thinking, Hitchcock,

Joe: I am thinking Hitchcock, the birds.

Yes. Oh yes.

9Nick: didn’t even think of that one.

Josh: Yeah, that’s like the classic swarm movie.

Nick: And I’ve even read so many things that were like, birds are swarms. And I’m

like, are they though?

Joe: No the

Josh: interestingly, the bird behavior in that movie doesn’t fit some of the swarm

characteristics because the birds are acting very individually.

Joe: right. They

Josh: Like they, they have a concerted [00:09:00] purpose, you know, destroy all

humans. But they’re not, they’re, you know, they’re not acting in this way where they’re

influenced by the neighbors

working They’re, you know, they are somewhat more individual and

random.

Joe: Yep. And they give the background For those who might not know or have

heard of the Birds, it was an Albert Hitchcock classic horror, masterpiece. 1963. When

it came out, it was actually based on a short story by Daphne Du Mare in 1952.

That was its literary foundation. In the short story. It was the birds were an allegory

to Nazi Germany and being invaded and being taking over. So it was this,

Nick: so it’s time for a remake,

Joe: it’s time for remake and yeah. And so very Cold War theme thematic at that

time.

If you think about, in, in the fifties [00:10:00] early fifties, that was one the minds of

a lot of folks. The movie, it takes place at a fictional coastal town. Like the main charac-

ters, there’s a guy in his love interest. They go to a small house.

And then these birds are just flocking around and then start attacking them in this

kind of way. And it’s, in these movies where you do have swarm somewhat, they repre-

10sent symbols of, societal fears the. Uncontrollable. And, dangerous coming at you in a

way that you can’t get away.

Sporadic you have all this. So that is, that was there and it probably led

Nick: was a horror movie,

Josh: Or.

Joe: Or phobia. There it is.

Nick: so you classify this as a horror movie, right? Horror movie,

Joe: Horror movie? Yeah. I don’t hold on time.

I mean, that’s what it’s classified as. I didn’t

Josh: Yeah.

Joe: give it mean.

official.

Josh: not going rogue on us. It’s definitely, it’s a horror classic.

Nick: Oh, I, okay. I

Joe: might make it a romance. I don’t know. It’s a, you know,

Nick: I didn’t know [00:11:00] if it had to do with what age you were when you

first, not making an old joke, of course, but

Josh: the birds the birds murder people

Joe: they do. Yeah,

Josh: uh, the, this, this island that they’re on, this little town gets slowly invaded by

birds and there’s all these looming intense shots of birds lining, you know, the

power

Joe: The playground, when she goes to get, they get the kids come out and they

get in the car and all the birds, there’s one there and then they look back, there’s five

and they look back and they’re, it is just then just the whole playground is covered

with birds.

11and her

Nick: the movie, but I just don’t remember feeling fear from that one.

Joe: I I mean personally,

that’s

Nick: why I was like, wait, I don’t actually like it’s been a minute since I’ve seen it.

Joe: Yeah.

Nick: But Yeah. That’s

why I was like I don’t remember if it was like an

Joe: I think it’s very I think it’s, I think you have, the horror genre, you have that

element of fear and that’s part of it there, that you have this kind of looming threat.

That’s always there. And you think of horror movies, from, Jason Freddy, classics,

but [00:12:00] the birds, they were just looming threat that was there. And you have

this kind of presence,

Josh: all about building up

Joe: yeah, there’s sharp beaks and they’re erratic movements just pecking at you

and just really

Nick: I mean, crows can take people down

Joe: no,

I don’t, I’m not messing with no crows. I mean, they’re

Josh: wouldn’t.

Joe: I

do want a

do not. Birds they hold grudges, like crows, I think mag pies,

Josh: Yeah.

Joe: they actually, they will re, they remember your face

and your family line.

12They

Josh: Every single species you just mentioned are all members of the Corvid

Nick: Yep.

Joe: Oh, okay. and the Corvids are all some of the smartest birds in the

Nick: They will either love you or

Josh: you’re right, they will definitely recognize people and they will hold a

grudge.

I think there’s even been stories of pros basically telling other pros

Josh: To watch out for.

Joe: yep. Yeah. It almost seems like it’s passed through lineage, like so that their

progeny has the same grudge. Like it’s a, it’s generational.

Like it takes

I

Nick: love that. It is such a [00:13:00] pettiness that I

Joe: Yeah.

Nick: I thrive to. It’s if I hate you, yeah. My whole bloodline’s

Joe: we’re all,

Josh: it’s also the people that are good to They’ll also pass down like the people

that, that feed them and leave stuff out for them. Like they’ll pass along that informa-

tion also. So it’s not entirely negative. You just don’t want to get on their bad

Joe: No, you don’t.

Nick: accidentally run one

Joe: the the, I think the crow that would bring the one guy that left bread and stuff

out for it or food out. It would bring them money, rolled up little, it would go, it would

scour the city for ball. Lost money and then bring it back. And then drop it off.

13Yeah. Yeah. And just drop it off. It was like a value and that the per the person left

the food was excited to get, some money, but I just figured this bird now is attacking

people and has taking their money. It’s like

Didn’t

Nick: he use that money to buy better food for that one

Joe: maybe. Yeah, that would be nice.

Nick: Just pocket this one.

And

Josh: buys better food for himself. Yeah. Screw that bird.

Joe: and you might notice too, but like in, in the birds there were many different

[00:14:00] bird species, and usually birds don’t flock together, that saying comes from

that. So it, it was a very, that also made it ominous that you had all these different birds

Josh: Yeah, like why did all

Against humans all of a sudden,

Joe: Yeah.

Josh: And the isolated nature of the movie as well, because you didn’t know what

was happening in the rest of the world.

kept it?

really isolated on just those characters. So is it this island? Is it everywhere? And at

the end of the movie, they just the murderous birds just fly off into

the

Joe: right. Yeah. They stop, they break apart and it was a whole

maternal,

I don’t know, there was like some other weird. Storylines in there. But yeah, the

birds, they fought ’em off and then they just walk out the house and the birds are like,

just chilling. And they go off and it’s like, all right, it’s everyone’s happy.

14Go off

Josh: But did they go out to attack somebody else,

Nick: I hope so.

Josh: Like you don’t know, like they leave everything unexplained.

Nick: I hope they did. You know, it’s just Hey, another day, all right, we got this

town done. Let’s go to the next one tomorrow. [00:15:00] Yeah. Same time. Yeah. And

Joe: so the

Josh: Yeah. I mean, as a species, humans do have it coming.

Joe: me too, I mean, and it was there’s some historical evidence that that Hitch-

cock got the idea from a real. Bird attack in North Monterey Bay in 1961. So thousands

of like sea birds exhibited disorientated aggressive behavior. And they came to find

out it was a omic acid.

Nick: Oh, I was gonna guess moldy bread

Joe: it that you get poison from diatoms and you were mentioning the microbial

blooms.

Algal blooms, the red tide. That’s what this is. And it’s a neurotoxin that’s that’s

produced by a certain marine algae that actually disrupts the nervous system by mim-

icking the neurotransmitter glutamate leading to kind of overstimulation, neuronal

damage and symptoms like seizures, memory loss, and confusion.

And so you had all these birds like kind of swarm into Monterey, right? That’s

right. Yeah. And they go And [00:16:00] so he had at that story, at this event occurred

near his residence. And maybe gave that final inspiration.

Josh: Hitchcock’s

residence.

Joe: Yep.

Josh: Oh, wow.

15Joe: So that was interesting there, that it did have this kind of real world connec-

tion that you could have a bunch of birds just go crazy, a bunch of angry birds you

know, so

Nick: he was the one that passed them all off.

Joe: off. He’s the one that did it.

Nick: He was like, you know what? This would be a great story. Let’s see how that

would turn out.

Joe: The other thing is. Is the groups of bird names. I just always get a kick out of

looking those up. Like a wake of buzzards, a murder of crows. The most famous, prob-

ably a convocation of eagles, a mob of emus , an asylum of loons, the squadron of

pelicans.

They just have these really cool names, you know, it’s

Josh: of starlings.

Joe: It’s I just love it. It’s who is naming these per what was the motivation there?

It’s

Josh: Oh yeah.

Joe: they don’t

Josh: I just imagine It was some old English guy [00:17:00] in the edu Edwardian

period, like sitting back, smoking a pipe, just like coming up with names for random

groups of

Joe: at that wake of

Nick: Like,

why did fish get the short end of the stick here? It’s just a school of fish,

Joe: a school of fish.

Nick: Not any specific kind.

Joe: you know, a herd of cows. We don’t get anything like, you know, not a.

16Josh: I mean, in the Christian conception of the world fish don’t even count as

meat. So they’ve always been getting the short end of the stick.

Nick: They aren’t animals, they’re

Joe: But birds also have that. I think they’re, I think they’re easy to fear. They can

fly. They have the high ground. If we’ve learned anything from Star Wars,

Nick: I have the high ground kin.

Joe: But they do, and they have talons. They have beaks. They’re ready to go.

, humans really aren’t

Josh: no one wants to get attacked by

Joe: it’s you

Nick: They’re pretty much flying dinosaurs, wil mor de kin say about

Josh: Oh yeah.

I mean, have you ever been attacked by a red wing blackbird? We’ve got them

around this area,

uh, all over

Uh, Have you been attacked? What is the.

I have, [00:18:00] yeah. They’re about the size of a robin and they get really ag-

gressive when they defend their nests in the summer when they’re laying their eggs

and raising their yu.

And so if you pass too close to their nest, they will dive bomb. You. yeah. I’ve total-

ly been attacked. They’ve nest in the parks around here.

Joe: yeah, there it is. So I didn’t know if you were out

Josh: You laugh, but you just wait.

Joe: Antagon. No I’ve had my fair share of dive bombs. So when I was a grad stu-

dent at Arizona State University, they have the palm trees and there were crows, or

some blackbird that lived up in these palms.

17And during probably nesting season, they would swoop down as you walk

through campus. So there were certain, walkways that if you went down, they were go-

ing to swoop down the top of your head. And it always freaked me out. Just one step

to the birds, man.

That was it. They just get together you know what? Let’s just mess that dude up

right there. Let’s make an example out of that one human. And I bet you the rest of hu-

mans aren’t gonna come this way. I mean,

it’s

Nick: a good way, it’s a good method. I agree. [00:19:00] If I saw someone get hit

in the head with a bird, I’d be like,

Joe: that’s right.

Yeah, I’m done. I mean, out of all of the animal swarms. I think birds I think birds

are up there. I think the next one, and maybe might take it as wasps, I think just a, a

swarm of

Josh: Yeah. I wouldn’t wanna, I wouldn’t want a swarm of any kind of stinging

Joe: right? Yes. Yes.

Nick: I

Josh: bees or wasps

or Hornets.

Joe: i mean, like honeybees. I don’t know why

you want a swarm of honeybees around you. I want

but they’re usually not violent. So is it just a lot of honeybees that you agitate?

Josh: Honeybees were actually one of the things that we dealt with pretty often as

part of my wildlife control. We did bees, wasp, and hornets and some other insect

species. Honeybees swarm regularly is part of their normal lifecycle, the greater lifecy-

cle of the colony. When they reach a certain size, usually in the spring or later in the

18end of the summer, they’ll produce a new queen and half the hive, half the colony will

split off with the [00:20:00] old queen and they’ll swarm out into the environment

somewhere and look for a new place to establish a new hive.

And so this swarm will be like a basketball sized ball of bees that will just kinda

hang in a tree or maybe off the gutter of your house or something like that. And they

are not aggressive in that

They’re just balled up, protecting the queen in the center of that ball and sending

out scouts in the surrounding area to try to find a good place that they can move into

basically.

Nick: oh damn.

Josh: And so we would get calls periodically about that type of behavior and, you

know, have to try to explain to people sometimes with more success than others. That

no, really don’t do anything with it. Don’t spray them with a hose. Don’t, you know, just

leave them alone and they will go away and at most, a day or two,

Joe: Yeah. Out of all the flying stinging animals, honeybees are like the sweetest,

no pun intended.

Josh: least the ones that we have around here,[00:21:00]

Joe: Yeah. Oh, are they, are there

Josh: one of, one of the things I, one of the things I had in my note to talk about

was Africanized

Joe: Okay. All right. Yes.

Josh: Because I remember as a kid, killer Bees being such a huge news story and

this big sensational thing and like even watching you know, made for TV movies about

towns getting attacked by giant swarms

with killer bees. Yeah. So that, that, like when I was a kid, killer Bees were up there

with like

19Joe: Now, I was gonna say quicksand

Josh: that I thought I really

Joe: we talked

about, we talk about quicksand quite a bit, not being the threat that we thought it

was.

Nick: and the murder

Josh: I thought it was gonna be

Nick: episode or two ago.

Joe: Yeah.

things did we

Nick: where you were just like expecting to run into ’em.

Yeah. Just.

Josh: Yeah. Hey, one day I’m gonna need to know what to do about quicksand

because it’s gonna happen inevitably.

Joe: gotta have your belt and a stick and flatten out. I mean, yeah. You had a

whole

Yeah.

All the time.

interacted with no quicksand yet. I’m a little disappointed.

Nick: I’m very

Joe: Yeah.

Nick: This life has let me

Joe: change and no murder bees either. Luckily, I’m, I’ve been I’ve been

[00:22:00] lucky on that

Josh: seemed to have gotten stopped by the winter, which is always

had heard, is

20They’re not adapted for overwintering European honeybees are. And so they

would only get so far. But I guess that’s another thing that we can look forward to with

global warming is killer bees will continue their march to conquer North America.

Nick: Yes.

Josh: But they’re like, end em to the southwest and southeast now.

Joe: Wow.

Josh: As far as I know they’ve got them. I don’t know how common they are com-

pared to other species, but there’s definitely reports I saw even up to Georgia and

Tennessee. So they’re out there, man, you gotta watch out for killer

bees. More, more likely than quicksand.

Joe: Yeah, that’s for now, just wait until the killer quicksand. Just when you

thought it was safe

Josh: that turns into killer bees

Joe: Quicksand filled with killer bees at the

Wait,

you get sucked in, they’re

oh, I was

Josh: as, as you’re down, the killer bees are

coming out and stinging you as you’re sinking into the quicksand.

Nick: they’re eating [00:23:00] your feet alive first. You’re just like, oh

Josh: you can get the,

Joe: What’s

Josh: the overly dramatic Nicholas Cage death like

Nick: The

Joe: bees,

Josh: The bees, they’re in my mouth.

21Nick: the bear.

Joe: So after the birds and the bees,

Nick: what happens

next? Joe,

Joe: How we go? Locus

Like locus is probably up there, like for a story. Like it’s just, I mean, it’s biblical,

right?

Josh: One of the

Joe: that’s a if you’re thinking

Josh: Yeah, locusts are really interesting

Uh, like actually

Joe: ants.

Nick: yeah. Over locus.

Joe: I think,

I think locusts are

Josh: are also really

Nick: I don’t know. I just thinking like between ants and locusts, that would go

next. Ants I feel would be the next one

Joe: Locusts are biblical, right? I maybe there’s a ant but able story, but

Nick: I don’t know. I don’t

Joe: Locus are.

Fairly destructive too. They actually destroy millions and billions of dollars worth of

crops like every year. Like it’s, they [00:24:00] are a real,

Nick: don’t they have those ants that like torture people for whenever they swarm

up on people, torture people like they’ve,

Joe: You mean like fire

22Nick: ants? No, the bullet ants.

Joe: the bullet bulletins. I mean,

Nick: Oh, am I mixing

Josh: think you’re thinking about

Nick: army ants?

