Episode 64 Newsletter: Living Underground: Terrestrial and Extraterrestrial

On the day Artemis II launched, the RHR crew headed, with special guest Ernie Bell, PhD, down below the Basement Studio to ask the question fiction keeps digging up, can humans live long-term underground?

In the 64th episode of Rabbit Hole of Research, from the Basement Studio, Joe, Nick, Georgia, and Mary welcome rocket scientist, engineer, and a planetary geophysicist who studied lava tubes and volcanoes, Ernie Bell (currently a Spacecraft Flight Crew Operations Engineer at Blue Origin, and formerly a NASA Extravehicular Activities flight controller and crew trainer) to dig into one of science fiction’s most interesting settings, the underground.

And the timing couldn’t be better. The episode was recorded on the day Artemis II successfully launched, sending a crew of four toward the Moon for the first time since Apollo 17 in 1972. Ernie breaks down what comes next, SLS/Orion, docking with lunar landers from Blue Origin or SpaceX, and eventually, the question of this episode: will our first permanent foothold on the Moon be underground?

The crew explores cave types, karst limestone systems vs. lava tubes, how lava tubes form, why lunar and Martian tubes could dwarf anything on Earth due to lower gravity, and why going underground off-world isn’t just a Handwavium survival trope but a genuine strategy for surviving on other worlds.

They also get into the parts fiction almost always Handwavium away: cave life and extremophiles (Georgia’s favorite word), the silent hazards of CO2 buildup, radon, moisture, and the very real psychological toll of losing your day-night cycle underground, including the wild self-experiment of Michel Siffre. They tackle food (Joe and his calories), water recycling, the lessons of Biosphere 1 and 2, real-world bunkers, and whether SiloFallout, and The Expanse actually got any of it right. 

And remember if all else fails, the geothermal heat is free and a bunch of people underground makes for a great rave scene.


Check out what the RHR crew is creating:

Joe:


Future Events to Hang with the Crew:

Podcast Cross-Appearances

Events & Conventions:

It’s Science for Weirdos

Want to support the show? Tell your friends. Follow us on social mediaDiscordshare the podcast, and let us know what topics you are excited about. Leave a Comment. And for email alerts sign-up for the Substack newsletter and never miss an episode, exciting updates or the bonus images we talk about on the episodes. 


We want to Hear From You (leave a comment):

  • Ernie mentioned that the Moon’s volcanic activity is essentially over, making its lava tubes potentially stable for billions of years. Does that make you more or less interested in living in one (you know Nick will be there)?
  • Michel Siffre spent months underground alone with no clock and completely lost track of time. How long do you think you’d last before you started to unravel?
  • The crew weighed in choosing from SiloFalloutThe ExpanseFor All Mankind, Kong’s Hollow Earth, The Matrix as fictional underground worlds to live in— which fictional underground world would you like to live in (feel free to pick another)?

Drop your thoughts in the comments. We read them all, and your ideas often shape future episodes.

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The RHR in The Basement Studio (Left to Right: Joe, Mary, Nick, Georgia)

Future Episodes

  • Episode 66 – Planetary Defense: Saving Earth from Other Worldly Impact

    Guest: Charles Blue

    Exploring asteroid detection, planetary defense systems, and what it takes to protect Earth from cosmic collisions.
  • Episode 68 – Hive Mind: PlubrisGuest: Wes Thorn (returning guest — Simulation Hypothesis episode)The crew dives into hive minds, collective intelligence, and the blurry line between the individual and the swarm.

Three Part Spider-Man Series to get ready for the new MCU Spider-Man: Brand New Day

  • Episode 70 – Spider-Man Villain Series 1: Lab SafetyGuest: Tera Lavoie, PhDThe science behind Spider-Man’s rogues gallery starts here, with a deep dive into lab safety and what really happens when experiments go wrong.
  • Episode 72 – Spider-Man Villain Series 2: Scorpion and the Other ChimerasGuest: Erin C. AnthonyThe crew explores the science of chimeras, genetic splicing, and what it would actually take to create Spider-Man’s most dangerous foes.
  • Episode 74 – Spider-Man Villain Series 3: What His Villains Reveal About HimGuest: To Be AnnouncedThe conclusion of the Spider-Man trilogy takes a step back to ask what the science of his villains tells us about Spider-Man himself.

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Show Notes & Fun facts 

Movies, TV & Pop Culture Mentioned

  • Michel Siffre’s cave isolation experiments (1962 and 1972)
  • ESA’s CAVES program — astronaut training in cave systems in the Canary Islands
  • NASA’s Controlled Ecological Life Support System (CELSS) research, late 1970s
  • Biosphere 2 (1991–93) — sealed ecosystem experiment in Arizona, still standing and still in use
  • The Greenbrier, West Virginia — Congressional bunker hidden beneath a luxury resort, operational for 30 years
  • Cheyenne Mountain — NORAD’s underground facility, built on 1,300 springs
  • Survival Condo Project, Kansas — decommissioned Atlas missile silo converted into luxury bunker apartments
  • Lava Beds National Monument, Northern California — accessible lava tubes including “Golden Dome,” recommended by Ernie
  • JAXA’s SELENE probe — confirmed a 50km lava tube near the Marius Hills region on the Moon (2017)
  • The Suprachiasmatic Nucleus (SCN) — the brain’s internal clock, disrupted by loss of light cycles underground

Books

  • Journey to the Center of the Earth — Jules Verne (1864) 
  • The Time Machine — H.G. Wells (1895)
  • Caves of Steel — Isaac Asimov (1954) 
  • Wool / Silo — Hugh Howey (2012) 
  • Mars Trilogy: Red Mars, Green Mars, Blue Mars — Kim Stanley Robinson (1993–96) 

Film & TV

  • A Trip to the Moon — Georges Méliès (1902) — early sci-fi classic featuring a cave encounter on the Moon
  • Journey to the Center of the Earth — Brandon Fraser version 
  • Total Recall — Arnold Schwarzenegger (1990) 
  • The Descent (2005) 
  • The Fifth Element (1997)
  • The Matrix — Joe’s dream underground destination
  • Silo — Apple TV+ 
  • Fallout — Amazon Prime — Vault-Tec
  • The Expanse — Ernie’s pick
  • For All Mankind — Apple TV+ 
  • Severance — Apple TV+ 
  • Stranger Things — Netflix 
  • Mars — National Geographic miniseries — Ernie’s recommendation
  • Snowpiercer
  • Ice Age
  • Kong: Skull Island / Godzilla vs. Kong — Nick’s underground destination of choice
  • Squid Game

Video Games

  • Fallout series (1997–)

Fun Facts to Impress Your Friends With:

  1. Lava tubes on the Moon could be enormous. Due to the Moon’s lower gravity, lunar lava tubes are estimated to reach 300–400 meters across — large enough to fit a city inside. On Earth, the biggest tubes Ernie has been in are around 20 meters in diameter. The Moon’s volcanic activity is essentially over, meaning those tubes have been sitting stable for billions of years.
  2. The olm salamander is the ultimate cave survivor. This blind, pale cave-dwelling amphibian can live over 100 years and go up to 10 years without food. It has no eyes, no pigmentation, and has adapted so completely to cave life that it cannot survive outside of it. Real cave evolution makes fictional cave monsters look very unambitious.
  3. Michel Siffre lost his mind underground — literally. In 1962 the French speleologist spent two months alone in a cave with no clock. His internal day stretched from 24 hours to 48 hours. By the end he thought only 34 days had passed. When he repeated the experiment for six months in 1972 he psychologically unraveled around month four — crying without cause, unable to concentrate, and near suicidal. Fiction almost never shows this.
  4. Feeding an underground colony is harder than fiction makes it look. NASA’s Controlled Ecological Life Support System (CELSS) research from the late 1970s determined that a crew of four needs approximately 50 square meters of agricultural growing space per person to be nutritionally self-sufficient. Most fictional underground cities show one small room of plants feeding hundreds of people. That’s pure Handwavium.
  5. There is more life underground than above it. Estimates suggest 15–23 billion tonnes of carbon exist as microbial life underground — more biomass than all surface plants and animals combined. Extremophile bacteria have been found 3km underground in South African gold mines, living off hydrogen produced by radioactive rock decay with no sunlight and no photosynthesis whatsoever. Life, uh, finds a way.

Episode Highlights

  • 00:00 Basement Studio Roll Call — Joe, Nick, Georgia, and Mary welcome rocket scientist and engineer Ernie Bell to the Basement Studio.
  • 00:22 Meet Ernie the Rocket Scientist — Ernie casually introduces himself as a rocket scientist working on lunar landers, formerly a planetary geophysicist who studied lava tubes — “rockets and stuff.”
  • 01:22 Artemis Launch Excitement — The crew celebrates the successful Artemis II launch, the first crewed mission to the Moon since Apollo 17 in 1972, recorded on the day it happened.
  • 03:41 Moon Bases and Going Underground — Ernie explains that moon bases will start on the surface, but papers going back to the 1960s and 70s have made the case for eventually going underground.
  • 05:15 Why Humans Fear Below — Joe delivers the cold open: every culture has a word for what’s below, our ancestors painted in caves with no natural light, and fiction has been obsessed with the underground ever since.
  • 07:01 What Makes a Cave — Ernie breaks down the two primary cave types on Earth: karst limestone formations and lava tubes, and how each forms differently.
  • 07:31 How Lava Tubes Form — Ernie walks through the inflation and drainage process that creates lava tubes, including the cooling skin, structural integrity, and how the molten lava drains out leaving a void.
  • 08:59 Skylights and Tube Reuse — The crew learns about skylights — holes in lava tube ceilings from collapse or formation — and that tubes can be reused by subsequent lava flows, leaving behind benches and “lava-sickles.”
  • 11:55 Lava Tubes on Moon and Mars — Due to lower gravity, lunar lava tubes could be 300–400 meters across. Ernie describes a known pit at Marius Hills with a ceiling 25 meters thick and 40 meters of void space beneath it.
  • 15:40 Cave Life and Extremophiles — Joe and Ernie discuss troglobites, the deep biosphere, and the golden microbial growth Ernie has seen firsthand at Lava Beds National Monument in Northern California.
  • 17:57 Health Risks Underground — The crew covers CO2 buildup, moisture, radon, vitamin D deprivation, and Ernie’s personal story of getting turned around in a limestone cave as a kid.
  • 19:57 Circadian Rhythm Breakdown — Joe details Michel Siffre’s cave isolation experiments, his internal clock drifting to 48 hours, and his psychological unraveling in month four of his 1972 experiment. Ernie notes astronauts on the ISS experience 16 sunrises a day and have to maintain their day-night cycle by the watch.
  • 24:32 Sci-Fi Underground Realism — The crew debates how well FalloutSilo, and The Expanse handle the realities of underground living, with Ernie praising The Expanse for thinking seriously about agricultural scale and agoraphobia in returning Martians.
  • 28:35 Biosphere Experiments and Vaults — Joe and Ernie break down Biosphere 2 — oxygen crashes, faction formation, failed food production — and how it mirrors Vault failures in Fallout.
  • 31:27 Bunkers, Catacombs and Getting Lost — The crew covers the Greenbrier, Cheyenne Mountain, luxury missile silo condos, the Paris Catacombs, and Ernie’s childhood experience of getting lost in a limestone cave.
  • 36:27 Cave Anxiety and Total Darkness — Joe brings up infrasound at 18–19Hz resonating in cave passages causing anxiety, unease, and a sensation of presence. Ernie confirms that even in big lava tubes, true darkness sets in very quickly.
  • 37:52 Underground Protection Basics — Ernie explains the three key protections caves provide off-world: radiation shielding, thermal regulation, and micrometeoroid protection, and how even covering a surface habitat with regolith provides some of those benefits.
  • 39:23 Sealing Caves and Quake Risks — The crew discusses sealing cave systems to hold atmosphere, moonquakes and marsquakes, and how you’d engineer around structural risks the same way Californians build for earthquakes.
  • 40:08 Building Habitats Inside Tubes — Ernie describes the concept of placing inflatable or rigid habitat structures inside a lava tube so that even if the cave shakes, you don’t lose your atmosphere.
  • 42:02 Food and Water Reality Check — Joe drops the NASA CELSS figure: a crew of four needs 50 square meters of agricultural space per person to be self-sufficient. Ernie explains that lunar water ice is likely distributed in regolith like damp sand, not in glaciers, making extraction a serious engineering challenge.
  • 47:33 Growing Underground and Biohacks — The crew discusses hydroponics, genetic editing, algae, and cyanobacteria as potential food and CO2 scrubbing solutions for underground colonies.
  • 51:36 Yeast Diet and Space Snacks — Joe references Asimov’s Caves of Steelyeast vats as the likely underground diet. Ernie sets the record straight on what astronauts actually eat — rehydrated meals, M&Ms by another name, and no, the freeze-dried ice cream is just for tourists.
  • 53:30 How Astronauts Train — Ernie describes astronaut training in vehicle mockups, running through timelines and activities exactly as they will in space, including food testing. He then jokes that they actually just put them on a rocket and say good luck.
  • 56:04 Lava Tubes and Science Value — Ernie points out that beyond practical habitation, lava tubes give access to geology that is tens to hundreds of millions — potentially billions — of years old, with no surface weathering.
  • 57:17 Life in Martian Caves — Joe asks whether Martian caves are the most likely place to find remnants of life. Ernie notes the Moon is unlikely, Mars is possible, and the more benign thermal environment of a cave would be an advantage.
  • 01:00:43 Would You Move to Mars — Ernie says yes, he’d go — exploration is part of what humans need to keep moving forward. Mary is a hard no. Joe would go to study the life. Nick is packed and ready. Georgia wants a postcard.
  • 01:06:34 Cost to Reach Space — Ernie estimates launch costs have dropped dramatically with SpaceX’s Falcon Nine, from roughly $10,000 per pound down by nearly an order of magnitude, though the SLS that launched Artemis II costs on the order of a couple billion dollars per rocket.
  • 01:08:13 Favorite Fictional Undergrounds — Ernie is torn between For All Mankind and The Expanse, and recommends Kim Stanley Robinson’s Mars Trilogy. Joe wants the Matrix rave. Mary wants to be part of the mycelium network. Georgia and Nick are headed to the Hollow Earth in the Kong-verse.
  • 01:12:13 Wrap Up and Next Topics — The crew thanks Ernie, celebrates the Artemis II launch, and teases the next episode on planetary protection — what happens when we start dropping things on other worlds?

“Stay curious, stay safe… Love Y’all!”


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Transcript of Episode 64:Living Underground: Terrestrial and Extraterrestrial

On the day Artemis II launched, the RHR crew with special guest Ernie Bell, PhD, headed down below the Basement Studio to ask the question fiction keeps digging up, can humans live long-term underground?

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[00:00:00] 

joe: Hey Welcome back to the Rabbit Hole of Research down here in the Basement Studio. We are all crewed up. You have me, Joe? 

nick: Yeah, I 

joe: We’ve got Nick Georgia, we’ve got Georgia. 

geo: You’ve 

mary: got Mary. 

joe: We’ve got Mary and we have a very special guest joining us. Ernie

mary: Hi

Ernie. 

ernie: Yeah. I

don’t know what else you’d like me to say. 

I guess, currently 

Rocket scientist 

engineer working on lunar landers

formerly plantar geophysicists, studied lava

tubes and volcanoes and a whole bunch of field work with that so a lot of time on the ground A lot of time on top.

of the ground too.

I guess. 

nick: Yeah. 

joe: I mean, you make it sounds like Oh yeah. You know, rocketing 

nick: Yeah. That, 

that, that was the most casual. 

joe: That’s like 

nick: Yeah.

joe: everyday thing, you

geo: ground 

nick: and 

rockets and stuff.

joe: Yeah. So, yeah and it’s, your [00:01:00] expertise will come in. This episode is about the challenges of humans exploring other worlds living in caves, underground, terrestrial, extraterrestrial, , we see that in fiction a lot where people are, escaping to the underground.

So thought that would be a fun one to dig into and you 

geo: get at, dig into.

mary: yeah, 

Oh boy. 

joe: There you 

geo: go. 

mary: It’s so early. 

joe: got it. 

Yeah. 

So usually I start with, not my little monologue to get into the episode but actually before I do that, I do wanna say, and I don’t know to if people know, but today we had went the day of recording our TIMI

mary: two

joe: launched successfully.

And so I just, I mean, for me, I, it was pretty exciting. , it was 72 was the last time we sent people to the moon, so that was a little before I was born. And yeah, I just want to, I’m sure you’re excited, , you still are in the business of sending people into space, and so, how’s that feel?

ernie: Yeah it’s an exciting day for 

all of us. like that. I mean, everybody 

should be excited about this in my opinion, [00:02:00] but 

I personally I’m

incredibly excited. It’s

it’s

I’ve been most 

forward to this since I 

was a little kid, like,

like you.

Joe we, we

were all born just after

they did this in Apollo, grew up being told that, Hey, you know, 

your

generation is 

gonna carry on

to the moon and

Mars and all this.

And now 

we’ve been waiting 50 years to actually get 

the 

chance to carry 

on with this. 

And we’re there, we’re on the, we’re on the doorstep. We got crew of four out there orbiting earth now. The Orion spacecraft. the Second 

launch for what’s called the SLS. 

NASA’s big, huge 

moon rocket.

And, 

They rode that off into orbit. They’re gonna stay in orbit around the earth for about,

a, I 

think a little 

less than a day.

They’re getting, get some rest 

and then they’re gonna wake up in four or five hours, then fire 

up their engines again. Start bumping their way off to the moon. 

And, 

but yeah, 

I mean, my work

ties directly to this

all goes 

right. You know,

we will be, 

waiting 

for them very soon

In one 

of these future 

missions. 

and one of these Very

soon

next missions. Getting some

testing done on our vehicle on

the lander that we’re putting [00:03:00] together and

you know,

it’s Blue 

Origin,

it’s SpaceX We’re both, 

Working on lunar landers for the.

astronauts for. 

at NASA. And 

So, 

yeah, it’s exciting. This is, we need this step they’re gonna go out 

there gonna go fly out around the moon and 

come back

10 days.

And like I say, 

next one, hope, it’s

I dunno 

if you heard the administrator basically said that

oh, and the next time 

that

SLS

with Orion launches, the 

idea is to Dock with the landers in Earth orbit. 

joe: Right.

ernie: And then the next one after that

would

be the Idea with the land

on the moon and it’s either gonna be US Blue

Origin or

SpaceX, with the lander that’ll be,

waiting for

him at the moon. 

joe: Wow, that’s really exciting.

Yeah. 

nick: so 

cool. 

ernie: pretty cool. 

geo: it’s, 

joe: no, that’s nice. Get your ticket and

The moon base. Right. That’s the ultimate plan is to, is it 

nick: is it

gonna be underground? 

joe: It’s gonna be,

ernie: So it’s gonna start on ground above ground, on ground above ground. You as about 

underground, and actually there’s papers going

back to seventies, sixties. And there are these caves underground, 

so I dunno if we wanna 

get into that right 

[00:04:00] now or not, but yeah there’s advantages 

to eventually putting ’em underground on the moon and Mars and other places, but

it’s, it also takes a lot of equipment and stuff there to be able to do that.

It’s a lot easier to set it on the surface and a little bit harder to get it underground. So Yeah. We can get into that whenever you want, but Yeah.

we can, 

joe: Yeah. I mean, we can, I do 

nick: have to say something before we move on. Is, I watched the takeoff with my daughter today

and she was so enthralled,

like

she was already asking

if she can watch another one and if she can fly one, and I was like, that’s awesome.

This is how you get that obsession. 

Like,

mary: mm-hmm. 

nick: like I can’t wait to see what, like, what triggers her

and

be like, oh yeah, this is something that’s gonna be one of those lifelong things where you’re just 

so enthralled

by 

Space. 

joe: Yeah. That’s what I thought 

we would start the episode there since it’s happening on this day, so, yep.

nick: Yeah. like, 

mary: well, let’s continue with that [00:05:00] thread with underground caves on the moon. 

geo: Right?

joe: That’s what we’re 

geo: and I think Joe, we’re gonna set it up right. 

joe: I was, I mean, we can, I mean, 

If

people just gonna cut right to the bit, I know Mary’s always 

just ready to go,

mary: just boom.

joe: just like, you

mary: get right to it. 

geo: Come on, Joe. Enlighten us. 

joe: Every instinct humans have was designed for open spaces to scan the

horizon for predators to navigate by the stars in the night sky, to race the wind. And yet every culture has a word for what’s below. The Greeks had Hades, the Maya had Xibalba. Both described the doorways to the underworld, and before any of that, our ancestors were crawling hundreds of meters into the Earth to paint on walls where no natural light ever reached.

We don’t fully know why. We just know they went. Maybe it was for shelter. The thrill of the unknown, connection to our ancestors, a place of punishment or where dark things hide fiction has been obsessed with it forever. From [00:06:00] Verne sending explorers through a volcano to a sea that shouldn’t exist, to Tolkien building entire civilizations and inside mountains to current sci-fi, imagining our first footholds on Mars and other outer worldly planets, and going underground isn’t just Handwavium device. It might be an important survival strategy because on earth and off world, they can provide ready-made shelter, radiation shields, and thermal regulation. But are humans or any other terrestrial life built for a life closed in and isolated from the open?

But what if underground is our last refuge or a new home? What would it actually take to make life find a way in the deepest caves on Earth or the lava tubes of a strange new world? 

geo: Yes, 

joe: that’s it. That’s where we’re at. So we’re headed that way

geo: We better Start digging. We 

joe: better start digging.

nick: I heard Bigfoot likes to live in cave 

joe: lives in cases. 

ernie: That’s why we can’t.

joe: that’s right [00:07:00] there. , maybe the start and if you like, what is a cave? How’s a cave form? Maybe let’s start on 

Earth. 

Let’s start there for folks. I did, I looked this up and I really didn’t know

ernie: Yeah. There’s

It’s two

guess put em in

two primary types of caves, maybe say

on earth. One is.

a kind of a kar type cave

Like

a Limestone formation where you have water and precipitates and 

it’s basically eroding the volume under

the ground, 

That’s seemed like a more damp type of

environment, or you got also the ones that actually

I’ve did all of my research on, which are lava

tubes. They, they’re formed in volcanic wva

flows and there’s a couple different ways.

those are formed. So 

they can either be kind of an inflation where the fluid of the, basically the lava comes 

out and it basically inflates. and

the

outer skin of it,

because

it’s contacting the air cools faster. So it 

actually starts 

to 

solidify. So you get this kind of a, 

basically like a skin

over top the the outer 

edge, the outer surface of [00:08:00] the 

lava flow,

and 

it actually then starts causing an 

insulating effect. 

So It keeps the fluid

lava 

molten 

and flowing through 

it as 

the outer skin thickens and as it thickens gains structural integrity, into the point that it gets thick enough that it’s able to support its own weight.

And then the way that the 

tube 

in this case 

forms is 

that 

downstream, essentially 

downflow of the lava, 

There’s an outlet

where the source lava stops producing out of the earth. You know, the molten lava stops 

coming out, 

but it’s still flowing down the hill. It maintains high enough temperature, that stays molten.

And then this continues to flow all the way down and out the end of the 

tube 

where

you know, a hole is basically, essentially 

formed and then 

you just get this

big void of a inflated lava flow 

that 

you can walk across the surface 

and you won’t know 

it.

It’ll look Just like any of the other lava flows. And it, assuming 

it’s thick enough, you don’t fall through. which is a good thing if you want,

But there 

there are 

[00:09:00] collapses that’ll 

form in it, you know, holes you know, where it’s weak.

There’s even 

parts 

where when it’s forming, just

won’t solidify

and completely, and they’ll be 

called skylights, 

so

after a lava 

goes out, it’s 

there’s these holes

either through collapse, we’ll go

in the formation 

that are still there. 

And these 

can be,

there’s

different sizes. you know, 

There’s tiny 

little 

ones you couldn’t even crawl through.

There’s 

big ones that are, you know, 

10 plus meters in diameter.

More than that even, 

There’s another

way

that

they can 

actually form 

is that, 

Very 

high flow 

water 

flow can form 

a trench. 

joe: Mm-hmm.

And

ernie: Essentially you get 

filled up on either side,

so keeps it 

kinda like a river of,

lava. and as it’s it gets the same effect where you get 

A cooling across the top.

surface, kinda like a river in wintertime 

and 

you get that ice warm across the top and it will start building up and it can zipper 

up actually from the 

edges oh, to 

the center line.

And

then

you get 

that same effect where you get a 

buildup of thickening. 

an increase in thickness there 

where it’s structurally sound. again, the 

lava drains [00:10:00] out of it 

downstream.

And those 

are, those 

can be quite large.

too. I’ve been in Some 

that are 20 

meters in diameter.

Or even slightly Better here on Earth.

nick: So

is lava, like, does it just constantly flow? Is it like, is

it

flows like water, right? Like,

ernie: well, 

I mean 

it 

flows, 

yeah.

Maybe not quite like 

water, but Yeah. It 

flows. 

And 

it’s just an eruption from a volcano or, you know, 

a vent

basically.

nick: So 

it dries out, right? Like 

ernie: It, yeah. it stops 

flowing eventually. 

like volcanic eruption, It

only lasts so 

long, And once it 

Stops, then

you know, the, 

nick: Oh,

ernie: doesn’t have a

way to 

drain out. then it just solidifies.

in place eventually and Just the big

lava flow.

at that

point.

joe: So, after the primary tube is made. What’s the chances that another lava flow event will happen? So you put people in there. Are they always like, get out here, what’s the

ernie: Yeah,

No,

that’s 

good question ’cause actually

They do get reused

basically

assuming that the Erupt Center [00:11:00] has, a source of lava 

that can 

come 

up 

and 

flow out of it. Magma can come up and flow out lava 

and you get an interesting features sometimes when that 

happens. So you’ll 

get like

benches if it doesn’t completely fill it, 

you’ll get a, 

A solidifying

effect along the edges. 

where you get these things called benches that literally looks like a bench on the

along the edges. 

You’ll

get look what looks 

like 

icicles falling 

from the ceiling. It ceiling. It’s just kind of, 

it’s 

molded, 

it’s 

dripped down, but 

it’s solidified just 

like a icicle does.

in wintertime. And you’ll guess they’re called lava sickles.

We Call ’em. I don’t know if that’s really a technical term, but that’s what we like to call ’em. So, and then we get.

Other like, formations on

The surface and that frozen 

lava flow It’s might only

be, you know,

few inches thick or something on the surface

On 

the floor, but 

yeah, 

But eventually 

if

the source of it is

no longer available. then there’s no longer a danger of getting three reviews.

Kinda like on the,

Basically

the volcanic,

so our Knowledge,

volcanic 

eruption, 

volcanic capability 

on the 

moon is 

basically over at this point. It’s 

cool 

to the point that 

[00:12:00] anything 

that’s molten is so far 

down 

under the 

crust.

We don’t 

think there’s 

a way for it to get 

up, 

we don’t 

see evidence. Of the volcanism.

there’s 

some debate on

that. But 

in 

general,

there’s

nothing

that 

indicates recent.

volcanism. So we find these types 

of things 

and we’ve found, 

you know, 

skylights collapsed 

pits and things like that on the moon.

And We know there’s void space

in either direction, 

we just don’t know if it really goes 

on 

and on

it’s a tube or not, but. 

joe: Right.

ernie: There’s evidence on, of Mars as well, eventually. So, yeah they can

most

likely be a 

lot 

larger 

though too.

on these locations. But moon, The gravity

Is 

so 

much 

less. 

We actually expect them to 

be,

I mean, one 

of the re one researcher did 

just a structural 

calculation on 

’em that they could be hundreds of meters 

across.

We’re 

talking where,

2, 3, 400 meters across 

ones that we know, where we see these

collapsed pits. There’s one Mario Hills pole. 

And we 

suspect that there’s lava tubes there 

and there’s these poles where 

the [00:13:00] ceiling is essentially like 25 meters thick.

There’s 40 

meters 

of void space underneath,

and

we know 

it will go off 

in either direction. We just don’t know if it keeps, if it’s just a hole or if it actually 

goes as a 

tube. But it’s 

compared to Earth, they’re enormous. 

it can be enormous. You know, they’re small 

ones too, 

just like on Earth. it’s a whole range 

of size.

nick: How

long have we known that there was like

lava on the moon?

Because

I

Didn’t know that. 

mary: Yeah I didn’t know that either.

Yeah. 

nick: I always thought it was cheese.

mary: Well,

maybe not that, but

nick: that.

you’re gonna go Harry Carey for that one. 

joe: Yeah. Gotta have jokes. 

nick: could be, what kind of cheese could it be? 

that 

joe: was

ernie: Oh, it’s kind. It depends. Was it Swiss pea?

joe: A trip. A trip to the moon, right. In the early 19 hundreds. Then they. They catapulted a cannon rocket there, so, no, no realistic , escape velocity. But they didn’t make it to the moon and they crack in, but I think they go into a cave with the little [00:14:00] creatures in there,

and I think that is, it was like a lava tube.

I mean, I think that’s what that 

a cave or did they base

geo: it on that they knew that was on the moon or they just, 

that was, 

joe: I don’t know when they figured out lava two in there,

ernie: Yeah, that was probably more of a guess. 

Just a equating at the Earth than a good,

geo: Yeah. 

joe: yeah. It was a good guest though. I mean, that was 

geo: think that was just,

the 

joe: but I remember that ’cause it, it smacked with, you know, it was like hit the eye or whatever, but 

Yeah. That was 

nick: very

iconic image. of that. 

Yeah. 

joe: right. But yeah, it was, they went in they 

ernie: that the, or something? 

joe: yeah. When that, well, Jules Verne and that was the center, that was 

Journey to the Center of the earth.

That was in the 18 hundreds. Right. 1850s or something like that.

geo: I 

don’t know. I only know the Brandon Frazier one 

joe: to brand 

The 

nineties. Nineties,

geo: or whatever it 

joe: yeah. I don’t nineties. I think, you know, Brandon Frazier was more nineties. 

nick: Yeah, 

geo: you’re right.

But I’m sure there was quite a few renditions of that story.

joe: Yes. I think they went in through [00:15:00] a volcano. That was a Journey to Center of the Earth. They went in through a volcano, then they went 

down and then they found there was like dinosaurs down there and then they had and then they found the river.

Yeah. They had then the sea, they found like a sea and then there was a sun. So it was like there was a sun down there and they had a hole. 

nick: I feel like the new, 

King Kong film did that too.

Didn’t they? Where 

joe: that 

and the Ice Age one or was it Ice Age where they had the crack and they went in and then that was like all of the dinosaurs and stuff were down.

There was like a whole nother world. I think it was Ice Age, 

nick: I don’t know, I 

joe: age three or four or seven. I don’t know where they’re at with that, but 

geo: Well, so

nick: I went King Kong, you went Ice Age, 

Yeah. 

geo: these Lava 

tubes 

Does 

anyone actually inhabit Lava tubes? 

nick: Are

you trying to set yourself up for Extremophiles?

mary: Ah, 

joe: No.

geo: No.

joe: That Well,

geo: You’re,

gonna take that.

joe: will say that’s one of the things that live in caves are extremophiles, [00:16:00] so especially microorganisms, 

geo: would think,

joe: I think there’s more biocarbon mass from living microorganisms in caves than there is terrestrially on the Earth. I think it’s like 

not even close. 

Yeah. So there’s a lot of life, especially microorganism, like 

mary: oh, okay. Organism 

joe: life.

It’s 

nick: Yeah. 

Microorganism life. 

Microscopic.

joe: microscopic. 

There is, I don’t know 

why I was

geo: Go ahead.

ernie: Oh

yeah, I just, I know some of 

the 

folks 

I work with they actually are studying that. You know,

like some of 

the,

lava tubes we’ve been in,

it’s there’s actually,

if you.

ever get a chance, Lava Beds National

Monument,

out in Northern California.

it’s this 

Beautiful place in near Medicine Lake and 

it’s got some of the

Tubes

there.

They’re called, 

like one, one of

the names is Golden

Dome.

You go in this place

And the bio

Growth 

in there, literally

it just looks like it’s covered

in a sheen of

gold

and 

it’s just beautiful, amazing the way. it sparkles in the light and 

things like that. So 

yeah, there’s definitely, 

and there’s, 

some folks that work with 

are studying 

that and studying 

other, like,

Like,

you say, microbes.

and, 

[00:17:00] Microbial growth and such, And they’re using various techniques

Ultraviolet lighting.

And Things like 

that 

to

illuminate it and

Record

it, 

and study it. So

a

lot of 

interesting 

things there.

And they’re,

Yeah.

And Actually

you know, you’ll find animals in your bats that’s one thing. You go to these places you gotta, There’s bats.

in gave, you gotta be protective of the bats and such. But

people you know, living

there, 

there’s, Native 

Americans from way 

back 

have 

lived in 

these caves. Lot of bats,

national mine for one. And Since, 

you know, 

criminals 

from the 

law 

nick: Mm-hmm.

joe: Yeah.

I can see that 

ernie: them as a good refuge

to hide out into the

lava tubes. 

’cause they’re really 

hard to get through. They’re really hard to 

get into and 

they’re really hard 

to find, even if you 

know 

it’s there. Some,

of you know, folks like 

that, that

didn’t wanna necessarily 

have anything to do with 

the rest of society 

would, 

Wander 

off, 

cases.

Yeah.

mary: Yeah.

nick: I mean, it’s a good shelter, right? Like,

joe: I, yeah, I mean there’s problems living 

in 

geo: I was 

gonna say, well, if it would, You know, you would, we would think there’d be more people living in 

joe: yeah, I you have, you need, [00:18:00] so there’s health concerns. What, so vitamin D so we need the sun 

mary: need Yeah, that’s true. Well,

geo: but 

that’s any underground.

joe: I mean, I guess, but I’m just pointing out CO2 buildup in cave systems and 

ernie: moisture.

in ’em, you know, and such, some of ’em actually have ice all year round too, because you

get this weird. Thermal effects that go where Literally there’s one,

cave I

was

in,

there was literally 

I think three to 

four meters of 

ice 

They just, you go in, 

you 

Have to crawl through it because it’s so, 

So narrow.

But reality the cave itself,

is four

meters.

deeper. It gets this completely device, it just, or melts. It’s some amazing.

ice,

formation to find on the ground in these

places. 

joe: yeah.

So temperatures, I mean, so yeah. 

So 

nick: that sounds like fresh water to me, 

joe: yeah. Well, I don’t know. There’s probably mineral stuff in that water. Yeah. 

So you’re 

geo: your bag you’re ready 

joe: ready to 

nick: to go. 

joe: No, so you have radon, a radioactive order less gas that, that can affect you, that, that are found in caves.

So, yeah. So there are. 

[00:19:00] Conditions, 

You need food to eat. So if you are living in a cave, you have to then grow things to eat. So there are some challenges. It’s not just, go down in a cave and 

nick: up I’m 

joe: set up shop. But there

are 

ernie: the other thing Is

You get your like, 

The day, night circuit Yeah. Circadian rhythms. 

joe: That’s right. Yep, 

ernie: yeah.

European 

Space

Agency, they actually have a

program where they’ll take astronauts down in their caves as part of,

like kind explor.

Exploration, kind of

a training

and such, and it’s called

CAVES 

actually

It’s a real unique name, but it’s really cool program 

to have. And

it’s over to lava tubes over 

in the

Canary Islands. And 

you go down

and you’ll spend days,

and days 

of a week or more down 

in the caves 

and.

your sense of day night is just completely gone

Because you have no keying of 

the

sun, you know, the sunrise, sunset, and all 

those types of 

things. So, 

but

the, it’s really good analog 

to just, you know, how to go 

and do exploration in extreme environments.

joe: Yeah. 

Yeah. 

mary: have a question 

about that, 

if you don’t mind. I want so when, how long does it, I mean, [00:20:00] does it take for people to get off their circadian rhythm when they’re underground? 

joe: Sir was, oh, 

go ahead. 

ernie: I, I wouldn’t be the right person to

ask

mary: Oh, okay. 

geo: was 

joe: say I, 

ernie: But it’s it does happen. I know 

nick: And, 

ernie: one instance I can, I don’t know the researcher’s name, but he did a self study. He put himself down in cave for. You’ve heard of this year, but

a really super long time. I mean

like Weeks, months or something. 

And

when 

he came 

back out, 

he was 

completely skewed. He didn’t take a clock or watch or anything.

with him, but when he came

back, out, when it was done, he 

thought Only like a certain amount of time.

had passed, and it had been, I don’t know, twice that or something. It had been significantly longer time that he thought

It 

actually passed, 

joe: Michael, Siffre 

in 1962. He actually went down with no timepiece, so this is a self sign. This, I think this is a study you’re thinking about. And his internal day extended to 24.5 hours, then drifted to about 48 hours. 

mary: Oh, 

joe: by the end of the, his two months, he only thought he had been [00:21:00] down there 34 days. Then in 1972, he repeated the experiment for about six months. But he completely psychologically unraveled around month four, he was crying without cause inability to concentrate. Very suicidal coming out this experience, so Yeah.

It doesn’t, 

nick: oh, Well, how does he adapt back to

society

after 

that? 

joe: I mean that, yeah, 

mary: his name again?

joe: Michael Siffre 

nick: did they follow up on him? FRE, 

joe: So 

mary: Oh, okay. Wow. 

nick: the 

follow up? Did they do that? 

geo: I 

joe: know. It 

geo: check in on him, 

mary: was just, 

joe: he was just, he was 

geo: somebody check on him. 

joe: it was like a self experiment. Like he just, he kind of, 

mary: And we didn’t really tell anybody.

He just like, went in and just did it. Yeah. So it they might have set them back down there,

nick: if something, happened like that today, 

geo: like 

nick: they’d have their own YouTube channel and 

joe: No, you’re right. Like sensory deprivation. So that’s a big thing. 24, 48 hours, you start having full psychosis symptoms. I mean, it is a,

We are [00:22:00] the sun sets and it’s day night cycle that sets a lot of our rhythm and our biology.

So take that away, then you will become skewed. Your biological internal clocks will just get off and then that throws everything in the whack. 

So 

geo: think about people like solitary confinement and things like that. Like how much that It’s a similar 

mary: Underground experience. That’s right. Yep. 

joe: Yeah. But

ernie: it’s more similar to the astronauts out space

too. On Space Station

They get 16, 

sunrises and sunsets every day on 

space. Station going around ‘

joe: cause they’re going around Wow.

ernie: So you have to really make.

Yeah. 

You have to maintain that

day, 

night

cycle 

just by the watch. 

And make sure you do 

that

and shut down 

at the right time. Otherwise Yeah. You’d end up in the same issue

You know, crew 

going out to the moon.

They’re not 

gonna 

have 

sunrises and sunsets.

Sun’s gonna be there

the whole 

time. for 10 straight days, except

for when they go out around the moon maybe if they were,

I’m not sure

it’s a, or Dynamics completely blocks from the sun even there or not.

but 

yeah.

so it’s but there’s plays around. You just, you have to be disciplined.

You have to, you know,

you just [00:23:00] Set

up something, 

that there’s a day, night cycle that you follow.

It’s Same thing. 

if We put,

this on, bases and, 

such on the 

moon 

someday and put ’em on the ground. It’s a lot of

benefits to actually doing that,

like you said initially, Joe, but 

It’s a hard thing 

to get them there though.

joe: Yeah. Another

thing you can, full spectrum lighting. I look that up and like I said, that mimics our, the solar, benefits that you would get, the intensity and color temperature of the sun over the day cycle you would get, but only that will only partially compensate.

So, and then you also need significant power

geo: would that give you vitamin,

D? 

joe: again, if it has a full spectrum, you would be 

able to, 

Get 

some, but you probably would take 

supplements vitamin D work. 

geo: Is it something about the sun.

Like

interacts with something in your body and creates it, or I don’t understand how that 

joe: Yes.

mary: That’s the next, that’s 

the next podcast. Yeah. Yeah. Right. Yeah.

geo: And vitamin

D

deficiency is such a prevail, like a,

what’s the

word? 

mary: Prevailing or prevalent. It’s very prevalent in our society. 

Yeah. Yeah. And 

geo: it causes so many [00:24:00] mental health issues and 

nick: and mm-hmm.

geo: Other health issues. Yeah. 

joe: Yeah. Yeah. 

It’s 

. It’s synthesizing the skin. We’re all ultraviolet B radiation breaks down TD hydro cholesterol into Previtt D three, which then is, I thermally into vitamin D three. So that’s the process of 

geo: that the only kind of vitamin that

works like that, or is there.

other. 

joe: I 

think that’s the only vitamin that I know of that works out in humans. But I, once again, 

a sorry.

geo: I’m just curious. I can, 

So 

I was gonna say like when, like in Fallout 

nick: I was just about to bring that up,

Thanks. 

geo: Right. Or in

like Silo. Is it Silo?

joe: Silo Yep.

Or Wool what’s the, 

geo: They obviously create these, that’s all manmade. That’s not in caves, but then they manmade the sun to come up and it seemed like 

joe: Right, 

right.

geo: In Both of those shows, they have like this, 

joe: they have some sort of cycle. They maintain that. Yep. Yeah, [00:25:00] but the other problem with those shows that, I mean, their generational volts or ca you go on the cave generationally your body will start to adapt.

So you will start to have these adaptations. But the funny thing with those shows and the fictional thing is that they just come back to the surface 

and 

they’re like totally 

geo: like, 

It’s no issue. 

joe: the full sun is right hitting ’em. They’re running around. No muscle atrophy.

They’re, they’ve kind of totally,

they’ve never lost the adaptation, even though true cave adaptation with would take, you know, millennia. But you see no effects, no ill effects of living underground. That’s really not 

geo: very plausible. 

joe: very,

ernie: Yeah, there’s another

good show. I know you probably have heard

of The Expanse.

It’s that,

sci-fi Show

it set to the others. The solar systems colonized basically.

and set. But there’s 

Mars 

is colonized and a 

lot of folks 

live underground in Mars, 

so 

they’re all ENC closed base

of that to that

point. 

of Seeing the sun and things that 

show does a really good job of

like when 

the Mars, the Martians, 

human martians 

come to earth 

[00:26:00] and

they’re just out in the Open.

they don’t

like 

it. 

The 

nick: right. 

joe: Yeah. 

ernie: in General. you know, it’s, there’s like this

Adjustment that they

have To 

take

Some of ’em just can’t in the show,

They’ve actually 

kind of hit on 

that that it would be a unnerving

a concern.

You’ve

had generations 

essentially living underground,

that now have these wide, expansive open places

and big

skies and It’s,

just, you Yeah. 

joe: I was gonna say agoraphobia would probably be a big one, that you’ve been in this tight, confined space and now just, it’s just open. You know everything there. But there are something that’s tr glo bites. They’re, 

geo: you say that again?

For blow bites, 

joe: They’re

obligate.

I like that. They’re obligate cave dwellers. So they can only live, these are animals that have truly adapted to living in a cave environment.

nick: Moles. They 

joe: live 

mary: nowhere else. right? 

joe: nowhere else. So you have the blind cave fish.

And so

there actually is a fish there has, there is a terrestrial species that’s related, but this the blind cave fish, they’ve lost their eyes and pigmentation.

So they actually don’t have an [00:27:00] optical structure. And they live in their environment. No pigmentation. You have the

om salamanders. 

nick: Is

the angular fish on there too. 

joe: What’s that? 

nick: The angular fish. Isn’t that the one with the little dangly bit on its 

joe: lives in the bottom of the ocean? Yes. Yes. 

nick: Little 

joe: it’s not, it doesn’t live in a cave, 

so it wouldn’t be on the list?

No, it lives at the bottom of the ocean. 

geo: that’s a similar thing. 

joe: I mean, yes, it’s a, it’s nothing like the bottom of the ocean.

Yes. I similar in the fact

geo: it’s dark.

always 

joe: Yes. Okay. No, no light. That’s about it. But I mean,

one is Part?

I mean, I think so. I don’t know. There aren’t angler fish Islas. I thought they had eyes. 

nick: know. Yeah, I I think they have 

All I 

geo: I know about ’em is,

the, 

joe: some, it’s very, yeah,

Then there’s om salamanders.

They’re really interesting ’cause they can live. It speculated to live like a hundred years and they can go about 10 years without food. So you just can 

geo: they’re kind of like extremophiles 

joe: they are the, all these animals are like extremophiles. And then Pale Cave Spiders was another [00:28:00] one I saw, which once again, don’t have eyes.

So, you know, there’s species of spiders. We all know terrestrially, but these don’t have eyes. And so yeah, they’re really interesting. But they live , in ca they’ve made a, they made a go at it. So life can find a way as I, you know, as I said. So 

nick: do Moles Fund fall under this or no? 

geo: Moles? 

joe: Oh, I mean, I guess, yeah.

geo: But they kind of come out. 

joe: They can come out, right? I mean, they can,

nick: they’re, 

joe: live mostly below ground. 

nick: They make their own caves. 

joe: they make their own caves.

They’re cave diggers. 

nick: Yep. 

joe: Yeah. But that’s, 

geo: you go 

joe: through. People have tried to simulate this too, like the biospheres, are you familiar with those tries that 

ernie: Out in Arizona. 

joe: Yep yep.

geo: Is that

still there?

mary: Yeah.

ernie: Yeah. 

joe: A 

destruct. 

ernie: It actually is still 

geo: Oh, wow. 

ernie: Yeah.

you can,

You,

you can, It’s maintained.

You can go and use 

it for various 

types of experiments and such, 

but 

that initial one where 

they tried 

that 

was pretty crazy 

[00:29:00] ’cause they 

tried to have 

all these 

different,

I think it’s biomes if I

got the right.

term there and just one huge

en environment 

and it 

just 

it 

didn’t 

work.

you know, it was too close

It ran together.

They had I think they had problems with

Insects.

and then They also 

had social 

Yeah. 

was

It 

was just, Yeah. 

it Was 

there 

was a lot

of interesting

results that came out of

It and, but it’s still there. It it’s definitely used. You can go out

and see it, even

geo: is 

joe: There was one and two. Yeah. They had like, it was like a bad reality show. ’cause I think fractions formed 

nick: Oh, 

joe: hated each other. Oh. And then oxygen problems, like, so oxygen levels dropped, pretty severely.

Like they totally 

underestimated that, So 

geo: not underground though, 

joe: it was above ground. But I think the idea is that if you are, I guess if you’re in a domed enclosure,

geo: to being underground. 

joe: underground. Right. 

Because, you know, 

geo: they saw the sun 

and everything because 

it was like, Yeah. 

joe: They didn’t,

have to worry about that problem.

I mean, they had a,

Ernie was saying they had a number of other 

nick: problems. 

Well,

Amazon

is 

ernie: of other 

nick: that, Show, that’s gonna be [00:30:00] like a Fallout

shelter where

it’s like a reality show where they put contestants in a biome, essentially. Yeah. So it’s like, oh are they trying to. 

emulate this? recreate that.

geo: that yeah, 

joe: yeah. 

ernie: I didn’t hear about that. 

joe: Yeah.

nick: Yeah.

Yeah. 

geo: It’s,

nick: and it’s like, oh, like, yeah. Fallout in general. Their whole thing 

is and 

geo: it gonna look like the Fallout? 

nick: Oh I hope 

joe: they’re gonna have like 

geo: no. But

like 

nick: the Vault Tech Company in the show is.

Doing different 

experiments in each of these vaults? No, I 

geo: I 

think 

joe: the 

geo: Yeah.

It’s kind of 

nick: in the show. Vault Tech, the company,

mary: right?

geo: No, No. I mean, we went from Amazon reality show, 

nick: is gonna be a Fallout

geo: they experimenting. on be inspired, 

joe: Are they experimenting on ’em? 

geo: No, but like

in Squid, you know, like squid I know I’m saying, but he s Yeah, I’m asking.

joe: So, so they, show. So they,

I’m 

asking, are we [00:31:00] still talking the reality, real reality or the fictional Vault Tech? That was my question. Like, have you moved to 

nick: Oh, I moved on. Okay. Right. I 

joe: I 

was clarifying. 

Not I got, I

I got everything else. It was just, I thought he had moved on and I was like, is this part of the show still?

Like the reality show

geo: I didn’t move 

joe: didn’t move. And then he was joking and then you just kind of went with it and I’m like, let’s take a 

geo: us when you Move on.

nick: I 

can’t, 

joe: I can’t, yeah, a little segue would be nice,

nick: but, 

joe: but 

ernie: train has already left

the 

nick: Exactly.

joe: I 

was gonna say, but you have the luxury, like the speaking of Vaults I mean the, there people are buying bunkers and having those installed, but then historically we’ve had bunkers.

I was doing this in the Green Breer in West Virginia. It was like the it was this congressional 

bunker. 

ernie: too far 

joe: Yeah. Yeah. So that was really interesting that it was a luxury resort hotel kind of thing, that they kept it operational secret for like 30 years and then it was only decommissioned in the nineties after journalists exposed it.

geo: And [00:32:00] that was

the government? 

joe: the government 

that was a government funded Oh, 

geo: Oh, wow.

But don’t, does it

mary: it 

nick: it 

ernie: Is that the one though that

after nine 11

actually

got put back into use or was that another, there’s Another,

one Maryland maybe I’m

thinking of, but

there’s a couple.

of them around. yeah 

geo: yeah, Because 

I was gonna say, don’t they have something like that or they, 

and 

joe: Cheyenne Mountain is that NORAD has a facility underground. 

Yep, yep,

nick: Yep. 

ernie: But there is the one that you’re talking

about, Joe and I,

maybe it’s Greenbrier or Maybe 

it’s the one

in West in,

in Maryland 

here. But they, as far as I know, I 

was watching something

They actually

have it still 

in

use, I believe, ’cause after nine 11 they realized they, they

need to

have,

you know, continue they call

continuation of government or something. 

joe: Yeah.

Yeah. 

But this one became like a luxury resort. Like they was more than a last survival bunker. It was, 

uh, 

geo: I’m sure

there’s some of those around,

that We don’t know about,

joe: no, it’s, 

ernie: Out.

west.

some old missile silos

are, if you look, if you look up on YouTube or something, there’s a I don’t

know The guy’s name. But he’s, 

he’s

Buying 

these

missile silos and [00:33:00] converting them into luxury

bunkers for 

the end of the world kind of thing.

And there’s, I don’t know, like 10 or 15 families, whatever. 

it 

each 

one 

gets a level 

that’s essentially an 

apartment. They have 

water storage, they have 

swimming 

pool, they have all the toilet paper 

you could possibly

need.

It’s just

They have, it’s just fully

supplied with everything.

and It’s,

just

like I said, I wouldn’t even wanna

guess how much they are, but yeah, this guy

he’s selling ’em out there? People are buying,

them. 

geo: I wonder if there’s an Airbnb. 

joe: Oh, probably. I mean, that would be, 

mary: in a bunker.

ernie: There is, there

joe: aren’t there? 

Aren’t

Airbnbs 

mary: of

course,

geo: course, 

ernie: Yeah. Apparently I spend too much time watching YouTube, but one of the channels there is

joe: not a sponsor, 

ernie: couple that go around traveling all

over the place,

And one of their episodes is

Airbnb and

A Bunker. kind of 

geo: Oh

Wow. 

nick: That’s

pretty cool. kind of 

geo: cool. Yeah.

joe: But

yeah, they, I mean it, luxury bunkers is a thing. You can, there’s companies that sell ’em, you can get ’em and Yeah, they hold 

geo: well. There’s also 

joe: whatever, and,

you know,

geo: well there’s also like preppers, 

joe: right? I mean, that’s what, right, right. That’s kind of Yep, yep. [00:34:00] Exactly. 

nick: see that they had a missile silo, for

sale recently. I was like, Ooh, that’d 

be really 

joe: You’re in, I mean, you’re in the lava tube 

cave, 

so missile silo, it’s 

a, that’s 

a step up. I mean,

uh, 

ernie: but 

it’s where, it’s what your means are. You know,

either get the high 

nick: exactly.

Like,

joe: Yeah, 

nick: yeah. 

geo: I mean, it, I mean, been that, like the Paris Catacombs, I mean, so that was one of these natural caves, and it was 1774. They. More than, was it 6 million people are buried there? It was to solve the cemetery, graveyard overflow situation in Paris. And so they have these catacombs that are down 

joe: and, um, I mean,

I guess it’s cool, 

nick: Sure.

geo: wow. yeah, it’s 

nick: Super creepy. But down. 

geo: I think it’s kind of cool.

Yeah, 

mary: I do too. 

joe: And then 

People get lost. I mean, down, that’s like regular caves. Like they get lost in these catacombs and, cave diving fatalities, like all these 

kind 

of things where, 

mary: Well,

ernie: That’s a thing. Like I say,

going into Cave, that’s one thing. 

I Actually, 

it’s 

[00:35:00] funny, 

my mom

is, was surprised

I didn’t up doing so much 

research

in lava tubes because 

the 

only, 

there was this 

one, 

She was a high school 

teacher

and

she helped take the science, 

Club 

to a cave,

one time. She was one of the chaperones as a local 

cave. And I went 

along with them. 

It was just one 

of these limestone caves And we had a map,

we 

had flashlights, you know, there 

was people, 

but. 

you were directed to, okay, if you

Don’t come out by a certain time. 

we come 

in, we get you. And we Went

in, we knew where we’re, we got back to where we thought the beginning

was supposed to be, and we

couldn’t find a way out. I was just like, oh my goodness.

It was just bugging me. I’ve got

all this, you know,

we’re perfectly fine. But it,

joe: Wow. 

geo: Wow. 

joe: Yeah. 

ernie: thrilled. I wanted 

to Get,

outta the cave and we couldn’t figure out. She was Really amazed. But the,

difference to me, like lava tubes, 

you 

can get lost in ’em, but 

it’s not the same kind of 

loss as in, a, in one of these limestone

case where it just 

kind of 

just, you know, fall down a hole or something.

Somewhere. It’s, you can fall down

a hole in lava tube too, I guess But it’s just the ones I’ve been very just,[00:36:00] 

it’s very known which direction you go in, what weighs it out? It’s 

very easy to

maintain,

you know, you can get lost and some get very

intertwined, but in

general,

they’re a lot more

linear, 

geo: Maybe that kind of inspired you, 

ernie: What’s That 

joe: That 

geo: maybe that kind of inspired you.

ernie: Maybe it did, maybe that’s, I had to defeat that fear.

joe: Yeah, 

I think it would be an unnerving something. I was I was reading about caves, but this infrasound at 1819 Hertz it was like research in the nineties that it’s a standing waves at this frequency. So this is a sound wind resonating in caves. This in cave. You have this sound this infra sound and it causes anxiety, un ease, peripheral vision, disturbances, sensation of presence.

Like it’s this really.

nick: if I already have that? is it just amplified? then 

joe: but I mean, in, in cave especially when it, the lighting is low [00:37:00] you’re below twilight , you’re having this, , is that something you, I’ve never been in a, I’ve not, I mean, I’ve not been in a cave, 

nick: Do we have to do a rabbit hole 

joe: I know, yeah, we Have 

to go field 

trip 

ernie: you get very far down. I mean, even the

big. ones, It doesn’t take long, until it’s just dark. I mean, it’s just,

You don’t have lights with you. You don’t know what 

you’re 

gonna smack your head 

into something, or gonna trip over something. 

It’s just dark.

So Yeah. 

You have to, you go with lighting and 

it’s,

just, you’re in a 

bubble of light basically. 

So 

depending on how

bright

your light is, it’s, 

And lava tubes 

say, well, you know, they, some of them go on for a long distance.

It’s,

I really like 

the big ones just ’cause they’re so impressive 

to me. You know, just physically, I think 

that this, there’s this

huge 

just empty

space 

under the ground. 

And 

but you can get into some 

small ones 

too, and 

but yeah 

you it’s 

dark. 

There’s no, 

natural light down there. There.

joe: yeah. Yeah. That sounds 

nick: great. 

joe: Yeah. We touched on the caves and why, you wanna do it.

’cause we’re gonna build on surface basis first, I guess. [00:38:00] But, Mars, there’s no, the atmosphere, so radiation, 

geo: it’d be easier, it would be easier to control the atmosphere if it’s 

joe: it’d be easier to you, you would get radiation protection going underground is one. Thermal regulation, you know, the caves, even though they’re colder.

They are the temperatures 

geo: And Are we talking 

about caves that exist there because they are already are there? 

Or

are we talking about more like the Fallout, Silo kind of thing where you build the case? 

Well, I but it’d be really the same thing.

ernie: actually, because Yeah.

Once

you get on the ground 

it’s

it provides on the moon, like you’re saying Joe. It’s 

joe: a 

ernie: thermal regulation, it’s protection from Radiation, and it’s also protection from micro meteoroid. So any kind little, there’s no atmosphere. So anything that’s outer space is just gonna Yeah. So it protects you from all three of those, Which is really key.

On the moon and Mars

eventually too. ’cause there’s

no radiation protection like there is on,

Earth with the

Magnetic.

Magnetic sphere and stuff. so, You Gotta,

have that, but

you gotta 

get down 

to it. 

And 

it’s, 

it

[00:39:00] would provide a lot 

and you can actually get some of that on Earth 

if you cover or on earth, On

The 

surface of the moon.

If You 

take

the lunar regular lift, so the dirt

and 

you cover

up your shelter with that. 

you’ll

get some 

thermal regulation, 

you’ll get some 

of the protection. like meter, you’ll get Some radiation protection. And it’s the same idea. You’ve got 

this, 

you know, natural, 

Surface on top of you that 

just 

protects you from that 

So

One of some 

of the ideas for 

underground though, is that 

people have

is, you know, one is you put.

in

premium. Paid

habitats. Another Is

that 

you

somehow 

seal

the,

cave off 

so that you can

you know. to maybe Georgia’s

point there, you can actually,

then fill it with an atmosphere. 

but then you gotta Fill every little

crack and make

sure you don’t have any leaks or not too many leaks or something like that.

geo: Yeah.

ernie: and 

then There’s 

concern, 

with

On earth you

have earthquakes. 

So if 

you know, like you have moon, you have Moonquakes Mars you have, 

Mars Quakes and

if it, 

shakes 

and you’re underground, you know? What does that.

mean?

It’s

structurally sound,

Is it not structurally sound? You have stuff falling on you that [00:40:00] you start getting leaks. If you seal it,

It’s all engineering concerns. So it’s geotechnical concerns. It’s

things that you can figure out a way to,

probably

address.

joe: no, I mean, is this a situation where you would combine where you would build a habitat in the cave, , you don’t have to use the natural walls of the cave. Can you build, just have a structure within the cave that would have some. Movement and things like that, or is that 

ernie: Yeah,

so you can 

Exactly.

You could take a 

shelter down there, maybe

like an inflatable

shelter or just say 

run through a structural shelter 

to maintain your atmosphere 

and

then you get the other protection from. the cave, like 

you said. So even if it does shake a

little bit

assuming it doesn’t just, well

pull out, collapse on you.

it’s, you’re not

having to worry about the loss of atmosphere. that part of it.

So 

nick: do we deal with 

the 

ernie: do a survey? 

geo: and

nick: stuff

on earth with, you know,

underground

bunkers and stuff like that? Like it, do 

joe: you put on where it is? Not earthquakes. No

nick: Well, can’t earthquakes happen

anywhere? Like

isn’t that. Like

mary: there’s a

joe: thing. 

geo: [00:41:00] some 

joe: Some places are a little more Right, yeah.

ernie: yeah, They’re more 

likely to happen certain 

places than others,

though. Like, 

joe: you know, 

ernie: around 

The where the plates

all can

meet up. So boundaries between plates, tectonic plates

on the earth, Those are, 

you know, primary 

locations for

For earthquakes, 

you know.

where you, 

see major faulting and 

things 

like that. So if you’re in the center of a plate, you’re less likely.

Still there’s other

things that 

can cause earthquakes. like 

on 

the East coast

you can actually get, 

nick: there

ernie: there 

was some 

really severe 

earthquake. It was a 

very severe earthquake, I don’t know, probably 20 years ago now. or Something 

and it 

had to do with

The 

soil.

And so that’s

really

basically

because of

the structure. 

So it was, The earthquake itself was relatively small, 

but

the, it was

augmented, as I said by the structure of 

the earth itself. 

So, 

but you could, you would know that you 

can study the Earth. 

you can say 

the moon, you could find those

locations.

There’s not 

plate 

boundaries on the Moon like 

there is,

on earth, but you know, if You need enough studying, you might be able to start figuring 

out where 

they occur versus where they

don’t. Or just how

it 

would be billed to them

Just like 

in [00:42:00] California. 

nick: Interesting. 

joe: I think the other thing in a lot of these is food 

nick: I was Gonna ask that. next. really 

joe: like, and it was, 

geo: you can grow

potatoes

on Mars, you 

grow

joe: you can grow potatoes on Mars. I, but I, something was this from nasa, late seventies researched the cells, the controlled ecological life support system project where they were , trying to determine what you would need.

But it was like a crew of four needs, approximately 50 meter squared of agricultural growing space per person to be nutritionally self-sufficient. And so that’s, that’s quite a bit of area , to grow food and crops and a lot of show, , especially fictional, usually they got one little room with some plants in it and they’re like, , they got a hundred, 200 people in this compound.

You’re like, hold on this little,

geo: or like the 

train in 

joe: Yeah. Or, yeah. 

Right, snow. piercer. Right, right. 

geo: They had the one car. 

joe: have the,

like, you know, 

mary: that’s gonna 

satisfy everybody.

yeah.

joe: I think they’re, they had like the [00:43:00] little jelly cubes, which is probably like soy green. So for people that haven’t seen that I’m not.

I’m not gonna spoil it.

geo: gonna spoil it. 

joe: Not gonna spoil it, but it was grandpa.

geo: I think You just

mary: said 

geo: right? 

nick: Yeah.

geo: Yep.

joe: Yeah, I know. But food is one and water recycling. Right? ’cause you have these closed environments, waste , and

waste. , hopefully you recycle some of it. 

nick: to fertilize your land and

joe: land and like when, I mean, Nick was joking, like on earth with ice, , whatever you have a water source and you can probably purify it and make it potable.

geo: I

don’t think, he was joking on,

nick: I was serious

joe: on Mars, on the moon water is a hard commodity to come by. , I think they think there’s ice, frozen ice at the poles. 

ernie: So there is,

but Yeah.

And like

as far as recycling, the space station 

actually 

does that. It Recycles, I just saw it recently

too. It’s some very high percentage of the water.

It’s High.

nineties, I 

joe: Yep. 

Yep. 

mary: Yeah.

ernie: they are able to recycle It’s been recycled multiple times

[00:44:00] now over the years. So it has saved

hundreds, if 

not thousands of

kilos of you know, transporting

water to the space station. 

joe: right.

mary: right. 

ernie: And so

there’s 

some of that technology is 

actually

getting

developed 

you know, carbon,

dioxide side you know, removal,

things like that.

so 

a lot 

of 

regenerative

type of work on station. 

is being done.

But, you know, to the point of doing it on the moon’s got,

a, we believe

it has water

or frozen ice, we’ll say it has volatiles. So

anything

that

will freeze 

as a, you know

was 

there, 

but it’s not gonna be most,

if we don’t expect it to be chunks of ice, like

Hey, we,

found a big glacier. It’s

likely it’s just,

imagine a bunch of sand that had some water in it,

Just a little bit of water. 

in it. I’m not even talking much. 

And it’s just kind of 

all 

in there. And We have to figure

our way to 

process.

it to get it outta there. And It’s gonna take, 

it’s 

gonna be something that’s on large scale 

as far as like most likely

needed

to

get enough to.

provide for any sizeable, type of community on 

that. 

So it’s gonna have to [00:45:00] be a 

real, 

it’s gonna 

be a problem. that needs to be figured out

is how do you do it efficiently to actually provide,

but 

we think there’s plenty there. 

It’s just

joe: Yeah.

getting it out, right. Extracting it. Mm-hmm. 

Yeah, it’s always interesting when you have stories, what Isaac Asimov’s caves of steel and there was like, hundreds of thousands of people in the cave living doing their best lives.

That structural, how you handle these systems is not trivial. To do it like just the space station. There’s, you know what, at one time, six, seven crew members, or 

seven, yeah. Six, 

ernie: seven, seven

compliments, seven crew 

members now. But they 

nick: I gotta throw something at Mary. Hold on. 

joe: See I said six in another number and that, that 

ernie: Oh no, 

this, 

nick: Hold on, 

in the studio.

Joe, how much do you like that guitar?

ernie: nice, nice. Well played.

geo: Thank you.

mary: you. 

joe: Sorry, 

I didn’t mean to cut you 

off 

there.

ernie: It’s okay. But

No 

you hit on

a [00:46:00] bunch,

of things.

Joe. 

It’s like, you know, even we, the cave is just,

a shoulder. It’s, but it’s

getting, and it

might be large enough.

but then It’s getting the volume

that, that you’ve

enclosed now. You can make it

or to provide, you know,

what you need there. You have food, you have to be able to get enough

WA source water,

or oxygen,

Carbon 

dioxide removal.

And

It’s

getting 

the area 

like you say to support, 

you know,

’cause we just, on Earth it’s just, you know, we got

half

us that can grow stuff. Basically

for the population

or probably more, you know, and it’s

having enough on 

the moon or Mars or something. It’s 

It’s kinda one of those things 

like a 

science 

fiction, 

You got

I’ll go back to a movie

or a show that Expanse

It’s, they do Some

of this stuff 

really Well, they really thought about it.

in there where they Have

like the

moons of

I think it’s the moons of

Saturn or Jupiter, I forget which that

Is

that they 

Essentially 

have

as the agricultural bread basket.

of the

solar system and it’s feeding All these

asteroid

communities and all

these 

Space stations where if

they go 

under,

that’s it.

[00:47:00] Because there’s, That’s 

where it 

actually comes from 

because it, this

is needs to be done on massive industrial scale. So it,

Yeah. 

joe: yeah. 

I mean that was that was 

Time machine with the Morlocks. Remember the Morlocks lived underground, then you had the, what, the Eloy

Lived

above ground.

mary: It’s been a long time. 

joe: I mean it, once again, it was a cannibal situation, but nonetheless the people on the surface was feeding the people

mary: the 

geo: people

joe: below. That was the idea there. So there, there was you know, some thought to that back in what was that was also late 18 hundreds. 

nick: Joe, I think I have a question.

I think it might be for you. Oh, 

joe: oh. 

nick: Is 

there plant life in caves and stuff like, 

joe: so 

there’s no, because of the light situation, there’s no light. So you’re not you’re not gonna have photosynthesis because you need light to have photosynthesis, but I bet you would have other bacterium that are close to that. But you, you might not have plant, you won’t have frozen synthetic organisms.

So [00:48:00] 

nick: if you 

grow, like

grow, lights, can you grow stuff underground then? Sure. 

Like,

Is the soil gonna be okay enough for it or is 

it, 

geo: if 

joe: you’re bringing the lights, you can bring the soil. 

nick: What if you didn’t pack the soil? 

geo: Well, 

but 

joe: I’m sure you can, uh, Yeah, 

right. I mean, you’re kind of 

in, listen,

nick: I come with lights, no soil. 

joe: Well, I guess if you have water, you could do it where you grow with hydroponics you. I mean, other thing we haven’t talked about maybe is doing genetic editing and using some genetic tools to modify organisms to fit our requirements. , be it living out in space and or living underground.

And so the foods we eat, you can modify. So maybe you do things that are more aquatic. So you would then use algae or cyanobacteria and then they would actually produce products. So you get a twofer or a three fer. They would actually make different things for you that 

nick: would that also then also

joe: also then can 

nick: your CO2 problem.

Your carbon problem. Right. [00:49:00] 

joe: It could be a way to scrub the app. I mean, you know the balance is right. Yeah. I mean you would need the balance probably isn’t there? I don’t know if they would use as much CO2 to 

geo: You 

joe: or get rid of 

it or vent 

geo: in a lot of stuff. 

joe: Yeah.

Yeah. But

nick: I am

just trying to plan my own.

I, Yeah. So 

joe: no caves 

as is a dark cave will have No, you’re not growing any plants. So be it cyanobacteria, be it algae, be it plants. None. No. Jules Verne Sun 

geo: you have your lights or you 

joe: or you have like skylights. I guess you could have these pockets where you would have

ernie: but some

of these yeah, some of these latitudes, like

I say, has some sort of, and I’m not the expert on

what type of planet, but it is a, It’s

A

growth of

some sort. Like I say, there’s bold silverish

colored growth, and it’s. But

yeah, you have

to have the right

condition. It’s not, certainly not in

everyone, it just happens like the

moisture’s just right?

The gross, is right.

and it’s just that they’ve adapted

to Growing, and living

and gaining their energy. without the 

joe: They would, they live on methane, so like a stream of files. They live on [00:50:00] some other carbon source methane, which is in a lot of caves. So they can actually start growing on other, , materials like, heat vents, and thermo vents in the ocean, right?

So we’re talking about the ocean. We have stream of files there that can actually use those resources and use alternate kind of pathways to sustain their life. But yeah, it’s probably not photosynthetic. 

geo: And you probably don’t have enough extre of files to eat. I 

joe: know if you should be eating 

nick: I don’t. Yeah. What 

joe: So yeah, 

nick: you just wanted to say 

joe: let’s leave those extreme of fouls may maybe the spiders. I mean maybe the, you know,

nick: catch 

some spiders and eat 

joe: and the you know,

nick: eat a hundred year old salamander. 

joe: Yeah.

Little 

geo: oh, 

joe: hunter year. Other,

Underground refuges the matrix they were down in Zion. That was an underground , they had to go to the core to get to geo the geothermal heat because they were gonna be cold because they blacked out the sun, the, to stop the machines.

And that’s why the machines [00:51:00] used them as batteries, which was it’s kind of dumb. But they did that. And you know, and

they were

down in Zion. 

ernie: I hadn’t thought about that movie in a long time. Yeah, that’s right. Underground.

joe: yeah. Yeah. Yeah. once again, they didn’t really touch on the food. They had the, some slop or something they were eating, some sort of mush. 

nick: I’m Pretty sure it was just decomposed humans. 

geo: Pretty, 

nick: They’re just like, these

humans eat human food. And that’s humans. 

joe: well, I mean, the people, , they had, I mean, they’re living underground.

Once again, you need like, you know, how would you how would you have this.

nick: humans

joe: are they eating? Yeah. Oh, okay. But yeah, that would be the, 

mary: I’m not going to Nick’s world. 

joe: Yeah, Probably grow yeast. 

mary: I’m all stringy and tough. 

joe: Talk about, you know, fungi, but yeast, you could grow yeast, vats of yeast, and

I think that’s what they did in caves of steel, Asimov’s caves of steel.

They had, they made yeast like stuff. Yeah.

Yeah.

nick: then how are you making flour for the 

joe: don’t, no, you just eat the 

geo: Yeah. You don’t, yeast is right. You’re not making

joe: [00:52:00] products

out of it. It’s 

nick: You’re eating yeast. just 

joe: you just eat yeast. The yeast. Yeast cakes. Yeast patties. 

mary: then 

how long are you doing that 

joe: for your whole 

mary: Years. 

joe: Years.

Years 

mary: Years and How long do you plan on,

nick: living? 

joe: what are we having for dinner today? 

mary: Oh,

geo: Yeasty? 

mary: Yeast,

nick: yeast.

same

thing. we have every night.

joe: Yeas. This is, this meal is yeasty.

ernie: Makes that decision real easy.

joe: Is that what the, is that what the astronauts are eating yeast 

what’s going 

ernie: Yeah. 

That’s all they eat. That’s all we

send them with actually. Yeah.

geo: No, they have that 

ernie: Youas patties we even put it in their water for yeast drinks, but.

joe: You 

geo: They have the fun little freeze 

dried things.

They 

joe: I know. Don’t you get a Smithsonian? A little pack 

ernie: They actually got, they have some pretty good food. Yeah. They,

joe: Oh they, yeah. 

nick: Is that something that they actually eat though?

Those like,

I feel like those are too

crumbly and.

they’re getting in everything that’s

ernie: all of the ice cream

nick: Yeah.

geo: What? 

joe: What? 

ernie: That’s just for the, 

tourist 

mary: is 

joe: Is that, 

nick: I’m like,

I ate one of those. 

joe: you get the freeze dried strawberries. Like that’s,

nick: they get [00:53:00] everywhere. 

joe: we 

ernie: It’s like the worst combination of a rice cake and whatever else.

joe: it’s

very like artificially tart. I don’t know. I don’t think they’re real strawberries. 

ernie: No they’ve got some they,

they

take with, 

joe: Yeah, 

ernie: Yeah.

They’ve got &. m and mss they’ve got, although they’re, I think They’re

called sugarcoated

candies, you know, I can’t

call ’em m and ms. But then they’ve got other, you know, they’ve,

They have a whole,

you 

Just add a little of water 

rehydrate it. 

and off you go.

You know,

it just like food we have here

On earth.

for the most part. 

mary: part. 

joe: Yeah. Now, you were involved with astronaut training, so how do they get prepared to go into these kind of extreme conditions.

ernie: yeah. So, yeah, 

I was a number 

of years trained them for space walks 

and just 

general, 

you know, crew 

training 

and

then I was 

flight

draw console for,

’em. so 

but yeah, we 

you know, we pretty much 

just, 

we 

don’t train ’em at all.

We just put’em on 

a rocket.

and launch em and say Good luck.

nick: I’m so in, let’s 

go. 

Screw the underground. I’m going to space, 

joe: everything’s gonna be fine. Just get some 

sun. 

ernie: all kinds of [00:54:00] good luck. We’ll see you in a

week. 

joe: yeah, yeah. don’t don’t go crazy. We don’t want horror movie here in space. So, 

ernie: no, we run ’em through all kind of simulations. Basically

they’ll, we’ll 

put 

in mockups that look 

just 

like 

the vehicles they’re gonna 

be in. 

We’ll run through the timelines, the activities, just like they’re gonna do in space, If it comes 

to food or something like that.

sometimes

yeah, they’ll have 

the actual food there. I didn’t do that

kind, of training, but yeah, they go and

They 

actually test out, figure out, I

like this. 

and I don’t like that.

And they’ll make up their own 

joe: I thought you meant, you taught ’em how to eat. Like you use a fork, you lift it to your mouth now. 

geo: Well, it probably is

ernie: That’s right. 

joe: a little sippy cup. Like, 

geo: well, that 

is a challenge because Right. 

You See all those 

things with like astronaut and then like the water’s like floating in there.

And then 

nick: I think they do that as a they do that ‘

joe: on purpose. They’re not, yeah. Yeah, 

they’re not, that’s not how they eat their 

dinner. It’s like the ice cream

geo: does. 

ernie: It’s real similar to down here. Like I say, you re, you rehydrate it and you warm it up and you Fill up your drink bag or you make 

some coffee, and

Yeah, it’s just that you have to drink [00:55:00] it 

all with a straw

and with the food

you can open up the packet. use a 

fork,

spoon, whatever. You know, 

it’s 

Actually

one, one of the 

astronauts, he actually 

figured out a way to make a space 

coffee cup where 

he could put the,

and actually

kind of 

drank like

he was drinking from a cup. He used like, surface.

tension and things like

that For, 

joe: kind like, yeah. 

mary: yeah.

joe: Yeah. So yeah, that’s

nick: I feel like we’ve covered a lot this we did. Yeah. A lot of fun.

joe: I mean, it seems like we’re ready to go live in some caves in space. 

mary: absolutely not. like 

nick: I’m in actually

mary: I

was a kid.

ernie: the high end ones. 

geo: Yeah, 

that’s 

joe: right. no, when I was 

mary: a kid. That’s funny. I actually when I got really excited thinking that in the future we would live in caves on the moon, and I was super psyched 

To 

live in a cave 

On the moon 

and nothing could tempt 

me away from the planet Earth. I am not,

joe: I thought 

nick: thought you were gonna 

go with, I used to live in a cave. 

Yeah, 

joe: right. 

nick: No, 

mary: but no, I used to 

think that was like just, I, you know, 

geo: would be Yeah. 

mary: if it felt very snug and cozy

and, in the [00:56:00] sixties illustrations, 

you know?

so, yeah, yeah. 

joe: It’s what they get away 

ernie: realistic possibility. 

It’s

It’s 

got a lot of advantages. It’s just being able to get it.

down there and start it, you know,

and get, finding the right

entrance, 

into It

and 

make it have enough floor that you can work with 

and getting your hardware in 

there. It’s there’s 

actually 

national it’s on this note, national Geographic has a

neat little miniseries. It’s several 

years old now on Mars and

the initial

cruise to 

Mars and then it basically 

evolves into that. They found their whole goal, the initial crew, was to 

find 

a lava tube

and then they

were able to expand 

because

they can use the lava tube for all the

advantages it

has

And then the future episodes actually show how they

expanded

this into a small community living

down into enormous lava tube. So it’s 

certainly 

down the road 

as we get the 

capability, to actually an infrastructure in 

place.

They could come into play. 

joe: Yeah.

mary: Yeah.

ernie: Also just,

Sorry.

Just think scientifically too, 

it

got access to 

stuff that you’re not gonna have 

on 

the surface, [00:57:00] that’s gonna have access to things that are

tens of millions, 

hundreds of millions, potentially billions 

of years old 

geologically that

You’re 

not gonna have access 

to 

on 

the surface. So From a scientific standpoint, there’s 

a lot of 

interesting things.

to learn

by getting into these

case as well. So It’s,

you got the practicals end and you got the, the scientific,

end.

It’s,

Yeah.

joe: you think, we’ll, if you get into these caves, what’s the odds life is there? Or the remnants of life? I mean, is that where we would best find it?

I mean, that’s what it feels like. That’s

ernie: Yeah.

that’s a good 

question.

though. On the moon, It’s unlikely.

Mars 

may 

I, would just be guessing, is, you know, it’s, 

that’s not my area of 

expertise, 

but 

the 

more 

benign environment. 

Now, it’s 

still gonna be very low pressure, just like 

the rest of,

Mars, but the benign, you know, thermal

environment you know,

reduction radiation, 

geo: Right.

ernie: have no 

idea. It would, you would have those advantages. So,

Yeah.

I, 

joe: Yeah. 

nick: Wait, so you said you work for NASA

and You don’t know if there’s aliens out there? I don’t know, man.

ernie: I didn’t say, I [00:58:00] don’t know, I guess, but 

mary: Ah,

ernie: you.

nick: damnit.

I thought I was gonna get ’em on that one. 

joe: Yeah.

ernie: It’s funny is that, that though, because I

Actually

When I worked at 

NASA 

I would go to Kennedy Space Center 

sometimes 

to get ready for the shuttle 

launches to help. And 

there was this 

one 

building

that we had all this, 

you know, a lot of hardware 

and stuff

that’s being processed through, 

taken out 

to the shuttle 

and there’s this one area that’s got this

giant door on, it looks like a

an 

enormous 

freezer door or something like that

And somebody as a 

joke had put a little, like handwritten eight and a half by 11 paper, whether it frozen aliens.

and put a piece

on. Or did Yeah. Or was that, yeah, no. 

nick: they wanted it to look like a joke.

mary: Yeah.

joe: Yeah.

geo: Yeah. 

joe: Yeah. Well, so I think we’re coming to the end. Yeah, we covered a lot. I mean, we see the, fictional stuff, you, like, we Matrix, you start seeing it, you can think of other environments. One that I, you know, I throw out a Severance the Apple TV show,

nick: [00:59:00] Mm-hmm. They live underground. 

joe: well, they live in that building, which is just, it’s no windows.

There’s no outdoor

this 

geo: have that little outdoor

Field trip. thing, 

remember? Well,

joe: they went well, that’s, yeah. They did go outside somewhere, 

geo: that seems like that was Still

on the, in the compound or something It 

joe: was like artificial. Yeah. No real light. So, no, it was a very the ecosystem of Severance is like a, it’s, you know, it’s like a building, but it’s, it might be underground.

I don’t, the elevator, they don’t really disclose which way to go. 

geo: It’s like 

the Back Rooms, 

joe: it’s like the Backroom. There 

you

Yeah. So, but yeah, you see this in fiction a lot in our fear, the horror of. Being in an enclosed space. Even

geo: just basements are kind of creepy, 

scary 

joe: Basements. 

mary: Except this 

basement’s 

very cozy. Yeah. Yeah. Yeah. 

joe: yeah. So

geo: Our bunker. 

joe: Yeah. In the 

mary: it is. This is a very cozy basement. 

joe: Ernie, do you have some final thoughts 

ernie: It looks like it is. 

mary: yeah, it is great.

nick: Yeah. 

joe: Yeah.

ernie: Oh no. This [01:00:00] has been great. 

Really enjoyed talking with you guys. This is a really fun evening. So I appreciate you guys inviting me and it’s

like I say

The 

exploration, we’ll see where it goes. you know? there’s possibilities out there. There’s Definitely 

advantages. 

to caves. There’s

A lot of

benefits

to,

’em, but

you know,

it’s

Gonna take some 

time. This is 

today, like I say today, 

Artemis two.

geo: Yeah. 

nick: Yep. That’s 

ernie: first step. 

Finally Getting back to trying to do some 

of this stuff 

and going out there and exploring these planets and seeing what we can

do. So it’s exciting.

Exciting day from that perspective, 

and

And yeah, 

I’ve had a really nice time talking with you guys,

ever. You, 

joe: so

ernie: if you

all 

deemed me worthy.

enough, I would do.

geo: Yeah,

joe: Yeah, definitely. We’ll, 

so I, I do sure 

I do have a question. I don’t know if Nick has 

nick: I did, but if you have one 

joe: no, go for it. I mean, maybe we can both do it. We got a little time, but I was gonna ask, and we can, everyone can do it, is would you go live in the caves of Mars?