Josh: which don’t really attack people swarm them. Animals that have reputations

like that, like you have to really mess with them. You have to earn it to get attacked by

a lot of animals

like that. Uh,

Joe: ants.

I can’t.

Those ants are doing nothing to you. They’re just

chilling.

Josh: videos of army ants, like they move in these giant swarms they actually don’t

have permanent hive spaces like ants do. Like they don’t dig tunnel systems in the

earth and stuff. They move in these giant constant swarms through the forest. So you

gotta really put yourself in danger’s way to get attacked by these army ants or, I don’t

know, maybe be like, tied up by a snidely whiplash style villain

and left it in their, I guess didn’t they have that in the, one of those Indiana Jones

Joe: What they like [00:25:00] Uh, honey or something, or they do

Josh: Yeah. And then, then

For the army ants. Yeah.

Nick: See that one I,

Josh: maybe if you do

Joe: was it. But locusts are like, I think a real threat.

23Josh: Well, locusts have two different types of life cycles if they’re, if food is plenti-

ful, they’re fairly solitary and they’re basically just a species of brass hopper. And when

conditions occur that force them to congregate together once they start rubbing up

against each other, if that happens too frequently in a certain amount of time, they’ll

actually start.

Changing their physiology, they’ll get like bigger and the spines on their ex-

oskeleton get bigger and they actually undergo this whole physiological change and

behavioral change, and they’ll start that swarming And so you get those, the biblical

swarms

Joe: Yeah.

Josh: And when they’re in that form, yeah, you can have swarms of millions that

just spread across the countryside for miles devastating

Joe: Yeah. They go any plant life I mean,

Josh: yeah. [00:26:00]

Joe: not localized to just like a neighborhood.

They travel

Josh: And that often happens in like drought conditions and times where food is

scarce. And so that makes them even more dangerous because then they, you know,

the stories of swarms, of locusts destroying people’s crops are really true. And like that

kind of stuff does and can happen,

Nick: Alright. I, given the, I’ll put.

Locust above

Joe: That’s like Exodus, man, one of the 10 plagues of Egypt sent by God to pun-

ish the

pharaohs for refusing to free to Israelites.

Josh: The wrath of God right

24Joe: I mean, they’re,

Listen, if they’re

around.

You know,

Nick: if someone’s gonna swarm me with Locus, I’ll just get my murder of crows

on ’em.

Okay.

Joe: I don’t know. I think the locust could take down the

Nick: I don’t think so.

listen.

Josh: of crows.

You got millions of locusts,

Joe: yeah, they just got the numbers on

Josh: but maybe it would be a smorgasbord for the right

Joe: That’s true. I guess locusts aren’t at the top of the food chain, so they

would have to bow [00:27:00] down.

Like we, we talked about

Josh: about a swarm we had locally here the cicadas, the

periodical,

Joe: CRCs, right?

Josh: Just last year in Illinois in this area, we had a brood of 13 year cicadas and a

brood of 17 year cicadas,

which are different subs.

Joe: Crc.

Josh: subspecies of cicadas that only hatch every so often. They don’t come

out every year.

25Joe: person in the region that didn’t go out and find some

Nick: I don’t think I’ve seen a single,

Josh: news

stories all

Joe: was like everything.

I don’t

Nick: think there was a single cicada in my neighborhood.

Josh: Mean had to go, I mean right. It’s, there’s in in really heavily urban areas.

They didn’t show up that much because the, their eggs have been underground for

13 or 17 years. So if you’ve had a lot of development in your area, then, you know,

they dug up all those eggs along with whatever earth they tilled, you know, to make

development.

So there were a lot of areas around here, like where I live in Chicago, there

[00:28:00] wasn’t really. Much, although there was some down in our park down by

the lake. But we really didn’t have those huge numbers that they had in other areas of

Illinois especially where these two broods overlapped. Which was something that

happens only every 221 years when the 13 and 17 years cicadas line up so that both

broods are hatching at the same time.

And if you’ve never been somewhere where that was occurring, they’re literally

everywhere. They’re all over the trees, like end to end covering the trees and all litter-

ing all over the ground. It’s unreal. And local animals love it. Everything eats cicadas,

basically. Even even things like squirrels eat cicadas during those times.

Joe: poor cicadas. They’re just there chilling, brooding, and

Nick: you woke up to get

Joe: That’s right.

26Josh: 13 years underground just to come up and serve as a smorgasbord buffet

for everything around you.

Nick: So they’re at like the [00:29:00] bottom of the list on swarms that we

Joe: right? Yeah. They’re probably

Josh: Cs are the very bottom of the

Joe: Those are No danger to

Josh: And they’re just food.

Joe: just go out, you want to seek that swarm out. You’re like, let’s go see the

CRCs at the park. I mean, it was fun. We went down to the cab ar, and they were all

over the place.

Mean, you were just, you walk a few feet and you’re getting hit by CRCs. They

were,

Nick: yeah. I don’t think I’ve seen any of them this, whenever that happened last,

Josh: Oh, you missed out

Joe: didn’t

Yeah, I didn’t see any,

gotta, wait, you said 220 years,

Nick: Hopefully I’ll be dead in at least half that

Josh: for both of those 13 and 17

years 13 years or 17 years, you’ll have another brood happening, right? Is that the

cycle? 13

in this area. And there’s multiple broods in our region of the US.

Joe: Okay.

Josh: So there’s other areas that will have 13 or 17

year cicadas match at different times. So if you’re really missing it, there’ll be

something next year or this year

27you can chase ’em down.

Nick: I’m pretty sure I’m good. [00:30:00] I don’t need to go see all these flying

bugs.

Joe: It’s moving down

Josh: saw people online doing recipes with the

Joe: That’s right. Yeah. They were talking the

Josh: Try to, you know, fry ’em up, make little cicada tacos or

Joe: And it was like the younger ones, that hadn’t multi was at the,

Josh: Yeah. You wanna get ’em right when they come out of the ground apparent-

ly, because they’re still kind of soft shell, you want the soft

shell

Joe: don’t want the

Josh: not the uh,

Joe: ones the crunchy ones Throw back. It’s got the crunch. You don’t want ’em

Munch.

You go. That’s it.

Josh: are big.

Joe: They are, I don’t know. I’ve been, have you eaten a lot? I mean, I’ve had meal-

worms.

Nick: How many cicadas have you eaten, Joe?

Joe: Zero.

Josh: mealworms and I’ve had some grasshoppers that were pretty small

grasshoppers as, as far as those things go,

Joe: I haven’t had any other insects. There’s a place they make

Josh: not bad, you know, prime up, a little Cajun seasoning.

Just try not to think about what you’re eating.

28Joe: yeah.

Josh: They’re not bad.

Joe: Like spiders they probably taste tastes a lot like, you know,

Josh: I don’t know. That might be too far for

me.

Joe: They’re like land shrimp, right?

Nick: I thought that would be [00:31:00] cockroaches.

Joe: no, cockroaches are insects. Yeah. No, that’s a whole different line. That’s a,

that’s some hard times there.

That’s,

cockroaches

Nick: were the land shrimp. No. Is that not true?

Joe: No.

Nick: Or is that land crabs?

Joe: I don’t know what you’re talking about. Let’s move along. Now it’s kind. I’m

talking about ticks or something over there.

Nick: What

Joe: land crafts. That’s, yeah.

Nick: all

Josh: You mentioned ticks. I had a couple of movies that I was gonna bring up

and I dunno if you guys have ever heard of the movie Ticks.

It was an older movie definitely like a b or C tier horror movie about giant

mutated

In the mountains, attacking some coeds. But the best part of it is Howard’s broth-

er, Clint Howard noted, excellent character actor Clint Howard who plays one of the

hillbilly criminals who’s growing weed in the mountains that is also defending their

29weed fields against the giant mutated ticks. And he of course, [00:32:00] gets at-

tacked and then there’s lots of great practical special effects if you like, those kinds of

beats here, horror movies. But it does involve, the movie does involve a giant swarm

of giant mutated ticks attacking people in the mountains.

Joe: Those are their best. That’s like Piranha. That was also

Josh: Yeah. Yeah. that’s kind A swarm movie.

You Ana,

Joe: Yes. did

Nick: I’m gonna throw this one out there.

Joe: oh. He’s been, see, he’s been sitting on this

Josh: can’t even say it.

Joe: Yeah,

Nick: I need a minute.

Joe: All right.

Why don’t we do that. I was gonna say my next, the next swarm that I think of are

rats,

Like rats are like, you know, and just the Pied Piper, of Hemel Hamlin. You had, dis-

eases, a lot of things have corresponded to.

Rat infestations in civilization, especially urban civilization of, , black plague, black

death. I mean, you had, things like that. So it is

Josh: Although that was more due to the fleas than

just gotta [00:33:00] they were the the rat’s, Reputation

on,

Joe: I am. They were the conduit though,

Now we’re gonna

had the fleas that actually then were moving, they were

30Josh: It’s a two way street, you know? I mean, the people weren’t all that clean

themselves either. The fleas were going back and forth pretty readily. don’t think we

can totally blame the

Joe: That’s why you have, women who had cats who didn’t, at that time, didn’t die

or get catch the plague. They were considered, , witches. But really they, because the

cats kept the rats away from spreading the f fleas da that they live, but then they got

persecuted as, you know, set of oh, that’s a smart idea.

We all should have a dozen cats. And

that’s,

Nick: where the mob mentality comes in.

Joe: the mob mentality

Josh: You’re right.

Joe: So you were, and when you were talking about the locusts rubbing up

against each other, and then all of a sudden you get this kind of angry mob I thought

of a concert venue , someone rubs up against someone the wrong way and then all of

a sudden you gotta, you got something happening.

Nick: So would shark NATO be considered a swarm?

Joe: know what, [00:34:00] you stop it as I, my youngest son, we were talking my

age, 14, I’ll be 15 a little bit. And we were, we, I said what the episode was gonna be

and he was like, are you gonna talk about Sharknato? I was like,

Nick: You know,

Joe: it. They just had a few sharks. It wasn’t a lot of sharks. Sharknato.

Josh: Hey. I’m happy to talk about

Sharknato though. That’s just good fun.

Nick: this is like the fifth episode in a

Joe: We’ve talked about Sharknato and other

31Josh: Have you, have, you talked about Steve Sanders from Beverly Hills 9 0 2 1

oh. Leaping through a shark with a chainsaw

like chainsaw. First he leaps through the shark.

Joe: Was that the first shark nato or one of the subsequent shark NATOs?

Josh: Not sure they all blend together.

Joe: work together?

I mean,

it was like four. I mean, that’s where people like, they, they’re like, I got this idea.

But it’s dumb.

Josh: were definitely too

Joe: yeah you just go, you just, you always look at shark NATO and go, that’s, if

they went into some room and [00:35:00] pitch that movie, you can pitch any idea you

got.

Just take faith and go,

Josh: Sharknado five, we’re still milking

Joe: right. Yeah.

It’s

Nick: Oh, and then they’re just milking a shirt.

Joe: Okay. That’s not how that works, but all

Nick: for this one it does because

Joe: made genetically engineered sharks with little tets.

Josh: They’re getting really creative

Nick: I think we’re gonna be able to pitch this one. Guys.

Joe: be I’m, there’s a, we’ve had a lot of movie ideas on these episodes.

This is one I’m not gonna be behind. I’m gonna leave this to Nick. He is. Got it.

Hold.

32What else you got? Anything?

Nick: Yeah, so that,

Joe: I mean, that’s, that was on my, and then Ants, I did have ants on my list, but

we touched upon them. Everything else is in there. I mean, the fictionalized, spiders

there was movies about that, like ACH phobia.

Josh: Arag phobia.

Joe: The nineties. That was one

Josh: There was one in the early two thousands I think called, just called Big Ass

Spiders.

Joe: Yep.

Eight. Yeah,

Josh: giant spiders there, eight legged, eight legged freaks, I

Joe: Eight legged free. But those are, but see, [00:36:00] that’s, those are giant

spiders. There’s a lot of ’em

Josh: They’re like fifties sci-fi

throwback

Joe: Yeah. Like them and those types of movies, but just you have a movie where

normal size it, there was, you know what, there was one also B Horror kind of The

frogs.

Nick: Oh, yes.

Joe: And it was like that the seventies

Josh: I’ve seen that VHS cover, but I don’t know if I’ve ever seen the

Joe: and they had a bunch in the seventies. People can go and look, but that was

the environmental kind of movies of animals attacking, you know, humans encroach-

ing on their land. So developers are coming in, they bought the cheap land, and then

the animals kind of rally and then go.

33But the frogs was exactly that, where they were there, and then the frogs started

killing. People one by one,

Nick: do zombies fall under swarms?

Joe: I was gonna say that I had that.

Nick: I had that written down as a note.

Joe: I think they

Josh: That was my thought first for human swarms in fiction. The first thought I had

was zombies

Joe: [00:37:00] I think would fit.

they bunched together And it was interesting because I think in movies or books

you have that idea of zombies. If you, you have the initial outbreak the demise of hu-

manity and the rise of the zombie. And then they appear that they do follow then a

swarm like mentality and behavior

I think z Nation that was at TV show.

Josh: Oh, I love Z

Joe: Yeah. And they had, but they had the swarms. They would go, oh, a swarm of

zombies are headed our way. And they had to get inside. And this whole, this herd, it

was like almost a herd of zombies would go through looking for almost like locusts,

looking for

Josh: Definitely. Following swarm behavior.

Joe: Yeah. So it is really, I think it would be interesting, I would say yes. That they

would find it and yeah, if there’s a food, like if you, there’s a bunch of zombies that are

disorganized and then there’s a stimulus event, they all then converge and actually fol-

low that [00:38:00] behavior to get at that that,

Josh: Yeah. I mean, that basic setup is in pretty much every zombie movie.

Joe: So I

34Josh: You think you’re hidden and then a noise attracts

Joe: that’s right. Yeah. And then one, and then

Josh: then they all swarm.

Joe: They’re all triangulate on that position and you got trouble. Yeah. Especially if

they’re fast moving zombies, which I have issues with, but, okay, we’ll move on. ’cause

that’s not, this is not

oh

Josh: That just seems unfair to the

Joe: Yes, it

Nick: does.

Joe: I, my whole gripe with that people know, is that I don’t know how you gain

ability after you go into a decay state. Okay. That’s all I’m gonna mention with

Nick: See Joe with science,

Joe: it’s just hand waving. I know, but it’s my job to call it out. But it is

Josh: You gotta draw the line somewhere.

I’m, I’m with you. How do you get faster and a limitless supply of energy as a zom-

bie when you didn’t have that as a human shambling? I understand. You know, you’re

barely

Joe: Yeah. They’re all right. But there’s folks that, it’s [00:39:00] like you weren’t

running that fast. When you were alive. Okay. So why are we running

Josh: We’re running for that long. I don’t know if you guys are runners, but you

know, if you are not out there running regularly, you can’t maintain a fast pace for very

long.

Nick: it’s all about the lung capacity though.

Joe: No lung capacity. They’re

Josh: is the lung capacity of an average

35Nick: I’d say none. So like

Josh: the, zombie virus negate the

Nick: drops down to zero and then it just goes infinite. That’s not

Josh: with no lungs? You don’t have to breathe. You could run forever,

solve it.

Nick: Boom

Joe: that was the idea that in,

Nick: was it Walking

Joe: Dead or which movie was that? Or was it Walking Dead where he had, they

had him exhale.

But he was a zombie. Like it was like a cold day when they did the shot and you

saw like a little breath of air you know, the kind of

Josh: I’m

Joe: Yeah, it

I don’t remember

Dead. It was like a mistake. It was one of the episodes where they shot it and one

of the [00:40:00] characters were supposed to be a zombie, but then they were clearly

breathing like a living human.