So you, you get the you get the option. Are you packing up headed to, is that what you were gonna ask? 

nick: No, I was gonna say what fictional. 

joe: Oh, we can do that [01:01:00] one too. Yeah. Yeah. But let’s say let’s real life caves of Mars. Like they, we’ve got something, we got a structure and they say, you know, Dr.

Bell, we need you. 

ernie: So I’ll be honest.

It’s

why 

I don’t 

say I

to live in,

a cave is why I do. I do, but well, my, my career,

mary: I.

ernie: I could go live in a cave without doing what I do actually, you know? But

my Career is, you know,

ever

since, even before I met Joe, you know, even growing up, this space exploration was just like, kinda I think Mary, you might have 

mentioned 

too, growing up. It was just 

what 

you’re, it was just so interesting and

really

piqued

my interest, 

like the 

first

shuttle launch. 

and 

joe: Yeah.

nick: Yeah. 

ernie: such.

And so 

would I 

go?

Yeah. 

That’s what I’ve been trying to do,

They keep not giving me a ticket. I don’t know why, but they, I haven’t gotten that ticket yet. So,

nick: But

ernie: yeah,

that’s, I would love 

to 

go and explore. Yeah. That, 

I think that exploration 

is just part 

of what 

humans 

Need. And just part of what 

as a human society 

need to 

keep pressing forward. And

It’s 

personal level. Yes. But [01:02:00] society level too. I think it’s 

just, if we 

don’t 

we stagnate, we gotta keep. Seeing, well,

What’s 

over the next.

hill? What’s around the 

next corner? And 

this is

part of 

It.

and,

You know, would I wanna come back.

to Earth though, to your question? Probably. So, you know, nice

to see you guys.

again.

You know,

people, family. But but Yeah. I think it be an amazing.

adventure. 

geo: Yeah.

joe: I would say too, we didn’t mention this at the top, but Ernie and I we went to college together, at Penn State Behrend , and our rooms were right next door, our first year Perry Hall, which was like living in a cave with its unsteady

heat, and we did have windows, but other than that, you didn’t know if you’re gonna have heat some nights or whatever. But but yeah, that’s how Ernie, that’s how 

long 

ernie: time I was there I actually had a new roof. Yeah.

geo: Yeah.

ernie: So maybe they have heat.

joe: Yeah. Right. So 

nick: Joe, would you

go

to Mars? 

joe: I think I would. Yeah. No, I think they need electronic microscopist there.

Study the life that, you know that we’ll find. Or maybe not fine. I don’t know. Or we bring the life, right? I mean, no one talks about that. If we start [01:03:00] dropping things on the surface. Or in these caves which can maybe sustain life, do we now create new extremophiles that live on the surface of Mars or any other planet that we send probes to?

The I know when they send these things, they try to sterilize it. They try to do their best, but it’s not a hundred percent. 

nick: a theory, Joe. don’t worry. 

joe: You 

ernie: that’s a whole other discussion. And that’d be a really interesting one to have because

Planetary

protection is this whole 

thing and it’s like 

joe: yeah.

ernie: There’s two 

Sides.

to that 

story. There’s, you know, to keep it pristine and then there’s the side, like you’re saying, it’s like, well

Let’s make use of 

this

How can we Make 

use of it, so.

That would be a Really interesting.

discussion. 

joe: Yeah.

And not like they did in Total Recall , they lived in the caves and then they had the oxygen generating machine. Like, it, that doesn’t, that wouldn’t work the way they, if you guys aren’t familiar with that, go watch the Arnold Schwartzenegger 

Total 

geo: remember their eyes popping. 

joe: That’s right. Yeah. Because they were out in the atmosphere and then the oxygen flowed over ’em, and then they could breathe like the atmosphere [01:04:00] created in like , 10 minutes or something. So, yeah. 

mary: Lucky for them.

So we 

geo: already know, Mary 

joe: of handwaving there. 

mary: Ab Yeah. Absolutely 

not. 

No. This 

is a hard no for me. 

I’m gonna stay

I’m 

gonna, stay here 

while 

You all you kids 

geo: a postcard. 

mary: Yeah, 

joe: now would you, would 

you do an earth cave? Would you go into, like, they go, Hey, we’re opening up Cave City and Mary, would you like to join us in Cave City in Utah? I don’t know 

mary: oh, 

joe: where’s a cave city would be at Ernie.

Like, is that

nick: I feel like that’s a Midwest thing. 

mary: It just therapists, 

ernie: We’re so.

mary: Ernie

The’s hands gives up? 

No, 

but I, no I would certainly visit Cave 

City.

I have visited caves.

In, when I I grew up in Southwest Virginia. 

And then there’s, 

A natural bridge, and then there’s cave cave 

systems in there you know, all throughout the Blue Ridge Mountains. And they’re really quite lovely. Cool.

Yeah. Very much explored. I am not a, well, there’s the [01:05:00] movie, the Descent, you 

know? that, so, yeah. So, the movie, the Descent, is just 

like,

this

is why you

don’t 

explore 

caves. You 

you know, 

nick: that is why you explore 

mary: No, absolutely 

not. Is 

joe: a spelunking.

Isn’t that the cave? Yeah. 

mary: Splunking. Yeah.

But

yeah, 

Georgia I’m also a little claustrophobic too. so. Yeah. Yeah. 

geo: don’t, think I want it. I don’t. 

know.

I don’t, I think maybe if it’s a luxury

bunker 

Airbnb, 

that

would be Fun.

mary: it would be fun to 

visit. I certainly wouldn’t wanna live there.

though. 

joe: And we 

geo: already know

Nick, 

joe: Nick’s ready to go. 

mary: Oh, Nick’s 

already there. 

joe: is packed. 

nick: only thing is, I don’t think I’d have enough to offer to

anyone in on Mars. 

mary: You, 

joe: They need workers, man.

mary: They I don’t do 

nick: that. I you 

joe: they 

mary: need, coffee. 

joe: was 

geo: gonna 

say, they don’t

want you to roast some 

joe: Yeah. I mean,

well they have the, and I would see the show For All of Mankind where they go, if you’ve seen, it’s like an alternate history on Apple plus tv and they have that whole thing.

And then Mars spaces are started and they [01:06:00] have, recruited workers from Earth. They come there just to labor. ’cause they’re building these structures under, I think they’re underground. There’s some above ground, but then they’re underground. Yeah. There, there’s a combination of both.

They did have some food pots, which was nice to see. They did actually were growing corn, which.

mary: mm-hmm. 

nick: Kind of 

joe: an 

interesting choice of foods to grow, but it’s interesting to run through and it made a good scene, but I don’t know if that’s the food stuff’s 

nick: I mean, I 

can cook for people.

Yeah, sure. is that worth my, 

joe: My yeah, they had a Domino’s there and they, the, you know, for all mankind had like a Domino’s, they had like bars, I mean, so yeah, 

nick: oh, I don’t do corporate stuff. Sorry. 

joe: well, 

, if they’re punching your ticket, , it’s expensive. Probably to, I don’t know. What’s a per person cost to fly?

I mean, is that, I mean,

ernie: To go to space. 

joe: to go to space.

ernie: yeah. Wow.

joe: Not, not a celebrity price. Like for fuel and stuff, like, is there, you know, the weight, I mean, just, is there some ballpark, , bottom dollar not, we’re trying to fund an entire space program, but we’ve commercialized it. Is [01:07:00] there like a number, like,, would it be 10,000.

ernie: remember what 

It was.

It seemed like

It’s changed. It was like

wanna say, it was in a ballpark of 10,000, or something like that.

per 

pound or something like that.

joe: like that. Yeah.

ernie: And it’s

by

an order of almost 10, you know, so 

maybe 

a thousand. It depends on

the rocket 

too. 

mean, to send something, it’s just, you know, It depends on,

how,

SpaceX, they’re launching those Falcon Nines and they’ve really gotten a price down, You know,

like an order of magnitude probably.

But then 

it’s 

like the 

SLS one that launch,

today, very expensive rocket. It’s you know, 

it’s on the order.

of a couple billion dollars, I believe per rocket or

something like that. So it’s it varies widely, but

There’s definitely ways to make it efficient

and SpaceX Orgin starting to do that, to do now, so,

yeah.

joe: Yeah. 

nick: I’m just not going on the Spirit airline. version of it, 

joe: right. You’re yeah. Yeah.

ernie: It just depends on what, you know. Do you want the oxygen,

Do you want the food? You 

joe: Do you want a seatbelt or not? That’s how you going? Let’s hold on to the strap.

ernie: do you, all right. Outside or

inside? 

joe: [01:08:00] Yeah. But that’s like a Fifth Element. They had the little pods you go to sleep in, like they put you in and you fall asleep. 

nick: I 

can do that. 

joe: Launch 

you off. Yeah.

nick: I’d be down for the sleep, hud Cool. Gimme a good little nap.

joe: Nick, you wanted to? 

nick: Yeah. And so what would be the one fictional underground society that you’d want to go to? 

ernie: Oh,

underground society. 

Boy, 

it’s 

actually 

I dunno about,

underground society, 

but

just about fictional. It’s like I

I’m torn between for All mankind.

and the Expanse.

I think that For All Mankind, that

alternate History there would be 

so amazing to be a part

of

in, in that

development.

mary: Yeah.

joe: Yeah. 

ernie: But

the

Expanse to see actually,

in 

theory, what the.

Solar 

system has,

become.

It’s not just

from the

technical side for either one of 

those, it’s 

the social, economic, you know, it’s all those 

types of 

things. 

There’s a really neat series book series. 

The Mars Trilogy, the Red, red Mars Green,

Mars that’s right. Blue Mar Stanley Robinson, And it Kind of 

fits in that same vein. It’s just,

But 

I’d be torn 

between those two 

[01:09:00] for those 

reasons.

Yeah. 

joe: Yeah. Joe,

those

are good.

Yeah, I said for all of mankind, I do also appre that storyline, alter it, , where the space race didn’t really end and there was, , we didn’t have that dip off, almost 50 years. Plus that we’ve lagged now to get back there.

So I think that’s fun. I don’t know. I if I was just gonna go crazy. Like, do something that’s totally unsustainable you. The Matrix is fun, I think. Yeah. You know, fighting 

geo: Oh, that looks fun to you. Yeah. and eating that gruel, 

nick: Didn’t they have that? rave underground 

joe: they got the big rave, 

right? It’s a big, 

nick: Joe. Just admit, you wanna Go to, the 

joe: I just wanna 

go to the party, 

nick: We can do that above ground. We can go, to a rave. I’ll have some, let’s do severe Anxiety, 

but let’s go.

joe: But I don’t, cause Ollie, , yeah. Yeah. You have this. Almost, not utopic, but the, , For all of Mankind, Expanse these kind of things where they are expanding out into the universe and put good thought into it.

You have that, or you have, you [01:10:00] know, 

dystopian. Dystopian, 

right? So, 

I mean, either you’re gonna pick the best dystopian, either, either we’re doing it because we’re, we’ve messed up Earth and so now we’re 

doing something

geo: it’s not really like, let me daydream 

joe: That’s right. Yeah. 

geo: Fallout shelter. Right?

joe: I mean, but yeah. So that’s or Silo. I mean, Silo was, or Wool the novel, but silo, I think they had it structured, but you know, once again, there’s classism.

I mean, you, it is also still not no. 

So if you’re 

gonna go full bore to Scope Matrix, I can file a debit czar or something. I 

could do something cool, 

you know, maybe 

get killed by a machine. But

geo: what do you think

mary: Oh, as a underground society, 

nick: like, 

uh, 

geo: that you would like 

nick: fictional underground. 

joe: Okay.

mary: I was thinking not necessarily of people, but

Rick

Theo has

has

Been thinking about a a new story and it involves the mycelium network

like

mushrooms, and underground network.

And I think that’s kind of an interesting underground society, you know, 

[01:11:00] Not should 

joe: become part of. 

mary: No, 

nick: she wants to be a mushroom. But

mary: I think that’s 

a, I think

that’s a, 

joe: would like be a mushroom.

mary: I

do think that’s a fascinating, 

You know, The way they communicate. You know, why 

joe: come to the Matrix?

Yeah. The come to Zion with the big party. That was like mycelium rave.

mary: I think I just need to see some light. I think that’s just 

the

God’s honest truth really. I think 

geo: hard to

really, I think it’s hard to fantasize about 

joe: going

geo: to any of, if you want sunlight, I got you. Don’t worry.

nick: But please, Georgia, go for it. 

geo: Like, I, like 

I said, I can’t really think of

I.

one that I would like to visit ’cause they’re all like,

into the world

scenarios. 

mary: true.

Or 

they’re 

actively trying to kill you. again, I’ve brought this one up already. Okay. Which one? In the Godzilla King Kong monster verse. They

nick: have the underground that has a sun. it has a whole 

joe: Verns.

I mean, I guess you could, if we’re going total hand w 

nick: under there. 

joe: Okay. 

geo: Okay, I’ll come with you,

then. Nick.

joe: I [01:12:00] thought we were 

keeping this in maybe a little less hand. W 

nick: said 

geo: fictional. 

joe: No, I mean, and I mean, yeah, I guess, 

nick: you wanted to live in the Matrix for a rave. 

That’s fine.

geo: All well on that note, 

joe: I think that’s it.

Well,, thank you Ernie, 

geo: you 

nick: so much for 

joining us. 

mary: thank you for your 

joe: you on this day. It was just kind of serendipitous that the launch happened, it went off without a hitch and we’re back. So yeah, that, that was exciting to get your thoughts on that and that geek out a little bit.

I think 

It’s just so fun 

to be in science and then have people really celebrate that. Yeah. Thanks. I mean,

geo: Yeah.

ernie: No, appreciate

it. Thanks for having me on here. I

Real, 

Real fun evening here with you guys talking through.

this stuff and made me think of some things I hadn’t thought of in a while. And

yeah, like you say it’s

Interesting.

though, that it just ended up our, this two launching and it

joe: Yeah,

ernie: kind of tied

In really nice there.

and we think that we might be on the,

verge of,

you know, moving forward with some of this stuff again. So,

yeah. really Great evening.

Enjoyed.

meeting everybody, seeing everybody. And Yeah. Lemme know if you 

joe: again. Yeah, we will. we 

got, we [01:13:00] have another episode I think we, you called it. So we’re gonna have to talk about that. You know, protecting solar life. What, whatever, what was that? 

geo: well, 

we’ll

hold 

joe: So yeah. Planetary protection, right? Yeah. You have me, Joe. 

geo: You got Nick.

joe: got Nick You got Georgia,

mary: you got Georgia. You got Mary.

joe: you got Mary. We’ve got Mary. 

geo: And

nick: we

went down some, deep cave hole.

joe: Sweet. 

stay curious. Stay safe. We love you. 

nick: Bye. Bye.

Episode 63: The Mini: Splatterpunk Newsletter

The crew revisits fear and horror, Georgia watches Blair Witch for the first time, and their Slay the Lake road trip. Science news: CRISPR defenses, semen-derived eye drops, and airborne eDNA.

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In Episode 63: “The Mini”, Joe, Nick, and Georgia recap Episode 62: Fear, Phobias, and Splatterpunk: When Terror Becomes Entertainment and share their road trip to Slay the Lake, an LGBTQ+ horror book festival at the Final Girl Bar in Kenosha, plus a stop at the Milwaukee Zine Fest on the way.

The crew shares a listener recommendation from Alex, John Wiswell’s 2024 novel Someone You Can Build a Nest In, and dig into an interesting question: why can some people read horror but not watch it? They also recommend The Monkey and Netflix’s Something Very Bad Is Going to Happen, which share a similar vibe of generational cursed-object horror.

The science segment works through Nick’s use of the word “small”, and the communication barrier between non-scientist and scientist, before landing on how bacteria defend themselves against bacteriophages, CRISPR’s discovery and uses, and the frontier of epigenetic gene regulation. Joe then highlights two studies: one on semen-derived exosomes as a non-invasive eye-drop drug delivery system for retinoblastoma, and one on detecting wildlife via airborne environmental DNA, and what happens when you throw some Handwavium at the limitations.

The crew also shares what media they’ve been digging into: Blair Witch ProjectJason Takes Manhattan, SNL UK, Brooklyn Nine-Nine, the video game Phasmophobia, and the book Strange Animals. And they celebrate Joe being named by the Guild Literary Complex as one of the 35 Writers to Watch! with a celebration event April 30th at Epiphany Center for the Arts.


Listen to Episode 62:

RABBIT HOLE OF RESEARCHFear, Phobias, and Splatterpunk: When Terror Becomes Entertainment 

In the 62nd episode of Rabbit Hole of Research, Joe, Nick, and Georgia welcome splatterpunk author Phrique to the Basement Studio to dig into one of horror’s most primal questions: what separates a debilitating phobia from a Tuesday night movie with friends?


Check out what the RHR crew is creating:

Joe:


It’s science for Weirdos

Want to support the show? Tell your friends. Follow us on social mediaDiscordshare the podcast, and let us know what topics you are excited about. And to see all the content (studio images and artwork) subscribe to the Rabbit Hole of Research newsletter!

Stay curious, stay speculative, stay safe, and we’ll catch you in the next rabbit hole. Love Y’all!


Future Events to Hang with the Crew:

Podcast Cross-Appearances

Events & Conventions:


Upcoming Episodes

*The Mini will now be every other episode!

  • Episode 64 – Into the Deep: Humans, Caves, and the Final Frontier: Guest: Ernie Bell, PhD (NASA and Blue Origin)What can living underground on Earth teach us about surviving on other worlds?
  • Episode 66 – Planetary Defense: Saving Earth from Other Worldly Impact: Guest: Charles Blue
    Exploring asteroid detection, planetary defense systems, and what it takes to protect Earth from cosmic collisions.
  • Episode 68 – Hive Mind: Plubris: Guest: Wes Thorn (returning guest — Simulation Hypothesis episode)The crew dives into hive minds, collective intelligence, and the blurry line between the individual and the swarm.

What the Crew is Digging, Links, Resources, and Topics Mentioned in mini and/or full episode:

Listener Comment:

  • Alex recommended Someone You Can Build a Nest In by John Wiswell (2024) — a queer shape-shifting fantasy horror novel. Winner of the Locus Award for Best First Novel, Hugo Award finalist.

Topics Mentioned:

  • CRISPR — bacterial immune defense system and gene editing tool
  • Bacteriophages — viruses that infect bacteria
  • Epigenetic gene regulation — turning genes on and off without changing the underlying DNA
  • Exosomes — tiny vesicles cells use to pass information to each other
  • Retinoblastoma — rare malignant eye cancer, most prevalent intraocular malignancy in children
  • Airborne environmental DNA (eDNA) — surveying ecosystems and tracking species through genetic material in the air
  • COVID wastewater surveillance — referenced as a parallel application of environmental DNA monitoring

Movies & TV:

  • The Blair Witch Project (1999) — Georgia watched it for the first time and highly recommends it. Nick also gives a nod to the 2016 follow-up Blair Witch.
  • Jason Takes Manhattan — Friday the 13th Part VIII (1989), watched at the Final Girl Bar during Slay the Lake. Joe’s favorite scene: Jason punches a guy’s head clean off on a rooftop in New York.
  • The Monkey (2024) — watched after Episode 62, highly recommended. Similar vibe to Something Very Bad Is Going to Happen.
  • Something Very Bad Is Going to Happen — Netflix series, 8 episodes. Generational cursed-object horror with a similar tone to The Monkey.
  • SNL UK — Nick is watching on Peacock and enjoying it. Currently on episode four.
  • Brooklyn Nine-Nine — Nick just finished rewatching the full series. Stars Andy Samberg, comedy about a police precinct.

Video Games:

  • Phasmophobia — Nick jumped back into the ghost hunting game after a crossover event with Alan Wake 2 was announced.

Books:

  • Strange Animals — recommended by Georgia to Nick, who just started it. Georgia is about 70% through and confident enough in it that she recommended it after only five chapters.

Science Briefs:


Love Y’all! Don’t forget to Rate the show!

Subscribe and Share our Substack newsletter to get email updates, never miss an episode, and spread the word!! Don’t forget to give us 5 stars or a like!

Transcript of Episode 63: The Mini: Splatterpunk

The crew revisits fear and horror, Georgia watches Blair Witch for the first time, and their Slay the Lake road trip. Science news: CRISPR defenses, semen-derived eye drops, and airborne eDNA.

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joe: Hey, welcome back to the Rabbit Hole of Research down here in the basement studio for the mini. 

nick: The mini

joe: mini. Yeah. Yep. So here we are. You got me Joe,

nick: Mia got Nick.

joe: got Nick.

geo: Hi. And we’ve

joe: And we’ve got Georgia.

nick: Wow, great

energy. 

joe: enthusiastic.

nick: Hi, I’m here. I’m Georgia.

geo: didn’t

joe: say the name. It’s as people know her

nick: she 

didn’t. 

joe: by the hi. Like, you know who else is gonna

nick: You know who? You know this voice. It’s Georgia.

joe: You know this voice. Yeah. So, last episode, we talked about splatter punk when Terror becomes Entertainment. We had freak was our guest splatter punk author.

And yeah, it was a good conversation.

nick: [00:01:00] It was, and you guys went to the Fest right this weekend.

joe: We did. Yeah. So we went to Slay Lake in lay the lake. That’s what it was. 

Yep. Yep. LG, BT Q Plus Horror Book Festival. So it was a really fun time taking a road trip. To Wisconsin in Kenosha. It was the Final Girl Bar in

nick: Oh, 

joe: themed bar.

So really cool. If you’re in that area, 

geo: That’s fun. 

joe: it out. It was really neat. Yeah, had a good time. So met a lot of cool people. Authors

geo: while,

joe: and while we were there, unrelated to fear and terror was we went to the Milwaukee. Zine Fest also. So we, we went there and then , on our way back, stopped in Kenosha.

So a twofer.

nick: Oh, very cool.

Because yeah, you guys were just there on Saturday, right?

joe: That’s

nick: was a one day event. Saturday. Yep. It was just a one day[00:02:00] 

joe: event.

nick: least you guys were able to make the most of it.

The episode itself, I thought it was a good one. It’s feels like it’s in the Halloween spirit, but out of the Halloween time,

joe: Halloween in the spring. I don’t know.

geo: Well, it’s always a,

joe: it’s like,

geo: it’s always a good time for h horror

joe: Always a good time for horror. 

nick: There’s never a bad time for murder. Yeah, I get it.

joe: there is not.

nick: Is that the message we’re.

joe: that’s it. Phobias. Yeah. No, it was really good. A good episode we had, listener comment, Alex, he suggested one of the Body Horror novels that he enjoys Reading is someone you can Build a Nest in. The title Sound it familiar, but yeah, I’m gonna check that out.

geo: out.

That’s interesting. So 

it seems 

nick: who’s that by? Do you know?

joe: It’s by John wiswell,

nick: John Whi. Well,

geo: and it’s a new book.

joe: Yeah. 2 20, 24.

geo: [00:03:00] Okay.

joe: Yeah, it’s like a shape shifting.

Queer fantasy Romance novel Wow. Is what it’s 

geo: that’s got like, everything

joe: is known for its dark humor, gruesomely wholesome tone and exploration of themes like love, family identity from a monster’s perspective.

geo: That sounds interesting.

I kind of remembered Alex, 

joe: Award for best novel and a Locus Award for Best first novel and was a Hugo Award finalist.

geo: Wow.

joe: So, yeah. 

nick: Very cool. 

joe: I

geo: remember Alex say. He doesn’t watch horror.

joe: I guess he

geo: But yeah, and I was just talking to someone at my work and she’s really getting into horror books and reading horror, and then I asked about some movie and she’s like, oh, no, I can’t watch, I can’t watch horror movies, but I

nick: Oh, off mic. We’re gonna talk about who this is so I can tell them some good recommendations.

geo: But I, like she was saying like, I can read horror, but I can’t watch it. And I thought that [00:04:00] was interesting. So yeah. It

joe: Yeah. That kind of goes, I mean, I think that maybe you can distance yourself in reading it. Maybe the 

nick: I feel like seeing it might be, yeah, that might be the problem. It’s, yeah, you could hear the gruesome stuff, but seeing it actually acted out by humans

joe: Right.

geo: But 

nick: might be where it’s like, oof.

joe: begin to feel it a little more. It’s like you see like leg injuries or arm, like you see people get hurt.

geo: Some ways though, I think your mind sometimes comes up with more gruesome than, it feel, it feels it in even more so than what they might’ve came up with.

joe: Yeah,

nick: I can completely see that. ’cause then that’s where you start seeing it reenacted in your head and then it just stays there because you read it. Yeah.

joe: Mm-hmm. Yeah. I was gonna say, we had watched a Netflix series. Something Bad is Going To

geo: Something Very Bad.

joe: and so was it very bad?

geo: had a very bad, it [00:05:00] had a very bad, yeah. 

nick: I dunno. You guys have said it both ways

joe: I know. Yeah. Yeah. It’s on Netflix. It’s really good. It’s eight episodes, I believe.

Mm-hmm. But on the episode, the splatter punk episode that we did, the one movie that came up was the Monkey,

geo: Mm-hmm.

joe: we hadn’t seen The Monkey Georgia and I know we hadn’t seen the Monkey, and we watched it. It was really good.

geo: It was really good. 

Something bad

joe: is gonna

geo: Something very bad

joe: gonna happen. Had the same,

geo: it really kind of had that same

joe: yep.

Yeah.

nick: Vibe.

joe: Yep. Yeah. Kind of this generational horror passed 

geo: and kind Had to do with a curse and,

joe: Yeah. Yep. It was really good. Highly recommend both of those. The mokey was really good. And something really bad is gonna happen.

geo: Very bad,

joe: Which really bad did happen because I was in the cleaning the kitchen

geo: And that was because you were joking around and 

you said that 

joe: something really bad’s gonna happen and then I shattered the, yeah 

geo: shelf 

joe: [00:06:00] really bad. So,

geo: So 

don’t be just 

running around saying that willy nilly.

nick: I mean, that’s always the turning point in a story. And you go, oh, I have a bad feeling about this.

geo: Right,

nick: like, or I have, I feel like something bad’s gonna happen.

geo: right,

nick: always does. 

geo: right, 

nick: You’re loading that gun.

joe: Yeah. Never show a gun if you’re not gonna use it. Right. Exactly.

nick: Exactly.

joe: Coolio. All right. Yeah, I think that was it. It was a good, nice tidy episode. Not a lot to rehash. I mean, I guess we could, but probably that’s a whole nother episode.

nick: Yeah, exactly.

joe: Not the mini. Well, cool. 

nick: Should we move on to new new territory of studies? What are we calling the segment? I can’t remember. I thought we had a 

name for it. 

geo: segment.

joe: Yes, 

nick: I thought the whole thing is a science.

joe: no,

nick: Come on, Georgia.

joe: science podcast. 

geo: No, but this is the [00:07:00] specifically science

joe: I don’t know. We still have a name for this. Just, we 

nick: Oh, we gotta find a name. 

joe: we’ll awkwardly, transition into this segment.

geo: well, we gotta come up with a name

joe: I thought we had something.

geo: and maybe like a

nick: thought we did 

geo: and maybe like a little jingle that we can put in 

right now. 

joe: I’m, I put it out there for jingles, like, maybe I have to make something.

I’ll have to do

nick: it’ll go bum.

joe: No, that’s,

nick: No, you don’t like my freestyle Jazz, my mouth Jazz.

joe: Well that’s Usman. What do you got? What do you got? What you been checking out? What’s, 

nick: I was reading something a couple days ago, it was a study where they were finding bacteria that fights off viruses using different. Ways, but, alright, so I was reading this and then I don’t know what happened, but I got really distracted and I had the question for you. How small

do things go [00:08:00] and do you know when it stops? Like how far, when is it the very furthest you can go?

joe: I don’t

geo: in smallness

joe: What do you mean by smallness? 

nick: Well, I mean.

geo: Joe is an expert

about small things,

joe: What’s your question about size?

geo: He’s saying it’s something like, is it like go on infinitely small. small?

nick: yeah, like when Do you know? It’s the very smallest it can go. Nothing else is gonna be on top of that.

joe: You mean living things or like atoms and quirks and subatomic particles? 

geo: You’re talking like ant man

joe: is our, like a quantum round mean what, I guess,

nick: there a quantum realm? Yes, there is.

joe: Yeah. No you get, you can get pretty

nick: really. 

joe: Yes. There. I mean, yes, there are subatomic particles, so you can get down to. The atom, and then there’s

geo: that anyone’s ever seen, like with a microscope?

joe: I think [00:09:00] folks have somewhat imaged electrons and you can look at atoms, so you can see that.

But yeah, I think, you know, I don’t actually, I don’t know, like if there’s some quantum tunneling and things like that, some other techniques where you can image, but what’s the real question? Like why do you know what, how small something,

geo: that is a question. what do you like Not, that’s not 

joe: off like with bacteria and viruses and how small, because I’m trying to get to why what size, where are we getting at? 

geo: Think that, I don’t know. I

nick: ’cause they’re saying they found new things in it, even though they had used the same gene editing system to. Make to discover CRISPR and DNA sniping, snipping proteins.

geo: snipe

snip. 

nick: Sorry I had to look that one up real quick and I was like, wait, reread that. But yeah it made me think, well, if you can find that already in what we see, can we go deeper and find [00:10:00] better? Tools.

joe: So I think what they did. Those are all genetic tools, and so you’re just that’s at the level of DNA, which isn’t at the level of the smallest particles in the universe. So it’s

geo: pretty small though, right?

joe: I mean, it’s subcellular,

geo: it’s cellular.

joe: But DNA is a complex molecule, so it’s not even individual atoms.

And so what they’re doing, and I don’t know if this paper at all, but these systems, like crispr, they were originally designed for the bacteria. To cut up genetic material. So bacteriaphages, so these are viruses that invade bacteria. You know, the bacteria needs some defenses against these bacteria, these viruses that will infect them.

The bacteriaphages.

And so they developed a system, the CRISPR system that we hear about in gene editing now. And that’s, it was originally used and they use it to actually cut up the genetic material. So when a virus attaches injects its genetic [00:11:00] material to be used and used a cellular machinery to make copies of itself to make new bacteria fas the bacteria goes, hold up.

It has some defenses. Uses CRISPR cas and then identify, destroy the invading viral genetic material. So that’s how that system works as a bacterial defense mechanism against viral infections and the idea there. And then after you cut up this DNA, this viral DNA, some of that can linger around and even be incorporated in the bacterial DNA to actually be activated as a, maybe like a genetic memory.

That it can then block new infections that comes along. So the bacteria has complex mechanisms to protect itself against viruses that might be trying to in invade and destroy them. 

nick: That’s as far as we’ve made it so far. Yes. Like we [00:12:00] haven’t gone deeper into the smaller structures or No.

joe: So I’m trying to reframe, no, I’m trying to reframe what, yeah, it’s kind of ’cause Yeah, I think small is the wrong adjective.

nick: Is it.

joe: I’m, yes. Complex.

I’m trying to figure out the question like, so the mechanism, so this is 

nick: weird of a question. We can skip it. It is 

okay. 

joe: I guess we can try to hash through it. Yeah. ’cause these

nick: real bad that 

joe: no, 

nick: you. 

joe: these are all gene mechanisms, so these molecules that do work, so are proteins and they do work on things in the cell. So when you say small, it’s not a matter of going smaller. Y you know what I mean? So maybe if i can reframe the question or the idea is are there other systems like the CRISPR system have they all been identified genetically? 

Right? There’s probably [00:13:00] bacteria using mechanisms that are to protect itself from bacteria phases. That we might not have identified. So have we identified all of the systems that bacteria uses to destroy invading viruses? I don’t know. And I would venture to say no. So I think we’ll still find and mechanisms of how these systems work and, you know, that’s why we do research and explore and try to find that.

So I think that’s how I’m interpreting your question more like. Have we

nick: That actually goes closer to what I’m trying to, ‘

what I’m 

joe: like you’re saying, there’s some new research saying, oh, we just discovered this new system. But bacteria have been around for a long time and viruses have been around for a long time.

And so 

geo: so it’s more a matter of, we’ve figured out a way to actually.

joe: understand the system

geo: and manipulate

joe: and 

manipulated for our

geo: with That’s right. Using CRISPR yep.

you’re you. And then, but wasn’t CRISPR discovered in a really unusual way like. And I [00:14:00] can’t remember, I just remember listening to a really good radio lab episode, but it was probably 10 years ago and it felt like,

nick: think it was 10 years ago. I think I know the one

you’re talking 

geo: And it was so good. I’ll have to revisit that. ’cause it felt like,

nick: that was recently though, like within the past five years.

geo: I think it was longer.

joe: Yeah. I mean it probably, CRISPR was, I think if you timeline it, probably the late eighties, early nineties. So, yeah.

geo: to really use it and stuff.

joe: use it. Right. I think that was mid two thousands, so Yeah. So you’re 

geo: just, I know that it was a few years before the pandemic. Yeah. That, I remember listening 

to

joe: think that’s when it, that’s when it really hit and

geo: And there was, seemed like there was some real interesting like.

That it does have a very interesting scientific history, you know? Yeah. That whole, 

joe: I think it was just discovered in bacteria as part of their immune [00:15:00] response and these clustered repeated sequences and they didn’t know why they were repeating and the purpose of this genetic repeats. So I think that was it. And I think it was a little bit later until people figured out how this could be acquired immune.

Kind of, we were just talking about earlier, that is taken in these snippets of viral. Genetic material and then using that as a memory, genetic memory to then, when you see that pattern the viral genetic material comes in, it sees the viral DNA or RNA pattern in that, and then it uses this protein CRISPR to cut that up, right?

So you’re matching a pattern and then cutting it. And then what we use this system for gene editing is that you can then go through, find a pattern and then. Cut out and replace with a different piece. Mm-hmm. Of DNA,

geo: So we are basically using something the body already does, bacteria, and then, okay, something that bacteria already

joe: This is a bacterial system. [00:16:00] CRISPR is a 

geo: within our, within our

body, within our right, 

joe: right, because DNA is DNA. The molecular structure of DNA . The same nucleotides as they’re called are used in bacteria and viral, fungi. Plant, like every life form on Earth that we know of uses DNA.

nick: Oh, I 

like 

joe: it has the same

nick: that we know of.

joe: right. I mean, I’m not gonna, I’m not gonna paint myself in a corner. There’s always something, but what’s the odds of that? I don’t know. I’m not going as far as the universe either. Right. ’cause we haven’t done that. 

nick: Not 

yet. 

joe: but that’s kind of how this works.

And we have in our own bodies, we do have mechanisms to cut and remove DNA, the same thing. 

geo: But to be able to realize that and then use it in these clinical,

yeah, it it 

joe: took decades of work. I mean, like I said, I think it was eighties, late eighties when they first realized this pattern but didn’t understand what the purpose was.

And then you had all this research and then utilize this and then make it a tool and now push it like how far can you push this tool to not only, we were talking not [00:17:00] only to remove DNA and go and edit and. and

Replace DNA, but to epigenetic kind of changes. So epigenetic remember are these kind of overlays.

So you have your genetic information and then you can have other molecules that will turn things on and off called methylation. So you add, specific markers that say, okay, turn this one on, turn it off. And those epigenetic kind of traits can be.

Passed on. And now they’re, you can use CRISPR to actually modify epigenetic kind of marker. So can you turn genes on and off like that, so not replacing gene, but kind of going in and say, okay, let’s turn these on and off and then get some

nick: just, you know, doing slight changes where it’s not gonna be something crazy.

joe: Yeah. So I think it’s really cool 

nick: I think the whole idea of CRISPR is really neat. Like every time we talk about it, I am.

geo: it is fascinating. Yeah.

nick: something that sounds like it’s science fiction.

joe: Yeah. No, I think that’s, in that book Change Agent had it, that was crispr, gene [00:18:00] editing was a big thing and then especially epigenetic changes.

Because you think mostly of the changes happening embryonically, when you have fewer copies of the gene, you know you’re early on, you change it, and then the cells as they replicate will have the new, quote unquote healthy copy of the gene you’re trying to edit and replace. Epigenetic can, in a adult, can you modify gene expression and

geo: And is 

joe: regulation?

Can 

geo: is prob, this is probably a dumb question, but is that related to certain, like illnesses? Like certain, like, so is that similar to being predisposed to something

joe: So like epigenetics has really, like environmental stresses can cause, so really what you’re doing is you’re modulating gene regulation, so you’re turning on and off or how much to produce you’re actually turning on and off a product, the protein. And that protein is doing some work into cell. So 

geo: could lead to some 

sort of 

joe: could lead to [00:19:00] disease stress, anxiety, neurological disorders.

So if you can now go in, understand. What’s being epigenetically controlled? Can you go in now and 

geo: and purposely, yeah. 

joe: Something that should

nick: really weird? Michelle had said that word earlier and I did not know what it meant until, what, 40 minutes ago?

joe: Epigenetic.

nick: Yeah.

joe: Yeah. We’ve

nick: was really weird. 

joe: podcast quite a bit,

nick: Yeah. I feel like we do, but I never grasped what it

meant. 

joe: me.

geo: Right, right,

joe: Yeah, no it’s really interesting.

nick: Believe you. I’m just takes a, it just takes a few times for it to sink in, right?

joe: Yeah.

nick: She actually gave the definition and it was like the only thing I was learning at that moment.

joe: Yeah. Yeah. And I think we talked, touched on this, swing all the way back to bacteriaphage and why kind of the interest in it and how bacteria use their systems to fight that. Because, [00:20:00] as we overuse antibiotics, you might need alternate therapy to fight bacteria.

So can you use bacteriaphages to actually, , attack and kill. Bacterial infections that you may have , this research is leading to something, beyond even this crispr.

nick: Sorry, I think I threw us off

joe: No. Yeah. When you said small, like you were. I think you were yeah. It’s not a matter of size. ’cause that wasn’t the key. So, sorry, I just had to, we had to unpack,

nick: yeah. 

joe: Terminology there, which is okay.

You know, so,

nick: Words are

joe: then we got, yeah. ’cause then we got into like quirks and stuff, and that’s a different, that’s a different area of science. But I think you want it to be more in the biological, cellular function. 

geo: Very

nick: cool. Did you have one, Joe? I’m sorry Again.

joe: No. Yeah. I had a couple that, that I saw that were interesting and I think some, because the title was like interesting and then poked around. But one was harnessing semen, derived exosomes for non-invasive [00:21:00] drug delivery. And so, yeah.

So a little bit. The un unpack , so exosomes. Are these kind of very small vesicles. So vesicles are like these kind of lipid droplets that cells excrete and they can have information, they can have genetic information, protein information. And that transports between your cells.

And they use this kind of as a way to pass notes, some DMs so they’re just passing these little messages between each other, these kind of exosomes. So they’re exo outside, somes cellular or body . So every type of cells make ’em. And so what’s interesting is that in this particular study they’re using this to make these eye drops. For a tumor growth in the retina and in particular retinalblastoma, this rare malignant eye cancer really really prevalent in children. And so how do you treat? This kind of eye cancer. [00:22:00] And so the way they do it now is, chemotherapy, injections, radiotherapy, all these pretty invasive procedures.

’cause you have to get in through many different layers of the eye to get to the cancer. So what these researchers hypothesized and tested. Was if you take exosomes from tissues that have to pass through many different signals, through different tissue types, so in this case semen used to for fertilization.

So it’s gotta go to a different system through different female reproductive tissues to reach its target and fertilize and do reproduction. So they said, well, can we use these exosomes that can have these abilities? Do they have any special properties that allow them to pass through different cell types and different tissues to get

nick: the people behind this talking about it. 

Like just to come up with this idea. They had to say [00:23:00] some weird shit before they got to this joke,

joe: So, yeah. So they, do that all the research you get there and yes, they do have special properties that will allow them to penetrate and move through, just like they do the female reproductive track.

And so can you use this in the eye in kind of the same system? Can you kind of, once again, like the cast system, the CRISPR system we were talking about, can you take a system that has another function and then repurpose it for some other biological purpose that, that you need? And yeah it seemed to work that in, I believe this was done in mice , where they tested it, that they could actually.

Take these kind of

geo: it’s kind of like a superhero, super derived

joe: Endo, exosomes, SEVs and 

nick: wait, what was that Georgia? 

joe: No.

geo: No. Don’t you picture ’em like little superheroes that can

joe: exosomes, superheroes? They can

geo: can like bust through different structures and get, it’s like.

joe: I don’t think they’re busting through. I think they’re just passing through.

Yes. Yeah. Right.

geo: think they’re like little suits, 

joe: semen. 

geo: [00:24:00] They’re just like 

joe: vesicle. So they’re isolated

geo: little superhero vesicles.

joe: It’s no. Weird. I, yeah. These are isolated, so they take it they’re purified. These are what the semen cells are excreting, the exosome. So then you collect that and you’re not.

Putting sperm in someone’s eye. So let’s clear this all up, Nick, because I see you giggling in the back of the class. Yeah, it’s a really cool cool study. Yeah, that they have, so it’s really promising because you can deliver now, can you take these exosomes, load ’em up with anti-cancer treatments and then deliver it, deliver them without kind of.

These kind of very invasive techniques. So can you do this and have high efficacy so

geo: I do agree with Nick. It is fascinating how, not just scientists, but anyone working on a problem, you know, solving a problem and to get to the point. You know what I mean? Where they were able to think [00:25:00] about this.

That’s like, that is

joe: and it’s a lot of, and a lot of research has went into that. So from these other systems, like how do exosomes work in their natural environment? How do they work there? And then go, oh, can this,

geo: okay. And I can just see somebody like waking up like first thing in the morning, like, oh my gosh, I got an idea.

You know, like, I don’t know. It’s really.

joe: Yeah I don’t know. I’ll put the show notes.

geo: And 

joe: everything in, show notes

geo: similar, like you said, it’s similar to like, like architects or engineers looking at like things that happen in nature and then saying, oh, that’s a great system.

Let’s try that. Could like solve whatever.

nick: it

joe: good, right? Yeah, definitely. 

geo: So then this has taken that same idea, but on 

this much cellular level. Yeah, it’s very, you were 

joe: You were gonna say small level?

geo: Well, no, I was not.

nick: I am sorry.

joe: No, you’re 

geo: it’s 

joe: were, they are small, right? That’s why, yeah. So that’s why where we headed with the smallness. But

nick: Small [00:26:00] things are small. 

joe: yes. They’re small things. Yeah. The, another one I thought was. Interesting. And once again, this was it’s, the answer’s blowing in the wind detection of birds, mammals, amphibians, and with airborne environmental, DNA.

And so they did this survey, this group, and this was a couple years ago, and it’s just coming back up again and the idea is that. Everything you do and every organism is leaving some genetic information, it’s just being, you scratch your head or your skin cells, , it’s just out there in the world.

And so this team, they went and they tried to collect this airborne dust and then say, well, can we tell what organisms. We’re in there, like what animals, what plants what things pass by this patch of ground and kind of catalog that, like is it sensitive enough? And so it was really cool ’cause they could do that.

But it raises other [00:27:00] questions like, and they put point this out in the paper, ’cause you go, you see some, I think one of the study areas and there’s been several groups doing this, but one of the groups did this and they found, salmon, DNA, some miles away from where, the water source is at.

And then just realized this was carried, you know, you know, so rain. Or how did it get there? So, you know, ’cause the salmon didn’t walk

geo: ate the salmon and 

joe: have happened. It could have just, blown through the wind. It could have been rain, you know, all sorts of things that could have passed this DNA around.

So when you do these studies and you do these surveys, you do have to be conscious of that. If you find. , you find traces of rat in, in some area, , was that rat there? Did it come in the feed? So did it pass a year ago? Like, you don’t know. There’s no timestamp on this.

So how long ago did this thing pass? Like,

geo: right, like, you wonder how long does this stay around?

joe: it’s really cool. And you’ve 

geo: but

what’s the practical, 

joe: So you’re doing surveying, like, so if you’re looking for invasive species. So is this [00:28:00] organism invading in this area?

We don’t see it now, but was it here? Is it moving? You could think about it. They did this a lot with COVID and they started looking at municipal wastewater, and then you could look for spikes. So you do a study of the wastewater and you can see what. What genetic materials in there, and if you see a lot of COVID genetic material, then you know you’re going to have a spike potentially in this area because now you’re seeing more wastewater that has viral kind of DNA in it.

So you can use it for population surveys to get some idea of what’s happening in an area. But as naturalists you can, like I said, you can be out looking for a species. Is there an endangered species? Do we see any trace of it?

Has it been here? What’s its movement?

geo: it just really does seem like looking for a needle in the haystack.

joe: Well, I think it’s the, I think using this technique is saying that you now have a way to find a needle. Like before, if you go, so how [00:29:00] else you set up cameras and you look and if the creature happens to go by, oh we see one I think here.

You can now go out and do the survey and go, okay, what do we see? Oh, look at this. We do see. DNA of whoever, X, Y, and Z, 

geo: guess, I guess 

joe: I think that’s how you can think 

geo: tell you to look in this specific area in the first

joe: Well, you just, you could just be surveying, right? That’s a nice thing of it.

You can just survey even more areas. So, right, you set the cameras up in the wrong place, you never catch it. So here can you survey and then know where to actually look for the thing you’re looking for. So how do we make the haystack smaller? Mean, you can think of it that way. So yeah, I think there’s a lot of, 

geo: searching for certain, like maybe missing people or or a forensic kind of application.

joe: Yeah, I guess 

I mean, like, biological weapons might be one where you can use it and get a handle and, but yeah. Yes, you could. I think people are already doing DNA stuff like in the crime scene where people are

geo: Well, right,

joe: Oh, right. Because you would need to know where they’re [00:30:00] going. I mean, that’s even more like you’re, to your point, like if you’re just sourcing down the street.

I mean, if you happen to

geo: what are the chances 

that

joe: Yeah. Or false positives. Right? So if you, okay. They follow you in your coffee shop, , workplace train, these places you go a lot. Then if you’re taken from one of those places, then it really, now how do we find a new trail?

So if you’re looking for a person, I think, but yeah I guess you could, like, if it was like, we think you’re in the field, maybe they can do sources or something. Yeah. Interesting. Yeah.

nick: Yeah I mean, I could see it having other uses

joe: Yeah. I think it’s more like this pa this paper is mostly like monitoring.

Species level 

kind of thing. So not individuals in 

geo: the I know population it was kind of a far reach,

joe: Yeah. Oh, maybe like a science fiction novel or something. Cool.

nick: I, I think that would be fun.

joe: Yeah, that’s we’re right.[00:31:00] 

nick: So, what kind of media have you guys been consuming?

joe: Oh, go ahead, Georgia.

geo: Oh no, I, what kind of media? Yeah, I’m sorry. I’m drawing a blank on anything.

joe: Want me to finish Something Very Bad? Really bad. Oh wow.

geo: we already talked about that. We already talked about that.

joe: Yeah. I kind of watched that. Oh, you, oh, you should say you, you know what? Georgia watched? She hadn’t

geo: Oh, yeah.

joe: And I was like, okay, we just gotta watch it. You go ahead. Oh

geo: yeah. I watched Blair Witch.

nick: Oh, really?

You’d Never seen

that? I had never seen that.

What did you think?

geo: no, I thought it was really good. I think I had so many. Preconceived notions about it that I thought it was very interesting what it really was. You know what I mean?

nick: Wait. What? What? What were your notions about it beforehand? I need to know now.

joe: Well,

geo: Well, I mean, 

nick: [00:32:00] just say you had them.

geo: I mean, I guess I’m, I won’t be spoiling it. 

joe: No

geo: It’s pretty old,

joe: was 99, so feeling

geo: so old right now. Oh my God. But,

I think, I thought that it was gonna show more like. Like we were talking about, like maybe show more gruesome things and like, and then it’s like the whole movie I was waiting for kind of these jump scares or these like more gruesome, like, 

nick: Oh no. It’s more atmospheric. 

geo: It is definitely more what you make it in your mind which I thought was really good. So I was surprised that. That is what it was. 

You know what I mean? it picked up 

joe: really well.

I hadn’t seen it in a while. I saw it in the theater when it came out the, to my neighbors, they were going to see it, and I just, I had no clue what Blair Witch was about. And I went in and it was really yeah, it was good. And then watching it now, because it’s been a while since I’ve actually seen it, so putting eyes on it again. And going through it, it was like, oh, this really [00:33:00] holds it was done well. And I think the simplicity of it 

geo: mm-hmm. 

joe: That you aren’t relying on kind of gadgets and graphics and, practical effects.

It’s more just these people, they’re just trust. They’re kind of,

geo: that does hold up, but in a way it’s like we’re so used to like things getting more like mm-hmm. What we talked about in the episode,

joe: Mm-hmm.

geo: how.

Now it’s almost like you really have to make something like extremely gruesome or extremely out there because you’re trying to like,

joe: and I don’t know if

geo: And then I think that’s a good reminder that you don’t have have to, you don’t have to. I was

know what I mean? 

joe: that. I think there’s something to be said with skillful writing, acting, putting people in these positions and then having them, limit the information that the viewer has, and then using that to drive tension and suspense and, the horror of it all, and putting yourself in that situation, if you’re in the woods.[00:34:00] 

With your map, that’s not right. Your friends, their association was loose, so they weren’t like, best buddies or a couple or some serious partnership. They were just going out there to do this project and help a friend out and now you’re stuck in a situation that how easily these things fray and come apart and yeah, it’s, it was really, it was cool to watch.

And if you haven’t seen Blair Witch project, go check it out. The first one in 99, or

nick: Honestly, the third one is as Well, It’s actually, uh, 

joe: any other ones,

geo: The third one is really good.

nick: yes, it’s not labeled the third one or anything like that but. Because what, after this one, after the original came out Season Of The Witch and that one I don’t remember,

joe: Yeah, I didn’t see

nick: so I’m assuming it wasn’t Great.

geo: uh, 

nick: but the one that they did in 2016, 

that was pretty good where they brought it to a more current day setting. [00:35:00] So they had technology and that was failing on them. And it was really cool how they were able to. Still bring that

feeling

of alone

and 

geo: they, yeah, I think they called that Blair Witch Two right?

nick: No, 

it was just called Blair Witch.

geo: a, 

yeah. Oh. 

joe: of a Witcher, something like that.

geo: we noticed the

joe: there was a two or something. Yeah. I don’t know. Yeah. One of, we

geo: said like had

nick: It was the Blair Witch is the first one.

geo: Yeah. I don’t know. Mm-hmm.

nick: And then the second one was, oh, Book of Shadows, Blair Witch Two.

geo: Okay.

nick: That’s what it was.

geo: Okay.

joe: Yeah.

nick: And then just Blair Witch. Yeah.

geo: it’s funny ’cause that kind of gets back to that whole thing about watching a who.

Movie as opposed to reading it, or reading a horror book. And that kind of gets back to that whole thing of how much do you show. Yeah. And then I think of those movies I can’t even think of the name of them. Is it Myst or [00:36:00] those movies where there’s some sort of creature out 

there,

joe: Yeah. Myst it. That 

geo: and then they show this real cheesy thing and then you’re like, oh, well that’s it.

You know, 

it’s just 

joe: on the special effects budget.

geo: And it’s like, no, just don’t show the thing. You know what I mean? And then 

that 

joe: the mind kind of

geo: fill in those. Yeah. But.

joe: Yeah.

nick: Blair Witch did such a fantastic job with that. Like I remember seeing that as a child on 

VHS. 

geo: Oh, wow. Yeah.

nick: with you because you’re like, oh, you don’t know what this creature is or what’s going on.

joe: right,

nick: Yeah. And then they also had a video game too. 

That was pretty good.

geo: Oh, wow.

joe: Yeah. The other thing think I own that

geo: at

nick: on multiple systems.

joe: go ahead. Yeah. At the Slay the Lake at the Final Girl Bar. We were sitting there eating a little food and chatting with a friend who happened to come down for the festival and yeah, they had Friday the 13th. [00:37:00] eight, Jason takes Manhattan. And that’s my fa one of my favorite scenes. And we started watching close to that scene where you have the the black guy, he’s in this like track suit and he like starts boxing with, Jason on the roof.

And they go and then they, he gets, he’s winded, he’s gassed and he is like, take your best shots. And then Jason punches his head off, like it’s like one another. I just, it’s just that over the top. And I think that’s,

geo: my God. And like we were talking about that real, that movie isn’t even a horror movie,

really. mean, it’s 

joe: of 

geo: scary, It’s just silly. 

joe: I think it was like you got 

nick: you get in that whole range. 

joe: How can you kill people?

Like what’s the funniest and most unique way? What haven’t we done yet? I think that, and Freddy Krueger did the same thing when you got. Into the four or five. It was just how do we, , how do we kill somebody with a, a spool of scotch tape or something, you know?

It’s just being silly.

nick: have to up the [00:38:00] antes because it’s just,

joe: right. Yeah.

nick: yeah, and that’s what it just becomes, which,

joe: but it

nick: I like it’s a comedy at was, fun. I hadn’t watched that in a while, like I knew it and it was like, oh, I think that scene’s coming in this,

geo: and we were debating the year it came out based on how high the hair

was. And,

but me and Glen were totally right on about the. Yeah, about the 1980. 

I said late 

eighties.

It came out 1988 or 89. Yeah,

joe: I said it was I said early nineties . ’cause the hair wasn’t as

geo: no, 

you said 

joe: said early nineties

geo: You said nineties. 

joe: I said early nineties ’cause the hair and it was 88.

nick: don’t know. This one feels like something that Joe didn’t say, but he’s saying, he said.

joe: Yeah. They know I was right. 

geo: Yeah, 

joe: yeah. What are you watching? Anything?

nick: What I have been watching the new SNL UK been enjoying that a lot. I think they just had episode four [00:39:00] is what came out. I think they crew did, is doing a great job. Yeah, definitely recommend that. 

geo: And what do you watch that on?

nick: We’ve been watching that on Peacock.

geo: Okay.

Mm-hmm.

nick: Yeah, it’s nothing too much to do, but yeah, it’s yeah it’s been an enjoyable show so far.

geo: Nice. And

nick: then we have also just refinished Brooklyn nine.

joe: I’ve never seen that.

nick: That was a good show. I mean, it’s a show about cops, but it’s. One that is a comedy show with Andy Sandberg. So if you are a fan of him, they do a good job.

And then I have just jumped back into playing the game Fasm phobia,

Ghost Hunting game where they had announced that they are going to be doing a, crossover event with another really good game that I like Ellen Wake too. So yeah, just [00:40:00] just been trying to jump back into that whole series.

joe: Cool. That sounds really fun. Mm-hmm. 

nick: And then yeah, just just trying to get my readings done. Georgia had recommended a book to me that I just started

geo: Oh, you have started it.

nick: I just started it.

geo: Okay. Yeah, we’ll talk about that later. I mean, I think I’m

nick: the name of the book again? Georgia.

geo: it’s strange animals,

nick: And what did you think of it?

geo: oh my gosh. I’m loving it. I’m loving 

nick: a book that Georgia recommended to me. 

So, 

geo: So,

does that make it, are more, 

is that 

good or bad?

nick: we’re gonna find out now, aren’t we?

joe: Yeah. The pressure.

nick: I mean, I recommended a book to you before, so you know.

geo: Yeah.

joe: And

geo: then I’m about 70% done and it, I really like it a lot.

nick: Oh, I thought you finished it

geo: No. Because

nick: to finish it?

geo: no, when I recommended it to, to you, I was only like on the [00:41:00] fifth chapter, so it was kind of a risky recommendation, but I was that. But I was that confident in it. It was that good. It was like, and I was that confident that you would like it, that I recommended it that early on, so, yeah.

nick: risky one right there.

geo: know. And I think it’s gonna pay off, but

nick: Good. But yeah, that, that’s where that’s where I’m at.

joe: Yeah. So I was going just mention maybe people seen this online, but I was recently named one of the 35 Writers to Watch by the Literary Guild Complex.

And they’re having a celebration event April 30th at the Epiphany Center for the Arts. So

geo: it is kind of a fundraiser for the, you

joe: And you’ll meet all the other writers that are there and other folks in. The area, I guess, that are gonna come. So yeah it’s gonna be a

nick: [00:42:00] Are under 35, right?

joe: That is not the requirement of the list, but yeah,

nick: Under 35. just 35 writers to watch, so gonna be doing it. So yeah, no, 

was 35. 

joe: kind of a surprise and honored. So, yeah, I’m looking forward to the event, but don’t I throw it out there. Folks are looking for

nick: buddy, you deserve this. 

joe: 30th and they can come on down.

Say hi to have a toast and, celebrate all these wonderful, I’ve been looking them up and, , just really honored to be named among them. So, yeah, throw out, throw that out there.

nick: As I said again, Joe you deserve this one.

joe: you. Thank you.

nick: Not all your awards you deserve, but you know this one you have.

joe: it’s, I get myself.

nick: Oh, I’m gonna give myself this Rabbit hole research award.

joe: that’s right.

geo: I think

the 

joe: I give awards out. I 

geo: was gonna say, 

I think the only person that’s gotten a rabbit hole research award is Jeff Goldblum

joe: jeff Goldblum. That’s right. 

nick: I thought we agreed [00:43:00] it was S

joe: No. It was Jeff Gold. We hashed this out.

geo: Yeah. 

In the end.

joe: Amy and

geo: Jeff Goldblum was the

joe: we had a word and we

geo: debut, 

award

joe: I don’t, yes. And then we had a word of the season,

geo: Mm-hmm. Well, that’s a given

joe: Yeah. So

nick: What was the word for the season? I can’t remember. I think it was what?

geo: Shut up. You remember,

joe: I’ll put it in the show notes,

geo: notes, Extremo files. I kind of like this new word. What is it? I don’t remember. But I still see the exomes,

nick: think it be a.

geo: Exosomes. And they’re like little superheroes. Exosomes,

joe: Exosomes. Yes.

geo: I just see ’em like with a little teeny tiny cape.

joe: A little fist extending out.

geo: Right, right.

joe: through

nick: Flying behind it all slimy and whatnot.

joe: Yes. Okay. [00:44:00] Well you’ve got me, Joe, on

nick: Yeah. Got Nick

joe: Got Nick,

geo: Georgia. 

joe: Got George. A little more enthusiasm at the end.

nick: and

joe: Oh.

nick: we went down some tiny hole

joe: Went down The Mini. Stay safe. Stay curious. We love y’all.

Episode 62 Show Notes: Fear, Phobias, and Splatterpunk: When Terror Becomes Entertainment

The RHR crew explores the neuroscience of fear, the psychology of disgust, and the genre brave enough to find out exactly where terror ends and entertainment begins.

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In the 62nd episode of Rabbit Hole of Research, Joe, Nick, and Georgia welcome splatterpunk author Phrique to the Basement Studio to dig into one of horror’s most primal questions: what separates a debilitating phobia from a Tuesday night movie with friends?

Starting with the ancient alarm system wired into every human brain, the crew explores the neuroscience of fear’s two pathways; the lightning-fast response that bypasses conscious thought entirely, and the slower response that keeps you in your seat when the monster appears. From there the conversation spirals into why disgust and fear are more deeply entangled than most people realize, how the brain’s prediction engine works to build suspense, and why humor isn’t just a break from the tension, it’s a way to reset the fear dial.

Phrique breaks down the difference between extreme horror and splatterpunk, shares the political allegory and queer subtext running through his work, and explains why, no matter how hard he tries to write something purely for shock value, a moral always finds its way in. The crew also tackles the uncanny valley of flesh, the Cronenberg principle of gradual bodily transformation, the crew’s personal phobias, and why enjoying horror might actually be good for you.

Plus a stack of recommendations across film, books, video games (check the newsletter), and a spotlight on the Slay the Lake LGBTQ+ Horror Book Fest at The Final Girl Bar in Kenosha on April 18th.


Where to Find Phrique:

  • All things Phriquehttps://linktr.ee/phrique
  • Phrique writes phoolery, not at all plain & far from simple. For legal reasons, he only writes what the voices tell him to. He willfully abuses alliteration & injects innuendo where it ought not be, with the intent to make the reader giggle, gasp, and gag at his gaiety. He wants you to laugh at things you shouldn’t, so he’s not the only one being stared at.
  • Phrique’s books: Gig of the DamnedScissor Me TimbersCurse Me By Your NameRearranged Guts, In The Club We Are All Monsters 

Slay the Lake 

LGBTQ+ Horror Book Fest | The Final Girl Bar | Kenosha, WI Saturday, April 18, 2026 | 3PM–8PM | 18+ Event Ticketed early entry $15 (2PM–3PM) includes tote bag, blind date with a book, and early access. 10% of early entry sales go to the Transgender Law Center. Tickets: slaythelake.com

The event is also collecting book donations for LGBT Books to Prisoners — a trans-affirming, racial justice-focused, prison abolitionist project sending books to incarcerated LGBTQ+ people across the US. Check lgbtbookstoprisoners.org for their current needs list and bring donations to the event.

Check out what the RHR crew is creating:

Joe:


Future Events to Hang with the Crew:

Podcast Cross-Appearances

Events & Conventions:

  • 35 Writers to Watch: Celebration Party – Epiphany Center for the Arts 201 South Ashland Ave., Chicago, IL, United States (April 30th 7-9pm)
  • 5th Annual Mai Fest – Blue Island, IL (May 9th 2026 12-5pm)
  • Avondalia Night Out – Rosa’s Lounge in Avondale, Chicago IL (May 14th 2026 7-8pm)- Joe reading
  • Creative Arts Summit – DIY Podcast Workshop at Lake County Public Library (Merrillville, IN) on May 23rd, 2026
  • ConCarolinas – Charlotte, NC (May 29–31, 2026 ) – Joe attending as Guest
  • Shore Leave 46 – Lancaster, PA (July 10-12, 2026)Lancaster Wyndham Resort and Convention Center
  • Dragon Con – Atlanta, GA (September 3-7, 2026) – Joe attending as Professional

It’s Science for Weirdos

Want to support the show? Tell your friends. Follow us on social mediaDiscordshare the podcast, and let us know what topics you are excited about. Leave a Comment. And for email alerts sign-up for the Substack newsletter and never miss an episode, exciting updates or the bonus images we talk about on the episodes. 


We want to Hear From You (leave a comment):

  • Fear without control is a phobia. Fear with control is entertainment. But where is YOUR line? Is there a horror movie, book, or game that pushed you past it?
  • The crew shares their personal phobias; crowds, deep water, beaches, hobos, and clowns made the list. What’s yours, and did a horror movie give it to you or did you already have it?
  • Phrique, Joe, Nick, and Georgia all have a soft spot for practical effects and the gritty texture of 70s and 80s horror. What’s a modern horror film you think actually gets it right?

Drop your thoughts in the comments. We read them all, and your ideas often shape future episodes.

The RHR in The Basement Studio (Left to Right: Joe, Mary, Nick, Georgia)

Future Episodes

  • Episode 64 – Into the Deep: Humans, Caves, and the Final FrontierGuest: Ernie Bell, PhD (NASA and Blue Origin)What can living underground on Earth teach us about surviving on other worlds?
  • Episode 66 – Planetary Defense: Saving Earth from Other Worldly Impact
    Guest: Charles Blue
    Exploring asteroid detection, planetary defense systems, and what it takes to protect Earth from cosmic collisions.
  • Episode 68 – Hive Mind: PlubrisGuest: Wes Thorn (returning guest — Simulation Hypothesis episode)The crew dives into hive minds, collective intelligence, and the blurry line between the individual and the swarm.

For more stuff (Images, Episode Highlights, events, etc), subscribe to our Substack newsletter!


Show Notes & Fun facts 

Movies, TV & Pop Culture Mentioned

  • Phenomena (Dario Argento)
  • Trilogy of Terror: three segments each based on unrelated short stories by Richard Matheson. (3rd segment has the Zuni fetish doll Joe was talking about)
  • The Thing (John Carpenter)
  • Event Horizon
  • The Fly (1986)
  • Invasion of the Body Snatchers (1978)
  • The Blob
  • The Stuff (1985)
  • Monkey Shines (1988)
  • The Monkey (2024, based on Stephen King short story)
  • Cabin in the Woods
  • Rosemary’s Baby
  • The Shining
  • Evil Dead / Evil Dead II
  • Blood Beach
  • Cheerleader Camp
  • When Evil Lurks
  • High Tension
  • Blood and Black Lace (Dario Argento)
  • Deep Red (Dario Argento)
  • Barbarella
  • Annihilation
  • Overboard (referenced jokingly)
  • Dorian Gray (referenced in Phrique’s collaborative story)
  • Junji Ito (artist referenced in relation to uncanny valley and body horror)
  • David Cronenberg (body horror principle)
  • George Romero (zombie films as political allegory)
  • John Waters (disgust as art, boundary-pushing storytelling)
  • Chuck Palahniuk (cited as a Phrique influence)

Books Mentioned

  • The Stand — Stephen King (Franny referenced)
  • Haunter — Charlee Jacob (recommended by Phrique)
  • Works by Clive Barker 
  • Works by Grady Hendrix (mentioned by Georgia)
  • Only Good Indians — Stephen Graham Jones (recommended by Georgia)

Video Games Mentioned:

  • Dead Space
  • The Callisto Protocol
  • Resident Evil 7: Biohazard (recommended by Nick)
  • Doom (referenced by Joe)
  • Toxic Commander (upcoming — John Carpenter scoring)
  • Fallout (Pip-Boy radio referenced)

Fun Facts to Impress Your Friends With:

  1. Your brain has a fear shortcut that fires in about 12 milliseconds.Neuroscientist Joseph LeDoux mapped two pathways fear signals take through the brain. The “low road” bypasses conscious thought entirely, shooting straight from the thalamus to the amygdala and triggering a fight-or-flight response before you even know what scared you. That’s why you jump before you think.
  2. You can’t logic your way out of a phobia, and neuroscience explains why.When a phobic stimulus hits, the amygdala fires an emergency signal and the prefrontal cortex (your rational brain) partially goes offline. Stress hormones flood the body. Thinking your way through it in the moment is nearly impossible because the thinking brain has literally been sidelined.
  3. Horror enjoyment follows an inverted U-shape. Researchers at the Recreational Fear Lab at Aarhus University studied 110 haunted house visitors wearing heart rate monitors. The finding: too little fear is boring, too much becomes genuinely unpleasant. The sweet spot in the middle, just enough arousal without tipping into distress, is exactly where horror lives.
  4. Disgust and fear are more entangled than you think, and splatterpunk exploits both. The anterior insula, your brain’s disgust processing center, doesn’t just react to gross things, it also processes your awareness of your own body. When body horror describes flesh transforming or boundaries dissolving, your insula doesn’t just file it as external information. It recruits your own body-awareness system. That’s why body horror doesn’t just look disturbing. It feels disturbing.
  5. The uncanny valley was first described in 1970, and horror has been using it ever since. Japanese robotics professor Masahiro Mori coined the term to describe the deep unease triggered by something that looks almost-but-not-quite human. Body horror, transformation narratives, and creature features have been weaponizing this response for decades. Something fully alien can be processed as “other.” Something almost human forces your mirror neuron system to engage, and when the simulation hits a violation, empathy flips to horror.

Episode Highlights

00:00 — Basement Crew Intro The whole crew is in person and accounted for: “We’re all crewed up down here. All in person. Surviving. Living.”

00:26 — Meet Phrique Splatterpunk author Phrique introduces themselves: “In that year and a half I put out like five books.”

02:17 — Fear vs. Fun Monologue Joe sets the stage with his opening monologue: “We seek out the exact sensation that in any other context we’d call trauma. Same chemicals, same brain regions firing, same body braced for horror.”

04:08 — What Is Splatterpunk? Phrique draws the line between extreme horror and splatterpunk: “Extreme horror is literally for shock value, splatterpunk is basically all that, but for a reason, with a moral, with some kind of commentary.”

06:23 — Stories With a Message Phrique breaks down the allegory running through their work: “When you hold things in, it manifests.”

10:43 — Fear Psychology and Tropes Joe connects splatterpunk to the brain’s ancient fear hardware: “Our brain, our hardware and software… it’s pretty ancient. A lot of our fear structure is based on keeping us safe.”

17:38 — Humor as Misdirection Phrique explains the strategic use of comedy in horror: “I like that the humor takes you… I’ll usually do it right after I just killed like 12 drag queens and I make you love them.”

24:39 — Creepy Toys and Old Horror The crew riffs on childhood horror memories and cursed toy movies: “Don’t remove this tag… and then it comes to life.”

28:55 — Final Destination Phobias Phrique connects the log truck scene to real workplace anxiety: “I work in a steel mill, they tell us someone dies there probably about once a month.”

30:13 — Defining Phobias and Disgust Phrique offers a working definition and connects germophobia to evolution: “A phobia would be when it causes distress, when it affects you and causes you to go out of your way to avoid it.”

35:26 — Music Sets the Mood The crew unpacks how music rewrites a scene’s emotional DNA: “You go to a minor key versus a major key, it could be the happiest scene ever, but you feel it internally.”

40:28 — First Horror Memories Phrique recalls their earliest horror experience: “I knew you are not supposed to be watching this. This is going to mess you up.”

41:34 — Favorite Horror Classics Georgia names her all-time favorites: “Rosemary’s Baby. And The Shining.”

42:38 — Why We Love Horror The crew lands on horror’s core appeal: “It’s almost like a rollercoaster… I survived that. And now I know don’t run upstairs.”

44:50 — PhD Dreams and Fear Research Phrique reveals their abandoned psychology path: “My dissertation was going to be on basically what you talked about when did we take this emotion that is literally built into us and turned it into something we seek out?”

47:13 — Splatterpunk and Body Horror Joe introduces the Cronenberg principle: “Make it slow, make it last, you begin to buy into that transformation happening in front of you.”

49:37 — Retro Creature Features The crew geeks out over classic creature horror: “The Stuff is one of my favorites, people just eating some stuff that bubbles out of the ground.”

52:04 — Sci-Fi Horror Crossovers Phrique shares their reluctant foray into sci-fi horror writing: “Dead Space is one of my favorite games ever, I played all of those.”

54:47 — Uncanny Valley Explained Joe traces the concept back to its origin: “Japanese robotics professor Masahiro Mori in 1970, when you look at things that are personified in human form but not quite human, it triggers that deep unease.”

58:35 — Art Covers and Romcom Gore Phrique reveals their new book cover and genre mashup: “It’s literally an office romcom about Bloody Mary, but I’m calling it a romcom with a body count. The body count is 29.”

01:03:35 — Slay the Lake Community Phrique reflects on finding their people: “It’s a safe space, but also you’re being basically celebrated…yep, we’re going to, we got stuff to say, we have books to put out.”

01:10:07 — Phobias and Top Picks The crew shares personal phobias and recommendations: “When Evil Lurks, that’s my new favorite. It was High Tension before, but When Evil Lurks was just great.”

01:16:02 — Wrap Up and Slay the Lake Event Plug Joe sends everyone off with the details: “Go out, support a lot of great authors. You’re supporting a lot of good causes going there.”

“Stay curious, stay safe… Love Y’all!”


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Transcript of Episode 62: Fear, Phobias, and Splatterpunk: When Terror Becomes Entertainment 

The RHR crew explores the neuroscience of fear, the psychology of disgust, and the genre brave enough to find out exactly where terror ends and entertainment begins.

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joe: [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the basement studio. You’ve got me, Joe, you

Nick: you got Nick.

joe: got Nick

Geo: Georgia, 

joe: We’ve got

Georgia. We’re all crewed up down here. All in person Surviving Living.

Nick: Yeah, we’re we’re just making it through.

joe: Hunkering down.

Nick: Just trying to make it through the winter months.

joe: it through the winter months. That’s right. That’s right. So, in this episode we do have a guest with us. Hello there. Over here. So if you’d like to introduce yourself so people hear your voice. Know who you are.

Phrique: Hello everyone. I’m Phrique I am a splatter punk author. New-ish. We’re in that space where it’s it’s been about a year and a half, so well, intermediate, I guess. Yeah, so kind of new. But in that year and a half I put out like five books, so

Nick: Yeah. Oh,

Phrique: yeah. 

joe: Cranking ’em out.

Phrique: I’m having fun obviously, that.

joe: yeah. So yeah, we’re gonna dig into fear [00:01:00] Phobias. Psychology and splatter punk, how these come together a little bit. So it’s

Geo: it’s

Nick: kind of unusual for us to have a horror episode outside of

joe: I know. Yeah, this year, just the way the calendar works, we only get to release two episodes in October.

So we gotta find other places to Yeah. To get our fix in.

Geo: could always talk about horror 

joe: I guess 

Geo: yeah.

joe: can talk about whatever we want. It’s our podcast.

Geo: That’s right. 

joe: That’s right. That’s 

Geo: Those sponsors. Those sponsors are gonna start protesting and leave us

joe: All our sponsors here. No sponsors, Nick. Yep.

Nick: Yeah.

Geo: We We gotta, I think we got a new one coming out soon.

joe: Oh my gosh,

Phrique: I heard the episode about the hot sauce ones and I’m like, now I gotta look these

up. So you guys,

Nick: those are Sauce. Yeah. Jesse and

Geo: Oh, those are, yeah.

Phrique: guys did a very good job with marketing ’cause I’m like, damn, I don’t even need hot sauce like that, but I need to

look Yeah,

joe: And they’re really good. Yeah.

Geo: they are one is really tasty.

joe: So yeah, I think we’ve pretty much gone through all our yeah.

Nick: I am fresh out. Yeah,

Geo: Yeah, not fresh

Nick: out. 

It’s been out for a

joe: We gotta have ’em on again. Then we get some free hot [00:02:00] sauce. All right. Well I got, you know,

Nick: you got a list.

joe: I have actually this episode. I don’t really have a list. I know how, but I do have my, oh

Geo: have? He’s got a monologue.

joe: mine on. Oh, you guys wanna hear little,

Nick: terrified of this.

joe: right? So here we go. Let’s get into

this.

You’re reading in bed.

The house is quiet. Dark door is locked. Safe. You know the book in your hands is just ink and paper, but your heart is racing, palm, sweating, skin goose, fleshing. Every muscle in your body is tensed for a threat that doesn’t exist.

Nick: I, what kind of book are you reading?

joe: You could close the book, turn on overhead light, but you don’t.

But you creep closer to this feeling of fear that is supposed to protect you. It’s an ancient alarm designed to keep you alive. It screams at you to run from the snake, away from the cliff, the predators in the dark, or to flesh that squirms with maggots, but sometimes you run towards it instead, paying to be [00:03:00] chased through popcorn, buttered fingers held up to our eyes.

We watched a scene we know will make us sick. We seek out the exact sensation that in any other context we’d call trauma. Same chemicals, same brain regions firing. Same body brace for horror but one is. Debilitating phobia. And the other is a Tuesday night movie with friends. So what’s the difference between terror and entertainment and what happens when a genre decides to find out how far you can push it before the difference disappears?

Geo: That’s good question. 

Phrique: So lovely.

Nick: yeah.

joe: Thank you. 

Nick: Y you’re posing some questions there, I think at the end. Yeah. 

joe: What do you think?

Nick: I

think once you see it right there in front of you, that’s when it becomes the major difference.

joe: Yeah.

Nick: Like

Geo: What do you mean?

Nick: Well, I mean, if I see something on the screen, I’m not scared.

I, I watched horror movies enough to where I’m like, yeah, that’s fine.

Geo: So it’s more the things you can’t see. [00:04:00] It’s, More the things that are physically in the room with me.

Nick: Like 

joe: you’re afraid of people.

Geo: People are pretty scary. Yeah.

joe: So what do you think Phrique you write in the genre?

Do you wanna define splatter punk for folks who aren’t familiar with that genre? Sure.

Phrique: Sure. Well first off, the, that was, like I said, lovely. You literally hit like all my, like brain buttons that like every little thing. Just like I have an, I’m an evolutionary psychology nerd, so like, all perfect. So, splatter punk, everyone that doesn’t know is basically like a genre of extreme horror, spider punk, similar, of like

brother and sister, maybe cousins.

But extreme horror is literally for shock value. You know, they’re just trying to get as much sensory and to just really just rev up everything. And splatter fun is basically all that, but for a reason, [00:05:00] like with a moral, with some kind of commentary. There’s more allegory, nuance stuff like that.

And it’s very funny because, I even find when I’m trying to not write but I’m not trying to put a moral in there still is one there. And personally, I have OCPD, so it is not normal OCD, it’s actually like more foundational for me, where the minute I see something, I already know my brain already, is it categorized where it’s going to be.

And it’s just kind of one of those, you know, it’s not the worst mental illness to have, but it’s it’s very it’s even in my writing you can tell because 

joe: my

Phrique: first book was called Gig of the Damned, which is a like a jello about drag queens. And so I’m telling you, I’m killing these 12 drag queens on the back.

There’s a kill list, so I’m telling you they’re gonna die. Like we’re not mincing words with that, but it’s very, the first chapter is my main character is Gambled on a Fart. [00:06:00] And then, which is my favorite drag queen name ever. And and then the next chapter is Dina Fire. And then the next chapter is ga Fart.

Next chapter. It’s Reba Dichi. So everything’s just my brain, just, that’s kind of how it needs to go back and forth. Like my tattoos are all the same on both sides, like they mirror so I have to have everything symmetrical. So it’s just funny ’cause it’s like it’s, but it’s so, like even there’s two stories I’m working on now and I’m like, this is gonna be more extreme horror because there’s not much about, I can talk about it ’cause I’ve talked about it before, but it’s called Rearranged Guts and it’s going to be about a basically a serial killer who uses Grinder to find his victims. And he basically explodes them. Like he gets in there and then he finds ways to just, yeah. He really likes to see their, he likes to see their inside.

So, 

joe: right. But, and 

Phrique: and so I’m thinking like, this is just gross. This [00:07:00] is just, you know, but then the more I’m getting into it, it’s like he has a lot of internalized homophobia,

You know, father did X, Y, Z and so it kind of made, so I accidentally put a mortal in anyways. ’cause it’s just see what I mean? A lot of my stories is very, when you hold things in, it manifests,

joe: Right, right.

Phrique: Timbers was about nun mother Superior who.

Had these urges and she was told by the church in so many words, you can’t have these urges. And then it just so happens a lesbian lumberjack falls into the convent and has amnesia. ’cause of course she has amnesia and the only way for her to get her memory back is to have sex with all the nuns. So all this is going on in the 

convent 

joe: go.

Phrique: and most superior.

joe: Oh, hold on.

Can we put a pin really quick here? Sure.

Geo: true.

Phrique: Sure. 

joe: Is that a known cure to amnesia?

Is that you know, when I watch Overboard today have Goldie 

Geo: Is that scientifically proven? 

joe: Have I missed [00:08:00] that research

bit like in there, like where it’s, you know,

Nick: wait, sex with nuns cares everything,

Geo: It couldn’t hurt. Right.

Phrique: funny you say that too, ’cause like thinking of like old TV shows. ’cause I love, you know, I watch all the old you know, 1980s, 1970s movies

and stuff like, 

joe: stop calling seventies and eighties old. Just, 

, when I go old,

I think you’re gonna go forties 30. You’re like, I’m like, geez man.

Nick: I agree with you. Sixties and seventies is old.

Phrique: late 1900, the late 1900 movies. I will, I’ll go. But like they always talked about someone had amnesia and there was like quick send, you know, things that don’t really come up nowadays, but for some reason that’s kind of what I was, I kind of wanted to more of a grind housey field.

So I, I had to bring that back. But then, ’cause we’re introduced to the character whose name is Paulina, and so she’s a lumberjack, I was legit trying to go for Paul Bunion, I think her last name is Bunion. Yeah. Because that was, I had to do it. But yeah, like that’s, she’s, we [00:09:00] meet her where she’s basically like a lesbian.

S douche bag. She’s just known for sleeping with everybody. So that’s kind of was her mo but she’s a lumberjack, so she’s also, you know, chainsaw in hand and just she’s in the convent and she lost her memory and just little ticks of what she used to be was, she was 

handy. 

She was handy. So,

joe: So,

Phrique: But yeah, that’s just, but it was mainly about Mother Superior is she’s like the like she would flag rate, I don’t know what the word’s not coming to me, where she would, you know, what they beat themselves with rope and all that.

She was part of that,

But she took it a little too far where it became a little s Andy, like where it’s that line where it’s are you enjoying this?

So meanwhile, 

Nick: much enjoyment outta your swings.

Phrique: right. So that’s what I want to touch on that. But then also all this sex is going on around her when she’s trying to like, keep her urges at bay.

And it’s just kind of what [00:10:00] happens when you keep stuff, you know,

joe: kind of buried

Phrique: bottled up, it’s gonna come out way or another. So I, that was a really long explanation, 

Phrique: but that is, that splatter punk is whatever you want it to be. But I have, I said from the beginning, I’m gonna write the gayest shit ever because one thing about splatter punk is that it’s very, there’s no rules.

You can say whatever you want. I’m a big fan of the punk part of it, where we’re kind of being told to be quiet, to not not make a fuss. You know, don’t don’t wave that rainbow flag too much. So then that’s why my covers literally say violent f bloody a FK, a F, because I’m

not

I’m.

joe: , from the evolutionary point of it, the brain, our hardware and software.

It’s pretty ancient, , it’s a hundred thousand years old. , it hasn’t evolved that much. And a lot of our fear structure is based on keeping us safe. That was hinted at that. And so to fight or [00:11:00] flight, , that’s our quick response, 12 10, 12 milliseconds you gotta go.