It was just

Josh: Oh, like they weren’t supposed to.

That wasn’t supposed to

Joe: I always do this ’cause I think it’s fun, but the earliest fictional

yeah. Right there.

Nick: Example.

Joe: I, yeah, I’m married. Yes. I’m a

Nick: This is tearing you up now with

36Joe: It is, I’m feeling very emotional about those zombies.

Nick: Yeah. You got a earliest, lemme guess it’s the Bible or

Josh: locus

Nick: Or, there was some Egyptian hieroglyphics that was found on the wall and it

predated back to a hundred bc

Joe: It’s, our favorite here. It’s the epic of

that story.

has like everything.

Nick: No, this is not acceptable.

Joe: has swarming lions.

And the Bulls of heaven. I mean, that’s

Nick: No, that doesn’t, no,

Josh: knew how to.

Joe: [00:41:00] But every episode it’s that is, that’s just what,

Nick: what’s, I’m gonna call BS on this one.

Joe: it’s there. Then the Iliad, they’re battling swarming bees, birds, locusts all the

kind of ancient swarming of animals in there. Yeah. The Bible, of course, that’s proba-

bly close to the age of the epic of Gilgamesh. Yeah,

you had, divine comedy, Dante , 1320 ce swarm hell has swarming like insects.

And then the Pied Piper, that was 14th, 16th century ce. So there’s a bunch. that’s idea.

That swarming animals coming at you is like the ultimate fear. I mean, as a solo, like

one rat isn’t an issue. 10 rats. Okay. You got a small

Nick: Wait, it depends on what size the rat is.

Joe: I mean,

Nick: is it like a New York rat where it’s like a

Josh: I don’t think they exist.

37Joe: You don’t like a [00:42:00] nice muskrat or Right. I mean a sewer rat they get

big

Josh: princess bride quote,

Joe: Oh,

Josh: rodent of unusual size. I don’t think they exist.

Joe: I was like, what are you talking about? I’ve seen it.

Nick: I’ve lived

Josh: Yeah. Something like a, that’s like A rat the size of a pig or a rodent.

Nick: Or what about when a bunch of rats get all tangled up together and they re-

form the rat king?

Josh: The rat kings,

yes.

Joe: What do you do? You need a bunch of rat kings to swarm. You know, can you

have swarming rat kings?

Josh: I think the idea is the rat King controls the rat swarm

Joe: see. Yeah.

Nick: It’s the nest of it that all gets bunched up with their tails and then they just

start like

Yeah,

Josh: moving as one entity.

Joe: But yeah, those were

Josh: You have to imagine, you know, animal swarms are gonna hold just as much

fascination for our ancestors as they do for us, if not more because people used to live

in a much more [00:43:00] intimate relationship with nature. You know, they were out

amongst animals and the wild much more of their day.

38Whereas we’re fairly separated from the natural world. Most of us, certainly if we

live in cities or urban environments, it makes sense that they were including this kind

of stuff in their stories and in their storytelling. For as long as we’ve had stories in sto-

rytelling,

Joe: Yes. No, I agree. And there, there’s a certain themes you can think of, you

know, the kind of, the fear of being overwhelmed, losing control against this kind of

overwhelming force that we have. The nature retaliation. We touched on that kind of

the seventies was really popular, but through history probably had that push and pull.

Have we gone too far? Are we encroaching too much on the natural world? Intelli-

gence and coordination. You just have these kind of, like you, you were saying earlier,

the birds, that’s, it’s not quite a traditional swarm of just chaotic. They were plotting

and planning and really guiding the [00:44:00] humans where they wanted it.

They were almost boxing ’em , wouldn’t let ’em leave the island. I mean, it was this

whole coordinated effort to keep ’em there. And then you just have the overall sym-

bolism as an allegory to societal breakdown, chaos or pre fears. And that’s almost

magnified when we get to the zombie, right?

Because that is our ultimate not even an animal that’s coming or is chaotic. It’s us

that has become the uncontrolled.

and

the ultimate breakdown, like the breakdown of self. I think that’s

Josh: We become our own worst nightmare.

Joe: So you giving me the look over

there? Give me the looks. What’s happening?

Nick: Nothing

Josh: matter, zombies are humans reduced to nothing but instinct.

Joe: Instinct. That’s right. Yeah.

39Josh: the zombie, The zombie swarm is humans without any of our intellect or in-

dividuality.

Joe: Reduced to the lizard brain, right? Is

Nick: yeah. They’re just Out to feed.

But like only on other people.

Joe: should be like a movie

Nick: out to feed.

I mean, that’s the next [00:45:00] zombie movie.

Joe: It is. We gotta do it.

You’ve heard it here out the feed.

Josh: can pitch that after Sharknado

five. right.

Nick: milking it.

Joe: Zombie nato.

Nick: Oh. Oh no.

Josh: Yeah.

Joe: just when you thought it was safe. The zombie twister.

Nick: Only if we can get that one guy back from the last twisters.

Joe: All right. Josh, do you have any advice to give folks if a swarm is approach-

ing?

Josh: Most part, try to get out of the way and relax. They probably aren’t interest-

ed in you.

Joe: oh, there you heard it there.

Crack open

Nick: know if I can

Joe: off.

40Nick: that. gonna panic and then away in a different

Joe: Get the flame You gotta remember the, the first the first commandment of

Douglas Adams. Don’t panic.

Don’t

Josh: Hitchhiker’s Guide to the Galaxy.

Joe: Yeah.

Nick: Oh man, I thought I was, grab the gasoline.

Joe: have your towel

Josh: Yep.

Joe: a towel

Josh: towel.

Joe: and do it.

Cool. Do you have a favorite [00:46:00] swarm? If you had to be in a swarm sce-

nario which animal which you want. I like a

Josh: Like for my own personal safety or

Joe: what? Whatever you

Josh: oh, no, I, I do, I say I have a favorite swarm. One of the things I didn’t quite

get a chance to bring up, but I guess I’ll bring it up

now, is, Dragonfly. Swarms. So there’s a species of dragonfly that migrates from

the Northern North America area down to the Gulf Coast of America and Mexico the

coast of the Gulf of Mexico.

And they passed through the Great Lakes area. And I live pretty close to a park

that’s right on the lakefront here in Chicago. And so every year around like late July,

August, September, we’ll have hundreds of dragonflies passed through the area. And

when I go down to the beach, you can watch the dragonflies coming in and pre on all

the smaller insects [00:47:00] that are flying around the dune grass and then above

41the dragonflies, all of the swifts and birds that are preying on the dragonflies as they

come through.

And it’s just this really cool display of nature that I love getting to see. And it’s

these huge. Swarms of animals, both the dragonflies and the birds that you know, you

can watch without any fear for yourself like I said, none of them are interested in

you.

Joe: doing their business

until they are, until it’s like that’s the guy over there.

Josh: Yeah. So if you’re lucky enough look out for the dragonfly

Joe: And when’s that about? Like just a

Josh: like late summer, I would say August,

September.

That’s when they’re coming through my area. So coming through Chicago and

then eventually they’re going down to, you know, the southern states, the Gulf Coast.

Joe: then it’s go straight. It’s a straight shot. That is so like through Illinois,

Josh: I, I’ve seen them, I’ve seen them around here for a long [00:48:00] time. I

was trying to figure out a little bit more about them. And they follow a similar migra-

tion pattern to Monarch butterflies. They’re actually a lot harder to track, so they don’t

know nearly as much about the dragonflies migration patterns as they do about

monarch butterflies, but they know that they’re in similar areas, similar timeframes.

They’re seeing them migrate along similar paths at similar times, but they just

don’t know as much about the dragonflies.

Joe: Yeah,

I was like I was gonna say monarchs is probably one also insect. And I just hap-

pened to be at like a conference in, was it Monterey or Sylmar, California. And there

was like some huge tree .

42And they were like, oh, this is a place they’re migrating right now. If you go, it’ll be

thousands of ’em. You know, tens of thousands just hanging around. And so we went

and we didn’t see tens of thousands, but they were like more like hundreds and they

were like, oh, we’re off by. It’s not an exact science like they’re gonna be, but it was like

they had a range of dates and we were just there come back [00:49:00] tomorrow.

And we were like we need to leave. We gotta, you know, it’s not like we, this is it,

this is our shop. But it was, they were there. I mean, you could see I mean, it was prob-

ably the most butterflies that

Josh: still pretty

impressive even

Joe: It was really cool. Yeah, it was really neat and fun. So I did enjoy that.

Nick, you got a favorite swarm?

Nick: Yeah, my murder.

Joe: Your murder.

Crows. You’re

Josh: murder of crows?

Nick: Why would, what’s not to love about them?

Joe: The crow army.

Nick: Yeah. I think befriending them and creating an army to do my bidding

would be the best idea

Joe: There it is.

Josh: Nick’s getting ready to be the villain in birds

Joe: know that’s right.

Nick: Hovering above with my crows

Joe: yeah. There. I can see it now. Feeding them bagels. Yeah. You’re like, here

you go.

43Nick: Anything they want

Joe: you go, yeah, I don’t

Nick: feed my birds. What about you, Joe? What’s your go-to swarm?

Joe: I just said Monterey. I I mean, I like the

motto. You didn’t say

Nick: that [00:50:00] was your

Joe: No. I piggybacked off of that one, but I mean, you know what? I’m a zombie

guy, so I’m just gonna go with, I’m gonna go with zombies. I like it. I threw ’em in there.

They’re animals, you know? Yeah,

Josh: Yeah.

Joe: So

Nick: I’m down for that.

Joe: We’re down for it. And I got my country wisdom, so I’m ready to go. I think I

can make it out.

Nick: I feel like I keep sending you more stuff to add to your country wisdom.

Joe: I know you gave me like the Guide to Survival or something like Yeah. I’m just

adding, I’m there.

Nick: I’m slowly just being like, all right, Joe’s gonna have everything I need.

Joe: just need somebody to be prepared. You, I know you’re your game.

You’re gonna be

Nick: out.

Joe: there dingdong.

Cool. Josh, anything else? Did we, we hit everything we can. Any other bits of wis-

dom you’d like to share

Josh: know, I

44I love animals. I’ll talk about ’em for as long as you want. But that’s, I think we’ve hit

most everything that I wanted to touch on.

Joe: Yeah. The now you were, do you have any fun on our way out, like [00:51:00]

a fun story in your. Career as a pest management. Engineer.

Josh: Yeah.

Joe: Sorry, I put you on the spot now you’re like, they were all

Josh: no, I mean, I was coming in as your, as the animal guy, so I should have had

a story ready. A lot of my stories are just like smaller quick anecdotes. A woman who

called in complaining that she could hear a goose somewhere on the pond that she

lived on, that sounded for forlorn.

Those were her words, and she wanted us to come out and do something about

it. She wasn’t even sure what she wanted us to do about it. She just didn’t like that this

goose sounded sad. I learned a lot about how little people, some people know about

nature in the natural

Joe: It’s a sad are just totally unprepared to deal with living next to animals.

Josh: you know, even if you’re, even if you’re living in the city you’ve got animals

all around you. You know, I saw a coyote in one of the cemeteries just the other day

from the train while I was going to work. I’ve seen raccoons pass me on [00:52:00] the

fire escape at, on my building.

Just walking up past the fire escape, just kinda Hey, how’s it going?

Alright. And I just let ’em go, you know, because they’re just trying to make a living

too.

Nick: Oh, so you don’t trap every animal now, like

Joe: Yeah.

Nick: that’s not like your daily thing

45Josh: no, I, I left my trapping days behind. Me and the animals have a much more

peaceful coexistence now which I’m much happier with.

Joe: And you were just personifying the raccoon. It didn’t really speak to you.

it did. It was, were

you out there? Because that’s

Josh: no I can I can make mental contact with the animals now. No. I literally had a

person tell me one time that, that she like psychically communicated with the rac-

coons living in her house and told them to and that’s how she got rid of her own rac-

coon

Joe: Wow. That’s yeah. So what happened with the sad goose?

Nick: can you tell us what it sounded like?

Josh: I always imagined it sounded like, oh. Just like a really sounding goose.

Once we told her we were a private company and if we came out to do anything for

her, we would have to charge her money for that. [00:53:00] She changed her mind

pretty

quickly.

Joe: okay. There it is. You put money in it. Yeah. The good old capitalism there.

The yep.

Go.

Josh: people care a lot less about the animals around them once you tell them

that, no, your city doesn’t pay for this. We’re a private company, you have to pay for it.

Oh, okay. I guess they’ll be fine.

Joe: Yeah. They’ll ha they’ll spruce up on their own, but

Josh: Yeah.

Nick: the spruce, goose.

46Joe: yeah. Yeah. All right. On that note, I think we should go ahead and wrap up. I

know everyone’s all sad out there. A bunch of sad goose. We gotta go. We’ll be back.

We’ll be back again, I promise.

But

Josh: for having me on, guys.

Joe: thanks

Thank you for coming

on and sharing your knowledge about animal swarms and sad goose.

Nick: Someday we’ll have to go get some shwarma.

Joe: We’ll have to get swarm. That’s right. You know,

Josh: Celebrate the animal swarms

with swar

Joe: And on that note, you’ve got me, Joe.

You got Nick. You got

got Nick. You’ve

Nick: And that was

Joe: And that

Nick: [00:54:00] We went down

some animal hole. So

Joe: Some animal holes, don’t we? We didn’t talk about rabbit swarms. We’re

here. We got a rabbit hole of research

Nick: that just seems like part war.

Josh: don’t rabbits don’t swarm as far as I know. But they can get really overpopu-

lated

so their population’s kind of boom and bust.

Joe: or

47there

Josh: But I don’t know if rabbits really having a lot of swarming behavior, it would

be a very adorable swarm.

Joe: If it would be, I ain’t could see that. Yeah. Except when the hawks come and

the owls and the eagles and then it becomes something

Josh: becomes a very grizzly swarm.

Joe: I write on that note. Y’all stay safe out there. Love you.

Nick: Bye-bye.

Transcript: EP 41: Crimes in Time

Can a murder be solved across timelines? Author Lee Matthew Goldberg joins the Rabbit Hole crew to explore time travel, paradoxes, time machines, and mind-bending memory loops.

Listen to this episode now: SubstackAppleSpotifyYouTubeAmazon

Joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the basement studio for episode 41. We’ll be talking about crimes through time. You have the crew. You have me, Joe, you got

nick: Yeah. Got Nick. You’ve

Joe: got Nick. We’ve got Georgia, how you there?

geo: Hi there.

Joe: And we have a special guest joining us please.

Lee: Hi, I am Lee Matthew Goldberg. I’m an author. I have two young adult sci-fi books that just came out. And I’m so happy to be here.

Joe: Definitely. And

your books, they revolve around time. One of them miles in time, is that right? That’s the awesome,

Lee: Yes. Yeah.

the title definitely,

Joe: we played off of that Crimes in Time.

Lee: traveling. Yes.

Joe: Yeah. And with that I’ll go ahead and give my little opening definition. We’ll save the list for later. I don’t know. I’m not gonna break my.

My

nick: Can you actually do the [00:01:00] list first?

Joe: I don’t

geo: Yeah. Come on. I wanna hear list.

Joe: No. You guys gotta wait. I want build a tension for the list. Yeah. That’s

geo: what

all.

Joe: like, that’s the fans like.

Time is an absolute universal parameter that flows at a constant rate for all observers.

It provides the backdrop against which all events occur, a cosmic metronome. Indifferent to space or motion, and it’s perceived to flow forward a straight arrow, a line that moves from cause to effect or from crime to consequence. But what if it doesn’t? What if time bends loops, fractures? What happens to justice when yesterday can be edited and tomorrow can reach back to pull the trigger.

What if the criminal disappears into the past? So worse is the past. What about murders that haven’t happened yet? Alibis that exist in parallel timelines, evidence that loops forever. And a terrifying idea that some crimes have no beginning at all.

nick: Is it just me or have your what, your descriptions gotten a lot more wordy. I don’t know. I don’t know.

Joe: I don’t know. And are you giving me, are [00:02:00] you upset about these? No, I’m just Okay.

geo: I think I agree. Yeah.

Joe: Yeah.

geo: I think it probably depends on the

topic. Yeah.

Joe: It

geo: like time.

Time is very romantic,

nick: Romantic.

geo: Yeah. Like that concept of time.

No,

but I think you can real, I can think you can wax poetic about time and I

Joe: Yeah,

geo: that’s,

Lee: I agree. I was with it the whole time, Joe. Yeah, I was, I.

Joe: thank you. Thank you. I get a lot of shade here from my cohost. I feel like

Lee: Good though. It No, it keeps you working for Yeah.

geo: I feel like there’s a little bit of pressure though, ’cause you’ve you’ve said what we’re gonna talk about.

Joe: Maybe I don’t actually. I, that’s what I wanna talk about, but I as listeners, our listeners know that is not usually I don’t get my way. So that’s

geo: you just

nick: by

Joe: so I’m trying to prompt everyone to talk about what I want, but No, it’s

okay.

nick: I felt like. Yeah he’s really trying, that’s

geo: That’s

what I felt like. It was more like,

nick: he knows he can’t script me, so he [00:03:00] tries to,

Joe: maybe what I’ve done is I can actually time travel and I’ve gone back and I’ve created

geo: oh, so we’ve already done this episode and now you’ve gone back and

Joe: right.

I’ve already done it like,

Lee: it’s edited perfectly to fit the narrative. Yeah.

Joe: And every time someone messes up, then I gotta go many times have you done this, Joe?

right. This is so boring.

geo: Those

Joe: Wow. Those jokes are perfectly timed. Yep. That’s it. I ran on top of it.

geo: So I wanna say something really exciting. I did read your book

Lee: Awesome. I love that.

geo: and I

Lee: I love that.

geo: I really enjoyed it. But you will know, you can ask Nick and Joe I haven’t really read a lot of the other, you usually get more done than I do.

And I actually read the whole book. Yeah. So there,

Joe: I

nick: I had to

Lee: I really appreciate that. That means a lot.

Joe: I’ve read, I read the first three chapters, so I’m not gonna, I’m not gonna try to lie my way out of it. I no time travel. I’ll have to go back and catch it.

nick: I had to [00:04:00] restart recently. ’cause I, I started reading yours for a different episode and I’m like, wait, where am I?

geo: It was like time traveling. Yeah.

Lee: Right. It got you again.

It got you again.

nick: I’m just like, wait, what parts do I remember?

geo: So

yeah, I really enjoyed it. And so there’s a part one which I read, but then you said there’s a second one. So when did the first one come out?

Lee: So the first one came out about two months ago, I think May 6th, and then the second one came out about a month ago.

the publishers wanted ’em. Yeah, they wanted both out. Which great. But it’s also like a lot of PR that you have to do for a book.

geo: right,

Lee: Have to do double the amount of pr.

But yeah, no. And will there be a third one? Probably not, but you never know. But probably, yeah, I think the loop has closed

geo: But you never know.

Joe: You never know.

Lee: You [00:05:00] never know. And if it became like a, a franchise of movies, sure. I would write another I would

geo: because I was, I read it and then I looked and I was like, wait, there’s a second one. And so I was surprised. Yeah.

Lee: Yeah. I think it, it’s good marketing. I think a lot of times with indie publishers, they really have the ability to try different things out and see what works, what doesn’t. So yeah, no, it’s great. They’re both out.

nick: And how long have you been write writing for

Lee: Wait,

geo: the,

Lee: been writing, so my first book came out about 10 years ago. My first book slowed down. But I’ve been writing since I was like a little kid. It’s always been what I’ve wanted to do with my life. I think I was saying, I used to write books about my dog getting in like a jam. I was always prepping to be a thriller author.

And then now I have these sci-fi books.

Joe: Yeah,

nick: So did your first book have anything to do with time too? ’cause it sounds like it might

Lee: Slowdown, no slowdown was just set in the present time. But books I’ve been working on for a long time, [00:06:00] so a lot of times, like a book is in the back of my mind while I’m working on another one. And both of these books were I

was figuring them out while I was writing other things. They just took a little longer to marinate.

nick: Oh yeah.

geo: And then I was looking, I think I was looking at some of your other books. Don’t you have something that’s a time travel, but it was like during the Gold Rush or

Lee: Yeah. So my book, the Ancestor it’s my favorite, it’s set in the present time, but it’s about a man who wakes up in the Alaskan wilderness with amnesia and he thinks he’s been stuck in time since the Alaskan Gold Rush. And he sees a man that looks just like him. Follows him home and it brings him like a rush of memories of his wife, his child, but all from back in the late 18 hundreds.

And so he becomes obsessed with this man more and more. The more time he spends with him, the more he remembers about his family. And then he remembers he left like a massive amount of gold somewhere in the wilderness, so he has to [00:07:00] go find it. So it plays with time travel and whether you could really be, stuck in time for a hundred something years.

geo: Okay.

Joe: This brings up some of the paradoxes in time travel. So you get your first of many lists, I

geo: was gonna say that sounds like a list.

Joe: No. And so you have the kind of classic ones is the, like the grandfather paradox where you travel back and you prevent Yeah. Preventing your grandfather’s existence, prevent your own or grandmother or anyone in your

nick: wait, so this isn’t the one where you become your own grandfather?

Joe: No, that’s, this isn’t,

geo: oh,

Joe: is that Futurama?

Wasn’t that a

Futurama episode?

nick: Yes, it is.

Joe: It’s been a while since we had a Futurama reference

nick: I know, right? I couldn’t really shove Tama in all the fantastic four

Joe: well maybe.

Then we have the Bootstrap Paradox. It’s an object or information exists without or origin. And so that one, it raises issues of intellectual property. This is the same [00:08:00] as a gin principle, which is a theoretical that an object’s introduced that doesn’t really have a start origin.

So you don’t know. And the classic was the Christopher

geo: I was gonna say the penny. No, I thought I was

Joe: exists.

And so who actually, when was the watch created? Was it created in his time or in the pastime? And you just have this loop where now an object has

geo: Oh, okay.

Origin. So because there was that penny. This is actually a spoiler.

Joe: It’s older than

20 years.

So,

geo: But they see, he sees the penny from the modern times. And that kind of throws everything off.

but that penny, you know where it came from, right? So it, doesn’t, that’s right.

Joe: It’s not it would not be the a bootstrap paradox or the gin particle kind of paradox. I was gonna say the other one, the other classic bootstrap para bootstrap paradox is in Back to the Future with Johnny B. Good and Chuck Berry, and he [00:09:00] goes, oh, listen, this is the sound you’re listening for.

So now the origin of, that music is, it really doesn’t have an origin because it’ll now be in this loop of just being created.

nick: stop me if we’ve had this conversation before. I don’t know if it was on air or off air, but didn’t it have to start somewhere? Because the start of that loop was when Marty McFly had heard it originally,

Joe: right?

Yes.

nick: And that was pre him going back in

Joe: right? Yes. But

now,

nick: it’s, we saw the start of it.

Joe: You know the start because, that’s the fun of it. You actually know Chuck Berry and his music, and you, we know he created it. But in that. Back

to the future world, it would be now just looped like, where did this music come from?

Because Chuck Berry technically didn’t create it now ’cause he just listened to the sound that some kid was playing on stage and

has reproduced it. So

geo: the question

Joe: so now you have this kind of weird loop because now the origin of it, and now you go in time, he now is, becomes famous [00:10:00] Chuck Berry. And then that loops back.

And

geo: I think it would depend on how much music he had done before that moment.

Joe: it didn’t look like he had done a lot. He was like in, in like his mom’s basement or something. I don’t know.

nick: Also, wouldn’t it make him like stealing IP at that point? That’s

Joe: what I said. You have an intellectual property thing and then Marty consume for, oh, okay. That’s,

geo: know there’s

enough

Joe: problems with Back to the future. I was gonna say that the one that kind of went to Penny and even the, your other story is the temporal identity conflicts where you meet past future selves. And, it raises questions about memory continuity, legal personhood and identity.

And so you have this whole, these moments in time. And then we have the pedestrian paradox. Attempting to change the past actually causes the event you’re trying to avoid. And probably one of the famous examples is 12 Monkeys.

Lee: I love,

Joe: think that one that’s, yeah, that’s a good one. So yeah, just some [00:11:00] paradoxes that you have to, so when you were writing your story, did you think about a paradox or did you just dive in and let the story, just take it where it goes without

spoiling it,

Lee: He, the in, in the Y book, he finds a, almost like in Beetlejuice or they find like about the other side, a book about it. He finds a book about what to do and what not to do in time travel. And his brother’s a genius inventor, so he like leaves it for him. So like one of the things is you should never run into your past self.

And my character is like f that like my past self maybe help me out

Joe: So Lee, I don’t want to cut you off, but maybe for listeners, could you give

Lee: Oh, I’m

Joe: synopsis of the story so that every, we all, I think we all know what it’s

about, but

I realize we’ve been talking

for a while. Oh, there’s miles in time travel and ta

geo: da.

Lee: Totally my bad. Um, So

Joe: just a bad host.

Sorry.

Lee: in, in Miles in time it’s set [00:12:00] in present time in Iowa and it’s about a 14-year-old kid named Miles. His older brother is a genius inventor. He may be working on a time machine and his older brother is murdered. And through kind of a code that the brother shared, he’s giving clues to where the time machine is.

Told to go back in time for a week, figure out who murdered him and save his life. So hence the book, the do’s and don’ts of time travel that the brother leaves for miles. So one of the things I said was to not meet your past self, but Miles is like an amateur sleuth. He’s a detective and he feels like he could use his past self.

So the two of them actually worked together to solve a lot of the mystery together. So I threw out a lot of the rules that I had seen before and other things, but, it’s like, it’s a kid’s book, it’s fun. I didn’t want to get fired too much in a complete believability, so yeah,

geo: Yeah.

That was one of the things that I was gonna bring up. But then I was like, I don’t know if I don’t think this a spoiler. And anyway, he did

Lee: no, you can say it. Yeah.[00:13:00]

Joe: But

geo: But yeah. I thought that was interesting that he did team up with his past self, because that is, I think that’s just so drilled into you Yeah.

That you

Lee: Yeah.

Joe: not, you’re gonna explode

Lee: And like who Who made that rule? Who really knows if that’s an actual thing

Joe: It’s a very convenient plot device. Not to

Lee: Exactly. So I don’t know, I just wanted to flip the script on time. Travel has been done so much in books and TV movies. So a lot of me was just trying to figure out like what kind of new could I do with it?

What kind of new things could I say about it? Also like being a real mystery at heart. ’cause he is an amateur Sherlock Holmes and I wanted it to be like a, who done it first and foremost.

Joe: You, it have to be a nice kind of. Having your own self in the time or the past time that you can consult with, because that kind of prevents your own memories from being corrupted during the time travel. So we have all this, like we were just [00:14:00] talking about the jinn particle, and things can now have a non origin.

And so it is, it would be useful to have someone that knows, oh, this is truly the origin of this thing, or this truly is a piece of evidence, not something that we’ve created. Because I guess through time travel, one could disrupt a change in time and then create another outcome or an event that then would have consequences in that

geo: Yeah. I think the other thing about this story is the fact that he only goes back a week.

Do

you know what I mean? I think that you mentioned that, so

Joe: back to when he is like a

geo: so it’s like you look pretty much the same and Yeah. And yeah.

Lee: But they also are so different

Them has experienced the loss of his brother with that week and around that plus also going back in time. The other one is naive than miles from a week ago. So even though they’re only a week apart, like they couldn’t be more different. And I think they’re able to play off each [00:15:00] other like one’s innocence helps the other kind of almost grizzled, hardened detective even a week later from what he’s experienced.

Joe: Now could the past miles swap and go into the future or does that happen in the story? Sorry, I don’t want to spoil it.

geo: You have to read it and find out,

Lee: you’ll have to read it. Yeah, that’s a spoil there.

Joe: I hit on

geo: I do think that it made my mind went a little bit like when I’m thinking about time travel and then Okay. So, dark matter.

Joe: Blake Crouch? Yeah.

geo: that show, I really I read the book and saw the show, but that one really freaks me out. ’cause have you read it or seen it?

Lee: Yeah. Both. Both.

geo: because then all of a sudden, because there are all these other timelines, now all of a sudden there is like tons of, there’s a lot more of him. You know what I

mean? Yeah.

But that,

Lee: think they

want like a second [00:16:00] season and a third season and

Joe: I don’t think they were traveling through time, per se.

geo: Okay. I, they were,

Joe: They were all at the, they were all at present time. They were just, they were manipulating the multiverse idea. Not a time. They weren’t going back in time. So the split and you got all the hundreds of

geo: Oh, so

didn’t travel in different times at all. It was all in that same moment.

Joe: And the kind of, the idea they were, the hypothesis idea that they were playing off of was that when you make a conscious decision, then you would split that reality because now they’re, like stroger’s cat, is it alive or dead?

But when you make the observation, it then picks a path, but the other path also could create in a different dimension.

And so in

nick: in a different time where you actually chose

Joe: right. Yep. Exactly. Exactly. And so you would get all these hundreds of people because as you’re making decisions. You would keep splitting yourself and create another dimension.

But a lot of those would still try to come back to the same, so you had all these, I forget his name, trying to [00:17:00] find home. And so every time he made a decision that one and it, their dimension was trying to find home and they just all wound up in his home at some point in time. And so that’s why you had this whole thing, at that they didn’t, they rushed that, in the episodes, I think they really I think it was like eight episodes and it was like, boom, now we have hundreds of people and they’re taking a vote and things like that.

Yep. I don’t wanna spoil that either ’cause that’s,

geo: yeah, that’s fairly new. Sorry.

nick: I honestly don’t think I’d be able to work with myself if I went back in time. I forget everything already, like,

Joe: That would be good though, because you But maybe two of you.

Lee: Yeah, two of you could help each other. Remember what you forget.

nick: The two of us would just be like, what happened? I have no clue what happened.

Joe: the George’s point, you could actually think about it this way. What if you started going back at intervals of a day and picking up your past selves? And let’s keep going

geo: I know. I was gonna say then what if you,

Joe: Nicks

geo: If you didn’t travel back to your [00:18:00] present day, right? And you just kept living in that time, you are only a week behind and then there’s two of you,

Joe: And if you go another week, you got three of you and four, or you can fractionate it even more. So in a week you would have seven. Like I don’t know. We’re now getting crazy.

Your time machine’s gotta be pretty big or however you’re traveling.

nick: lot of handwaving going on with

Joe: A lot of folks in that DeLorean. Time travel is, yeah, a lot of hand wave. And at DeLorean, pack ’em in. You gotta have

geo: so there’s

Joe: a Yukon

geo: are you saying the plausibility of time Travel is very low.

Joe: Yes. We’ve discussed this in a

geo: I actually was not on the time travel episode and I was Yeah. And I wasn’t on the Doctor who episode either.

go.

Joe: So Lee should feel very special that Georgia chose the dress. No, I the book

Lee: read the book. Yeah.

nick: you got fully prepared. Right. That’s a,

Lee: fully

Joe: beat out Nick and I on the reading part and here No, I was gonna say,

Lee: right after this you’re [00:19:00] gonna want to pick it up. the, that’s the

geo: right. that’s right.