And then we have longer responses to threats. And so really the idea here in, in some ways, splatter punk. My thinking also is that you’re trying to funnel modern day issues through this and hijack this very primitive kind of fear structure. Your studies and in your writing, are you playing with that line?

Do you see the line or, 

that. 

Phrique: It’s almost like when I hate to go back to the nuns again, but like when you,

joe: we’re not gonna get sponsored by the nuns. I

Nick: I

thought this episode was sponsored by the Catholic Church. Is that not right 

Phrique: so you guys know you’re, we’re in the same area. I was forced to go to Andrea and so I was forced to go to Catholic school and and it shows because that’s what happens when you force when you force the Pisces to do anything. Oh, I’m gonna fight. But but let think about when a nun is like slapping someone’s knuckles.

’cause they wanna get that message in there. So I [00:12:00] guess I have to get your attention. And so that’s kind of. Like a big slap on a slap on the knuckles. ’cause it’s well I’m trying this is what I’m trying to say. This is, I’ve done like a bunch of short stories that are more bizarro. And I did one called, oh no, I Got Exploded Baby All Over My Favorite Sweater, which one of my favorite titles, but, and it’s 

legit all, and I kill five babies in it.

That’s, that sounds horrible. Like I should be ashamed, but I promise you I do it in the funniest way possible. You will laugh

joe: They’re a funny way to do that. 

Phrique: Feel horrible for laughing. But it is an allegory for, these are terrible like influencer parents who aren’t paying attention to their kids.

They literally put them in front of this baby monitor that basically watches them and it also a little, some their, it wasn’t tested all the way and they put something in their brain that makes the babies want off themselves. But to get away from parents that they shouldn’t have.

been born too, because Roe [00:13:00] versus Wade and all that.

So again, no matter what, there’s always gonna be a reason for it, whether I like it or not, but 

Nick: I feel like horror has always had that underlining political,? Yeah.

joe: No, you’re right. Yeah.

Geo: Yeah.

Nick: throughout all of it. It’s always had something behind it.

joe: No,

Phrique: Romero

joe: I mean, you,

Nick: like,

joe: go ahead.

Phrique: yeah, it’s like with, he wanted the zombies for like I, I, when I read about all that, I’m like, okay, so I feel less crazy because that’s just what my voice is, but I know how to get your attention with lesbian nuns and then I’ll get 

my message in there that way.

joe: and I think horror does give that space to experiment in because you’re pushing it to the edge and you’re towing that line. You know? There’s studies where, , you have to have enough of this kind of fear in it to, to engage and keep people there. The brain active, so you’re not gonna tip over to the running out.

When the people come for Nick in the theater, [00:14:00] he can stay on the edge of his fear and ride it. 

Sorry, 

I’m pointing you out. You called it out earlier.

Nick: Was that on? Were we recording during that one?

Geo: I

joe: I don’t know. Maybe. I don’t 

know. People all here and the post edit,

Nick: They’re gonna be very

joe: but Yeah.

Well, Nick said that he doesn’t get scared in movies, but the people scare him.

Geo: No, that was, we were recording

joe: Well, we have a little aside here. No, but as you go forward, oh, the point I was making, you guys screwed me up now. 

Nick: Oh no,

joe: Yeah. You guys did this on purpose. This is my phobia.

Geo: This is your greatest fear, isn’t it?

joe: sleeping. I’m gonna wake up and be like, poof, man. I was on, I was recording. And had that there, so No, but I was saying about the kind of, you, you ride that line between the fear keeping the brain engaged, , the cortex there funneling through and the person is well, I’m safe.

I know I’m safe. And so I can experience this very scary or very fearful or [00:15:00] situational scary, right? Because we see a lot of that with, social issues where you’re putting into that and then empathizing, right? So if you, especially with body horror not only that kind of gets your brain engaged and you begin to empathize with that character and you not, you go to the next level of actually feeling what they’re feeling and having that very visceral experience as you’re watching and your skin is crawling and you’re in that moment.

What would it be like? And your mind starts going, what if I was in that situation and you then everything washes away. 

Geo: I think it’s a way to, like you said, safely look fear in the eye. You know,

joe: Yeah.

Nick: I love seeing the parts where it’s oh, you just messed up and I know you have, without even going forward in this film.

joe: Right, right, right.

Nick: Like having those, what I mean, they are reactions that people would have, but it’s always something that’s like

You know, you messed up. [00:16:00] I know you messed up like everyone knows it, but would that be something that you would make that mistake during the moment, or no? Well,

joe: Well, I mean, right.

And that’s also, that’s the craft of the writer, right. And or the storyteller that will they, show their hand too much? Right? So if you show too early, and the audience can guess, right? Because really we’re, you also have your brain’s a good prediction engine. So your brain’s predicting what’s gonna happen.

And so this is where the fear comes in. And so if your brain can predict what’s happening and you’re not gonna be fearful of that, you’re not gonna think it’s even. You’ll probably start laughing at it because now you’ve realized, oh, I know exactly what’s gonna happen. So if you’re writing to that and you’re really gonna show and lean into the comedic value of it, then great.

But if you’re really trying to build suspense and the fear, then you really actually want to, not you, you want to fool people by doing the thing. I expect the creatures in the closet ’cause that’s what I expect. [00:17:00] And then when it’s not, and then it jumps out somewhere else, that’s when you go, oh crap.

Like I, I had this all wrong. So that’s when that’s a, I think that’s a good writer versus a lazy writer that goes with tropes

Nick: which I think Cabin in the Woods is the perfect example of this. And I think I’ve mentioned it

Geo: have something,

joe: bringing this up

Nick: I

love

this film 

so much. It

Geo: Okay. P, pause this. So we can’t go watch this movie and we’ll be right back.

joe: be right

Nick: listening. Immediately. Go watch Cabin in the Woods. All right. All right. They’re

back.

I think

joe: Yeah. Yeah. Woo.

Geo: That 

was great.

joe: No, I’m 

joking. 

I,

Phrique: saying.

joe: what was that 

Phrique: I get what you’re saying just about that especially pattern recognition, like we are, we’re geared to notice patterns. I feel sometimes that I.

Nick: I,

Phrique: My brain notices them more. Like I am legit a quality inspector, so that is my job is to, I can be reading, writing, whatever at work.

I [00:18:00] work like 12 hour shifts. I work with steel mill, unfortunately, and I’m legit looking for defects in the steel. And my brain will, I can be in this book and my eye will notice the little blip and I know, okay, I just did my job. So good job. But I think that we all do that. And so, especially when I’m writing, I know, and I’ve watched so many, I literally do basically watch a horror movie a day if possible.

Or jello, which, ’cause I’m a nerd for those, but I know what I would expect to happen and sometimes I want that. I want the trope because I wanna kind of see, give an homage. I love an homage. But then also. I know what you’re gonna expect. So then part of me wants to do a little yeah, I’m gonna mess with that.

So I’m gonna throw a red hand again. I’m gonna make it, you think that something’s gonna happen. And one thing with me that I don’t know if it’s a bad thing or not, but I laugh at everything. I literally make it, I shouldn’t, you should not be laughing at things that I’m writing about. And I’m the guy that like, [00:19:00] I will laugh during a giggle during a funeral.

I’m in trouble. ’cause it’s just, nope, I gotta get outta here right now. And then I’ll laugh even more because I know I’m not supposed to. So it’s just, but

joe: that reminds me of the character of Franny in Stephen King’s, the stand. And that was her, that was like her character flaw that she would laugh during these very serious moments. And so when you said that, I was like, wow, that’s a, i, that’s a character in a classic horror, 

Phrique: I mean, that would be me. I would be, you know, my, my final words are gonna be, are gonna be something smart Alec that I should not have said, but

joe: yeah.

Phrique: I gotta get it out. So, but yeah, that’s a lot of I do throw a lot of humor in even when, like I tried to do when my first stories was it was about like a priest that were getting hunted down by this girl that they had locked up.

And said that she was possessed when it was just, she knows their secrets. So that was supposed to be my most I really [00:20:00] wanted grind house. I wanted to be very just, you know, gritty and we’re not joke, no jokes, we’re not laughing. And I said something about the priests, like pancake ass or something.

And people like, like that’s the funniest thing I’ve ever read. And they’re like, that was, you weren’t

supposed to laugh, 

joe: there.

Right, right, right. Well, you gotta have

Phrique: what my brain does. I have to throw those. It’s just, but a lot of people, I like that the humor takes you, I like I’ll usually do it. I just killed like 12 drag queens and I make you love them.

And people, that’s one of the things I get a lot of compliments on is that I gave you 12 characters, but everyone has their own voice. Everyone knows what they look like. They’re very distinct and you know, people get connected to them even knowing I’m literally going to kill them. I told you I’m going ahead of time.

So then I usually throw humor in. And the, so in Gig of the Damned, it’s the killer is wearing a bedazzled ski mask. So it’s like hot pink, bedazzled ski [00:21:00] mask with leather trench coat, the gloves, the straight razor. ’cause it’s a gilo. And, ’cause I thought, you know, drag queens, if you put a ski mask on a drag queen, they’re kind of gonna look the same.

You won’t really know who’s. Under there. So, but each girl, before they die for all 12 of them, I worked in the joke that they all say in one way or another, someone got A bedazzer for Christmas. And so like I, and it’s purposely there to kind of throw you off and kind of make you like, oh, I’m laughing, I can relax.

They get the base sliced off. So that’s kind of, yeah, But I think

it’s handy and I like doing, but yeah.

joe: Yeah. Using humor to break the tension, once again, to throw off that your prediction, you’re trying to, your brain’s working to figure out and when’s the next horrific thing going to happen? And then. If you have something else, look over here. Brain. And I was waving my left hand. Is

Nick: for hand waving him?

That’s [00:22:00] what

normally 

joe: hand wa that’s right.

Nick: Yeah. I wasn’t sure.

joe: yeah, you’re right. Okay. I’ve better get, I gotta get some other symbol. Wave my foot, you know, 

Nick: the diversion of it is over here.

joe: It’s over here. But yeah, no, that’s, yeah. I think the horror part of it is interesting because you see that, in some horror, some of you don’t like it.

Nick: It really depends like on who, what kind of horror they’re going for.

And for the more intense ones, you do find comedy in it like. Just because of how over the top they can get. Yeah, 

joe: that’s right. Yep.

Nick: Like the more over the top, you want to have something to cut through it. ’cause it helps you keep going, keep reading, keep watching.

Geo: And it’s like the absurdity of it. Yeah. 

Nick: You know, if you’re having already something super absurd with the amount of killing getting done you want something like

joe: well, also if you’re riding that, if you’re riding that fair the fair, the fear train

Nick: fair Fear.

Fear, 

joe: fear, the fairy fear, fair [00:23:00] train.

Nick: fairy fear.

joe: but if you’re on that line and you could easily tip over to where you can’t watch it anymore.

You have to leave, you have to cover your eyes. You can’t enjoy the story. You gotta put the book down. Then I think it’s that intensity, there, you gotta actually throw in his humor that bring, ratchet down a little bit and give the person’s mind, the viewer or the reader a chance to catch up with everything and then have that.

And if you’re throwing this, you said you throw in a line, oh, you got bedazzler for Christmas. Then you know that repetitive line, you’re almost expecting it. And you won. It’s like the cheesy one-liners and it’s oh, like what’s gonna be the one liner?

And you then it tamps it down to a level where once again it brings your, the energy down and your fear, your brain your cortex can catch up so that you don’t hit a fight or flight response and freaks you out. So your brain can then go, okay, let’s process this. Let’s, take advantage of the machinery [00:24:00] that’s you know, running Windows 93 and, and then you go and,

Nick: oh, is that what you’re running over there?

joe: That’s what we’re running.

Nick: I thought they were the big flat disks.

joe: A floppy dis.

Geo: The big

Nick: Oh, that what they’re called. Oh, they’re called my bad.

I thought they were flat discs. actually five and

joe: a quarter floppy.

Dis. Yeah. The little, I had to explain a little save symbol that you see the little icon of save.

It’s like that’s, that was actually this, we used to save on like the floppy disk the three and a half inch, five and a quarter. Okay. This is, that’s a fear here. I’m fear fearing here a

Nick: That, that was all I was going for is let’s just hit the fears for Joe.

joe: Yes.

Geo: fear of

Nick: of that.

joe: That fear. Yes. That you have. 

Phrique: Of absurdity, what did, have you guys seen the Monkey and what did you guys think of that, if you did?

Nick: I thought it was funny. I was enjoying it. It, as I said, like I, I love the horror and I can get some good humor out of it.

joe: The Monkey, sorry.

Nick: Yeah. That came out what, like a year or two ago now.

Phrique: yeah, year or two ago it was I wanna [00:25:00] think that it was based off of a Stephen King short story.

joe: Oh, a Monkey Shine. That, that’s the 

Phrique: was just, it’s just The Monkey and it, I think it’s, it has the little like toy monkey on it and, I wanna say it was about a year or two,

Geo: Yeah. 

Oh

joe: Yeah. I think that wasn’t a story. Monkey Shines was that or that the other horror movie?

Geo: Well, that’s the older one

joe: Yeah. There was an

older one Monkey Shines that, sorry. Jesus. Louis Wee.

Phrique: Yeah, that

joe: Yeah.

Nick: The Monkey is

joe: the late eighties. Yeah. Yeah. 

So Monkey Shines was like the late eighties.

There was a movie called Monkey Shines, but Okay.

Geo: And now is this one related to the Monkey Shines?

joe: I don’t, I think it’s

Geo: I think it’s different. It’s totally a different,

Phrique: a cursed, it’s like a cursed little like monkey toy. Like 

Geo: Those are creepy.

joe: like 

Geo: all you had to show

Nick: about getting Jo that for Christmas, actually.

joe: doesn’t freak the Trilogy of Terror.

Do you guys remember that was the, that was good. That was the mini series back early eighties, I think. Late seventies.

Nick: I think my dad owned that on DVD. 

Geo: a [00:26:00] theme 

joe: thing was a little 

the doll, the

Geo: it was like a wooden 

joe: wooden, doll. And it had the little tag on it that if you, it says, don’t remove this tag, and then it comes to

Geo: Of course you remove 

Phrique: Was that the Karen? The Karen 

joe: yeah.

Phrique: Karen Blackwood. Yep. I’m not doing it because I’m on camera, but I remember seeing that as little kid and I when he did that,

joe: Right,

Nick: right. That’s

joe: That’s right. Yes. Yeah, it

almost think, 

Geo: freaked out. They 

joe: banned it 

like they had it. And so it was the first time where I think a lot of sponsors backed out.

And so the network just put it out and they had to change the ending to make it more resolved that, but that episode in particular, that series, yeah, it’s pretty, it holds up. We were just watching it not too long ago and it’s, it was like, wow, that is, that’s, , probably not something you should watch when you’re a little kid, but

Nick: I mean, I did 

Geo: I went 

joe: see The Thing in the movie when I was seven, so, you know, that’s that’s where I go in.

Phrique: Yeah, there’s like that’s first thi this is again, I try my best to not come off as such, like a pretentious douche bag, but [00:27:00] unfortunately it’s kind of in my DNA that it does. But ’cause you guys, if you grew up out here back in the day on Channel 50, they would play horror movies on the weekend.

It would just be a random one and like my mom would be working and my dad would just 

joe: Oh, hold on something.

Phrique: put it on. And one of the first horror movies I can ever remember watching was Daria Magento’s phenomenon.

And It was on, but it was, and and I mean I was, I wanna say I was probably about six or seven and I knew, ’cause I was getting so scared that you are not supposed to be watching this.

This is going to mess you up. You watch this, don’t tell mom or dad. And of course like I’m seeing. Girls getting their head shoved through windows and then off, and then there’s like a monkey, and then there’s gigantic scissors, and then there’s a guy with a messed up face. And of course my mom comes home and I’m trying to explain all this to her, and she’s just looking at me like he’s gonna need so much therapy.

[00:28:00] And which is true but but that’s very, but it did it had a lasting effect because here I am and like, that’s one of my favorite movies now where I’m like an Argento nerd and you know, I watch JS all day and I love the old, like any horror from like the seventies and eighties and even some like late sixties ones I could watch all day.

It could be the most terrible. And I still enjoyed my time.

If you show me a movie from two years ago, I’m like, I want my hour and a half back be. It was just, it’s not.

Not, it’s not there. Like we, I make fun of the 19 hundreds all the time, but that’s also like one of the best movies were so I can’t, but that’s why I said The Monkey was great because it was just so absurd.

And it’s, the deaths were so just almost like a Final Destination type deal where it’s just, they’re so absurd. So,

Nick: love The Final Destination. They’re so funny.

Phrique: I mean that, that’s one of my favorite ones. But,

so I work in a steel mill Yes. 

Nick: Every one of

Phrique: they don’t 

joe: I think I [00:29:00] only seen the first one.

Nick: Oh. You can stop

joe: I got stopped after that.

Nick: Like the, that, that is one movie that did give me a phobia from, I wanna say it was Final Destination three 

Phrique: yep, that’s the one. 

Nick: The log coming off the truck and just smashing the guy in the face.

I’m like, the amount of times I’ve been behind a truck that has a bunch of logs on it, I’m like, this is the day 

Phrique: And then for

the new one. 

joe: That

Phrique: new one they had trucks driving around with the logs and that was

joe: Oh wow.

Phrique: like, it’s genius. That’s ’cause

of course that, and it’s just, you see that and it’s nope. Yeah, the Final Destinations, a lot of people don’t like them. Those are the ones that like, I have to mentally prepare myself for them because I know my anxiety is going to be amp.

And again, I work in a steel mill, they tell us die there probably about once a month

Nick: Oh yeah. Those places are terrifying, right?

Phrique: like we literally have a memorial when you drive past because told that’s [00:30:00] why they get paid the big money and all that. ’cause people die there all the time. So the final destination ones hit me all the time. ’cause I’m like, there’s 

so many of these things that could just, yeah,

but I mean, but I love them though. But yeah.

joe: I was gonna say but with phobia, like kind of the way fear without control is a phobia. Fear with control is entertainment. And so it’s funny at that moment you’re saying with the logs, like you, you have these, I generated this phobia, and so you have this, now you’ve lost control.

’cause when you get behind a. You’re now your brain’s I’ve seen this. So instead of, and this raises a really interesting other point is that, you know, people think, oh, exposure will desensitize you, but it can have the other effect where you become sensitive 

and you 

can generate, you can go into the movie thinking, oh, I’m a, 

Geo: oh, I had never thought about that danger.

Oh, great.

joe: And then you have it, and then all of a sudden you’re, now you come out and it’s hold on I’m actually more freaked out and you [00:31:00] can’t, how do you remove this fear like this very modern fear and a lot of it really, it’s interesting and this is that, the old, I mean, I keep saying old software, our brain, old hardware, old software, because, you know, a lot of our phobias are related to, spiders and,, fear of falling heights.

You know, these things that would literally kill you. But now. More people die from, car accidents, guns not spiders. And so really why aren’t we, you don’t see people with phobia of guns or phobia of, you know, of

Nick: well what we have shark week now. Like people used to be terrified of

joe: right. 

Geo: Isn’t.

joe: it, 

Geo: I don’t know the definition of phobia, but is it phobia?

Nick: I know Joe didn’t give a list.

Geo: I know you need 

joe: no list. yeah, 

Geo: needed more definitions. But is that like when it’s a phobia, it’s not realistic? Is that I don’t, the part of it, or

joe: my am I? Well, we have a, you know, don’t Phrique you, you’re here.

This is your 

Phrique: A [00:32:00] phobia. I would, A phobia would be when it causes distress, when it causes, when it affects you and it causes you to go out of your way to avoid it, then it would be considered a phobia. And yeah, I agree with what you said about how so,

the, like a lot of people like Germophobes, we have this like I love.

love to be repulsed. And I love to write like repulsive, gross, nasty. And that’s kind of one of my claim to fame is the details that I put in, like Think Of The Damned is actually pretty tame. But the amount of detail that I go into with the deaths and the injuries, that’s just when I muting powers I guess.

But that’s what I’m known for. But when it’s like the disgusting, the ’cause and it’s coming from inside because I’m such a neat freak germophobe, and again, I work at Male and that they think it’s the funniest thing in the world, but like my re my repulsion level is so [00:33:00] easily triggered. And that’s another one of those that’s evolutionary 

because yeah, dirt equals you can, that’s how you get the plague.

That’s how you can get X, Y, z. That’s how you get food poisoning. You know, when you’re watching, I think they just redid it fear factor. And they had making smoothies with rotten bile and like brain matter and all this stuff from just like pigs, coagulated pigs, blood. And it’s I mean, then that’s it in our,

it’s in our d that you 

joe: Disgust. and Fear are kind of, they get tethered. Yeah. Yep. 

Phrique: Yeah. It’s there for a reason. 

joe: you know, our jom, the germ contamination phobias, disgusted. That’s our primal, that’s where the disgust comes from. And 

in fear 

Geo: and that’s a safety thing because then it’s supposed to keep you from licking rocks and

joe: That’s right. Don’t lick rocks, Nick.

Nick: You should lick rocks. This is for science.

joe: get superpowers that way 

unless you get a suit. No, you get a suit and a meal, then you look the rocks and you’ll get superpowers.

Nick: Hey,

joe: Hey,

Nick: suck on a rock. Don’t worry.

Phrique: There’s some people [00:34:00] that would think, okay, well then, but if I do go lick like a CTA handle 

joe: Yeah. 

Hold up. 

Phrique: Strengthen. That’ll strengthen

my. 

Nick: all, you just have to grab the gum from underneath it. It’s free gum under every bench. Guarantee it still has a little flavor in it. Yes.

Phrique: I mean, now that

could strengthen your immune system and make you 

healthier, 

joe: it could

Nick: Makes you a superhuman. Yes.

joe: But that was like Elf on Elf, the, which is a comedy when he starts eating the used gum, that, that disgust it, it was like, you were like, oh my, oh, I don’t know if I can watch this.

It like, oh my God. You’re like, oh, what is he doing?

Nick: the childish childishness of him, like really cut through on that moment, because if it was a child doing it, you’d be like, yeah, that totally makes

Geo: He was just totally naive.

joe: and you have that. I mean, it’s also the context of it, right?

Because that was, that’s a comedy. And you go, if you change the context in any way. That can easily be like this horror that’s the killer. That person there.

Nick: but you could do that with [00:35:00] damn near

anything. Right? Right.

Have you seen Friends? Without the laugh track? It makes Ross seem like an absolute psychopath.

Sorry,

joe: Don’t watch Friends.

Nick: just watch the clips of it without the laugh track.

joe: I’m trying to make me watch Friends,

Nick: It makes it

joe: look like

Nick: 10

Geo: right?

joe: Yeah, I 

can 

Nick: hundred folds better. Like I would not watch it if it wasn’t that funny. Because you’re like, he is psychotic.

joe: Yeah. 

Phrique: my teacher just made us watch the Star Wars ending with the music and without it to test that out. ’cause I’m in a this semester I’m in mass, mass communication mass media and communication, and then the psychology of marketing, which both great classes. Like they’re, I like, I’m a nerd for this stuff.

So, it just so happens I need it for my degree also. But yeah, she’s having us do all that stuff where it’s like, yep, once you take the music out, they’re just kind of standing there in front of these, like they’re getting the, and then of course I don’t chewbacca’s still making his random noises.

joe: Right, right, [00:36:00] right,

Phrique: does, but I mean, yeah, it, it does make a, I mean, it, it makes the movie, it makes the moment, so I get it. I

joe: Yeah.

You add all that. I mean, music really does, I mean, so if you change, you know, you go to a minor key versus a major key in music that changes the whole scene. So it could be the happiest scene ever, but if they, the music isn’t a minor key, which is, traditionally thought as sad, depressing, tonality.

You then feel internally our bodies and we will kind of respond to that and set that context up for you. So really, in movies, that’s why in the award shows , people that do sound and all that. You know, they should get their flowers because that, that sets, , as Nick’s saying that and re this sets the tone of the scenes that have that impact.

And that’s, in movies, when you have a book, you don’t really have a soundtrack. So you, your words are,

Phrique: I’m writing, like I’m trying to, I do wanna set the mood where it’s okay, is this happy and upbeat or is this, you know, making, but then at the same time again. [00:37:00] I’m a weirdo, I’m a freak, so I’m gonna I’ve had deaths come in the middle of just oh, yay. You know, this is a, you know, baby shower.

joe: Yeah. 

Phrique: But but it’s like, I mean, 

joe: I was gonna say, that’s what you do with music too, so you can have, you can be very happy, uplifting. And then, a head goes rolling across the floor and everyone’s looking at it like, what just happened? We were just playing, good time. 

Good time,

Nick: I think this is where the Christmas horror comes in perfectly.

Which horror? Christmas horror. Like Santa Slay

I know we passed it already, but it always has that jolly music and then

Santa’s putting something through someone’s head.

Geo: Well, that’s a, that’s a new thing that they’re doing a lot of, like on Fallout, like they have these scenes where it’s these just really horrible things are happening, or really scary things.

And then the music is like 

Nick: just the game

in general.

Geo: But I, and I love that. I love that like where it’s at. You know, 

joe: because

Nick: what, when you’re playing the game, you have the radio [00:38:00] on your Pit Boy, so whatever’s playing while you’re doing these crazy things. Is just how the scene is.

Geo: I just love that. Yeah.

joe: I was gonna say like also, you were saying about the eighties in horror in the eighties, back

Nick: back when,

joe: when, stop it, man. All right. Stop it. In our, but you, I think the, you had the psychological, I mean, a lot of ’em were much more psychological.

That was the story. You weren’t reliant on CGI and other effects like that. A lot of practical effects. So it felt a little more, visceral and real. I’m gonna go to my man, John Carpenter and The Thing , and so you go there and the music just to the tone of that music, just go through there and you have it.

It wasn’t any, there was really no upbeat. It was winter, it was depressed. You have that. The other one that comes to mind is a Event Horizon, which is like a horror ghost ship in space. And the music. But you had the coloring of that wasn’t that puke greeny just [00:39:00] haze that hung over everything, like in those scenes.

And it was like you felt sick a little bit like going through there. And so I think you had that, , these kind of, when you play with that, you have the story. And I think a lot of movies now, they’re in high def, they’re very bright. They don’t have that grit to ’em, and you , then it pulls you out of the horror a little bit.

I don’t know. That’s my opinion there. And I think you’re getting back to some of the grit. I think we’re starting to see that a little more. Well, like in movies,

Geo: the Duffer Brothers came out and said, you know, change these settings on your new

Phrique: Oh yeah,

I heard about that. 

Geo: TVs because it’s messing up. Yeah.

Nick: Joe, I’m so glad you brought up John Carpenter because he’s writing and conducting the score for a video game.

Toxic Commander. I think I sent it to you. I am so excited to see how he. Translate to a video game because he has such an atmosphere with him

joe: Except the thing he didn’t do to music.

Right. So that was he didn’t, that was was it Ennio Morricone,

Morricone 

Geo: Morricone

Nick: don’t remember. [00:40:00] 

joe: But yeah, like that is something that I think will translate so well because he’s a whole world to build.

Yeah. I’m gonna get my Thing fan card taken, but

Nick: Yeah, probably.

Phrique: Video game nerd too. I’m excited for that then, ’cause I didn’t even hear about

Nick: Yeah. I sent it to Joe on Instagram. He doesn’t look at anything I send him

joe: Oh, well I get, I just go on Instagram now. So little that’s like a horror show in itself. But it’s a different topic there. But

Nick: Georgia, I do have a quick question for you. Oh

Geo: Oh yeah.

Nick: When was the first time you saw a horror film? I.

Geo: That’s a good question. 

Nick: Because I know Joe’s seen horror, young

Phrique Frank has 

seen horror Young. I have 

Geo: I don’t think I saw too young. 

joe: You say you went to see, didn’t you Alien ?

Geo: I did. Oh yeah. I did go see Alien, but I didn’t watch it. 

Nick: What? It was

Geo: What? I was so scared.

No, I was so scared that the whole I, yes, the whole time I was like this and I was [00:41:00] watching and I was watching other people reacting 

joe: But You got to hear it though. You got to experience it. 

Geo: were worse than anything else. All those,

joe: the atmosphere and Alien. Is, haunting as you go through it. Yes. But yeah, I was like I

Geo: Yes I did. But seriously, I was like, I might as well not have been there because I couldn’t watch it at all.

joe: Evasion of Body Snatchers. That’s,

Geo: I, that was yeah,

joe: see that 

Geo: fairly young. Yeah. But obviously a rerun. 

joe: Yeah.

Geo: don’t I want,

Nick: I wasn’t gonna ask How old you were 

joe: and that’s a, like a,

Nick: any of these, like

joe: body horror. I think

Geo: I can tell you my favorite well, one of my very all time favorite horror movies.

Well, I have a couple and they’re very traditional. Everybody’s favorite, but Rosemary’s Baby.

joe: Yeah. definitely. That’s just like it. 

Geo: And The Shining,

Nick: But like, how is your relationship with horror?

Geo: What do you mean?

I don’t think,

Nick: do you seek it out? Is it something that you’re like, oh, if something [00:42:00] is there, I’m gonna go see

Geo: I think I might have been well to movies. That’s, hands down, those are like my favorite movies, you know, I do, I love scary movies, but I just 

Phrique: to see if you got messed up. Like we got messed up.

Like 

Nick: I 

didn’t know if there was any correlation.

Geo: No, I, but I probably, but as far as reading horror, that’s where like fairly new for me. And it’s and I wanna put it all on on Grady Hendrix, I started reading his stuff and then I just kept reading all of his books and stuff.

And then it led to I, so I’m really enjoying horror right now.

joe: I think also a lot of people don’t get into horror because they are worried about kind of the grossness of it.

And it’s not all I, I was talking to someone about The Thing and I was like, , there are scenes in there and they are emotional. But that’s really, you get caught up in the psychology of these people trying to figure out who’s who’s real, who’s not. And horror

[00:43:00] there is this kind of the splatter, there’s this splash air. I mean that genre exists, but there is a heart that comes down The Shining. You know, it had its scenes, but really it’s a psychological examination of cabin fever to someone. Then they have the ghost story kinda aspect in there.

But really, horror has this kind of play and I think that’s really exploring fear and creating a safe space is tell people, oh yeah, there are horror movies that you can go into.

Geo: Well, there’s 

joe: really, um, you 

Geo: so many horrible, like monsters and things

real life that it is nice to be able to watch. Monsters on, 

joe: and those monsters are usually personifications of human real fears. Right. 

Geo: But there’s something comforting about being able to see that and I don’t know.

Phrique: So that’s where my little nerd flag flies up because that’s one of the main things, like whenever somebody asks in a little, you know, books of horror group or whatever, that’s when I jump in because I’m like, so. My theory [00:44:00] is like the denr of well, that’s happening to them and not me.

So that, that gives you a little brain. And then it’s almost like you get, you are giving yourself anxiety as you’re reading, watching, but then you know it’s gonna come to an end and you know the lights are gonna come on and then you get to a leave intact and fine. So then it’s almost like a rollercoaster where, okay, so I survived that.

And for the little anxiety balls of nerves like me, like now I just learned, don’t run upstairs. And if there’s, if you see like a glinting knife on a cabin, on a countertop let’s put that away.

Nick: If you could see them, they can see you.

Phrique: right. So you, like I, so I take little like I say, I’m gonna write that down, so now I know.

Don’t ever do that. For certain PI think there’s also ’cause I was gonna do I was gonna go for mys ID before before this whole writing thing came up and it this a lot more. And then I also found out you have to like [00:45:00] intern for four years and just

joe: oh, so that’s for folks who aren’t familiar with the jargon. What? What is that? It’s ID

Phrique: a ID is just basically a PhD in 

psychology. And, 

but it’s a lot of work and

honestly it’s kind of, it’s kind of doing it so I can be doctor Phrique and it’s I’ll just be Phrique and I’m just gonna write books about Lesbian

joe: It’s kind of cool, the doctor part

Nick: Octa Park.

Phrique: but I wanted to do, I mean, I was gonna say I mean, you 

know, 

joe: I, yeah.

Phrique: research, I looked up the, I saw the, it said botany and then, like all that. I’m such a science nerd that would be so cool. But then when you have to get down to the nitty gritty and like the random the random testing and all that, I’m just like I just wanna find like the results. It’s just, yeah. It’s 

Nick: I don’t 

Phrique: I’m like, 

Nick: Do it all. 

Geo: Just cut to the chase.

joe: academia is there. No I think there’s some amount of love and horror involved in getting your PhD and making it through there,

Nick: you saying that it was a horror [00:46:00] story to getting it, or what?

joe: Yeah, sure. 

Let’s go 

Geo: Those long nights,

Nick: those

joe: it’s, no, it’s a,

Phrique: anybody who is a doctor, I completely, I give them all their flowers. I’m like you went through some that, so I commend you for that. But just and then my dissertation was gonna be on basically what you talked about. Where, when did we take this? Emotion that is literally built into us and turned it into something that we are, we’re going on rollercoasters to 

try and 

bring things that our ancestors got when they were trying to like, run away from like a Saber two tiger.

Like, why would we, they’re looking at us like, what’s wrong with you? Just stay in your house and you know, hoard, hoard, grain. You know, don’t like why would you do such a thing? But I think it’s interesting to show that what we’ve done with it. But then I also think, like what you talked about, I think we’ve almost over

overs sensitize ourselves, where the movies from the eighties, they were more subdued and you were able to get more quiet [00:47:00] horror moments in where now it’s if you’re not like, you know, splitting someone’s head in half then, and I’m talking about me I’m the,

I’m guilty here.

’cause it’s if I don’t see someone get their face ripped off, then I’m gonna sleep.

So. 

joe: right. 

Geo: It’s like that’s the whole kind of that’s how splatter punk really came out, because isn’t it just like how far can we take this? How much can we show? And how, you know,

joe: that line of, of fear and horror and disgust and kind of

Geo: and is it also maybe because of like attention spans now you know what I mean?

Or that there is such a big kill count and almost, every movie you see. You know, you like a John Wick movie when you you can’t keep track, so you’re just, you have to make it more and more.

joe: Well, I think you have also with lot of splatter is the body horror and kind of that aspect of it and going in there and that [00:48:00] transition as you go through, was it Cronenberg principle about, make it slow, make it last, make it very and so you begin to buy into that.

And I think that pulls you in watching this transformation happen in front of you and in your own mind. You know, it’s I should look away. I don’t want that. Like the moral, like I said, the moral, these morals come in this is not what I want. This is not the path I’m gonna take.

I’m gonna be a better person for seeing this and 

Geo: I hope so. I hope that,

joe: I mean, I guess you could come out I’m gonna go do that.

Nick: Oh, I’m gonna go Dexter someone.

joe: let’s go. But I think the body horror is really that aspect, and it doesn’t, I mean, it’s, it is, it’s a look away thing. I should look away, but really you’re like, you know,

Nick: it’s watching a train wreck,

joe: right. That’s right. Yeah. Yep. And, you see it, , The Fly with Jeff Goldblum and Tina Davis, one of, you know, one of my favorite kind of, once again in the ni I think that was in the nineties, somewhere in 

there.

Nick: long ago.

joe: dude, can you stop, can you

just stop?

All right.[00:49:00] 

Phrique: Did they have to crank the movie? The 

projector, 

joe: Someone’s back there

Nick: You have to keep saying the year. I mean, oh,

Phrique: mean, but I can’t, like She supposed to Fly. I’m gonna 

Nick: that 80? No,

joe: I didn’t think it could have been late eighties.

Phrique: yeah, that sounds about right.

Geo: I think 

Nick: was, early 

Geo: no, I think it was eighties. 86.

Nick: 0 6, like 

Geo: I’m like mid eighties.

Nick: When did the Fly Two come out?

joe: Oh man, come on. No one knows

Phrique: Yeah.

joe: dude. Don’t

do that. 

Don’t tell anyone. 

Don’t 

watch Fly two dog.

Nick: I say watch

joe: it.

Geo: Can’t

Nick: promise anything.

Phrique: Google it.

joe: Yeah. Right. It’s 

Geo: I do remember seeing the original fly when I was fairly young and that yeah, that ending, oh my gosh.

Nick: The

joe: original is that fifties? Yeah. Yeah. Right. Late fifties. Yeah. And Invasion Body Snatchers. The original, the 70, the seventies

one 

Geo: one always freaks me out. Yeah. One, it

joe: was cool was like The Blob, like I haven’t seen a new Blob movie in a while.

[00:50:00] Like you had that kind of,

Phrique: The colored one. The colored version of it. The ’cause the black and white was the original and then they made like the first color one. I remember watching it on fox, like way back in the day and then Yeah. On that messed me up. Any, anybody who I 

love, but just, yeah. Those are the ones where just 

joe: Some gelatinous

thing just takes you over it’s like Jello attacking you. 

Phrique: or like the 

joe: I went to Jello. Just, oh, I love The Stuff. You’re the first person to mention.

The stuff is that is one of my favorites where, I mean, it’s also like people just eating some stuff that bubbles out the ground. It’s let me just 

Phrique: Yeah. Like, I 

mean, 

joe: up on here.

Phrique: I kind of wanna know where the sausage, how the sausage is made. Let me, I’m looking for this before I know you know, it makes me think of Cool Whip when that was like 

joe: yes. Or the, what is it? Fluff? The marshmallow whip stuff. Was

Geo: Oh 

Phrique: yeah, the, 

joe: yeah.

fluff. Fluffer, 

fluffer, whatever. Not fluffer. That’s something else.

Nick: Joe. What? What was that? One more time?

Phrique: yeah I watched that I wanna say a couple years ago, and then it’s just yeah, [00:51:00] that’s that’s gonna make me look at food differently. And it’s just and it’s funny too because so I was gonna be a nutrition major before way back, so then I’m like, I’m looking at cool if oh, the hydrogenated oils.

It’s then you watch the stuff and I’m like, okay. So now I’ve just, that’s a whole other thing I gotta worry about.

joe: yeah. And when that movie, when I came out once again, I think that was in the late eighties, ultra processed foods, things like that, hadn’t reached a kind of the xge of consciousness as it has now. And people are really thinking about and oh, these are unhealthy.

Maybe we shouldn’t be eating these things or putting, crazy dyes in everything.

Geo: Although we went ahead and did 

Nick: The nineties, they had some crazy dyes and

joe: We did. That’s what I’m saying. I

Geo: but he’s 

joe: it was 

the moral warning oh.

Geo: and we did not take the warning and we should have, it

joe: it. 

It was 

a B movie, so, eh, you know,

Geo: I don’t think enough people saw it.

joe: no Avatar. So that’s a

Nick: people see an avatar, what,

joe: The $1.5 billion worth of [00:52:00] people have seen it.

Geo: Yes.

joe: Yes.

Phrique: difi, but I just, that’s it. It’s, I’m such a I’m a stickler in my ways where it’s just, I can’t do sci-fi like I did in my

first like, scientific 

joe: what’s wrong with sci-fi.

Phrique: But I don’t, that’s where, again, I’m a nerd, like in disguise, but sci-fi is just I play Pokemon. I, you know?

joe: We have a lot of sci-fi too that cross over in the horror. So it’s not like you just have, you gotta be straight sci-fi. So I think sci-fi gets a bad rap because of like hard sci-fi. Where, you know, a author or whatever move they’ll spend many pages describing the engine design.

And it’s not plot driven or not character driven. I think there’s a lot of sci-fi that now, you know, especially the speculative, if you wanna separate it out, where you 

do have these kind of, dystopian where you do have these stories that kind of go and you have all the crossovers where you’re mixing with horror, you’re mixing with fantasy.

And so I do think it’s, I think sci-fi got this kind of bad rap, but really it’s a very horror, [00:53:00] you know, I was just talking about horror, right.

Phrique: like, Dead Space is one of like my favorite like games ever. I played all, 

Nick: game.

Phrique: I played like the Callisto other one

Nick: Oh, Callisto protocol.

Phrique: Like I played all those like Annihilation was great. That’s and all that. And it’s funny, I had to write, so I had to write my first two sci-fi horror stories.

And the first again, movies from the 19 hundreds I did the son of Barbarella so I made Barbarella’s 

joe: Barella’s, 

Phrique: very love friendly son. He has the same taste of his mother. We’ll say that. So it’s basically that. But then I threw in like a ulu tie in with that, where it’s like he’s trying the story called, who Is My Space Daddy?

And it’s just trying to go back and find out it’s, who’s trying to find out who his actual fatheBarbarellacause Barella

got around, so like I tied that in. And then I did a story called when the Moon Hits Your Eye, and it’s about an asteroid [00:54:00] that. In 1969 in Hollywood, it just broke apart and it hit five different people at the same time.