Joe: Or finish it. I guess I gotta keep. Plowing through it. Yeah. Yeah, I was gonna say the one show, and it came out in 2019, a movie spike Lee, I don’t know if he was the director or producer, but see you yesterday.

And that had a very similar vibe.

about

that. And that’s the

one

geo: good. Yeah. Where

Joe: her brother is killed through, I think, was it police violence or crime, like some

geo: I know he’s shot,

Joe: incident. He got shot wrongfully it felt like it was this wrong place, wrong time. And so she was an inventor was going back to try to correct that.

And so you had that whole, paradox there that it was almost like everything she was trying would lead to the event or just miss it. And it was a very,

geo: well, it made other horrible things happen.

Joe: So that kind of, that pedestrian

nick: does that also fall under the butterfly effect then?

Joe: a small thing that leads to other changes? I guess you could, yes. [00:20:00] Because if you go, that’s one interesting things about the time travel in my mind that when you go back you almost can’t leave the environment unchanged

nick: you being there.

Joe: That’s right. Yep. Yep. So you would definitely have that happen as

nick: you being there already

Joe: All right. Changes everything.

You’ve introduced just breathing, you’ve introduced stuff contaminate to that timeline, so let’s use that. Contaminant, yes.

You contaminate

geo: you’re bringing back like some weird

Joe: No, you’ve introduced, right?

So you’ve just going there and you’re dander off your skin, breathing your breath into the air, or breathing in.

You’ve now contaminated the timeline

nick: and then whatever pollution that’s different and blah, blah, blah, blah,

Joe: Yeah.

nick: You don’t Well, oh

geo: I don’t know. He’s weird this

nick: I agree with him on this one.

This is a

geo: particular story, he goes back to the same place that he was. So it’s not like he’s going to some foreign land.

Joe: Yeah, [00:21:00] but you yourself, the minute that you step, like in any environment, like when the minute you come into the room, like just like present time, let’s keep it there. You come into the room, you’ve changed the environment

geo: At least you didn’t say I contaminated it.

Joe: Sec, if it was a clean room, you did. So if you come, go into a clean room, you’ve contaminated. So you have contaminated with yourself. We all have as you come in and leave and go and be in the world. So that same principle exists if you time travel and you go back, even go back minutes.

That timeline has been contaminated by a new, similar, but different Georgia that came into that

timeline. That make sense? Yeah. Lee, what do you guys say? Are you,

Lee: Also that’s what creates a good story. If there was a way to go back in time and nothing was altered, there’d be no stories about time travel. In every story something gets affected, which causes something else to get effective, et cetera. I think in my [00:22:00] books. It’s like they try to do as little as possible with affecting the most change for them and not for a global atmosphere.

But they’re not successful at that either. Like, like of course they’re gonna do something that’s gonna create a bigger kind of effect and change.

Joe: a ripple effect

Lee: Yeah. And in the

second book, they go back in the second book, they go back into the nineties

to fix their family, so their family has issues.

So they go back in time when the issues began for the parents. And then it was just a fun way to go back to 1999. So

Did it.

geo: So did you think a lot about the plausibility or the science or was that something Yeah,

Lee: I definitely read a lot of time travel books. I watched a lot of movies that connected to it. Some of the ones that you mentioned, Joe, like 12 Monkeys. But also because the books are, adults have been reading them and honestly probably more than kids, but I really wanted to keep the the age, like 12 and up.

[00:23:00] So I didn’t wanna do too much, like I didn’t wanna overload 12 year olds with any kind of mathematics or anything that would bore me.

I kinda left out it. yeah.

Yeah. I think there’s nods to certain things here and there. He reads I might be mispronouncing it, but Godell, who is like a philosopher or scientist about time travel.

So that’s the passcode that he uses. So little things here and there, I kinda added into the books. But I’m not so smart in, in terms of science, math, but I didn’t wanna yeah, I didn’t wanna bite off more than I could chew in terms of

nick: You didn’t want a 14-year-old scrolling on the floor. All the mathematics of. The

Lee: Didn’t wanna. Yeah. Yeah. I didn’t want a 14-year-old being like, this guy doesn’t know what he is talking about.

geo: But it, kind of as simple as possible,

In general there, the sciences, there isn’t a lot of science.

Lee: Yeah. We have not traveled back in

Joe: No one’s done it.

nick: that we know of.

Joe: Yeah.

Lee: that we know of. That’s true.

Joe: Yes. No, that’s,

Lee: for the most part it’s speculation and, that’s good for a fictional author. [00:24:00] Like when there’s stuff that’s only been speculated, you could make things up as you go. It’s why writing sci-fi is fun.

nick: Just to be able to have that freedom of the unknown and

Lee: Yeah. Yeah. I’m creating worlds and like I said, most of my books are thrillers, but I’m more interested in moving towards. Sci-fi, the one I’m working on now has a little kind of like horror bent to it, but a little

supernatural. Yeah. Yeah. I wanna play around with it. I might do it under a pen name though, and then have separate.

Joe: from your, yeah.

nick: Is

that gonna be a ya a book as well or is it gonna be

Lee: No I don’t think I’m doing Y again. I think this is it. Yeah, you’re limited, there’s certain things you can’t do and I mostly write more disturbing thrillers. So I had to play a little, almost too nice for these where I want to go back to what I like to do.

geo: And I do think this had a lot more edge and it was the, but one of my favorite books when I was little and this [00:25:00] I’m somewhat dating myself, but also it was a really old book even then.

But have you ever heard of Homer Price?

Lee: That sounds familiar.

Joe: Yes.

geo: And I love those books, Homer Price and they’re illustrated by the guy that, that wrote that book Make Way for Ducklings.

Do you know that?

Lee: Okay.

nick: No.

geo: favorite make Way for Ducklings. No.

we might, we probably have that back there. No, but anyway,

Joe: It’s a time travel book.

geo: Anyways, I love the illustrations, but it’s like this kid, and he lives in a pretty rural area, but then it, like, all the little stories in it are things that happen and he has to solve these little mysteries and stuff.

So it really, it, I don’t know why it, it brought that to mind when I read ’cause there was something of a, there was an innocence to it,

Lee: yeah. Yeah, I wanted also, thank you. I wanted like a nostalgia factor and especially with the sequel the sequel kind of was when I was in high school, so like they go back to. At the [00:26:00] time that I remembered really well in terms of when I was that age. So yeah, I think anytime, a book connects you to nostalgia.

My favorite books as a kid were ULA and the Celery Stocks at Midnight by Deborah and James Howe about the kind of vampire bunny.

geo: oh yes. Okay.

Lee: those are my favorite

Joe: Very neat. I was gonna say,

Lee: adventure

Joe: Go ahead Lee. What was that

Lee: I’m saying and all the choose your own adventure

Joe: Yeah.

geo: Oh yeah,

definitely bump.

nick: Goosebump C Cho adventures were so good.

Joe: Yeah,

Lee: so I just was on a panel that I moderated last week at Thriller Fest and RL Stein was on the panel from

geo: Oh, that’s so fun.

Lee: was the best. He was like, we’re just gonna treat it like a standup comedy routine. And I was like, all

geo: that’s so fun.

Lee: Yeah, no, he was really funny. And he is very sweet. Yeah.

Joe: Yeah.

That’s cool. Your second guest that was on that.

was

in conversation

with Oh yeah,

Earl Stein. Yeah.

Lee: Oh yeah.

nick: about

that. Yeah.

Yeah. Jonathan Mayberry was had to [00:27:00] reschedule one of our recordings to go do an interview with

Joe: a

geo: he was doing An event.

Yeah. In

Joe: In conversation with,

geo: Stein.

Joe: or Earl Stein. Yeah. No, look at that.

He is

geo: I think we need

to get Stein on

Joe: Yeah. The universe is speaking to us. Our time travel from the future. I was gonna say we were talking about research and things and one that came to mind was the, I guess a mockumentary the history of time

geo: Oh, that was really good. Is

nick: that what mark du plus,

Joe: don’t, I don’t know who was in it. Yeah. It was the whole thing was about the creation of the time machine. And so this group, a group of or scientists makes a time machine and uses it, and then every time they use it. You see all these changes.

So like the Russians get to the moon first, or in technology, like the first

geo: it was really, it was a very clever

Joe: because the background,

Lee: was the name again?

Joe: The history of time travel.

Lee: History of

Joe: Time travel. it was

like, I think it was like 20 14, 20 15. Somewhere in that

ballpark.

geo: little [00:28:00] Easter eggs that were subtle, but like the pictures on the wall would then change when they’re like

Joe: or like the video game consoles that they use to build the time machine with to control it.

You start and you keep seeing it modify and yeah, it was, and then they go back to destroy the plans ’cause it’s ruining everything. So you have this whole

geo: yeah, it was really good

Joe: And then it, yeah, I don’t wanna spoil

geo: Yeah. Don’t spoil it.

nick: I think the one I was thinking of was safety not guaranteed with Mark

Lee: Oh, that’s a good one.

nick: And Rey Plaza,

Lee: I’ll be pause it. Yeah.

Joe: Yeah.

nick: Guy puts an ad in was gonna say about the ad. Yeah, Okay. Yeah.

Joe: Yep.

nick: yeah.

Was was definitely one of those time travel movies where I’m like, oh, that’s really good. Fun little adventure, trying to build a time machine as well. And everyone thinks he’s crazy.

He might be right. Mm-hmm.

Joe: We could just

Lee: That I love primer. It’s about

nick: Yes.

Lee: 20 years ago, I wanna say. Yeah, it was a small movie. I’m forgetting the director’s name. [00:29:00] Shane. Shane something. But it’s really good if you’re able I don’t even know if you could find it like beyond, probably like on DVD or something. But it’s great.

Joe: Yeah.

We’ll put

it in

nick: watch it on YouTube and

it’s

$3.

Lee: true.

nick: Oh,

geo: nice.

nick: Uh, Shane Cirth. Kth.

Lee: Yeah, with a C. Yeah.

nick: Is

Lee: then he did another movie that was like just as weird, not as good, but also interesting. And then that was it.

nick: Yeah. Primer was definitely one of those that were like, whoa. And

Joe: didn’t see

Lee: And probably made for $200,000. Like it was

really well made for how cheap it was.

nick: And still underrated,

Lee: Yeah, no, completely. Completely.

nick: my train of thought for a second. ’cause I kept thinking of primer.

Joe: Let’s go back.

Lee: That’s fair.

That’s

nick: like,

Joe: We got time travel back.

A couple

nick: all [00:30:00] brought me back on that movie and I’m like, Ooh.

Joe: I was gonna, I was gonna mention, ’cause we it came up in the conversation but just time travel the mind.

And how that can be a form of time travel where you don’t, it’s all just a construct. ’cause your brain can fa fast forward and imagine events, but also in the past you know it, which is somewhat corruptible. And so just in your own head, you could have a whole time travel esque story where you’re, in this loop, this mental loop of time travel.

And you have that. I don’t know if, I don’t think there’s any stories like that where you’re

nick: 51st Dates

Joe: That’s a,

I guess it would

nick: yep. 51st states

falls into that

geo: now what are you saying that you keep reliving something in your right.

Joe: not necessarily reliving it, but that the time travel component is more mental than almost in your brain than being [00:31:00] a physical manifestation of you traveling back into the past or into the future.

nick: which I.

I would think that 51st dates is Drew Barry Moore’s character is time traveling every day. She wakes up then.

geo: is that like Groundhogs Day?

nick: No.

What

she gets hit in the

Joe: Groundhog’s Day is a form of time travel.

he is time traveling back to the beginning of the day. but just keeps repeating and repeating. Keeps

it. He just keeps repeating

one day. Just over and over.

nick: Yeah.

Joe: And maintaining the knowledge of

nick: The previous day. 24 hours. Yeah.

Yeah. Previous experience.

Joe: Previous experience. There’s another one where they were stuck in a hotel. There’s been a few like that.

Lee: Oh

Joe: They were in, in a

Lee: yeah, with Andy Sandberg.

nick: palms.

No. Was

Lee: That one was great. Yeah. Palm Springs was that.

nick: was that it? I wanted to say that, but I was

Lee: was, it was like at the pandemic when it

came.

So like, it was

But I don’t have a memory around it.

Joe: It was like, oh, it was like time travel the

Lee: it was [00:32:00] really good. It

was,

Joe: right? Yeah. That was good. I’ll look it up and get that in the show notes too. A lot of good movies for time travel.

nick: Oh, a hundred percent. Like it’s such a

Lee: fun one to an argument, you could make an argument that every time you have a memory, technically it’s time travel.

nick: Yeah, I And that, that was the case of the

geo: the, and

Lee: Every memory you’re going back in, in time.

Joe: You are.

Lee: Even if the memory changed,

Joe: you do you will corrupt memories. So as you access memories, you can rewrite ’em. They’re not fixed in time. So it’s every time you pull a file out, you can make an edit, then put it back, and then when you pull it out again you go, oh, it was blue.

We, it was, we were driving a blue car Right,

it was red. So did you, to that point, did you time travel in a blue car? But now you’re in this, now in this

other timeline.

nick: E even sense can help can take you back in time.

Lee: Oh, yeah.

nick: Oui where the critic,

He had the oui and he was like,

And he

Joe: I think OU [00:33:00] has put a little bit of crack in his food.

Lee: they have said

that like.

nick: poison.

Joe: I think he was like, oh yeah,

ahead.

nick: say, Lee? I’m sorry.

Lee: Say, I can’t remember if what they say about deja vu is that deja vu. Oh, I not, this connects to dark matter. The deja vu could be a memory almost of a different slight multiverse of where you’ve Just the same, but something’s like a little off.

nick: So it’s that split in, thought process then. All right, one of us is doing this, but the other one is doing this.

Joe: Or, we’re in the matrix.

nick: Yes. Or it’s a glitch.

geo: could, it.

could be a simulation, say

Joe: deja vu,

Lee: Yeah. Look, it could be everything. We could be in a simulation that’s time traveling

Joe: Time travel, yes.

Lee: It itself, in a black hole again and again. Yeah. You don’t know?

geo: And then when you were talking about memories, it made me think of [00:34:00] the mento because in a way, he time traveled because he forgot everything and then had to go back and figure

Joe: 51st dates? Yes.

nick: Barrymore,

Joe: Yeah.

geo: I think I saw, I think I saw that.

Joe: And you keep going back to that Same. I can’t remember if I’ve seen that movie or not. I don’t think I’ve

nick: It’s been years and a half, but for some reason that movie popped movie mind. It stuck

geo: with It Stuck with you?

Lee: It’s a well-known movie. Yeah. It’s a beloved

movie.

nick: don’t know if it popped up on

Joe: they don’t describe it as a time travel movie, but I think they should. It probably would be more popular.

dunno. Adam Sandler? I don’t know how popular his movies are nowadays.

shoot. What? Laying a Shade down on,

nick: Sand, it’s not his nineties films where it was like, oh, every one of those was a hit. Yeah. Barrymore.

Lee: 50. First date was probably like the beginning of the end, yeah. Then he got a Netflix deal and he just started cranking him out

nick: oh yeah he’s

Lee: and like more power [00:35:00] to him, like I’m sure they paid him $50 million to do nothing.

nick: I would you get to hang out with your friends all day and Yeah,

Lee: Happy Gilmore too is coming out. I don’t have high hopes,

geo: that’s probably it.

Joe: with? Chris Rock and

nick: oh, grownups.

Joe: Grownups.

yeah. Then grownups

Lee: grownups. Yeah. Billy Madison is a classic. That was great. The weddings,

nick: the wedding

Joe: Wedding singer,

nick: Now we’re just time traveling through

Joe: The water boy. Yeah. There it

geo: we’re all reminiscing.