And it’s basically done in like a news like a newspaper. But I somehow found a way to make it really scathing. Like one of them happened to be, you know, a woman was she’s at a her garden party and she just got done kind of making racist comments towards her maids. And it just so happens the asteroid flies through her head.

So, that I mean, that, that’s the kind of stuff that my brain comes up with. I don’t know. Good, good is kind of one of

those, 

joe: gotta be good, right? I mean that’s, you know, we don’t have to put it in a binary category of good or bad. That’s I think it’s just, 

Phrique: the CPD where I’m like, okay, so we’re gonna be quiet. We’re just gonna, it is 

what it. 

joe: it. Right. So I want, I was gonna touch on one other aspect while I was doing some research for this, and it was just, I like the phrasing. The uncanny valley of flesh is kind of, and so you guys know. [00:55:00] Uncanny Valley of Fish. And so it’s this idea that when you look at the things that are personified in a human form, that they’re not quite human, and it triggers that deep unease.

Oh. And so you go, so that’s what it’s called, the uncanny valley of flesh. And so, yeah. 

Geo: Who, who coined the

Phrique: just thinking about it. Yep.

joe: I don’t know who,

Geo: Well, I mean, I’m just curious like where that 

joe: it. 

Nick: can you give examples and Yeah.

joe: I mean, a lot of it, it starting out with like robotics, 

Phrique: Well, human sex, human sex dolls is what, right now is what,

joe: sex styles. There you go. I mean, if we get back to it,

Phrique: on where it’s yeah, I, there’s, when you said that, I think I might actually know of the scientist who was, she was studying that, where kind of, she was mainly talking about these human sex dolls and the uncanny and she was saying uncanny, uncanny valley as in like a sex innuendo.

But yeah, it’s kind of, it’s in that it’s in that

vein. 

joe: the Japanese robotics professor [00:56:00] Mahi Moori in 1970.

Geo: Wow. And then that is just so poetic when you’re thinking about now talking about AI and things, that’s just, yeah.

Phrique: Well, so 

Nick: Yeah.

Phrique: talk about Un Valley 

joe: what 

Phrique: Well, 

yeah. ’cause I mean, when you see, when you look at AI and you can tell that one eye is lower than the 

other, 

joe: right. Yes. Yes. It’s almost it, and it, I mean, I guess the thing also is that if you just had a purely alien creature that comes and it looks humanlike, you accept it, and you begin to think, okay, this is a humanlike thing. But then any, even movements, like if the weird, like the weird you have the weird girl in the hallway that runs kind of weird at you.

That Why are you looking at me like that, Nick? know what I’m talking about?

Nick: Yeah, totally.

Geo: Yeah. Or like the weird running in Weapons. That’s

joe: In weapons. Right. Any kind of 

that 

it gives you, it causes, like this une [00:57:00] it causes this kind of, you’re like, hold on, this isn’t, something’s not right.

And your brain’s like processing it. Maybe we should get ready to run ourselves or to fight. You know, you’re starting to process that and think about it. And it is that play where you go and the and the body, heart, once again, you get into that, this kind of thing where you’re right, you have offset features or eyes or other weird appendages aren’t quite placed.

Right. And you go, hold on. They’re almost, they’re 90% correct, but you know, that, that part of it, but yeah.

Phrique: Well, before you jump off that, and I know I just, I even asked you beforehand, please don’t let me say something. I’m not supposed to give away something I’m not. But I already talked about the story I did called when the Moon Hit Your Eye, one of my art pieces that I’m showing off in. I’m gonna post it in two weeks so you guys can we’ll call it like a little bit of a preview, but this is the art that I did for it.

joe: Oh, nice. 

Oh, wow. Yeah. That has a very Juni Ito 

Phrique: I was going for meets [00:58:00] our,

so, that’s, 

joe: Yeah.

Yeah. Like 

Geo: Like a

Phrique: basically the story where I said there was like, that was the garden party lady where she just got done and, you know, everyone looked, look at me and then, and that’s part of the story where it’s just, but that uncannyness of just so she looks fine, but where’s that other part of her head?

But it’s just 

Phrique: that’s the part that it makes my skin crawl, but also I write it and I like it and I want to make other people suffer with it. So I don’t really know what that says about me, but but I keep at it ’cause I think I’m pretty good at it. So, and even with the art, like I love how, I think it’s beautiful, but also, you know.

Geo: are you are you working on any like graphic novel? Like since you are an artist and you write the stories? I mean, is that,

Nick: that,

Phrique: I would love to. I just, this really just started popping up because I just started doing my own book covers. So I ’cause I had two, my first two covers were done by other people. And then I did my cover for Shiver me Timbers, which you can kind of see the poster behind me. But, so I did [00:59:00] that one, and then I did I

joe: some of that in the show notes.

Phrique: this is my new one that I just did the cover for, so it’s called Crisp By Your Name.

So I did cover and then that cover

joe: Yeah. Very cool. Yep. Really neat.

Phrique: so 

this is one of the, that’s, and that’s just a it’s literally an office romcom about bloody Mary, but I’m calling it a rom-com with a body count. And I, it literally just it’s a rom-com but

joe: body count. As in 

Geo: people dying.

joe: dying, not people you have relations

Phrique: count

is 29 29. 

Nick: Maybe both.

joe: both.

Phrique: 29 minor and seven co-eds suffer gruesome deaths in this many abominations.

joe: There you go.

Phrique: it is a romcom. You’re gonna laugh and you’re gonna feel heartstrings, but also

joe: Yeah.

Phrique: bloody Mary. So,

joe: Kinda like a like John Walters Waters.

Waters. 

Geo: having a hard time tonight. John 

joe: Yeah.

John. That’s what I said.

Geo: said Walters. I said,

joe: I correct it. I self-correct it right immediately and said, Waters,

Geo: [01:00:00] No, I, yeah, no, and I love him. And he’s the leading,

Nick: say, I didn’t say anything.

joe: He

Geo: the leading person about disgust and like making things as revolting as possible.

And he, I don’t know if the quote, but basically you can’t kill people in real life, but you can write about it. And that’s a lot more, that’s a lot more

joe: or, I mean, it’s safe.

Yeah. Yeah. But yeah,

Nick: I

Phrique: I, my uh, style and writing is basically John Waters meets Chuck Puk meets Clive Barker. That is 

joe: Nice.

Phrique: like I, I mean I just, I still savor that because it’s that’s, that is, it’s very close because, and they’re big influences to me. But yeah, I would love to do the graphic novel. That’s gonna be something that’s probably down the line, but I have so many things going on that I should not be, like, I have I have six stories I’m supposed to be working on.

I, you know, there’s, I have to make gig of the damn two Electric [01:01:00] Boogaloo and I literally, that’s like a joke. I keep saying Electric Boogaloo, ’cause that was a horrible movie, but, so now I have to call it Gig of the Damn Two Electric Boogaloo because I did it so much. But I did the artwork for like I did in the books.

Now I’m starting to put artwork that I’ve done in, so we’re almost there. Like I may have to get there, but. It’s just weird because I was always an artist, like growing up, and then I had to stop ’cause of work and all that. And this just kind of started up again, and I didn’t realize it until someone told me like, oh yeah you’re an artist now.

But I’m still new that it still even feels kind of weird to call myself an author. Kinda is, but that might be like a little bit the imposter syndrome, but it’s five books, so I guess you could

Geo: Yeah. Right, right.

joe: Yep. It happens,

Phrique: but but we’re getting we’re getting there. But yeah, I just, I have so many ideas and it’s just, I gotta spit ’em out.

So I’m having fun doing it and I’m getting a lot of grief feedback on it. So people are praising my brain. I’m like, Hey mom, just so you [01:02:00] know, say my brain is great I’m not, he never said JJ your brain is bad. But she kind of gave me the little, you know, the mar noises, the like I sent her this and she’s that is.

She’s I’m afraid to say that. That’s beautiful, but it is. But also, you know,

Geo: right.

Phrique: kind of secretly waiting for me to so when are you gonna start writing? Like normal, nice things. But 

also 

she has, I’m reading her Siam Timbers and she needs to know what happens. I told her, I’m not reading you the sex scenes ’cause it’ll, that was my first throw around a corner.

But like that.

joe: That’s a horror in itself, right? So 

Phrique: Yeah, exactly. I’m just like, 

joe: that’s a, that’s kind of,

Geo: That’s a whole new genre of horror.

Phrique: me and my friend wrote a story, my first collaboration, it’s called In the Club. We’re all monsters. And it’s literally me and my friend Asher, we’re both dating Dorian Gray and it’s like the boy is mine where we don’t find out till we get to the club that we’re dating him.

And then it just [01:03:00] becomes like a bloodbath because there were party favors involved that tap into our biggest fears. So my biggest you have, we have to basically fight our biggest fears. So. Spiders, hobos and clowns. That’s mine. And so we built it into a big, gigantic story. And I mean, it’s very funny because it’s just, yeah, that’s, I’m doing stuff you’re not supposed to.

’cause I love breaking a fourth wall. I love writing stories. You’re really not supposed to, but that’s kind of what my claim to fame is. So I’m just gonna

Geo: That’s 

Phrique: keep doing it. Why not?

Geo: And now you guys, you met because of Slay the Lake, right?

That was the

event that you were, and

joe: give, yep, go ahead.

Geo: No, I just, I, for people that don’t really know about

joe: Yeah.

Phrique: I mean, The Slay the Lake one is the one that, it’s local, so I love it. But they. They reached out to me and said, you know, would you like to? And I’m [01:04:00] like, yes, this is, this sounds like right up my alley.

And you know, their whole thing is that they, you know, in everything it’s hard to see diversity, it’s hard to see, you know, they’re very LGBTQ plus because again, like I said at the beginning we’re kind of told in uncertain terms, you should be more quiet, kind of tone it down. And so that’s when I think, well then guess what?

I gotta be like 

extra gay now. 

Geo: right,

right, 

Phrique: up for it. So but that whole thing was like, they wanna be inclusive, they wanna celebrate diversity and they wanna support the community. And that’s, I’ve, I did their first event and basically all their events. So I’ve kind of become like their new mascot which I’m like honored to be because like.

I’m not even allowed at like family weddings or like funerals. So it’s to know that like I’m being like invited to these is just,

Geo: That’s awesome. So how long have they been.

Phrique: I wanna say now it’s been about it’s been over a year and then [01:05:00] so they’re doing the next one is I wanna say it’s the April

joe: 18th, I think.

Phrique: Yep. I think that’s it. April 18th, 19th.

joe: April 18th. 

Phrique: Okay.

Geo: And that’s in Wisconsin, right? Kenosha.

joe: Have you guys

Phrique: been and you’ve been to the Final Girl bar?

Geo: Uhuh.

joe: I have not. No. No.

Phrique: It is. So. Okay. it’s like a horror movie.

Nerds, wet Dream because it’s just there. There’s the walls, like I’ve,

joe: I

Phrique: I have all the pictures posted, like each bathroom is like, one of them is themed with just, it’s all red. And then with red lights, and then the other one’s green, and then there’s murals everywhere. There’s pictures of they’ve got all these different the pinball games with Jason it’s just all horror themed.

That’s where

Geo: That’s so cool.

Phrique: two events there, and that’s where the next one’s gonna be. And they’re,

I’m

there to work, but it’s fun

Geo: Yeah, I wanna go. Yeah, I

joe: think 

Phrique: and then it’s like again, [01:06:00] like I kind of learned I like pedaling my nonsense. So it’s like I get to walk up and then people walk up to me and I’m just like, you know, killer drag queens, lesbian nuns.

I don’t know how to sell 

Geo: that’s all you had to say. That’s

joe: it. Right?

Phrique: Yep.

Oh, and then, I mean, 

joe: Yeah. 

Right. 

You had me at drag queens. No.

Phrique: yeah, I was gonna say, I got my fan that I had to get

joe: had there. It is.

Geo: That’s awesome.

joe: So

Phrique: so that’s kind of, that, that’s kinda what I’m known for, so. Yep. But

it’s been, it’s been. 

joe: Yeah. 

Geo: And be around that kind of that community and people that are, you know, fans of that, that just has to be just such a great,

joe: yeah.

Yeah. We’ll put all that we’ll put in the show notes that comes out so people know where to go and go make it up there in episode, you know, just a couple 

Phrique: the one. I wouldn’t have thought, you know, you think when you’re gonna become an au an author that you’re going to, you don’t think about the social aspect. You gotta be on social media. You have to do all that. These are the one things where I’m just like, this is, it feels

joe: nice because

Phrique: because it’s like you’re being, it’s a safe space, but [01:07:00] also like you’re being basically celebrated.

’cause it’s like, yep, we’re going to

joe: right.

Phrique: We got stuff to say. We have books to put out. And it just, they’ve been very supportive. And au the the authors that we’ve had like AJ Humphreys, we’ve had Cynthia Plao,

Geo: Uhhuh,

Phrique: mean, there.

Geo: yeah, I just finished her book.

joe: Yeah. I was at the, it was at in one in Tinley Park more recently. 

Yeah. So last 

year 

Phrique: That one was awesome. We always have a We always have a drag queen there. We had a drag queen that did that was Krampus

Geo: That’s awesome. Yeah.

Phrique: they just I even told ’em like, and you guys are new at this. You guys are doing a great job. So

just, 

Geo: awesome.

Phrique: lucky.

I’m very lucky that, you know, they, I kind of became a mascot.

So it’s been anyone that I can get to that I can don’t have worker’s school, I will be there, but I will, yeah. It’s so much fun.

joe: Yeah, as Georgie, I mean, that Jesse Rose, that was who? That’s who I knew from and Connected Phrique and

Geo: and I That’s nice. Yeah. She

joe: [01:08:00] So yeah, she was doing that and, 

Phrique: and Reeb just they’re killing it. So now, like I said, I’m the little, I’m the mascot, 

so why not?

joe: Cool.

Geo: From Beyond press was part of it too, from

joe: Press was there, right?

Yep. Yeah. So Mike was

Geo: So that’s a nice connection. Yeah.

joe: Yep. Yep. So, and

Phrique: So, I mean, the whole thing is that it, the, I think we had 200 pounds of like food that we donated from the Crapes market. A lot of them, one goes towards the, their L-G-B-T-Q Center lake County, then the Trans Law Center. I mean, it’s

joe: Yep.

Phrique: really can’t, I mean, I, it sounds like I’m giving a commercial, but it’s like I’m proud to be, I’m writing such terrible, horrible things, but I mean, it’s been, it’s giving back too.

So

Geo: Yeah.

joe: Yeah. That’s what it’s about. I mean, I think that’s that’s part of it in the community and writing and art can be a very solo isolating event when you get in your creative space. So to go out, like you said, and find like-minded people who in a [01:09:00] safe space, you can celebrate your work, celebrate other people who are, you know,

Geo: And has a diverse message,

you know, it’s screw it.

We’re not gonna be afraid. I mean, that’s Yeah.

Nick: Especially in these times

joe: Especially these times.

Nick: it’s a real horror story. Now,

joe: the real horror story. We’re living

Geo: And they want

joe: from the eighties, seventies, and eighties. Movies have prepared us for today. We’re ready to go.

I almost need some

Geo: I don’t know I am not feeling very 

joe: zombies show up. 

I’m in my, I’m in my mode, man.

Phrique: So think,

take the but that’s what

Nick: I

Geo: mean. But that’s what everybody, everything is telling you be afraid right now. Right. And that’s, and so, you know, if you can give people this kind of

joe: kind of gotta be, you gotta be the one that’s you know what, it’s gonna work

Geo: Screw it, we’re gonna

joe: up. We, that’s all we gotta make it to, is the daytime. That’s what the horror movies have taught us that make it to the daytime and you’re gonna be the final person.

Geo: and there’s gonna be,

Nick: gonna roll really suck.

joe: All right. We’re gonna

Nick: to [01:10:00] come

joe: the end of this horror fest.

Geo: yep.

joe: Any last thoughts, Nick? You always

Nick: yeah.

So, what would be your the one phobia that has happened in real life for you?

Geo: Do

Nick: Do you, how open are you feeling? Do you want to share your scared times?

Phrique: I mean.

Nick: Have you had any?

Phrique: gonna come off looking terrible because again I have hobo phobia, which is fear of hobos and I feel terrible ’cause it doesn’t make any sense. But in, I, I mean I, it’s almost like they know it. So I, in the city, it just so happens they kind of seek me out and it’s just, I kind of lock up.

But no, I like no clowns. You know, it’s kind of one of those I’m the type where if you scare me, I’m not like, Ooh, I’m scared, like I’m gonna punch you. it’s one of those getaways from me. Luckily, no, but I’m not gonna go to these haunted houses and have someone jump out of me ’cause you’re 

asking me. 

joe: Right. That’s right.

Phrique: But no, 

that’s, I will say [01:11:00] luck, luckily. And I hope, knock on wood, I got wood.

joe: They have a, for the listeners, you have a horror movie book that you would go, here’s a couple you should just watch. If you’re not, if you’re not into the genre, maybe let’s say that, you know, something that,

Phrique: Just off the top of my head The Monkey was great. I love When Evil lurks. That’s one of my like, that’s like my new favorite one now. It was High Tension before, but When Evil Lurks was just great. Diallo wise, like old stuff, Blood and Black Lace is great, you know, deep red, any, but again, I’m a nerd.

Don’t get me started on that stuff. Cheerleader Camp, like if you want like a perfect this is what a slasher like epitome. That’s, yeah, that’s that. And bookwise, I would just say Hunter by Charlie Jacob Clyde Barker. Anything like I, for someone who makes fun of the 19 hundreds so much Sure.

Like all that stuff, self.[01:12:00] 

Geo: What about you, Nick?

Nick: I’m gonna go video game route. I’m gonna say Resident Evil. Which one? I’d say seven, which is Biohazard. That

joe: You didn’t say Doom, man. Come on, let’s go classic

Nick: I, again, you know, I’m not on the floppy disc, but I do love Doom,

joe: It was on

Geo: So do you have a phobia? 

Nick: Honestly I think it is just major crowds.

Never been one to be

like, oh, I ha I can feel that. Yeah. 

I’m good with small crowds. So once it gets real big, I’m like, all right. My anxiety’s up,

joe: Yeah.

Nick: I think more than four people.

joe: Georgia.

Nick: I

Geo: I don’t know. I think one of my greatest phobias is being in water over my. 

Nick: my. 

joe: Mm. You 

know, deep water. Mm-hmm. 

Nick: I’m 

Geo: really I’m really scared of that. Yeah.

Nick: Media.

Geo: Well, like I already said, Rosemary’s Baby and The Shining, but

Nick: what about you, Joe?

joe: Yeah, phobias. You know, I’m [01:13:00] not a big crowd person either.

I don’t know. If I don’t know if I have a phobia. 

Nick: it, It’s a weird

joe: it. Yeah. It’s like kind of, I, but you’re right, I don’t seek it out. Like people go, let’s go

Geo: yeah. You, but you like these big cons. Yeah. And 

joe: Right? So I go right. I do go to places with a lot of people. There’s things I don’t like and probably a lot of it is watching horror movies too young.

I was just telling Georgia I don’t really I don’t like beach. I like going to the beach. Let’s say that. I don’t like hanging out at the beach and, but when I was younger, Blood Beach, if you know that movie from the eighties. Yeah. So go check that out. If you wanna, you want some beach or,

Nick: or 

joe: but you know, it’s one of these things, so it is kind of, but you go, you get over it.

I think like heights in a little bit I don’t like the VR game where you gotta walk off one that plank. Ah, oh, that freaks me out. And I know it’s not real. Like the, I mean, talk, we didn’t talk about VR and virtual stuff, but you go out, but it was, but it actually helped me, like when I go clean gutters now, I did that game a few times and it desensitized me in my head.

I was like, you know, I’m okay. I’m okay. But yeah, I don’t really I don’t really like [01:14:00] heights, , it’s kind of, that freaks me out except I wanted to go skydiving. It’s kind of weird.

Nick: You wanna go skydiving?

joe: I do. Well, I

Nick: Are we gonna do,

joe: now, I don’t know. I’m kind of, I’ve passed the age. 

Come on. Of skydiving.

Phrique: Not test

joe: yeah, that’s right. Yeah. Let’s

Nick: Let’s see how well that ticker’s going.

joe: That’s right.

Let’s go. Yeah. And then media wise, you know, you guys know. 

Yeah.

Everybody knows 

listening to show knows. It’s gonna be The Thing.

Nick: Oh, that’s not what I was going to think you were saying.

joe: I mean, there’s, oh, what’d you think I was gonna say,

Nick: don’t worry about it.

joe: Oh, I’m worried now, not with phobia.

Phrique: the remake, like the addition,

joe: Oh, the pre, the prequel version of, oh, , it wasn’t bad. I think it added, I think it, it added to the canon, but it wasn’t, yeah, the original is it, go watch it, it has its moments. I think even if you’re not a super hard horror fan, I just think the psychological aspects of it, that’s what horror it, it kind of embodies that.

It sets a tone, I think four to eighties horror and what horror could be. I think that is, it’s a [01:15:00] classic for a reason. It’s got into the National Registry of Film, so, so yeah. So it’s now taken its place as a classic. So.

I really do, but if you’re gonna go like more comedic, you know, Evil Dead, I’m gonna go, I’m just gonna run in there.

And that’s another one you can watch. And it starts out super serious. I don’t think, I don’t think,

Geo: I don’t think, Evil Dead meant to be funny. I

joe: I don’t think it meant No, it did

not.

And they’re, I think Bruce came Yeah. And they, that they said that. 

Phrique: Do.

joe: Yeah. But it was like the first one, you could tell they were really trying to be serious, but it went off the rails, and when it went off the rails and then Evil 

Dead two, three. Yeah. It was just, this is a horror comedy, let’s, and let’s fool into it 

and go for it. And, you know. Yeah. 

And splat, I mean, then you had that, you started getting into the splatter, punk kind of elements of it, especially in a later one. So, yeah, no I think from there, but yeah, I can go on.

Geo: probably say like book.

More recent? Well, there’s probably tons, but o Only Good Indians. Oh God, so good. 

joe: Yeah. Yeah. But [01:16:00] yeah. Cool.

Nick: Hell yeah.

Geo: I had to get

Nick: Well, thanks Phrique

Geo: for, 

joe: Yeah. Yeah. Thank you.

Nick: Georgia had to go back to her. Go

joe: So once again Slay of Lake April 18th. So go out, support a lot of great authors. Artists are gonna be out there.

It’s a fun time. I’ve been to the one Slay of Lake, so there’s is a really fun kind of event. So, and support. So you’re supporting a lot of good causes going there. So yeah, check it out. But it was great having you on and come back when you have some more time. You get done. You wanna talk some psychology of horror again, you know, 

Phrique: I’m a nerd. I

joe: we can do it.

Yeah. So, 

Phrique: I appreciate it.

joe: yeah, definitely.

Nick: absolutely.

joe: So you’ve got me, Joe,

Got Nick. You got Nick Georgia. We’ve got Georgia

Nick: and

We went down to

joe: He. Stay

Nick: He is. Stay

joe: stay safe.

Nick: Bye-bye.

joe: We love y’all. Peace.

Episode 61 Show Notes: The Mini: Lassoing Truth

The crew revisits truth, maps, flat Earthers, and April Fool’s history. Science news: Artemis II, found time, zombie cells, and a spider disguised as a fungus. And no fooling, a fist bump with RZA

SubstackAppleSpotifyYouTubeAmazon

In Episode 61: The Mini, Joe, Nick, and Georgia revisit their conversation from Episode 60: Lassoing the Truth Serumwith retired Purdue Northwest philosophy professor David Detmer, where they explored truth, self-deception, and the uncomfortable science of knowing what’s real, and how your own brain might be the least reliable narrator in the room.

The crew follows up on a few threads from the full episode: the true size of continents and how the Mercator projection has been misleading us for centuries, the myth that girls are bad at math, and the Dunning-Kruger effect, illustrated by one of the most confident bank robbers in history. They also dig into Bob Knodel’s laser gyroscope experiment from the documentary Behind the Curve, where a flat Earther accidentally proved the Earth is round and refused to believe it.

In the new Segment, Science News (still looking for a new name and Georgia wants theme music) they talk about a newly discovered spider species that mimics a zombie fungus to hunt and hide, the surprising psychology of found time, zombie cells revived by genome transplant, and viruses (bacteriophages) that get more potent in space. Plus an Artemis II update/reflection and the crew share their opinions on being close, but not landing on the moon, which happened to Michael Collins on the historic 1969 Apollo 11 mission, he kept the seats warm orbiting the moon, while Neil Armstrongand Edwin “Buzz” Aldrin, made history and walked on the moon.

The crew talks about their field trip to the Music Box Theater for the Beyond Chicago Film Festival, where they saw RZA’s One Spoon of Chocolate, and a surprise meeting and fist bump with RZA himself.

Plus, what the crew is digging: Daniel Suarez’s Change Agent, S.A. Cosby’s All the Sinners Bleed, Maggie Smith’s Dear Writer, Kristen Ritter’s Retreat, the Duffer Brothers’ Something Really Bad is Going to Happen (Netflix), For All Mankind (Apple TV), Daredevil Born Again (Disney+), Monarch and Platonic (Apple TV).


In the 60th episode of Rabbit Hole of Research, Joe, Nick, Mary, and Georgia are joined by retired Purdue Northwest philosophy professor David Detmer, PhD to discuss with one of the oldest and slipperiest questions in human history, what is truth, and how do we find it?


Check out what the RHR crew is creating:

Joe:


It’s science for Weirdos

Want to support the show? Tell your friends. Follow us on social mediaDiscordshare the podcast, and let us know what topics you are excited about. And to see all the content (studio images and artwork) subscribe to the Rabbit Hole of Research newsletter!

Stay curious, stay speculative, stay safe, and we’ll catch you in the next rabbit hole. Love Y’all!


Future Events to Hang with the Crew:

Podcast Cross-Appearances

Events & Conventions:


Upcoming Episodes

*The Mini will now be every other episode!

  • Episode 62 – The Science of Fear: Phobias, Physiology & Splatterpunk
    Guest: Phrique
    Diving into the biology of fear, phobia formation, and the extreme horror genre of splatterpunk with author Phrique.
  • Episode 64 – Into the Deep: Humans, Caves, and the Final FrontierGuest: Ernie Bell, PhD (NASA and Blue Origin)What can living underground on Earth teach us about surviving on other worlds?
  • Episode 66 – Planetary Defense: Saving Earth from Other Worldly Impact
    Guest: Charles Blue
    Exploring asteroid detection, planetary defense systems, and what it takes to protect Earth from cosmic collisions.
  • Episode 68 – Hive Mind: PlubrisGuest: Wes Thorn (returning guest — Simulation Hypothesis episode)The crew dives into hive minds, collective intelligence, and the blurry line between the individual and the swarm.

What the Crew is Digging, Links, Resources, and Topics Mentioned in mini and/or full episode:

Maps & Projections

Documentaries & Clips

  • Behind the Curve (2018) — documentary following flat earthers including Bob Knodel’s laser gyroscope experiment — available on Netflix
  • Mon Mothma’s Senate Speech — Andor (Disney+) — Season 1, Episode 10

Listener Contributions

Dunning-Kruger Effect

  • Identified by David Dunning and Justin Kruger in 1999
  • Tendency of people with low ability in a specific area to give overly positive assessments of their ability

Gender & Math

Events

Books

  • Change Agent — Daniel Suarez
  • All the Sinners Bleed — S.A. Cosby
  • Dear Writer — Maggie Smith
  • Retreat — Kristen Ritter

Movies

  • One Spoon of Chocolate — Written and directed by RZA, presented by Quentin Tarantino. Screened at the Beyond Chicago Film Festival at the Music Box Theater. Wide release expected May 2026.

TV Shows

  • Something Really Bad is Going to Happen — Duffer Brothers (Netflix)
  • For All Mankind — Season 4 (Apple TV)
  • Daredevil: Born Again — (Disney+)
  • Monarch: Legacy of Monsters — (Apple TV)
  • Platonic — (Apple TV)

April fool’s day that got Joe:


Science Briefs:

Artemis II — To the Moon!

  • Launch: April 1, 2026
  • NASA’s Artemis II was the first crewed test flight around the moon, carrying four astronauts on a flyby mission to test systems and emergency procedures before future lunar landings.

Viruses Get More Potent in Space

  • Research showing that viruses, specifically bacteriophages, alter their structure and increase infection rates in microgravity conditions.
  • Potential application: more virulent bacteriophages could lead to a new generation of antibiotic alternatives, since bacteriophages naturally attack bacteria without harming humans.

The Cordyceps Spider: A New Spider Species That Mimics a Zombie Fungus

  • Taczanowskia waska sp. nov. — a newly described spider species from Ecuador
  • Authors: David R. Díaz-Guevara, Alexander Griffin Bentley, Nadine Dupérré
  • This spider mimics the appearance of being infected by Gibellula — the parasitic fungus that turns spiders into zombies — to ward off predators and ambush prey.
  • Represents the first reported case of arachnid mimicry of an araneopathogenic fungus.

Gained Time Is Expanded: The Psychology of Found Time

  • Study: Gained Time Is Expanded: Examining the Psychological and Behavioral Consequences of Gaining Time
  • Authors: Gabriela Tonietto, Selin Malkoc, Kun Wang, and Sam Maglio
  • An unexpected windfall of spare time — like a cancelled meeting — feels subjectively longer than the same amount of scheduled time, creating a unique sense of expanded opportunity.

Zombie Cells Return from the Dead After a Genome Transplant

  • Paper: Selection-free whole genome transplantation revives dead microbes
  • bioRxiv, March 14, 2026
  • Authors: Zumra Peksaglam Seidel, Nacyra Assad-Garcia, Vanya Paralanov, Feilun Wu, Olivia Chao, Elizabeth A. Strychalski, Eugenia Romantseva, Tyler Goshia, J. Craig Venter, John I. Glass
  • Researchers inserted the genome of one bacterial species into the cellular machinery of a “dead” cell, reviving its biological activity, a breakthrough for synthetic biology that could open doors for engineering organisms to produce medicines and materials.

Love Y’all! Don’t forget to Rate the show!

Transcript of Episode 61: The Mini: Lassoing TRUTH

The crew revisits truth, maps, flat Earthers, and April Fool’s history. Science news: Artemis II, found time, zombie cells, and a spider disguised as a fungus. And no fooling, a fist bump with RZA

SubstackAppleSpotifyYouTubeAmazon


j:
 [00:00:00] Hey, welcome back to the Rabbit Hole of Research down here in the Basement Studio. You have me, Joe. 

Nick: Yeah. Got Nick.

j: we’ve got Nick

Geo: Georgia,

j: and we’ve got Georgia here in the Mini talking about

Nick: the new name for three episodes

j: I know we’re keeping it there. Yeah we had David Detmer, retired philosophy professor.

On talking about the truth and how complicated it is. So it was a really good episode 60, Lassoing The Truth Serum. So that was a very that was a very good

Nick: was a fun episode. I enjoyed that one a lot

j: Mm-hmm.

Nick: and I think the timing of it releasing made it even better.

j: Yes. I think it’s it was very relevant to our times.

Geo: and it was on April Fool’s

j: and a release on April, no fooling on April Fool’s Day. But yeah, there was a,

Nick: you call it April Fooling? Like who are you? Fooling?

Geo: [00:01:00] we know the history of April Fool’s Day? Like why that came about?

Nick: It started all as a lie.

j: I know that’s

Geo: I’m just curious why they pick April 1st. 

j: I

Geo: Now, every day is April Fool’s Day.

Nick: I mean, April Fool’s Day doesn’t matter anymore. We got every day, other day.

j: So just a quick look of this, the origins are murky, but may trace to 1582 when France switched from the Julian to the Greg Gorian calendar. People failing to recognize the new year moved from late March to January 1st, were mocked as April Fools. It also seems to stem from spring festivals celebrating unpredictable weather.

So those two,

Geo: that’s very relevant still.

j: yep. So there’s a few others. Roman Goddess Connection, April was sacred. The Venus and the Ven area was held on April 1st, possibly tying the day to ancient [00:02:00] traditions. And then, so

Geo: Mo in the modern times, we have the whole where you purposely prank someone.

j: Yeah.

Geo: You know,

j: Yep. Modern,

Geo: like we use that as an excuse to be like, whoa, it’s April Fools Day and like,

j: papers, news, television stations will publish false stories to fool the public.

Geo: Right.

j: Kind of a

Nick: I mean, I always love those. There was only one day that one year it actually got me where I was like, what?

Geo: What was that?

Nick: it came up. Ah.

Geo: Do you remember

Nick: was a while back. I think it was, I don’t even remember. I think it was like an announcement of

Geo: Uhhuh?

Nick: and I was like, oh, wow, that’s so cool. And then it didn’t take till later that I was like, oh,

Geo: They got you. Yeah. Everyone

j: NPR did, and it was they were going to move all of the music in the Library of Congress on the 70 eights. They were gonna, cut records for. Storage because, unlike digital media, if the technology changes, then you can’t [00:03:00] play the digital files. But if you have 70 eights, then you can just have a stylist.

If it’s into the world, you find one, you can just still make music off of it. So I read that and I was like, oh, this is like a cool idea. But that’s gonna take a lot. I mean, 78 doesn’t hold that much information,

Geo: I know who gets that job,

Nick: I love getting fooled by it. It’s always good.

j: good.

Geo: and now it’s weird because of social media. Like you might not see a post on the day that it posts, , it’s two or three days later. Yeah. And then you’re like, and then you have to go, oh, this was from April Fool’s Day.

Nick: It takes a minute before you’re like, ah.

j: So before I get into the episode a few things to clean up. The other thing that happened on April Fools was the Artemis two

Geo: And that was a, not a prank.

j: was not a prank no two back to the moon. People were headed there. So real exciting to see that.

Nick: I think Georgia has a song for this. Georgia, you wanna take off?

Geo: I do.

j: All right. [00:04:00] Maybe that’ll be a bonus

Geo: that is an April Fool’s

j: 4th.

Geo: Nobody wants to hear me see 

j: but yeah, they’re,

Nick: sing your Rocketship song all the time. I don’t

Geo: Oh. Oh, you’re right. My zoom, zoom.

j: That’s why

Nick: That’s why I said zoom into this.

j: Yeah.

Geo: Oh my God, that’s a great point. I’m gonna have to remember that for Mother Goose tomorrow,

j: But as the astronauts, they’re all making our way.

They went around the moon, took some great pictures, and they’re now, I believe, on their way back to earth as the time of this recording. So

Geo: So they didn’t actually even get out to stretch their legs or

j: No, they did not get out. This was a test run. So they did a lot of testing on like emergency procedures, taking panels off, doing a bunch of checks.

So this mission

Geo: Yeah.

j: Then three we’ll take the lander up, and then four we

Geo: And when would that be? Do you

j: I think it’s next year. I think every year we, it.

Geo: Are these astronauts planned to be going on? Any other missions Or how do they decide [00:05:00] that? Do you know?

j: I don’t know.

Geo: It just feels

Nick: In two years, are they going back

Geo: yeah, it feels like, oh

j: have different, there’s a,

Geo: I’m the first woman, but I didn’t even get to get outta the ship.

j: I think that happened even in the Apollo mission that, you know, they went up and there were people who didn’t. Go to the moon.

I did the testing that, okay, you’re done and now we have a line

Geo: Right. I mean it’s all like building blocks. It’s all important. But I was just curious if they process

j: process. That’s

Nick: I feel like I’d be a little upset that I got chose for one and not the

Geo: Right. Right.

j: I mean, I don’t know. I wouldn’t be upset.

Nick: You know, it’s like, 

Geo: I don’t know. I think,

Nick: did I mess up? Did I get fired? What do I do now?

Geo: think you always wanna do the next thing.

You know what I mean?

Nick: Yeah,

j: I mean,

Nick: you don’t want to do the next thing, Joe.

j: I do, but I mean, going into space is exciting. So unless it’s, I

Geo: just like Will.

Nick: there, I might as well lick a rock.

j: you know, that’s why

Geo: They didn’t even they didn’t even get out to lick rocks.

Nick: I [00:06:00] just wanted to go lick a rock, but I couldn’t lick a rock because I’m stuck in this stupid chip.

j: I was gonna say the you guys are talking about being screwed, but Michael Collins he actually stayed in the lunar module. While Neil Armstrong and Buzz Aldering landed on a Luna surface. Oh. So he didn’t even count himself.

Nick: more

Geo: Oh my God, you gotta be kidding me.

j: And then he didn’t, I don’t think he got to go back up. So that was,

Geo: that stinks.

j: Yeah. So 

Nick: I had been like, Hey guys, can I just go outside for a minute? Like, let me just do a jump.

j: yeah. But he was in the, he was in lunar orbit, so he wasn’t even on, he didn’t actually

Geo: he didn’t actually, he

j: he hung

Geo: car warm.

j: right. He just kept the lights, the gas r you know, if you guys see aliens, let’s go.

I’m ready. So, yeah, no, that was but yeah, so that was, 

Geo: so they wouldn’t see aliens on the moon. They would be the aliens. 

j: Well, 

Geo: Do you know what I mean?

j: right. 

Nick: Was that a high thought there, Georgia?

j: [00:07:00] I know. Yeah.

Geo: It was yes. Right up there with zoom, zoom, zoom.

j: Just quickly looking it up that Michael Collins did an interview in 2019 and said he was delighted with his seat.

Despite missing the walk, and he was actually offered another chance to walk on a moon as later commander, but declined it according to NASA post.

Geo: I wonder why he declined.

Yeah,

j: Yeah, I mean, maybe you do it once and

Geo: Yeah.

j: So, back to the episode. There was a couple things you said we would touch on.

One was the, map accuracy. We talked about the sizes of continents on maps and how they’re drawn. So the Equal Earth Projection or Gail Peters projection is what they’re now, provides a more accurate representation of land sizes. And it’s actually named after James Gall and Arno Peters. They created this map in 1885, but it wasn’t published until 1974.

Geo: And I’ve, I mean, and is it widely known about like, yeah,

j: I mean, I think they’re trying to [00:08:00] get it out there.

Geo: is that something I could just Google and I can look at like that, the map that’s more

j: this in the show notes, but they, there’s a website called True Size Of, and you can actually compare. Drag

Nick: that website.

j: continents on top of other continents and really see

Geo: and then can you compare it to like the other maps,

j: is called a Mercator. And so you can use that to, yep. You can adjust and it’ll adjust for latitude and things to actually give you. The true kind of ratio between different land masses. So that was really cool.

So I’ll throw that in there. The other one, I’ll throw these article links. There was this was the idea that girls are bad at math. And so there was a few, recent large studies have shown there’s no intrinsic gender difference in children’s earliest numerical abilities. That paper was published in July, 2018 in Nature

Geo: and it really was more about the perception of being

j: Yeah. Being told that you’re bad. Right.

Geo: just think, oh, I’m a girl. [00:09:00] Like, you know,

j: and the perception from teachers that, oh, you’re gonna be bad, you’re gonna be worse at math, and so you’ll be better at this. And so you never get that Right confidence boost that you need

Geo: going in or, and also like, like going into like STEM, going into engineering.

j: The other one that I didn’t mention in the episode, but it’s is the Dunning Kruger effect. Are you guys familiar with

Geo: Is that the one you’ve talked about before? I

j: have talked.

Geo: that you know enough to then not really.

j: You have limited

Geo: you know who talks about this one a lot.

j: But yeah, you have limited knowledge and you’re confidence in a domain is greatly overestimated. Versus their expertise.

And this was identified in 1999 and it suggests that incompetence prevents people from recognizing their own mistakes, often leading to higher confidence than experts.

Geo: Oh God. I could see so many examples.

j: about this guy, he

Geo: Oh, about

j: Pittsburgh and he went in a bank. [00:10:00] Robb did, and then he went home, and then the cops and everyone showed up at his house and arrested him. He’s like, , how’d you guys find me so fast? It was like an hour later or something really quick. And they go, oh, yeah you didn’t have a mask on. So we saw your face and we, and people knew who you were and we knew where to find you.

And so they were like, no. He goes, no, I did these experiments. Where if you rub lemon juice over your face, then you become invisible to cameras. And they go, what? And he goes, yeah, I even tested it. I did a bunch of tests with the Polaroid camera, and they went, and during the investigation and searching the home, they found the Polaroids and they could see.

And the problem was that his tests, he would always after putting a lemon juice on the camera, was tilted at an angle, which didn’t show his face and assumed then that the lemon juice truly did make him invisible, the cameras. 

Geo: Don’t do that.

j: Yeah, don’t

Nick: I was not expecting that outcome

Geo: Neil deGrasse Tyson talks about that a lot. Yeah, I’ve heard him talking.

j: And then the follow up [00:11:00] on David’s point about the flat Earthers, there is a documentary and almost to the same point called Behi Behind the Curve. And in that. Like he said, there’s conferences. But in this show, this documentary, it follows people who are really setting up these very involved experiments that they feel will prove the Earth is flat.