Joe: oh, remember when?

geo: I,

Lee: He and Chris Farley used to do this sketch on Saturday Night Live where they were like an old married, like couple, and they would read the GATS reviews and then just like shit on all the reviews. And it might be my favorite thing

nick: But

Lee: Chris Farley played the wife

she was like the positive one, and Adam Sandler was like the cranky, like old man.

geo: awesome.

nick: Oh, those were fun [00:36:00] ones. I miss those. But for I honestly think that there can be some kind of. Mental time travel though. Like I feel like out of all of them, that one might be the one that I can Get behind and being like,

go.

This is in the realm of plausibility

Joe: except I think it, when you start going down that road it’s your memory versus everyone else’s memory, right?

Yes. And so that becomes,

nick: because what was that movie with Jim Carrey?

He was a erasing Memories.

geo: Oh

Joe: Sunshine of a Spotless Mind.

nick: Would that be considered a time travel movie then?

Joe: I don’t

know if it’s time you,

nick: going back in his mind and

Joe: in his mind,

the way the movie was filmed and the story was told, you do have a lot of flashbacks where you’re going and you at some points in that movie, and it’s been a little bit since I watched it, but you were you were questioning where you’re in present.

’cause they almost fell back in love again. Because all their members are erased. Then they went back, so they reset and then they [00:37:00] fell in love. So you really didn’t have, you’re right, it was more mental. ’cause they didn’t chronologically go back, six months to the beginning of the relationship.

They just met each other and it was that kind of chemistry re-sparked and they had, they moved forward from there. So in some ways, yes, they reset. It’s

geo: It’s more of the talking about it like, like memories. Obviously

was saying yeah.

nick: of all of them, I think the memory one is in the realm of possibility.

Joe: That’s not a true chronological, you’re not really. Going back. I, in some ways you are, but you’re not really

nick: but trying to relive those memories in your head, that other person isn’t there.

So it’s changing your history.

Lee: Yeah,

nick: It’s just on a more

Lee: time travel element. There’s definitely time travel elements

nick: It’s just a personal time travel where no one else in your life is affected by it.

Other

Lee: There’s also the butterfly effect as well in that one [00:38:00] because their relationship changes due to the memories being erased as well.

geo: Yeah.

nick: Yeah. That’s the one where I’m like, it’s one of those not classified as a time travel, but probably is a time travel film. Like there, there’s so many of those that.

Fall into that category, like 51st dates and momentum. Is Momento considered a time travel movie?

geo: Momento.

Joe: Momento? No. It’s not a

time

geo: No, it’s a more It is his, he has that short term memory loss,

Joe: right?

nick: Which

Going by

geo: oh,

Joe: uhoh.

nick: I’m waving my hands around here and just,

Joe: a lot of hand waving ’em

nick: Yeah.

full hands tonight.

Joe: I was gonna say that we’re talking about.

Going in back into the past, but really that theoretically the math suggests you’ll actually be able to go forward

In time,[00:39:00]

nick: I think going forward is a better idea than going to the past. Like personally, I don’t think there’s anything in the past that I’m like, yes, I need to go to that.

Joe: There’s a lot of bad stuff in the past. Yeah. That I’d wanna

geo: And so you are hopeful that you are hopeful that the future may be better?

nick: Or I’m just dead in space. I don’t know.

Space.

Joe: in space.

nick: Yeah. If you go for

Joe: Hopefully you’ve done the math and you calculated Yeah. Where you need to land. Because you’re right If you miscalculate, then you’re are moving. Yes. You’ll be in a wall. Like you’re off a little bit. You’re just in a wall now can someone get me outta the drywall please?

nick: I’ve been splitting two.

Joe: Yeah. Why is someone, why is our walls talking all of a sudden? Sounds like Nick. No, I, so I think forward time travel, but it’s maybe not as interesting.

I don’t know. Maybe that’s why. ’cause usually either you’re forward time traveling, you learn something, oh man, [00:40:00] this meteorites gonna smash into the earth. And then you go back to convince people that you’re not, crazy and

you

geo: a Terminator,

Lee: Yeah.

Joe: Like Terminator. But they, when the machine is trying to kill you, I don’t know if you need a lot of convincing, not.

There’s a sophisticated AI machine hell bent to kill humans. Or

Sarah Kana

Lee: two.

Joe: particular.

Lee: Terminator two is still one of the greatest movies ever

nick: Yes,

geo: I think so. I love

Lee: just perfect. It looks fantastic. It like,

Joe: Yeah.

Lee: tens across the board.

Joe: when I was, this goes to, we’ve had this discussion about movies where the sequel is as good or better than the original. The first movie in the series. And I think the consensus we

Lee: one is great, but Terminator

Joe: two is, yep. Alien Aliens.

nick: Nope, we disagree with that one.

Joe: Superman.

Lee: Those are both good in their own

Joe: as good, [00:41:00] and I was going to say the discussion, Nick and I, we’ve come to some agreement I think, is that usually when you have that.

Is that the style of the movie changes,

it

off. So you have, alien was a horror, aliens was action. I think you can say the same thing about Terminator and Terminator two. Terminator one was more almost a horror thriller. And two was as action. It was, so you have that, the split between the movies and I think it is, it’s really, it’s well done.

I think if you’re writing a sequel, that’s a good way to go is to

Lee: Yeah. And then smart because it keeps enough of it the same, but also takes it in a different direction. So I think the audience wants something a little bit new from a sequel. So I feel like whenever they do that and do that right, it tends to be

Joe: Yeah. Yeah.

Lee: A lot of times they do it wrong though.

Like in the sequel, like I just saw yesterday, I saw that the Megan

sequel

Joe: yeah, I heard it.

Lee: That was an terrible movie.

Yeah.

nick: I forgot. That was already,

Joe: right. Yeah. [00:42:00] Yeah,

nick: I liked the first one. I just have not

Lee: one was fun and dumb, and then second one is like a full action movie and it’s just doesn’t work.

It’s

Joe: I think you, you have that with Slashers genre in general. You know that the second one is usually he just goes all

geo: or do you mean the 10th one

Joe: or to Yes.

Depending on the But I wanted it camper. Like I wanted,

Lee: Feel like that movie worked the best. It was leaning into its stupidity. Yeah.

But this one would have moments and then it would like veer from

Joe: Start taking yourself serious. Then you

Lee: A little bit. Like it had something to say about ai. It was like, I really need that from you, Megan.

Joe: Yeah.

Don’t need it.

Lee: we’re good. Just Yeah.

geo: we already know we’re

screwed.

Lee: Yes, it was. It was a Megan Ted talk. That was the vibe.

Joe: it is. They should lead with that. And that probably would get ’em some more fans.

Lee: Yeah.

Yeah.

Joe: No. Yeah. I think, yeah, forward time travel’s interesting. But yeah, the [00:43:00] storylines

nick: yeah.

geo: Yeah. So if you had to pick one, you would pick forward.

nick: Yeah. I have zero reason to go to the past. There’s nothing good back

Joe: Yeah. Yeah. Lee, how about yourself?

Where you

Lee: don’t know. I don’t know if I want to like to know the future and then have to deal with it. I don’t know.

nick: I just know going forward in time, you’re gonna either a die because of whatever kind of diseases are there now, or B, bring diseases that you already have now in the present

Lee: You’ll contaminate. You’ll fully

geo: go

Joe: contaminate to the

nick: the, you’re the,

Joe: so I, the question, and we will come, I’ll ask Lee and we can, George and I can answer, but how far are you going?

nick: Oh

Lee: If we’re already doing it, let me go like far, like I don’t want to go like 20 years. Let me really see 500 years

Joe: You are like time machine, like you’re going 10,000

Lee: yeah. Like

Joe: You’re

nick: I want 1000 years in the future. Thank you. Go full Futurama.

Lee: about right.

Joe: And hope your bank is still exists,

like, you know

nick: exactly.

geo: Like in Futurama, right?

Joe: Yeah.[00:44:00]

nick: We’re Fry going fu

Joe: I’m a billionaire.

nick: The full Futurama. How much is my interest now?

Joe: Yeah, so you’re going forward a thousand years, Georgia you did, you

geo: I don’t

nick: Lee’s going 5,000. Lee.

Joe: Lee, you said 500 or 5,000.

Lee: Yeah. That 5,000 might be,

yeah, like

Joe: forward, you’re

Lee: 500 and a thousand enough where it’s different. But I don’t want like Sea

Joe: Yeah,

Lee: Earth or any, yeah.

Joe: but so you’re going forward not backwards. Is your

Lee: For me.

Yeah,

I don’t know. I’ve written historical books, so Sure. I think it’d be cool to, like we were talking before about the Alaskan gold rush, like to go to an or. I’ve spent so much time researching. I feel like that would be really interesting. But yeah, sure. Let me go a thousand years in the

Joe: Future.

Okay. So we’re there. Yeah. ’cause going back to the gold rush, it seems like a hard life, even if you’re just

Lee: Really cold, like

Joe: like the vacation you don’t really want, like you

Lee: It’s not so much a vacation, like killing bear and eating bear and

Joe: [00:45:00] a, yeah. That’s a rough, that’s a

Lee: Let me go to a spot in the future if that.

Joe: There it is.

geo: gosh, I don’t know. That’s really tough because I feel like you’re really like just totally

no

control.

nick: Hopefully in the future.

they’ll have a Westworld type thing going

geo: No, It’s called Future world.

Joe: Future world

nick: Yeah. No, but I, in the future, I want a Westworld type.

Joe: Oh, I see. Yeah. You want to go to the future for the Yeah.

nick: That way I don’t have to deal with all the stuff of the past

geo: But you can experience it.

Joe: All right.

geo: Interesting. But you do know some of the complications that happened?

nick: bad happens. I don’t know what, I’d never, I didn’t finish the show, don’t worry. I can guarantee nothing it was a movie I’m actually going back to the 19th, whatever. Was it seventies?

Joe: You were going back to the seventies?

geo: No, not in the time. Travel. In the, talking about Westworld. Whenever the Westworld movie

Lee: Oh.

Joe: So you want, [00:46:00] so you, instead of Westworld, you want to go back to seventies?

geo: No, I, no.

Joe: Seventies world.

Lee: You want there to be a seventies world to go back

Joe: right. Yeah. So you go in the future to go back to the an

geo: I think that you guys

Lee: their version of the seventies, be a skewed version. It would be, real, but not fully real.

geo: I

dunno. I think I’d have fun. And it’d be more like if you could just go to different times. Yeah. Do you know what I mean? Not,

and just

hang out a little

Lee: you don’t have to

pick

geo: what I’m saying,

like I, I think there’s some moments in history I would love to go to and just hang out, it’d be really cool.

But if it’s only one thing, one way I don’t know. Because you’re really like putting up so much to chance about going,

Forward. I don’t know.

Joe: Yeah,

geo: I don’t know if I can decide.

Joe: You don’t Dunno if you Boo.

that’s a lot of hand waving on there. I don’t know.

nick: Joe, what about you? Where are you going?

Joe: I’m [00:47:00] with Nick. I don’t really, I a

A person of color going back into the past, there’s not a lot of super great stops. So I, some it might be interesting for a little bit, but then you gotta deal with everything else. So yeah, probably I would punch my ticket to the future and I don’t know, I dunno if I would go super far. Like I see the point let’s just go hundreds and

nick: Like I want the future with flying cars. Like

Lee: Yeah.

nick: just we were promised this future and we do not

Joe: We have, there’s, there’s cars that can get you up in the air. That, that exists now.

nick: we’re,

geo: but it’s not like the Jetsons.

Joe: I don’t know if I want

Lee: Element. Yeah,

Joe: yeah. The fifth element I, and we drive with people with four wheels on the ground and they have trouble. So do you really wanna be in the air with people like zipping around like that? So if AI is controlling the flying cars and we just sit back and chill, then I’m for that.

But if people being, people are flying around in , 1500 pounds of metal[00:48:00]

and jet fuel, I’m gonna pass on that.

Lee: Disaster. More like minority report.

nick: I’m okay with that. Like that cyberpunk

Joe: Yeah. Thought police. I don’t know. I feel this going 10 years. 10 years up. 10

years.

’cause what can happen then? See, I’m still 10 years younger, but I’ll meet my 10 year older and then we can do stuff. We can like,

nick: wait, what kind of stuff are you trying to do with

Joe: into it? I

nick: get into it.

Joe: Why? Take over the world

nick: Oh. Oh, okay.

Lee: Oh

Joe: Not what are you guys talking about?

Stop it.

nick: drama. The way you were talking about it, I’m like,

Joe: No, we were talking about earlier about having your, yourself as your partner in crime or in Ah,

nick: Ah, trying to y you Yeah. Time looped it back around.

geo: wants to ti he wants to team up with

Joe: that’s

right. Yeah. Yeah. Yeah. I guess I can go back 10 years. I go plus and minus 10. Just [00:49:00] this wheel of that the spinny and go the price is right.

I

geo: exactly when I would go back to,

Joe: yeah.

See now I’ve opened up a whole nother thing.

You get to go back and actually team up with yourself, like maybe your 25-year-old self, just go back and be like let’s get this done.

Let’s

do,

geo: are you, your, you 50-year-old

self?

Joe: The only reason I don’t wanna go back was because I was like, either I’m stopping at poor postdoc, poor grad student, poor undergrad, and none of that is there’s no capital to do anything.

So I figured if I go 10 years forward, hopefully I’ve, I have some capital. I’m not paying tuition anymore for kids or anything like that, and I’ve stockpiled some money and then now I come with my still youthful. Excitement about the future. I show up and we make it happen. I guess I could be a poor older also

nick: because

then you’re just changing the whole future for yourself.

Yeah. So then the you that exist now

Joe: I would, I, if we have time to prepare, if we have time to [00:50:00] prepare, I’m gonna get my country wisdom. And

nick: you’re gonna go live in the woods

Joe: no,

I would do things like if I, if you go you gotta go live and you can’t come back, then I would take things of value, so I would probably go get gold wire and things like that.

That would be a commodity to trade and sell. Very fixed things, but still light. So thin it up and then go, and then you have,

geo: Or would you get all the sports stats and then,

Joe: Oh, okay. Back to the future.

Lee: Sure. Yeah.

Joe: I don’t think, you’re going into the future. You’re, if you’re going in

geo: I’m saying if you’re going

Joe: are you getting?

geo: No, I’m saying you, I’ll never

nick: for you, you would end up going with sports stats, so you can

Joe: Yeah, but I’m going into the future. They’re no good. I got

nothing. One, I’m

like past too.

I said if I, if you go in the past, maybe, but you,

geo: yeah.

Obviously in the future people would be like, who cares? Who won the World

Joe: right. 30 years ago?

In 2025, the winner’s gonna be what? What do you mean it happened already? Oh

nick: wait. When am I

geo: like [00:51:00] this. I like this. A story of the time travel going wrong. Kinda.

Joe: You go, you show up, you’re like, oh, I’m going, I’m gonna go 10 years in the past with all these facts and figures you spent years memorizing and then you get in and you show up and you’re 10 years.

Plus just like

nick: who am I? What am I? Where am I?

Joe: Yeah, that would be

nick: I That would be the luck too. I’m going to the past. When am I the future?

Joe: you just spent all this time memorizing. Yeah, that would really suck. I’d feel bad for this person.

nick: I think it’d be really funny. Like I can’t wait to see that movie.

Joe: There it is, Lee, do you have any events or anything you wanna plug? You got your book, the two books you

Lee: yeah, I’ll be at Voucher Con, which is like the mystery thriller writer convention. The first week of September in New Orleans. Yeah.

Joe: cool.

geo: Very cool.

nick: What

Lee: I’m coming off like the second book?

is called Time Fixtures.

’cause they go back in [00:52:00] Time to Fix Time.

nick: Sorry. I, it’s been bugging me. I’m like, I don’t think you’ve said it. And I don’t know the name of it. Two points.

geo: Let’s fix that

Joe: miles

Lee: Oh, there you

nick: We’ll go back. Don’t worry.

Joe: Yes. Post edit.

It’s like

Lee: And yeah, it takes place in, in 1999. Like I said.

Joe: Nice.

geo: That’s awesome. ’cause then everyone’s worried about Y

Lee: Yeah, there’s a little bit of kind of Y2K paranoia and disc man, there’s a lot of kind of the music from that era.

geo: That’s really cool.

Joe: Yeah. But VH one is still, they had the, remember they showed they played party like 1999 by Prince On Loop

geo: for 24 hours.

24

Joe: hours. Yeah. It was like that. They still showed music videos, but they just had it on a loop. And

so,

nick: Wait. Hold on. What. VH one shows music videos.

Joe: They did? Yes.

geo: Can you

believe

Lee: that way.

Same tv.

Yeah.

Joe: Yeah. No,

Lee: One, it was [00:53:00] It was not just for teen

moms. I feel like they should bring it back music videos

Joe: you do.

like on, on Apple Music, music videos For songs like that, people still make

music videos. Yeah, but they’re not, yeah, they’re not as, there’s not TV for it, but They do it.

Yeah. They still make, but you’re right. Yeah. That was a heyday because people, they would try to outdo each other with their music videos and

Lee: I, yeah, I definitely grew up where I would watch MTV

Joe: Yep.

Lee: I forget the name of the show. It was the Request Quest. Yeah.

Joe: No, yeah. That was the life I was in.

geo: See, you can go back.

Joe: you can go, I

geo: You can go back,

Joe: be

creeping on

Lee: to,

Joe: creeping at college. Some the who’s this strange old man in the lobby watching

geo: TVI

nick: remember,

these days this song’s gonna be a hit in 15 years. I

Joe: I bet you this one’s gonna hit the top billboard. Come on, let’s get those bets.

I

geo: feel like something really bad’s [00:54:00] gonna happen if you’re older. Self goes, visits your young self. Actually, there was that movie that was really good. My old butt or

Joe: Oh, my, yeah.

The

Lee: my old

ass.

Joe: old

geo: my old ass.

My old

Lee: Yeah,

geo: I dunno.

Joe: The young adult version.

geo: But

That was really good.

I really liked

Lee: right where she’s on mushrooms

and yeah,

Joe: it was like mental

Lee: No, another Aubrey Plaza movie. Yeah

nick: Aubrey Plaza for the Win. she gonna be our time travel queen?

Joe: There we go.

Maybe.

Lee: But it’s,

geo: we’ll give award.

Lee: movies. There might be another one.

Joe: Yeah.

geo: But there was like, obviously Demi Moore being with her, like there could be some really bad consequences.

You’re like the nevermind.

Joe: Oh, you mean like substance? Yeah.

Lee: Wow.

Joe: But I think in that one it was more mental time travel, and I got back to that.

That’s another one

probably I would throw in, because you’re right, she was tripping on the shrooms and then she would have, she would see her older self.

nick: Is this the second episode this year? [00:55:00] We’ve talked about drugs and doing things with science.

Joe: I don’t know.

geo: Oh, I think there’s a lot more we could talk about.

Joe: There’s a lot

more we can

talk about.

nick: We’re gonna have It’s a lot that go hand in.

drugs, could do a whole

Joe: A whole

geo: episode

Joe: there. You heard in Air Force

nick: prepare for season three of the drug episode.

geo: Oh, what was the other show we watched? That was a series. Oh shoot. The, and they’re newspaper delivery and it’s based on the graphic novels

Joe: Paper Girl,

geo: Is that what it’s called? Paper?

Joe: Girl.

Yeah.

nick: What

Joe: it was four Girls

on Bicycles

geo: oh, and then that was a really good

Joe: Yeah, that was had some time travel. I was gonna say, for all of mankind, the Apple plus one, did they

geo: Did they time travel?

Joe: It’s an alternate. Reality.

geo: It’s an alternate reality. But nobody time travel.

Joe: mean it is time travel.

Okay, nevermind. That’s a whole different but I But it is ’cause there’s an alternate reality. But you’re right, it’s not time travel. Nevermind. I’ll scratch that. I’ll edit it [00:56:00] out

nick: No, leave it in.

Joe: I’m taking it out.

it’s Like

the Brussels sprouts. It’s gone. Yeah. Cool. I think that’s we’ve gone in and out around a lot of different

nick: We loop de looped it,

Joe: looped, de looped it, we wormhole it.

nick: Thank you so much, Lee, for coming on the show today.

Lee: Thank you so much for having me. Yeah, no, it’s a pleasure.

Joe: definitely. So

geo: and I’m looking forward to reading the second one. Yeah. Yeah. Let me know what, you, let me know what you think and yes, let me know what you think about the first one

Joe: Yeah, will do.

nick: I

actually didn’t realize that it was a young adult’s book until you said it.

I’m like, oh man. This is just an easy read. I like it.

Lee: I’ll take

it. a easy read.

nick: I just oh,

geo: my favorite books are young adult

nick: They’re just a nice breeze to oh, it’s an enjoyable read and.

Lee: Yeah, that was why I wanted to write them. I, like I said, I write more disturbing thrillers and I wanted a break from that. Yeah. The second one I think I wrote in like a [00:57:00] couple weeks. Like it

bad. Yeah. Yeah.

geo: Yeah, no, I, and I think that the character really for being that short time period, I think that character really matured and there was some more heavy things that came out later in the book. You know what I mean?

Lee: You’re dealing with the mom’s mental health, which becomes a big part of the second book and why they go back in time to fix her. Yeah the, with all young adult books, you need like issues to

geo: right. Definitely.

nick: Hell yeah. All right.

Joe: Yeah, you have me, Joe,

nick: You got Nick.

Joe: We’ve got Nick

Lee: Ali. And thank you again, Lee, and

Joe: and

nick: we went down some timey time

Joe: again and

again and

again.

nick: we went down some ttimeyhole

Joe: And again.

Stay safe out there when you time travel.

Love y’all.

The Show Notes: Episode 17: Brainwaves and Superpowers: Can Humans Really Move Objects with Their Minds? Separating facts from Handwavium.

Joe, Nick, and guest Michael Lynn talk about the science and handwavium of telepathy and telekinesis. Discussing everything from twins, government-funded research, brainwaves, to the truly bizarre.

In Episode 17 of the Rabbit Hole of Research, hosts Joe and Nick welcome guest Michael Lynn, a material scientist and YouTube creator behind the YouTube Channel: ROTOFORGE, to discuss the fascinating and mysterious topics of telepathy and telekinesis. They delve into historical references, pop culture depictions (like Jedi from Star Wars, Professor X from Marvel, and Matilda), and even touch upon government experiments such as those depicted in ‘The Men Who Stare at Goats.’ Michael provides insights grounded in science and even contemplates the potential of future technological advancements in brain communication. Enjoy the fun banter, quirky references, and let’s not forget—what’s everyone drinking today? Dive in for an exciting exploration of whether these fantastical abilities could ever become reality!

Join us on Discord: https://discord.gg/2nnmKgguFV

Guest: Michael Lynn follow him on his YouTube CHANNEL: ROTOFORGE

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Joe’s Show Notes:

00:00 Welcome to Episode 17

00:18 Meet Our Guest: Michael Lynn

01:09 Nick and Joe Communicated telepathically?

2:26 What are we Drinking?

03:44 The Science and Fiction of Telepathy

  • Term coined in 1882 by Frederic W.H. Myers of the Society for Psychical Research, but similar ideas likely predated the term itself.
    • Direct Mind-to-Mind Communication: the direct transfer of thoughts, emotions, or information between individuals without any intermediate tools or devices.
    • Types of Telepathy:
    • Emotive Telepathy: Transmission of emotions or feelings.
    • Mental Telepathy: Transfer of thoughts, concepts, or ideas.
    • Physical Telepathy: Influence over physical states or actions, often considered part of psychokinesis.

4:39 What is peer review?

Definition: the evaluation of scientific, academic, or professional work by others working in the same field.

4:49 Government Research and Historical Accounts

7:14 The ancient Indian Sanskrit epic Mahabharata

7:28 Jesus

8:17 1889 story “To Whom This May Come” by Edward Bellamy

8:48 Dr. Sleep (movie:2019)

10:45 fMRI- Functional Magnetic Resonance

11:51 The Concept of Twin Telepathy

12:31 Identical twins with similar brain structure

13:07 Genetic sequencing of telepaths and twin telepathy

15:22 Animal Communication and Brain Waves

  • John Lilly
    • Elephants: use low-frequency rumbling calls eallowing for transmission of simple messages over long distances.
    • Cetaceans (whales, dolphins): echolocation may involve a form of telepathy by encoding information in sound waves.
    • Primates: chimpanzees and bonobos may have a basic form of mind-reading by interpreting each other’s intentions and emotions.

16:33 Brainwaves

  • Brainwaves are the electrical impulses generated by the billions of neurons communicating with each other in the brain. These waves of electrical activity can be detected and measured using techniques like electroencephalography (EEG).
  • There are several main types of brainwaves, categorized by their frequency ranges:
    • – Delta waves (0.1-3 Hz): Deep sleep, unconscious states
    • – Theta waves (4-7 Hz): Light sleep, meditation, intuition
    • – Alpha waves (8-12 Hz): Relaxed but awake state
    • – Beta waves (13-30 Hz): Alert, focused mental activity
    • – Gamma waves (30+ Hz): Higher cognitive functions

17:00 Brain Computer Interface (BCI) and Biophotonics

20:19 Japanese concept of “ishin-denshin

26:18 Long Term exposure to microwaves

22:06 Theoretical Possibilities and Genetic Engineering

27:14 Organoid

28:29 Super-man story and Space Jesus

31:11 Telepathy and Corporate Espionage

32:10 Nick Cage movie Next (2007)

  • Telechronology—Rabbit Hole of Research original term for mental time-travel

37:05 Telekinesis and Government Experiments

38:54 Sheep go to Heaven and Goats go to Hell

42:00 Telekinesis: it’s always about the Calories

47:31 Chicago Southside Makerspace

48:29 Francis E Deck

49:23 Nick Cage movie reference again

50:00 Monsters, Inc (2001)

  • Children are rumored to have telekinetic powers

50:22 Telepathy in Fiction and Pop Culture

53:59 Wrapping Up and Final Thoughts

Check out Michael’s Youtube channelRotoforge

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The Show Notes: Episode 16.1 the b-side: Ultimate Alien Invasions, Panspermia, and Jeff Goldblum. 

This is a companion episode to Episode 16. We talk about Jeff Goldblum, Sigourney Weaver, Will Smith, Starship Troopers, Invasion of the Body Snatchers, Thundercats, and are we made of alien stuff?

Welcome to the Footnotes of the B-sides! In this mini episode,Joe and Nick discuss their recent movie and TV show viewings including the new Alien movie, ‘Parasite’ and ‘Umbrella Academy Season 4’. They also revisit their ‘Ultimate Alien Actor’ debate, discussing contenders like Jeff Goldblum, Sigourney Weaver, and Will Smith. They delve into concepts of alien invasions in popular culture from ‘Starship Troopers’ to ‘Invasion of the Body Snatchers’ and ‘Thundercats’. The episode ends with a tease for the next episode, urging fans to send in comments and questions.

Don’t forget to Rate the show!

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artwork by Georgia Geis @atomic_number14 https://www.instagram.com/atomic_number14/


Show Notes:

00:00 Welcome to the Basement Studio

00:33 What Nick is watching:

  • Alien: Romuls Movie Review

02:13 What Joe is Watching:

  • Parasyte: The gray two episode left.
  • Finished Umbrella Academy season 4

03:06 Ultimate Alien Actor Debate

Sigourney Weaver

  • Alien (1979)
  • Aliens (1986)
  • Alien 3 (1992)
  • Alien: Resurrection (1997)
  • Avatar (2009)
  • Galaxy Quest (1999)
  • Paul (2011)
  • Avatar: The Way of Water (2022)

Jeff Goldblum

  • Invasion of the Body Snatchers (1978)
  • The Adventures of Buckaroo Banzai Across the 8th Dimension (1984)
  • Earth Girls Are Easy (1988) – Plays an alien.
  • Independence Day (1996)
  • Independence Day: Resurgence (2016)
  • Thor: Ragnarok (2017)
  • Asteroid City (2023)

Will Smith

  • Independence Day (1996)
  • Men in Black (1997)
  • Men in Black II (2002)
  • Hancock (2008)
  • Men in Black 3 (2012)
  • Men in Black: International (2019) – Cameo via portrait.

Lance Henriksen

  • Aliens (1986)
  • Alien 3 (1992)
  • Alien vs. Predator (2004)
  • Alien vs. Predator: Requiem (2007)
  • The Visitor (1979)
  • Close Encounters of the Third Kind (1977)

Donald Sutherland

  • Invasion of the Body Snatchers (1978)
  • Virus (1999)
  • Final Fantasy: The Spirits Within (2001) – CGI role involving aliens.
  • The Puppet Masters (1994)

Kurt Russell

  • The Thing (1982) – Features a shape-shifting alien.
  • Stargate (1994) – Involves ancient extraterrestrial beings.
  • Guardians of the Galaxy Vol. 2 (2017) – Plays Ego the Living Planet.

06:58 Thundercats and Animation Styles

09:19 Panspermia and Alien Invasions

12:09 Nick’s Spiderman comic fan recommendation:

13:40 Wrapping Up and Teasers

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Episode 16: Exploring Alien Invasions: Movies, Theories, and is Jeff Goldblum the Ultimate Alien Actor

JOTHAM AUSTIN, II PHD AND NICK ELIZALDE

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The Show Notes: Episode 16: Exploring Alien Invasions: Movies, Theories, and is Jeff Goldblum the Ultimate Alien Actor

We talk alien invasion movies, Independence Day, The Thing, Mars Attacks, Cloverfield, and more. We discuss the Fermi Paradox, Bioforming, and debate if Jeff Goldblum is the ultimate alien actor.

Hello Fam! Hope y’all are doing well. So, here is Episode 16, Nick and Joe talk about Alien Invasion. Thank you for tuning in and supporting us. Our goal is to have a little fun exploring science through the lens of science fiction, fantasy and pop culture. 

Back in the basement studio, Joe and Nick return, with beer in hand, to discuss a variety of topics centered around alien invasions in movies, literature, and pop culture. They share insights and personal favorites including ‘Independence Day,’ ‘The Thing,’ ‘Mars Attacks,’ and ‘Cloverfield,’ while also speculating on the Fermi Paradox, galactic policing, bioforming, and the potential implications of real-life alien encounters. They debate Jeff Goldblum’s versus Will Smith’s contributions to alien movies and who should receive the Ultimate Alien Person Award. Joe and Nick present a fun and informative discussion while enjoying their drinks, making geeky science relatable and entertaining.