And this one that’s in there is this Bob Knodel’s laser gyroscope experiment. And he kind of tries to test the earth rotation. And he says, oh, if the earth’s not moving, we won’t, you know, if it’s flat, you’ll see this. And if it’s round, and he actually then. It proves that the earth is indeed rotating and hence it’s round and in gen.

And generally then all these experiments, when they get the result that proves the Earth is round and kind of prove all, you know this, add to the evidence. They go, oh, our experimental design was flawed. Not that the result they got, the reason they got was [00:12:00] correct. So yeah, there’s more, there’s a whole documentary Behind the Curve and I’ll throw that.

Into the show notes.

Nick: It’s pure comedy gold. They were not trying to be ironic about it, and that’s what made it so great. The look on their

j: you’ve seen it?

Geo: Yes.

Nick: Yes,

j: Okay. Yeah. Yeah. I didn’t, I

Nick: know exactly what you’re talking about.

Like, it’s one of those like late night watches where you’re like, this is just hilarious.

j: yep. Yeah, no. So that was just a few

Nick: Highly recommend.

j: From the episode I thought I would add to it. Had some listener feedback. So, one was Alex who listening and mentioned a few things and he mentioned the Mon Mothma 

Geo: mamma, 

j: the character in Andor.

Who gave a speech to the Senate and so I’ll put that clip, “but it’s of all the things at risk, the loss of an objective reality is perhaps the most dangerous. The death of truth is the ultimate victory of evil. When truth leaves us, when we let it [00:13:00] slip away, when it’s ripped from our hands, we become vulnerable.”

To the appetite of whatever monster screams the loudness. And so, and then Alex added his own, “truth is discovered or known, it doesn’t necessarily lead to accountability.” So that was his, some of

Geo: His thoughts. There you go.

j: And he also brought up Operation Paperclip and that was the program. We’re more than 1600 German scientists, engineers, and technicians were taken from the former Nazi Germany to the US government employment at the end of World War II for things like rocket development and medical technologies that they could bring over.

Nick: So was that one ever really a secret? I feel like that one was well known

j: I think it was a secret. 

Geo: I think they really tried to keep those people’s identities confidential.

j: Where they actually, I think it was people, they knew people were coming into science programs from Germany.

Geo: Germany.

j: But it wasn’t, their history and their background, they got new identities, they were [00:14:00] protected from the trials that were going on at this time, remember they were under trial for the horrendous Crimes against Humanity that were caused

Geo: And they should have and they should have been held accountable.

But because they had this skillset

j: And Russia was, the Soviet Union were recruiting these people, but it’s,

Geo: but it’s not like

j: like a

Geo: America was also doing those horrible

j: experiences. Yeah.

Right? I mean

Geo: same time, we make it sound

j: seem like,

Geo: like, oh, we’re so much above that.

Yes. You know.

Nick: stopped doing experiments. It’s just how well known they are

j: yeah. So, yeah.

Nick: I was gonna say what other experiments that are known about what that would be? 

Geo: The one I’m thinking of is the one about syphilis.

Nick: There are better known podcasts that will cover conspiracy theories better. If you’re interested, go seek those ones out. Those are always fun.

j: Yeah,

Geo: Right after you watch Beyond the Curve.

Nick: Oh yes.

j: [00:15:00] Cool. All right. Anything else you guys got before we move the new business?

Nick: No, not really. I thought that episode was a lot of fun though.

j: Yep. It was, yeah. And I will say because of the Artemis launch, we’ll be shuffling some episodes around that’s coming up. We will do the, still keep the

Splatter punk episode next with Phrique to support Slay the Lake that’s happening in Kenosha. Is that Wisconsin? Is that April

Geo: April 18th.

j: yep. So, so yeah, so

Nick: you guys going?

j: more about that. I think we

Geo: I plan on going. It’s.

j: it’s

Geo: To let you know, like, I don’t know if, I know we’ve talked about it before, but it’s the like horror writing, horror writers L-G-B-T-Q,

j: Mm-hmm. And

Geo: it just sounds, I haven’t, you’ve gone to one of the,

j: these? I did go to one.

Yep.

Geo: but I haven’t, but I’m really, I’m, yeah, I’m really excited.

j: Yes. We’re gonna go

Geo: April 18th. So go.

j: And we’ll put it in the show [00:16:00] notes 

Geo: do you think you might own on it

Nick: I don’t know, maybe.

j: the Rabbit Hole, the Research

Geo: a field 

j: Field

Nick: field trip.

j: We’ll talk about that. We just had one, but I want to get to the cool science stuff.

Geo: I’m sorry Joe.

j: I know. Is that, Nick, did you have anything?

Are you

Nick: I did, it was in the vein of space. , it was a whole thing about how the property of viruses change when they get sent to space.

And I thought that was super interesting ’cause we’re, I feel like Joe and I have been on a rather big space kick lately, especially with Artemis two going up. But yeah, they were saying that regular ones does a really good job at infecting right

j: Mm-hmm.

Nick: But when they get sent to space, something in the property makes it becomes more powerful, more potent.

That’s what it’s, and I thought that was so cool. Can you go with that, Joe?

j: of the microgravity, they had conditions there. They tested it. Yep. And some viruses, I think they were bacteriaphages.

[00:17:00] So these are viruses that particularly attack bacteria that they go, it alters their structures attachment. And I think infection rates will go up so they

Geo: it’s probably how it travels through the air really.

j: It could just be the, how they evolve once they affect their hosts, then the changes that happen in this new environment.

Right. So we think about evolution and evolution as, passing on your genetic material and inducing changes. And then those changes are influenced and selected for by the environment. If you change the environment, something I can reproduce really quickly.

I’m guessing I didn’t read this paper, but they could evolve more rapidly and adapt to their new environment faster

versus let’s

say humans, which we only have usually one child per birth cycle. So our evolution is really slow compared to, insects or viruses which, reproduce in the millions at a time. So every time they churn through. They are, [00:18:00] they’re evolving a lot quicker and they can adapt to their environment a lot faster than we could, you know, so that I’m thinking that’s what’s happening.

Nick: I thought they were saying something about wanting to see how they react after they come back down and if they can. End up helping make processes stronger.

j: Yeah, I mean, especially like bacteriaphages. So if they can, because, we have, we use antibiotics, so these are drugs that can affect the way bacteria will divide or replicate or weaken their cell walls or things like that to make them more susceptible in the die. So we use these kind of things that other like fungal species or other bacteria make.

The fend off other bacteria. But if bacteriaphages, which naturally attack bacteria, trying to use that. If you have now more virulent bacteriaphages so these won’t harm humans, they’ll just go after bacteria. Then you could maybe create a new generation of, antibiotic [00:19:00] drugs.

Using a biotic 

Nick: wild. 

j: So that would be my guess. Once again, I didn’t, I need to probably dig in this

Nick: wasn’t a super long article. I don’t think they went super deep into all of it, but I just thought it was super interesting to see that, you know, the speed of something can change or the potent

j: Potency. The virulence yeah. So, yeah no, I think that’s, like I said, I think it has to do with their evolutionary rate that they can evolve in into their new environment.

And you see that with like bacteria, like they do gain resistance to antibiotics. Their generational cycle it’s so much faster that you can then find and select for something that is, is much stronger resistance than its parents.

So, yep. Very cool. Yep.

Nick: So what did you bring?

j: Yeah, I got a couple things and one is probably that same line. A really cool arachni mimicry of a pathogenic fungus. So corti opus, we [00:20:00] all familiar with that. It’s the fungus that. We’ll control spiders, ants, things like that, and make them do its

Nick: Oh yeah,

j: like climb up to a high point and then it will fruit and then spread its spores all around.

And so what they found was this spider and I’ll put it as a show notes because I’ll probably hack up the species name Taczanowskia waska

Waca. It’s a new spider species.

Nick: that’s.

j: And it’ll,

Geo: it will 

j: it actually will mimic it being infected. So it appears to be infected with the fungus, but it’s really not infected.

And so it’s kind of this it uses this. Decoration to ward off predators. But it can also, be used in hunt hunting. So if , another animal sees it, the spider is sitting there with the fungus grown out of it, it might go, oh, it’s safe to pass, get close enough then that the spider can make a meal, and ambushed the prey. So it’s really kind of cool, this kind of [00:21:00] mimicry that it’s developed over time, once again in its environment kind of interacting with this species that it’s now used, using

Nick: that one’s so wild of a camouflage.

j: And indeed, yeah. To pretend that you’re,

Nick: oh no, I’m a diseased. It’s like

j: Yeah.

Nick: if someone’s like, oh, I wanna camouflage myself with leprosy, it’s like, oh,

Geo: Yeah. I remember, I,

Nick: don’t do that.

Geo: I remember this guy that he used to say, if he was going to be like in a sketchy neighborhood or like he’s on a bus or something and he’s nervous about it. He just starts. Talking to himself really loud and he says crazy stuff. , no one messes with you.

If you’re clearly insane. Nobody’s gonna mess with you. It’s kind of the same.

j: Yeah. I think it

Geo: think it’s kind of thing.

j: similar. No, it’s really cool. 

Nick: You could be either be someone talking to themselves or just someone

j: your phone,

Geo: Like I think you really have to,

j: yeah, you gotta be

Geo: You really gotta [00:22:00] play it up nowadays.

j: be kind of hard.

So, 

Geo: dunno, I think you could pass yourself off as being completely insane.

Nick: Who, Joe.

j: yeah, that’s not me. 

Nick: I get it.

j: So I had a, another one that was interesting and maybe we all have this feeling, it’s that it was called gain time is expanded, examining the psychological and behavioral consequences of gaining time.

And essentially the, this kind of study, it’s how if you gain an hour like so a canceled work meeting if it this unexpected windfall of spare time, it feels expanded. So it feels, so if you get, you gain like an hour from missed meeting or a canceled meeting, that time feels longer than 60 minutes.

It gives you this ex ’cause this expectation from this unique sense of opportunity. And so you actually respond differently if you get this found time or this gain time where it’s like, oh, you don’t have, we’re not doing this meeting [00:23:00] today. Okay. That, that 30 minutes or 60 minutes now feels like 90 minutes.

Like it feels much longer psychologically, even though it’s obviously to 60 minutes, but you have this kind of sense of finding this time and then doing things with it or

Nick: you already have in mind what you’re doing, so your brain is like, I already have this planned out. But now that you have to create a new task for yourself, you end up having so much more of a, oh, what am I gonna do with myself kind of moment.

j: Exactly. Yep. No, I think you have that pho. I kinda, that burst of energy like, oh man, now I can do something else. I can get caught up, or I can take a nap. I don’t know if this actually said you could take a nap, but I’m

Nick: I mean, I kind of just forget what I’m gonna do and then just get into a standstill of, well, what am I gonna do?

j: So I’ll put that link

Geo: and then I feel like it, you have that and then, oh gosh, I didn’t do anything really with that time and then I get depressed.

j: Well that’s I guess that’s a different thing.

Nick: That went down real quick.

j: right. It’s like,

Nick: I’m so sorry, [00:24:00] Georgia

I guess you could just call me. I’m not doing anything

j: yeah. Yeah, then I had one more. It was interesting to stay on the zombie theme. I was thematically thinking, I dunno, to gain time doesn’t really fit. But it was this cool paper about zombie cells that return from the dead. So the paper was selection free, whole genome transplantation, revives dead microbes.

And so they

Nick: know what? I think I was reading that article

j: did you read that one? Yeah. Yeah.

Nick: Could not understand it. And my brain was like, what?

j: And so this is this whole idea of like synthetic biology, and it’s a really fascinating and interesting field that’s been taking, picking up steam and synthetic biology is can you get life to create resources that we need? It could be medicines, it could be materials like whatever.

So can you take something that’s living and then reprogram it? To actually create the thing that you want it to make. And so this is interesting because the idea here was that you had [00:25:00] dead bacteria and then they took the genome from another bacterium, and put it into the dead one and machinery that was still happen to be in the dead one. Started to use the other genome 

Nick: this is where I got a little confused. So when it’s a dead cell, isn’t that like, isn’t, doesn’t stuff start to decompose or is

j: it you can start having breakdown

Geo: it a

j: you would have that I believe, yes. I think the, and I could, I need to, I would’ve to look at the methods.

I should have had that know you were ask me methods questions. No, you’re fine. Let’s

Geo: but

Nick: where I got confused. I don’t know

j: no,

Geo: it would have to be pretty like newly

j: They do, they talk a bit about it. They say a general solution to this problem killing recipient cells without compromising their capacity to continue to do work.

Right. So to y’all’s point, this whole genome transplant that if you, the cell’s been dead [00:26:00] too long, all the proteins and things will denature break down, like the cell’s not actively doing anything, so it won’t maintain its system. 

So they were crosslinking and stopping replication of the genome and that would essentially kill the cell if they block its genome for being used .

So it actually can’t now make new proteins and stuff . But this process, they used this cross-linking process would leave all it, its machinery transcription, translational machinery. That’s the machinery that can read DNA to RNA and RNA to protein that can do work in a cell.

We’ll leave that all intact. Then they could take the donor genome. Which they grew. And then just to explain back that the donor genome, they didn’t actually take another bacteria and then open ’em up and pull the genome out. They actually used they made what’s called a plasmid, a little circular piece of DNA.

And then that was of the other genome from the other bacterium, and make copies of that in yeast. [00:27:00] And then they could take that. So the yeast would make a bunch of copies of the bacteria plasmid, and then they have like now the donor plasmids, and then they would put that into the deactivated bacterial cells.

So essentially they were like on life support, 

Nick: controlled environment, right?

j: weren’t like dried out, crusty bacteria on a plate, like, you know.

Nick: them off.

Geo: So, wow.

j: yeah. Really, and that’s how synthetic, that’s how you would do synthetic biology and do that, or, trying to put new organelles into. A thing that doesn’t have the organelle. Think of photosynthesis and the chloroplast.

Geo: or is that also like growing certain organs out of a different organ?

You know, and I mean like a different type of cell. We talked about that a little

I like what makes it synthetic?

j: I guess you could have biological parts or devices or systems or taking existing ones and making a useful purpose out of it. So have it reimagine something that then you can use. So you’re taking engineering, [00:28:00] molecular biology, genetics, computer science, and then trying to create for all intents and per an optimized organism. Let’s say that, so something that, that suits your desires perfectly.

Geo: Mm-hmm.

j: No. It’s a very, it’s a fascinating area. Of research. I think it’s one of the new focuses of NSF funding is synthetic biology. I think it’s gonna be, one of those things we’ll hear more and more about, it’ll creep up and it’ll be like, oh, this is some synth bio, material.

I think you’ll see it more. So it was kinda like nano particles and nano kind of things. You know, 10, 15 years ago now we’ve just gotten used to it and someone says, oh, nanoparticles.

Nick: Yeah, that makes sense. I know what that is or have the general idea what it is.

j: yeah, no, so this was fascinating. Like I said, it was a fascinating paper to see it come out and to do that, but yeah, I just feel like I’m in journal club, like back in grad

Geo: I mean, didn’t we come up with a name for this segment? Oh

do [00:29:00] we have a name? Well, I think we need a name and it,

Nick: club.

Geo: and we need it to be like,

j: I don’t want journal club. I

Geo: I don’t know. It needs to be like a music or something that leads into it. So everyone knows that’s what we’re doing now.

j: Alright. Well that’s a whole different

Nick: Well, if anyone has any

j: you’re right. There we go. Cool.

Geo: Science.

Nick: kind of media have you guys been up to watching lately?

Geo: Well, we saw a movie just was that last night? No. Was that last night?

j: That was two nights ago.

Geo: Oh,

Nick: know. What movie did you guys see?

Geo: One spoon full of

Nick: Oh, that one? Yes.

j: One spoon of chocolate. By

Nick: ain’t no fool in there 

j: by. By the RZA the Abbott

Nick: we did run into,

Geo: We got a fist bump.

j: did. We got fist bumps. Yes. Yes. We were,

Nick: all round.

j: there was, yes. No, it was a very, yeah he came to be with the people and yeah, he, we were looking

Geo: were the [00:30:00] people.

j: we were looking at some DVDs and that were in the lobby and next thing he was standing be asking us how we liked the movie.

And it was yeah. I’m not sure if we answered or just drooled a little bit. I think we did.

Nick: all kind of just went.

j: Yeah. Yeah. Nick had to apologize for literally running into him. So that was and then he was like, yeah, it’s okay, buddy. What do you think of the movie? Yeah, 

Geo: It was really,

j: it was, yes,

Geo: it was, yeah. It was good.

j: It was good. Yes, it was a really good movie. It was presented by Quentin Tarantino. Quentin Tarantino wasn’t there, but it was a grind house style.

Geo: He’s produ, he’s one of the producers

j: One of the producers. But yeah, it was written and directed by RZA and you could see it was really good. And yeah, then he did a question and answer,

Nick: films

j: Right.

Lot of elements. If you’re, if you like Grindhouse, \ , Kung fu Samurai movies mm-hmm. Then you’ll see all the little elements and Easter eggs in there. It was, yeah, it was good. I like it. I, and this summer, I think it’ll be, I think it’s the pre premiering now. And I think May it comes out. [00:31:00] More wide, but yeah.

So it’ll be like kind of a nice summer movie to go see. Yeah. But it was really fun. It was at the Music Box, the Beyond Chicago Film Festival, so

Nick: Which we absolutely loved every bit of that we were there. Music box. Fantastic. If you’re in Chicago, please check it

j: I would check it out. Yeah. So

Nick: the Beyond Fest was very cool.

j: Yep. It was a lot of cool movies, a lot of good indies. It was really neat. But yeah, that was fun. Yeah, we the crew was on the road mixing it up, getting fist bumps with RZA so if you’re out there, RZA, come on the pod. Love to have you, love to

Geo: enjoyed it even.

Nick: to be less awkward.

Geo: Joe did even put

j: Pass

Geo: pass on a,

j: I know I wanted to, I wanna talk about the embryos. He had this whole embryo theory. I need to talk about science there. So come Show RZA we’ll chat a little bit. No, really nice guy. I mean, you know. Yeah, just really I love it. Talked about, he talked about the process and really doing the studying and then doing the work.

Like it’s really it took [00:32:00] him 12, 13 years to. Get this movie done. Kind of just going back, kind of learning the fundamentals, learning the basics, and yeah, it was really, it showed, yeah, really good. So

Nick: Yeah, very much enjoyed it.

j: A lot of fun there.

Nick: What else? What else have you guys watched? Anything Red

Listened to?

Geo: we’re watching the New Duffer Brothers show on Netflix.

j: Mm-hmm. Mm-hmm. Yeah.

Geo: S Something Very Bad is Going to Happen

j: Yep. That’s, that is, I think that’s it.

Geo: Yeah, it’s really good.

It’s very trippy.

j: Yep.

Nick: Nice.

Geo: yeah. It’s got

j: all

Geo: right away, like in the first episode, there was

there’s

a couple jump scares. Well, for me not for Joe,

j: no, it was all right. It was,

Geo: I gotta be careful ’cause then. My cat lays on my lap, and then that can be da. That’s dangerous.

j: That is a little dangerous. That’s on Netflix. So just

Geo: yeah. Netflix.

Mm-hmm.

j: to point that out. What else? Yeah, I [00:33:00] think, oh, we’re watching For All of Mankind.

Apple Plus the new series dropped. We’re watching Daredevil. The new season,

Geo: That’s really good.

j: So the couple three episodes have dropped and all to solid, so really,

Geo: good. How about you, Nick?

Nick: Me. Well, besides the movie we all saw together tonight, I was told. Joe and Georgia that I was watching a movie, but I lied. I was watching some stuff on Apple tv,

j: Hey.

Geo: Oh, like a series.

j: What were you watching?

Nick: I watched the first episode of Monarch,

Which is the Godzilla King Kong series. Wasn’t bad better than I expected. I think I went in with low expectations though, so,

Geo: Yeah.

Nick: I’ll probably, it’s a it’s a hard show to binge, so we won’t watch two episodes in a night. But after that we watched Platonic

j: Mm-hmm.

Nick: and that [00:34:00] was the Seth Rogan show, which he’s with someone else, which now I’m drawing a blank on.

But yeah, enjoyed that too. And I’ll probably watch Plubris tonight or

Geo: say better. Or Wes is gonna be really upset with you.

j: You should check out For All of Mankind. I think you would

Geo: Severance.

j: a lot of space.

Yeah. Yeah. A little. You want something different For All of Mankind. I think especially with the space element. I think it’s really that one also throw it in there, but Yeah.

Geo: But what it’s on, like, I wanna say it’s on the fourth

j: it’s on the fourth season now. But yeah, I mean that gives

Geo: know, I’m just saying

j: is one you can binge too. You can watch ’em, you know they’re longer, but they are, you can watch a few episodes ’cause it follows historically, you see this little changes in history. If it went one way or the other. And you get caught up in that. Then they have a bunch of segments, like the the real history. 

Geo: Which is separate from the actual show. Separate

j: separate from the real show. Yeah. So real, really cool, really well done. Alt history show. So

Nick: Hell yeah. Yeah. I’ll have to check that out because I was like, oh, I know. We’ve been wanting [00:35:00] to check out a few shows, so, and you guys keep telling me to watch shows on there and. So I was like, you know what, I’m gonna get a month worth. Let’s see what it’s about.

j: Yeah, there you go. Good job.

Nick: And what, I’m almost caught up with Daredevil.

I just started Born Again, so I can work my way up to the new season

j: So

Geo: So you’re on the first season

j: you’re dedicated man, that’s,

Nick: yeah, well it’s, ’cause I don’t remember last season

Geo: right? Mm-hmm.

Nick: and I don’t recall, I didn’t recall watching. Season three, and I know I didn’t watch the Defenders, so I’m all caught up now.

Geo: Wow.

j: Cool.

Nick: Yeah. And yeah haven’t started any new games besides the ones I’ve been playing. And yeah that’s been just about it.

j: it. Yep. I didn’t talk about the books.

I read, I finished a few books. Change agent. I think I mentioned that. That’s the gene editing [00:36:00] book by

Geo: That was a recommendation by a

j: Bruce yeah. Bruce

Nick: Oh yeah.

j: Energy Directed Weapons episode. And then I had, I read All the Sinners Bleed by SA Cosby. So a little really good thriller , 

Geo: definitely race relations. Definitely.

j: Very good. And then IFI finally finished Dear Writer by Maggie Smith, so I’ve been talking about that. So I’ve been making my way through very motivational little skew towards poetry, but I think it fits for all writers and creatives.

I think it has a lot of good things about how to get through the noise, how to keep creating. Even when you may not want to or doesn’t feel like you should, but it was really good. So really motivational. So those three kind of finished up in the last week-ish or so. I don’t think I mentioned books in the last Mini, so yeah, trying to keep

Geo: I’m Reading Retreat by Kristin Ritter. Do you know who that is?

j: who that is. Well, I know who it is.

Geo: Do you?

Nick: The actress,

Geo: Yeah. Jessica [00:37:00] Jones. Yeah.

Nick: Yeah.

j: while ago. This is our second book.

Geo: is our second novel. I read her first novel too, which, oh, I’m drawing a blank.

j: Burnout or?

Geo: No, it definitely starts with a B, which that really narrows it down.

Nick: Yep. That’s 

Geo: and the first book she wrote was set in Indiana and it was really good. Bon yeah, bonfire. It was really good. And this one is also twisty. Yeah, and I probably have about 25% more to go on that, but I was real excited to see she had a new book.

Nick: Nice. Yeah, I didn’t know that she was writing books. I’ll check that out.

Geo: Yeah. Pretty cool. She makes knitting patterns too.

Nick: Are you

Geo: Am I obsessed? No. 

j: Alright. Good.

Geo: that is my favorite Marvel show. I just have to throw that out there.

j: Yeah, it’s a good one. [00:38:00] Cool.

Geo: Alright,

j: Alright.

Nick: Well was th this was another episode of the Mini

j: This is another episode of the Mini, and you have me, Joe.

Nick: Ya Got Nick

j: got Nick.

Geo: Does that mean we go down many holes?

j: you just say who you are? I didn’t ask questions.

Geo: Georgia.

Nick: was Georgia

j: Yeah, it’s like.

Nick: and. We went down some mini holes.

j: If we went down many holes, stay. Stay curious, stay safe.

Nick: Bye.

j: we love y’all. Cheers.

Transcript of Episode 60: Lassoing the Truth Serum

with guest David Detmer, PhD


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joe: [00:00:00] Hey Welcome back to the Rabbit Hole of Research down here. That is

nick: is a true statement. 

joe: down here 

mary: here in a 

joe: basement studio.

You’ve got me Joe. Feeling good.

nick: You got Nick.

mary: You

joe: got Nick. We’ve got Nick Georgia. We got Georgia.

mary: We got Georgia. You got Mary. We got Mary.

nick: Hey, I think we got a special guest with us today.

mary: What you

joe: do have a special guest please.

david: My name is David Detmer. I’m a retired philosophy professor from Purdue Northwest, where I taught for 35 years.

joe: Nice. That’s gonna be perfect. ’cause today we’re gonna be talking lassoing the truth serum. 

nick: Thank you for being here with us today.

joe: Yeah.

nick: Actually live in the studio as

joe: Yeah, we get in the studio, not Zoom or some other

mary: Yeah, it’s great.

joe: Mistruths 

nick: great. We have a full

joe: So yeah, full table. this is a pretty cool space, so I’m glad I’m here rather than some remote location.

Yeah. Whatever it is. 

mary: Yeah,

joe: Yeah.

Yeah. You ready to get into it?

nick: Yeah 

geo: I would thought you were gonna start.

You’re a little monologue.

joe: I am. I’m not [00:01:00] even

nick: she’s not even lying about that.

geo: You know what, if it’s up to Mary though, she’s gonna Yeah. Cut

mary: that’s right.

geo: Cut you off.

joe: unless she has one ready to go and

mary: No. I’m here for the ride.

joe: Yep. It’s just set the stage a little bit.

Wonder Woman has a golden lasso that forces anyone it touches to tell the absolute truth. And depending on your perspective, this is either the most powerful weapon in the comic universe or the most terrifying, because here’s the question, no one ever really asks, what if the person she lassoed is telling her the truth completely, sincerely with everything they have, and they’re still wrong.

The question isn’t whether you can tell when someone else is lying to you. The real question is whether you can tell when your own mind is.

This was shown in the most extreme way, a man with a very specific kind of brain damage, connection and communication between his left and right hemispheres were severed.

When scientists showed his right brain and image his left brain couldn’t see, then ask him to describe [00:02:00] it. His left brain didn’t say, I don’t know, and invented a perfectly reasonable explanation, and he delivered it with complete confidence as absolute truth. The researchers called this the left brain interpreter.

It’s a system your brain runs constantly making sense of the world by reconciling new information with what was known before, stitching your experiences, impulses, and reactions into a coherent story. It doesn’t always wait for all the facts and fills in whatever fits and keeps the narrative moving. We all have this, it’s running right now.

As you listen, your own brain is interpreting reality, not as a faithful recorder, but as a writer, making things up for you to believe as truth.

geo: And trust me.

joe: So

mary: I don’t know whether to believe you. That’s right.

joe: Me.

You

gotta believe yourself now.

nick: I mean, we do tell ourselves lies all the time, and eventually we will start believing them and it. It comes to the point where is this a truth or not? Like [00:03:00] your brain reiterates what happens in the past from your own perspective.

joe: So 

mary: what 

nick: one person’s truth is, it’s not always someone else’s. ’cause if they’re watching the same thing, they’re seeing it from different angles and 

joe: mm-hmm.

nick: I think that would be where it would get the gray line of, right, you telling the truth? Yeah, you are, but it’s only in your own eyes.

joe: But I guess , it also lines up with fact, right? ’cause how do you prove something is true? And once that proof is established, then if you keep believing your own reality or your perspective is that where it becomes a falsehood. I think there is disinformation and misinformation, right? So I think that’s where that line Nick, you’re kind of getting at a little bit.

nick: Yeah. I was actually thinking about that episode of Malcolm in the Middle, which Yeah, I know, throwback right there.

joe: I know.

geo: Can you give us a little more about that

nick: Yeah. So I think it was I can’t remember her name.

It was the mother, she ended up [00:04:00] getting into a car accident and no one believed her that she was not at fault. And they pulled from a security camera that didn’t prove her right, but she kept fighting for it and fighting and then they found another footage from a different angle and it actually proved her right.

And she was like, no one was believing me, even though I know I was right. I, she didn’t think that she was going crazy, but everyone else saw what they saw and thought that she was wrong and it was like, oh yeah. 

mary: Interesting. 

david: I would say that we don’t want to go too far with this and Georgia I thought your comment was right on the money when you said to Joe, why should we believe the story he was telling

is true?

You know? 

It can’t be a kind of complete skepticism. There has to be a way of trying to figure out what the proof, sorry, what the truth is, and we’re living in a period when, especially in the political realm. It’s just full of [00:05:00] lies. And it seems to me there are many cases where you can figure out what the truth is and we don’t have to be worried about, you know, the left brain, right brain stuff.

You know, it’s very transparent. So here’s an example I like to use ’cause it goes sort of right back to the beginning with our president, Donald Trump. So he has claimed repeatedly that he graduated from the University of Pennsylvania tops in his class.

Now he’s never released his transcript and it would be illegal for the University of Pennsylvania to release it without his permission.

But we have the program from when his class graduated,

and so it lists the people who are Summa cum loude he’s not on that list. People who are magna cum loude he’s not on that list. The people who are CU Laude, he’s not on that list. Remarkably he is on the list of graduates. So there is

that.

And moreover, there’s a dean’s list that would come out [00:06:00] regularly and he’s not on it. So it seems to me, if you put those facts together. We know with something very close to certainty that he in fact did not graduate. first in his class. So yeah, there are all sorts of reasons to say that certainty is hard to achieve.

There. There’s always possibility that, you know, you’re being fooled in one way or another. There are all sorts of not just the one that Joe mentioned. There are lots of things about how our brains work that make us prone to error, but there’s also such a thing as learning some techniques, learning some skills to fight that a bit.

It’s not like you can completely say, oh, now I can determine the truth of everything, you know, but there, there are things you can do to try to overcome some of those cognitive problems that we all have.

geo: And I, so is it

nick: possible that he’s told himself that he’s topped his entire time and like he [00:07:00] actually truly believes it At this point?

david: possibly.

But one thing I’ve read now here, I guess is not something I can claim. I know for a fact. ’cause it’s just something I’ve read that people who know him have said that he has, you know, told his lawyers and everything and other people in his circle to sort of do everything in their power to not have the university ever release his his grades.

So I suspect he knows that he wasn’t a great student but nonetheless, it is a phenomenon. You know, that sometimes when people lie to themselves over and over again, they start believing

it. 

nick: I do that all the time.

david: Oh, okay. 

joe: Oh,

Okay. 

nick: For the longest time, I didn’t know what Tums did, and I told myself that it did everything.

mary: Tums

nick: cured everything for me for the longest time

geo: a longest time. It’s kind of a placebo.

nick: yeah,

geo: placebo effect,

nick: I placebo myself knowingly. And it worked

mary: That’s fantastic. 

geo: I guess that’s a good point.

Like the grades are the thing that is the known thing that we don’t know, [00:08:00] but it’s like he either got a C average or D average, or. A average, whatever it is that it exists. Yeah. He had classes and grades and that is the thing that exists. So it doesn’t matter what our perspective is, that is the truth.

nick: I mean,

geo: you know what I’m saying?

joe: truth, right? Yes. But I think you didn’t have just tethers into , the social truth where you can start to convince and people then will buy into that as true, even with compelling and overwhelming evidence because they want to fit into some tribe, they wanna fit into some societal kind of norm and fit in.

So I think that’s the other thing that we’re playing with, especially at, in a super kind of social media playing this oversized role in media, playing this oversized role in culture. Now you’re seeing this kind of amped up that if you can get into the minds of people get your quote unquote truth out there, then you can, no one’s even asking [00:09:00] for these documents.

People are just going along and saying, okay you know, and some of that could be, there are bigger issues to at hand then if your first, second, third, or last, you know, who cares when people are, being mistreated. The economy is, not doing well and bigger political geopolitical kind of the world at large.

So I think that also factors in some of this is,

mary: although

david: would say that the example I used, even though it’s nowhere near the most important issue, it gives you a framework for viewing everything that Donald Trump does. So you’ll notice he’s constantly claiming, oh, he’s created the greatest economy in the history of the us.

He’s been the most transparent president in the history of the US et cetera, et cetera. And so he’s just always lying. He even cheats at golf regularly. There was a whole, there was a whole, there was a whole book written about that and maybe some of you saw in the news a few months ago he was caught [00:10:00] cheating at golf right on camera or on video where his caddy got ahead of him.

And then as he’s walking along, he just sort of casually drops a golf ball

And

then Trump comes

up and hits that ball,

you 

mary: know, so

david: Mm-hmm. So he’s just a huge cheater and liar. And there are all sorts of barriers to exposing that the media kind of doesn’t know how to do it. Because if they were to report on things objectively and accurately, they would just be saying that all the time.

And the media ethic is sort of, oh, that would not be objective. You know, that would mean we’re being one-sided and so on. So I think there historically, maybe it’s not as much true Now. The media landscape has changed, but historically the media had this ideal of objectivity, and I think they got objectivity wrong.

If you think about the concept of objectivity, it has to do with [00:11:00] fidelity to the object. You’ve described the object accurately, whereas the media tended to. Interpret it as being fair to both sides, being sort of in the middle, being neutral. So if there’s a one-sided phenomenon and you describe it accurately, they see that as being not objective.

’cause you’re not kind of arriving in the middle, you’re not describing both sides sort of evenly. So

the,

nick: do you, 

geo: it’s hard to describe something like. Picturing someone doing something that’s so black and white as, you know what I’m saying? Yeah. 

nick: You guys think that it’s because all the news corporations are being conglomerated into like major networks?

We don’t have that local news as much as we used to. So back then we were able to have local newses that some might be absolutely bonkers with their reporting, but a lot of [00:12:00] them had very straightforward facts on what was going on. Yeah.

mary: Yeah.

geo: the facts, ma’am. Just the facts.

david: Yeah.

That’s an interesting point.

There’s a book I would recommend, it’s by Ben Bagdikian he was a journalist and a journalism professor, and he wrote a book called The Media Monopoly, and the first edition came out, I wanna say 82 or 84 or something like that. And he was pointing out that like the 500 biggest media outlets in the country, and that includes newspapers, magazines, television networks, television stations, movie studios, et cetera.

The 500 biggest ones, they were all owned by, I wanna say something like, I don’t know, 22. Companies. And so the next edition came out two or three years later. Now it’s 17 companies, two or three years later it’s 12 companies.

And I think the most recent edition, it was something like six companies. So they, the big corporations keep buying up the smaller corporations, and that does hurt with the diversity of [00:13:00] opinion, especially to Nick’s point about the local news, because there, you know, the big power players aren’t quite as concerned about what’s going on locally, so there’s more room for accuracy. And so one of the effects I remember reading, I think it was in his book or somewhere else at one point, there was some weather disaster hitting South Dakota and South Dakota had no radio stations where people were in South Dakota.

They just played tapes that came in from some big sort of thing. So I think the, you know, these media issues go into the obscuring of truth quite a bit. Yeah.

joe: Yeah. But I think, I mean, the other thing is this money that factors in quite a bit, especially when

geo: you’re, oh, money, always money

joe: And news and media, because, that was the other big change was that news was independent of advertising. The night the news would just come on, it would run, and then, commercials and things were in the other programming.

And then at some [00:14:00] point that switched. And so money then became the big factor. And having these kind of putting out these truths or even now editorializing the news, I think then opinion comes in, and Dave, you, me mentioned that about opinion and how that isn’t truth.

Mm-hmm. You know, that it, I mean it can be, but generally that’s your opinion of the truth

or of, 

mary: can be,

geo: But it can be, but it can be an informed opinion. Yes. You know, and I mean, 

joe: It’s still the observation, right? So you’re making an observation of something and then drawing conclusions and then that’s, that’s technically your opinion, right?

That, I mean, you can do that. So you can go out and say the sky is green. And then go about

nick: That’s just like your opinion, man. 

joe: That’s

right. Exactly. And so

Is that, where’s the truth? And that, you know, that gets in, I think misinformation, disinformation, and malformation. You start to play with those kind of

Using

truths and non-truths at this, shell game.

And if it’s about making money, I think then you’re gonna play it up. 

nick: That’s where the 24 [00:15:00] hour news cycles came through.

joe: Mm-hmm.

geo: And that also money even gets into like scientific discoveries. I’m sure. Now, I mean, you right? I mean, you’re supposed to be doing your science blind and not have a agenda.

But I, my guess is money is getting more and more something

joe: some point that’s when it’s careful to look at studies, especially like I would say nutritional studies. So if it, someone comes out and says, grape juice is the greatest juice of all the juices, and they publish on paper. I would look at a, how many people were in the study,

uh, and then B like look at who funded it.

So if, you know, I’m not picking on any company.

Exactly. If they, gave the money to the researchers, then you gotta imagine there’s some level of pressure to massage the data. Maybe not outright tell a non-truth. And this gets into that.

Was this malformation, so it’s true and that, but that spreads harm?

Or is it misinformation? Was it truly false? And, you know, it doesn’t,

geo: you keep you are bringing up [00:16:00] several words, disinformation, misinformation. And what’s the other one? So disinformation I

joe: I have as false and accidentally spread disinformation, , false, and deliberately spread and malformation as true and used out of contect and spreads harm.

david: So you can say something that’s true, but also deliberately quite misleading.

You could,

uh,

And example, since I was picking on Donald Trump I’ll.

Try to be fair and pick on a Democrat

now.

nick: I mean, you don’t have to, we’re not getting paid by anyone

joe: yes. We 

have no sponsors yet. But if that could change

david: Bill Clinton was really good at this. And one example is in, I think it was when he was running for his first term in his debate, his opponent was accusing him of being a big tax guy.

He’s gonna really tax you like crazy. ’cause that’s always the Republican playbook against Democrats, that they’re taxers. And so Clinton’s response was to say the people of my state, [00:17:00] Arkansas. On average, they have the second lowest tax burden of any state in the nation. And this was completely true, but what he left out of that is the reason they paid so few taxes is that they were desperately poor.

You know, it was a po poverty stricken state. You know, it used to be that politicians were sort of masters at that saying things that were technically true, but totally misleading. And one of the things that’s interesting about the Trump phenomenon is he doesn’t go in for that kind of subtlety.

It’s just bold faced lies and typically things that are obviously lies. And yet somehow he’s able to fool millions and millions of people. It’s an interesting

joe: I think he’s a, I think he’s just a personality, right?

So I think he’s this very showman actor kind of mentality. And so if you’re a showman, that’s, if you’re like an actor, that’s their job to go in and convince you that, you know, to be empathetic with them, to hate ’em, to whatever. And they can be a totally different and usually are in real life, but that is their [00:18:00] job.

So if you put someone that into the political arena, and that’s, I mean, that’s an attribute of it, that you have to be a good showman. You have to sell yourself, you have to be likable, you have to, and , you can start to get, and people will. Overlook or you know, or not really pay attention to these things.

And especially if they see ’em as minor that’s just a minor. You fudged a little bit. It’s not a lie. Okay. You were 10th instead of first, eh. Okay. I mean, it’s a long time ago. People forget a little bit. 

geo: He wasn’t,

I’m 

mary: saying that.

Well, I’m 

joe: just saying

once Once you have that kind of narrative, people are gonna point out other people because as you said. That this is a game Politicians play is massaging the facts. So can you then go, and if you got the better personality, the more you’re more bombastic. People seem to like that. 

nick: See, but on the opposite end of that scale are comedians. They will tell the truth and have you laughing along with it to the point where you don’t know if it’s the truth or not.

But they have openly said some of the most hidden secrets in [00:19:00] public, and we just laugh at ’em as, oh, that’s funny. ’cause it’s a joke. And it’s 

geo: I think you’re able to put people like, kind of let their guards down. You’re more accepting of it. You’re Yes. When it’s like a comedy and like someone’s giving this, it’s not so much in your face, I’m yelling this I’m making you laugh.

I mean, oh, some of them

nick: them are yelling it,

geo: but maybe I’m really telling the truth. You know? And I think the great example is the Great Dictator by 

david: Charlie Chaplin. Yeah. 

geo: I mean, so

nick: I mean, I was gonna go John Stewart over here, but Yeah,

david: George

joe: Carlin, I mean,

nick: exactly. All

geo: but, but Charlie Chaplin was telling like these very important things about what was happening at the, at that time.

But I think the way he was able to do that is he was kind of a clown and people were laughing, but it’s wait, what are he saying is really. True. You know?

joe: Yeah. 

mary: [00:20:00] I have a question. I wanted I more of a comment. So you were a professor David for many years. 

david: That’s right. 

mary: So what kind of criteria did you develop for your students to help them? Figure out whether something was true or not.

david: So one of the courses I taught was just called Critical

Thinking.