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Joe’s Show Notes:

00:00 Welcome Back to the Rabbit Hole

00:46 Alien Invasion Movies Galore

01:38 Drinks and Discussions

05:45 The Fermi Paradox and Alien Theories

Enrico Fermi

11:34 Age of Universe

  • ~13.7 Billion years

12:16 Alien Prometheus

12:56 Pop Culture and Alien Invasions

18:05 Paul (2011) (Simon Peg film)

18:44 E.T. and Other Alien Scouts

19:20 Ray Bradbury: Zero Hour (1947)

20:09 Movie – Mac and Me (1988)

22:09 Joe gives RHR award for ultimate alien person goes to: Jeff Goldblum

22:50 Nick gives RHR award for ultimate alien person to Will Smith

23:25 Debating Jeff Goldblum’s Role in Independence Day Alien Defeat

24:19 Drunken Superheroes and Future Visions

25:05 Inviting Jeff Goldblum and Will Smith

25:37 Biological and Terraforming Alien Invasions

26:10 The Day the Earth Stood Still Discussion

27:07 The Thing: A Beloved IP

27:56 Galactic Policing and Ethical Intervention

29:54 Predator and The Thing Crossover Idea

34:28 Intelligent Alien Life Forms

35:42 Alien Invasion Strategies and Movies

39:07 HG Wells war of the worlds (1898)

39:34 Robert Potter The Germ Growlers (1892)

41:11 Nick’s favorite Alien Invasion movie: Men in Black (1997)

42:47 Joes favorite Alien invasion movie: Cloverfield (2008)

42:47 Nick changes his mind and goes with District 9 (2009)

44:46 Final Thoughts and Farewell

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The Show Notes: Episode 15.1 the mini b-side: Clarifications and more Apocalypse Wow!

This is a companion episode to Episode 15. We talk about Owen Wilson, West Nile virus, updated WHO pandemic watch, Answer fan questions about zombies, and other tid-bits.

Print by Georgia Geis @atomic_number14

Welcome to the Footnotes of the B-sides! In this mini episode, Joe, Nick and Georgia dive into fan comments, topics such as Owen Wilson’s ‘Wow,’ West Nile virus, and the updated WHO list of potential future pandemic pathogens. They also speculate on military bases as potential safe havens during a zombie apocalypse and mention various entertainment preferences, like the ‘Fallout’ series, ‘Lady in the Lake,’ and comic books. The episode ends with a light-hearted wrap-up, urging fans to send in comments and questions.

Don’t forget to Rate the show!

Join us on Discord (https://discord.gg/KUjyK2hD)

artwork by 

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Show Notes:

00:00 Introduction and Episode Clarification

01:09 Discussing the Apocalypse

01:13 All about Owen Wilson. Wow!

02:57 Science Friday’s West Nile Virus Discussion

03:02 These pathogens could trigger the next pandemic

03:26 Fallout series

04:00 Join us on Discord(https://discord.gg/KUjyK2hD)

04:28 Religious Rapture Apocalypse

  1. Stephen King’s ‘The Stand’,
  2. Tim LaHaye and Jerry B. Jenkins’s Left Behind series
  3. Terry Gilliam’s film Brazil (1985)
  4. This is the End (2013)
  5. Rapture (2019)

05:07 Apocalypse Movies Georgia was thinking about

06:22 Fan Questions and Comments

  • Shout out to Alex4833 on YouTube
  • The Doomsday clock during the 1962 Cuban Missile Crisis set to seven minutes to midnight.

07:06 Alex4833 asked if a military base would be the safest place during a Zombie apocalypse

Video game “Day’s Gone

Novel series byJ.L. Bourne ‘Day by Day Armageddon’

10:24 Current Watchlist and Reading

11:50 Conclusion and Mellisa’s final Wow!

Joe, Georgia and Nick recording at Reed’s Local with Melissa!

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Movie and Book list from Episode 15: Our Favorite Apocalypses: Zombies, Viruses, Meteors, oh my or Apocalypse Wow!

Types of apocalypse

1. ZOMBIE

The zombie apocalypse genre has been a popular theme in movies and books, exploring the breakdown of society in the face of a viral outbreak that turns people into undead creatures. Here are notable works in this genre:

Movies:

  1. “Night of the Living Dead” (1968) – Directed by George A. Romero, this classic film is credited with popularizing the modern zombie genre.
  2. “Dawn of the Dead” (1978) – Also by Romero, this film is set in a shopping mall during a zombie outbreak, examining societal issues within a contained environment.
  3. “28 Days Later” (2002) – Directed by Danny Boyle, this film features fast-moving infected humans and explores the aftermath of a virus outbreak in the UK.
  4. “Zombieland” (2009) – A comedic take on the genre, following a group of survivors navigating a post-apocalyptic world while avoiding zombies.
  5. “World War Z” (2013) – Starring Brad Pitt, this movie is based on the novel by Max Brooks and depicts a global pandemic of zombie-like creatures threatening humanity.
  6. “Train to Busan” (2016) – A South Korean film that follows passengers on a train during a zombie outbreak, focusing on survival and human relationships.

Books:

  1. “World War Z” by Max Brooks – A pseudo-documentary novel detailing the global response to a zombie pandemic, told through interviews with survivors.
  2. “The Walking Dead” series by Robert Kirkman – Originally a comic book series, later adapted into a popular TV show, following survivors in a world overrun by zombies.
  3. “Feed” by Mira Grant – The first book in the “Newsflesh” series, set in a post-zombie apocalypse America where bloggers cover politics amid the undead.
  4. “Zone One” by Colson Whitehead – A literary take on the zombie apocalypse, focusing on a cleanup crew in Manhattan after the outbreak.
  5. “Patient Zero” by Jonathan Maberry – The first book in the “Joe Ledger” series, featuring a detective fighting against terrorists and a viral zombie outbreak.
  6. The Dead City series by Joe McKinney – is a collection of zombie apocalypse novels that follow the adventures of police officer Eddie Hudson in a post-apocalyptic world overrun by the undead. 

2. VAMPIRE

Movies:

1. “30 Days of Night” (2007) – Based on the graphic novel by Steve Niles, this film follows a group of survivors in an Alaskan town besieged by vampires during a month-long polar night.

2. “Daybreakers” (2009) – Set in a future where vampires dominate the human population, this film explores the consequences of a blood shortage and a potential cure for vampirism.

3. “Stake Land” (2010) – Although primarily a post-apocalyptic film, “Stake Land” features vampires as one of the primary threats to survivors navigating a ravaged America.

4. “Priest” (2011) – In a dystopian world ravaged by centuries of war between humans and vampires, a warrior priest embarks on a mission to rescue his niece from vampire kidnappers.

5. “The Strain” (2014-2017) – While originally a TV series, “The Strain” was based on the book trilogy by Guillermo del Toro and Chuck Hogan. It depicts a viral outbreak caused by an ancient strain of vampirism.

Books:

1. “The Passage” by Justin Cronin – The first book in a trilogy, “The Passage” introduces a post-apocalyptic world overrun by vampire-like creatures known as virals.

2. “I Am Legend” by Richard Matheson – Although primarily focused on a solitary survivor battling vampiric beings, this novel has been adapted into several films exploring themes of isolation and survival.

3. “The Strain Trilogy” by Guillermo del Toro and Chuck Hogan – This book series delves into a modern-day vampire apocalypse caused by an ancient and highly contagious strain of vampirism.

4. “The Vampire Chronicles” by Anne Rice – While not strictly about a vampire apocalypse, Anne Rice’s series delves deeply into vampire mythology and the existence of vampires alongside humanity.


3. METEOR

Movies:

1. “Armageddon” (1998) – Directed by Michael Bay, this blockbuster film follows a team of deep-core drillers sent by NASA to plant a nuclear bomb on an asteroid to prevent it from colliding with Earth.

2. “Deep Impact” (1998) – A science-fiction disaster film that depicts humanity’s efforts to deal with an impending collision between Earth and a large comet, showing both the scientific and personal impacts of such an event.

3. “Melancholia” (2011) – Directed by Lars von Trier, this psychological drama unfolds as a rogue planet approaches Earth, causing widespread anxiety and existential crisis among the characters.

4. “Seeking a Friend for the End of the World” (2012) – While not centered on the impact itself, this film explores human relationships and reactions to the news of an asteroid strike that will likely wipe out life on Earth.

Books:

1. “Lucifer’s Hammer” by Larry Niven and Jerry Pournelle – This novel follows multiple characters before, during, and after a comet hits Earth, causing massive destruction and societal collapse.

2. “The Forge of God” by Greg Bear – In this science fiction novel, two alien species have different plans for Earth as a massive black hole is discovered heading toward the solar system.

3. “Impact” by Douglas Preston – This thriller novel involves a team of scientists racing against time to stop an asteroid from colliding with Earth, discovering a government conspiracy along the way.

4. “Meteor” by Jerry Pournelle and Larry Niven – Set in the near future, this book explores the aftermath of a meteor strike in the Pacific Ocean, leading to geopolitical tensions and global consequences.


4. ALIEN INVASION

Movies:

1. “Independence Day” (1996) – Directed by Roland Emmerich, this blockbuster film depicts humanity’s fight against technologically advanced aliens intent on destroying Earth.

2. “War of the Worlds” (2005) – Based on the novel by H.G. Wells, this film directed by Steven Spielberg follows a father and his children as they try to survive an alien invasion.

3. “Battle: Los Angeles” (2011) – Set in Los Angeles, this film portrays a group of Marines defending the city against hostile alien forces.

4. “District 9” (2009) – This sci-fi film explores themes of segregation and discrimination as aliens are forced to live in slum-like conditions on Earth.

5. “The War of the Worlds” (1953) – An earlier adaptation of H.G. Wells’ novel, this classic film showcases the panic and chaos caused by Martian invaders.

6. “The Andromeda Strain” (1971) – Based on the novel by Michael Crichton, this film follows scientists investigating a deadly extraterrestrial microorganism that threatens human life.

Books:

1. “The War of the Worlds” by H.G. Wells – The classic novel that inspired numerous adaptations, telling the story of a Martian invasion of Earth.

2. “The 5th Wave” by Rick Yancey – This young adult novel follows a teenage girl navigating a post-apocalyptic world after a series of devastating alien attacks.

3. “Footfall” by Larry Niven and Jerry Pournelle – In this novel, aliens invade Earth, and humanity must unite to fight back against technologically superior foes.

4. “The Three-Body Problem” by Liu Cixin – While not a traditional alien invasion story, this sci-fi trilogy explores contact with an advanced alien civilization and its impact on humanity.

5. “Childhood’s End” by Arthur C. Clarke – In this classic novel, aliens arrive on Earth with seemingly benevolent intentions, but their arrival heralds profound changes for humanity.


5. DISEASE

Movies

1. “Contagion” (2011) – Directed by Steven Soderbergh, this film follows the rapid spread of a deadly virus and the efforts of scientists and officials to contain it while society unravels.

2. “Outbreak” (1995) – A thriller film that explores the consequences of an Ebola-like virus outbreak in a small town in California, starring Dustin Hoffman and Morgan Freeman.

Books:

1. “Station Eleven” by Emily St. John Mandel – This novel follows a traveling theater troupe in a post-pandemic world where a flu virus has wiped out most of humanity.

2. “The Stand” by Stephen King – A post-apocalyptic novel where a superflu called Captain Trips wipes out most of the world’s population, leading to a struggle between survivors.

3. “The Hot Zone” by Richard Preston – A non-fiction book that explores the origins and impact of deadly viruses like Ebola and Marburg, highlighting the potential dangers of infectious diseases.

4. “Year One” by Nora Roberts – The first book in a series where a mysterious illness wipes out most of humanity, and survivors must navigate a changed world filled with magic and danger.


6. NATURAL DISASTERS

Movies:

1. “San Andreas” (2015) – Starring Dwayne Johnson, this film follows a rescue pilot navigating through California after a series of devastating earthquakes caused by the San Andreas Fault.

2. “Dante’s Peak” (1997) – A volcanic disaster film where a volcanologist (played by Pierce Brosnan) and a mayor try to evacuate a small town threatened by an impending eruption.

3. “Pompeii” (2014) – Set against the backdrop of the eruption of Mount Vesuvius in 79 AD, this film follows a gladiator’s quest for survival amid the destruction of Pompeii.

4. “10.5” (2004) – A TV miniseries depicting a series of catastrophic earthquakes along the West Coast of the United States, leading to widespread destruction and chaos.

5. “Volcano” (1997) – A disaster film set in Los Angeles, where a volcano unexpectedly erupts, and emergency responders scramble to save the city from lava flows and ash clouds.

7. CLIMATE CHANGE

Movies:

1. “Snowpiercer” (2013) – In a future where a failed climate-change experiment has killed most life on the planet and turned Earth into a frozen wasteland, survivors live on a train that travels around the globe.

2. “Waterworld” (1995) – Set in a future where the polar ice caps have melted, leaving the Earth covered by water, this film follows a lone hero navigating a world of waterborne societies.

3. “The Day After Tomorrow” (2004) – Directed by Roland Emmerich, this film depicts a series of catastrophic weather events triggered by climate change, leading to a new Ice Age.

4. “Interstellar” (2014) – While not solely focused on climate change, this sci-fi film portrays a future Earth where environmental collapse threatens humanity’s survival, leading to a search for habitable planets.

5. “Geostorm” (2017) – In this disaster film, satellites controlling the global climate go haywire, resulting in extreme weather phenomena that threaten the planet.


8. NUCLEAR WAR

Movies:

1. “Threads” (1984) – A British television film depicting the impact of a nuclear war on the city of Sheffield, highlighting the breakdown of society and the long-term consequences of radiation.

2. “The Day After” (1983) – A TV film that follows the residents of Lawrence, Kansas, before, during, and after a nuclear war between NATO forces and the Warsaw Pact, depicting the devastating effects of a nuclear exchange.

3. “Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” (1964) – Directed by Stanley Kubrick, this satirical film explores the absurdity of nuclear warfare through a dark comedic lens.

4. “Mad Max: Fury Road” (2015) – While not strictly a nuclear war film, this post-apocalyptic action movie is set in a world ravaged by nuclear conflict, showcasing a brutal society fighting for resources.

5. “The Road” (2009) – Based on the novel by Cormac McCarthy, this film follows a father and son’s journey across a post-apocalyptic landscape devastated by an unspecified catastrophe, likely nuclear in nature.

Books:

1. “Alas, Babylon” by Pat Frank – A classic novel depicting the struggles of a small Florida town to survive and rebuild after a nuclear war devastates the United States.


8. TECHNOLOGICAL CATASTROPHE

Movies:

1. “The Matrix” (1999) – Directed by the Wachowskis, this sci-fi film depicts a dystopian future where intelligent machines have enslaved humanity in a simulated reality, highlighting themes of control and resistance.

2. “Children of Men” (2006) – Set in a world where humanity faces extinction due to infertility, this film explores societal collapse and the quest for hope amid despair.

3. “The Book of Eli” (2010) – This post-apocalyptic film follows a lone traveler carrying a sacred book in a world devastated by war, showcasing survival skills and moral dilemmas.

4. “WALL-E” (2008) – While primarily an animated film, “WALL-E” portrays a future Earth abandoned by humans due to environmental degradation caused by over-reliance on technology.

5. “The Terminator” (1984) – Directed by James Cameron, this sci-fi action film introduces the premise of the series: a cyborg assassin known as the Terminator (played by Arnold Schwarzenegger) is sent back in time from a post-apocalyptic future to kill Sarah Connor (played by Linda Hamilton), whose unborn son will lead the resistance against the machines.

Books:

1. “The Road” by Cormac McCarthy – This Pulitzer Prize-winning novel describes a post-apocalyptic world resulting from an unspecified cataclysm, likely involving technology.

2. “Oryx and Crake” by Margaret Atwood – The first book in the MaddAddam trilogy, it presents a dystopian future caused by genetic engineering and bioengineering gone wrong.

3. “Neuromancer” by William Gibson – A seminal work in the cyberpunk genre, it explores the potential dangers of AI and cyberspace.

4. “Snow Crash” by Neal Stephenson – A fast-paced novel that explores the consequences of a computer virus in a hyper-commercialized future.