And so we would do various things. We would talk about the classical logical fallacies that have been developed since the time of Aristotle, know, so, And logical fallacies are common mistakes in reasoning. And so one thing I would say is, and this may shock some of you that I would say this, most of the time people think fairly logically and we kind of don’t notice that. ’cause we take it for granted.

mary: Mm-hmm. People 

david: are able to walk down the street and not smash into each other. People are able to put their clothes on in the morning.

You know, people are able to navigate most things thinking rationally. So logical fallacies are common mistakes in reasoning. So we talk about some of those and we [00:21:00] talk about some things in scientific reasoning, like I mentioned before, not confusing correlation with causation. Yeah. I have a rich fantasy life.

I sometimes would love to question RFK Jr. And just ask him what’s the difference between correlation and causation. Because I notice almost all of his arguments are just based on a very uncritical application of correlations. Mm-hmm.

So we do that. Then we do a unit on. Sort of psychological fallacies, you might say.

Like one of the most common ones, probably most of you’re familiar with this, is what’s the word I’m looking for? A confirmation bias. And one of the things that makes that so insidious is one version of confirmation bias. It has to do with simply what you notice. So when you’re out in the world looking at things you’re gonna notice some things and not notice other things.

So like a lot of prejudices, racial prejudices, gender prejudices, ethnic prejudices are sort of based on [00:22:00] that. So if you’ve got some kind of bigoted view about a certain group, so anytime you see a person in that group who’s doing something that fits that stereotype, you notice it that way. Ah, there, there’s another one.

Doing that thing,

mary: you notice it more because you’re primed to notice it, 

david: And so when

When you meet someone in that group who doesn’t fit the stereotype, you don’t notice it as say, that’s a counter example to my thinking.

mary: It’s And aberration.

david: Yeah, it’s an aberration. So we go through these sort of psychological fallacies.

We do some stuff about the media. Sort of some media criticism about what are some of the distortions you find in the media and so on. And we talk about certain sort of things you can try to discipline yourself to do. So going back to confirmation bias, one of the things I try to teach is that it’s a useful exercise to think in advance what would count as counter evidence to my views on various subjects.

And then actually look for that, you know,

[00:23:00] because you can always find evidence to support any belief you might have, you know? And so the important thing is to try to look for counter evidence. Just one more example, I realize I’m rambling on a bit

nick: No, you’re all

mary: not at all. This is great. Thank you.

david: So there’s a famous experiment that sort of shows this problem where the experimenter will tell people, I’m gonna give some numbers.

In order, and I’m following a certain principle in the order, and I want you to guess what principle I’m using as a person will say, okay, here we go, 2, 4, 6, 8. And then what’s the next number? Everybody will say 10 and and he says, okay, that’s right. What might the next number be? They’ll say, 12. What’s the next number?

  1. So they’ve already decided that the right principle is you’re going up by two. They don’t even test if it might be another principle. So in fact, the principle I’m following is I just give a larger integer, you know? So [00:24:00] 15 could also be, but they won’t test to see if it might be that. So I try to suggest, you know, that’s a good tool.

You’ve got a belief, you find evidence that supports it. Now consider some other hypotheses and also go with that. And also what would count as sort of counter evidence. So those are some of the things. 

joe: You’re nailed there with the scientific method, right?

Yeah. Because that is the idea that you would iterate through testing hypotheses to see if it checks out and didn’t do experiments to actually test if you’re right or wrong. So you would ask, you would say 15 and get a wrong and then you would move on. But I think the other thing is that people in general like to be right.

david: Oh, sure.

joe: And so if you’re telling someone that they’re right they’re not gonna challenge their own belief system because they’re being told that they’re correct and you’re doing this, you’re doing a great job. Keep it up. And if the if the instructor or the examiner is saying, good job, then they’re just gonna keep.

They’re gonna go, yeah I’m a genius. I got this. You know,

nick: Thank you. 

joe: first try, I, I’m the best of the best. 

geo: I think [00:25:00] that gets at the reason it’s so hard to convince someone that they’re believing something that’s not true.

That’s right. You know what I mean? Because they’ve put stake in the fact they believe that is true. Do you know what I mean? Yeah.

mary: wrong. You know that you feel that, you know. Yeah, exactly.

joe: So doing some research, what is, what exactly is truth? And came up with these three, maybe four-ish theories.

And maybe, one is the correspondence theory, that the truth matches reality. And this kind of theory, it requires you to independently. Assess your perceptions to check your own match, that what you’re actually seeing is what really matches reality.

Which is hard to do

david: well 

geo: because

nick: so many people nowadays get stuck in an echo chamber.

Right? 

Like you get on social media and you’re part of

geo: never gonna

nick: you only see what goes on between the same people of your like mind.

joe: So have the

mary: yourself sometime and go to somebody else’s house and go see what their [00:26:00] YouTube Algorithm looks like.

joe: don’t do that. I don’t know if you wanna

do that. 

mary: it’s, I know it granted, I mean, yeah.

You might think different things about your, but no. You get to see somebody else’s reality and like the things that, that they get

geo: might never wanna talk to that person again.

david: from,

joe: oh, so I just sometimes you could just watch goofy stuff and then you’re like, oh, oof is what you watch.

nick: watch some wild shit on there.

joe: I didn’t have the co coherence theory where your truth fits a system. So it fits consistently with the system of other beliefs. And so you fit in there. That’s sounds nice, but a well-constructed delusion is inherently coherent. So you also can make this construct.

So trying to find this truth and the pragmatic theory, the truth

nick: Wait, can you give us ex an example of the other one? Is it like the people who believe flat earth?

joe: Yeah. I mean it’s just, your access to reality. So if something is true, if it doesn’t contradict everything else, you know, so you’re right.

So Flat Earth would potentially fit that because everything you [00:27:00] know about Earth probably if you don’t really assess it that much, you can convince yourself that the earth is flat. 

nick: Don’t even know how they do that anymore. They keep using words like round. People all around the world know

mary: but David, you wanna

nick: and it’s you know, you just said round, 

joe: goes

against the correspondence theory. That matches reality. Yeah. So you have these, so

mary: you wanted, you, David, you wanted to, and I, you look like you wanted to say something there.

Yeah. I

david: to say something about the flat

mary: earth.

joe: Oh, go for it. 

david: So, So

I read a book a while ago by a philosopher named Lee McIntyre, where he took it upon himself the project, if you will, of attending conferences of various people who have wacky beliefs like that.

Okay? And so one of them was a Flat Earth Society conference. So first of all, I learned something fun. I wanna see if any of you know this. What word do the flat Earthers use for people? I assume all of us who think the earth is round, what’s their name for us?

mary: Oh gosh. It can, it can’t be good that

joe: The

mary: [00:28:00] theist

david: Globe tarts. So that was one thing. And the other thing that I thought was really funny, in a way, I have a kind of respect for some of these people because, you know, it’s an actual conference where they’re getting up and making arguments and so on. And so one guy, he had a proof, if you will, that the earth is round and so sorry that it’s flat.

And here was how

nick: it’s okay. That’s just how they said it too.

mary: right? Uhhuh?

david: Exactly.

mary: I knew it. So

david: they said we all know that most of the earth is covered with water. We all know that. I’m gonna prove to you that water will not stick to a globe. So he took a beach ball and spun it and poured water on it, and sure enough, the water came off and went to the

ground.

So it, it wasn’t factoring in the whole gravity

thing. you know, but 

joe: That’s right. Yeah.

geo: I have I know you’re in the middle of your list, but this is making me think of something. And Joe,

joe: the list is for.

geo: That’s a lie.

david: You, you you sent me something on Instagram and I’m not gonna be able to [00:29:00] like, credit it at all. I mean, we hopefully will put in the show notes, but sometimes I lie and sometimes I lie and say it’ll be in the show notes and it isn’t. But it was this woman going over the map, the world map and talking about the sizes of the different,

joe: That’s been done by a few

geo: And that blew my mind because I just took the, I took the regular map as just, that’s as true as

joe: and usually

geo: true can be the story

mary: They,

geo: But the con but the continents the Latin American continents were much smaller and they really should have been bigger. And I mean, I don’t remember. That’s

joe: is much larger as a continent than, you know, Greenland is huge. It sits there and it’s like you, 

geo: Yeah. And it was, United

joe: States is usually the lar like one of the largest, you know,

nick: they try to put it right in the center

geo: Yeah. And it was just so fascinating. It’s wow I just, that was, that really opened my eyes that like

nick: that gets through 

geo: something

that’s been around for a long time and just [00:30:00] always just assumed is right.

And it’s no, that, you know that who, that’s

joe: who tells the story. And they can perpetuate their truth, right? So that’s like any, , historical event. If you get to write the book, if you’re the,

nick: you’re alive to tell the story, you’re putting yourself as the hero,

joe: as the hero, right? The winner always writes the better story and the loser muley they lost, they’re losers

nick: They’re probably not around. 

david: Well See,

this is why you need people who will make a conscientious effort to put in what’s not there. So

joe: that’s 

right.

geo: And that’s why so much of like history and everything else, people want to, , erase it or not tell those stories, you 

joe: think this, The third kind of theory was the pragmatic theory, and this was it’s truth that works. William James and John Dewey. They argued that a belief is true if acting on it produces useful results. And so that’s a, it’s a pretty powerful philosophical statement when you think about it, that if you can do it, but it really means that something can be true in one [00:31:00] context and very false in the other.

And this probably more fits the political arena where this happens a lot. But it is if it leads to a great, outcome Yeah, let’s roll with it. 

geo: I’m

david: I’m dying to respond

to this. 

joe: for it. No,

mary: Yeah. I 

joe: I, can,

see that,

mary: I, I

joe: I’m, that’s why 

I was like, 

I’m going to wait.

That’s,

mary: Oh I’m right here in the splash zone. I can’t wait. 

joe: this is a list.

david: So, So here’s what I would argue you, you are absolutely correct. Those are the three major theories of truth that we find in the history of Western philosophy.

joe: have one more, but you

david: Oh, no, go ahead. With the fourth one.

joe: Oh I was gonna, and I don’t know if it’s a theory, but it was deflationism.

Oh yeah. And it’s really it’s, I mean, it’s kind of basically saying that True isn’t a deep property at all. Yeah. That it’s just a made up construct. And an example for Nick here, the one that in reading this, it is true that the sky is blue.

It’s nothing to the sky is blue. And so stating truths is meaningless. And so we should just, and I guess it could make you, it’s your word and you use it any way you [00:32:00] want. It’s like love, like we, , we don’t, we need more words to parse through all the emotions, 

mary: wanted. You wanted to talk about the three theory or the theories.

Yes.

david: I’ll leave the fourth

joe: can lead a fourth one. That’s 

really not a theory. It was just a fun.

david: So what I would argue, so the correspondence theory, the first one you mentioned, where a statement is true, right? If it accurately reflects reality, that goes back to Aristotle.

Aristotle, over 2000 years ago, he said, to save a thing that is, that it is true to save a thing that is, that it is not, is false. He sort of goes through stuff like that. And what I would argue is that the other two theories, the coherence theory and the pragmatist theory unwittingly. D really rely on the [00:33:00] correspondence theory, because if you think about it, if you wanna say, okay, my belief is true because it coheres with all these other beliefs, what’s the status of the claim that it coheres with them?

It looks like that’s gonna have to be the correspondence. I claim that they cohere, that’s only accurate if it does go otherwise, you ha you get, you go off on a on an infinite regress. And that’s easier to explain with the pragmatist theory. So let’s give an example. So somebody like William James, he would say that Chicago is east of here.

It’s true what makes it true, if you act on that belief, you’re gonna succeed. Whereas if you think it’s south, you won’t

But notice the claim that it’s useful to believe Chicago is north of here. That has to be true in the correspondence sense. Otherwise you have this regress. It would have to be.

It’s true that Chicago is north of here because it’s useful to think it is. Alright. How do we know that it’s [00:34:00] useful to think that it is? We have to think that it’s useful to think that it’s useful to think it is. And you’re off on an infinite regress.

joe: You could, I mean us to add something there, you could think and give a truth that it’s useful because north is the shortest distance.

Like you could get to Chicago going south ’cause it is a globe but it’s not useful to go south. So could you make the argument then, so you can find maybe a reason you could say that, that

david: The two u the two usually align, in other words, believing things to be true that actually are true in the correspondent sense is usually also useful, but maybe not always.

And so you mentioned William James. He has a famous piece called the Will to Believe, and he essentially defends religious belief on the, those grounds. He’s kind of admitting you can’t get there using regular evidence, scientific or otherwise. So it’s, he’s gonna argue it’s useful for many people to believe in God in the afterlife.

And so that’s just true, you know? So that’s sort of where he [00:35:00] wants to go with it

joe: And define that.

But then I was there, one other thing kind of looking all this up was the Tars ski problem, the Liar’s paradox and it’s a statement. So this statement is false, so logically, if it’s true, then it’s false.

If it’s false, it’s true. And so you get this kind of logical kind of mess with statements like this and this kind of you know, these very interesting brain twisters that you can kind of go through and,

david: Yeah, there are lots of things like that. I used to have a t-shirt that said this shirt contains three errors and it did have two spelling errors, but no other errors.

So then you can say, ah, that’s the third error. But then if that’s the third error, then it’s true

that there are three errors And

so you go back

geo: forth

joe: You

nick: but couldn’t it also be the person wearing it?

Is the error There you 

david: you 

go. 

Yeah. Yeah. 

nick: I’m not calling you an error, but like[00:36:00] 

david: no,

nick: just saying, if I saw that, I’d be like that’s a third error.

geo: I think this

joe: But I think this opens up that

idea of handling, kind of handling truth is very, ’cause you get into these kind of paradox

geo: You know what I was, I thought you were gonna say that. That gets to hand wa

david: w

joe: you. Does get the, it does get the hand hand Rium fixes these problems, right?

’cause you, we can hand wave ’em away. Like something like the Mandela Effect,

nick: you know what isn’t a hand waving him? Mk Ultra conspiracy stuff.

mary: Some what,

nick: MK Ultra was the truth serum that the what was it the CIA that was trying to create, why are you shaking your head at me?

part of that is a lie?

joe: I mean, I think a lot of the truth serum drugs,

nick: it was a, it was them trying to create a

joe: They were trying, right? Yes. But they

geo: probably were trying.

joe: they were trying, 

geo: then that’s the true thing.

joe: ’cause they didn’t get it.

nick: I mean, they didn’t get it, but they gave a lot of people drugs.

joe: drugs make you feel just more relaxed, right? So that’s kind of all the classic truth serum kittens into that little [00:37:00] area, because I think that opens up, truth is hard to define.

But then actually, how do you make someone. Tell a truth in, you know, in, in the

geo: like, how did Wonder Woman’s lasso really 

joe: That’s right. How did It how did it work? That’s

mary: it was full of LSD

nick: and I will believe this until DC tells me otherwise.

joe: it could it could work something like, I mean, you’re right, but it was one interesting thing I’ve found was the bogus pipeline and it’s a it’s kind of a psychologist trick that if you tell someone that this thing will do something, so if you go, this device will tell me if you’re lying.

mary: Mm-hmm.

joe: And then the participant will go, really? Then you have set this all up with kind of other anonymous kind of forms and things and then you can bait ’em in, give ’em a little bit of juice ’em up, you know, give ’em a few facts and prove them out in lies. And then they get convinced that they are, that this machine can tell the truth and they better not lie because [00:38:00] that you’re gonna find out.

So the lasso can work. It could be more psychological trip that this lasso will, you know, give me the truth and then bait ’em in. And then they just tell their truth. Also, because it, , as I, in my opening, it might not be the truth.

geo: So that’s kind of like a lie detector.

nick: just seems like a lie in general. Joe, I’m sorry.

joe: Yeah. And the lie, I mean, a lie detector is interesting also, right? Because that really just measures physiological response to kind of, 

geo: and you get more nervous when you’re telling a lie.

joe: And that’s FMRI. So functional magnetic resonance imaging.

Most people are familiar with MRI going in for DI Medical Diagnostics once again using magnetic information as your imaging source. Talked about that. Some of that in the electromagnetic episode, a little plug in there. But, functional, you’re actually looking at blood flow so you can actually have people and question them and do imaging.

So this very real time imaging and see how their body’s [00:39:00] responding at the kind of internal level to see if they’re lying and things like that. But they’re all these have problems because Georgia said, if you have white coat syndrome, and so you get nervous when you go and interact with medical people that’s gonna skew the result.

Or if you’re just really good at controlling your, physiology, you know you’re breathing and you got meditation and you can do that, you can, probably lie your butt off and pass money.

nick: Or if you’re constantly fidgety just like 

joe: or if you’re constantly fidget

nick: even tell

joe: or if you really believe the thing that you’re being asked about, right?

So we’ve talked about all these little, paradoxes and theories and loopholes, but if you really go in believing at some core level that you were number one at when you graduated, then you’re probably gonna pass the lie detector test. I mean, you’re probably not gonna, you know, and being lassoed the lasso was really had a lot of power.

david: Yeah.

I read that this isn’t exactly what you’re talking about, but it’s sort of close that supposedly a different part of your [00:40:00] brain li lights up when you are seeing a place you’ve never seen before, as opposed to when you’re seeing a place you’ve been in

before. And so there’s a controversy as to whether this should be allowed in crime investigation. So like the suspect says, no, I’ve never been to that person’s house. You know, where they were murdered. Supposedly you could take ’em there and see what part of their brain yeah.

pictures

joe: of it. Yep. That’s right. And that’s how the functional MR mri, I think it works 

similar to that. Yep. Yep. That you go on and you’re doing that kind of analysis to see, but you’re right, the brain is weird and wired and as we talked about, , that right and left, like your right is like reasoning. The left has a

geo: no.

That left right thing that sounded a lot like hallucinations in AI like you just make something up. You don’t just say, I don’t know you, you make up an answer.

joe: you’re, I mean, so hey, they get the AI and we could probably touch on deep fakes also and how that impacts all this. But remember, AI is a prediction machine, and so it’s [00:41:00] just making mathematical predictions.

So really the underlining is this math. And so it’s just even with writing a sentence, it’s just with the training data, it knows which words are closely related enough that they should go

geo: But what about would do that when it makes up stuff about things,

joe: right? I mean, it’s making it up because, so some of that I think, , you get into and we’re, we have a episode, on chat bots and talked a little bit about this, but just to rehash that is that you’re a lot of the AI they want to please and they’re designed to please the human, person is asking the question.

So if you ask it for 10 things. It is gonna try, its best to give you 10 things, even if it has to make up seven of them. It’s just going to, it just wants to give you that list. And then it assumes that you, as the human will be able to go, no these are all wrong. We should scrap these seven and move along.

And so you do have this thing where that’s some of that [00:42:00] hallucination that it’s asking. You’re saying, give me that. The other part is that it is predicting. So if you put in, give me, all of David’s publications and then it gives me a list, and then some of ’em are right. Some of the dates are, titles are right, but the dates are wrong.

It’s just predicting what it should go there. And it didn’t really do an exhaustive search of all the data and figure this out. It’s just now predicting that, you wrote this book in, 1999, you know, you wrote this one in 2000 and Oh, I see, , it has the information or it’s missing.

But it wants to give you that information, so it’s gonna make it up. So I think you have some of this hallucination is just it, trying to predict what you’re looking for and then fit that in if it can. If it doesn’t really know, then it goes, you know what, this is what I think you, this is what I’m predicting you want.

And 

david: so toward the end of my teaching career was when those AI chatbots really came in a big way and they were a real problem.

More so than just the ordinary kind of plagiarism where a student might just, you know, [00:43:00] download something off the internet. They take my prompts and put ’em in the chat bot. And the big problem with that in philosophy is that the way philosophers often write is they’ll mention some theory and then go on to critique it.

And the chatbot cannot figure that out. It just sees, here’s the name and here are these ideas. And so they’ll frequently, the essay that the student will turn in fraudulently claiming it’s theirs, it’ll have the philosopher defending the thing that these violently arguing

You know? So it’s sort of comical.

geo: accountable.

mary: I wanted to ask you, David, about, critical thinking. Yes. And you were a professor. So you taught undergraduates, right? Correct. 

david: Uh, yes.

Yeah. At P N W they don’t have a graduate program in philosophy, so undergraduates 

mary: you know, and so in many cases you’re talking to many students who are quite young or early in their career.

Yes. So you have a unique opportunity to help them [00:44:00] develop their critical thinking skills. So how did you go about doing that?

david: It I used the techniques I was describing in my earlier answer. Mm-hmm. But I’ll just say this. I would say that I had. Only medium level success.

So let’s take the logical fallacies, for example. Okay. Okay. One of the really common logical fallacies, it has a Latin name, it’s called ad hominem. Most people are familiar with that. And so the fallacy is when you try to dismiss someone’s claim or argument by simply attacking them personally, right?

Okay. And so I found I had tremendous success at getting the students to understand that basic concept, but I tried to go one step further because these are common mistakes. And the reason why they’re common, I think is that. For most of them, there are occasions where something similar to it is [00:45:00] not fallacious.

It’s legitimate reasoning. So I tried to emphasize, look, it’s a crucial component that they’re trying to dismiss someone’s claim or argument by attacking them personally. But what the students would do is, let’s say someone applies for a job as a cashier. And so when he says, no, we shouldn’t hire you, you’ve been in prison three different times for theft.

They say oh, ad ho fallacy. And it’s not a fallacy because you’re not trying to refute a claim or argument. That’s not the issue. And so I found that pattern over and over again. I could get them to understand the basics very well, but most of them had real trouble with sort of the second level.

And that might be because it’s just the one course and as you say, they’re primarily young students, But you know, what I would do is in class we would go through lots of examples, you know, sort of real examples and sort of analyze them. And one of the papers I assigned was I asked them to [00:46:00] monitor what’s going on in contemporary rhetoric in the world, in politics, in advertising, articles on the internet, whatever it might be, and identify logical fallacies that you find.

Mm-hmm. And they tended to do a good job of being in the ballpark, but they would sort of miss these sort of subtleties, you know? So I think it takes more than one course of study to really get there.

mary: Absolutely. And I think it’s something that we develop over time.

I mean, I’m not the same person that I was at 18th, thank God. You know? You know, we’ve had a chance to grow and change and we have more life experience and we have more things to compare it to. Yeah. I wanted to ask, oh gosh. I wanted to ask you too about this, not even ask out, I wanted, it’s more of a comment about when I was a kid or when I was in high school, grad college do you Mortimer Adler?

david: Oh, yeah, 

mary: yeah. I remember at the time, you know, he was very, I think he was very into talking about objective truth.

david: Yes.

mary: [00:47:00] And. I remember that as a kid just really wrangling me.

david: Oh, is that right?

mary: Yeah. Like the idea that I felt like his truth, you know, I felt like maybe some of that might be also opinion.

On his just a for folks out there. Yes. And even myself. Who was that?

Mortimer Adler. He’s a philosopher. Oh, go. He’s a philosopher.

david: Yeah. So he was what do I wanna say about him? He was sort of a popular philosopher, you know, he’d go on PBS and things like that.

And most philosophers tend not to think of him as a very good philosopher in an academic sense. He was able to speak clearly. He was able to communicate ideas well.

mary: Mm-hmm.

david: But what I would say about that most of the things that he thought were objectively true, I thought were not true. So in

that, and so there’s that, but I do agree with him that the concept of an objective truth is a legitimate one and a very important one.

Yes.

And basically all it means [00:48:00] is. You have accurately described the object. So whatever object you’re talking about, you’ve described it accurately, that would then be objective truth. So when I say Donald Trump did not graduate first in his class, that is objectively true. That’s

mary: That’s correct.

david: So in other words, so it’s always possible to be mistaken in thinking that something is objectively true.

We all make mistakes like

that, But

that doesn’t discredit the general idea of objective

joe: It be your subjective truth then that it’s what you believe to be true.

david: Yeah. Yeah.

That, 

joe: that would then, so you would have that and you would defend that, as if it was objective.

geo: And that gets back to perspective, 

joe: right, and

I gets back to

geo: and and perception

nick: also go along with the un unreliable narrator,

joe: Unreliable. And then memory errors. So our memories are very malleable. And so every time

nick: I brought up earlier in the episode, 

joe: you recall a memory?

geo: Oh, I don’t remember that.

nick: Oh, of course neither of you two do. I

joe: remember

geo: that.

david: But see what I would say, all of those [00:49:00] kinds of causes of error in my view, should not discredit objective truth. They rather simply show how hard it is to come by it, you know?

joe: Yes. right, But, but it can lead to defending it. So that’s the problem with it, that if you’re there, you will dig

geo: that’s why the scientific method is so important. 

david: See,

there, there

are some people who are really good at this. So Bertran Russell, he was, you know, a very important 20th century British philosopher, also won the Nobel Prize for literature, which is pretty hard to do if you’re a philosopher.

So he was a really good writer and so he was world famous. And one time he published an article with some new theory in logic. He did a lot of work in logic and a young unknown assistant professor found a flaw in his reasoning and wrote a critique and sent it off to. Publication that Russell had published in and they published it, and Russell immediately sent the guy a letter and say, thank you so much for finding the error in my [00:50:00] article.

I will notify the publication. You know, they should put a big announcement that I now recognize he’s right and I’m wrong. So that’s admirable, but rarely found, you know? No

joe: The problem, you also have that in that issue in reporting especially about like science stuff that, , their article comes out that has, misrepresent something and says, oh, this is, , the end is near, you know, dah.

You know, big font and the follow up. Oh, we were wrong on that. It’s usually like in the

geo: this little tiny,

joe: not, you know,

nick: isn’t this something we do all the time with our Mini episodes,

geo: is 

joe: We try to

nick: We call Joe out anytime he’s wrong.

joe: Yes. So we

try to be

good about that because I think it is important because that’s not done enough where, you know, the splashy headline comes out, you know, we found life on wherever, and then it’s no, we didn’t.

That’s a, that’s usually buried, like no one, and everyone goes along and just says, oh, we found life already. No, we, we didn’t, 

david: And I think here again, journalism is partly to blame because if there’s a scientific study [00:51:00] that is published that has some splashy conclusion, they’ll run with that.

And then when subsequent studies fail to replicate it, that’s not news. And so people get this idea of scientists, they’re just wrong all the

time. 

And they’re not understanding that one article. Is not science. Science is a whole process, which involves replication and so on. 

joe: Peer review, the whole nine.

Yeah. That

geo: me think of back, I think it was in the eighties or the nineties, there was this some study and it was about math and women learning math. Mm-hmm. And then they just wrote all these articles about this, about, and I’m not representing this totally accurate because I don’t remember, but it was like they picked up on just some very small random study and then they made this huge deal and it was like on Time magazine and all these things, and all these women felt like, oh, it’s just nature that women are not as good at math, you know?

joe: Yep.

david: You know, the [00:52:00] president of Harvard a few years ago, Larry Summers. He made a comment like that at a scientific conference. ’cause he was challenged on why are there so few mathematicians who are women at Harvard? And he said something like it probably has to do with the differential ability at the highest level, or something like that.

So I took a certain amount of pleasure that he’s in the Epstein files and had to had to resign from a bunch of,

joe: Oh, you have

mary: you know? I wanted to ask you too David, about this is something that I’ve noticed. Many times over the years when somebody has caught out on a lie, they’ll say it was taken out of context. Oh, yeah. Yeah. And I don’t think that they don’t know what context means. 

david: I was just mentioning to my wife the other day ’cause Jesse Jackson died

and I remember one little scandal he got into was, he was in New York City, this is when he was running for president.

And he was talking to a reporter and he referred to New York City as [00:53:00] Jaime Town, which of course is a slur against Jews.

Mm-hmm.

And I remember seeing a talk show where somebody was just vehemently defending him, and she kept saying that comment was blown out of context. And my thought was blown out of proportion would mean you’re making it more important than it was taken outta.

The context would mean it doesn’t exactly mean that when you put in the context

mary: like putting the bigger picture. Yeah. Yeah. When you put in the bigger picture, what does it say? Yeah. Yeah.

david: so

something being taken outta context, that’s a real thing, but people just indiscriminately use it without any kind of explanation.

They’ll just say it was taken out, it, you know, it’d be helpful if they said, look, here’s how it was taken out of context. 

mary: How did you, how did we take it out?

Yeah, exactly. And yeah it, I think maybe we’re getting at like the idea of not a truth, but a process of discovering the truth.

joe: Mm-hmm. Yep. I was gonna say too, with the, just to go back to the lasso or devices to get ah, [00:54:00] truth out of people, the other thing is

mary: going back to LSD again.

joe: get some,

nick: can’t wait for that episode.

geo: Hey, was that the test they did that the Duffer Brothers based inspired Stranger Things? No,

nick: but it’s one of the tests that probably did help with that.

geo: Oh, okay. Sorry.

mary: No. Anyway, no mo moving forward. Okay. Okay. About Lassos, right? Yeah.

joe: I was gonna ask, of the legal and ethical kind of considerations if you did have such a device. So David, you now have the truth device, you’re gonna just go

geo: lasso it.

It’s a little tricky to use.

mary: truth.

joe: out. Yeah.

It’s a 

nick: be slightly

geo: You gotta get in around the person. 

joe: knots. I mean, there’s books about how to do that, but that’s a,

the 

nick: bondage books.

joe: but yeah, I mean there’s, , the Fifth Amendment, self-incrimination, , coercion, there’s all these kind of things. I mean, it is interesting when you start getting down to truth and how you would navigate that.

Would it be, could you even use something like that? I’m looking at David, but it’s an open [00:55:00] question you know,

nick: are you having a lawyer do this or is it the justice system 

joe: I don’t know. I mean, or is it Judge dread us out in the street? You know, or

nick: wait, the judge, head of the lasso.

geo: vi vigilant,

joe: A vigilante, right?

mary: What were you gonna say? You had a 

david: you 

mary: at, you’re gonna say something

david: you’re really good at knowing when I wanna

say something.

I’ve noticed that

mary: I’m 

joe: sitting right next to you, so

mary: Yeah. That helps too.

david: I I was just gonna say, and I think you indicated that in your commentary, there are ethical questions about compelling someone to tell the truth.

However, there are things short of that, that I think should be done. So one thing that I find absolutely infuriating is at these when people are testifying in Congress, how they will just evade the question and say something irrelevant. So this,

nick: Dow is at $5,000. 

david: We should

be talking about

the Dow.

Yeah. You wanna talk, to the attorney,

general about the Dao. But even going back to that, to [00:56:00] her confirmation hearing, someone asked her, this is Pam Bondy, we’re talking about the attorney general. Someone asked her. If you become Attorney General and President Trump asks you to prosecute one of his enemies, but there’s not any evidence they’ve committed a crime, would you go ahead and prosecute them?

And so she said that would never happen. He would never ask me to do that. That’s not answering

the

So then the person said you know, suppose that he did, as unlikely as that may be, hypothetically, she said, I would follow the law. And again, that doesn’t answer the question.

You know, we don’t know what she thinks or might claim the law is. So in a criminal trial, if you’re a defendant if a, you can be compelled to answer. You can be ordered by the judge to answer and be held in contempt of court. If you don’t, and there’s a legal sanction for that, and if you give an answer that is non-responsive.

The lawyer will say, objection, nonresponsive. And the judge will sustain it. So they ought to do that in the Senate. So

Yeah.[00:57:00] 

You know, Pam Bondy will say something completely nonresponsive and then the questioner will say, you’re not answering my question. And just say you just don’t like the answer.

No, it was not an answer. You know,

nick: I think we need to start bringing rotten tomatoes to these, start throwing ’em every time they do this. 

david: You

remember the guy who threw a subway sub

and they couldn’t convict him. 

joe: Yeah.

david: I 

mary: I would like to make a plug for a book that first of all, David, first of all, David has a book here that did you wanna talk about?

david: I brought it along just in case I needed to refer to it. It’s a book called Challenging Postmodernism Philosophy in the Politics of

mary: Mm-hmm. Very cool

geo: and written. Written by yourself. Yes. Oh,

Oh 

mary: yep. This this book I was thinking of is, it’s called Killer Underwear Invasion. And it’s a book about the about critical thinking for little kids. Oh, nice. It’s a really cool

geo: underwear invasion. Okay. And

mary: And the title is Provocative on [00:58:00] Purpose because it talks about this idea where we can take things that start to start with a half truth, and you marry a half truth to another thing.

And, you end up with some amorphous beast, and it talks about,

nick: so the game of telephone.

david: Yeah. 

mary: a little bit like telephone and it also talks about white why do people spread so much?

disinformation

or misinformation on social media

nick: it’s fun

mary: and it’s profitable. It’s very, it makes a lot of money,

geo: And usually the most interesting,

joe: And no one follows up either. So

nick: one’s going back and Yeah,

mary: but this not actually, yeah, but it, yeah. But this book is about critical thinking for a little kid. Like the, kinda like the, like a first start, you know, of that. And I think that it’s really great just for a, just an opening, argument for

I

geo: I

mary: just truth. I maybe we’re, and also tagging onto that. I feel like maybe we’re gonna go [00:59:00] through, every movement is a reaction to the one that came before it. Maybe someday we’ll just, , end up into this, , scientific, like this golden age of critical thinking because we’ve just been drowning in bullshit for so long.

joe: I think people have to be curious, right? To go and investigate their world and the ideas that are presented to them.

Yeah. And the another thing, they need to be able to understand how to navigate the changing landscape of information

geo: be scared of,

joe: I think that’s, that, that’s gonna be a bigger hurdle. So you are curious. You go, you do Google searches or whatever if you have the right SEOs in there. You are, you’ll come up to the

mary: What’s an SEO?

joe: Search engine optimization.

Okay. And so it’s things you can put into your website

geo: like what Google wants you to see. So the top results.

nick: even though even if you do Google it, you can still find misinformation.

geo: That’s right. 

nick: Just because someone [01:00:00] goes, is the earth flat? They can skim through and then be like, this one agrees with me.

I’m gonna click 

joe: click this.

Yeah. No. So I think it’s also, it’s just questioning and using common sense, thinking about the sources

geo: don’t be scared of science.

That’s

joe: right. Don’t be scared of science,

mary: of science or the s Yeah. The scientific method.

joe: challenging your own ideals.

david: You know, going back to your point just a moment ago about how you have to be curious, you have to want to know the truth. So we were talking earlier about how people don’t wanna be refuted, you know, they take that very personally, but also I’m inclined to think a lot of people aren’t particularly interested in knowing the truth.

You know, they might wanna believe something that, you know, is comforting. Something that makes them feel good. And also, you know, we were talking about the pragmatist before, and I was criticizing them an earlier pragmatist, Charles Sanders Purse. He made the argument that people are just very irritated by doubt.

And so they just want to have a belief. You know? So it’s if I have a doubt about something or I don’t know, I might [01:01:00] just grab the first belief that comes at me because then I can feel like I know something, you know? Oh,

joe: You know? 

mary: Some like some something. Sure. You know, something stable 

joe: and your brain, 

mary: even if it’s wrong,

joe: Your brain then will start to filter through that and we, that’s what we’re talking about, that your brain’s really good at that. So once it latches on, then it will fill in all the rest.

So it’ll make the story for you very pretty and

happy and comforting and Absolutely. You’ll love it.

david: it. I

geo: Mary, a fellow children’s librarian, and that would make making me think about some of the earliest things that make us question things.

Our picture books. Yeah. And they do such a great job because you’ll have a picture and then the words on the page don’t match the picture at all. And then it’s okay, how do I navigate

mary: Mm-hmm.

joe: you can watch the Beast Games. And so

mary: You could do that

nick: you plugging that again? Jeez, Louise.

mary: No. So

nick: doesn’t he have enough money, Joe?

joe: Maybe he’ll just sponsor. We can be the Beast Game [01:02:00] sponsor.

david: So

mary: I have a, I another question for David. Have you, did you ever have a flat Earth in your class without naming names?

david: I don’t think it ever really came up. I mean, I did tell that thing about Globe tarts just ’cause

joe: it’s funny.

mary: Sure.

david: but We never had a serious discussion about flat earth theory, so I have no idea if I did or not.

mary: or did you ever have a student and you were like, oh, no, you know, did, or do you, would you, I guess just,

david: okay.

mary: Talk about the scientific method or critical thinking or 

david: here’s

the scariest moment I ever had in teaching.

mary: Okay, sure.

david: So a student. And he was a big muscular guy and he was recently in the Marines.

He was a scary guy.

And he he said as Einstein taught us, we only used 10% of our brains. So I knew that Einstein had never said that, And it’s not

true that we only use 10% of our brains. And so as gently as I could, I said actually, you know that that’s not [01:03:00] right. He didn’t say that.

And to try to. To ease that. I did say that’s a very common misconception, so I can understand why you might think that a lot of people say that, and he just argued back, no, it’s absolutely true. Einstein did say that, and it is true. And then I made the blunder of using the word myth. I said it’s something of a myth.

And he got up out of his chair and took a couple of steps toward me,

mary: Oh my 

david: you know, are you calling my belief a myth? You know?

And but fortunately he thought better of it and sat back down. So that’s the closest I ever came to something like that.

geo: Wow.

nick: Very

mary: Yeah.

joe: yeah, that’s 

nick: David, we’re we’re gonna be wrapping up here in just a moment. Do you have anything you’d like to plug for us?

mary: Sure.

david: So my most recent publication, it’s on a completely different topic. It’s on the 1960s and seventies, singer songwriter Phil Oaks. Have any of you ever heard of him? He’s not that well known, is he? It

mary: he the, it

geo: sounds familiar, but

nick: is he part of Hollow Os 

david: No.

no.

mary: [01:04:00] Is he for the 

joe: You’re right, yeah. He

mary: It’s not the fogs, right?

joe: Not

david: No.

mary: no. Okay. Don’t, no darn. 

nick: The

mary: No. I

nick: glad you did that.

david: so it’s, you could easily find it if you’re interested. It’s in current Affairs magazine. Oh, And it’s, it’s, it’s not behind the paywall. So if you like type in current affairs, Phil Oaks, OCHS, you’ll find my

joe: put a link to it in the show notes for 

people to find it. So of send it, then 

david: And then I guess the other book that I might recommend that’s a magazine article, but we’re gonna recommend one of my books that’s sorta of, related to some of what we’ve talked about. I have a book that came out in 2018 called Xenophobia, and it’s about the historian Howard Zi.

You guys familiar with Howard Zinn? He wrote a People’s history of the United States.

geo: Oh,

nick: Oh, I do know him.

david: Yeah. Okay. And basically the genesis for that book is that Mitch Daniels, who was the president of Purdue, he an email he had written, surfaced where he had said, we’ve gotta ban this book.

We can’t let it be [01:05:00] taught anywhere in Indiana for credit. And so I wanted to just first write an article about the censorship angle, but he then tried to justify it by saying, oh, there are a whole lot of, you know, great scholars who say, Howard Zinn is terrible. You don’t have to take my word for it. So I started looking into what those guys wrote, and it was all wrong, you know, lies or fallacious arguments or what have you.

So I wrote a book called Xenophobia, sort of exposing that. So I recommend that one.

nick: Absolutely. I can’t wait to read that one. Yeah, 

mary: yeah. 

nick: Sorry I, that one was me geeking out.

joe: I know. Yeah. And then just also in the wrapping up, like kind of one of the missions of the podcast, we probably mostly adults that listen, it’s kinda getting them to be curious.

Do you have any advice, like from your teaching experience that the listeners out there they can take with them as they listen to this podcast or other podcasts or other truths and kind of, navigating the philosophical truth

david: that, that’s a tough one. It really is. I mean, I would say, especially [01:06:00] since we were talking about the media landscape, you know, be mistrustful of what you find on the web.

There’s lots of true stuff, but a lot of fake stuff, a lot of false stuff. So try to check it out. Don’t just rely on one source, you know? And there’s a lot of AI generated photos and videos and everything, so it’s very tough.

nick: it’s getting good.

joe: getting good.

david: Yeah. Yeah. Yeah. So they

geo: They don’t have six fingers.

joe: Yeah, that’s right. Yeah.

nick: I mean, you still can’t talk for anything, but, you know.

joe: Yeah.

geo: Yeah. Yeah.

joe: But yeah, no, this is a great conversation.

nick: Thank you again so much for being here 

david: Oh, my pleasure. I enjoyed it.

joe: So thank you. Yeah. We’ll have to have you back and I’m sure there’s other, we probably get talk for another hour or two on

mary: Oh, it’s a fascinating subject. Yeah.

joe: cool. All right. You have me, Joe.

nick: Yeah, I got Nick.

joe: got Nick Georgia. We’ve got Georgia. Yeah,

mary: got Mary. We 

joe: We’ve got Mary.

nick: And we went down some holes.

joe: We went down some very truthful holes. We really did. We love you. Stay [01:07:00] curious.

mary: e.

joe: Be safe.